SARIA explores the unimaginable hardships faced by young female orphans at the Virgen de La Asuncion Safe Home in Guatemala, leading up to the tragic fire which claimed 41 of their lives in 2017. We follow the story of two inseparable orphaned sisters – Saria 12, and her sister Ximena 14, as they fight against mounting daily physical abuse at the very institution designed to protect them. In the sisters’ desperation for survival, they devise a daring plan of escape for all the orphans to find freedom in America.SARIA is premiering at the 2020 Oscar Shorts.
Director’s Biography: the New York times has dubbed Oscar-Nominee Bryan Buckley the “king of the Super Bowl,” having directed over 60 commercials for the big game since 2000. in 2013, Buckley wrote and directed the short film ASAD, which received an academy award nomination for “Best live action Short Film” and was cited by archbishop Desmund Tutu in a speech as having helped stem xenophobia in his country. Buckley then followed up his short with two feature films – the 2015 Sundance Film Festival opener, THE BRONZE, and THE PIRATES OF SOMALIA, which had its world premiere at the 2017 Tribeca Film Festival. A 2010 Adweek Readers Poll named Buckley the commercial Director of the Decade – he was also named one of the 50 best Creative Minds in the last 25 years by Creativity Magazine. Buckley is an esteemed recipient of the DGA award, multiple Emmys, and over 50 Cannes lions. Most recently, he won the 2019 Cannes Grand prix for his work on MARCH FOR OUR LIVES “GENERATION LOCKDOWN,” done in support of the S.42 Background Check Expansion Act.
Two young brothers come across a donkey in the desert. Strangely, the animal is wearing headphones over its ears.
Director’s Biography: Yves Piat discovered the world of cinema through his technician work as a decorator and studio manager on set. he developed the Nefta Football club story by mixing a personal experience coming from his childhood and his observations after several journeys in South Morocco.
Cinemed, Festival Cinéma Méditerranéen Montpellier – Prix du Public La Gazette – France (2018)
Cinemed, Festival Cinéma Méditerranéen Montpellier – Mention Spéciale – France (2018)
Bucharest Short Film Festival – Best Screenplay – Romania (2018)
Un poing c’est court, Festival du Film Court Francophone de Vaulx-en-Velin – Prix des Jeunes – France (2019)
Festival international du court métrage de Clermont-Ferrand – Prix du Public – France (2019)
11mm – Int. Football Film Festival Berlin – Best Short Film Award – Germany (2019)
Festival Européen du Court-Métrage de Bordeaux – Prix SensCritique – France (2019)
Festival Européen du Court-Métrage de Bordeaux – Prix du Jury Étudiants – France (2019)
Aspen Shortsfest – Best Comedy – USA (2019)
Aspen Shortsfest – Public Prize – USA (2019)
Ce n’est pas la taille qui compte – Prix du Public – FRANCE (2019)
Florida Film Festival – Audience Award – USA (2019)
Cyprus Comic Con Film Festival – International Prize – Cyprus (2019)
THE NEIGHBORS’ WINDOW tells the story of Alli (Maria Dizzia), a mother of young children who has grown frustrated with her daily routine and husband (Greg eller). But her life is shaken up when two free-spirited twenty-somethings move in across the street and she discovers that she can see into their apartment. Inspired by a true story, the film was written and directed by three-time Oscar-nominated documentary filmmaker, Marshall curry. Starring tony-nominated Maria Dizzia (Orange is the New Black, 13 Reasons Why, White We’re Young); Greg Keller (Law and Order); and Juliana Canfield (Succession).
About the filmmaker: Marshall Curry is a three-time academy award nominated documentary director, cinematographer, and editor. his films cover a wide range of interests and include STREET FIGHT, about Cory Booker’s first run for mayor of Newark, N.J.; RACING DREAMS, which tells the story of two boys and a girl who dream of becoming NASAR drivers; IF A TREE FALLS: A STORY OF THE EARTH LIBERATION FRONT, which chronicles a radical environmental group; POINT AND SHOOT, about an American who leaves home to join the Libyan revolution; and A NIGHT AT THE GARDEN, about a Nazi rally that filled Madison Square Garden in 1939. his films have won top honors at Sundance and Tribeca, played in theaters and on television around the world, and earned two Emmy nominations and two Writers Guild of America nominations. curry also Executive produced and helped to edit MISTAKEN FOR STRANGERS, a comedy documentary about the indie rock band, the National.
Palm Springs Shorts Fest – Audience Award, Best Live Action Short
Traverse City Film Festival – Audience Award, Best Fiction Short
Rhode Island Film Festival – First Prize, Best Live Action Short
Woodstock Film Festival – Best Short Film
Port Townsend Film Festival – Jury Award, Best Narrative Short
Port Townsend Film Festival – Audience Award, Best Narrative Short
Santa Fe Film Festival – Audience Award, Best Narrative Short
Washington West Film Festival – Best Narrative Short
Washington West Film Festival – Best Short Film Director
Kinematic Shorts – Audience Award
Coronado Film Festival – Audience Award
Short Shorts Film Festival – Best International Actress, Maria Dizzia
Sulmona International Film Festival – Best Editing
Atlanta Shortsfest – Best Cinematography, Wolfgang Held
Set in a brilliantly recreated 1950s Rio de Janeiro, The Invisible Life of Euridice Gusmao revolves around two inseparable sisters, 18 and 20 years old, living restricted lives with their conservative parents. However, each nourishes a passionate dream: Eurídice of becoming a renowned pianist; Guida of finding true love. In a shocking turn of events, they are separated and forced to live apart. Karim Aïnouz’s first film, MADAME SATÃ, a Jean Genet-inspired story of 1930’s Rio’s drag demi-monde, premiered at Film Forum in 2003. INVISIBLE LIFE shares with it this director’s commitment to immersing himself in the emotional lives of his characters, visualized through rich, inventive, and lush imagery. Based on Martha Batalha’s popular novel The Invisible Life of Eurídice Gusmão, the film won the Un Certain Regard prize at the 2019 Cannes Film Festival. INVISIBLE LIFE is nominated for Best International Film at the 2020 Film Independent Spirit Awards and is Brazil’s official submission to the 2020 Academy Awards® for Best International Film. Director and co-screenwriter joins us to talk about his razor-sharp, wrenching story of patriarchy, fierce determination and love in a time and place where gender mattered more than family.
About the filmmaker:Karim Aïnouz was born in Fortaleza, Brazil in 1966. He studied architecture in Brasilia and film at New York University. He was assistant director to Todd Haynes, worked on over 20 films as an editor and has been directing his own films since 1992. In 2014 his film Praia do Futuro screened in the Berlinale Competition, and he was one of the directors of Cathedrals of Culture (also 2014). Selected filmography: Madame Satã (2002), Love for Sale (2006), The Silver Cliff (2011), Futuro Beach (2014), Central Airport THF (2017), The Invisible Life of Eurídice Gusmão (2019).
**OFFICIAL BRAZILIAN OSCAR® ENTRY FOR BEST INTERNATIONAL FEATURE**
**WINNER – UN CERTAIN REGARD – CANNES FILM FESTIVAL 2019**
“RAVISHING. A waking dream, saturated in sound, music and color to match its depth of feeling. Aïnouz has made both a testament to the resilience of women in a society stacked against them…as well as a stirring celebration of the families we create when the ones we’reborn into fall away.” – Guy Lodge, Variety
“GORGEOUS. A haunting drama that quietly celebrates the resilience of women… by turns seductive and sorrowful, tender and raw.”– David Rooney, The Hollywood Reporter
“This is an absolutely gorgeous film that starts off as a sort of Rio fairytale and then turns into something a little more realistic with its feet on the ground.” – Amy Nicholson, FilmWeek
“It’s a drama of resilient women, thoughtless men and crushingly unrealized dreams, told with supple grace, deep feeling and an empathy that extends in every direction.” – Justin Chang, Los Angeles Times
A hallucinatory cinematic fever dream, Dawson City: Frozen Time tells the bizarre true story of some 533 silent film reels, dating from the 1910s and 20s, that accumulated at the end of a film distribution line in northwestern Canada and which were miraculously discovered some 50 years later, in 1978, buried in a sub-arctic swimming pool, deep in the Yukon permafrost. Filmmaker Bill Morrison (Decasia, The Miners’ Hymns, The Great Flood) deftly combines excerpts from this remarkable collection with historical footage, photographs, and original interviews, to explore the complicated history of Dawson City, a Canadian Gold Rush town founded across the river from a First Nation hunting camp, and then traces how the development of that town both reflected and influenced the evolution of modern Cinema. Combined with a powerful, evocative score by Alex Somers ( Captain Fantastic; Hale County This Morning, This Evening; Honey Boy), orchestrated and arranged by Ricardo Romaneiro, Dawson City: Frozen Time is a triumphant work of art that spins the life cycle of a singular film collection into a breath-taking history of the 20th century. Director, writer and editor Bill Morrison joins us to talk about his amazing re-creation of a time and place that existed in the parallel universes of a nascent film industry and crushing avarice of a gold rush that still resonates today.
About the filmmaker: Bill Morrison has premiered films at the New York, Rotterdam, Sundance, and Venice film festivals, and multi-media work at major performance venues around the globe such as BAM, the Barbican, Carnegie, and Walt Disney Concert Hall. Morrison’s films typically source rare archival footage in which long-forgotten, and sometimes deteriorated, imagery is reframed as part of a collective mythology. His work has been recognized with the Alpert Award, Creative Capital, the Foundation for Contemporary Art, a Guggenheim fellowship, and a mid-career retrospective at MoMA. His found footage opus Decasia (2002) was the first film of the 21st century to be selected to the Library of Congress’ National Film Registry. The Great Flood (2013) was awarded the Smithsonian Ingenuity Award of 2014 for historical scholarship. Dawson City: Frozen Time (2016) won a Critics’ Choice Award for the most innovative documentary of the year, and was named the best documentary of 2017 by the Boston Society of Film Critics.
“an instantaneously recognizable masterpiece” – Glenn Kenny, New York Times
“Bill Morrison, whose extraordinary documentary Decasia turned decomposing film stock into the stuff of avante-garde reverie, returns with another staggering journey into the past.” – J. R. Jones, Chicago Reader
“The thrilling documentary “Dawson City: Frozen Time” is indescribable not because it’s ambiguous (it’s totally straightforward) but because it does so many things so beautifully it is hard to know where to begin.” – Kenneth Turan, Los Angeles Times
In this extraordinary documentary, WHEN LAMBS BECOME LIONS we are immersed in the Kenyan bush, as a small-time ivory dealer fights to stay on top while forces mobilize to destroy his trade. When he propositions his younger cousin, a conflicted wildlife ranger who hasn’t been paid in months, they both see a possible lifeline. The plummeting elephant population in Africa has captured the attention of the world, and as the government cracks down, both poachers and rangers face their own existential crises— what is the value of elephant life relative to human life? And can we understand these hunters who will risk death, arrest, and the moral outrage of the world to provide for their families? The photography in this film is so stunning that many people forget they’re watching a documentary, and it’s probably why WHEN LAMBS BECOME LIONSwas justnominated for two 2019 IDA Documentary Awards (Best Cinematography and Best Editing). WHEN LAMBS BECOME LIONS is told in the style of “embedded” filmmaking with an intimate and strikingly honest look at elephant poaching in Kenya, told from both perspectives — the poachers and the rangers who pursue them. At its core, WHEN LAMBS BECOME LIONS is the human side of why people do what they do given their circumstances. An angle not many people think about when they hear “elephant poaching”. WHEN LAMBS BECOME LIONS is executive produced by Academy Award-nominated filmmaker Matthew Heineman (Cartel Land) and directed by Emmy Award-winning filmmaker and Doc NYC 40 Under 40 honoree, Jon Kasbe. Kasbe followed his subjects over a three-year period, gaining an extraordinary level of access and trust on both sides of the ideological and ethical spectrum. The result is a rare and visually arresting look at the perspectives and motives of the people at the epicenter of this conservation crisis. Director Jon Kasbe joins us to talk about the making of his riveting film, gaining the confidence of the film’s subjects and navigating the many ethical questions he confronted during the making of When Lambs Become Lions.
“A probing view of how a failed African state allows poaching to continue, no matter the lofty speeches of its new president. When people are desperate, they turn to crime–including poaching.” – Louis Proyect, Counterpunch.org
“Documents how this daily struggle binds together the inhabitants of Northern Kenya, both man and beast, and explores how questions of morality and mortality become increasingly complicated in such a savage landscape.” – Nikki Baughan, Screen International
“Kasbe nudges us to remember the importance of food on the table – for all Kenyatta’s show of might, wouldn’t a better situation be kindled by simply paying people what they’re owed?” – Amber Wilkinson, Eye for Film
Centered on the indomitable character of former first-lady Imelda Marcos, THE KINGMAKER examines, with intimate access, the Marcos family’s improbable return to power in the Philippines.THE KINGMAKER explores the disturbing legacy of the Marcos regime and chronicles Imelda’s present-day push to help her son, Bongbong, win the vice presidency. To this end, Imelda confidently rewrites her family’s history of corruption, replacing it with a narrative of a matriarch’s extravagant love for her country. In an age when fake news manipulates elections, Imelda’s comeback story serves as a dark fairy tale. Director Lauren Greenfield (Generation Wealth, The Queen of Versailles, Thin) joins us to talk about a powerful political family, led by a single-minded matriarch, determined to return to re-capture the corrupted glory ofher family’s discredited regime.
About the filmmaker, Lauren Greenfield Named by the New York Times as “America’s foremost visual chronicler of the plutocracy,” Emmy Award–winning filmmaker/photographer Lauren Greenfield has produced groundbreaking work on consumerism, youth culture and gender for the last 25 years. Her films Generation Wealth, The Queen of Versailles and Thin and photography books Generation Wealth, Fast Forward and Girl Culturehave provoked international dialogue about some of the most important issues of our time. The Queenof Versailles was the opening night film of the 2012 Sundance Film Festival, where it won the Best Documentary Director Award and was named by Vogue asoneofthetopdocumentariesofall time. Her record-breaking Super Bowl ad #LikeAGirl (250+ million views) earned her 14 CannesLions and the Most Awarded Director by Ad Age, making her the first woman to top thislist. Generation Wealth (Amazon Studios) opened the 2018 Sundance Film Festival, screened at Berlinale and received a Writers Guild nomination. The companion exhibition received The Paris Photography prize, has traveled around the world and opens at the Louisiana Museum of Modern Art (Copenhagen) inFall2019.In2019,GreenfieldlaunchedGirlCultureFilmstoaddressthelackofdiversityofdirectors in the advertisingindustry.
OFFICIAL SELECTION – Venice International Film Festival
OFFICIAL SELECTION – Telluride Film Festival
OFFICIAL SELECTION – Toronto International Film Festival
“Jaw dropping. Lauren Greenfield proves the perfect person to infiltrate Imelda Marcos’ psyche.”- Peter Debruge, Variety
“An enraging portrait of entitlement, opulence and corruption. Greenfield shows a knack for illuminating the oddly hypnotic allure of obscene, tacky wealth.”– Tim Grierson, Screen International
“Eye opening. Lauren Greenfield transforms an absorbing look at the life and legacy of Imelda Marcos into a fascinating documentary about the Marcos family’s troubled history – and the disturbing ways that it’s making a comeback today.”– Eric Kohn, IndieWire
:Marcos innately understands the importance of image, but she seems to have underestimated her inquisitor, who uses well-chosen historic footage and powerfully-edited interviews with other Filipinos to gradually expand the canvas.” – Elizabeth Weitzman, TheWrap
Making Waves: The Art of Cinematic Sound reveals the hidden power of sound in cinema . . . and our lives. Few have “ears to hear” or comprehend the emotional storytelling impact sound plays in so-called visual media. Francis Ford Coppola and George Lucas have both declared“sound is 50% of the movie,” with Steven Spielberg noting, “Our ears lead our eyes to where the story lives.” Through film clips, interviews and archival footage–an enlightening and nostalgic look at many of Hollywood’s biggest box office hits–the film captures the history, impact and unique creative process of this overlooked art form and the artists behind it. Filled with insights from legendary directors–including George Lucas, Steven Spielberg, Barbra Streisand, Robert Redford, David Lynch, Ang Lee, Sofia Coppola and Ryan Coogler, among others–who share revealing stories about the award-winning work their sound collaborators help to create. In Making Waves, we witness the wild creativity of some of the industry’s most-respected key sound designers–including Oscar winners Walter Murch (Apocalypse Now), Ben Burtt (Star Wars), Gary Rydstrom (Saving Private Ryan) and Lora Hirschberg (Inception); and Oscar-nominees Cece Hall (Top Gun), Anna Behlmer (Braveheart) and Bobbi Banks (Selma)–who, in pursuing their art and desire to push the medium, are the very people who will go down in the history of cinema as developing sound into the immersive storytelling force it is today. Audiences will discover many unsung collaborators for the key creative artists they are, in a domain that has for too long been characterized as “technical.” Director Midge Costin joins us to evangelize on the power and glory of sound and the visionaries who have pioneered a new frontier in cinema.
“Accessible, illuminating and entertaining, it’s a documentary of huge value, something that will enhance not just your understanding but your future experience of film.” – Emma Simmonds, The List
“A practically perfect primer for anyone interested in the history and craft of filmmaking, answering most of the pertinent, baseline questions while leaving plenty of room for supplemental research.” – William Bibbiani, TheWrap
“Provides an exhaustive history of the medium right before our ears and eyes, jumping quickly from decade to decade and bringing it all together as a comprehensive cinematic dissertation of aural complexity.” – John Fink, The Film Stage
“Making Waves will likely inspire viewers to seek out their favorite films and experience them with fresh ears.” – John DeFore, Hollywood Reporter
The acclaimed PBS documentary series Independent Lens, recently honored with two Peabody Awards, a Primetime Emmy nomination and 12 News & Documentary Emmy nominations, returns for a new season on Monday, October 28.This year’s premiere is Made in Boise,an engrossing look at the complex and controversial world of gestational surrogacy told through the stories of four women carrying babies for gay men and infertile couples in the conservative heartland of Idaho — the unofficial “surrogacy capital” of the United States. Also on the fall schedule is Decade of Fire, which travels back to the 1970s when the South Bronx was burning, to showcase the dedicated citizens who outlasted the flames and saved their community; The Interpreters, a moving look at the Afghan and Iraqi interpreters who risked their lives aiding American troops and who now struggle to find safety and security for themselves and their families; Conscience Point, which unearths the deep clash of values between the Native American Shinnecock of Long Island and their affluent Hamptons neighbors; and Attla, the rousing story of Alaska Native George Attla, who with one good leg and a determined mindset went on to become a champion dogsled racer. Other highlights of the Winter/Spring 2020 slate include Always in Season, a harrowing look at the history of lynching and the 2014 case of Lennon Lacy, a North Carolina teen who died under unexplained circumstances; Bedlam, a psychiatrist’s chronicle of what mental illness means in the U.S. today, interwoven with the story of how the system tragically failed his own sister; and Rewind, a devastating, autobiographical documentary about the far-reaching consequences of multigenerational child sexual abuse. Independent Lens Executive Producer Lois Vossen joins us to talk about the fundamental principles to support filmmakers telling stories about their communities and commitment to showcase thought-provoking documentaries about the issues that divide us and the ideals and beliefs that bind us together.
Made in Boise by Beth Aala(Monday, October 28)Go inside the lives of four surrogates and the intended parents whose children they carry. As the number of surrogate births surge across the country, a surprising epicenter of the movement is Boise, Idaho, where hundreds of women are choosing to be surrogates. For gay couples, single men, and those who struggle with infertility, this booming industry is often the last resort to biological parenthood. The film follows the four women as they navigate the rigors of pregnancy and the mixed feelings of their own families, who struggle to understand their choice to risk the physical and emotional complications of carrying babies for someone else.
Decade of Fire by Vivian Vázquez Irizarry, Gretchen Hildebran and Julia Steele Allen(Monday, November 4)In the 1970s, the Bronx was on fire and close to a quarter-million people were displaced when their close-knit, multiethnic neighborhood burned. While the abandonment of landlords and dwindling support from government officials led to the devastation, Black and Puerto Rican residents were blamed. Now, Bronx-born Vivian Vázquez Irizarry explores the truth about the borough’s untold history and reveals how her community chose to resist, remain and rebuild.
The Interpreters by Andrés Caballero and Sofian Khan(Monday, November 11)More than 50,000 local interpreters helped protect U.S. troops on the ground in Iraq and Afghanistan, enabling soldiers to communicate with the local population. But those who took the job were often considered traitors. In the aftermath of war, some have been able to leave their home countries and reach safety, while others still languish in hiding and fear for their lives.
Conscience Point by Treva Wurmfeld(Monday, November 18)In Long Island’s Hamptons, one of the wealthiest areas in the nation and an epicenter of the luxury property boom, a clash of values is taking place. The original inhabitants of the beautiful peninsula — the Shinnecock Indian Nation — find themselves squeezed onto a tiny, impoverished reservation. Over hundreds of years they have seen their ancient burial grounds plowed up for the widening of roads, mega-mansions, and ultra-exclusive golf courses like the Shinnecock Hills Golf Club. Now Shinnecock activists and long-standing residents, including farmers and fishing communities, are taking a stand against a never-ending tide of wealthy transplants, overdevelopment, pollution, congested highways and skyrocketing property taxes.
Attla by Catharine Axley (Monday, December 16)The inspiring but little-known story of legendary Alaska Native dogsled champion George Attla, who — with one good leg and fierce determination — rose to international fame. In the final chapter of his life, Attla emerges from retirement to mentor his 20-year-old grandnephew. With their sights set on reviving proud cultural traditions, the pair embark on a journey to compete in the world’s largest dogsled sprint race, one that has seen a steep decline in Native competitors.
In this brilliant followup to his award-winning documentaries (SENNA, AMY) DIEGO MARADONA captures the athletic brilliance and maddening duality of a soccer player widely considered to be best player in the world from the moment he burst onto the scene in his native Argentina. And yet success proved elusive. He failed at Barcelona. He was considered a problem player, too interested in partying. Meanwhile, having never won a major tournament, the ailing Italian football giant SSC Napoli were perennial underachievers. Their fanatical support was unequalled in both passion and size. But how they ached for success… On 5th July 1984, Diego Maradona arrived in Naples for a world-record fee and for seven years all hell broke loose. The world’s most celebrated football genius and the most passionate but dangerous city in Europe were a perfect match for each other. Diego Maradona was blessed on the field and treated like a God off it; the charismatic Argentine loved a fight against the odds and led Naples to their first-ever League title. It was the stuff of dreams. But there was a price… Diego could do as he pleased while performing miracles on the pitch, but as time passed, darker days closed in. Italy turned on him. The third film from the Academy Award-winning & multi-BAFTA-winning team behind SENNA and AMY (director Asif Kapadia, producer James Gay-Rees, editor Chris King, composer Antonio Pinto), and also Paul Martin, DIEGO MARADONA was constructed from over 500 hours of never-before-seen footage from Maradona’s personal archive.DIEGO MARADONA is crafted in the style of SENNA and AMY. It is the definitive feature documentary on the charismatic enigma that is Maradona. In a city where even the devil would need bodyguards, Diego Maradona became a god. Maradona in Naples is the story of his life, the wild and unforgettable story of an unrivalled talent. He was a rebel, cheat, hero and god. This is a story of glory, despair and betrayal, a tale of corruption and, ultimately, of redemption. Director / Producer Asif Kapadia joins us to talk about the enigma of “Diego” and “Maradona.”
“MESMERIZING… one of the most colorful and fascinating personalities in all of sports, with a life story bordering on the mythic. You may know outlines of the soccer legend’s life, but there’s no way you won’t learn something from DIEGO MARADONA, Asif Kapadia’s absorbing and exhaustive new film.” – Jocelyn Noveck, Associated Press
“a fame-technique movie, measured in crowd roars, off-field revelry, media run-ins, and fan scrums as dizzying accoutrements to success, but also – when Maradona succumbed to scandals surrounding women, an unclaimed son from an affair, cocaine, loyalty, and powerful mob friends – in how those same trappings can suddenly turn vicious, and a hero’s fall can go shockingly unsupported.” – Robert Abele, Los Angeles Times
“[Kapadia] has edited cruddy video footage (some of which appears barely more than camcorder-grade) and photographs into a movie so fluid that it moves like a Hollywood production. He also dispenses with much of the filler common to documentaries… It is exhausting and exhilarating, cheap looking and slick, a documentary for Maradona fans but also for many others besides.” – Ben Kenigsberg, The New York Times
“Asif Kapadia has put together an extraordinarily intimate account of [Diego Maradona’s] rise and fall, enriched by grainy but graphic footage recording every phase of his life.” – Sandra Hall, Sydney Morning Herald
Oscar nominee Feras Fayyad (“Last Men in Aleppo”) delivers an unflinching story of the Syrian war with his powerful new documentary, THE CAVE. For besieged civilians, hope and safety lie underground inside the subterranean hospital known as the Cave, where pediatrician and managing physician Dr. Amani Ballor and her colleagues Samaher and Dr. Alaa have claimed their right to work as equals alongside their male counterparts, doing their jobs in a way that would be unthinkable in the oppressively patriarchal culture that exists above. Following the women as they contend with daily bombardments, chronic supply shortages and the ever-present threat of chemical attacks, THE CAVE paints a stirring portrait of courage, resilience and female solidarity. Director and writer Feras Fayyad stops by to talk about the unbelievable courage of the hospital staff led by Dr. Amani Ballor, and the volunteers as they keep an otherwise harrowing day-to-day nightmare from devolving into soul-destroying chaos.
**WINNER – Audience Award – Toronto International Film Festival 2019
**WINNER – Audience Award – Camden International Film Festival 2019
**SPECIAL JURY MENTION – Camden International Film Festival 2019
“Miraculous. A standout. Feras Fayyad’s powerful portrait audaciously puts women’s imperative contribution to survival front and center.” – Tomris Laffly, Variety
“Look no further than The Cave for a portrait of true heroism. Provides astonishingly immediate and gripping footage of the collective effort to survive. The Cave ranks among the best of films to portray the tragedy of the Civil War in Syria and the resilience of the everyday people who keep the spirit of the nation alive.” – Pat Mullen, POV
“Emotionally Moving. Both intensely real and a carefully wrought work of cinema.” – Caryn James, The Hollywood Reporter
“Gripping. Unprecedented. A real-time thriller. Fayyad excels at finding small moments that take on poetic resonance.” – Eric Kohn, IndieWire
A stunning sensory experience and cinematic meditation on humanity’s massive reengineering of the planet, ANTHROPOCENE: THE HUMAN EPOCH is a years-in-the-making feature documentary from the award-winning team behind Manufactured Landscapes (2006) and Watermark (2013) and narrated by Alicia Vikander. The film follows the research of an international body of scientists, the Anthropocene Working Group who, after nearly 10 years of research, argue that the Holocene Epoch gave way to the Anthropocene Epoch in the mid-twentieth century as a result of profound and lasting human changes to the Earth. From concrete seawalls in China that now cover 60% of the mainland coast, to the biggest terrestrial machines ever built in Germany, to psychedelic potash mines in Russia’s Ural Mountains, to metal festivals in the closed city of Norilsk, to the devastated Great Barrier Reef in Australia and massive marble quarries in Carrara, the filmmakers have traversed the globe using state of the art camera techniques to document the evidence and experience of human planetary domination. At the intersection of art and science, ANTHROPOCENE: THE HUMAN EPOCH witnesses a critical moment in our geological history. Co-directorsJennifer Baichwal, Nicholas de Pencier and Edward Burtynsky bring a provocative and unforgettable experience of our species’s ever-expanding breadth and devastating impact.
“Astonishment. Pure, lurid, ravishing, genuine astonishment. That is Anthropocene: The Human Epoch.” – Luke Hicks, Nonfics
“The [team’s] latest film is the culmination of a major body of work and it’s as visually stunning and intellectually invigorating as the previous two films are.” – Pat Mullen, POV Magazine
“To say that there are no easy answers to planetary woes is to state the obvious. But the film seeks to reveal rather than lecture, in the hope that our eyes will convince our brains to act before it’s too late.” – Peter Howell, the Toronto Star
“Its cinematography and passion for our planet make a strong case for your attention.” – Nick Allen, RogerEbert.com
“The luminous, terrifying and beautiful documentary “Anthropocene: The Human Epoch” feels like the culmination of the life’s work of its three directors… because it chronicles what could be the end of human life on Earth.” – Sean P. Means, The Movie Cricket
Linda Ronstadt: The Sound of My Voice is a love song to one of the most memorably stunning voices that has ever hit the airwaves, Linda Ronstadt. She burst onto the 1960s folk rock music scene in her early twenties as the lead singer of the Stone Poneys, Ronstadt eventually branched out to begin her decades long career as a solo artist, touring the world selling out stadiums and, at one point, setting the record as the highest paid female artist in rock. Most remarkable to this day is her interest in and willingness to jump into new and challenging styles of music, including opera, jazz, and Mexican folk, excelling fantastically with each. Ronstadt has also been an outspoken political advocate for causes such as same-sex marriage and the inhumane treatment of undocumented immigrants, never shying away from fighting for what she believes both on and off the stage. Oscar-winning directors Rob Epstein and Jeffrey Friedman (The Times of Harvey Milk, The Celluloid Closet, Common Threads: Stories from the Quilt, Howl, Lovelace and End Game) use deep-cut archival footage, and Ronstadt’s own astute recollections, to celebrate an artist whose desire to do justice to the songs that touched her soul made generations of fans fall in love with her – and with the sound of her voice. Co-directors Rob Epstein and Jeffrey Friedman join us to talk about a remarkable singer /artist and an even better person.
“She shows herself to be one of its indispensable interpreters, as a vocalist and also as a thinker – covering a sprawling landscape with elegance, passion and insight.” – A.O. Scott, New York Times
“It captures the life and career of a rock ‘n’ roll star who never looked back, never apologized, never compromised.” – Owen Gleiberman, Variety
“Astutely chronicling an amazing musical career that ended prematurely due to Parkinson’s disease, Linda Ronstadt: The Sound of My Voice will delight the singer’s old fans and likely make her many new ones as well.” – Frank Scheck, Hollywood Reporter
“An excellent retrospective and celebration of Ronstadt’s trailblazing career.” – Sophia Stewart, Nonfics
Acclaimed filmmaker and recipient of the MacArthur Program Fellow FellowshipStanley Nelson takes us on a journey through the life of a musical giant in his latest documentary film MILES DAVIS: BIRTH OF THE COOL. Miles Davis was many things including a horn player, bandleader, innovator. He was elegant, intellectual, vain, callous, conflicted, controversial, and mercurial. Miles Davis was also embodiment of cool. The man with a sound so beautiful it could break your heart. The central theme of Miles Davis’s life was his restless determination to break boundaries and live life on his own terms. It made him a star. For the people who loved him most, it also made him incredibly difficult to live with. Again and again, in music and in life, Miles broke with convention—and when he thought his work came to represent a new convention, he changed it again. Miles’s bold disregard for tradition, his clarity of vision, his relentless drive, and constant thirst for new experiences made him an inspiring collaborator to fellow musicians and a cultural icon to generations of listeners. It made him an innovator in music—from bebop to “cool jazz,” modern quintets, orchestral music, jazz fusion, rock ’n’ roll, and even hip-hop. Featuring never-before-seen archival footage, studio outtakes, and rare photos, MILES DAVIS: BIRTH OF THE COOLtells the story of a truly singular talent and unpacks the man behind the horn. Director and producer Stanley Nelson joins us to talk about the life and times of a music genius and the uncompromising life he led.
“You’ll want to listen to Miles’ music after watching the film and, when you do, you might feel it a little deeper.” – Glenn Whipp, Los Angeles Times
“Miles Davis – The Birth of Cool is a must see for anyone, anywhere in any lane of life that has an infinite love of music. Especially jazz. Stanley Nelson’s best work to date pulling back the curtain on an underrated musical Picasso – Miles Davis” – Carla Renata, The Curvy Film Critic
“While previous books and films made Miles Davis look like a magical character, Nelson’s ‘Miles Davis: Birth of the Cool’ depicts the musician as what he was – a man who was driven by his art and chained by the racist society he was born into.” –Jonita Davis, Black Girl Nerds
“If you’re a Miles Davis fanatic from way back and think you already know everything about him, the movie, with its sharply edited interviews and stunning archival reach, fills in nuances of the man that feel fresh and new.“ – Owen Gleiberman, Variety
Mohammed Emwazi was a grade school student in London with a promising future ahead of him in 1995. By 2014, he had become known as “Jihadi John,” a masked ISIS terrorist in Syria who internationalized his notoriety by broadcasting his beheadings of Western hostages on the internet. UNMASKING JIHADI JOHN: ANATOMY OF A TERRORIST includes rare footage of Emwazi as a young boy in London and interviews with his schoolteachers who reveal that he lived a relatively comfortable and normal childhood. His behavior grew more disconcerting in his teenage years. Emwazi’s brutality is illustrated through harrowing, first-hand accounts from his surviving hostages, and the collaboration between the world’s leading intelligence agencies, including the CIA and Britain’s intelligence agents, who ultimately tracked him down and ended his life. UNMASKING JIHADI JOHN: ANATOMY OF A TERRORIST examines what propelled Emwazi’s journey down a violent path despite US and British authorities being aware of his extremism. It also highlights the self-declared operational failures by counter-terrorism officials as Emwazi became ISIS’s chief executioner and propagandist. Joining us on Film School Radio will be Oscar®-nominated, BAFTA and Emmy®-winning director Anthony Wonke (HBO’s “The Battle for Marjah”), and BAFTA-winning producer and investigative journalist Richard Kerbaj for a conversation on the how and why a schoolboy and promising soccer player morphs into a sadistic killer.
UNMASKING JIHADI JOHN: ANATOMY OF A TERRORIST debuts WEDNESDAY, JULY 31 (8:00-9:40 p.m. ET/PT), exclusively on HBO.
“Part high-tech manhunt and part brutal captivity narrative, “Unmasking Jihadi John: The Anatomy of a Terrorist” is one documentary unlikely to leave anyone in its viewing audience bored.” – David Zurawik, Baltimore Sun
“This is a film that spends much of its time on observation and analysis of the known facts… This makes it feel rather dry in places but avoids any glamorisation of its subject.” – Jennie Kermode, Eye for Film
“In terms of cinematography and editing, Jihadi John: Anatomy of a Terrorist is well-executed, and it’s certainly informative.” – Amy Glynn, Paste Magazine
Never before has journalism in America been so hotly debated. At a time when it seems like the hard-hitting question is fighting for its right to be asked, MIKE WALLACE IS HERE turns the tough question loose on its inventor to understand how we got here and what’s really at stake. Legendary newsman Mike Wallace unflinchingly interrogated the 20th century’s biggest figures in over fifty years on the air, and his aggressive reporting style and showmanship redefined what America came to expect from broadcasters. Unearthing decades of never-before-seen footage from the 60 Minutes vault, this documentary portrait explores what drove and plagued this restless reporter, whose storied career was entwined with the evolution of journalism itself. MIKE WALLACE IS HERE is told exclusively through archival footage, without one talking-head commentary or backward-looking interview diluting the immediacy and power of Wallace’s work. The film traces his career on the air from his invention of the “tough question” in his 1950s interview show Night Beat to his news specials of the ’60s and his extraordinary four decades on CBS’ 60 Minutes, examining how his genre-defining work changed the standards of broadcast journalism for good and for ill, while unpacking the personal qualities that made Mike tick. Director Avi Belkin takes us behind the mask of the fearless inquisitor to reveal a driven man fraught with doubt and insecurities.
“A compulsively engrossing account of a career notable for its gutsy, confrontational attitude toward the power brokers in business and politics.” – Todd McCarthy, Hollywood Reporter
“A no holds barred, sobering look at one our most acerbic, in your face, troubled award winning journalist – Mike Wallace. CBS unlocked their vaults with exclusive archival footage, interviews and words from Wallace himself.” – Carla Renata, The Curvy Film Critic
“As Belkin’s brisk and compelling documentary fades to black, the director seems to hope that the Wallace quotation audiences cling to isn’t one of his fanged questions, but his optimism for the profession to which he dedicated his life” – Amy Nicholson, Variety
Big Data has surpassed oil as the world’s most valuable asset. It’s being weaponized to wage cultural and political warfare. People everywhere are in a battle for control of our most intimate personal details.From award-winning filmmakers Karim Amer and Jehane Noujaim, THE GREAT HACK uncovers the dark world of data exploitation with astounding access to the personal journeys of key players on different sides of the explosive Cambridge Analytica/Facebook data scandal.Academy-Award nominees Amer and Noujaim (The Square, Control Room, Startup .com) continue their tradition of exploring the seismic ripples of social media with this riveting, complex film. THE GREAT HACKforces us to question the origin of the information we consume daily. What do we give up when we tap that phone or keyboard and share ourselves in the digital age?THE GREAT HACK is co-directed by Karim Amer and Jehane Noujaim, with a production team led by Geralyn Dreyfous, Judy Korin and Pedro Kos. Karim Amer and Jehane Noujaim join us to talk about Big Data, the expectation of privacy and where we go from here.
“You leave with a clear sense of how one company [sold] democracy down the river, not to mention having your fingernails chewed down to the quick.” – David Fear, Rolling Stone
“A thrilling yarn of political espionage and fascinating characters… However, this isn’t hollow entertainment. The film insists upon the gravity of the situation, toggling effortlessly between the micro and the macro lens on this tale.” – Katie Walsh, Tribune News Service
“[A] gripping, challenging documentary by Karim Amer and Jehane Noujaim, about the biggest scandal of our time: the gigantic question mark over the legality of the Brexit vote.” – Peter Bradshaw, Guardian
“Pondering individual data rights and the sinister side of widespread connectivity, co-directors Jehane Noujaim and Karim Amer diligently inspect how our innocent likes and shares became the building blocks of Brexit and Trump.” – Tomris Laffly, Time Out
The BlackStar Film Festival (BlackStar) returns August 1-4, 2019 with a stellar slate of black, brown and indigenous films from around the globe. The BlackStar Film Festival is an annual celebration of the visual and storytelling traditions of the African diaspora and of global communities of color, showcasing films by black, brown and indigenous people from around the world. Continuing its legacy of discovery and excellence, audiences can expect must-see film premieres, poignant artist discussions, and discover new cinematic favorites from this year’s class of emerging filmmakers. Founded in 2012 by Maori Karmael Holmes, BlackStar has become the hottest event on the film festival calendar. With a program unlike any other, BlackStar is the destination to discover new artists voices from Black and global indigenous filmmakers. Artists including Terence Nance (An Oversimplification of Her Beauty; HBO’s Random Acts of Flyness), and Matthew A. Cherry (9 RIdes; ABC’s Whiskey Cavalier), and Nijla Baseema Mu’min (Jinn) have shared their work at the festival and from BlackStar cultivated a fanbase that has grown with their careers.
This year’s festival features sneak preview of Hip-Hop: The Songs That Shook America, a new documentary series directed by directed Erik Parker and One9.
From Executive Producers Ahmir “Questlove” Thompson, Tariq “Black Thought” Trotter, Shawn Gee, and Alex Gibney,Fear No Gumbo, a documentary feature directed by Kimberly Rivers Roberts, about the 13 years since the deadly Category 5 Hurricane Katrina that made landfall on Florida and Louisiana and the corruption and systemic racism that still victimizes the residents that returned after Katrina.
A new documentary from Emmy Award-winning director andMacarthur “genius” fellow Stanley Nelson (The Black Panthers: Vanguard of the Revolution). Boss which explores over 150 years of African American entrepreneurship, from bondage to billion dollar moguls.
Academy Award-winningdirector, Roger Ross Williams (Music By Prudence, God Loves Uganda) will be on-hand for the debut of his latest documentary The Apollo chronicling the unique history and contemporary legacy of New York City’s landmark Apollo Theater.
Panels and Awards:
BlackStar will present the Luminary Award to Marcia Smith, President of Firelight Media.
To commemorate the 30th anniversary of Do The Right Thing, filmmakerSpike Lee and activist Tarana Burke will discuss the possibilities of using radical storytelling to center social justice and foster narrative change.
On Oct. 24, 2011, 12-year-old Garrett Phillips was murdered in his home in Potsdam, a small town in upstate New York. Police quickly zeroed in on a suspect in this unthinkable crime: Oral “Nick” Hillary, a black man in the mostly white community, who was a soccer coach at Clarkson University and the ex-boyfriend of Garrett’s mother, Tandy Cyrus. WHO KILLED GARRETT PHILLIPS? chronicles the five years following the murder, as Garrett’s family and community relentlessly seek justice for Garrett, and as Nick, who maintains his innocence, fights to clear his name and take back control of his life while raising five children. Through interviews with local police investigators, District Attorneys, defense lawyers, Phillips’ family members, friends of Tandy Cyrus as well as Nick Hillary and his children, along with extensive police audio and video recordings, and courtroom footage, the film is a gripping, eye-opening look at how justice is delivered and delayed. WHO KILLED GARRETT PHILLIPS? seeks to uncover the truth behind both the tragic murder of a young boy that traumatized a town, as well as the vilification of a black man who was swept up in a quest for justice, and the enduring mysteries that remain. Directed by two-time Academy Award® nominee and Emmy® winner Liz Garbus (HBO’s A Dangerous Son and Nothing Left Unsaid: Gloria Vanderbilt & Anderson Cooper, and What Happened, Miss Simone?), the captivating two-part documentary WHO KILLED GARRETT PHILLIPS? looks at the case from the initial investigation through the arrest and numerous legal twists and turns that culminated in Hillary’s trial for murder five years after the crime. Director Liz Garbus joins us to talk about how this case raises troubling questions of racial bias and issues surrounding policing and the criminal justice system.
WHO KILLED GARRETT PHILLIPS?debuts TUESDAY, JULY 23 and WEDNESDAY, JULY 24 (8:00 pm ET/PST), exclusively on HBO. The film will also be available on HBO On Demand, HBO NOW, HBO GO and partners’ streaming platforms.
After he’s attacked on the street at night by a roving motorcycle gang, timid bookkeeper Casey (Jesse Eisenberg) joins a neighborhood karate studio to learn how to protect himself. Under the watchful eye of a charismatic instructor, Sensei (Alessandro Nivola), and hardcore brown belt Anna (Imogen Poots), Casey gains a newfound sense of confidence for the first time in his life. But when he attends Sensei’s mysterious night classes, he discovers a sinister world of fraternity, brutality and hyper-masculinity, presenting a journey that places him squarely in the sights of his enigmatic new mentor. Audacious and offbeat, The Art of Self-Defense is an original dark comedy that takes toxic masculinity to absurd extremes. Director Riley Stearns joins us for a lively conversation on this wildly inventive, surreal black comedy.
“The Art of Self-Defense manages to clarify the filmmaker’s intriguing vision by stuffing it into a remarkably unnerving character study.” – Eric Kohn, indieWire
“”The Art of Self-Defense” may be presented as an absurdist satire, but like the best American comedies… it doubles as a keen critique of our national character.” – Peter Debruge, Variety
“’Fight Club’ by way of Yorgos Lanthimos, Riley Stearns’ screed on “might is right” toxic masculinity is a giggly black comedy that cowers down a twisty-turny rabbit hole.” – Matt Oakes, Silver Screen Riot
Marianne & Leonard: Words of Love is renowned filmmaker Nick Broomfield’s most personal and romantic film of his career. The Marianne & Leonard: Words of Love starts on the Greek island of Hydra in 1960, where Leonard Cohen, then a struggling and unknown fiction writer, and Marianne Ihlen, a single mother with a young son, became part of community of expat artists, writers and musicians. Never-before-seen footage shot by Broomfield and legendary documentarian D.A. Pennebaker make for a unique portrait of an idyllic 1960’s bohemia. The time on Hydra left a lasting imprint on both Marianne and Leonard, whose friendship would last another fifty years before their deaths in 2016. It was on Hydra in 1968 that director Broomfield, then aged 20, first himself met Marianne. She introduced him to Cohen’s music and encouraged Nick to make his first film. As she was with so many artists, Marianne was an enormous influence on Broomfield, who went on to direct award-winningdocumentaries, many about iconic music legends including Whitney Houston, (Whitney Houston: Can I Be Me) Tupac Shakur and Biggie Smalls, (Tupac and Biggie) Kurt Cobain and Courtney Love (Kurt & Courtney). Director Nick Broomfield joins us to talk about his relationship with Marianne, the undeniable talent and charisma of Cohen, and the profound impact his time on Hydra had on his personal and professional life.
“Love stories are like Tolstoy’s unhappy families: no two of them are alike. But even given that, the relationship chronicled in “Marianne & Leonard: Words of Love” has a quality very much its own.” – Kenneth Turan, Los Angeles Times
“Broomfield’s personal engagement and his embrace of the complexities of life and love elevate this film, which travels across decades and continents to show the lasting power of one connection.” – Joe Blessing, The Playlist
Directed byAcademy Award nominated actor Greg Kinnear (As Good as It Gets, Little Miss Sunshine, The Matador) with an outstanding cast that includes; Emily Mortimer (Mary Poppins Returns), Luke Wilson (Bottle Rocket, Meadowland), Bradley Whitford (Get Out, West Wing), Jay Duplass (Beatriz at Dinner, Landline), Robert Forster (Jackie Brown, The Descendants), and Kurt Fuller (Midnight in Paris, Auto Focus). PHIL is the story of a depressed dentist whose life is falling apart. Phil is shocked when one of his patients, Michael Fisk (Bradley Whitford),a man who seemed to have the perfect life, kills himself. Determined to find out what would drive a man who had everything to end his life, Phil pretends to be a handyman and integrates himself in to the dead man’s life, befriending his wife (Emily Mortimer) and daughter. How long can Phil keep up this double life when he is determined to end his normal one? Director and lead actor Greg Kinnear joins us to talk about the challenges and rewards of a first-time director, finding the humanity in a story of personal tragedy and working with an incredibly talented group of artists.
CHARLIE SAYS, follows three women whose names have become synonymous with the murders of that shocked a nation and the man who ordered them on their deadly spree, Charles Manson. The women – Leslie Van Houten (Hannah Murray), Patricia Krenwinkel (Sosie Bacon), and Susan Atkins (Marianne Rendón) – remained under the spell of the infamous cult leader (Matt Smith) for years. Confined to an isolated cellblock in a California penitentiary, the trio seem destined to live out the rest of their lives under the delusion that their crimes were part of a cosmic plan, until empathetic graduate student Karlene Faith (Merritt Wever) is enlisted to rehabilitate them. Convinced the prisoners are not the inhuman monsters the world believes them to be, Karlene begins the arduous process of breaking down the psychological barriers erected by Manson. But are the women ready to confront the horror of what they did? In CHARLIE SAYS, boundary pushing auteur Mary Harron (American Psycho, I Shot Andy Warhol) presents a provocative new perspective on one of the most notorious crimes of the 20th century.Director Mary Harron joins us to talk about how these seemingly sane, likable young woman could have committed such hideous crimes and why it drove her to tell their stories.
“This is a stunning piece of American cinema that draws on the events in California to talk about the death of an era, to foreshadow a nation’s loss of hope.” – Jennie Kermode, Eye for Film
“What makes Charlie Says so original is its perspective and its willingness to depict the banality and absurdity of life with Manson rather than simply to portray him as the quintessence of evil.” – Geoffrey Macnab, Independent
“Charlie Says is absorbing if only intermittently effective, but it has the distinction of bringing a female gaze to arguably the most notorious crime spree in American history.” – David Rooney, Hollywood Reporter
** Spotlight on the Los Angeles Asian Pacific Film Festival
Visual Communications, the nation’s premier Asian Pacific American media arts center, announced its outstanding program of films and events for the upcoming 35th edition of the Los Angeles Asian Pacific Film Festival (LAAPFF) running MAY 2 – MAY 10, 2018. The all encompassing annual film celebration is presented across Los Angeles in West Hollywood, Downtown LA, Little Tokyo, Koreatown, and Hollywood. Visual Communications proudly celebrates the Film Festival’s 34 years as Southern California’s largest and most prestigious film festival of its kind. LAAPFF launches the celebration of Asian Pacific Heritage Month through this year’s slate of over 100 films from both Asian Pacific American and Asian international artists. For over three decades, the Festival has presented nearly 5,000 films by Asian Pacific American and Asian International talent. This year’s festival will feature over 130 short films during the nine day fest from May 2 – May 10. These cinema gems from around the globe featuring stories about love, family, heartbreak, friendships, and self acceptance are all part of the exciting line up. The Festival opens May 2nd with the World Premiere of YELLOW ROSE directed by Diane Paragas and starring Broadway legend Lea Salonga and emerging star Eva Noblezada. Two acclaimed festival favorites will screen as the Centerpiece Films at the Festival; GO BACK TO CHINA directed by Emily Ting and MS. PURPLE directed by Justin Chon. The closing night film is the world premiere of EMPTY BY DESIGN directed by Andrea A. Walter premiering on Friday, May 10. LAAPFF Executive Director Francis Cullado of Visual Communications stops by to talk about the ever expanding interest in Asian filmmakers and the trailblazing artistry being done by them.
In Patrick Creadon’s illuminating new documentary, HESBURGH, shines a bright light on a unique public figure whom came to light during one of the country’s most divisive political and social storm. His name is Reverend Theodore Hesburgh, C.S.C, president of the University of Notre Dame for more than 35 years. This revered figure worked his entire adult life to advance of peace and equal rights for all people. As the most dynamic member of the U.S. government’s Civil Rights Commission Hesburgh pushed Presidents Dwight Eisenhower and Lyndon Johnson to enact legislation that culminated in the landmark 1964 Civil Rights Act. HESBURGH offers a unique glimpse at more than fifty years of American history. Educator, civil rights champion, advisor to presidents, envoy to popes, theologian and activist, Hesburgh was called on by countless world leaders to tackle the most challenging issues of the day. He built a reputation as a savvy political operator with a penchant for bridging the divide between bitter enemies. Through it all, he remained a man armed with a fierce intelligence, a quick wit and an unyielding moral compass — a timeless example of bipartisan leadership that would serve us in today’s increasingly polarized times. Director Patrick Creadon (Wordplay, If You Build It , Ski Bum: The Warren Miller Story), joins us for a conversation on a man who’s life’s work harkens back to a time when compromise and cooperation were the political norms and not the exception.
“[A] thoroughly engaging documentary chronicle of the life and turbulent times of longtime Notre Dame president Father Theodore M. Hesburgh, whose tenure coincided with a particularly pivotal stretch of American history.” – Micheal Rechtshaffen, Los Angeles Times
“This moving, illuminating slice of American life and social history serves as a stirring example that we should all do much better. And we can start right now.” – Ann Hornaday, Washington Post
“A portrait of a man who can be seen as not merely blameless, but genuinely heroic.” – GlennKenny, New York Times
“As described by many of those who, in the movie, talk about Hesburgh, he comes across as a man of conscience and conviction, who was willing to walk his own path no matter whom he rankled or angered.” – Bob Bloom, Journal and Courier