Public Trust, Director David Garrett Byars

One of the most important documentaries of the year, Public Trust is a film that needs to be seen by everyone who enjoys getting out in nature. Although many of us take the 640 million acres of America’s Public Lands for granted, these lands are endangered by powerful forces that are attempting the largest land grab in modern history. By focusing on the eminent destruction of the Boundary Waters Wilderness in Minnesota, the downsizing of Bears Ears National Monument in Utah, and the wholesale appropriation of the Arctic National Wildlife Refuge, director David Garrett Byars enlists a slew of journalists, land historians, tribal leaders, and government whistleblowers to present a highly persuasive argument that is impossible to ignore and vital to hear. Above all else, as Executive Producer Robert Redford tells us,Public Trust is the story of citizens who are fighting back. It’s a much-needed wake-up call for all of us who want to preserve our unique and wild cultural heritage. Director David Garrett Byars joins us to talk about the on-going schemes by the most pernicious corporate interest to steal our heritage and how a growing group of dedicated and non-partisan people from around the country are thwarting them.

 

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For news and updates go to: patagonia.com/films/public-trust

Our public lands are under threat. Join us in the fight to protect them. Text ‘DEFEND’ to 71333.

Public Trust will premiere on Friday September 25 on YouTube Watch it for free for the next 30 days,

About the filmmaker – David Garrett Byars made his directorial debut at the 2017 Tribeca Film Festival with No Man’s Land, a documentary about the 2016 militia occupation of the Malheur National Wildlife Refuge that sparked international headlines. Byars also produced and lensed Massacre River, Suzan Beraza’s film about statelessness in the Dominican Republic.

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100% on Rotten Tomatoes

“If Donald Trump ever stands trial for crimes against the public interest, this film should be entered as evidence.” – Louis Proyect, Counterpunch.org

“Don’t miss it.” – Randy Myers, San Jose Mercury News

“Public Trust is calling for advocacy instead of just interest…and makes the case for why we all should be invested. It’s a beautiful documentary, and an important one.” – Tom Santilli, Movie Show Plus

“The documentary is conventionally structured and sometimes placid, but it has an alarming message.” – Ben Kenigsberg, New York Times

“Public Trust is calling for advocacy instead of just interest…and makes the case for why we all should be invested. It’s a beautiful documentary, and an important one.” – Tom Santilli, Movie Show Plus

My Name Is Pedro, Director Lillian LaSalle

First-time director Lillian LaSalle’s award-winning and timely documentary MY NAME IS PEDRO explores what public education meant to South Bronx Latino maverick educator, Pedro Santana, and what he, in turn, meant to public education. MY NAME IS PEDRO is a profound story of how one person actualizes learning and positive change in children, adults, environments and communities through an ‘impact’ ripple effect strategy that he has effortlessly perfected. MY NAME IS PEDRO is also an essential and timely reminder of the importance of great educators that exist within the infrastructure of our country’s public education system. Infectious in his optimism, Santana becomes one of the most influential public-school teachers and then administrators in the New York public school system after turning his troubled Bronx middle school, MS 391, around. He is unapologetic in his commitment to create change for kids, no matter the odds. When a glowing front-page New York Times article catapults him into the spotlight, he is recruited and then accepts a promotion to use his famed ‘out of the box’ and transformative practices to save a corrupt and divided suburban school district. But the political challenges there may simply be too great, even for the infallible Santana. Director Lillian LaSalle joins us to talk about her beautifully rendered story of a man determined to guide and motivate young people to be better students and better people.

 

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For news, screenings and updates go to: mynameispedro.com

Find out where to watch: mynameispedro.com/screenings

My Name is Pedro is opening: New York (The Maysles Cinema) September 17 – Los Angeles (Laemmle) on October 2.  A multi-city regional expansion on October 9 including: Philadelphia (Film Society), Buffalo (North Park), Baltimore (Senator, The Charles), Vancouver (Kiggins Theater), Tucson (Loft), Cleveland (Cleveland Cinemas), Phoenix (Film Bar), Bellingham (Pickford Center), San Jose (3 Below Outdoor), Winston Salem (Aperture Cinema), Tampa (Tampa Theater) and more.

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Winner: Best Documentary, Golden Door International Film Festival
Winner: Spotlight on Documentary Award, St. Louis International Film Festival 
Winner: Audience Award, Chicago Latino International Film Festival
Winner: Audience Award, Brooklyn Film Festival
Winner: Award of Merit, Impact Docs 
Winner: Honorable Mention, Woodstock Film Festival

“Director Lillian LaSalle takes a narrowly focused story and connects it to larger themes that affect everyone. It’s an emotional journey that hits uncomfortable truths.” – Daniel Eagan, Film Legacy

A Thousand Cuts, Director Ramona S. Diaz

Award-wining filmmaker Ramona S. Diaz’s latest documentary, A THOUSAND CUTS, is a blistering indictment of a free press and democracy are under attack in the Philippines. In the face of journalist Maria Ressa and founder of the on-line news site Rappler is holding the line and fighting back against President Rodrigo Duterte’s escalating threats of assignation and death. Duterte smear tactics and threats against Ressa (discredit journalists/media, spread misinformation, attacks on social media) are similar to what other authoritarian leaders are now using against the press. Duterte’s war on truth and journalism has become a blueprint for other authoritarian regimes around the world. A THOUSAND CUTS spotlights Ressa’s fight for justice in the country is ongoing as she was found guilty of cyber libel last month in a blatant attempt to silence one of the most outspoken critics of the Philippine President. The alarming result is not only an attack on Democracy in the Philippines, but also a warning shot to the rest of the world. Ressa’s lawyer Amal Clooney (also featured in the film) recently penned this Op-Ed  last month underscoring the implications of this trial. Director, Producer, Writer and Co-editor Ramona S. Diaz (Motherland, Imelda) joins us to talk about the suffocating pressure being brought to bear on journalists, her admiration for those who remain committed to a free press and the hope she has for her beloved homeland. 

 

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For news and updates go to: athousandcuts.film

For screenings go to: athousandcuts.film/watch-screenings

Produced by Concordia Studio and Motto Pictures, A THOUSAND CUTS will release nationwide in virtual cinemas on August 7th via PBS Distribution / Frontline PBS.

About the filmmaker Ramona S. Diaz is an award-winning Asian American filmmaker whose films have screened at Sundance, the Berlinale, Tribeca, the Viennale, IDFA, and many other top-tier film festivals. All of Ramona’s feature-length films—Imelda (2004), The Learning (2011), Don’t Stop Believin’: Everyman’s Journey (2012) and, Motherland (2017)—have been broadcast on PBS, on either the POV or Independent Lens series. Motherland won an award at the 2017 Sundance Film Festival and had its international premiere at the 67th Berlin International Film Festival. It was nominated for an Independent Spirit Award for best Documentary, a Peabody Award, and a Gaward Urian Award from the Filipino Film Critics. She has received funding from ITVS, Sundance, CAAM, Tribeca, Catapult Film Fund, Chicken & Egg, MacArthur Foundation, the IDA, Cinereach and Creative Capital, among others. For the past four years, Ramona has been a film envoy for the American Film Showcase, a joint program of the U.S. Department of State and the USC School of Cinematic Arts that brings American films to audiences worldwide. She has conducted master classes and production workshops all over the world. Ramona was awarded a prestigious Guggenheim Fellowship and was inducted into the Academy of Motion Picture Arts & Sciences (AMPAS) in 2016, and in 2017 received a Women at Sundance Fellowship and a Chicken & Egg Pictures Breakthrough Filmmaker Award. She is a current recipient of a United States Artist Fellowship. Ramona is a graduate of Emerson College and holds an MA from Stanford University.

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Winner – Best Documentary – DocEdge 2020

“[This] engrossing, galvanizing film feels more like a political thriller than an off-the-cuff investigation into embattled journalism in the Philippines, but Ressa’s seemingly boundless energy, good humor, and intelligence make her basically a power plant for the manufacture of inspiration in embattled times.” – Jessica Kiang, Variety

“A Thousand Cuts provides an expansive, revealing look at the current Filipino political situation, and it doesn’t feel like it’s warning viewers about what will happen in America, so much as telling us what’s coming next.”- Nick Allen, RogerEbert.com

“Diaz creates a rousing paean to the bravery of Ressa and her colleagues, and a clarion call to action that we should all heed.” – Christopher Llewellyn Reed, Hammer to Nail

“A Thousand Cuts is a must see for those who care about freedom of the press, democracy, and the future of one particular country-our own.” – Max Weiss, Baltimore Magazine

2040, Director Damon Gameau

Award-winning Director Damon Gameau (That Sugar Film) embarks on a journey to explore what the future could look like by the year 2040 if we simply embraced the best solutions already available to us to improve our planet and shifted them rapidly into the mainstream. Structured as a visual letter to his 4-year-old daughter, Damon blends traditional documentary with dramatized sequences and high-end visual effects to create a vision board of how these solutions could regenerate the world for future generations. Director Damon Gameau joins us to talk about the how current, scalable technologies are available that can mitigate the damage being done by the scourge of climate damage and move us toward a cleaner, sustainable life for the planet and humanity.

 

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For news and updates go to: madmanfilms.com.au/2040film

For news and updates go to: whatsyour2040.com

Watch 2040 at togetherfilms.org/2040-screenings

Get Involved 

“We have partnered with the curriculum experts at Cool Australia to build a comprehensive package of units of work for upper primary and secondary. These free lesson plans are learning recipes for teachers that utilise short clips from the film to support classroom learning, providing step-by-step instructions, student workshops and engaging content. We interviewed over 100 children from around the world for 2040 and asked them what their hopes and dreams were for the future. It is a world they will be inheriting from us so we have to show them that solutions exist, that there are people who care deeply about their future, and that wonderful careers await with genuine purpose and meaning.” – Damon Gameau 

Visit the “Resources for Teachers” page and sign-up to our Schools Mailing list to learn more about opportunities for schools and to receive updates on when localized curriculum resources will be available in your country.

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“2040 might just shift your world for the better.” – Liam Maguren, Flicks.co.nz

“Gameau pulls away from the apocalyptic doomsaying hard-wired into so much of the enviro-debate…Wisely, his speculations are restricted by the self-imposed discipline that they all need to be rooted in practices that already exist. A very smart move.” – Jim Schembri, 3AW

“None of the ideas explored here are purely theoretical or pie in the sky. Whether technological or systems-based solutions, they all exist now and could be massively expanded to huge global benefit.” –Lynden Barber, Limelight

“Gameau defaults to the position of inspiring people rather than alarming or overwhelming them. You leave the film wanting more, not less, of these sorts of productions.” – Luke Buckmaster, Guardian

“You can’t please everyone. Gameau is at least doing what he can to talk about some big problems, in an entertaining and accessible way.” – Paul Byrnes, Sydney Morning Herald

Planet of the Humans, Director Jeff Gibbs

Released on the eve of the 50th anniversary of Earth Day and in the midst of the global Covid-19 pandemic, PLANET OF THE HUMANS takes a harsh look at how the environmental movement has lost the battle through well-meaning but disastrous choices, including the belief that solar panels and windmills would save us, and by giving in to the corporate interests of Wall Street. PLANET OF THE HUMANS is the debut movie from director Jeff Gibbs, whom Executive Producer Michael Moore calls “a brave and brilliant filmmaker whose new voice must be heard.” Gibbs is a lifelong environmentalist and longtime collaborator of Moore’s with whom he co-produced Bowling for Columbine and Fahrenheit 9/11. Gibbs has dared to say what no one will — that “we are losing the battle to stop climate change because we are following environmental leaders, many of whom are well-intentioned, but who’ve sold out the green movement to wealthy interests and corporate America.” This film is the wake-up call to the reality which we are afraid to face: that in the midst of a human-caused extinction event, the so-called “environmental movement’s” answer is to push for techno-fixes and band-aids. Moore and Gibbs decided that with the American public — and much of the world – confined to their homes and suddenly having to consider the role humans and their behavior have played in our fragile ecosystem, the moment was too urgent to wait until later this year for the film’s planned release. Director / Producer / Writer / Editor and Cinematographer Jeff Gibbs joins us for a free-wheeling conversation on the hard truths we all face and the dawning realization that we have allowed ourselves to be lulled into believing the billionaire class is going to ensure a sustainable collective future.

 

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For news and updates go to: planetofthehumans.com

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“This is perhaps the most urgent film we’ve shown in the 15 year history of our film festival” – Filmmaker Michael Moore, Founder, Traverse City Film Festival

“A delusion-shattering documentary on how the environmental and green energy movements have been taken over by capitalists.” – Frederic and Mary Ann Brussat, Spirituality and Practice

“A bleak picture of a near future that mankind’s very existence is irrevocably condemning.” – Simon Foster, Screen-Space

“This doc, directed by long-time Michael Moore collaborator Jeff Gibbs, advocates passionately for a planet suffering from environmental devastation but offers few glimmers of hope.” – Liam Lacey, Original Cin

“From the warnings of the 1950s to the 21st-century corporate takeover of green energy, a grim look at humanity’s fate as the planet heats up. Is there any hope? This feels like only half the story.” – MaryAnn Johanson, Flick Filosopher

Slay the Dragon, Co-directors Barak Goodman and Chris Durrance, Journalist David Daley

After the 2008 election, a secretive, well-funded partisan initiative poured money into state legislative races in key swing states to gain control of their redistricting processes and used high-tech analytics to dramatically skew voting maps based on demographic data. The result is one of the greatest electoral manipulations in U.S. history, one that poses a fundamental threat to our democracy and exacerbates the already polarized atmosphere in Congress and state houses across the country.  Gerrymandering, the practice of redrawing electoral maps to serve the party in power, has been around for centuries. But in today’s hyper-partisan political environment it has been taken to unprecedented extremes, fueled by the elimination of corporate campaign contribution limits and the availability of vast amounts of personal information. The effects of this insidious strategy have continued to bear fruit through the 2018 midterms. But voters, fed up with cynical efforts to sidestep the will of the majority, have begun fighting back. In one example, a grassroots movement led by a young with no political experience gathered hundreds of thousands of signatures to put an anti-gerrymandering initiative on the ballot in Michigan. The new documentary SLAY THE DRAGON shines a light on this timely issue, and follows a handful of citizens’ groups, outraged by what they see as an attack on the core democratic principle that every person’s vote should count equally, as they battle party operatives and an entrenched political establishment to fix a broken system. Co-directors Barak Goodman and Chris Durrance stop by to talk about their approach to tackling a complex issue, and finding the grassroots activists who have shown that there is a way to affect real change despite the overwhelming odds.

 

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For news, screenings and updates go to: slaythedragonfilm.com

Watch Slay the Dragon AND support local Theatres: slaythedragonfilm.com/tickets

To learn more about the filmmakers and their work go to: ark-media.net

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“The most important political film of the year. It may prove to be one of the key political films of the decade. There is no issue more threatening to the future of American democracy than gerrymandering.” – Owen Gleiberman, VARIETY

“Slay the Dragon does an extraordinarily good job of taking a complex issue and connecting the dots, which seems particularly appropriate for a documentary about gerrymandering.” – Brian Lowry, CNN.com

“Outrage is a likely reaction.” – Karen Martin, ARKANSAS DEMOCRAT-GAZETTE

“Shocking. It changes the way you see everything.”- Adrian Horton, THE GUARDIAN