July 20 – Generation Wealth, Director Lauren Greenfield

For the past 25 years acclaimed photographer and filmmaker Lauren Greenfield has travelled the world, documenting with ethnographic precision and an artist’s sensitivity a vast range of cultural movements and moments. Yet, after so much seeking and searching, she realized that much of her work pointed at one uniting phenomenon: wealth culture. With her new film, Generation Wealth, she puts the pieces of her life’s work together for in an incendiary investigation into the pathologies that have created the richest society the world has ever seen. Spanning consumerism, beauty, gender, body commodification, aging and more, Greenfield has created a comprehensive cautionary tale about a culture heading straight for the cliff’s edge. Generation Wealth, simultaneously a deeply personal journey, rigorous historical essay, and raucously entertaining expose, bears witness to the global boom-bust economy, the corrupted American Dream and the human costs of capitalism, narcissism and greed. Emmy-award-winning photographer / filmmaker, Lauren Greenfield’s expansive artistry includes her monographs (Girl Culture, Fast Forward, THIN, Generation Wealth), and documentaries (THIN, kids+money, The Queen of Versailles). The Queen of Versailles won her the 2012 Best Documentary Director Award at Sundance Film Festival. Director Lauren Greenfield joins us to talk about her sweeping film and the damning indictment of a profligate world of depraved indifference, hell-bent on stockpiling pointless possessions.

For news and updates go to: generation-wealth.com

“[An] alarming film…” – Anthony Lane, New Yorker

“Through her dedication to other people’s lives, and with such open-book storytelling of her own, Greenfield is able to make a stunningly deeply resonant documentary about notions as seemingly obvious as the value of love over wealth itself.” – Nick Allen, RogerEbert.com

“Greenfield makes a compelling argument for a society on the brink of precipitous decline, choosing to interpret the runaway vanity and rampant materialism observed in her own work as harbingers of our imminent destruction.” – Peter DeBruge, Variety

“This personal approach gives the film a sharp intimacy, and from here Greenfield pulls out to reveal how similar patterns are reshaping lives and families the world over.” – Nikki Baughan, Screen International

July 20 – McQueen, Co-director Peter Ettedgui (Ian Bonhote)

Born and raised in East London’s working-class Stratford neighborhood, nothing in the background of Lee Alexander McQueen hinted at his future. The youngest of six children, Lee  might have been expected to become a plumber, a bricklayer or perhaps a cab driver like his  father. Instead, McQueen’s fierce romanticism and punk poetry helped create 1990s-era “Cool  Britannia,” a celebration of youth culture in the U.K. For perhaps the first time since the  Swinging Sixties, a lad from the East End of London could — and  did — become one of the most  original and influential artists of his time. Filmmakers Ian Bonhôte and Peter Ettedgui capture the life and work of a unique creative talent in all his glorious anarchy in their new film, McQueen. They offer a thrilling portrait of McQueen’s life and complex persona, following him as he conquers the world of fashion with designs as ravishing as they are sinister. From his apprenticeship at an old-school Savile Row tailor and haberdasher, where he displayed a preternatural knack for pattern cutting and tailoring, to his death at only 40, the film breaks the rules of documentary storytelling with its mosaic of standalone fragments shot in different  styles, which accumulate and combine to create a groundbreaking, multi-faceted portrait. Through exclusive interviews with his closest friends and family, recovered archives, exquisite visuals and music, McQUEEN is an authentic celebration and thrilling portrait of an inspired yet tortured fashion visionary. Co-director and writer Peter Ettedgui (co-director Ian Bonhote) talks about the making of a personal and intimate look into the  extraordinary life career and artistry of one of the most influential fashion designers of our time.

For news and updates go to: bleeckerstreetmedia.com/mcqueen

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“The intricacy of the pieces and stagings… makes McQueen the relatively rare documentary that demands to be seen on the big screen.” – Inkoo  Kang, Slate

“In the crowded field of fashion docs, this one stands tall.” – David Rooney, Hollywood Reporter

“This intelligent, honest documentary explores McQueen’s complex personality without getting tacky or tabloidy, or ignoring his dark side.” – Cath Clarke, Time Out

“There’s so much fresh air in this stunningly good biography that it feels like you’ve never encountered a rags-to-riches, tortured-artist story before. Not just for fashion lovers.” – MaryAnn Johanson, Flick Filosopher

July 20 – Netflix’s Dark Tourist, Director David Farrier

Netflix newest series Dark Tourist is the latest project of New Zealand journalist / filmmaker David Farrier, (Tickled), the doc that uncovered an unbelievable tickle fetish empire. In the new NETFLIX series, Farrier travels around the world trying to find the most dangerous and scariest experiences available to tourists. In the show we see a wounded Farrier going into an eerie hospital, being at the center of a war zone, a man breaking a statue on his own head, a killer named Popeye holding the gun at someone, and a woman telling Farrier to stay back because she doesn’t want him to be “possessed.” In one Los Angeles based episode Farrier is warned that he’ll be hurt, drowned, and buried. And yet nothing seems to deter this intrepid thrill seeker. Dark Tourist Director and creator David Farrier joins us to talk about the where, why and WTF of his newest adventure.

For news and updates go to: netflix.com

July 13 – Ryuichi Sakamoto: Coda, Director Stephen Nomura Schible

One of the most important artists of our era, Ryuichi Sakamoto has had a prolific career spanning over four decades. From techno-pop stardom to Oscar-winning film composer, the evolution of his music has coincided with his life journeys. Following Fukushima, Sakamoto became an iconic figure in Japan’s social movement against nuclear power. As Sakamoto returns to music following a cancer diagnosis, his haunting awareness of life crises leads to a resounding new masterpiece. RYUICHI SAKAMOTO: CODA is an intimate portrait of both the artist and the man. Director and writer Stephen Nomura Schible joins us for a conversation on his own journey into the internal and external world of Ryuichi’s inspiring spiritual and musical journey.

 

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For news and updates go to: coda.mubi.com

96% on Rotten Tomatoes

“This is a documentary that rejects every behind-the-scenes cliché around, and stands as an immensely moving and inspiring piece of cinema in its own right.” – Robbie Collin, Daily Telegraph (UK)

“By the end of this documentary, you will feel as if you not only understand Mr. Sakamoto intellectually, but also share a sense of the excitement he feels when discovering just the right match of sounds.” – Ben Kenigsberg, New York Times

“Sakamoto is fascinating to watch. He’s a charming, lively presence, and it’s always a pleasure to watch his expressions of delight and surprise at the new sounds he’s discovering, his own or nature’s.” – Jonathan Romney, Film Comment Magazine

“Like Sakamoto himself, the documentary stretches boundaries, shifting forward and back through time, weaving archival clips and news footage with scenes of Sakamoto composing, rehearsing, experimenting and traveling.” – Daniel Eagan, Film Journal International

July 13 – A Midsummer Night Dream, Director Casey Wilder Mott

A Midsummer Night’s Dream is one of Shakespeare’s most beloved creations. The frolicking tale of lovesick young aristocrats, energetic but inept rustics, and mischievous woodland spirits is a staple of stage and screen. In the past, filmed adaptations have emphasized the play’s traditional, Elizabethan qualities. This production however is a fresh and stylish reinvention that takes an entirely different approach.The story takes place in present day Hollywood – a place where glamorous stars, commanding moguls, starving artists and vaulting pretenders all vie to get ahead. Hollywood is sometimes called “The Dream Factory,” and like the world of Shakespeare’s Dream, it’s a place where fantasy and reality collide.In the tradition of Baz Luhrmann’s rapturous reimagining of Romeo + Juliet, this modern vision breathes new life into a classic tale. Combined with a cast of established and emerging stars, as well as a pulsing original soundtrack, the film will appeal to ardent fans of the Shakespeare as well as audiences discovering Shakespeare for the first time. Director and screenwriter Casey Wilder Mott talk with us about the challenges and rewards of re-imagining one of the Bard’s most endearing plays.

 

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For news and updates go to: amidsummernightsdreammovie.com

100% on Rotten Tomatoes

“If you’re hoping to see a production just like the one that would have been done in 1596, this ain’t it. But Mott’s version is a hell of a good time in its own right.” – Nick Allen, RogerEbert.com

“Mott’s “Midsummer Night’s Dream” may not have a high bar to reach to be better than average as filmed Shakespearean comedies go. But by any standard, it’s a modest, resourceful and unexpected delight.” – Dennis Harvey, Variety

“Darned if Casey Wilder Mott’s feature directorial debut doesn’t prove to be a disarmingly effective, visually vibrant frolic.” – Michael Rechtshaffen, Los Angeles Times

“Awake the pert and nimble spirit of mirth and indulge in a film I feel certain Shakespeare himself would enjoy.” – Bradley Gibson, Film Threat

“A vibrant dose of California dreamin’.” – Sheri Linden, Hollywood Reporter

July 13 – Path of Blood, Director Jonathan Hacker

PATH OF BLOOD depicts Islamist terrorism, as it has never been seen before. Drawn from a hoard of jihadi home-movie footage that was captured by Saudi security services, this is the story of Muslim terrorists targeting Muslim civilians and brought to justice by Muslim security agents. It is a stark reminder that all who are touched by terrorism are victimized by it. A powerful and sometimes shocking cinematic experience, PATH OF BLOOD reveals how brainwashed youths, fuelled by idealism and the misguided pursuit of adventure, can descend into madness and carnage. The raw, unvarnished footage, to which the filmmakers negotiated exclusive access, captures young thrill-seekers at a jihadi “boot camp” deep in the Saudi desert, having signed on to overthrow the Saudi government. They plot to detonate car bombs in downtown Riyadh, become embroiled in a game of cat-and-mouse with government forces and, as their plans unravel, resort to ever more brutal tactics. Adopting a strictly objective approach, the film doesn’t editorialize and contains no interviews or “talking heads” commentary. The home video footage was shot by the terrorists themselves, allowing viewers to see them in all their complexity, while compelling audiences to draw their own conclusions.  Director / Producer Jonathan Hacker  is a documentary producer and director with numerous awards under his belt including the prestigious BAFTA and RTS awards. He joins us for a conversation on his frightening look at operational level of terrorism and the people who commit these heinous crimes.

 

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http://www.pathofbloodfilm.com/

81% on Rotten Tomatoes

“It commands attention as an object lesson in the banality of evil.” – Ben Kenigsberg, New York Times

“Operates as a potent reminder of the randomness, and casual cruelty of modern terrorism, the way it leeches out the humanity of victims and perpetrators on both sides.” – Leslie Pelperin, Guardian

“The film is compiled from footage that was shot by the terrorists themselves… And the fact that the film offers no real sense of hope makes it that much more alarming.” – Rich Clines, Shadows on the Wall

“This is a dazzlingly revealing and upsetting film.” – Nigel Andrews, Financial Times

July 6 – Marlina the Murderer in Four Acts, Director Mouly Surya

In the deserted hills of an Indonesian island, Marlina, a young widow, is attacked and robbed of all her livestock by a gang of seven bandits. She then defends herself, setting out on a journey to find justice, empowerment, retribution and redemption. But the road is long, especially when she begins to be haunted by the ghost of her victim. A stunning ‘Scope western set to a Morricone-inspired score, this unique tale of female cinematic revenge takes no prisoners.  Marlina the Murderer in Four Acts, was directed by Indonesian-born Mouly Surya.  This feminist revenge tale had its world premiere at Cannes’ Directors’ Fortnight. It opens nationwide, including Los Angeles at the    Laemmle’s Monica Film Center on July 6, 2018Mouly Surya is considered one of Indonesia’s most gifted filmmakers, Surya premiered her award-winning debut, Fiksi, at the Busan International FIlm Festival. Her second feature What They Don’t Talk About When They Talk About Love had its world premiere at Sundance and went on to many festivals including Karlovy Vary and Rotterdam, where it received the NETPAC Award. In addition to making films, she also teaches directing. Marlina the Murderer in Four Acts, is her third film. Mouly Surya joins us to talk about her elegant allegory on revenge, justice and self-determination.

 

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For news and updates go to: kimstim.com/marlina

Selected Awards & Film Festivals

Winner, Grand Prize, Tokyo FilmEX
Winner, Best Actress, Sitges Cataonian Film Festival
Winner, Best Picture, QCinema International Film Festival
Winner, Special Mention, Jogja-NETPAC Asian Film Festival
Winner, NETPAC Award, Five Flavors Film Festival
Winner, Best Film, Best Actress, Best Camera,
Best Score and Best Art Direction, Maya Awards
Cannes International Film Festival

96% on Rotten Tomatoes

“Simmering with righteous fury.” — Variety

“AN UNWAVERING SLOW BURN… Ms. Surya gives Marlina a stark, steady, captivating look that keeps you engaged.” —Manohla Dargis, The New York Times

“[Marlina] is, like so many classic gunslingers, a killer by circumstance, a desperado with an honorable cause.” – CinemaScope

“The feminist satay Western you need to see; satisfyingly deadpan, viciously vengeful and full of surprises. One of the most ravishingly beautiful films at Cannes.” – The Irish Times
“Going to be loved by arthouse audiences.” – Film Inquiry

July 6 – Under the Tree, Director Hafsteinn Gunnar Sigurdsson

UNDER THE TREE is a dark comedy based on real conflicts between neighbors that can often turn violent over trees (yes trees) in Iceland. There is a scarcity of trees in Iceland (which is why they are so treasured) and also a lack of sunshine….so you can see how a conflict would arise when a tree you’d never chop down in your backyard is blocking your neighbor’s sunlight. The films’ director Sigurdsson said he came up with idea when examining how minor conflicts between otherwise friendly neighbors become blown out of proportion and violent. UNDER THE TREE was Iceland’s Oscar entry for Best Foreign Language Film at the 90th Academy Awards last year. The film was directed by Hafsteinn Gunnar Sigurdsson (Either Way) and produced by Grimar Jonsson. Hafsteinn joins us to talk about working with actors primarily known for comedic roles, conveying the film’s escalating tension without passing judgement on the characters actions.

 

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For news and updates go to: underthetreefilm.com

85% on Rotten Tomatoes

“The tone is deliberately odd … blending the naturalism of the day-to-day emotions of relationships and grief, with the altogether more heightened tensions of a revenge thriller, while still keeping a cheeky eye on the absurdity of a mooning garden gnome” – Amber Wilkinson, Eye for Film

“Unsettlingly perceptive as well as absurdly comedic, Under the Tree chronicles domestic tensions left to fester; when grudges branch out like a leafy tree in a suburban backyard, everyone suffers.” – Sarah Ward, Screen International

“What the film occasionally lacks in human finesse, it makes up for in sheer anything-goes resolve.” – Guy Lodge, Variety

“Each character resonates as a problematic individual whose foolishness escalates first into drama, then tragedy.” – Deborah Young, Hollywood Reporter

Official Selection: World Premiere: Venice Film Festival 2017

Official Selection: North American premiere: Toronto International Film Festival 2017

Winner: Best Director (Comedy), Fantastic Fest 2017

Winner: Best Film,  Denver International Film Festival 2017

Winner: International Feature Film, Zurich Film Festival 2017

Winner: Best Narrative Feature, Hamptons International film Festival 2017

Winner: Best Cinematography, Dublin Film Critics Circle Awards 2018

Winner: Best Music, HARPA Nordic Film Composers Award 2016

July 6 – Film Challenge: A Blueprint for Better, AIA At-large Director, Peter Exley

The American Institute of Architects (AIA) launched its fourth annual film challenge on Monday, June 18. The challenge is a part of the AIA’s Blueprint for Better” campaign, an initiative that highlights the collaborative work of architects and civic leaders to solve some of the biggest issues facing cities today. The film challenge started in 2015 and every year participants have shot and submitted three to five-minute documentaries that shed a light on how civic leaders are working with architects to solve some of the most pressing issues of our time, such as infrastructure, urban issues, natural disasters and housing shortages. This year, the AIA will also be premiering its new short-documentary film alongside the film challenge titled “Caño Martin Peña: A Blueprint for Better”. The film depicts the rebuilding efforts of an architect and community leader in Puerto Rico following last year’s devastating Hurricane Maria that left more than three million people without power. Submissions for the film challenge—due by 8:59 p.m. EST on Monday, Aug. 27—will be subject to two rounds of judging. The first round of winners will be selected by a panel of jurors from the media, architecture and film industries. A second round will be open for public voting to choose the “People’s Choice Winner.” Last year’s competition garnered more than 268,000 votes. Participants will have the chance to win a $5,000 grand prize that includes distribution of the film through a multitude of channels, including screenings at the Architecture and Design Film Festival on Oct. 16 in New York in addition to travel and accommodations. The “People’s Choice Winner” will receive a screening at the Chicago Ideas Festival. Other finalists will be awarded a $500 prize. American Institute of Architects At-large Director Peter Exley stops by to talk about the great work being done around the country when there is collaboration between innovative government and a committed private sector.

For news and updates go to: aiafilmchallenge.org

 

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