2040, Director Damon Gameau

Award-winning Director Damon Gameau (That Sugar Film) embarks on a journey to explore what the future could look like by the year 2040 if we simply embraced the best solutions already available to us to improve our planet and shifted them rapidly into the mainstream. Structured as a visual letter to his 4-year-old daughter, Damon blends traditional documentary with dramatized sequences and high-end visual effects to create a vision board of how these solutions could regenerate the world for future generations. Director Damon Gameau joins us to talk about the how current, scalable technologies are available that can mitigate the damage being done by the scourge of climate damage and move us toward a cleaner, sustainable life for the planet and humanity.

 

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For news and updates go to: madmanfilms.com.au/2040film

For news and updates go to: whatsyour2040.com

Watch 2040 at togetherfilms.org/2040-screenings

Get Involved 

“We have partnered with the curriculum experts at Cool Australia to build a comprehensive package of units of work for upper primary and secondary. These free lesson plans are learning recipes for teachers that utilise short clips from the film to support classroom learning, providing step-by-step instructions, student workshops and engaging content. We interviewed over 100 children from around the world for 2040 and asked them what their hopes and dreams were for the future. It is a world they will be inheriting from us so we have to show them that solutions exist, that there are people who care deeply about their future, and that wonderful careers await with genuine purpose and meaning.” – Damon Gameau 

Visit the “Resources for Teachers” page and sign-up to our Schools Mailing list to learn more about opportunities for schools and to receive updates on when localized curriculum resources will be available in your country.

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“2040 might just shift your world for the better.” – Liam Maguren, Flicks.co.nz

“Gameau pulls away from the apocalyptic doomsaying hard-wired into so much of the enviro-debate…Wisely, his speculations are restricted by the self-imposed discipline that they all need to be rooted in practices that already exist. A very smart move.” – Jim Schembri, 3AW

“None of the ideas explored here are purely theoretical or pie in the sky. Whether technological or systems-based solutions, they all exist now and could be massively expanded to huge global benefit.” –Lynden Barber, Limelight

“Gameau defaults to the position of inspiring people rather than alarming or overwhelming them. You leave the film wanting more, not less, of these sorts of productions.” – Luke Buckmaster, Guardian

“You can’t please everyone. Gameau is at least doing what he can to talk about some big problems, in an entertaining and accessible way.” – Paul Byrnes, Sydney Morning Herald

Planet of the Humans, Director Jeff Gibbs

Released on the eve of the 50th anniversary of Earth Day and in the midst of the global Covid-19 pandemic, PLANET OF THE HUMANS takes a harsh look at how the environmental movement has lost the battle through well-meaning but disastrous choices, including the belief that solar panels and windmills would save us, and by giving in to the corporate interests of Wall Street. PLANET OF THE HUMANS is the debut movie from director Jeff Gibbs, whom Executive Producer Michael Moore calls “a brave and brilliant filmmaker whose new voice must be heard.” Gibbs is a lifelong environmentalist and longtime collaborator of Moore’s with whom he co-produced Bowling for Columbine and Fahrenheit 9/11. Gibbs has dared to say what no one will — that “we are losing the battle to stop climate change because we are following environmental leaders, many of whom are well-intentioned, but who’ve sold out the green movement to wealthy interests and corporate America.” This film is the wake-up call to the reality which we are afraid to face: that in the midst of a human-caused extinction event, the so-called “environmental movement’s” answer is to push for techno-fixes and band-aids. Moore and Gibbs decided that with the American public — and much of the world – confined to their homes and suddenly having to consider the role humans and their behavior have played in our fragile ecosystem, the moment was too urgent to wait until later this year for the film’s planned release. Director / Producer / Writer / Editor and Cinematographer Jeff Gibbs joins us for a free-wheeling conversation on the hard truths we all face and the dawning realization that we have allowed ourselves to be lulled into believing the billionaire class is going to ensure a sustainable collective future.

 

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For news and updates go to: planetofthehumans.com

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“This is perhaps the most urgent film we’ve shown in the 15 year history of our film festival” – Filmmaker Michael Moore, Founder, Traverse City Film Festival

“A delusion-shattering documentary on how the environmental and green energy movements have been taken over by capitalists.” – Frederic and Mary Ann Brussat, Spirituality and Practice

“A bleak picture of a near future that mankind’s very existence is irrevocably condemning.” – Simon Foster, Screen-Space

“This doc, directed by long-time Michael Moore collaborator Jeff Gibbs, advocates passionately for a planet suffering from environmental devastation but offers few glimmers of hope.” – Liam Lacey, Original Cin

“From the warnings of the 1950s to the 21st-century corporate takeover of green energy, a grim look at humanity’s fate as the planet heats up. Is there any hope? This feels like only half the story.” – MaryAnn Johanson, Flick Filosopher

BULL, Director Annie Silverstein

The quietly powerful new film from award-winning director Annie Silverstein BULL focuses on a  14-year-old Kris (Amber Havard), who, after trashing her neighbor’s house in a fit of youthful defiance, seems destined to follow in her mother’s footsteps to the state penitentiary. To make amends, she is forced to help Abe Turner (Rob Morgan), an ex-bull rider scraping by on the Texas rodeo circuit, with errands at home and at his work. While traveling with Abe, she discovers a passion for bull riding.  Yet, as Kris sets out to learn the dangerous sport, bad influences lure her back into delinquent ways. Meanwhile, Abe struggles with the aches and pains of growing older and aging out of the only life he has ever known. Together, Kris and Abe forge an unexpected connection, helping each other see new possibilities and hope for the future before it’s too late. Director and writer Annie Silverstein stops by to talk about the inspiration for BULL and how her experience as a social worker informs her instincts as a filmmaker.

 

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About the filmmaker – Annie Silverstein is an award winning filmmaker and media educator based in Austin, Texas. Her films have screened at international festivals including Cannes, SXSW, Silverdocs and on PBS Independent Lens. Her latest film, SKUNK, won first prize at the 2014 Cannes Film Festival–Cinéfondation. Before attending film school, Annie spent ten years as a youth worker and community media educator. She co-founded and served as Artistic Director at Longhouse Media, an indigenous arts organization based in Seattle. For her work there, Annie received the National Association for Media Literacy Award for outstanding contributions made in the field of media education. Annie is a lecturer at the University of Texas-Austin, where she earned her MFA in Film Production. Annie was named one of the “25 New Faces of Independent Film” by Filmmaker Magazine and was selected for the Sundance Screenwriters and Directors Labs for Bull, her feature debut. Annie recently premiered Bull at the Cannes Film Festival in Un Certain Regard.

For news, screenings and updates go to: samuelgoldwynfilms.com/bull/

For more on Annie Silverstein got to: anniesilverstein.com

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“The fact that this never comes across as maudlin is tribute to a director who knows her way through dark places, and a pair of actors who can create a quiet storm.” – Steve Pond, TheWrap

“By resisting sentimentality, the filmmaker, alongside her naturalistic actors, allows us to sit inside the characters’ despair so that we appreciate the intensity of its stifling oppression.” – Tim Grierson, Screen International

“As she proved with her superb, award-winning 2014 short film Skunk, Silverstein portrays marginal lives with unflinching honesty and heart-wrenching humanity.” – Loren King, AWFJ Women on Film

“[Director] Silverstein makes a strong case that these people have something worthwhile to say to viewers. There is a grace and tenderness to the movie that are hard to resist.” – Daniel Eagan, Film Legacy

The Dog Doc, Director Cindy Meehl

As a pioneer of integrative medicine, which combines conventional medicine with cutting edge alternative treatments, veterinarian Dr. Marty Goldstein has been called everything from “maverick” to “miracle-worker.” Attracting four-legged patients from around the world, Dr. Goldstein’s practice, Smith Ridge Veterinary Center, provides holistic care for animals after other vets have given up hope. In THE DOG DOC, director Cindy Meehl (BUCK), goes behind the scenes at Smith Ridge to capture the full drama of “Dr. Marty” and his colleagues’ life-changing commitment to wellness and the astounding results they achieve. Filmed over a 2½ year period, Meehl’s unobtrusive camera highlights the vulnerability of her subjects – canine and human – while tracking each animal’s progress. THE DOG DOC joins the touching stories of families with the hard science of integrative care. By casting an intimate lens over this unique world, THE DOG DOC shows the healing powers of wellness, compassion and hope. Director Cindy Meehl joins us for a conversation of why conventional techniques and alternative medicines coupled with compassionate care make Doctor Goldstein’s approach so successful.

 

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For news, screenings and updates go to: dogdocthefilm.com

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“An admiring portrait, to be sure, but one that poses penetrating questions about what passes for health care today in the United States, for people and their pets alike.” – Sheri Linden, Hollywood Reporter

“A riveting documentary about a veterinarian who cures seemingly hopeless cases of dog disease with the addition of alternative tweaks.” – Harvey S. Karten, Shockya.com

“”The Dog Doc” doesn’t just tug on the heart to make its point about alternative treatment, but resonates with the mind.” – Stephen Saito, Moveable Fest

“…an evenhanded, detailed look at the integrative veterinary practice of Dr. Marty Goldstein.” – Amy Taubin, Film Comment Magazine