The story of three men who have spent longer in solitary confinement than any other prisoners in the US because of the murder of a prison guard in 1972 at Angola, the Louisiana state penitentiary. Robert King, Herman Wallace and Albert Woodfox were convicted by bribed and blind eye witnesses and with no physical evidence. Targeted as members of the Black Panther party the film follows their struggle against the miscarriage of justice and their cruel and unusual treatment. Known as the ‘Angola 3’, their story culminated in 2016 with the release of Albert Woodfox after 43 years in solitary confinement. ‘Cruel and Unusual’ has been eight years in the making. But that pales into insignificance compared to the 43 years that Albert Woodfox spent in a 6 foot by 9 foot cell for a crime he did not commit. After years left forgotten in the depths of America’s bloodiest prison, their struggle against this injustice had become an international scandal; when on the 19th February last year, on his 69th birthday, Albert was finally released, it was headline news around the world. On any given day it is estimated that ten to fifteen thousand prisoners are kept in solitary in the US. Director Vadim Jean joins us in a conversation about the incredibly heartbreaking and infuriating saga of the three men subjected to unspeakable brutality.
If You’re Not In The Obit, Eat Breakfast asks the question, “What’s the secret to living into your 90s – and loving every minute of it?” In this feature documentary, irrepressible writer-comedian Carl Reiner (who shows no signs of slowing down at 95) tracks down several celebrated nonagenarians, and a few others over 100, to show how the twilight years can truly be the happiest and most rewarding. Among those who share their insights into what it takes to be vital and productive in older age are Mel Brooks, Dick Van Dyke, Kirk Douglas, Norman Lear and Betty White. Adding spice to this inspiring documentary are admirers from the younger set, including comedian Jerry Seinfeld (who’s already reserved the stage at Caesar’s Palace for his 100th birthday show), longevity expert Dan Buettner, and Van Dyke’s much-younger wife Arlene, who’s got all she can handle keeping up with her exuberant husband on the dance floor. Directed by Danny Gold, If You’re Not in the Obit, Eat Breakfast is an entertaining look at how we all can overcome our society’s fear of aging, and how anyone, with a good dose of humor, can live well into their 90s.
Premiere Airing on HBO – June 5th at 8 PM
“If only every inspirational documentary could be as delightfully diverting as “If You’re Not In the Obit, Eat Breakfast” …” – Michael Rechtshaffen, Los Angeles Times
Ten years ago, Eliza Sherman was humiliated by people she thought were her friends. Now, after an unorthodox encounter, she finds herself newly endowed with special powers. So she decides to lure her old nemeses to a house in the Hollywood Hills under the guise of a birthday party for ’80s heartthrob Richard Grieco. By spiking the salsa, she brings about a drug induced slumber party — trapping everyone in the house with a good, old-fashioned forcefield. Battle lines are drawn, and relationships are put to the test. Eliza’s plans to punish her houseguests repeatedly go awry as her powers prove to be no match for fate. She must conquer her ego and stop screwing up the space-time continuum if she wants to find peace, and ultimately win the heart of her one true love. It’s twenty-four hours of mayhem, marijuana, Mexican food, and (almost) murder in this pitch-black, supernatural revenge comedy. Forgiveness is overrated. Director Gregory Fitzsimmons joins us to talk about his quirky, off-kilter time-warped comedy.
Dances With Films
Saturday June 3, 9:30pm – TCL CHINESE THEATRE – HOLLYWOOD, CA
Buster’s Mal Heart is a bold thriller peppered with dark humor and interlocking mystery, an eccentric mountain man is on the run from the authorities, surviving the winter by breaking into empty vacation homes in a remote community. Regularly calling into radio talk shows — where he has acquired the nickname “Buster” — to rant about the impending Inversion at the turn of the millennium, he is haunted by visions of being lost at sea, and memories of his former life as a family man. Buster (Rami Malek) was once Jonah, a hard-working husband and father whose job as the night-shift concierge at a hotel took its toll on his psyche and, consequently, his marriage to the sensitive Marty (Kate Lyn Sheil) — until a chance encounter with a conspiracy-obsessed drifter (DJ Qualls) changed the course of their lives forever. As the solitary present-day Buster drifts from house to house, eluding the local sheriff at every turn, we gradually piece together the events that fractured his life and left him alone on top of a snowy mountain, or perhaps in a small rowboat in the middle of a vast ocean — or both, in this visceral mind bender that will provoke discussion long after it turns your world upside-down. Director and writer Sarah Adina Smith and Producer Jonako Donley join us to talk about her wildly entertaining tale.
“A film that’ll break your heart as much as it’ll scramble your brains.” – Paste
“A dark psycho-horror drama that pulls you relentlessly further into the abyss.” – Monsters and Critics
“A storyboard of surreal puzzle pieces that snap together then suddenly split apart.” – The New York Times
“An affecting brainteaser with echoes of Lynchian dissociation.” – John Defore, Hollywood Reporter
“Fantastic, thought-provoking, off-beat, and hilarious.” – Ryland Aldrich, Screen Anarchy
“Genre bending… touching and terrifying.” – Kalyn Corrigan, Birth.Movies.Death
“Malek has the range to be utterly charming, utterly creepy, or both at once.” – Geoff Berkshire, Variety
“Unclassifiable… a bold, original thriller” – Stephen Saito, The Moveable Fest
The origin of lacrosse belongs to the Native American Haudenosaunee (pronounced “ho DEE no Show nee”) who the French called Iroquois. To this nation of 125,000 people it is more than a game. It is a profound medicine, part of Iroquois cosmology and their lifeblood. Gifted players like the Thompson brothers and Brett Bucktooth Junior provide a spiritual sense of what it’s like playing Lacrosse with a “good mind”. They belong to a pool of only 400 Iroquois players, whereas team Canada and USA draw from over 600,000. In 2010 England hosted the World Lacrosse Field Championship and the United Kingdom refused to accept Haudenosaunee passports denying the Iroquois Nationals their chance to compete on the world stage. They have waited four years for the next championships in Denver. Out of the 83 nations taking part in the games, the Iroquois win the bronze medal for the first time. The Iroquois Nationals Lacrosse Team is not only among the world’s best, but ambassadors for their Nation’s sovereignty and recognition. In 2015, the Iroquois hosted the World Championships on Native soil for the first time ever, in which history, politics and culture all collided on the playing field before the eyes of the world. Co-directors Peter Spirer and Peter Baxter stop by for a conversation on their nuanced documentary as well as the history, culture and spirit of the of the Haudenosaunee people.
“Spirit Game” covers a lot of territory, which gives it something of an all-over-the-map quality. But the subject matter is always enough to hold our attention.” – Kenneth Turan, Los Angeles Times
“Spirit Game: Pride of a Nation…delivers an invaluable history lesson on lacrosse and North American colonialism.” – Shane Slater, AwardsCircuit.com
“… concentrates too heavily on game footage at the expense of context, yet it conveys a positive message while allowing viewers to appreciate the sport and its unique history.” – Todd Jorgenson, cinemalogue.com
Hell on Earth: The Fall of Syria and the Rise of ISIS, Academy Award-nominated filmmaker and best-selling author Sebastian Junger and his Emmy-winning producing partner, Nick Quested, chronicle Syria’s descent into the unbridled chaos that allowed the rise of the Islamic State, better known as ISIS, in Iraq and Syria. The film follows as the peaceful anti-government protests of the Arab Spring turn into an armed uprising against the despotic regime of Syria’s President Bashar al-Assad, opening a door to a dangerous new enemy that preys on the disenfranchisement felt by Sunni Muslims in the Middle East and around the world. In 2011, the Syrian people’s hopeful demonstrations for democratic reform were met with brutal repression by the Assad government, plunging the country into unending violence and despair. The resulting civil war has taken the lives of an estimated 400,000 people and uprooted millions more, creating a global refugee crisis. Conflict between the government, moderate rebel groups and ISIS jihadis have all but destroyed ordinary daily life in much of the country, and left the nation’s largest metropolis, the ancient city of Aleppo, in ruins. Pulling from nearly 1,000 hours of stunningly visceral footage, the filmmakers provide a comprehensive picture of the conflict. Junger and Quested, who previously collaborated on a trio of films about the war in Afghanistan (Restrepo, “The Last Patrol” and “Korengal”), capture the Syrian war’s harrowing carnage, political and social consequences, and, most important, its human toll, while painting an alarming picture of the west’s role in the creation of ISIS. Hell on Earth co-director / co-producer Nick Quested stops by to talk about a war that is destroying the social and political fabric of the entire Middle East as well as the unspeakable horror being visited upon millions of innocents.
“The 100-minute film does a phenomenal job detangling the numerous scenarios that led to Syria’s civil war and current bloodbath, dispelling the notion that this conflict is too complicated for those not versed on the Middle East to understand.” – Lorraine Ali, Los Angeles Times
“”Hell on Earth” portrays the Syrian citizens, who live in a morass of civil war, with an emotional directness we can’t turn away from, to the point that it’s no longer possible to think of those citizens as “them.” They are us, or could be.” – Owen Gleiberman, Variety
“A mostly impressive array of experts … adds to the merciless clarity of this tragic picture.” – Glenn Kenny, New York Times
Shira Dubrovner, longtime resident of Mammoth Lakes, is a community organizer and leader, arts advocate, and film lover who followed her lifelong passion for cinema to become the founder of the Mammoth Lakes Film Festival. Shira is also the Artistic Director of this well regarded theatre company. After her experience creating a successful theatre in Mammoth (established at the Edison Theatre, which will serve as one of the key screening venues during this year’s film festival), she decided to introduce the community to her other passion – independent film – by creating the Mammoth Lakes Film Festival. This year’s Mammoth Lakes Film Festival is a five-day festival that screens independent features and shorts in the spectacular setting of Mammoth Lakes—California’s premier mountain resort, high in the Eastern Sierras from May 24 – 28, 2017, Memorial Day weekend. The 3rd Annual Mammoth Lakes Film Festival, taking place in the magnificent mountain setting of Mammoth Lakes, California, has announced its line-up of screenings, which will include premieres, festival favorites and classic films. The five-day festival will take place May 24-28, 2017, beginning on Wednesday with the Opening Night Screening of Cheech and Chong’s much-loved first feature UP IN SMOKE. Tommy Chong, one of its stars as well as its uncredited co-director, will be present for a Q&A after the screening, which is followed by the Gala Opening Night Party at the Sierra Events Center. Saturday evening will feature the SIERRA SPIRIT AWARD CENTERPIECE GALA & SCREENING: A Night with John Sayles. The evening will begin with a screening of his 1983 film BABY IT’S YOU starring Rosanna Arquette and Vincent Spano, followed by a conversation with Sayles and a presentation of the Sierra Spirit Award. Sayles’s credits include THE BROTHER FROM ANOTHER PLANET, MATEWAN, EIGHT MEN OUT, LONE STAR, and THE SECRET OF ROAN INISH, amongst others. In addition to the two classic films representing the work of Chong and Sayles, an additional 18 features will be screened over the five days of the festival. Feature documentary films in competition will include EIGHT (US Premiere), FOREVER B, (World Premiere), THE ISLANDS AND THE WHALES, OLANCHO, RAT FILM, STRAD STYLE and WHAT LIES UPSTREAM. Spotlight Screening Documentaries not in competition will include THE CHALLENGE, DINA, and MACHINES. Feature narrative films in competition will include NEIGHBORHOOD FOOD DRIVE, WITHDRAWN, SPACE DETECTIVE. Foreign films in competition will include COLD BREATH, THE ERLPRINCE, THE FIXER and THE GREAT UNWASHED (U.S. Premiere). The final Narrative Feature, not in competition, will be the rave-reviewed Sundance hit MENASHE, which has been picked up by A24 for distribution. In addition to the Opening Night Gala and the Sierra Spirit Award Event, there is a Filmmakers Bash on Saturday evening at Rafters featuring the band Jelly Bread and the Awards Ceremony on Sunday, May 27 at the Sierra Events Center. Founder and Director Shira Dubrovner joins us to talk about this year’s festival highlights.
Directed by Raz Degan, The Last Shaman is the story of James Freeman, a young man who decides to take matters in his own hands when faced with incurable depression. He undergoes a life-changing journey in the Amazon jungle that brings him a deeper understanding and acceptance of self. Along the way, he experiences the healing properties of the tribal plant medicine Ayahuasca and the world around it. From the outside looking in, James is living the American dream. But behind closed doors, he has no desire to live and contemplates suicide. Desperate to find a way out of darkness, James travels to the Amazon rain forest with one mission: to save his own life. Without knowing any of the dangers that lie ahead, he starts searching for a Shaman who can help. James’ road to redemption isn’t easy — he faces many obstacles and even a few life-threatening experiences as he learns to acknowledge the space inside himself and understand a larger truth about how we’re all connected. After undergoing various forms of treatments from tribal plants and medicines, James is faced with the consequences of his own actions. He undergoes a life changing experience that brings him a deeper understanding and acceptance of himself, and a more profound understanding of the interconnectedness of us all. Director Raz Degan join us for a conversation on their journey into a world of spirituality, self awareness and an ancient culture.
“It’s possible to have doubts about ayahuasca (which, we learn, has been increasingly commercialized) and still find Mr. Freeman’s resolve uplifting.” – Ben Kenigsberg, The New York Times
In his first feature film Belgium-based director Bas Devos (We Know, Taurus) 15-year-old Jesse’s best friend, Jonas, is violently attacked at random during a routine trip to the mall. The attackers do not confront or acknowledge Jesse, and Jesse does not engage or pursue the attackers… he simply backs away. Why did this happen? Could Jesse have done more? Did he have an obligation? These are the questions posed by VIOLET, a carefully calibrated character study of the process of coping in the midst of senseless trauma. In the aftermath of Jonas shocking death Jesse has to face his family and friends from the BMX riders crew and explain the unexplainable – how he feels about it. Jesse’s parents and friends all seem to have their own (often destructive) reactions to the incident, but it’s the parents of the victim with whom he develops a strange connection. Shot partially on 8-perf 65mm film by acclaimed cinematographer Nicolas Karakatsanis (Bullhead, The Drop), Director and writer Bas Devos’ meticulously calculated debut is constructed like a series of lush photographs. In each of the film’s compositions we see a sophisticated mosaic of loss, the permanence of trauma, and the tumult of youth. Winner of the Grand Jury Prize at the 2014 Berlinale, VIOLET looks at Jesse’s inability to answer their questions gradually isolate Jesse and the growing grief prevents him from finding comfort. Director Bas Devos joins us for an thoughtful conversation on the power of cinema and the space in between exposition and observation.
“It bores into the mourning process and its piquant combination of emotional numbness and sensory vulnerability, rigorously avoiding finding an easy way out of this quagmire.” – Christopher Gray, Slant Magazine
“Violet is deft and rigorous, oblique to the point of inscrutability.” – Calum Marsh, Village Voice
“Intensely stylized, highly original and utterly mesmerizing.” – Ronnie Scheib, Variety
“Beautifully shot images speak way louder than words in this Belgian drama about a teenager’s mourning process. If Gus Van Sant had grown up in Flanders (…) he might have directed something like Violet. The final image, an 8-minute sequence shot, is a wonder to behold and ends the film on a perfect and perfectly poetic note.” – Boyd van Hoeij, The Hollywood Reporter
In the new documentary Harold and Lillian: A Hollywood Love Story, Award-winning director Daniel Raim (The Man on Lincoln’s Nose, Something’s Gonna Live) brings to life a fascinating and moving account of the romantic and creative partnership of storyboard artist Harold Michelson and film researcher Lillian Michelson: two unsung heroes of Hollywood’s Golden Age. Harold and Lillian: A Hollywood Love Story spans the Golden Age of Hollywood through New Hollywood and beyond. It’s a portrait of a time, and an intimate chronicle of their epic journey of life, love, family, and making great movies. Harold and Lillian worked on hundreds of renowned films including The Ten Commandments, The Apartment, The Birds, Who’s Afraid Of Virginia Woolf?, The Graduate, Rosemary’s Baby, Fiddler On The Roof, Scarface, Full Metal Jacket and many more. Although the couple was responsible for some of Hollywood’s most iconic examples of visual storytelling, their contributions remain largely uncredited. Through an engaging mix of love letters, film clips and candid conversations with Harold and Lillian, Danny DeVito, Mel Brooks, Francis Ford Coppola and others, this deeply engaging documentary from Academy Award®-nominated director Daniel Raim (who first encountered Harold Michelson as a student at the AFI Conservatory in 1997), chronicles their remarkable marriage and extraordinary careers through six decades of movie-making history. Harold and Lillian’s story humanizes Hollywood—an industry sustained by numerous hard-working cinema artisans; master craftsmen and craftswomen who give their lives, their genius and their hearts to the movies. Beyond Harold and Lillian’s contribution to cinema, their story can’t be told without weaving in their 60-year marriage—a creative, challenging, and profoundly loving partnership. Director Daniel Raim stops by for a conversation on his loving tribute to a beguiling pair of artists, partners and lovers.
**100% on RottenTomatoes
Truly charming…A terrifically moving human story!” – Glenn Kenny, Vanity Fair
“CRITICS’ PICK! Charming… Like flipping through misplaced leaves in a photo book, the documentary maintains a free-flowing tone as it uncovers the work that went into creating some of the indelible scenes in Hollywood history.” – Monica Castillo, The New York Times
“For an hour and a half, this charming little movie, with its chatty talking heads and its sweet-natured subjects, offers a glimpse into the lives of two fascinating people whom I had never heard of, and who shared an unlikely life filled with achievements and setbacks, wonder and pain.” – Bilge Ebiri, The Village Voice
“One of the very best documentaries ever made about movies…I have rarely seen any movie, fact or fiction, that was quite so suffused with love—movie love and human love—as this one.” – David Noh, Film Journal
“An awesome film… funny, heartbreaking, and packed with delicious film lore.” – Ken Kwapis, Director of The Office
You may have never heard of Bert Berns, but you know the enduring songs he’s written and produced: Twist & Shout, Cry to Me, Tell Him, Piece of My Heart, Cry Baby, Hang On Sloopy, I Want Candy, Everybody Needs Somebody to Love – Berns’ career IS Rock and Roll. Berns sessions made legends of Solomon Burke, The Isley Brothers, The Drifters, Ben E. King, and Wilson Pickett. He helped launch the careers of Van Morrison and Neil Diamond and produced some of the greatest soul music ever made. Filmmaker and son of Bert, Brett Berns, brings his late father’s story to the screen through interviews with those who knew him best and rare performance footage. Included in the film are interviews with Ronald Isley, Ben E. King, Solomon Burke, Van Morrison, Keith Richards and Paul McCartney. Narrated by E Street Band guitarist Stevie Van Zandt, about the life and career of Bert Berns, the most important songwriter and record producer from the sixties that you never heard of. His premature death at 38 cut short a seven-year streak of hits, rooted in his early Brill Building and 1650 Broadway days, through his tenure at Atlantic Records to the formation and success of his own labels Bang Records and Shout Records. First-time director Brett Berns joins us to talk about a father he never knew and his amazing musical legacy.
“[The] impressive lineup of interview subjects properly tells the story of a man whose contributions to popular music have been largely unheralded.” Noel Murray, LA Times
“It has a ton of heart and a bevy of interesting interviewees who paint a clear and coherent picture of who Bert Berns was inside and outside of the music biz… It’s a must see for any fan, new or old.” Anthony Ray Bench, Film Threat
“If you love the music Berns made, you’ll love this movie; if you don’t, I feel for you, but “Bang!” might nevertheless entertain with its dish.” – Glenn Kenny, New York Times
In Tomorrow Ever After Shaina is an historian who lives 600 years in the future. War, poverty, pollution, greed, exploitation, depression, loneliness: these are things that she’s read about in history books. And while she studied this dark period of history, in which money was viewed as more important than people, she has never, in the flesh, seen humans hurting other humans. Until now. While visiting a group of physicists who experiment with time travel, Shaina is accidentally stranded in the year 2015. Here she involves herself with a group of friends who are as lovable as they are flawed. As the harsh realities of their lives unfold, she learns what no history book could have taught her. Old habits, however, are hard to break, and Shaina can’t help but assume that everyone around her is honest, generous, and caring, as she works to recruit the help that she needs to get back home. While most futuristic films depict a dystopia that is even colder and more mechanical than our own, this film takes a bold departure from the sci-fi genre by exploring the possibility of a future in which caring and compassion govern our societies. What if the future of humanity and the planet turns out exactly as we would want it to be? Director and writer Ela Thier joins us for a conversation on her sweet, insightful and humorous rumination on the past, present and hopeful future
“Built around Thier’s dignity and gentle humor… she emanates charismatic warmth and seems genuinely engaged with the film’s theme of compassion in an era of despair.” – Chris Packham, The Village Voice
“Held up brilliantly its premise …Played with touching insight and natural beauty …[Thier] provided me with a new sense of wonder for my fellow humans.” – E. Nina Roth, Huffington Post
“Simultaneously funny and tear-jerking” – Allison Tate, The Advocate
“It is a rare film that insinuates itself so gently into your consciousness, and then opens up like a stealth bomb inside your mind and heart.” – Dorothy Woodend, Alliance of Women Film Journalist
**2016 Fort Lauderdale international Film Festival – Winner Best American Indie**
**2016 Moondance International Film Festival – Winner Best Feature Film and the Audience Choice Award**
**2016 Flickers Rhode Island International Film Festival – Winner Best Director**