Riding at night through streets deemed dangerous in Eastside Los Angeles, the Ovarian Psycos use their bicycles to confront the violence in their lives. At the helm of the crew is founder Xela de la X, a single mother and poet M.C. dedicated to recruiting an unapologetic, misfit crew of women of color. The film intimately chronicles Xela as she struggles to strike a balance between her activism and nine year old daughter Yoli; street artist Andi who is estranged from her family and journeys to become a leader within the crew; and bright eyed recruit Evie, who despite poverty, and the concerns of her protective Salvadoran mother, discovers a newfound confidence. Co-directors Joanna Sokolowski & Kate Trumbull-LaValle stop by to talk about the boldness of Ovas’ politics, their brazen approach to feminism, and unapologetic aesthetic: a hybrid mix of Chicana, Riot Grrrl, Zapatista and militant-punk cultural markers and the individual personalities that make Ovarian Psycos such a compelling watch.
From Academy Award-winning filmmaker Roger Ross Williams (“Music by Prudence”), is the inspirational story of Owen Suskind, a young man who was unable to speak as a child until he and his family discovered a unique way to communicate by immersing themselves in the world of classic Disney animated films. This emotional coming-of-age documentary follows Owen as he graduates to adulthood and takes his first steps toward independence. The subject of his father Ron Suskind’s New York Times bestseller, Owen was a thriving three-year-old who suddenly and inexplicably went silent—and for years after remained unable to connect with other people or to convey his thoughts, feelings or desires. Over time, through repeated viewings of Disney classics like The Little Mermaid and The Lion King, Owen found useful tools to help him to understand complex social cues and to re-connect with the world around him. Life, Animated evocatively interweaves classic Disney sequences with vérité scenes from Owen’s life in order to explore how his identification and empathy for characters like Simba, Jafar and Ariel gave him a means to understand his feelings and allowed him to interpret reality. Director and Producer Roger Ross Williams (God Love Uganda) joins us to talk about the challenge of presenting a balanced portrait of Owen Suskind and his family.
Winner of the Audience Award – San Francisco Film Festival
Winner of the Audience Award – Full Frame Film Festival
Winner of the Directing Award – Sundance Film Festival, Life, Animated
“A captivating portrait of a young man for whom Disney animated movies have provided a powerful lifeline to progress, language and understanding. – Justin Chang, Variety
“Williams smartly devotes large portions of the documentary to Owen on his own, letting him explain his fears himself rather than relying on the other Suskinds for clarification and translation. – Noel Murray, A.V. Club
“Incredibly moving documentary takes us into the interior life of an autistic person, and explores how films helped him communicate with the outside world.” – Lanre Bakare, The Guardian
“Instead of false hope, it offers up possibility, the chance of a stimulus that might get past the blocks of developmental disorder.”- Peter Travers, Rolling Stone
HUNT FOR THE WILDERPEOPLE is a zany tale of a defiant city kid, Ricky, raised on hip-hop and foster care, gets a fresh start in the New Zealand countryside. He quickly finds himself at home with his new foster family: the loving Aunt Bella, the cantankerous Uncle Hec, and dog Tupac. When a tragedy strikes that threatens to ship Ricky to another home, both he and Hec go on the run in the bush. As a national manhunt ensues, the newly branded outlaws must face their options: go out in a blaze of glory or overcome their differences and survive as a family. Equal parts road comedy and rousing adventure story, director Taika Waititi (WHAT WE DO IN THE SHADOWS, upcoming THOR: RAGNORAK) masterfully weaves lively humor with emotionally honest performances by Sam Neill, Rima Te Wiata, Rachel House and Julian Dennison. A hilarious, touching crowd-pleaser, HUNT FOR THE WILDERPEOPLE reminds us about the journey that growing up is (at any age) and those who help us along the way. Producer Carthew Neal (Tickled, A Band Called Hook Ups) joins us to talk about how Barry Crump’s classic book, Wild Pork and Watercress found its way into the hands of the talented director and writer Taika Waititi and onto the screen.
“Hunt for the Wilderpeople” takes a troika of familiar story types – the plucky kid, the crusty geezer, the nurturing bosom – and strips them of cliché.” – Manohla Dargis, New York Times
“Every once in a while, a small, unheralded film comes along, so smart and funny, such a pleasure to experience, you can’t believe your luck. “Hunt for the Wilderpeople” is such a film.” – Kenneth Turan, LA Times
“It’s off-beat in all the best ways, has fantastic actors all delivering fantastic performances, and is a uproarious adventure with endless heart.” – CinemaBlend.com
“An oddball and oddly affecting take on two misfits finding their metaphorical partner-in-crime match.” – David Fear, Rolling Stone
In a madcap art world obsessed with money, fame and hype, how does an artist driven by justice, defiance and his own singular style thrive? ART BASTARD is the rousing tale of a rebel who never fit into today’s art world… yet has become one of its most provocative, rabble-rousing characters nevertheless. At once a portrait of the artist as a young troublemaker, an alternate history of modern art and a quintessential New York story, ART BASTARD is as energetic, humorous and unapologetically honest as the uncompromising man at its center: Robert Cenedella. Cenedella was a contemporary of Andy Warhol. But he has essentially served as the anti-Warhol. His noisy, raucous, color-splashed paintings of city scenes approach the world with a sincerity that defies the irony, frivolity and controversy-for-the-sake-of-controversy that have become the cultural currency since the 60s. In a fast-moving series of riveting interviews with family members, art critics, museum directors, New York power brokers, art students and Cenedella himself, director Victor Kanefsky candidly presents Cenedella’s personal journey – and reveals the creation of a modern art career that ignored all the modern art rules. What ART BASTARD shows, in stunning cinematic detail, are the living, breathing, storytelling canvases that Cenedella has created for six decades. The result is a visceral art documentary that also has the sweeping impact of a feature film – at once an investigation of a man’s identity, an inquiry into what art is and who it’s for and a feisty portrait of the ups and downs of a life lived on one’s own terms. The artist and subject of ART BASTARD, Robert Cenedella joins us for a spirit discussion of love, life and art.
Artist Robert Cenedella and ART BASTARD executive producer Chris Concannon will participate in Q&A’s at the Monica Film Center following the 7:30 PM screenings on Friday and Saturday, June 17 and 18, as well as after the 2:30 and 5 o’clock screenings on Saturday the 18th.
“An intimate portrait of the iconoclastic artist Robert Cenedella… Socially conscious and often mordantly humorous, the paintings are wonderfully exhibited in this film which benefits from being seen on the big screen.” –Frank Scheck, THE HOLLYWOOD REPORTER
“THE BEST FILM ABOUT ART I HAVE SEEN… A scintillating, visually splendid look at the life and satirical work of socially conscious, talented and articulate art rebel Robert Cenedella. The art establishment should take a fresh look at Cenedella’s work, which certainly deserves a major, reflective New York exhibition at this point in time.” – William Wolf, wolfentertainmentguide.com
**Winner – Best Documentary – 2016 Manchester Film Festival**
**Winner- Best Documentary, Best Director – 2016 IDYLLWILD**
**Winner – Focus on Art Award – 2015 Orlando Film Festival**
**Winner – Eleanor Roosevelt Award for Creativity – 2015 Utopia Film Festival
ELSTREE 1976 explores the lives of the actors and extras behind one of the most celebrated science fiction films in cinematic history: STAR WARS. A captivating look at the unheralded stars of George Lucas’s original film – from the man behind film’s most iconic villain, to the actor whose character was completely cut from the final film – the documentary delves into the eccentric community these individuals have formed and how the Star Wars franchise – which spans five decades from A NEW HOPE to THE FORCE AWAKENS – from Millennium Falcon Pilots to uncredited Temple Guards to Darth Vader himself, ELSTREE 1976 shows the profound impact that STAR WARS had on all involved, no matter the role. Director and writer Jon Spira joins us to talk about his own journey into their world.
“A sweet, quietly funny, fascinating and contemplative study of 10 character actors and extras, none of whom had any idea back in the 1970s they’d forever be defined by the one or two days they spent on the set of a sci-fi movie.” – Richard Roeper, Chicago Sun Times
“In telling a small story of bit players, the director, Jon Spira, captures a more universal picture of the droplets of fame created by a pop-culture tidal wave.” – Neil Genzlinger, New York Times
“It finds a way of proving valuable not just to fans, but to Force agnostics as well.” – Oliver Lyttelton, The Playlist
The Indian Film Festival of Los Angeles (IFFLA) is devoted to a greater appreciation of Indian cinema and culture by showcasing films, supporting emerging filmmakers, recognizing the leadership of entertainment industry performers and business executives, and promoting the diverse perspectives of the Indian diaspora. Each year the festival is held at ArcLight Hollywood and features a rich mix of film programs designed to build and support the growing interest in the Indian entertainment industry. This includes programming that cultivates an audience for Indian films while supporting filmmakers of Indian descent in career development as they navigate the larger studio system in Hollywood. IFFLA’s creative and business programs include the the One-on-One program where industry professionals from major and independent production and distribution companies are invited to participate in meetings with the IFFLA filmmakers; and panel discussions with speakers from the film industry. The 14th Annual Indian Film Festival of Los Angeles (IFFLA) will take place April 6-10, 2016 at ArcLight Hollywood, the elegant, state-of-the-art facility at Sunset and Vine in Hollywood, and the festival’s home since its inception. Director of Programming Mike Dougherty join us to talk about the wide ranging films that will be showcase at this year’s festival.
Since founding Shorts International in 2000, Carter Pilcher has worked to make his company the world’s leading short movie entertainment company. Shorts International has become the first choice distributor, broadcaster and producer for hundreds of films. Carter has extensive experience in short movie production and short movie entertainment. He is a voting member of the British Academy of Film and Television Arts and a member of the Short Film and Feature Animation Branch of The US Academy of Motion Pictures, Arts and Sciences (AMPAS) – the guys who pick the Oscars. Carter talks to us about the fifteen wonderful films nominated for the Live Action, Documentary and Animated Short Film 2016 Academy Awards.
THE DIARY OF A TEENAGE GIRL is based on Phoebe Gloeckner’s novel of the same name, hailed by Salon as “one of the most brutally honest, shocking, tender and beautiful portrayals of growing up female in America.” Writer/Director Marielle Heller unlocks this diary with a richly comedic and deeply personal vision. It is a coming of age story that is as poignant as it is unsettling. Set in 1976 San Francisco, THE DIARY OF A TEENAGE GIRL begins at the crossroads of the fading hippie movement and the dawn of punk rock. Like most teenage girls, Minnie Goetze (Bel Powley) is longing for love, acceptance and a sense of purpose in the world. Minnie begins a complex love affair with her mother’s (Kristen Wiig) boyfriend, “the handsomest man in the world,” Monroe (Alexander Skarsgård). What follows is a sharp, funny and provocative account of one girl’s sexual and artistic awakening, without judgment. Minnie emerges defiant— taking command of her sexuality and drawing on her newfound creative talents to reveal truths in the kind of intimate and vivid detail that can only be found in the pages of a teenage girl’s diary. In her feature film directorial debut, director / writer Heller brings Gloeckner’s book to life through fearless performances, inventive graphic novel-like animation sequences, imagination, humor and heart.
* Spirit Award nominations for Best First Feature and Best First Screenplay and Best Female Lead (Bel Powley)
Sundance Film Festival 2015 and New Directors/New Films 2015
“What makes Minnie — on the page and now on the screen — greater than any one girl is how she tells her own story in her own soaringly alive voice”. – Manohla Dargis, New York Times
“This adaptation of Phoebe Gloeckners heavily autobiographical novel is ideally cast and skillfully handled.” – Dennis Harvey, Variety
“Powley, a British twentysomething whose big, curious eyes and quavering, thoughtful voice allow for a seamless transition back to her teenage years, gives a remarkable performance.” – Jesse Hassenger, A.V. Club
“It’s unlikely to make a box office splash, but it’s a startlingly tough, authentic depiction of budding womanhood.” Elaine Tang, New Republic
When Bill Babbitt realizes his brother Manny has committed a crime, he agonizes over his decision – should he call the police? In this Academy Award nominated documentary (Short Program), LAST DAY OF FREEDOM a richly animated personal narrative unfolds as a story of Bill’s decision to stand by his brother in the face of war, crime and capital punishment. LAST DAY OF FREEDOM is a portrait of a man at the nexus of the most pressing social issues of our day, veterans’ care, mental health access and criminal justice. Created from over 32,000 hand-drawn images, the film has garnered international film and art attention and has won numerous awards since its premiere at the 2015 Full Frame Film Festival. First time filmmakers Dee Hibbert-Jones & Nomi Talisman have been working together since 2004, collaborating on art, film and interactive projects that look at the ways power structures and politics impact everyday lives. Dee is originally from the U.K., and is an Associate Professor of Art & New Media at UC Santa Cruz; Nomi was born in Israel and is a freelance editor and animator. They join us to talk about a brother’s courage and love for his troubled sibling, as well as the cultural, social, and political issues surrounding this tragic story.
In HEART OF A DOG, musician and performance artist Laurie Anderson’s playful, lucid and heartbreaking nonfiction feature on the life and death of her dog, Lolabelle, told in a style only this unique artist could create. Taking as a jumping off point the recent passing of her beloved terrier Lolabelle, Anderson touches on what her love for her dog means to her by processing her childhood, music, and her life as an artist. Through all of it, she draws upon her childhood experiences and political beliefs as she lovingly tries to help Lolabelle’s spirit face the tribulations it will experience immediately after death (as described in the Tibetan Book of the Dead). Aided by a beautiful use of her own compositions, animation and 8 millimeter film from her family archive, Anderson creates a gorgeous, heartbreaking tapestry on love and loss – reminding us that every love story is a ghost story. Director Laurie Anderson joins us to talk about spirit and intention of Heart of a Dog, her thoughtful, funny and beautiful film.
“Wildly innovative but also quiet and modestly scaled. A philosophically astute, emotional meditation on death, love, art and dogs.” – A.O. Scott, The New York Times
“A dog is at the heart of this film, but there’s room for all manner of extraordinary insights about finding love and giving love, being canine and being human.” – Joe Morgenstern, Wall Street Journal
“Exceptionally potent. I could write a whole essay about the way Anderson uses her light, scintillating voice in this movie. Her incredible control of the artistic arsenal this medium provides her with-images, music, sound, language-enable her to construct a work that’s both highly intellectually engaging and provocative and also emotionally wrecking.” – Glenn Kenny, RogerEbert.com
Douglas Tirola‘s outrageous documentary DRUNK STONED BRILLIANT DEAD: THE STORY OF THE NATIONAL LAMPOON, is an inside look at the rise and fall of the legendary humor magazine that launched dozens of careers and broke thousands of taboos. From the 1970s thru the 1990s, there was no hipper, no more outrageous comedy in print than The National Lampoon, the groundbreaking humor magazine that pushed the limits of taste and acceptability – and then pushed them even harder. Parodying everything from politics, religion, entertainment and the whole of American lifestyle, the Lampoon eventually went on to branch into successful radio shows, record albums, live stage revues and movies, including ANIMAL HOUSE and NATIONAL LAMPOON’S VACATION, launching dozens of huge careers on the way, including John Belushi, Chevy Chase, Christopher Guest, Richard Belzer, Gilda Radner, Brian Doyle-Murray, Bill Murray, Joe Flaherty, Harold Ramis, Michael O’Donoghue, Doug Kenney, Henry Beard, George W. S. Trow, Chris Miller, P. J. O’Rourke, Michael O’Donoghue, Chris Rush, Sean Kelly, Tony Hendra, Brian McConnachie, Gerald Sussman, Ellis Weiner, Danny Abelson, Ted Mann, Chris Cluess, Al Jean, Mike Reiss, Jeff Greenfield, and John Hughes. As well as cartoonists, photographers and illustrators appeared in the magazine’s pages, including Neal Adams, Gahan Wilson, Michael Sullivan, Ron Barrett, Peter Bramley, Vaughn Bode, Bruce McCall, Rick Meyerowitz, M. K. Brown, Shary Flenniken, Bobby London, Edward Gorey, Jeff Jones, Joe Orlando, Arnold Roth, Rich Grote, Ed Subitzky, Mara McAfee, Sam Gross, Charles Rodrigues, Buddy Hickerson, B. K. Taylor, Birney Lettick, Frank Frazetta, Boris Vallejo, Marvin Mattelson, Stan Mack, Chris Callis, John E. Barrett, Raymond Kursar and Andy Lackow. Director Tirola tells the story of its rise and fall through fresh, candid interviews with its key staff, and illustrated with hundreds of outrageous images from the magazine itself (along with never-seen interview footage from the magazine’s prime). Director Tirola stops by to talk about the supernova of comedic satire that was The Lampoon and its influential legacy.
DRUNK STONED BRILLIANT DEAD: THE STORY OF THE NATIONAL LAMPOON opening in Los Angeles at the Nuart Theatre on October 2, and at Laemmle’s Playhouse 7 in Pasadena and Laemmle’s NoHo 7 in North Hollywood on October 9 (opens in NY and on VOD/iTunes September 25).
Director Douglas Tirola will be doing a Q & A Friday, October 2nd and Saturday, October 3rd after the 7:30PM screenings.
“Punch-drunk and very much alive. A generous and briskly entertaining doc that traces the titular humor magazine’s lasting influence on American comedy – a real nonfiction crowdpleaser. ” – Ben Kenigsberg, Variety
“Energetic, laugh-stuffed and very colorful – A lively, very entertaining look at the Lampoon’s unlikely empire.” – John DeFore, The Hollywood Reporter
The Guadalajara International Film Festival in Los Angeles or FICG in LA is a window into the world of contemporary Mexican and Ibero-American cinema and it is an extension of the Guadalajara International Film Festival. This year′s FICG in LA will be back at the Hollywood′s historic Egyptian Theatre, right in the heart of the worldwide film and entertainment industry. The festival is designed to help critically acclaimed films from Mexican and Ibero-America cinema reach a wider audience. Among this year’s attendees will be Karina García Casanova (director, screenwriter and producer Juanicas), Safa (director, El Jeremías), Sebastián Schindel (director, screenwriter, producer, El patrón, radiografía de un crimen), Flavio Florencio (director, scriptwriter and photography, Made in Bangkok), Michael Dwyer (director, Pocha-Manifest Destiny), Verónica Sixtos (lead actress, Pocha-Manifest Destiny), Jean-Cosme Delaloye (director, screenwriter, and sound La Prenda), Carolina Ramírez (actriz principal, Ciudad Delirio), Humberto Busto (director, scriptwriter, La teta de botero), Ximena Urrutia (director, Ella), Sofía Carrillo (director, Prita Noria and La Casa Triste), and Luis Téllez (animator, screenwriter, Jacinta and La Noira). This week FICG in LA, Director / Producer Hebe Tabachnik joins us to talk about the exciting and dynamic collection of films being offered at this years festival/
A high speed roadtrip through modern creativity, Station to Station is a revolutionary feature comprising 62 one-minute films highlighting an exciting and eclectic mix of artists, musicians, writers, places and perspectives. In the summer of 2013, a train designed as a kinetic light sculpture by director and ringmaster Doug Aitken traveled from New York City to San Francisco over 24 days. Aitken is an American artist and filmmaker. Defying definitions of genre, he explores every medium, from film and installations to architectural interventions. Aitken’s work leads us into a world where time, space and memory are fluid concepts. His films often explore the modern condition, and his transformative installations create immersive cinematic experiences. Rolling into ten stations on the route, the train set in motion a series of happenings, each unique to its location and mix of creative participants. The film includes profiles, intimate moments on the train, conversations, and performances at the happenings: Ed Ruscha describing the discoveries to be made in the great American landscape; Beck performing with a gospel choir in the Mojave desert; Jackson Browne reflecting on the influence of the railroad on his music, as well as many more. Director Aitken joins us to to talk about his exciting and wildly diverse kaleidoscope of experience and artistic production, as much as Station to Station is a story of our evolving creative culture.
“It suggests that a one-minute part can be the whole for one viewer or that, conversely, the whole is made up of an infinite amount of smaller parts that can each tell only a small part of the story.” – Hollywood Reporter
“Banding together a community of outliers, wunderkinds and indie kids, Station to Station is a bubbling gumbo that Aitken evolves into a newly sculpted vernacular of dissolving landscapes, soundscapes and visual splendours.” – Cormac O’Brien, Little White Lies
“Watching all 62 films consecutively provides an experience every bit as exciting, thought-provoking, and ultimately ephemeral as an LED-laden train full of artists passing in the night” – Sarah Kurchak, Consequence of Sound
The film THE STANFORD PRISON EXPERIMENT is based on Dr. Phillip Zimbardo’s 1971 psychology experiment focused on the psychology of imprisonment. The study assigned 24 male undergraduates as either guards or prisoners in a mock prison setting on campus. Virtually overnight the students became their roles, the guards exhibiting sadistic behavior by degrading their prisoners. The study is perhaps one of the most well-known of its kind. If you’ve taken a psych course in college you covered it along with Pavlov’s dog. It’s famous for its revelations about the fragility and impressionability of the human condition but also the experiment itself, not just its results, was so scandalous that it was shut down in a matter of days. Dr. Zimbardo was consultant on the film. He is one of the most distinguished living psychologists, having served as President of the American Psychological Association, designed and narrated the award winning 26-part PBS series, “Discovering Psychology,” and has published more than 50 books and 400 professional and popular articles and chapters, among them, Shyness, The Lucifer Effect, The Time Cure and The Time Paradox. Dr. Zimbardo join us for a conversation on what his famous experiment has taught him, torture, the nature of evil, on working with Billy Crudup, who portrays him in the film, and director Kyle Patrick Alvarez.
“Alvarez captures the sickly green and dingy gray environment, and even though he emphasizes the claustrophobic nature of the stuffy hallway, brings movement and dynamism to the space.” – Kate Walsh, Los Angeles Times
“The result is a viscerally unsettling experience, and a testament to the enduring relevance of the study’s findings on the psychology of incarceration.” – Sara Stewart, New York Post
“Disturbing, honest and compelling, “The Stanford Prison Experiment” turns a well-known story into must-see storytelling, depicting the ugly truth through gorgeous filmmaking.” – James Rocchi, The Wrap
“An incredibly tense indie with strong performances across the entire ensemble … a who’s who of great, young male actors.” – Under the Radar
For the last 20 years, notorious activists the Yes Men (Mike Bonanno and Andy Bichlbaum) have staged outrageous hoaxes to hijack public dialogue worldwide about the issues of the day. In their third cinematic outing (after The Yes Men and The Yes Men Fix The World), they are now well into their 40s, and their mid life crises are threatening to drive them out of activism forever – even as they prepare to take on the biggest challenge they’ve ever faced, climate change. Frustrated by each other, and worried they can’t make a difference anymore, how can they keep fighting the world’s most urgent threat? Revealing the real people behind the ruses, their latest film is as much a character study as it is a thrilling ride depicting their latest interventions against corporate greed. Following their lives for over four years, The Yes Men Are Revolting reveals their creative process, hilarious strategies, and personal conflicts while they juggle the demands of getting older, holding down jobs, and maintaining some shred of personal lives. From villages in Uganda’s Karamoja region to the toxic oil fields in Canada’s tar sands, these iconoclastic revolutionaries take on big oil, lobbyists, Wall Street, and the U.S. government, armed with nothing but thrift-store suits and a lack of shame. Overcoming personal obstacles to deliver uproarious actions of global significance, the Yes Men deliver a hopeful message about ordinary people breaking through the paralysis to take back their planet. Director Laura Nix stops by to talk about the dedication and creativity of Mike and Andy and the chance to shine a light on why all politics are personal for two of the world’s best-known activists.
“Who said that a political film can’t be sweet, too? In its grandest triumph, “The Yes Men Are Revolting” is an activist doc inspired by more than just its topical issues.” – Nick Allen, Rogerebert.com
“Entertaining mix of agitpop, pranksterism and autobiography” – Variety
“There aren’t too many stunts this time around, but that’s not really what ‘Revolting’ is about.” – Matt Prigge, Metro
“”The Yes Men Are Revolting” is an entertaining and interesting examination of the anxieties that make us question who we are and if we’re making a difference. “ – Rodrigo Perez, The Playlist
“The Yes Men show that while reality might get lost in this struggle, the truth does occasionally emerge from the chaos.” – Oleg Ivanov, Slant Magazine
The Mammoth Lakes Film Festival, held in the scenic and majestic setting of Mammoth Lakes, California, has announced its line-up of screenings for the festival’s inaugural year. The five-day festival will take place May 27-31, 2015, and will open with acclaimed Academy Award winning filmmaker Alex Gibney’s new documentary Steve Jobs: The Man in the Machine. The festival will present sixteen films in Narrative and Documentary Competition, as well as special events and screenings, and an industry panel discussion on women in the filmmaking world, with producer Allison Amon (The Queen of Versailles), actress Kristanna Loken actress (Terminator 3) and other guests. Taking place five hours north of Los Angeles by car and thirty minutes south of the entrance to Yosemite National Park, the Mammoth Lakes Film Festival will deliver an intimate and unique experience for festival goers, filmmakers, and industry guests, with the opportunity to experience screenings and events in a beautiful mountain setting. The festival will present a diverse collection of feature films – from world premieres to film festival favorites, short film screenings and Q&As over five days. The festival will also include nightly gala events that celebrate the excitement and discovery of visionary filmmaking. Mammoth Lakes Film Festival Founder Shira Dubrovner joins us for a lively conversation on the exciting and inspiring new addition to the film festival lineup.
The Newport Beach Film Festival seeks to bring to Orange County the best of classic and contemporary filmmaking from around the world. Committed to enlightening the public with a first-class international film program as well as providing a forum for cultural understanding and enriching educational opportunities, the Festival focuses on showcasing a diverse collection of both studio and independent films. The Festival supports the creation and advancement of innovative and artistic cinematic works from both emerging and seasoned filmmakers and proudly embraces the passion, vision, and independent spirit of these talented artists. With the integration of the local community and educational institutions, the Festival stimulates an interest in the study and appreciation of film and encourages people of all ages and backgrounds to participate. Since its inception in 2000, the Festival has presented many acclaimed films such as the U.S. Premiere of Crash and other notable films including (500) Days of Summer, The Cove, Waitress, Son of Rambow, Paprika, Broken English, American Teen, Fugitive Pieces, Death Note: The Last Name, The King of Kong, Layer Cake, The Illusionist, Art School Confidential, Emmanuel’s Gift, Mad Hot Ballroom, Metallica: Some Kind of Monster, Spellbound, Castle in the Sky, Born into Brothels, and Pieces of April. Through tributes, special screenings and seminars, the Festival has honored film industry notables, including Aaron Sorkin, Haskell Wexler, Robert Wise, Henry Bumstead, Elmer Bernstein, John Waters, Alan Arkin, Bruce Brown, Richard Sherman, Penelope Spheeris, and McG. Co-founder and CEO Gregg Schwenk stops by to talk about the 2015 edition of NBFF, the opening night film, The Water Diviner, directed by Academy Award winner Russell Crowe and many of this year’s special screenings and events.
Newport Beach Film Festival – Thursday, April 23rd – Sunday April 30th
Bill Plympton is considered the King of Indie Animation and is the only person to hand draw an entire animated feature film. Born and raised in Portland, Oregon, he graduated from Portland State University in Graphic Design. Plympton moved to New York City in 1968. He began his career creating cartoons for publications such as New York Times, National Lampoon, Playboy and Screw. In 1987 he was nominated for an Oscar® for his animated short “Your Face”. In 2005, Bill received another Oscar® nomination, this time for a short film “Guard Dog”. “Push Comes to Shove” another short film, won the prestigious Cannes 1991 Palme d’Or. After producing many shorts that appeared on MTV and Spike and Mike’s, he turned his talent to feature films. Since 1991 he’s made 9 feature films, 6 of them, “The Tune”, “Mondo Plympton”, “I Married A Strange Person”, “Mutant Aliens”, “Hair High” and “Idiots and Angels” are all animated features. His latest feature animated film is Cheatin’ is a fateful tale of a bumper car collision, Jake and Ella meet and become the most loving couple in the long history of Romance. But when a scheming “other” woman drives a wedge of jealousy into their perfect courtship, insecurity spells out an untimely fate. With only the help of a disgraced magician and his forbidden “soul machine,” Ella takes the form of Jake’s numerous lovers, desperately fighting through malfunction and deceit as they try to reclaim their destiny. Animator / director Bill Plympton joins us to talk about his latest, magically adult tale of love and fidelity.
“At a time when so many computer-generated features have an increasingly homogenized look, Plympton is a welcome reminder that the art of animation is too protean to be limited to a single visual style, medium or point of view.” – Charles Solomon, LA Times
“Strife and sexual humor reign in this energetic romp, one of Bill Plympton’s best longform animated works.” – Dennis Harvey, Variety
“It’s pleasingly old-school stuff that harks back to older, non-realist, counter-cultural schools of cartooning, a style through-line that reaches back to the very early days of Winsor McKay, through Tex Avery shorts and Ralph Bakshi in his Fritz the Cat-heyday.” – Leslie Felperin, The Hollywood Reporter
Winner of the Prix du Jury at Annecy 2014
Nominated for 3 Annie Awards
Opening night film for the 2014 Slamdance Film Festival
Best Animated Film at the Gujun International Film Festival
You want to put her in a home; you tell her; tell her now!’ hisses one brother to the other. But Mother won’t go, and their own lives unravel as she clings on. Innovative life-size animated characters tell the stark and darkly humorous tale of caring for an elderly parent. Daisy Jacobs is a British animation director, based in London. She studied at the National Film and Television School and at Central St Martins School of Art. The Bigger Picture is her MA graduation film. Previous films include Don Justino de Nevem (2011) and Tosh (2012). In her films, Daisy has moved from 2D hand-drawn animation to a hybrid of stop- motion and life-size painted animation. In The Bigger Picture, two-metre tall 2D and 3D painted characters interact with real sets. Director / writer / animator Jacobs stops by to talk about her unique and compelling animated masterpiece.
2014 – Edinburgh International Film Festival, Innovation Award
2014 – Festival de Cannes (Cinefondation), Troisieme Prix,
2014 – Manchester KinoFilm Festival, Best Short Animation
2014 – Annecy Animation Festival, Cristal for a Graduation Film
2014 – Edinburgh International Film Festival, Innovation Award
2014 – Hiroshima Film Festival, Grand Prize, Oscar Qualifying
FEAST is a new short from first-time director Patrick Osborne (Head of Animation, PAPERMAN) and Walt Disney Animation Studios, is the story of one man’s love life as seen through the eyes of his best friend and dog, Winston, and revealed bite by bite through the meals they share. Osborne is behind Walt Disney Animation Studios’ new short FEAST, taking the film from conception to completion. Osborne joined Disney as an animator on the 2008 feature film BOLT and went on to work on the PREP & LANDING movies andDisney’s 2010 hit TANGLED. Osborne served as Head of Animation for Disney’s’ OSCAR®-winning short PAPERMAN, and acted as Co-Head of Animation for the upcoming feature BIG HERO 6 prior to assuming full-time directing duties for FEAST. Prior to joining Disney, the Cincinnati, Ohio, native was lead character animator on THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBE. He also worked as an animator on I AM LEGEND, SuRF’S uP and OPEN SEASON. Osborne, who earned a BFA with a focus in computer animation from Ringling College of Art and Design, got his start as a kid making movies with his brothers on their parents’ camcorder. His fascination with visual effects was elevated to a career goal when his dad gave him a book about the making of JURASSIC PARK. Director Osborne joins us to talk about Oscar nominated film and the challenges and rewards of having the final say on his own animated film.
2015 Annie Awards Nomination
Audience Award Winner: 2014 Hamptons International Film Festival
Zeitgeist Films is proud to present the US Theatrical release of ROCKS IN MY POCKETS, the debut animated feature by Signe Baumane. ROCKS IN MY POCKETS had its World Premiere at the 2014 Karlovy Vary Film Festival where it won the FIPRESCI Prize and was the first animated feature ever to take part in the Karlovy Vary International Competition. In the animated gem ROCKS IN MY POCKETS Latvian-born artist and filmmaker Signe Baumane tells five fantastical tales based on the courageous women in her family and their battles with madness. With boundless imagination and a twisted sense of humor, she has created daring stories of art, romance, marriage, nature, business, and Eastern European upheaval—all in the fight for her own sanity. Employing a unique, beautifully textured combination of papier-mâché stop-motion and classic hand-drawn animation (with inspiration from Jan Svankmajer and Bill Plympton), Director Baumane stops by to talk about her poignant and often hilarious tale of mystery, mental health, redemption and survival.
Q & A with Signe Baumane at the Laemelle Royal in Los Angeles Saturday, September 13th and Sunday, September 14th.
The film will open at the Laemmle Royal at 11523 Santa Monica Blvd in Los Angeles on September 12th with a national release to follow.
“Boasting a narrative of extraordinary complexity and density, stuffed with irony, humor and tales-within-tales… a fascinating and very personal look at mental illness, as well as familial and societal dictates and dynamics.” –Alissa Simon, VARIETY
“With ‘Rocks In My Pockets,’ Signe Baumane presents a sharp, surprising and funny animated feature, plumbing the depths of depression via her family history. Guided by Ms. Baumane’s almost musically accented voice-over, this hand-drawn debut feature is based upon the mental struggles of her Latvian grandmother and other relatives. It’s told with remorseless psychological intelligence, wicked irony and an acerbic sense of humor.” – Nicholas Rapold, NEW YORK TIMES
“Signe Baumane examines her family members’ history with mental illness (as well as her own struggles) with humor, delicacy and eye-catching animation techniques… Her commitment and talent is overwhelming, and her production is about as “independent” as it gets. Because Baumane had total control over the movie, we’re treated to splendid and surreal images like these.” – Whitney Matheson, USA TODAY
Directed by acclaimed filmmaker James Franco, and based on the chilling novel by Cormac McCarthy, Child of God, tells the provocative story of Lester Ballad (Scott Haze), a dispossessed, violent man, attempting to exist outside the social order. Consecutively deprived of parents and housing and driven by famished loneliness, Ballard descends literally and figuratively to the level of a cave dweller as he falls deeper into crime and degradation. Set in a small town in the foothills of the Appalachian Mountains in Tennessee in the 1960s, Child of God is structured in three segments with each segment describing Ballad’s ever-growing isolation of from society and social mores. Lead actor Haze join us to talk about how his approach to this breakout role.
Now in its 20th year, running from June 11-19, the Los Angeles Film Festival, presented by Film Independent, showcases diversity, innovation and uniqueness of vision in new American and international cinema, and provides the movie loving public with one-of-a-kind events featuring critically acclaimed filmmakers, film industry professionals, and emerging talent from around the world. The Festival’s signature programs include the Filmmaker Retreat, Music in Film at The GRAMMY Museum®, Celebrating Women Filmmakers, Master Classes, Spirit of Independence Award, LA Muse and more. Over 200 features, shorts, and music videos, representing more than 40 countries, make up the main body of the Festival.
Billy Mize and the Bakersfield Sound – Director William (Joe) Saunders
Billy Mize pioneered a musical revolution that became known as The Bakersfield Sound, which enjoyed enormous popularity in the sixties, producing such talented artists as Merle Haggard and Buck Owens. During the height of Bakersfield’s popularity, Nashville snubbed their loud, electric twang in an attempted to distance itself from rock ‘n’ roll artists, like Elvis Presley, and move to a smoother, acoustic sound. While Billy Mize and the Bakersfield Sound follows Mize’s personal story, it also defines and explains the Bakersfield Sound. The film explores how Mize made it to the brink of super-stardom, turned it down to be a father, befell horrible tragedy, and climbed his way back into the spotlight. In the prime of his career, just after being nominated for Single Record of the Year (his competition included Elvis Presley, Johnny Cash, Merle Haggard, and Glen Campbell), Mize and his wife, Martha, are beset with horrific personal tragedy. Director, producer, editor and Mize’s own grandson, William (Joe) Saunders talks about the professional and personal journey that making Billy Mize and the Bakersfield Sound has been for him and his family.
For news and updates on Billy Mize and the Bakersfield Sound go to: http://www.billymizemovie.com/
Sound of Redemption: The Frank Morgan Story – Director NC Heiken
Sound of Redemption: The Frank Morgan Story tells the story of a prodigal alto sax player who, like so many of his fellow musicians of the era, saw his career plagued by drug addiction. What sets Frank apart is not just his exceptionally beautiful, classic alto playing, but also the amazing fact that he survived 30 years of revolving door incarceration and drug abuse and went on to a much heralded comeback career in the last 22 years of his life. His story is one of brilliant promise in his youth, a journey through the depths of hell, and redemption through his art. Sound of Redemption tells the story of his life and transformation through interviews with fellow musicians and people who were close to him, intercut with footage of Frank, and tracks of his very emotional music. Director NC Heikin joins us for a conversation on the tragedy and triumphs that is Frank Morgan’s story.
For news and Updates on Sound of Redemption: The Frank Morgan Story go to: http://www.thefrankmorganproject.com/index.html
Ralph Steadman is the last of the original Gonzo visionaries. Made over the course of fifteen years, “For No Good Reason,” explores the connection between life and art through the eyes of seminal British artist, Ralph Steadman. Insightful, humorous, and visually stunning, this is a study in honesty, friendship and the ambition that drives an artist. Ralph’s rise to prominence began in the early 1970’s during the fallout from the love and hope that had swept the western world during the 1960’s. This legendary time for music, literature, art and philosophy was the catalyst, along with his developing relationship with writer Hunter S Thompson, for Ralph to express and chart the wreckage that followed; a large-scale disintegration of a demoralized counter-culture. His art gained recognition in the press and popular-culture publications, both in the U.K. and U.S., for its bold comment on his fiercely heart-felt politics. Director Charlie Paul and Producer Lucy Paul joins us to talk about one of the world’s most electrifying and insightful painter / cartoonist / satirist.
“There’s no more exciting effect in the documentary than the look of pure pleasure on Depp’s face as he stands by Steadman’s drawing table, peeking over his shoulder as he attacks a sheet of paper.’ – Mark Feeney, Boston Globe
“Ralph Steadman is one of the greatest, most underappreciated living artists, so it’s wonderful that this celebratory documentary has arrived. It also happens to be one of the finest docs ever made about an artist.” – David Noh, Film Journal International
In 1974, Chilean director Alejandro Jodorowsky, whose films EL TOPO and THE HOLY MOUNTAIN launched and ultimately defined the midnight movie phenomenon, began work on his most ambitious project yet. Starring his own 12-year old son Brontis alongside Orson Welles, Mick Jagger, David Carradine and Salvador Dali, featuring music by Pink Floyd and art by some of the most provocative talents of the era, including H.R. Giger and Jean ‘Mœbius’ Giraud, Jodorowsky’s adaptation of Frank Herbert’s classic sci-fi novel DUNE was poised to change cinema forever. Director Frank Pavich joins us to talk about the power of Dune’s narrative and the visionary zeal Jodorowski brought to his singular vision.
“Mindblowing” – Variety “
“A surprise Cannes hit was Frank Pavich’s JODOROWSKY’S DUNE .” – IndieWire
“Fascinating, informative and funny. – The Toronto Star
“It’s also clear that we are all the better for Frank Pavich’s wonderful contribution of JODOROWSKY’S DUNE.” – Twitch.com
“Arguably the most legendary of unmade film projects.” – film.com (Top 10 favorite films at Cannes)
“Never before has there been a documentary about lost cinema quite like JODOROWSKY’S DUNE.” – thefilmstage.com