Support the Girls, Director Andrew Bujalski

In Andrew Bujalski’s comedy Lisa (Regina Hall) is the last person you’d expect to find in a highway-side “sports bar with curves,”– but as general manager at Double Whammies, she’s come to love the place, and its customers. An instinctive den mother, she nurtures and protects her ‘girls’ on the staff fiercely — but over the course of one trying day, her optimism is battered from every direction… Double Whammies sells a big, weird American fantasy, but what happens when reality pokes a bunch of holes in it?

Director Andrew Bujalski’s Statement – It seems like just about the simplest business concept you could imagine — “What if all the waitresses in this restaurant wore tight, cleavage-y halter tops?”— but I couldn’t get over how bizarre it ultimately was. No culture besides present-day America would ever produce mass-scale demand for such a place, a business that seems about 10% strip club and 90% TGI Friday’s / Applebee’s / Chili’s / Cracker Barrel. Strippers are supposed to make men feel like badass transgressors. But these women are just supposed to make you feel normal — the proverbial “red-blooded American male.” You don’t see many stories set in this  slice of Americana, and with good reason. It does not lend itself to grand dramatic arcs, or, really, to gut-busting comedy. But it certainly is full of contradictions, and incredibly fertile with opportunities for subtle spiritual conflicts. I couldn’t pretend to untangle these from an insider’s perspective, so I dreamed up a kind of outsider character, Lisa the general manager, to walk in there with a spirit of openness and love — and plenty of her own pathologies–to see what she might discover in there. While it is a very specific story in many ways, I hope that anyone who’s ever worked for a living will relate. Most of us have to buy/sell one crazy “concept” or another to pay our bills, and some days, you’re not sure if your humor and dignity will survive to the end of the shift…

Director and writer Andrew Bujalski (Beeswax, Computer Chess, Results) joins us to talk about his insightful “girl power” comedic drama with a ground-level take on masculine hurly-burly in a vanishing American paradigm.

 

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For news and updates go to: supportthegirlsfilm.com

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100% on Rotten Tomatoes

“Its light, sweetly frisky exterior and easygoing pace camouflages what a subtle and brilliant piece of bracing social commentary it is; a deft portrait of sisterhood existing under the thumb of capitalistic patriarchy.” – Katie Walsh, Tribune News Service

“Hall’s superb, deeply felt performance keeps the movie grounded, allowing the supporting cast to provide hilarious liftoff at regular intervals.” – Mike D’Angelo, AV Club

“Bujalski frames most of Support the Girls as an almost real-time delineation of chaos, but his storytelling elegance – delicate, nearly invisible foreshadowing; cogent evocations of backstory – adds reflective layers to the surface anarchy.” – Danny King, Village Voice

“The sharp-elbowed humor is laced with aching tenderness, tightrope-tense frustrations over money and love, and an underlying mix of social pathologies that bubbles through the show-biz surfaces…” – Richard Brody, New Yorker

“Hall’s performance – tender, tough, empathetic, controlled – crumples from tears to laughter in a blink. It’s phenomenal.” – Amy Nicholson, Variety

Minding the Gap, Director Bing Liu

First-time filmmaker Bing Liu’s documentary Minding the Gap is a coming-of-age saga of three skateboarding friends in their Rust Belt hometown hit hard by decades of recession. In his quest to understand why he and his friends all ran away from home when they were younger, Bing follows 23-year-old Zack as he becomes a father and 17-year-old Keire as he gets his first job. As the film unfolds, Bing is thrust into the middle of Zack’s tumultuous relationship with his girlfriend and Keire’s inner struggles with racial identity and his deceased father. While navigating a complex relationship between his camera and his friends, Bing explores the gap between fathers and sons, between discipline and domestic abuse, and ultimately that precarious chasm between childhood and becoming an adult. Director Bing Liu joins us for a lively conversation on masculinity, adulthood, the joy of skateboarding and the crippling legacy of domestic violence.

 

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For news and updates go to: mindingthegapfilm.com

100% on Rotten Tomatoes

“One of the year’s great, small treasures, Bing Liu’s extraordinary documentary “Minding the Gap” is like a deluxe skateboarding video, yet so much more.” – Jeffrey M. Anderson, San Francisco Examiner

“”Minding the Gap” is a personal documentary of the highest sort, in which the film’s necessity to the filmmaker-and its obstacles, its resistances, its emotional and moral demands on him-are part of its very existence.” – Richard Brody, New Yorker

“With infinite sensitivity, Mr. Liu delves into some of the most painful and intimate details of his friends’ lives and his own, and then layers his observations into a rich, devastating essay on race, class and manhood in 21st-century America.” – A.O. Scott, New York Times

“Even some of the best coming-of-age films cannot capture the beautiful and awful tangible qualities of real life that may only exist in documentaries, and Bing Liu has caught lightning in a bottle.” – Musanna Ahmed, Film Inquiry

Madeline’s Madeline, Co-producers Krista Parris and Elizabeth Rao (editor)

Madeline (Helena Howard) has become an integral part of a prestigious physical theater troupe. When the workshop’s ambitious director (Molly Parker) pushes the teenager to weave her rich interior world and troubled history with her mother (Miranda July) into their collective art, the lines between performance and reality begin to blur. The resulting battle between imagination and appropriation rips out of the rehearsal space and through all three women’s lives. Writer/director Josephine Decker has long been an independent filmmaker to admire, utilizing a welcome expressionistic approach that imbues her subjects with a vibrant sense of urgency. Anchored by a virtuoso performance from newcomer Helena Howard, whose powerful screen presence commands attention, Decker’s film displays a rare sensitivity for capturing the messy struggles of discovering a sense of one’s self that defies easy narrative categorization. Producers Krista Parris and Elizabeth Rao joins us to talk about this immersive “psychological horror” narrative, collaboration in creative process, the casting of newcomer Helena Howard.

 

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For news and updates go to: madelinesmadeline.oscilloscope.net

90% on Rotten Tomatoes

“An ecstatically disorienting experience that defines its terms right from the start and then obliterates any trace of traditional film language, achieving a cinematic aphasia that allows Decker to redraw the boundaries between the stories we tell and the people we tell them about.” – David Ehrlich, INDIEWIRE

“In her third film, writer-director Josephine Decker confirms her position as the American indie queen of improv, whose self-styled mission it is to push the outer limits of film language into the stratosphere.”Deborah Young, THE HOLLYWOOD REPORTER

“Among its other astonishments, Josephine Decker’s new feature, MADELINE’S MADELINE, does something very simple: it dispels the shibboleth that movies spotlighting strong and original performances differ from ones that innovate at the level of cinematic style. MADELINE’S MADELINE does both, with equal intensity. Decker’s film, in its dramatic contours, is an utterly clear and classical drama about a Queens family.” – Richard Brody, THE NEW YORKER

“One of this year’s headiest, most dazzlingly assured moviegoing experiences.” – Justin Chang, Los Angeles Times

Actor Piper Laurie (Snapshots)

In her latest project,SNAPSHOTS, legendary actor Piper Laurie plays family matriarch Rose.. The story will resonate with every person who has lived through the complexity of family relationships, It reminds us that if we are loved no secret is too difficult to hear and accept. Or is it? Rose (Gran) is the matriarch. She has lived in this house for over fifty years. She and her deceased husband Joe raised their daughter Patty in this home. Patty, now a widow in her early 50’s, lives in St. Louis. Each year Patty and her newly married daughter Allison spend a laughter filled girl’s weekend with Gran. This year will be different. Piper Laurie joins us for a conversation on the making of her latest project (Snapshots) in a legendary film career that includes three Academy Award nominated performances (The Hustler, Carrie, Children of a Lesser God) and an Emmy nomination for David Lynch’s groundbreaking television serial (Twin Peaks).

 

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For news and updates go to: snapshotsthefilm.com

Social Media:

Facebook:facebook.com/threewomeninabox

Twitter:@SNAPSHOTSmovie

Instagram: @Snapshotsthefilm

“Performances all around are strong, with Piper Laurie’s Rose taking the lead and directing us through the story’s narrative. We are invited to soak in the retro atmosphere as the story unfolds at a leisurely pace.” – Paul Parcellin, Film Threat

Scotty and the Secret Story of Hollywood, Director Matt Tyrnauer

Scotty and the Secret History of Hollywood  is the deliciously scandalous story of Scotty Bowers, a handsome ex-Marine who landed in Hollywood after World War II and became confidante, aide de camp and lover to many of Hollywood’s greatest male — and female — stars. In the 1940s and ’50s, Scotty ran a gas station in the shadow of the studio lots where he would connect his friends with actors and actresses who had to hide their true sexual identities for fear of police raids at gay bars, societal shunning and career suicide. An unsung Hollywood legend, Bowers would cater to the sexual appetites of celebrities – straight and gay – for decades. In 2012, he finally spilled his secrets in the New York Times bestselling memoir “Full Service,” which revealed a dramatic, pre-Stonewall alternate history of Hollywood. While the studio PR machine were promoting their stars as wholesome and monogamous, Bowers was fulfilling the true desires of many of them. This cinema-vérité documentary tells his story, as well as presents eye-opening takes on icons from the Hollywood Golden Age including Cary Grant, Katharine Hepburn, Spencer Tracy, Lana Turner, Ava Gardner and many more. Director Matt Tyrnauer (Studio 54, Citizen Jane: Battle for the City, Valentino: The Last Emperor) joins us for spirited conversation on the days when the Hollywood PR machine mattered more than the lives of the artist who made it successful and the role Scotty Bowers played in breaking that stranglehold on them.

 

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For news and updates go to: scottymovie.com

Scotty and the Secret History of Hollywood open July 27th at the Arclight Hollywood

“Scotty” rolls out across the country beginning August 3, find theatres near you.

Hashtag: #ScottyMovie

Twitter / Instagram: @ScottyTheMovie

Facebook: Facebook.com/ScottyTheMovie

92% on Rotten Tomatoes

“Scotty” is more than just a portrait of the man, also serving as a history lesson on how the film industry once tried to project a repressive, clean-cut image to satisfy moral watchdogs” – Tim Grierson, Screen International

“A nicely filled-out look at different eras, one secrecy-ridden and dedicated to the preservation of illusion, the other wide open and blasé about personal predilections.” – Todd McCarthy, Hollywood Reporter

“There’s plenty of gossip to be found here, but there’s also no shortage of humanity.” – Alonso Duralde, The Wrap

“The present-day footage is more compelling than any of the gossipy bits, which turn out to be the hook that pulls the film into more fraught and complex directions.” – Kevin Ritchie, NOW Toronto

“’Scotty and the Secret History’ is a fascinating portrait that neither lionizes nor judges its subject. It merely lets you take him for what he is.” – Jason Bailey, Flavorwire

Netflix’s Dark Tourist, Director David Farrier

Netflix newest series Dark Tourist is the latest project of New Zealand journalist / filmmaker David Farrier, (Tickled), the doc that uncovered an unbelievable tickle fetish empire. In the new NETFLIX series, Farrier travels around the world trying to find the most dangerous and scariest experiences available to tourists. In the show we see a wounded Farrier going into an eerie hospital, being at the center of a war zone, a man breaking a statue on his own head, a killer named Popeye holding the gun at someone, and a woman telling Farrier to stay back because she doesn’t want him to be “possessed.” In one Los Angeles based episode Farrier is warned that he’ll be hurt, drowned, and buried. And yet nothing seems to deter this intrepid thrill seeker. Dark Tourist Director and creator David Farrier joins us to talk about the where, why and WTF of his newest adventure.

 

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For news and updates go to: netflix.com

A Midsummer Night Dream, Director Casey Wilder Mott

A Midsummer Night’s Dream is one of Shakespeare’s most beloved creations. The frolicking tale of lovesick young aristocrats, energetic but inept rustics, and mischievous woodland spirits is a staple of stage and screen. In the past, filmed adaptations have emphasized the play’s traditional, Elizabethan qualities. This production however is a fresh and stylish reinvention that takes an entirely different approach.The story takes place in present day Hollywood – a place where glamorous stars, commanding moguls, starving artists and vaulting pretenders all vie to get ahead. Hollywood is sometimes called “The Dream Factory,” and like the world of Shakespeare’s Dream, it’s a place where fantasy and reality collide.In the tradition of Baz Luhrmann’s rapturous reimagining of Romeo + Juliet, this modern vision breathes new life into a classic tale. Combined with a cast of established and emerging stars, as well as a pulsing original soundtrack, the film will appeal to ardent fans of the Shakespeare as well as audiences discovering Shakespeare for the first time. Director and screenwriter Casey Wilder Mott talk with us about the challenges and rewards of re-imagining one of the Bard’s most endearing plays.

 

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For news and updates go to: amidsummernightsdreammovie.com

100% on Rotten Tomatoes

“If you’re hoping to see a production just like the one that would have been done in 1596, this ain’t it. But Mott’s version is a hell of a good time in its own right.” – Nick Allen, RogerEbert.com

“Mott’s “Midsummer Night’s Dream” may not have a high bar to reach to be better than average as filmed Shakespearean comedies go. But by any standard, it’s a modest, resourceful and unexpected delight.” – Dennis Harvey, Variety

“Darned if Casey Wilder Mott’s feature directorial debut doesn’t prove to be a disarmingly effective, visually vibrant frolic.” – Michael Rechtshaffen, Los Angeles Times

“Awake the pert and nimble spirit of mirth and indulge in a film I feel certain Shakespeare himself would enjoy.” – Bradley Gibson, Film Threat

“A vibrant dose of California dreamin’.” – Sheri Linden, Hollywood Reporter

Izzy Gets The F*ck Across Town, Director Christian Papierniak

Izzy is the textbook definition of a hot mess. She wakes up hungover from a one-night stand, puts on her stained clothes from the night before and plans to start yet another aimless day. That is, until she finds out that her ex is getting ready to celebrate his engagement to her former best friend. Izzy has to make it to the other side of town to break them up, and nothing will stand in her way. Further proving that she’s one of the most promising new actresses working today, Mackenzie Davis plays Izzy with a manic energy that is utterly electrifying. Featuring a killer supporting cast made up of Carrie Coon, Haley Joel Osment, and Alia Shawkat, Izzy Gets the F*ck Across Town is a chaos-filled ride through Los Angeles, one that introduces a bold new voice in indie cinema. Director and writer Christian Papierniak talks about the making of his kinetic, off-kilter vehicle for the amazing MacKenzie Davis and working with a brilliant cast of supporting performers.

 

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For news and updates go to: izzygetsacrosstown.com

“brilliant absurdity” – The Hollywood Reporter

“includes a spellbinding performance by Davis and Coon of the riot grrrl anthem “Axemen” – Los Angeles Times 

“…dizzying mashup of frenetic visual styles and clashing narrative techniques” – The Hollywood Reporter  

“…Davis embodies the idea of betrayal and hurt, but also a resilience that’s hard to shake” – Cromeyellow 

“…Mackenzie Davis is bound for greatness” – Cut Print Film 

“…electrifying” – Cut Print Film 

Opening June 22 at the following theatres:

Laemmle Monica – Santa Monica

Laemmle’s Playhouse 7 – Pasadena

Edwards University Town Center 6 – Irvine

AMC Fullerton 20 – Fullerton

AMC Ontario Mills 30 – Ontario

AMC Puente Hills 20 – City of Industry

AMC Rolling Hills 20 – Torrance

The Year of Spectacular Men, Director Lea Thompson

Izzy Klein has (barely) graduated from college, broken up (sorta) with her boyfriend, and is stranded in New York City with a bad case of pre-real-world millennial-itis. Unsure of what the next step is, her movie star little sister Sabrina convinces her to move back home to Los Angeles and into her shared apartment with movie star boyfriend Sebastian, where they can keep an eye on rudderless Izzy. Emotionally unable to deal with the loss of her father, and slightly distracted by her mother Deb’s newfound love affair with loopy yogi Amythyst, Izzy funnels her energy into dating a colorful bouquet of five complicated and spectacular men: Aaron, Ross, Logan, Mikey, and Charlie, over the course of the next year. Coping just barely with the help of her trusty notebook, she falls in and out of some not so romantic romances, and figures out that when it totally feels like the end of your story, it’s often just the beginning. Written by Madelyn Deutch and directed by Lea Thompson (Some Kind of Wonderful, Back to the Future) The Year of Spectacular Men is a charming, beguiling observational comedy about family, relationships, and facing an uncertain future. Director Lea Thompson joins us for a lively conversation on working with her daughters, Madelyn and Zooey, independent filmmaking, and the joys of creativity.

 

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For news and updates go to: marvista.net-The Year of Spectacular Men

70% on Rotten Tomatoes

“Madelyn Deutch, Zoey Deutch, and Lea Thompon are a triple threat in this quarter life crisis tale that deserves your attention.” – Scott Menzel, We Live Entertainment

“…the Deutch duo hold the screen with charm and intelligence to spare.” – Sheri Linden, Hollywood Reporter

Hearts Beat Loud, Director Brett Haley

In the hip Brooklyn neighborhood of Red Hook, single dad and record store owner Frank played by Nick Offerman (Parks and Rec) is preparing to send his hard-working daughter Sam played by Kiersey Clemons (Dope) off to college, while being forced to close his vintage shop. Hoping to stay connected through their shared musical passions, Frank urges Sam to turn their weekly “jam sesh” into a father-daughter live act. After their first song becomes an Internet breakout, the two embark on a journey of love, growing up and musical discovery. In addition to Offerman and Clemons, Hearts Beat Loud also stars Ted Danson (Cheers), Sasha Lane  (American Honey), with Blythe Danner (Meet the Parents) and Toni Collette (Little Miss Sunshine). Director Brett Haley sits down for a conversation on the power of music, the bond of a dad and daughter and his endearing, funny and touching film, Heart Beat Loud.

 

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For news and updates go to: Hearts Beat Loud

95% Rotten Tomates

“Hearts Beat Loud steals your heart, makes it beat faster and you’ll love this story out loud.” – Jamie Broadnax, Black Girl Nerds

“Both actors are capable of projecting nuclear levels of charisma, so it’s fun just to watch them share the screen.” – Jason Bailey, Crooked Marquee

“The real charm isn’t in the way the story unfolds, but in the human moments shared onscreen. Offerman and Clemons feel at first like an unlikely pair, but their chemistry is genuine.” – Neil Miller, Film School Rejects

“Kiersey Clemons proves she’s the real deal. As for the film around her, Haley’s 21-drum solo salute to the passage of time is, like Frank, merely fine.” – Amy Nicholson, Variety

“Hearts Beat Loud will put a spring in your step. The music is great, the story is heartwarming, plus Offerman and Clemons make a great father/daughter duo.” – Fred Topel, Monsters and Critics

Bernard and Huey, Director Dan Mirvish

Directed by Slamdance Film Festival co-founder Dan Mirvish (BETWEEN US) from a long-lost script by Oscar/Pulitzer-winning cartoonist and screenwriter Jules Feiffer (Mike Nichols’ CARNAL KNOWLEDGE, Robert Altman’s POPEYE) based on characters that date back to 1957, BERNARD AND HUEY is the story of roguish Huey (David Koechner, ANCHORMAN) and nebbishy Bernard (Oscar-winner Jim Rash, THE WAY WAY BACK), who are unlikely collegiate friends in late 1980s New York. Years later, a bedraggled Huey crashes at Bernard’s upscale bachelor pad. As the two reconnect, Bernard falls in love with Huey’s estranged daughter Zelda (Mae Whitman, GOOD GIRLS), an aspiring graphic novelist who’s got a seductive new creative partner, Conrad (Eka Darville, JESSICA JONES). Huey slowly gets his mojo back and tries to seduce the various women in Bernard’s life, including his off-again girlfriend Roz (Sasha Alexander, RIZZOLI & ISLES) and colleague, Mona (Nancy Travis, SO I MARRIED AN AXE MURDERER), while reconnecting with his ex-wife  (Bellamy Young, SCANDAL) and brother (Richard Kind, ARGO).  As Bernard and Huey return to their old ways, at least one of them finds himself in danger of marrying a woman old enough to be his wife. An award-winning film that’s screened at over 25 festivals in 5 continents, BERNARD AND HUEY is a particularly timely story of two men behaving badly, and the smart women who rein them in. Director Dan Mirvish joins us for a conversation on getting older, acknowledging that we get older, love, romanced the genius of Jules Feiffer.

 

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For news and updates go to: bernardandhueymovie.com

76% on Rotten Tomatoes

“Devoted Feifferites, not to mention fans of Mr. Rash and Mr. Koechner, who get to flex their muscles nicely here, will be well sated.” – Glenn Kenny, New York Times

“Mirvish has stylishly blended the past and present for a comfortable vibe that makes the film fun and cool despite the ridiculous relationship chaos swirling around.” – Bradley Gibson, Film Threat

“As you might hope for a film with a script from the great Jules Feiffer, Dan Mirvish’s Bernard and Huey bristles with anxious, circuitous, hilarious talk.” – Alan Scherstuhl, Village Voice

“Feiffer’s distinctive writing resonates even decades later.” – Frank Scheck, Hollywood Reporter

Social Animals, Director Theresa Bennett

In this raucous new comedy, Social Animals Zoe Crandle’s life didn’t exactly turn out the way she planned. She’s facing eviction, her business is going under and she is resigned to a life of one-night stands. Just when it seems her whole world is unraveling, she meets Paul, a fellow loveable loser, and the pair have an instant connection. There’s only one problem, Paul is married. With help from her best friend, Zoe devises a plan to save her business and salvage her love life.  Social Animals is an honest, uncompromising comedy of modern relationships that stars Noël Wells, Josh Radnor, Aya Cash, Carly Chaikin, Fortune Feimster and Samira Wiley. Director and writer Theresa Bennett stops by to talk about the perils and rewards of low budget filmmaking and working with a talented cast of rising talents.

 

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Social Media:

Facebook: SocialAnimalsMovie

Instagram: @socialanimalsmovie

Twitter: @SocAnimalsMovie

“‘Social Animals’ has its funny business and lightness, and the picture’s comfort with sexuality is refreshing, but there’s realism just underneath the surface that’s intriguing.” – Brian Orndorf, blu-ray.com

“This rom-com from writer and first-time director Theresa Bennett is easy viewing.

“ – Ann Storm, Film Journal International

Street Food Cinema – Co-founder Heather Hope-Allison (Steve Allison)

Street Food Cinema is the ultimate outdoor movie experience! Founded in 2012 by the dynamic husband and wife team of Steve Allison & Heather Hope-Allison, Street Food Cinema has developed a strong community of entertainment and food enthusiasts across Los Angeles.  Every Saturday throughout the summer, Street Food Cinema features beloved cult classic movies on a huge 50 foot screen alongside LA’s favorite food trucks like Cousins Maine Lobster, Street Kitchen LA and Churro Stix as well as emerging music artists such as Alex G., Past Action Heroes and The Urban Renewal Project: punctuated with themed audience games hosted by professional comedians to complete the interactive experience. Their Season 6 opener in 2017 was the worlds biggest La La Land screening AND the biggest Street Food Cinema to date at over 5,000 attendees.  With their visionary idea to take the outdoor movie experience to fully inclusive night out –they incorporated a variety of fascinating food trucks, pre-movie live entertainment and cool  interactive experiences to massive audience appeal in three major markets: Los Angeles, San Diego and Phoenix.  Their 7th season offers so many exciting titles, beginning with the incredible 2018 Oscar nominees “Get Out” and “I, Tonya” on May 5th,“The Greatest Showman” on June 16th, “Lady Bird” on July 21st and “Coco” on October 27th. As well as anniversary screenings for beloved fan favorites “Dazed & Confused” starting our season on April 28th, “The Land Before Time” on May 19th, “The Big Lebowski” on June 9th, “Mrs. Doubtfire” on June 16th, “Stand and Deliver” on June 23rd, “The Sandlot”  on June 30th, “Grease” on July 21st, “Mamma Mia!” on August 4th, “Casablanca” on August 25th, “The Wedding Singer” on September 1st, “Nick & Nora’s Infinite Playlist” on September 8th, “Practical Magic” and “The Nightmare Before Christmas” on September 29th and “Twilight” and the original cult classic “Halloween” on October 13th. We’ll also debut our first double-feature PJ party “The Craft” & “Teen Witch” on September 15th and many more great films. Co-founder of Street Food Cinema Heather Hope-Allison (Steven Allison) joins us to run down the upcoming films, where they will be screening and all of the family-friendly options available to film lovers in Southern California. 

 

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Season 7 Season Line-Up available at: streetfoodcinema.com/home/los-angeles

Information on other Street Food Cinema cities go to: streetfoodcinema.com

UCLA Celebration of Iranian Cinema – Paul Malcolm, FIlm Programmer

When UCLA Film & Television Archive launched its annual UCLA Celebration of Iranian Cinema in 1990, it was the first showcase for new Iranian films in the U.S. It has been a platform for exciting new voices in cinema as well as a dialogue to foster cultural understanding—and in that time Iranian filmmakers have moved to the forefront of the cinematic world. It has also been a barometer of global politics. In partnership with Farhang Foundation, this year’s UCLA Celebration of Iranian Cinema offers Los Angeles the chance to see a stellar lineup of new Iranian films that includes four Los Angeles premieres and three U.S. premieres, along with the revival of a modern classic. From fraught intimate relationships to big social issues, these expertly crafted films reveal the complexities – and universalities – of contemporary Iran. The annual celebration, now entering its 28th year, showcases the best in contemporary Iranian Cinema. Paul Malcolm is the film programmer for UCLA Film & Television Archive where he began in 2007. He was an associate programmer of feature and short films for the Los Angeles Film Festival 2006-2010. As adjunct faculty at Chapman University, he has taught classes on the history and aesthetics of 3D cinema and film reviewing at Chapman University. He was also assistant film editor and film critic for the LA Weekly from 1998-2006. Malcolm graduated from USC with a BA in journalism and he received his MA in Film Studies from UCLA. He is a Sundance Institute Arts Writing Fellow (2001).

 

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WHAT: UCLA Celebration of Iranian Cinema sponsored by Farhang Foundation

All films originate from Iran and are in Persian or Azari with English subtitles.

WHEN: April 28 – May 19, 2018

WHERE: UCLA’s Billy Wilder Theater, 10899 Wilshire Blvd., Los Angeles, CA 90024

TICKETS: Regular screenings: $10 general admission available here.

For news and updates go to: UCLA Celebration iranian Cinema

For information on the Billy Wilder Theater

Los Angeles Asian Pacific Film Festival, Festival Co-Director David Magdael

Visual Communications, the nation’s premier Asian Pacific American media arts center, announced its outstanding program of films and events for the upcoming 34th edition of the Los Angeles Asian Pacific Film Festival (LAAPFF) running MAY 3 – MAY 12, 2018. The all encompassing annual film celebration is presented across Los Angeles in West Hollywood, Downtown LA, Little Tokyo, Koreatown, and Hollywood. Visual Communications proudly celebrates the Film Festival’s 34 years as Southern California’s largest and most prestigious film festival of its kind.  LAAPFF launches the celebration of Asian Pacific Heritage Month through this year’s slate of over 100 films from both Asian Pacific American and Asian international artists.  For over three decades, the Festival has presented nearly 5,000 films by Asian Pacific American and Asian International talent. This year, 39 feature films and 79 shorts from the over 800 submissions will be showcased during the ten-day fest. The Festival opens with the Los Angeles premiere of Aneesh Chaganty’s feature debut  SEARCHING starring John Cho and Debra Messing giving audiences an early chance to see the movie that took the NEXT audience award and the Alfred P. Sloan award at the 2018 Sundance Film Festival. Other programs include  CENTERPIECE FILMS will feature two outstanding world premieres with IN THE LIFE OF MUSIC and FICTION & OTHER REALITIES. Centerpiece Films will be presented on Saturday, May 5th at the Aratani Theatre at the Japanese American Community and Cultural Center (JACCC) in Little Tokyo – Downtown Los Angeles.  The CLOSING NIGHT FILM will be the Los Angeles premiere of the acclaimed 2018 Sundance World Documentary Special Jury Award winner MATANGI/ MAYA/ M.I.A., directed by Stephen Loveridge.  Inspired by her roots, M.I.A. created a mashup, cut-and-paste identity that pulled from every corner of her journey; a sonic sketchbook that blended Tamil politics, art school punk, hip-hop beats and the voice of multicultural youth. Los Angeles Asian Pacific Film Festival Co-Director David Magdael will join us to talk about this years’s exciting festival line up.

 

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For news and updates on the Los Angeles Asian Pacific Film Festival go to: Festival.VConline.org/2018

Behind the Curve, Director Daniel J. Clark

Centuries ago, many cultures believed the Earth was a flat disc. As scientific thought and technology evolved, the Earth was revealed to be a globe, a view that’s widely accepted today—but not by everyone. In Daniel J. Clarks feature documentary, Behind the Curve explores the internet fueled resurgence of the flat Earth movement. These conspiracy theorists deny the scientific model of the globe and join together through conventions, forums and online platforms to discuss their belief system. On the other end of the spectrum, the scientific community aims to counter this resurrected myth, resulting in an ever- growing public battle of conspiracies and anti-intellectualism.  Giving a well-rounded look at all sides of the debate, Behind the Curve shows that no matter where you stand on this issue, the conversations and people around it are anything but flat. Director Daniel J. Clark joins is to talk about all of the various factions and personalities that make up flat-earth society and his film’s debut at the 2018 Hot Docs Film Festival.

For news and updates go to: behindthecurvefilm.com

Behind the Curve at HotDocs 2018

“Unlike a few other films about people who hold questionable beliefs, Behind The Curve is a remarkably clear-eyed look at the Flat Earth movement, in which people around the globe (but mostly in America) labour to convince the rest of us that our planet is flat – more like a terrarium, really – but sinister forces have gone to elaborate lengths to keep it quiet.” – Norman Wilner, NOW

Grace Jones: Bloodlight and Bami, Director Sophie Fiennes

Grace Jones: Bloodlight and Bami is an electrifying journey through the public and private worlds of pop culture mega-icon Grace Jones.  The documentary contrasts musical sequences with intimate personal footage, all the while brimming with Jones’s bold aesthetic. A larger-than-life entertainer, an androgynous glam-pop diva, an unpredictable media presence – Grace Jones is all these things and more. Sophie Fiennes’s documentary goes beyond the traditional music biography, offering a portrait as stylish and unconventional as its subject. Taking us home with her to Jamaica, into the studio with long-time collaborators Sly & Robbie, and backstage at gigs around the world, the film reveals Jones as lover, daughter, mother, and businesswoman. But the stage is the fixed point to which the film returns, with eye-popping performances of “Slave to the Rhythm,” “Pull Up to the Bumper,” “Love is the Drug,” and more. Jones herself has said watching the film “will be like seeing me almost naked” and, indeed, Fiennes’s treatment is every bit as definition-defying as its subject, untamed by either age or life itself. Director Sophie Fiennes (Pervert’s Guide to Ideology, Legend of Leigh Bowery) joins us to talk about the dynamic in-concert performances, her access to Grace and her startling candor concerning her public and private life and the critical recognition the film has garnered.

 

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For news and updates got to: kinolorber.com/film/gracejonesbloodlightandbami

Social Media:

facebook.com/GraceJonesBloodlightAndBami

twitter.com/miss_gracejones?lang=en

instagram.com/gracejonesofficial

90% on Rotten Tomatoes

“Brilliantly and beautifully engaged in the present. A sparkling example of how to document our icons. Allows us to appreciate the reality of the artist in her most candid moments, in her own words, which is way more interesting than what we’d find in yet another standard biopic.” – Daisy Jones, VICE

“Pure energy, fierce, and empowering. If you want a rock-n- roll, sexy, feel good, empowering film, pull up to the theater in your most audacious outfit and get ready for the Grace Jones experience.” – The Huffington Post

“A celebration of art and life. Jones herself has promised the film ‘will be like seeing me almost naked.’” – Michael-Oliver Harding, Interview Magazine

“A sumptuous sensory treat.” – Stephen Dalton, The Hollywood Reporter

“A true testament to the power of style.” – Caitlin Agnew, The Globe and Mail

“The film feels as epic as the artist herself. A mix of concert doc and intimate verité, Fiennes has crafted a film that feels like Stop Making Sense via Frederick Wiseman. As an intimate look at Jones the film succeeds, as a powerful testament to her talent the film soars.” – Jason Gorber, BirthMoviesDeath

Keep the Change, Director Rachel Israel

In Rachel Israel’s endearing feature debut Keep the Change, we meet aspiring filmmaker David (Brandon Polansky), mandated by a judge to attend a social   program at the Jewish Community Center, who  is sure of one thing: he doesn’t belong there. But when he’s assigned to visit the Brooklyn Bridge with the vivacious Sarah (Samantha Elisofon), sparks fly and his convictions are tested. Their budding relationship must weather Sarah’s romantic past, David’s judgmental mother (Jessica Walter), and their own pre-conceptions of what love is supposed to look like. Under the guise of an off-kilter New York romantic comedy, Keep the Change does something quite radical in offering a refreshingly honest portrait of a community seldom depicted on the big screen. Rarely has a romcom felt so deep and poignant. Thoroughly charming and quite funny, the film’s warmth and candor brings growth and transformation to the characters, and ultimately, to us. Director and writer Rachel Israel stops by to talk about her friendship with lead actor Brandon Polansky, making the short film version of Keep the Change as well as the personal and artistically rewarding process of making this beguiling film.

 

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For news and updates go to: kinolorber.com/film/keepthechange

Social Media:

facebook.com/keepthechangefilm

Best U.S. Narrative Feature – Tribeca Film Festival
Best New Narrative Director – Tribeca Film Festival
Special Mention, Nora Ephron Prize – Tribeca Film Festival

100% on Rotten Tomatoes

“This gently humorous, fiercely honest indie film is a step forward in the quest for a move inclusive Hollywood, which seems to one of the themes of the cultural moment.” – Kerry Lengel, Arizona Republic

’“Keep the Change” is not a seamlessly crafted movie, but it’s awfully tenderhearted and thoroughly disarming. It deserves to be widely seen.’ – Glenn Kenny, New York Times

“What distinguishes it are Israel’s empathetic characterizations – she’s known Polansky for 15 years – and the winning performances, not only by the leads but also by the supporting players” – Mark Jenkins, Washington Post

“Hilarious and warm, finding its own voice as Israel creates a special space for her cast to shine, preserving idiosyncrasies and timing to best reinforce the unusual atmosphere of pure personality on display.” – Brian Orndorf, blu-ray.com

“An ode to self-discovery and acceptance that’s as funny as it is sweet.” – Nick Schager, Variety

The Endless, Co-directors Justin Benson and Aaron Moorhead

Following their Lovecraftian modern cult classic SPRING, acclaimed filmmakers Moorhead and Benson return with this mind-bending thriller that follows two brothers who receive a cryptic video message inspiring them to revisit the UFO death cult they escaped a decade earlier. Hoping to find the closure that they couldn’t as young men, they’re forced to reconsider the cult’s beliefs when confronted with unexplainable phenomena surrounding the camp. As the members prepare for the coming of a mysterious event, the brothers race to unravel the seemingly impossible truth before their lives become permanently entangled with the cult. Co-director Justin Benson (Aaron Moorhead) stops by to talk about this remarkably accomplished, mind-bending cinematic journey into the unknowable.

 

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For news and updates go to: theendless-movie.com

The Endless on Social Media:

facebook.com/TheEndlessFilm

96% on Rotten Tomatoes!

“The Endless isn’t just terrific – it’s poised to be that breakout genre hit that It Follows and The Babadook were in past years. ” – Jamie Righetti, /FILM

“Unique, mind-bending delights…Aaron Moorhead and Justin Benson are wizards of ingenuity ” Peter Debruge, VARIETY

“The Endless will fuck your brain…Justin Benson and Aaron Moorhead deliver an enticing, mysterious genre experiment that stands to be their best work yet.”- Brad Miska, BLOODY DISGUSTING

“(Justin) Benson and (Aaron) Moorhead are in every frame of this film. Together they give the cosmos-mangling insanity a grounded truth and a light hilarity” – Richard Whitaker, Austin Chronicle

“The Endless feels like a thunderstorm. It brews slowly, softly, and then in the blink of an eye, has consumed you, booming with fury and jaw-dropping force.” – Kristy Puchko, Pajiba

“The Endless [is] a meta-commentary of the nature of storytelling and a self-examination of the creative mind, the film will likely have its audience questioning their perception of time as they look to sky for falling photographs.” – Shelagh Rowan-Legg, Screen Anarchy

Lowlife, Director Ryan Prows

When a simple organ harvesting caper goes awry, a twist of fate unites three of society’s forgotten and ignored: EL MONSTRUO, a disgraced Mexican wrestler working as hired muscle for a local crime boss. CRYSTAL, a recovering addict desperate enough to arrange a black market kidney transplant to save her husband’s life. And RANDY, a loveable two-strike convict fresh out of prison, cursed with a full-face swastika tattoo and a best friend guilting him into some hair-brained kidnapping scheme. In LOWLIFE we follow  the sordid lives of these small-time criminals collide, as they fight tooth and nail to save a pregnant woman from a certain, and surely gruesome, death. Director Ryan Prows joins for a lively conversation on his hard-charging, high-energy debut feature film.

 

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For news and updates  go to: lowlifethemovie.com

facebook.com/lowlifethemovie

91% on Rotten Tomatoes

“The result is a film that’s as brutal in its imagery as it is funny in its execution.” – Jared Mobarak, Film Stage

“A captivating feature debut despite some missteps, it flashes back to a time when every other filmmaking newcomer wanted to be Quentin Tarantino; surprisingly, it does not provoke the weary eye-rolling that greeted so many of those films.” – John DeFore, Hollywood Reporter

“A movie with the sole purpose of an adrenalin rush, designed to strap you to your seat, entertain you, and spit you back into reality, exhausted but satisfied.” – Brian Tallerico, RogerEbert.com

“Lowlife is such a wild ride that any cinema showing it might want to consider installing seat belts on their chairs. Every second is electrifying.” – Mike McGranahan, Aisle Seat

“Nicely calibrates a twisty course between straight crime melodrama and black comedy, one that has cult-following potential among adventurous genre fans.” – Dennis Harvey, Variety

“Throughout its swirling stories, Lowlife does an impeccable job of teasing, pulling back, and delivering, whether it be violence, drama, or the intermittent moment of temporary joy.” – Scott Beggs, Nerdist

Indian Film Festival of Los Angeles, Mike Dougherty, Director of Programming

The Indian Film Festival of Los Angeles (IFFLA) is a nonprofit organization devoted to a greater appreciation of Indian cinema and culture by showcasing films, supporting emerging filmmakers, and promoting the diverse perspectives of the Indian diaspora. Each year the festival features a rich mix of film programs designed to build and support the growing interest in the Indian entertainment industry. This includes programming that cultivates an audience for Indian films while supporting filmmakers of Indian descent in career development as they navigate the larger studio system in Hollywood. The Indian Film Festival of Los Angeles, runs from Wednesday, April 11 – 15 at Regal Live in downtown Los Angeles, featuring programs that include One-on-One program where film industry professionals from major and independent production and distribution companies are invited to participate in meetings with the IFFLA filmmakers; and panel discussions with speakers from the film industry. We are joined by IFFLA’s Director of Programming Mike Dougherty to talk about the past, present and future of Indian cinema and the increasing acceptance among mainstream American film lovers.

 

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For news, updates and screening information go to: Indianfilmfestival.org

facebook.com/indianfilmfestival

The Green Fog, Director Guy Maddin

Guy Maddin and collaborators Galen and Evan Johnson made this ode to VERTIGO and the city of San Francisco for the closing night world premiere gala of the 2017 San Francisco International Film Festival. The iconoclastic Winnipeg-based filmmakers, working together since 2015’s THE FORBIDDEN ROOM, set themselves the challenge and constraint to remake VERTIGO, creating what they call a “parallel-universe version.” Using Bay Area-based footage from hundreds of sources—studio classics, ’50s noir, documentary and experimental films, and ’70s prime-time TV—and employing Maddin’s mastery of assemblage technique, seen in work like MY WINNIPEG and BRAND UPON THE BRAIN, the result exerts the inexorable pull of Hitchcock’s twisted tale of erotic obsession while paying tribute to the City by the Bay and the ways it looks and feels through the medium of cinema   Composed by Jacob Garchik and performed by Kronos Quartet, the film’s score nods to Bernard Hermann’s classic VERTIGO music as it collides and converses with Maddin and Johnsons’ irreverent and loving footage to create a distinctive musical extravaganza. Through 12 features and many shorts, adventurous artist Guy Maddin exhibits the rare ability to simultaneously subvert and honor the craft of  filmmaking. His credits include the Emmy Award-winning ballet film Dracula: Pages From A Virgin’s Diary (2002); The Saddest Music in the World (2003); My Winnepeg (2007) and US National Society of Film Critics Best Experimental Film Prize-winners Archangel  (1990) and The Heart of the World (2000). Guy Maddin talks about the “City by the Bay,” scriptwriting, storytelling and his favorite film, Vertigo.

 

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For news and updates go to: balconyfilm.com/the-green-fog

94% on Rotten Tomatoes!

“First and foremost, “The Green Fog” is a marvel of film scholarship that looks backward and forward from the Hitchcock masterpiece.” – Ben Kenigsberg, New York Times

“The Green Fog fairly closely follows the structure of Hitchcock’s film; achieving that in itself is some sort of accomplishment. However, it’s not so much an assemblage as it is a conjuring.” – Bilge Ebiri, Village Voice

“The film is a brilliant exercise in meta-narrative, which raises questions galore about reality and representation, time and space, genre and gender, individual and urban identity, cinematic suture and casting. Mainly, though, it’s just very, very funny.” – Geoff Andrew, Sight and Sound

“The work of a sensibility as impish as it is scholarly, animated by a mischievous sense of the medium’s possibilities” – Justin Change, Los Angeles Times

“It demonstrates the act of creation as a perpetually reconstructive effort…” – Lawrence Garcia, Cinema Scope

Friday, March 16, 2018 – Finding Your Feet, Director Richard Loncraine

When ‘Lady’ Sandra Abbott (Academy Award nominee Imelda Staunton, Maleficent, Vera Drake) discovers that her husband of forty years (John Sessions) is having an affair with her best friend (Josie Lawrence) she seeks refuge in London with her estranged, older sister Bif (Celia Imrie), The Best Exotic Marigold Hotel, Bridget Jones’ Baby). The two could not be more different – Sandra is a fish out of water next to her outspoken, serial dating, free-spirited sibling. But different is just what Sandra needs at the moment, and she reluctantly lets Bif drag her along to a community dance class, where gradually she starts finding her feet and romance as she meets her sister’s friends, Charlie (Timothy Spall), Jackie (Joanna Lumley) and Ted (David Hayman). Director Richard Loncraine talks about his endearing and touching film about seconds chances and finding love.

 

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For news and updates go to: findingyourfeetfilm.com/home

70% on Rotten Tomatoes!

“The cast lend charm to this feel good fairy tale and Celia Imrie is especially good as the inspiring Bif.” – Allan Hunter, Daily Express

“The cinematic equivalent of a pair of comfy slippers. This is a charming, oft-told tale of second chances in life and love, and it is filled with fine performances only let down occasionally by an indulgent run time and some stunted dialogue.” – Linda Maric, HeyUGuys

“It’s about real adults living ordinary, important and sometimes difficult lives. Finding Your Feet is rightly billed as comedy-drama; yet, although it’s full of rib-tickling dialogue, it’s the drama that cuts deep.” – Stephen Romei, The Australian

“Its love-in-later-life insights are well-worn, but with Staunton on song, Richard Loncraine’s film mines genuine feeling.” – James Mottram, Total Film

Thoroughbreds, Director Cory Finley

Childhood friends Lily (Anya Taylor-Joy) and Amanda (Olivia Cooke) reconnect in suburban Connecticut after years of growing apart. Lily has turned into a polished, upper-class teenager, with a fancy boarding school on her transcript and a coveted internship on her resume; Amanda has developed a sharp wit and her own particular attitude, but all in the process of becoming a social outcast. Though they initially seem completely at odds, the pair bond over Lily’s contempt for her oppressive stepfather, Mark, and as their friendship grows, they begin to bring out one another’s most destructive tendencies. Their ambitions lead them to hire a local hustler, Tim, and take matters into their own hands to set their lives straight. From first-time writer-director Cory Finley comes a darkly comic psychological thriller exploring friendship, privilege and morality in a rarefied Connecticut setting of sprawling mansions, equestrian stables and elite private schools. Starring Olivia Cooke (Ready Player One, Me and Earl and the Dying Girl), Anya Taylor-Joy (The Witch, Split) and Anton Yelchin (Green Room), in one of his final screen performances, Thoroughbreds takes its cues from classic film noir, locating a deadpan wickedness in the maneuvers of his dual protagonists Amanda and Lily.  Director and writer Cory Finley joins us to talk about his his background as a playwright, adjusting to life on a film set and working with his stellar cast of young actors.

For news and updates go to: focusfeatures.com/thoroughbreds

 

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86% on Rotten Tomatoes!

“It’s a testament to the twisted brilliance of (Cory) Finley’s film that a scumbag drug dealer becomes its moral center.” – Rob Thomas, Capital Times

“Set in the opulent, WASP-y world of teen divas with killer instincts, Cory Finley’s deliciously depraved satire skewers an empathy drain that he sees as sadly emblematic of modern life.” – Peter Travis, Rolling Stone

“Remember the name Cory Finley.” – Peter DeBruge, Variety

“Thoroughbreds was written and directed by first-time filmmaker Cory Finley, and for other amateurs it’s a masterclass in squeezing everything you can out of a small budget.” – Andrew Lapin, NPR

“Thoroughbreds, in other words, has been made with diabolical craft and intelligence, the kind that marks director (Cory) Finley as a major new American talent.” – A.A. Dowd, AV Club

“One of the most assured and impressive American debut movies of the year.” – Oliver Lyttleton, The Playlist

Ali & Cavett: The Tale of the Tapes, Dick Cavett

With its upcoming premiere at the South by Southwest Film Festival Ali & Cavett: The Tale of the Tapes directed by Robert S. Bader tells the extraordinary story of a famous friendship played out before a captivated national audience Ali & Cavett: The Tale of the Tapes, directed by Robert S. Bader, shares the rich history of the Muhammed Ali and Dick Cavett’s relationship that spanned decades and late night TV. From his 1960’s Olympic Gold Medal win, the heavyweight championship against Sonny Liston in 1964, to joining the Nation of Islam, refusing induction into the United States Army, and his legendarily epic battles in the ring with Joe Frazier and George Foreman, Muhammad Ali remained a unique and powerful force of nature in our popular culture. More than any sports documentary, this unique film deeply delves into hotly contended political and social matters that remain equally as relevant today. Ali & Cavett: The Tale of the Tapes Director Robert S. Bader produced the acclaimed documentaries Dick Cavett’s Watergate and Dick Cavett’s Vietnam for PBS. He is the writer and producer of the Warner Bros. documentary The Dawn of Sound: How Movies Learned to Talk, and the author of Four of the Three Musketeers: The Marx Brothers on Stage. Legendary television host Dick Cavett joins us to talk about his 53-year relationship with “the greatest of all time,” Muhammad Ali.

 

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Check out the SXSW screening schedule for Ali & Cavett: Tale of the Tapes