Author: The JT Leroy Story, Director Jeff Feuerzeig

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On January 9, 2006 the New York Times sent shockwaves through the literary world when it unmasked “it boy” wunderkind JT LeRoy, whose tough prose about his sordid childhood had captivated icons and luminaries internationally. It turned out LeRoy didn’t actually exist. He was dreamed up by 40­-year-­old San Francisco punk rocker and phone sex operator, Laura Albert. Director Jeff Feuerzeig’s AUTHOR: THE JT LEROY STORY takes us down the infinitely fascinating rabbit hole of how Laura Albert – ­like a Cyrano de Bergerac on steroids – breathed not only words, but life, into her avatar for a decade. Albert’s epic and entertaining account plunges us into a glittery world of rock shows, fashion events, and the Cannes red carpet where LeRoy becomes a mysterious sensation. As she recounts this astonishing odyssey, Albert also reveals the intricate web spun by irrepressible creative forces within her. Her extended and layered JT LeRoy performance still infuriates many; but for Albert, channeling her brilliant fiction through another identity was the only possible path to self­-expression. Director Jeff Feuerzeig join us for a lively conversation on how Laura’s life, her traumas and innate brilliance made JT Leroy such a hugely fascinating saga, on and off the screen.

For news and updates go to: jtleroydocumentary.com

Author: JT Leroy Story Distributor Magnolia Pictures

“Wildly entertaining. The movie this crazy, endlessly fascinating story deserves.” – Bilge Ebiri, New York Magazine

“Four stars. Endlessly riveting. Albert is a hell of a storyteller.” – Nigel Smith, The Guardian

“Strange, existential and ultimately thrilling.” – Steven Zeitchik, Los Angeles Times

“A fascinating treatise on creative desire and fame, as compelling as anything the writer herself dreamed up.” – Eric Kohn, Indiewire

Demon, Producer Olga Szymanska, widow of DEMON director Marcin Wrona

demon-film-posterNewly arrived from England to marry his fiancée Zaneta (Agnieszk Zulewska, Chemo), Peter (Israeli actor Itay Tiran, Lebanon) has been given a gift of her family’s ramshackle country house in rural Poland.  It’s a total fixer-upper, and while inspecting the premises on the eve of the wedding, he falls into a pile of human remains.  The ceremony proceeds, but strange things begin to happen…During the wild reception, Peter begins to come undone, and a dybbuk, the iconic ancient figure from Jewish folklore, takes a toehold in this present-day celebration-for a very particular reason, as it turns out.  Based on noted Polish writer Piotr Rowicki’s play Adherence, DEMON is the final work by Marcin Wrona, who died just as DEMON was set to premiere in Poland, is part absurdist comedy, part love story-that scares, amuses, and charms in equal measure.  Acclaimed at several festivals including New Directors/New Films, the Toronto Film Festival, and Austin Fantastic Fest where it won the Award for Best Horror Feature. Producer Olga Szymanska, widow of DEMON director Marcin Wrona joins us for a conversation on this hauntingly beautiful film.

For news and updates go to: demon.film

Winner: Austin Fantastic Fest, Best Horror Feature, 2015

Winner: Haifa Film Festival, Tobias Spencer Award, 2015

“Wrona keeps everything creepily ambiguous right up to the end, when the foggy dawn breaks and what we have witnessed becomes like a dream within a dream.” – Peter Rainer, Christian Science Monitor

“..a unique take on the Jewish legend of the Dybbuk that feels both deeply rooted in cultural nightmares and refreshingly new…“Demon” is stylish and clever from its concept..but it’s the execution that really matters.  There’s a great energy to the piece, from the framing of the visual compositions, to the eerie atmosphere created by the lights hanging from the ceiling of what looks like a barn.  There’s fantastic costume design as well as a lead performance that engages on every level.” — Brian Tallerico, Rogerebert.com

“Crackling, spookily atmospheric, intelligent, sometimes funny ghost story. It builds on family secrets to take on wider social and historical resonance for Poles and Jews.” – Nora Lee Mandel, Film Forward

“A darkly humorous reworking of “The Dybbuk,” with a deftly realized switch that turns that familiar tale of love from beyond the grave into a parable of Polish anti-Semitism in the post-war era….  a black comedy in the vein of “The Exterminating Angel.” — George Robinson, The Jewish Week

August 19, 2016 – Richard Linklater: Dream is Destiny, Co-directors Louis Black and Karen Bernstein

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Richard Linklater: Dream is Destiny takes the viewer from the Academy Awards for the acclaimed, Boyhood, and an exclusive behind-the-scenes look at Linklater’s latest film, Everybody Wants Some. Throughout the film, Richard Linklater himself addresses his own life at mid-career point, at times while embarrassed and shy. He tells of the influential array of filmmakers, playwrights and criminals that continue to form his own independent work, and the philosophical modalities which have guided the path; all in conversation with Louis Black, an Austin-based journalist who has known him since the 1980’s. Other interviews include Ethan Hawke, Jack Black, Jonathan Demme, Matthew McConaughey, Sandra Adair and Julie Delpy, members of the Linklater family, Clark Walker and more. Richard Linklater: Dream is Destiny was produced for PBS’ American Masters series is an unusual look at a fiercely independent style of filmmaking that arose from Austin, Texas in the 1980s/ early 90’s.  It is an unconventional look at how Linklater’s films of that period, Slacker, Dazed and Confused and Before Sunrise, sparked a low budget, in your own backyard movement in this country and around the world. Co-directors and co-producers Louis Black and Karen Bernstein joins us for a spirited conversation on what makes Richard run, the early days of the Austin film scene and how Linklater has influenced and mentored many of the independent film world’s brightest talents.

For news and updates go to: linklaterdoc.com

“It’s shamelessly partial but also warmly pleasurable, partly because Mr. Linklater is an engaging and humble conversationalist who moves easily to the beat of his own soundtrack.” – Jeanette Catsoulis, New York Times

“A documentary portrait of the director of ‘Boyhood’ and ‘Dazed and Confused’ is full of revealing offscreen footage as well as a pinpoint feeling for the filmmaker’s visionary humanism.” – Owen Gleiberman, Variety

“Warm, familial and unhurried portrait of the great Austin auteur provides a good overview of an underappreciated director’s work and unusual approach.” – Chris Barsanti, Film Journal International

“Black and Bernstein understand what it is that makes Linklater so curious, and in chronicling his career in such a clear and entertaining way, they’ve put together a worthwhile and winning portrait of a very special filmmaker.” – Adam Chitwood, Collider

Little Men, Director Ira Sachs

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When 13-year-old Jake’s (Theo Taplitz) grandfather dies, his family moves from Manhattan back into his father’s old Brooklyn home. There, Jake befriends the charismatic Tony (Michael Barbieri), whose single mother Leonor (Paulina Garcia, Gloria), a dressmaker from Chile, runs the shop downstairs. Soon, Jake’s parents Brian (Greg Kinnear) and Kathy (Jennifer Ehle) — one, a struggling actor, the other, a psychotherapist — ask Leonor to sign a new, steeper lease on her store. For Leonor, the proposed new rent is untenable, and a feud ignites between the adults. At first, Jake and Tony don’t seem to notice; the two boys, so different on the surface, begin to develop a formative kinship as they discover the pleasures of being young in Brooklyn. Jake aspires to be an artist, while Tony wants to be an actor, and they have dreams of going to the same prestigious arts high school together. But the children can’t avoid the problems of their parents forever, and soon enough, the adult conflict intrudes upon the borders of their friendship. Director and co-writer Ira Sachs (Love is Strange, Keep the Lights On, Forty Shades of Blue) with his trademark humanism and insight, Little Men highlights the New York City landscape with a story of life-defining friendships in the midst of familial turmoil. He joins us for a conversation on his latest cinematic gem.

For news and updates go to:littlemenfilm.com

Opens Friday, August 12th in Los Angeles at the following theaters:

LAEMMLE ROYAL – LOS ANGELES, CA
SUNDANCE SUNET CINEMA – WEST HOLLYWOOD, CA
LAEMMLE PASADENA PLAYHOUSE – PASADENA, CA

“As Leonor, Garcia, who killed as a grouchy middle-aged single woman in the Chilean “Gloria,” manages to combine grace with stridency.” – Matt Prigge, METRO

“I don’t know how to do justice to Garcia. When she smokes outside her shop, it’s as if her anger is keeping the cigarette burning.” – David Edelstein, NEW YORK MAGAZINE

“Garcia, though meek of manner, has a resilience that verges on the unnerving. We are so accustomed to cranky characters undergoing a sentimental sweetening that it’s a shock when Leonor does the opposite.” – Anthony Lane, THE NEW YORKER

“Garcia gives Leonor formidable strength of character.” – David Rooney, THE HOLLYWOOD REPORTER

“Garcia is all simmering, passive-aggressive resentment as Leonor. Behind the character’s pinched smile, we sense a lifetime of having to put up with the more fortunate, always having to balance between being friendly and sticking up for herself.” – Tim Grierson, PASTE MAGAZINE

Miss Sharon Jones!, Director Barbara Kopple

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Two-time Academy Award-Winner® Barbara Kopple (Harlan County USA, American Dream) follows Grammy-nominated R&B dynamo Sharon Jones during the most courageous year of her life. Often compared to the legendary James Brown because of her powerful and energetic performances, Sharon Jones is no stranger to challenge. For years her music career struggled as she was kept in the wings by a music industry that branded her “too short, too  black, too fat.” After decades of working odd jobs, from abarbara-kopple-photo corrections officer to a wedding singer, Sharon had a middle-aged breakthrough after joining forces with Brooklyn R&B outfit The Dap-Kings. In 2013, on the eve of the release of the much-anticipated album Give the People What They Want, Sharon was diagnosed with a life-threatening illness. Miss Sharon Jones! is a triumphant crowd-pleaser that captures an irrepressible human spirit as she battles back to where she belongs; center stage. Director / Producer Barbara Kopple joins us to talk about the daunting personal and career challenges Miss Sharon Jones has faced and her inexhaustible energy to create and carry on.

For news and updates go to:cabincreekfilms.com

facebook.com/SharonJonesDocumentary

“The film’s real success lies in having Jones as its primary subject, and that’s because she’s a wickedly funny, fierce, phenomenal force of nature, a positive, vivacious character whose generosity and charisma touches every single person.” – Tina Hassannia, rogerebert.com

“When she bounds onstage with a holler and a howl – and diction that nails every last word to the melody – it’s clear she deserves that exclamation point in the title.” – Jeannette Catsoulis, New York Times

“Intimate without digging too deeply, but still a highly satisfying portrait of a resilient soul singer.” – David Noah, Film Journal international

“In the empowering tradition of Shut Up & Sing, Running From Crazy and Force of Nature, veteran documentarian Barbara Kopple serves up another portrait of female strength and resilience with Miss Sharon Jones!” – Leslie Felperin, Hollywood Reporter

Don’t Think Twice, Co-Star Kate Micucci

Dont Think Twice film Poster IFor eleven years, an improv group called The Commune has reigned as the big fish in the small pond of their New York improv theater. Commune members Miles, Samantha, Jack, Allison, Bill and Lindsay invent comedy without a script and without a net. They’re ingenious, they’re fast, and they build on each others’ ideas like best friends – which they also are. Night after night they kill onstage and wait for their big break. Day after day day they work menial jobs to support themselves. Then they get news that their theater is shutting down, and scouts from a hit TV show come to a performance, looking for talent. Only two cast members get the nod, upsetting the dynamic of the group and leaving its future in doubt. Relationships begin to crack as six best friends face the truth that not all of them will make it, and for some, it may be time to give up on the dream and move on. Funny, insightful and honest, DON’T THINK TWICE looks at a common experience that’s an uncommon subject for a film: failure. As he did in his acclaimed debut about a stand-up comedian, SLEEPWALK WITH ME, writer/director/actor Mike Birbiglia captures universal human experiences that happen in the lives of professionally funny people. With a top-flight ensemble of comic actors including Keegan-Michael Key, Gillian Jacobs, KateKate-Micucci poster Micucci, Chris Gethard, Tami Sagher and Birbiglia, DON’T THINK TWICE tells a nuanced story of friendship, aspiration and the pain and promise of change. Co-star Kate Micucci joins us to talk about being a part of the summer’s breakout hit, doing improv, on stage and on screen. Kate Micucci, along with partner Riki Lindhome, make up the comedy duo Garfunkel and Oates. The two met at Upright Citizens Brigade theatre in Los Angeles in 2007 and named their group after the “two famous rock-and-roll second bananas” Art Garfunkel and John Oates. The duo, which regularly performs and tours across the country, were named one of the Top 10 Comics to Watch by Variety.

For news and updates go to: dontthinktwicemovie.com

“Don’t Think Twice is hilarious, yes, but it’s also thoughtful and sad and sweet. Birbiglia knows how to communicate those things, too.” – Sheila O’Malley, RogerEbert.com

“Don’t Think Twice,” which has a warm heart, could have been a much nastier movie. Yet its disappointed show-business hopefuls dreading their expiration dates make no bones about their insecurities.” – Stephen Holden, New York Times

“”Don’t Think Twice” really shines as an improv procedural, a film that celebrates, in illuminating detail, the skills and anxieties of this showbiz subgenre.” – Joe Morgenstern, Wall Street Journal

“Birbiglia continues to mine a scene he knows well, and even though he doesn’t strike you as a natural-born filmmaker (some of these scenes are as flatly lensed as the SNL sketches being spoofed), he’s evolving as a confrontational dramatist.” – Joshua Rothkopf, Time Out

Nuts! Director Penny Lane

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Inventive and wildly fun, NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. From there, the story only gets more bizarre. Mixing hand-drawn animated reenactments, interviews, archival footage, and a very unreliable narrator, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. Along the way, he transplants thousands of goat testicles, amasses an enormous fortune, is (sort of) elected Governor of Kansas, invents junk mail and the infomercial, builds the world’s most powerful radio station, and generally annoys the heck out of the establishment. Filmmaker Penny Lane has skillfully borrowed a page from her subject – charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was. NUTS! reminds us that our love of (and need for) compelling narratives is exactly what makes us so endlessly susceptible to being conned. Director Penny Lane stops by for a conversation on Brinkley, our collective need to believe in something and any contemporary parallels to be drawn from this bizarre story.

For news and updates go to: nutsthefilm.com

NUTS! had it’s World Premiere at the 2016 Sundance Film Festival and won the U.S. Documentary Special Jury Award for Editing.



“Mixing droll animation, stock footage and a restrained number of talking head interviews, the director Penny Lane’s biography has all the whimsy of a tall tale, until a late change in tone surprises with genuine emotion.Nuts! is really a kick.” – The Guardian

“Don’t let the synopsis fool you, there’s much more here than a simple movie about a guy who likes to put goat balls in people…[Lane] explores the peculiar and undeniably fascinating story of Brinkley in what is easily an early contender doc of the year…Nuts! is a film you’ll definitely want to check out.” – Film Pulse

“Penny Lane is a documentarian who blends the archival with the personal in powerfully emotive ways… [she] is now firmly ensconced as a leading voice among her documentary filmmaking peers. “ – Vimeo

“What won’t spoil the film is my spewing praise for Lane’s craft… Lane is the answer to a question more people should be asking: who’s the great documentarian of this generation?” – The Verge

“In keeping with a recent trend in documentary filmmaking, nontraditional, sometimes controversial storytelling techniques will be on full display, Mr. Cooper said. The director Penny Lane, for instance, uses animated re-enactments and “one seriously  unreliable narrator” to trace the “mostly true” story of a man who found success selling a goat-testicle impotence cure..” – New York Times

Life, Animated, Director Roger Ross Williams

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From Academy Award-winning filmmaker Roger Ross Williams (“Music by Prudence”), is the inspirational story of Owen Suskind, a young man who was unable to speak as a child until he and his family discovered a unique way to communicate by immersing themselves in the world of classic Disney animated films. This emotional coming-of-age documentary follows Owen as he graduates to adulthood and takes his first steps toward independence. The subject of his father Ron Suskind’s New York Times bestseller, Owen was a thriving three-year-old who suddenly and inexplicably went silent—and for years after remained unable to connect with other people or to convey his thoughts, feelings or desires. Over time, through repeated viewings of Disney classics like The Little Mermaid and The Lion King, Owen found useful tools to help him to understand complex social cues and to re-connect with the world around him. Life, Animated evocatively interweaves classic Disney sequences with vérité scenes from Owen’s life in order to explore how his identification and empathy for characters like Simba, Jafar and Ariel gave him a means to understand his feelings and allowed him to interpret reality. Director and Producer Roger Ross Williams (God Love Uganda) joins us to talk about the challenge of presenting a balanced portrait of Owen Suskind and his family.

For news and updates go to: lifeanimateddoc.com/

Winner of the Audience Award – San Francisco Film Festival

Winner of the Audience Award – Full Frame Film Festival 

Winner of the Directing Award – Sundance Film Festival, Life, Animated

“A captivating portrait of a young man for whom Disney animated movies have provided a powerful lifeline to progress, language and understanding. – Justin Chang, Variety

“Williams smartly devotes large portions of the documentary to Owen on his own, letting him explain his fears himself rather than relying on the other Suskinds for clarification and translation. – Noel Murray, A.V. Club

“Incredibly moving documentary takes us into the interior life of an autistic person, and explores how films helped him communicate with the outside world.” – Lanre Bakare, The Guardian

“Instead of false hope, it offers up possibility, the chance of a stimulus that might get past the blocks of developmental disorder.”- Peter Travers, Rolling Stone

Hunt for the Wilderpeople, Producer Carthew Neal

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HUNT FOR THE WILDERPEOPLE is a zany tale of a defiant city kid, Ricky, raised on hip-hop and foster care, gets a fresh start in the New Zealand countryside. He quickly finds himself at home with his new foster family: the loving Aunt Bella, the cantankerous Uncle Hec, and dog Tupac. When a tragedy strikes that threatens to ship Ricky to another home, both he and Hec go on the run in the bush. As a national manhunt ensues, the newly branded outlaws must face their options: go out in a blaze of glory or overcome their differences and survive as a family. Equal parts road comedy and rousing adventure story, director Taika Waititi (WHAT WE DO IN THE SHADOWS, upcoming THOR: RAGNORAK) masterfully weaves lively humor with emotionally honest performances by Sam Neill, Rima Te Wiata, Rachel House and Julian Dennison. A hilarious, touching crowd-pleaser, HUNT FOR THE WILDERPEOPLE reminds us about the journey that growing up is (at any age) and those who help us along the way. Producer Carthew Neal (Tickled, A Band Called Hook Ups) joins us to talk about how Barry Crump’s classic book, Wild Pork and Watercress found its way into the hands of the talented director and writer Taika Waititi and onto the screen.

For news and updates go to: wilderpeople.film

“Hunt for the Wilderpeople” takes a troika of familiar story types – the plucky kid, the crusty geezer, the nurturing bosom – and strips them of cliché.” – Manohla Dargis, New York Times

“Every once in a while, a small, unheralded film comes along, so smart and funny, such a pleasure to experience, you can’t believe your luck. “Hunt for the Wilderpeople” is such a film.” – Kenneth Turan, LA Times

“It’s off-beat in all the best ways, has fantastic actors all delivering fantastic performances, and is a uproarious adventure with endless heart.” – CinemaBlend.com

“An oddball and oddly affecting take on two misfits finding their metaphorical partner-in-crime match.” – David Fear, Rolling Stone

Wiener Dog, Director Todd Solandz

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“I love dogs and would love one of my own, the only problem being that I don’t like walking them or feeding them or cleaning them or having to stay home because of them. When I was a child we (my family) went through a lot of them, and they never lasted very long.”WIENER-DOG Director Todd Solondz.

WIENER-DOG is a dark, starkly funny story of a single dog and the many different people she touches over her short lifetime.  Man’s best friend starts out teaching a young boy some contorted life lessons before being taken in by a compassionate vet tech named Dawn Wiener. Dawn reunites with someone from her past and sets off on a road trip. After leaving Dawn, Wiener-Dog encounters a floundering film professor, as well as an embittered elderly woman and her needy granddaughter—all longing for something more.  Solondz’s perversely dark comedy offers an appallingly honest look at the American experience, brought to life by its all-star cast.  As to be expected, WIENER-DOG has all the characteristics of the Solondz oeuvre — quick wit, dark tragedy, familiar characters, and an incredible ensemble cast—but the film’s brainchild also found inspiration in classic films. As Solandz says, “The touchstones were movies like AU HASARD BALTHAZAR and BENJI. In between those two is where I think this film lies.” Solandz joins us to talk about the making of Wiener Dog and the state of independent filmmaking in 2016.

For news and updates go to: ifcfilms.com/films/wiener-dog

“En route to the harshest, most unremittingly bleak film of his career, Solondz unleashes some of his sharpest commentary on human mortality and regret” – Joshua Rothkopf, Time Out

“Solondz gives no quarter, nor does he mince words about where we’re all headed. His vision of our predicament is bleakly funny and weirdly heartfelt.” – Ella Taylor, NPR

“Writer/director Todd Solondz makes insightful movies about innocents suffering the worst human impulses from a viewpoint that suggests arrested adolescence mixed with intellectual black humor and a critical eye towards America.” – Laura Clifford, Reeling Reviews

Art Bastard, Artist and subject Robert Cenedella

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In a madcap art world obsessed with money, fame and hype, how does an artist driven by justice, defiance and his own singular style thrive? ART BASTARD is the rousing tale of a rebel who never fit into today’s art world… yet has become one of its most provocative, rabble-rousing characters nevertheless. At once a portrait of the artist as a young troublemaker, an alternate history of modern art and a quintessential New York story, ART BASTARD is as energetic, humorous and unapologetically honest as the uncompromising man at its center: Robert Cenedella. Cenedella was a contemporary of Andy Warhol. But he has essentially served as the anti-Warhol. His noisy, raucous, color-splashed paintings of city scenes approach the world with a sincerity that defies the irony, frivolity and controversy-for-the-sake-of-controversy that have become the cultural currency since the 60s. In a fast-moving series of riveting interviews with family members, art critics, museum directors, New York power brokers, art students and Cenedella himself, director Victor Kanefsky candidly presents Cenedella’s personal journey – and reveals the creation of a modern art career that ignored all the modern art rules. What ART BASTARD shows, in stunning cinematic detail, are the living, breathing, storytelling canvases that Cenedella has created for six decades. The result is a visceral art documentary that also has the sweeping impact of a feature film – at once an investigation of a man’s identity, an inquiry into what art is and who it’s for and a feisty portrait of the ups and downs of a life lived on one’s own terms. The artist and subject of ART BASTARD, Robert Cenedella joins us for a spirit discussion of love, life and art.

For news and updates go to: artbastard.com

Opening Friday June 17 at the Laemmle Monica Theatre in Santa Monica

Artist Robert Cenedella and ART BASTARD executive producer Chris Concannon will participate in Q&A’s at the Monica Film Center following the 7:30 PM screenings on Friday and Saturday, June 17 and 18, as well as after the 2:30 and 5 o’clock screenings on Saturday the 18th.

*New York Times CRITIC’s PICK! “Robust documentary portrait of lifelong rebel and art-world gadfly.” –Stephen Holden, THE NEW YORK TIMES

Meet The NYC artist who crucified Santa Claus -by Barbara Hoffman, NEW YORK POST

“An intimate portrait of the iconoclastic artist Robert Cenedella… Socially conscious and often mordantly humorous, the paintings are wonderfully exhibited in this film which benefits from being seen on the big screen.” –Frank Scheck, THE HOLLYWOOD REPORTER

“THE BEST FILM ABOUT ART I HAVE SEEN… A scintillating, visually splendid look at the life and satirical work of socially conscious, talented and articulate art rebel Robert Cenedella. The art establishment should take a fresh look at Cenedella’s work, which certainly deserves a major, reflective New York exhibition at this point in time.” – William Wolf, wolfentertainmentguide.com

**Winner – Best Documentary – 2016 Manchester Film Festival**

**Winner- Best Documentary, Best Director – 2016 IDYLLWILD**

**Winner – Focus on Art Award – 2015 Orlando Film Festival**

**Winner – Eleanor Roosevelt Award for Creativity – 2015 Utopia Film Festival

Tickled, Co-director Dylan Reeve (David Farrier)

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One of the most talked-about films at this year’s Sundance Film Festival, TICKLED begins with reporter David Farrier stumbling upon a bizarre “competitive endurance tickling” video online, wherein young men are paid to be tied up and tickled, and reaching out to request a story from the company. But the reply he receives is shocking—the sender mocks Farrier’s sexual orientation and threatens extreme legal action should he dig any deeper. So, like any good journalist confronted by a bully, he does just the opposite: he travels to the hidden tickling facilities in Los Angeles and uncovers a vast empire, known for harassing and harming the lives of those who protest their involvement in these films. The more he investigates, the stranger it gets, discovering secret identities and criminal activity. Discovering the truth becomes Farrier’s obsession, despite increasingly sinister threats and warnings. With humor and determination, Farrier and co-director Dylan Reeve summon up every resource available to get to the bottom of this tickling worm-hole. Reeve joins us for a conversation on the world of competitive tickling, the competitors and promoters involved in tickling as well as the litigious and threatening environment that making TICKLED has engendered.

For news and updates go to: tickledmovie.com

Tickled opens on Friday, June 17 2016 at the Nuart Theatre in West Los Angeles and the Sunshine Cinema 5 in New York City

“Gunning to be the year’s strangest doc, ‘Tickled’ takes a Dantean descent into a shadowy netherworld as bizarre as the ones in ‘Eyes Wide Shut’ and J.G. Ballard’s ‘Crash.’” – Matt Prigge, Metro

“Tickled morphs from an offbeat caper to a disturbing exposé on the dangers of cyberbullying.” Nigel Smith, The Guardian

“In its genial, low-key way, the film … is a chilling account of cyberbullying, perpetrated on a disturbingly wide scale over many years.” – Sheri Linden, Hollywood Reporter

Holy Hell, Director Will Allen

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In 1985, recent film school graduate Will Allen became a member of The Buddhafield, a Los Angeles area spiritual group. Also acting as the group’s official videographer, he began to document first-hand their activities, which centered on the mysterious leader they called The Teacher, or Michel. Over time, the group’s dark side began to surface as total devotion turned to paranoia, until finally, unexpected truths about their enlightened leader were revealed – all in front of Allen’s camera. This incredible, 22-year archive of video footage became the basis for HOLY HELL. Now, for the first time since he left the group, Allen turns the camera on himself and asks fellow ex-cult members to come to terms with their past and the unbelievable deceit they experienced.  Director Will Allen joins us to talk about what it is like on the inside and what he has taken away from his experience.

For news and updates go to: holyhellthedocumentary.com

Opening May 27th at the Laemmle’s Monica Film Center

“An unprecedented close-up look…a documentary suspense film in which we watch with bated breath as the mask is slowly pulled off. ” ★★★★ – Owen Gleiberman, BBC

“A documentary villain for the ages.” ★★★★ – Daniel Schindel, The Film Stage

“A unique, captivating look at 22 years inside the Buddhafield Cult.”  – Justin Gerber, Consequence of Sound

 

The Idol, Director Hany Abu-Assad

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“The Idol” is two-time Academy Award nominated Director Hany 
Abu-Assad’s new film. Hany is only one of three foreign language 
filmmakers nominated for two Oscars in this century! “The Idol” which World Premiered at the Toronto International Film Festival is an inspirational, upbeat, crowd-pleasing change-of-pace based on the true story of the young man who escaped from Gaza into Egypt (and finally Lebanon) for a chance to be crowned Arab Idol champion. To so many with conflict, destruction and despair but to Mohammed Assaf, and his sister Nour, Gaza is their home and their playground. It’s where they, along with their best friends Ahmad and Omar, play music, football and dare to dream big.  For Mohammed and Nour, nothing less than playing the world famous Cairo Opera Hall will do. It might take them a lifetime to get there but, as Mohammed will find out, some dreams are worth living for. Along the way, Mohammed will experience tragedy and loss. The world around him will shatter. Mohammed knows he has a rare gift. Mohammed auditions for Arab Idol, the most popular show in the Arab world, are taking place in Cairo. Somehow, he finds a way and makes it in front of the judges in Egypt. From there, destiny awaits, a chance to change his life and give a voiceless people the greatest feeling of all: the freedom to love, live and feel free. Director and writer Hany Abu-Assad joins us for a conversation on the challenges and rewards of bringing this revelatory story to life.

For news and updates go to: adoptfilms.com/the-idol

“Mr. Abu-Assad, who wrote the script with Sameh Zoabi, mounts an idealistic appreciation of music as a way of bridging boundaries through a unifying appeal to beauty, gliding past differences in the soulful pleasure of song.” – New York Time

“It’s about art overcoming setbacks and bringing happiness to a region beset by troubles, the sort of cheerful story that speaks a universal language to any audience.” – Minneapolis Star

“Assaf’s 2013 Arab Idol victory occurred around the time the campaign in this week’s Weiner began, and both are recent period pieces about how the media can influence politics, for good and ill. The Idol ends on a far more hopeful note, to put it mildly.” – SF Weekly

Friday, May 20, 2016 – Weiner, co-directors Josh Kriegman and Elyse Steinberg

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Anthony Weiner was a young congressman with one of the most promising careers in Washington when a sexting scandal forced a humiliating resignation. Made with unprecedented access as he mounts his New York City mayoral campaign, WEINER is a thrilling look inside his impending political meltdown. What begins as an unexpected comeback takes a sharp turn once Weiner is forced to admit to new sexting allegations. As the media descends and dissects his every move, Weiner desperately tries to forge ahead, but the increasing pressure and crippling 24-hour news coverage halt his political aspirations dead in their tracks.  WEINER teeters between political farce and personal tragedy.  Filmmakers Josh Kriegman and Elyse Steinberg stop by for a conversation on how gaining the trust and confidence of Huma Abedin and Anthony Weiner has given us a remarkably complex and nuance window into one of the highest profile and most tragic political scandals of the last 20 years.

For news and updates go to: ifcfilms.com/films/weiner

A “you are there” doc shot and edited with a bent toward dramatic, cinematic storytelling. – Noel Murray·A.V. Club

Directed by Josh Kriegman and Elyse Steinberg from a structure they hammered out with Eli B. Despres, Weiner is a tabula rasa doc — one of the most provocative of its kind I’ve seen. – David Edelstein·Vulture

A fly-on-the-wall account of scandal-plagued former U.S. Congressman Anthony Weiner’s failed 2013 bid to become mayor of New York. – Geoff Berkshire·Variety

The rise, fall, rise and fall again of an American politician with a quick wit and even quicker Twitter fingers. – Gersh Kuntzman·New York Daily News

“One of the best documentaries ever made about a political scandal. Weiner is nothing less than a true American tragedy – but this hilarious and humbling portrait rightly sees him as so much more.” – David Fear, Rolling Stone

Margarita with a Straw, Director Shonali Bose

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In Margarita with a Straw Indian writer/director Shonali Bose beautifully portrays the story of a luminous Indian teenager with cerebral palsy who leaves her homeland to study in New York, falls in love with a young blind woman, and begins a remarkable journey to self-discovery and independence.  Bose was inspired to write this humane story by her cousin’s experience with cerebral palsy. Margarita with a Straw features award-winning performances from some of India’s most acclaimed actors, including Kalki Koechlin as Laila in a remarkable and life affirming portrayal.  Margarita with a Straw is told with insight and humor.  Director Shonali Bose joins us for a conversation on censorship, changing perceptions within her home country of India on same sex relations and how her own life experience inspired the making of this warm hearted film.

Official Facebook page for Margarita with a Straw

For news and updates go to: margarita-with-a-straw

Margarita, With a Straw California is opening on May 20th at:

LOS ANGELES. Arena Theater in Hollywood. Arena Cinema in Hollywood

On Friday May 20 there is a pre-screening reception at 7pm and a Q&A with Director Shonali Bose following the 7:40pm show. Join her for Q&A’s after the following showtimes: Sat 4 pm, Sun 5 25pm.

“MARGARITA WITH A STRAW is an unexpected delight of charm and substance.” – Dennis Harvey, Variety

“An acting triumph. Kalki is amazing . . . her spirit flying as she tastes the delights and dilemmas, from crushes to creative pushes, of a college student’s life.” – Times of India

“A coming-of-age tale that treats its subject with the sensitivity it deserves …” – The Huffington Post

“Emotionally direct study of disability and sexuality… Big issues handled with dignity.” – The Guardian

Fursonas, Director Dominic Rodriguez

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Approaching a community filled with so many rumors and misconceptions is no easy task. FURSONAS  director Dominic Rodriguez is not without his own biases, but instead of attempting to deny this fact, he faces it head on, unafraid to be shot down by his subjects. FURSONAS is a whistleblower film that oscillates between the fantastic and the unusual, with moments of awe and wonder slapped against harsh reality. The audience can delight in infiltrating the fun and sometimes-dark secrets of an escapist group. Whether or not you’ve heard of furry fandom, this documentary transcends its bizarre premise to tell a universal story of identity and community. Like a small town in Middle America, you’ll find friends in the most unusual places and unexpected enemies around every corner. Unlike a small town in Middle America,  you’ll find furries. FURSONAS was directed by first-time filmmaker Dominic Rodriguez.  Dominic, also a Furry, stops by to talk about the ins and outs of Furrydom, AnthroCon, Furry issues and perceptions and his own journey into this outré world.

Gravitas Ventures will release the film on VOD and across all other digital platforms on May 10, 2016.

For news and updates go to: ursonasdoc.com

Summer of 8, Director Ryan Schwartz

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Ryan Schwartz’s debut film, SUMMER OF 8 follows a group of close friends as they soak up their last day of summer before parting ways for college. On the beach at dawn, the friends ask themselves a question: what would make their last twenty-four hours together “perfect?” In turn, each confronts what weighs on their minds and the college-bound comrades settle in for one final sun-kissed day…and revelry-filled night. When the next dawn breaks, the friends part ways knowing they may never recapture the perfection of their final day, or the bonds they are leaving behind. A heartfelt and engaging film that includes a strong ensemble of rising stars; Carter Jenkins, Shelley Hennig, Matthew Shively, Natalie Hall, Michael Grant, Bailey, Noble, Nick Marini, Rachel DiPillo and Sonya Walger. According to director / writer Schwartz “You only get to make your “first film” once, and I wanted this film to be personal, touching and meaningful. I have always loved the wonderful lineage of coming-of-age “high school” films because they provide an opportunity to explore so many universal themes.” Director and writer Ryan Schwartz joins us for a conversation on the exhilaration and fear of the unknown, working with a group of committed young actors and making a decision and not looking back.

World Premiere – 2016 Newport Beach Film Festival

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Friday, April 8, 2016 – A Space Program, Creator Tom Sachs

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In A Space Program, internationally acclaimed artist Tom Sachs takes us on an intricately handmade journey to the red planet, providing audiences with an intimate, first person look into his studio and methods. The film is both a piece of art in its own right and a recording of Sachs’ historic piece, Space Program 2.0: MARS, which opened at New York’s Park Avenue Armory in 2012. For Space Program 2.0: MARS, Tom and his team built an entire space program from scratch. They were guided by the philosophy of bricolage: creating and constructing from available yet limited resources. They ultimately sent two female astronauts to Mars in search of the answer to humankind’s ultimate question… are we alone? Directed by Van Neistat, A Space Program is a captivating introduction to Sachs’ work for the uninitiated, and required viewing for his longtime fans. Creator Toms Sachs talks about bricolage, creating an intimate theatrical experience and the importance of Tea Ceremony and intergalactic relations.

See Tom Sachs: Tea Ceremony at the Noguchi Museum starting March 23, and Tom Sachs: Boombox Retrospective, 1999-2016 at the Brooklyn Museum starting April 21.

SHOW & TELL at The Cinefamily Theater
“A Curated Night of Industrial Films” with Tom Sachs & Van Niestat Friday, April 8, 2016 

For news and updates go to: zeitgeistfilms.com/film/aspaceprogram

“An alternately entrancing and amusing documentary-fiction hybrid that marries existential questions with absurdist humor.” Nick Schager·Variety

“Whatever else the film carries, it packs some serious whimsy.” Daniel M. Gold·New York Times

“Documenting Tom Sachs’s art project that imagined a journey into space, this is a funny, invigorating and inspirational ode to being the cleverest kid in the room.” Jordan Hoffman·The Guardian

Lolo, Director Julie Delpy

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Violette (Julie Delpy), a 40-year old workaholic with a career in the fashion industry falls for a provincial computer geek, Jean-Rene (Danny Boon), while on a spa retreat with her best friend. Though Jean-Rene faces a major challenge: he must win the trust and respect of  Violette’s teenage son, Lolo (Vincente Lacoste), who is determined to wreak havoc on the couple’s fledging relationship and remain his mother’s favorite. After TWO DAYS IN PARIS, TWO DAYS IN NEW YORK and SKYLAB, Julie Delpy returns with a sharp romantic comedy, alongside Dany Boon, the irresistible creator of WELCOME TO THE STICKS. Lolo recently premiered at the 2015 Venice Film Festival and North American Premiere at the 2015 Toronto International Film Festival. Writer / director Julie Delpy joins us for a spirited conversation on working with her own ensemble of talent and the making of films that inspire her.

For news and updates go to: filmrise.com/lolo/

Currently screening at:
Playhouse – Pasadena – TICKETS
Monica Film Center – Santa Monica – TICKETS
Noho 7 – North Hollywood – TICKETS
Music Hall – North Hollywood – TICKETS
Edward Westpark 8 – Irvine – TICKETS

“Lolo is fun and fresh to look at: Violette’s habitat is fashion-world, Centre-Pompidou new Paris, blessedly free of the Louvre-and-Seine shorthand that sells French movies to American audiences.” – Ella Taylor, NPR

“Delpy brings an unflinching perspective to the realities of balancing new love and motherhood, even while playing it for laughs.” – Katie Walsh, Tribune News Service

“Lolo is a maternal horror film in the guise of a light romantic comedy, and therein lies much of its charm.” – Bilge Ebiri, Village Voice

“A curiously unsentimental director of romantic comedies, Julie Delpy sees romance for the work that it primarily is.” – Chuck Bowen, Slant Magazine