October 19 – Liyana, Co-directors Amanda Kopp and Aaron Kopp

Under the guidance of acclaimed South African storyteller, Gcina Mhlophe, five orphaned children from Swaziland collaborate to craft a collective fairytale drawn from their darkest memories and brightest dreams. Their fictional character, LIYANA is brought to life in innovative animated artwork as she embarks on a perilous quest to rescue her young twin brothers. The children’s real and imagined worlds begin to converge, and they must choose what kind of story they will tell – in fiction and in their own lives. This genre-defying film weaves an original animated hero’s journey with poetic documentary scenes to create an inspiring tale of perseverance. LIYANA is a tribute to creativity, the strength of the human spirit, and the healing power storytelling. Critically acclaimed, and executive produced by award-winning actress, Thandie Newton, LIYANA has won more than 25 jury and audience awards and screened at more than 80 film festivals around the world including the British Film Institute’s London Film Festival and MoMA’s Doc Fortnight. Co-directors Amanda and Aaron Kopp join us for a conversation on their enchanting, inspiring and wildly creative film.

For news and updates go to: liyanathemovie.com

Opening on Friday October 19 at the Laemmle Glendale – 207 N. Maryland Ave. Glendale

Additional screenings go to: liyanathemovie.com/screenings

“Gorgeous” “Unlike any documentary you have ever seen before.” – Entertainment Weekly

“A spirited testament to the power of creativity – not only as a source of strength and joy, but as a way to access buried emotions.” – Sheri Linden, Hollywood Reporter

“Masterful.” “A testament to the power of story.” – Cinemacy

“Brilliant.” “The World desperately need more stories like this.” – Shadow and Art

October 19 – Studio 54, Director Matt Tyrnauer

For 33 months, from 1978 to 1980, STUDIO 54 was the place to be seen in Manhattan. A haven of hedonism, tolerance, glitz and glamour, Studio was very hard to gain entrance to and impossible to ignore, with news of who was there filling the gossip columns daily. Steve Rubell and Ian Schrager, two college friends from Brooklyn, succeeded in creating the ultimate escapist fantasy in the heart of the theater district. Rubell was the outgoing bon vivant who wanted to be everybody’s friend and was photographed with every celebrity du jour who entered the club and Schrager was the behind-the-scenes creative mastermind who shunned the limelight. STUDIO 54 was an instant success and a cash cow, but the drug-and-sex-fueled dream soon imploded in financial scandal and the club’s demise. With unprecedented access to Schrager, who tells the whole unvarnished story for the first time, and a treasure-trove of rare footage, director Matt Tyrnauer (Valentino: The Last Emperor, Scotty and the Secret History of Hollywood, Citizen Jane) constructs a vivid, glorious portrait of a disco-era phenomenon, and tells the story of two friends who stuck together through an incredible series of highs and lows.  A favorite at the Sundance and Tribeca film festivals, STUDIO 54 Director Matt Tyrnauer joins us to talk about his fascinating documentary look at the rise and fall of the legendary ‘70s New York nightclub.

For news and updates go to: zeitgeistfilms.com/film/studio54

For news and updates on the films of Matt Tyrnauer go to: altimeterfilms.com

91% on Rotten Tomatoes

“Studio 54 is resonant because it offers such a reasonable and poignant answer.” – David Ehrlich, IndieWire

“Matt Tyrnauer’s thrilling and definitive documentary captures the delirium – and the dark side – of the legendary New York disco.” – Owen Gleiberman, Variety

“It’s a cultural piece of history that paints a picture of an era of New York that had a significant effect on the world. And it goes without saying, changed the nightclub industry forever.” – Dante James, Film Threat

“A hugely entertaining exploration of the mythology of the legendary nightclub as something truly worth celebrating, and a towering Scorsese-esque drama of the men who invented it brought down by hubris.” – MaryAnn Johanson

October 19 – Charm City, Marilyn Ness and Community Organizer Alex Long

On the streets of Baltimore, shooting is rampant, the murder rate is approaching an all-timehigh and the distrust of the police is at a fever pitch. With nerves frayed and neighborhoods in distress, dedicated community leaders, compassionate law-enforcement officers and a progressive young city councilman try to stem the epidemic of violence. Filmed over three tumultuous years covering the lead up to, and aftermath of, Freddie Gray’s death in police custody, CHARM CITY is an intimate cinema verité portrait of those surviving in, and fighting for, the vibrant city they call home. Director and producer Marilyn Ness (Cameraperson; Trapped; E-Team), and film subject Alex Long join us to talk about the work of the Rose Street Community Center in providing the basic services; trash collection, gang mediation and his own brand of de-escalation training, and bring a sense of hope to a neighborhood known as the “Middle East.”

For news and updates go to: Charm City

Opening in Los Angeles – This Friday OCTOBER 19th – Exclusively at Laemmle Music Hall Beverly Hills

To support the Rose Street Community Center go to: charmcitydoc.com/support

Social Media

Facebook: charmcitydoc 

Instagram: charmcitydoc

Twitter: charmcitydoc

100% on Rotten Tomatoes

“The film captures up close the way violence transforms neighborhoods and families with an immediacy that transcends headlines or sensationalism.” – Ben Kenigberg, New York Times

“Even when the epidemic of violence touches a beloved character, Ness’ careful quilting of compassion and action across her years of filming suggests a fight that won’t diminish for these citizens.” – Robert Abele, Los Angeles Times

“It all adds up to an even-handed issue film featuring those who are working to change the face of one of the U.S.’s most violent cities.” – Tanner Tafelski, Village Voice

“It’s a powerful movie … because it raises a myriad of issues, asks a lot of questions, offers some contrasting opinions, and then lets the viewer decide.” – Christopher Llewellyn Reed Hammer to Nail

October 19 – Fail State, Director Alexander Shebanow

The hard-hitting new documentary Fail State explores how tens of thousands of unsuspecting students fall victim to predatory and fraudulent for-profit colleges each year. These profit-driven schools are high tuition, low-quality, often lack proper accreditation, or are so poor in reputation that employers do not recognize their credentials. What’s more, these colleges derive nearly all of their revenue—tens of billions of dollars a year—from the federal government in the form of student financial aid. Executive produced by news legend Dan Rather, Fail State investigates the dark side of American higher education, chronicling the decades of policy decisions in Washington, D.C. that have given rise to a powerful and highly-predatory for-profit college industry. With echoes of the subprime mortgage crisis, the film lays bare how for-profit colleges exploit millions of low-income and minority students, leaving them with worthless degrees and drowning in student loan debt. Director Alexander Shebanow joins us to talk about the rise, fall, and resurgence of the for-profit college industry, revealing its Wall Street Backing and the lawmakers enabling widespread fraud and abuse in American higher education.

For news and updates go to: failstatemovie.com

Social Media

facebook.com/failstatemovie

twitter.com/FailStateMovie

#FailStateMovie #SubprimeGoesToCollege #DefendStudents

“At a time when the US is beginning to reckon with the economic and social costs of having an undereducated population, Fail State is a useful contribution to ongoing debates.” – Jennie Kermode, Eye for Film

“[Fail State] remains a truly eye-opening and crucial exposé of yet another way, not unlike during last decade’s subprime mortgage crisis, that vulnerable Americans get hurt just by trying to better their lives.” – Gary Goldstein, Los Angeles

 

October 19 – All Square, Director John Hyams

John Zbikowski (Michael Kelly) is a down-on-his-luck, small town bookie having a hard time collecting on outstanding debts. After a one night stand with an ex-girlfriend (Pamela Adlon), John strikes up an unlikely friendship with her 12-year old son, Brian (Jesse Ray Sheps), and develops a plan to recoup the money owed to him by taking bets on Brian’s Youth League Baseball games. Written by Timothy Brady and directed by John Hyams, All Square features a line up of first rate actors that include; Michael Kelly (“House of Cards”), Jesse Ray Sheps (Collateral Beauty), Josh Lucas (Home Sweet Alabama), Pamela Adlon (Californication, Louie), Tom Everett Scott, Isiah Whitlock Jr, Yeardley (The Simpsons). Director John Hyams joins us to talk about his funny, messy and endearing story of a man trying hard to not wear his heart on his sleeve.

Winner – 2018 SXSW Film Festival – Audience Award

Winner – 2018 Narrative at Monmouth Film Festival – Best Feature

Winner – 2018 Newport Beach Film Festival – Best Film

Winner – 2018 Newport Beach Film Festival – Best Screenplay, Timothy Brady

100% on Rotten Tomatoes

“Kelly is a king among mordant underplayers. Yulin, a stalwart character actor, is reliably terrific. Adlon and Josh Lucas bring added value to their also-familiar characters.” – Glenn Kenny, New York Times

“A casually profane and frequently uproarious working-class dramedy about a small-time bookie who turns a big profit – for a while – by taking bets on Little League games.” – Joe Leydon, Variety

“Kelly gets a well-earned leading man turn in the amiable indie comedy-drama “All Square” playing a surly, but likable bookie in a small Maryland town.” – Kevin Crust, Los Angeles Times

“All Square is proof that Hyams is way more than just an “action movie director”, and can work well with a talented ensemble of performers, while still exploring the surface of their universe with a documentarian’s eye for East Coast life.” – Jacob Knight, Birth.Movies.Death.

October 19 – Brampton’s Own, Director Michael Doneger

In Brampton’s Own Dustin Kimmel has decided to call it a career and return to his small hometown where he was once a celebrated athlete. After 12 years of withstanding the rigors of minor league baseball in hopes of making it to the big leagues, Dustin discovers much has changed since he’s last been back as he struggles to fit in. His old friends have started families, his ex-girlfriend is now engaged, his mom is selling his childhood home and moving in with her new boyfriend, and the only person who wants to hang out with Dustin is Gavin, a 40-year-old Brampton lifer who still wears his varsity football letterman jacket around town. Having neglected to prepare for life after baseball, Dustin’s trip home forces him to confront the very decisions that led to his current purposeless state. BRAMPTON’S OWN stars Alex Russell (Chronicle, Only The Brave) who plays Jim Street on CBS’ SWAT and Rose Mclver (CW’s iZombie), and in supporting roles; Spencer Grammer (Rick and Morty), Scott Porter (Dear John), with John Getz (The Social Network), and Jean Smart (FX’s Legion). Director and writer Michael Doneger (The Escort, This Thing With Sarah) talks about working with young and talented actors, intimacy, following your dreams and knowing when its time to move forward.

BRAMPTON’S OWN Q&A with filmmaker Michael Doneger and actors Alex Russell, Scott Porter and Kevin Linehan following the 5:20 PM show on Saturday, 10/20 at the Playhouse.

October 12 – Matangi / Maya / M.I.A. Director Steve Loveridge

Drawn from a cache of personal video recordings from the past 22 years, director Steve Loveridge’s Sundance award winning MATANGI / MAYA / M.I.A. is a startlingly personal profile of the critically acclaimed artist, chronicling her remarkable journey from refugee immigrant to pop star. She began as Matangi. Daughter of the founder of Sri Lanka’s armed Tamil resistance, she hid from the government in the face of a vicious and bloody civil war. When her family fled to the UK, she became Maya, a precocious and creative immigrant teenager in London. Finally, the world met her as M.I.A. when she emerged on the global stage, having created a mashup, cut-and-paste identity that pulled from every corner of her journey along the way; a sonic sketchbook that blended Tamil politics, art school punk, hip-hop beats and the unwavering, ultra-confident voice of a burgeoning multicultural youth. Never one to compromise on her vision, Maya kept her camera rolling throughout. MATANGI / MAYA / M.I.A. provides unparalleled, intimate access to the artist in her battles with the music industry and mainstream media as her success and fame explodes, becoming one of the most recognizable, outspoken and provocative voices in music today. Director Steve Loveridge joins us to talk about his long-time friendship with 

https://www.miadocumentary.com/

Social Media

https://www.facebook.com/MIAdocumentary/

https://twitter.com/MIAdocumentary

https://www.instagram.com/miadocumentary/

89% on Rotten Tomatoes

“If there is one note that rings clear through all the xeroxed, glitchy, abrasive background noise, it is that of authenticity and sincerity.” – Jessica Kiang, Playlist

“Inspires deep respect for the fierce and independent artist she is.” – Katie Walsh, Los Angeles Times

“It is the synthesis of these contradictions, and how they’ve illuminated M.I.A.’s career path that makes up the spine of Loveridge’s fascinating portrait.” – Piotr Orlov, NPR

“Loveridge celebrates the mashup aesthetic that enabled the artist to find a voice, and reveals that reconciling contradictions… is key to both Arulpragasam’s music and the life she’s constructed with audacity and wit.” – Serena Donadoni, LA Weekly

October 12 – Sadie, Director, Writer Megan Griffiths

SADIE is the story of a 13-year-old girl who lives at Shady Plains Trailer Park with her mother while her father serves repeated tours in the military. Her dad has broken many promises that he will return, but Sadie (Sophia Mitri Schloss) idolizes him and believes in his cause, so she waits, preserving his place on the home-front. Less patient is her mom, Rae (Melanie Lynskey) who stopped receiving letters or calls from her husband years ago. She has been half-heartedly dating the counselor from Sadie’s school, Bradley (Tony Hale) but it isn’t until a mysterious newcomer moves in next door that she truly considers moving on. Rae’s best friend is Carla (Danielle Brooks,) who works at the local bar and has a penchant for unavailable men. Carla’s son Francis (Keith L. Williams) and her retired father Deak (Tee Dennard) are Sadie’s charge and confidante, respectively. The arrival of Cyrus (John Gallagher, Jr.) disrupts the balance of life at Shady Plains. When Sadie sees a relationship developing between Cyrus and Rae, she pledges to come between them, whatever it takes. Cyrus becomes the enemy, and if she’s learned nothing else from the world she inhabits, it’s that the enemy deserves no mercy. Director and Writer Megan Griffiths joins us to talk about her gritty, heartfelt drama about class, addiction and growing up on the margins.

 

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For news and updates go to: sadiefilm.com

Sadie open in Los Angeles at the Arena Cinelounge  Friday, Oct 12, 2018 – 7:00 PM

Q&A with producer Lacey Leavitt on 10/12 and with Lacey, writer/director Megan Griffiths and actor Tee Dennard on 10/13

Social Media

facebook.com/Sadiefilm

86% on Rotten Tomatoes

”Equal parts coming-of-age story and slow-burn thriller, writer-director Megan Griffiths’ quietly absorbing and methodically disquieting drama is a genuine rarity.” – Joe Leydon, Variety

“…as a character study of a young, simmering, resentful girl cheated by circumstance and life at a crucial age, the drama’s combative, aggrieved center is earned, authentic and genuinely tragic.” – Ally Johnson, The Playlist

“Set in the close-knit, secret-filled world of a trailer park, the film is an emotionally violent coming-of-age story crafted with vivid detail.” – John Fink, The Film Stage

“By once again venturing into a place that few too other filmmakers are willing to look, Griffiths delivers a drama that crackles with a sense of discovery, not only for the characters onscreen, but for audiences who so rarely see people who could so easily be their neighbors given the dignity of having their stories told on screen.”  – Stephen Saito, Moveable Fest

October 12 – 306 Hollywood, Co-directors Elan and Jonathan Bogarín

When Elan and Jonathan lose their beloved grandmother, Annette Ontell, they face a profound question: When a loved one dies, what do we do with the things they leave behind? Housewife, fashion designer, and beloved family member, Ontell lived seven decades in the same house306 Hollywood Avenue in Hillside, New Jersey. Turning documentary on its head, the Bogaríns embark on a magical-realist journey to discover who their grandmother really was, transforming her cluttered New Jersey home of 71 years into a visually exquisite ruin where tchotchkes become artifacts, and the siblings become archaeologists. By turns elegiac, celebratory, and edgy, with extrapolations ranging from the Rockefellers to Rome, 306 Hollywood moves unexpectedly but inevitably, like a beautiful murmuration of birds. With help from physicists, curators and archivists—and the added inspiration of a decade of interviews with the vivacious octogenarian herself—they excavate the extraordinary universe contained in Annette’s home. 306 HOLLYWOOD  playfully transforms the dusty fragments of an unassuming life into an epic metaphor for the nature of time, memory and history. Co-director and siblings Elan and Jonathan Bogarín  joins us for a conversation on celebrating family, peering into the unknown, dealing with the past and how to live in the present.

For news and updates go to: 306hollywood.com

Opening in Los Angeles Friday, October 12th at the Laemmle Royal Theater in Los Angeles. Q & A with Elan and Jonathan Bogarín all weekend

81% on Rotten Tomatoes

“The movie’s blend of charm and philosophical inquiry makes it at once structurally daring and a total crowd-pleaser, sure to find appreciative audiences who will see echoes of their own clutter-filled lives in its story.” – Eric Kohn, Indiewire

“One of the more universal and relatable films you’re ever likely to see. It’s such a little story you may wonder about why it was being told at all, except that it’s a story likely  to touch anybody who has ever lost a loved one, which makes it a very big story.” – Daniel Feinberg, The Hollywood Reporter

“It’s unforgettable. 306 HOLLYWOOD feels like a whole new way of tackling documentaries. This ‘magical-realist doc’ pushes subjectivity into poetry.” – Tasha Robinson The Verge

“Part biopic, part magical-realist rumination, the two [filmmakers] offer the genre a new format and the ordinary a beautiful homage.” – Deanna Janes, Harper’s Bazaar

All About Nina, Director, Producer, Writer Eva Vives

Nina Geld is an up-and-coming  comedian in New York City. She’s funny, smart and has worked hard to build a career for herself in the male-dominated world of stand-up. When it comes to romantic relationships though, Nina’s life is a mess. When we meet her, she has picked up a random guy in a bar and brought him home, only to find Joe, a married policeman, waiting for her against her wishes. Unable to stand-up for herself, Nina sleeps with Joe again, bringing up old issues of self-hatred. Nina decides to focus on work and later gets Larry Michaels, producer of the legendary television show, Comedy Prime, to come see Nina’s stand-up. Amazingly, he asks Nina to audition! She will need to create characters impersonations and move to LA to audition. In LA, she meets Rafe Hines, a dream-come-true, quintessential good-guy who makes all of Nina feel good. But when Joe shows up in LA unexpectedly Nina has to deal with her past. Finally confronting the truth in such a public setting has terrifying and unexpectedly liberating consequences. Director / Producer / Writer Eva Vives joins us for a conversation on her sharp-edged, drama about a woman driven by demons, trauma and a dark need to embrace her pain.

 

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For news and updates go to: theorchard.com/filmtv

Social Media

facebook.com/OrchFilms

twitter.com/OrchFilms

instagram.com/orchfilms

87% on Rotten Tomatoes

“Vives’ filmmaking is confident, threading the needle on some emotionally complex scenes, but the film works because of Winstead’s bravura performance, taking Nina to a place of raw, deep emotional honesty.” – Katie Walsh, Los Angeles Times

“A striking and at times uncomfortably personal feature debut from writer-director Eva Vives that makes good on its title by not shying away from the emotional damage that makes its protagonist so compelling.” – Peter Debruge, Variety

“The movie is carried by Winstead’s mesmerizingly mercurial performance, and not just because she does pitch-perfect impressions of, among others, Kristen Stewart and Werner Herzog.” – Ella Taylor, NPR

“There are three main reasons you should seek out Nina: The phenomenal Winstead, a refreshing female character that manages to be truly hilarious, and a script that keeps a wonderful balance of humor and pain.” – Kristy Strouse, Film Inquiry

The Sentence, Director Rudy Valdez

The Sentence draws from hundreds of hours of footage, filmmaker Rudy Valdez shows the aftermath of his sister Cindy’s 15-year sentence for conspiracy charges related to crimes committed by her deceased ex-boyfriend—something known, in legal terms, as “the girlfriend problem.” Valdez’s method of coping with this tragedy is to film his sister’s family for her, both the everyday details and the milestones—moments Cindy herself can no longer share in. But in the midst of this nightmare, Valdez finds his voice as both a filmmaker and activist, and he and his family begin to fight for Cindy’s release during the last months of the Obama administration’s clemency initiative. Whether their attempts will allow Cindy to break free of her draconian sentence becomes the aching question at the core of this deeply personal portrait of a family in crisis. Director Rudy Valdez stops by to talk about his intimate, and loving family saga that support each other no matter the cost.

 

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For dates and times for The Sentence go to: hbo.com

For more on the filmmaker and brother go to: rudyvaldez.com

Social Media:

facebook.com/hbodocs

twitter.com/HBODocs / #HBO #HBODocs #TheSentence

instagram.com/hbo

hbo.tumblr.com

**WINNER: Sundance 2018 Audience Award: U.S. Documentary**

**WINNER: 2018 Traverse City Film Festival Roger Ebert Prize For Best Film By A First Time Filmmaker**

**2018 Locarno International Film Festival Official Selection**

100% on Rotten Tomatoes

“THE SENTENCE is poised to do for unjust sentencing what AN INCONVENIENT TRUTH did for climate change. If Al Gore was the hero Americans at Sundance and beyond needed in 2005 — a welcoming, professorial face to associate with the fight against environmental catastrophe — Shank and her daughters offer the criminal justice equivalent, giving a human access point to what many experts describe as a sociological disaster.”  – Steven Zeitchik, The Washington Post

“The Sentence is so committed to its concentration on emotion and heart that it’s difficult not to get carried away and it feels almost churlish to quibble with the intellectual responses it barely aspires to.” – Dan Fienberg, Hollywood Reporter

“The Sentence is a powerful film full of rich, raw emotions as all parties explore their vulnerabilities.” – John Fink, The Film Stage

Morning, Noon and Night, Director Josh Becker

The comedy-drama MORNING, NOON & NIGHT explores a day-in-the-life of six people battling different addictions. The characters feel all-too familiar as they could be your neighbor, your family or even yourself. The film functions as a mirror examining three college students, a history teacher, a lawyer and a top executive as they struggle to make it through a single day. According to director, producer and writer Josh Becker, “Everybody struggles with something. The real question asked is how does anyone get through life? After all, reality is just a crutch for people who can’t handle drugs.” Director Josh Becker joins us to talk about his collaborations with fellow director Sam Rami (Evil Dead, Army of Darkness) and Bruce Campbell (Evil Dead, Bubba Ho-tep) and his film’s raw, unflinching farce about the hypocrisies and denials that are the daily reality of people who are living lives in a suffocating bubble.

 

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For news and updates go to: morningnoonandnightthefilm.com

Opening at the Laemmle Music Hall in Beverly Hills on October 5