Walk Run Cha Cha, Director Laura Nix

WALK RUN CHA-CHA has been nominated for Documentary Short Subject at the 92nd Academy Awards®. Directed by Laura Nix, the film follows Paul and Millie Cao, who lost their youth to the aftermath of the Vietnam War. Forty years later, they have become successful professionals in Southern California-and are rediscovering themselves on the dance floor. WALK RUN CHA CHA is now streaming on New York Times Op-Docs.

About the Filmmaker: Director Laura Nix Laura Nix is an award-winning fiction and nonfiction filmmaker based in Los Angeles. WALK RUN CHA-CHA is adapted from a feature-length documentary in progress. It was produced by Concordia Studio for The New York Times Op-Docs and premiered at the 2019 Tribeca Film Festival. Laura’s work also includes  other work includes her feature documentary INVENTING TOMORROW, about teenagers from around the globe tackling environmental issues through science,  THE YES MEN ARE REVOLTING, a comedy about activism and climate change, the documentary THE LIGHT IN HER EYES, about a Syrian Qur’an school for women and she was a writer on the Emmy-nominated documentary CALIFORNIA STATE OF MIND: THE LEGACY OF PAT BROWN. In 2001, Nix co-founded the production company Automat Pictures, where she produced and/or directed over 100 presentations, including the feature documentary WHETHER YOU LIKE IT OR NOT: THE STORY OF HEDWIG, which played in over a dozen film festivals in the U.S. and worldwide. Previously she was a member of Oscar-winning filmmakers Rob Epstein and Jeffrey Friedman’s production company Telling Pictures, where she was Associate Producer on THE CELLULOID CLOSET.

 

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For news and updates go to: feltfilms.com

Walk Run Cha Cha is now available at nytimes.com/Op-Docs

 

*** 2020 Oscar nomination for Best Documentary (Short) *** 

 

Official Selection – Tribeca Film Festival 2019

Winner – Grand Jury Trống Đồng Award for Best Short – Viet Film Fest 2019

Official Selection – SFFILM Doc Stories 2019

 

Social Media

twitter.com/feltfilms

https://twitter.com/WalkRunChaCha

@feltfilms

 

“Laura Nix’s WALK RUN CHA-CHA is a moving, poignant portrait of two aging refugees who have endured a great deal, and who now face one of life’s biggest challenges: figuring out how to stay in love. Through them, Nix also evokes the textures, tastes, and sounds of Vietnamese refugee life, and mixes them in with everything that is good about the United States. Ultimately, WALK RUN CHA-CHA is an optimistic film about both love and hope—the hope that our country will continue to believe in welcoming strangers from other lands, who in the end are not that strange at all.” – Viet Thanh Nguyen, Pulitzer Prize-winning author of The Sympathizer

 

January 17 – Slamdance Film Festival, Co-founder and President Peter Baxter

It all began when a group of cheerful, subversive filmmakers weren’t accepted into the Sundance Film Festival. Unwilling to take “no” for an answer, they instead started their own event – Slamdance: Anarchy in Utah. 26 years later, Slamdance has become a year-round organization fostering the development of unique and innovative filmmakers. The organization now consists of the Film Festival, Screenplay Competition and Slamdance Studios. It has also created Slamdance On The Road, a traveling theatrical showcase that brings popular Slamdance films to audiences that otherwise would not have the opportunity to see them. Dan Mirvish, Jon Fitzgerald, Shane Kuhn and Peter Baxter are the founding forefathers who, along with co-conspirator Paul Rachman, fought for truly independent filmmakers by giving them a voice in 1995 at the very first Slamdance Film Festival. Since then, the festival takes place every January in the breathtakingly stunning, snow-capped mountains of Park City, Utah at the exact same time as the Sundance Film Festival, to provide a more authentic representation of independent filmmaking. Up-and-coming writers, directors and producers, alongside seasoned veterans and film lovers, converge for the weeklong celebration of independent cinema, realizing that Slamdance is a great place to find those next, great, visionary films. Slamdance lives and bleeds by its mantra By Filmmakers For Filmmakers. No other film festival in the world is entirely run and organized by the creative force that can only be found in filmmakers. Slamdance adamantly supports self-governance amongst independents, and exists to deliver what filmmakers go to festivals for – a chance to show their work and a platform to launch their careers. The festival has earned a solid reputation for premiering films by first-time writers and directors working within the creative confines of limited budgets. Co-founder and President Peter Baxter joins us to talk about this year’s Slamdance, the groundbreaking films and the innovative new distribution and digital initiatives being launched by Slamdance.

 

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For news and updates go to: slamdance.com
Check out the film schedule at slamdance 2020 schedule

 

Slamdance Film Festival – January 24-30 at the Treasure Mountain Hotel in Park City, Utah

 

Social Media:
facebook.com/SlamdanceFilmFestival
twitter.com/Slamdance
instagram.com/slamogram

 

December 20 – Subject to Review, Director Theo Anthony

In tennis, measurement – specifically, judging whether a ball is in or out – is particularly crucial. The new ESPN Films 30 for 30 Short, SUBJECT TO REVIEW takes a close look at not just the technology that’s been developed to determine the right calls with better accuracy, but the meaning and significance of that pursuit. The film, directed by Theo Anthony (“RAT FILM”) will air Sunday, Dec. 22, at 3 p.m. ET on ESPN. Tracing the history of photographic review back more than a hundred years, and chronicling controversial moments before and after the age of review in tennis, SUBJECT TO REVIEW explores the mechanisms of the cameras and computerized simulations that now serve as the final word on close calls – but also the limits of the veracity of those calls. Ultimately, it’s a story about technology in sports – but also a study of what we want from our machines, and our minds, well beyond any court of play. “’Subject to Review’ is about how some images are made and why they’re made that way,” said director Anthony. “It’s a film about the inescapable rift between the world and how we image that world. I hope that audiences can take this small exercise in critical curiosity beyond the world of tennis, giving audiences a little space to look differently at the world.” Theo Anthony joins us to talk about the complex relationship between flawed human judgement and the “certainty” of technology.

 

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 “Subject to Review” has screened at New York Film Festival, Hamptons Film Festival, Vancouver Film Festival and Mar Del Plata Film Festival.

 About the Filmmaker – Theo Anthony is a writer, photographer, and filmmaker whose films have received premieres at the Toronto International Film Festival, Locarno International Film Festival, Rotterdam International Film Festival, and SXSW. His first feature, “RAT FILM,” was released by Cinema Guild in 2017 to critical acclaim. “Subject to Review” is produced by Sebastian Pardo and Riel Roch-Decter of MEMORY, an independent artist-driven studio specializing in producing and curating innovative, thought-provoking works that push the formal boundaries of their medium. Together, the duo has produced and distributed multiple award-winning fiction and non-fiction films.

SUBJECT TO REVIEW will air on ESPN beginning Sunday, December 22, at 3 p.m. (Eastern)

Social Media
theoanthony.net
twitter.com/ProxyTheo
instagram.com/theodorejacobanthony
https://vimeo.com/theoanthony

Coastal Road Killer, Co-director Yotam Guendelman and Ari Pines

In October of 1974 the body of Rachel Heller, a female IDF solider, is found in the sand dunes of Caesarea. She’s completely naked, except for a single sandal and a bra strap tied tightly around her neck. The investigation leads nowhere, until a young man by the name of Amos Baranes storms into a local police station, claiming he knew the victim and wants to help find the person responsible. He’s arrested and after 3 days of interrogations, he confesses to the murder. Coastal Road Killer is a riveting multi-part series examines whether a serial killer, who was never brought to justice, was behind a string of murders that occurred in Israel between the late 70s and early 80s and whether they might still be on the loose. Coastal Road Killer was created by Yotam Guendelman, Mika Timor and Ari Pines, the team behind   Shadow of Truth, the story of the 2006 murder of Tair Rada, a 13-year old Israeli girl, which became one of Netflix’s most-watched true crime docs. Coastal Road Killer explores the connection between storytelling and truth. Very much like Shadow of Truth, the filmmaking is aimed at showing us how easily we can be manipulated into believing a certain narrative, only to have it completely deconstructed in the next few frames.  Co-directors Yotam Guendelman and Ari Pines stop by to talk about their riveting multi-part series investigative expose that through diligent research and forensic experts uncover new, credible evidence that raises a possible serial killer who has, so far, avoided responsibility for their crimes.

 

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