Bruce, Director Eden Marryshow

Always tight on money, with a self-inflated view of his own “genius,” Bruce (Eden Marryshow “Jessica Jones”) is an egocentric, self-professed writer, director, artist and playboy who damages all of his relationships, romantic or otherwise, as he cons his way through his self-obsessed existence with a mixture of swagger and deeply insecure neuroticism. On the heels of his parents cutting him off, his free ride comes to an abrupt end after his roommate (Jason Tottenham “Quantico”) informs him he’s moving in with his fiancé (Jade Eshete Dirk Gently’s Holistic Detective Agency). Desperate to keep his apartment and stay afloat financially, Bruce concocts a plan to run an ad for a hot female roommate and charge her 80% of the rent. When Bruce falls for one of the applicants (Mle’ Chester  “Vinyl”)he tries to turn his life around, but as the saying goes, “karma is a bitch.”  Will Bruce see the error of his ways or remain irredeemably awful? Director, Producer, Writer Eden Marryshow joins us to talk about assembling a terrific supporting cast and the inspiration for his brash feature film debut.

 

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For news and updates go to: brucethefilm.com

Social Media

facebook.com/brucethefilm

twitter.com/bruce_thefilm

instagram.com/bruce_thefilm

**2019 Cinequest Film Festival Spotlight: Mine 9, Director Edward Mensore

Mining country in Appalachia has been declared The Devilʼs Playground. A close-knit group of veteran miners, all friends and family, commence what would benormal dayʼs work — except today a rookie, the son of one of our veterans and the god-son of the Section Leader, joins them, 18 year-old Ryan. With ever-growing safety concerns at the mine, Zeke (Section Leader and long time coal mining veteran), struggles with the correct course of action, weighing on one hand the safety of his men, and on the other, the need to earn a steady wage in an economically depressed region. Today, however, fate takes matters into its own hands when a huge methane explosion rips through the mine. Smoke engulfs the men, forcing them to rely on nothing more than, brains, brawn and faulty self-rescuers (oxygen tanks that afford them one hour of air). MINE 9 is the story of the struggle for survival against all odds; men trapped in hell as the result of exploitation, greed and circumstance. Director Edward Mensore’s  intense new action/thriller MINE 9 will have its’ World premiere at the 2019 Cinequest Film Festival, running March 5-17th, 2019 in San Jose, California.  MINE 9 is Edward Mensore’s second feature film.  Eddie Mensore joins us to talk about his rivet, harrowing film about bravery in the face of insurmountable odds and the devotion of the men and women to a way of life.

 

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For news and updates go to: mine9movie.com

Festival screening dates at Cinequest:

3Below Friday, Mar 8 @ 7:00 PM

3Below Monday, Mar 11 @ 7:05 PM

Century 20 Redwood City #17 Tuesday, Mar 12 @ 6:15 PM

Century 20 Redwood City #2 Thursday, Mar 14 @ 5:00 PM

Social Media

facebook.com/mine9movie

twitter.com/Mine9movie

instagram.com/mine9movie

2019 Oscar Nominated Short Films, with ShortsTV Chief Executive, Carter Pilcher

For over a decade, ShortsTV has proudly brought the Oscar© Nominated Short Films to audiences across the globe. This exclusive release features the year’s most spectacular short films and for a limited time is available to watch on the big screen. Each nominee is released in one of three distinct feature-length compilations according to their category of nomination: Live Action, Animation or Documentary. The films go into theaters around the world shortly after nominations are announced and are not released anywhere else until a few days before the Oscars©, when they are also made available via on demand platforms, including iTunes, Amazon Instant Video, Google Play and Vimeo on Demand. The release ensures the greatest number of viewers can see all the nominees before the ceremony, while providing short filmmakers with an unprecedented opportunity to commercialize their movies. Carter Pilcher founded Shorts International in 2000. Coming from a background in both investment banking and law, Carter has made Shorts International the world’s leading short movie Entertainment Company, functioning as distributor, broadcaster and producer. Carter has extensive experience in short movie production and short movie entertainment. He is a voting member of the British Academy of Film and Television Arts and a member of the Short Film and Feature Animation Branch of The US Academy of Motion Pictures, Arts and Sciences (AMPAS) – the guys who pick the Oscars. For the last five years Carter Pilcher has been the highlight of Oscar season here on Film School. His insight, commitment and love of the short film format and the dedicated people who create them insures a lively and informative conversation on some of the best films you will see all year.

 

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For news and updates on the Oscar Shorts go to: shortstv – theoscarshorts

For screening information go to: theoscarshorts/theatrical release

Live Action (Short)    

Detainment 

Madre

Fauve    

Skin    

Marguerite 

 

Documentary (Short)

Black Sheep

Night at the Garden

End Game

Period. End of Sentence

Lifeboat

Animation (Short)

Animal Behavior

One Small Step

Bao

Weekends

Late Afternoon

 

The Man Who Killed Hitler Then Bigfoot, Director Robert D. Krzykowski

THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT follows the epic adventures of an American legend that no one has ever heard of. Since WWII, Calvin Barr (Sam Elliott) has lived with the secret that he was responsible for the assassination of Adolf Hitler. Now, decades later, the US government has called on him again for a new top-secret mission. Bigfoot has been living deep in the Canadian wilderness and is carrying a deadly plague that is now threatening to spread to the general population. Relying on the same skills that he honed during the war, Calvin must set out to save the free world yet again. Director Robert D. Kryzkowski joins us to talk about working with two-time Academy Award nominated director John Sayles and visual effects wizard and two time Academy Award winner, Douglas Trumbull (Blade Runner and 2001: A Space Odyssey) and how he was able to fashion an endearing, bittersweet saga of a heavy hearted man driven by a profound sense of duty.

 

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For news and updates go to: The Man Who Killed Hitler and then Bigfoot

“The Man Who Killed Bigfoot and Then Hitler is a real movie – one more emotionally resonant and character-driven than that deceptively goony title suggests.” – Simon Abrams, NPR

“In spite of the premise at hand, Sam Elliott–one of America’s greatest treasures–quietly delivers another astonishing performance.” – Danielle Solzman, Solzy at the Movies

“A wise, odd, and unforgettable ballad.” – Nick Allen, RogerEbert.com

“From its world-weary hero to its no-nonsense, casual swapping of fiction for fact, The Man Who Killed Hitler and Then The Bigfoot uses action and something like science fiction to deliver an wholly entertaining, yet poignant message.” – Slashfilm

Work in Progress, Co-Directors Abby McEnany, Tim Mason and Actor Julia Sweeney

**SUNDANCE PREMIERE** Based loosely on Abby McEnany’s own experiences, WORK IN PROGRESS is an honest, funny, and rarely seen exploration of the “isms” and phobias that permeate all of our lives: homophobia, transphobia, sexism, racism, sizeism, classism, and more. In a nutshell, Abby is a 45 year old queer dyke who is finally coming into her own or she is a 45 year old queer dyke who is about to kill herself.  Both are true.  It just depends on which day you meet her. She is a finely crafted cocktail of Depression, OCD, Queerness, Insecurity and Anxiety but she only drinks Miller Lite.  And in this coming of age story, every little thing or person she meets has the potential for life-altering meaning. Abby is in an adolescent-like stage and has been stuck there for 30 years. After her therapist dies mid-session and she begins to date a trans man, Abby is forced to re-evaluate her life choices, her dating options and whether or not to confront the woman responsible for ‘ruining her life’: SNL’s Julia Sweeney. Co-directors Abby McEnany, Tim Mason and actor Julia Sweeney join us for a rollicking conversation on their hilarious, honest and engaging Sundance Film Festival debut episode of Work in Progress.

Social Media:

facebook.com/Abby McEnany

Twitter:@workinptv

Instagram:@workinp

 

2019 Slamdance Film Festival Spotlight

Spiral Farm, Director Alec Tibaldi

Up a dirt road, nestled in the hills of Southern California lies Spiral Farm, a vibrant and colorful intentional community inspired by the communes of the late 60’s. Its eclectic inhabitants look out for each other, as they work side by side on this completely self sustaining permaculture farm. 17 year-old Anahita (Piper De Palma), has lived on Spiral Farm for as long as she can remember and dreams of one day leaving the safety of Spiral and pursuing a career as a dancer. However, whenever she makes these plans she is always deterred by the thought of leaving Ocean, her eight year old nephew who she cares for and shares a deep bond with. Stifled by her responsibilities to her family and the commune, Anahita has developed what her mother (Amanda Plummer) calls a “bashfulness” when it comes to sexuality. When her mother’s old flame, Maurizio (Cosimo Fusco) arrives for an unexpected visit, he brings along his teenage son, Theo (Teo Halm). Anahita is immediately drawn to him, confused by her newfound feelings. When Theo discovers her passion for dance he encourages her to journey into the city for an audition. Away from the confines of the communes, Anahita discovers that although she lacks the technical skills to be a professional dancer, she may still be able to leave Spiral by going to college in the city changing the course of her life. But will Anahita, who has been so dedicated to others chose to live for herself? Director and writer Alex Tibaldi joins us to talk about his feature film debut and his intimate, moving character study of women in transition, searching for meaningful connections.

Letterboxd.com/film/spiral-farm

Behind the Bullet, Director Heidi Yewman

BEHIND THE BULLET is the directorial debut from author and activist, Heidi Yewman. When her former basketball coach and teacher, Dave Sanders was killed in the Columbine High School massacre along with 12 students, she began profiling the lives of those altered by the impact of gun violence. She is a tireless advocate for gun safety, sitting on the boards of The Brady Campaign to Prevent Gun Violence, Women Donors Network, Stop our Shootings, and Trauma Intervention Program of Portland, OR. In BEHIND THE BULLET will make it’s world debut as a documentary competition selection at the 2019 Slamdance Film Festival, Yewman chronicles an in-depth look at four individuals who have pulled the trigger and the profound impact it’s had on their lives. Every year, almost 40,000 people are shot and killed in America. Each shooting devastates and forever changes the victim’s family and friends. BEHIND THE BULLET explores a side of gun violence that’s rarely talked about – the impact a shooting has on the shooter. Four individuals share how the pull of a trigger, changed them emotionally, physically, psychologically, and spiritually. They describe the conflicting emotions and moral injury that comes after a self-defense, accidental, or unintentional shooting, offering a new and unbiased perspective on gun violence. Director Heidi Yewman joins us to talk about the devastating impacts that guns and the profound impact they have had on four people’s lives.

 

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For news and updates go to: behindthebulletfilm.com

“BEHIND THE BULLET is a captivating and honest look at what is going on in our country when it comes to gun control.  It looks at all sides of the issue that sometimes the media does not discuss or cover.  This is a must see film in our current climate.”   — Peter Hammond, Deadline

“Behind The Bullet is just WOW – an amazing insight into what we are dealing with in the U.S.  It’s a refreshing insight and a story that needs to be told.”  — Chris Gardner, The Hollywood Reporter

This Teacher, Actor Kevin Kane (Director Mark Jackson)

THIS TEACHER follows a French Muslim woman (Cesar-winner Hafsia Herzi) as she travels to New York City to visit her childhood best friend from the rough neighborhoods outside of Paris. When the reunion proves disastrous, Hafsia steals her friend’s credit card and identity, and disappears to a remote cabin upstate. Deep in the woods and alone for the first time in her life, she experiences a divine revelation of an existence without borders. But when she discovers that she’s not alone on the property, Hafsia’s sojourn in nature gradually descends into a terrifying study of the intolerance and suspicion she encounters and reflects back to an Islamophobic America. Written and directed by Mark Jackson featuring a score composed from the Grammy nominated Dave Eggar, the film stars: Cesar-winner Hafsia Herzi  (The Secret of the  Grain)  Sarah Kazemy (Circumstance)  Lucy Walters (Power), Kevin Kane (Inside Amy Schumer), and Lev Gorn (The Americans). Jackson’s previous films have won 17 awards including an Independent Spirit Award and a Gotham Nomination.  Jackson is also a Sundance, Cinereach and Skywalker Sound Fellow. Actor Kevin Kane joins us for a conversation on THIS TEACHER’S closing night screening at the 2019 Slamdance Film Festival, intolerance and not being afraid to love.

For news and updates go to: visitfilms.com/This Teacher

Slamdance Film Festival Co-founder Peter Baxter

It all began when a group of cheerful, subversive filmmakers weren’t accepted into the Sundance Film Festival. Unwilling to take “no” for an answer, they instead started their own event – Slamdance: Anarchy in Utah. 24 years later, Slamdance has become a year-round organization fostering the development of unique and innovative filmmakers. The organization now consists of the Film Festival, Screenplay Competition and Slamdance Studios. Dan Mirvish, Jon Fitzgerald, Shane Kuhn and Peter Baxter are the founding forefathers who, along with co-conspirator Paul Rachman, fought for truly independent filmmakers by giving them a voice in 1995 at the very first Slamdance Film Festival. Since then, the festival takes place every January in the breathtakingly stunning, snow-capped mountains of Park City, Utah at the exact same time as the Sundance Film Festival, toprovide a more authentic representation of independent filmmaking.  Up-and-coming writers, directors and producers, alongside seasoned veterans and film lovers, converge for the weeklong celebration of independent cinema, realizing that Slamdance is a great place to find those next, great, visionary films.  Slamdance lives and bleeds by its mantra By Filmmakers For Filmmakers. No other film festival in the world is entirely run and organized by the creative force that can only be found in filmmakers. Slamdance adamantly supports self-governance amongst independents, and exists to deliver what filmmakers go to festivals for – a chance to show their work and a platform to launch their careers. The festival has earned a solid reputation for premiering films by first-time writers and directors working within the creative confines of limited budgets. Co-founder and President Peter Baxter joins us to talk about this year’s Slamdance, the groundbreaking films and the innovative new distribution being launched by Slamdance.

 

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For news and updates go to: slamdance.com

Check out the film schedule at slamdance 2019 schedule

Slamdance Film Festival will take place January 25-31, 2019 in Park City, Utah

Social Media:

facebook.com/SlamdanceFilmFestival

twitter.com/Slamdance

instagram.com/slamogram

January 18 – Ashley Connor, Cinematographer, Independent Spirit Award Nominee (Madeline’s Madeline)

ASHLEY CONNOR is a New York based director of photography. Her work on Josephine Decker’s BUTTER ON THE LATCH and THOU WAST MILD AND LOVELY prompted New Yorker critic Richard Brody to name her, alongside Darius Khonji and Fabrice Aragno, as one of the year’s best cinematographers. Her breadth of style can be seen in work as diverse as Dustin Guy Defa’s PERSON TO PERSON (Sundance ’17) and Adam Leon’s TRAMPS (TIFF ’16), as well as in popular music videos for artists including Jenny Lewis, Angel Olsen and Maggie Rogers. She had two films premiere at the 2018 Sundance Film Festival, Josephine Decker’s MADELINE’S MADELINE and Desiree Akhavan’s Grand Jury Prize winning THE MISEDUCATION OF CAMERON POST starring Chloe Moretz and Sasha Lane. Most recently she shot two pilots for A24/Hulu and has three more films coming out in 2018: Olivia Newman’s FIRST MATCH (SXSW 2018 Audience Award Winner, Netflix produced), Alex O Eaton’s MOUNTAIN REST and an Untitled Daniel Scheinert film. Ashley Connor stops by for a conversation on her work on Josephine Decker’s Madeline’s Madeline’s Madeline and her Spirit Award nomination for her cinematography.

 

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For news and updates go to: ashleyconnor.net

Social Media:

facebook.com/ashley.connor

All These Small Moments, Melissa B. Miller Costanzo

Featuring a heartwarming performance by Molly Ringwald, ALL THESE SMALL MOMENTS tells the story of a teenage boy’s infatuation with a woman he sees on the bus that  further complicates his already tumultuous adolescence. ALL THESE SMALL MOMENTS is firmly rooted in the bewildering tangle of human relationships. A husband and wife who are trying to find their way back to themselves, because they’ve drifted too far and no longer recognize each other; an adult woman and a teenage boy who somehow fill a void in each other; and an almost accidental friendship that grows to be much more. ALL THESE SMALL MOMENTS is a portrait of adolescence and aims to capture a time period that, if we make it out unscathed, defines us. Director and screenwriter joins us for a conversation on the working with a cast of established actors like Molly Ringwald, Brian D’arcy James and Jemima Kirke and young actors like Brendan Meyer, Harley Quinn Smith and Sam McCarthy. Director and writer Melissa B. Miller Costanzo talks about getting her first feature film off the ground, enlisting actress Molly Ringwald to be a part of her project and channeling her own adolescent experiences into the performances of her talented cast. 

 

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Social Media for All These Small Moments:

twitter.com/hashtag/allthesesmallmoments

Social Media for Melissa B. Miller Costanzo:

twitter.com/melbmiller

“A beautifully accomplished first film.” Caryn James, Hollywood Reporter

“All These Small Moments reminded me a great deal of two films in particular: that of the recent Lady Bird and this year’s very underseen and underrated Blame.” – David Fontana, Film Inquiry

“Authenticity of character is All These Small Moments’ strongest suit because each proves honest whether or not their inclusion in the larger story does.” – Jared Mobarak, The FIlm Stage

“Despite being overly tidy and commonplace in its plot, [director Melissa B.] Miller-Costanzo succeeds in deliberately avoiding resolution, and while that’s bound to frustrate people, it’s key to the movie’s payoff.” – Kyle Kohner, The Playlist

January 24 – The Final Wish, Director Timothy Woodard Jr and Actor Michael Welsh

From the creator of the Final Destination franchise comes a new tale of death. Following the passing of his father, Aaron Hammond (Michael Welsh) returns to his hometown to help his devastated mother (Lin Shaye) and to confront his past demons. Sifting through his father’s belongings, Aaron comes upon a mysterious item that is far more than it seems. The Final Wish Director Timothy Woodward Jr. and lead actor Michael Welsh joins us for a conversation on continuing the cinematic legacy of Final Destination and bringing a creative energy to a familiar story of demonic possession, family struggles and reckoning with the past.

facebook.com/officialtimothywoodwardjr

michaelwelchact.com

“If you’re looking for a spooky little flick that forges some new ground against a backdrop of familiar terror tropes, The Final Wish will grant you that.” – Steve Barton, Brainwaves

“The Final Wish is an easy watch, fun and simple. It’s perfect for that night when you just want to sit back, relax and enjoy.” – Staci Layne Wilson, We Live Entertainment

“There’s still a lot to The Final Wish that I really appreciated and enjoyed, and it would make for a killer double feature with Wish Upon.” – Heather Wilson, Daily Dead

“THE FINAL WISH is yet another example of taking a low budget and bringing a fresh new take on a familiar storyline. It offers a well written script and a cast worth investing in.” – Jimmy O, Movie Emporium

Capernaum, Director Nadine Labaki

Winner of the Grand Jury Prize at the 2018 Cannes Film Festival, Nadine Labaki’s CAPERNAUM (“Chaos”) tells the story of Zain (Zain al Rafeea), a Lebanese boy who sues his parents for the “crime” of giving him life. CAPERNAUM follows Zain, a gutsy streetwise child as he flees his negligent parents, survives through his wits on the streets, takes care of Ethiopian refugee Rahil (Yordanos Shiferaw) and her baby son, Yonas (Boluwatife Treasure Bankole), being jailed for a crime, and finally, seeks justice in a courtroom. CAPERNAUM was made with a cast of non-professionals playing characters whose lives closely parallel their own. Following her script, Labaki placed her performers in scenes and asked them to react spontaneously with their own words and gestures. When the non-actors’s instincts diverged from the written script, Labaki adapted the screenplay to follow them. While steeped in the quiet routines of ordinary people, CAPERNAUM is a film with an expansive palette: without warning it can ignite with emotional intensity, surprise with unexpected tenderness, and inspire with flashes of poetic imagery. Although it is set in the depths of a society’s systematic inhumanity, CAPERNAUM is ultimately a hopeful film that stirs the heart as deeply as it cries out for action. Director and writer Nadine Labaki joins us for a conversation on her impassioned new film and how CAPERNAUM changed her and many of the cast and crew from this multi-award winning film.

 

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For news and updates go to: sonyclassics.com/capernaum

2018 Cannes Film Festival

Winner, Grand Jury Prize

Winner, Prix de la citoyenneté

Winner, Prize of the Ecumenical Jury

Nominated, Palme d’Or

Social Media for Capernaum

facebook.com/capernaummovie

twitter.com/SonyClassics

Instagram.com/SonyClassics

“It’s a scathing commentary on the effects of poverty, the failure to properly respond to refugee crises, and simple human decency populated by those struggling just as much as the next yet have also crossed a line they cannot return from.” – Jared Mobarak, Film Stage

“It’s a deeply assured piece of direction, and though it only plays a few emotional notes, they are ones that won’t soon leave your memory. Prepare to be blown-away.” – Emily Yoshida, New York Magazine / Vulture

“A social-realist blockbuster – fired by furious compassion and teeming with sorrow, yet strewn with diamond-shards of beauty, wit and hope.” – Robbie Collins, Daily Telegraph

“Can favorably be compared to everyone from De Sica to Truffaut to ‘Slumdog Millionaire.’ A stunning piece of cinema.” – Pete Hammond, Deadline

January 11 – Stu Pollard, President of Lunacy Productions

Lunacy Productions helmed by prolific producer Stu Pollard is excited debut for you their latest film “Rust Creek,” which is being distributed theatrically by IFC Midnight beginning January 11th, 2019.  “Rust Creek” starring Hermione Corfield (“Mission: Impossible – Rogue Nation”), Jay Paulson (“Mad Me”), Sean O’Bryan (“Olympus Has Fallen”), Micah Hauptman (“Homeland”), Daniel R. Hills (“The Resident”), Jeremy Glazer (“Letters From Iwo Jima”), and John Marshall Jones (Con Air”); chronicles the presence of mind and skill an ordinary woman, utilizes while summoning extraordinary courage to survive a nightmare odyssey in this harrowing survival thriller. This  film takes the woman in jeopardy premise and turns it on its head with agility and smarts. This is the latest female driven (both in front of & behind the camera) film from Pollard & his team at Lunacy. Lunacy’s team are incredibly committed to supporting gender parity in filmmaking, producing several films featuring female protagonists (This Is Home, Rust Creek, Short History, Plus One) and working with female filmmakers like Jen McGowan (“Rust Creek”), Ani Simon Kennedy (“Short History of the Long Road”), and documentarian Alex Shiva (“This Is Home: A Refugee Story”) among others. Half of the department heads on “Rust Creek” are women and for many of the female crew, “Rust Creek” was their first feature film or their first opportunity in an elevated position (including DP Michelle Lawler, make-up artist Allie Shehorn, art director Priyanka Guterres, and postproduction supervisor Alex Jensen). Pollard has also directed two features: NICE GUYS SLEEP ALONE and KEEP YOUR DISTANCE. In his spare time he teaches at USC’s School of Cinematic Arts and Film Independent. He holds a degree in business from Georgetown and an MFA in film from USC, is a member of the DGA and PGA, and serves on the boards of the Louisville Film Society and GU’s Alumni Board of Governors. Director, producer and head of Lunacy Productions Stu Pollard joins us to talk about his company’s commitment to gender equity on both sides of the camera.

For news and updates go to: lunacyproductions.com

Vimeo: vimeo.com/lunacy

Social Media:

twitter.com/LunacyProds

facebook.com/LunacyProds

instagram.com/lunacyprods

Love, Gilda, Director Lisa D’Apolito

Gilda Radner puts a smile on the faces of people who remember watching her as one of the original cast members of Saturday Night Live, where she created and portrayed such now-classic comic characters as Roseanne Roseannadanna, Emily Litella and Lisa Loopner. LOVE, GILDA, directed by Lisa D’Apolito, is a true autobiography, told in Gilda’s words and in her own voice. Working with the Radner Estate, D’Apolito unearthed a collection of diaries and personal audio and videotapes documenting her childhood, her comedy career, her relationships and ultimately, her struggle with cancer. This never-before-seen footage and journal entries form the narrative spine of the documentary, allowing Gilda to tell her own story– through the laughter and sometimes the tears. Incredibly, she was able to find humor in even the darkest of times. Gilda’s spirit lives on in comedy as a female trailblazer who continues to inspire many present day comedic performers, including Bill Hader, Amy Poehler, Maya Rudolph, and Cecily Strong. Also interviewed are SNL original cast members– Chevy Chase, Laraine Newman and Paul Shaffer– as well as, Lorne Michaels (SNL creator and producer), Alan Zweibel (SNL writer), Stephen Schwartz (Broadway composer); Andrew Alexander (CEO of Second City) and long-time friend Martin Short. LOVE, GILDA Director Lisa D’Apolito talks about the unique window her loving film provides into the honest and whimsical world of a beloved performer whose greatest role was sharing her own story.

 

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For news and updates go to: lovegilda.com

LOVE, GILDA will air on CNN:

Tuesday, Jan. 1 at 9pm and 11pm Eastern (Tuesday, Jan. 1 at 6pm and 8pm Pacific)

Saturday, Jan. 5 at 9pm Eastern (Saturday, Jan. 5 at 6pm Pacific)

Sunday, Jan. 6 at 12am Eastern (Saturday, Jan. 5 at 9pm Pacific)

And available for playback via CNN on Demand.

Social Media:

facebook.com/LoveGildathefilm

twitter.com/LoveGildaFilm

instagram.com/LoveGildaTheFilm

“A splendid tribute to one of America’s comedy legends.” – J.R. Kinnard, Film Inquiry

“We come away with the portrait of someone who was never just going along for the ride, but who was always questioning and challenging herself, working toward professional excellence and hoping for an ideal romance.” – Mick LaSalle, San Francisco Chronicle

“‘Laughter – that’s what hugs me and holds me,’ she confides on those muddy cassettes. So does the warm, tender embrace of “Love, Gilda.” – Michael Rechtshaffen, Los Angeles Times

“All the laughs-as well as the tears-in the too-brief but shining life of a true comic genius are present and accounted for in this essential, intensely moving doc.” – David Noh, Film Journal International

Tyrel, Director Sebastian Silva

In Director Sebastián Silva latest film. Tyrel, Tyler (Jason Mitchell) and his friend John (Christopher Abbott), two young restaurateurs from New York City, push a car along a back road high on a cold, snowy day in the Catskills Mountains. Tyler and John are on their way to a weekend getaway to celebrate the birthday of Pete (Michael Cera), one of John’s old friends, at a cabin in the woods. Tyler needs the excursion, even though he will be among mostly strangers, because the home he shares with his Puerto Rican girlfriend is packed with her visiting family – and the ailing, elderly mother to whom she is devoted. What could be better than a jocular, beer-soaked weekend in the country with a bunch of his buddy’s friends? Well, nothing … except that an empty gas tank is only the first in a series of discomforting moments Tyler encounters and engenders over the next 48 hours. Writer/director Sebastián Silva’s deploys his signature handheld style probing subtext and body language, TYREL conjures an undeniable underlying tension and it marks his most radical character exploration yet—a timely, provocative, and brilliant observation of the idea of otherness in today’s American climate. Director Sebastián Silva (The Maid, Nasty Baby, Crystal Fairy) joins is for a lively conversation on male bonding, tribalism, race, working with this outstanding cast of actors and undermining expectations.

 

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For news and updates go to: tyrelmovie.com

Social Media

facebook.com/tyrelmovie

twitter.com/MagnoliaPics

“CRITIC’S PICK. UNNERVINGLY SHARP, AGONIZINGLY DEAD-ON.  The stranger “Tyrel” gets, the more accurate it feels.”  – Bilge Ebiri, The New York Times

“Silva’s most political work yet–though it is sly and subtle, the intention is palpable, the emotions elicited all too real, and ultimately, “Tyrel” proves to be a fascinating entry in his body of work.” – Katie Walsh, Tribune News Service

“This is a fast and lean film, an absolute workout for its outstanding cast and a devilish roller coaster ride for audiences.” – Jordan Hoffman, Vanity Fair

“Every time this fly-in-the-buttermilk scenario leans toward satire, it reminds you that you’re really watching a horror movie.” – David Fear, Rolling Stone Magazine

Ghostbox Cowboy, Director John Maringouin

John Maringouin’s brilliant, darkly comedic morality tale examines a wildly ambitious Westerner who tries to get in on China’s tech boom and finds that he may not be up to the task. Texan Jimmy Van Horn (David Zellner) is a cowboy huckster who arrives in the booming city of Shenzhen with a couple of bitcoins and huge ambitions of parlaying them into economic success. Lucky for Jimmy, he’s got a friend holding open the back door to this “accidental Shangri-La” – Bob Grainger (Robert Longstreet) – who’s gotten new teeth, a blonde wig and looks twenty years younger. He promises to do the same for Jimmy in 6 weeks. Director and writer John Maringouin (BIG RIVER MAN) develops a startling visual language in this excitingly fresh, complex perspective on China’s economic growth – and the gold rush mentality it inspires. Director John Maringouin joins us for a free-wheeling conversation about his funny, surreal and enthralling tale of the wild west cowboy capitalism that China is now living through.

 

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For news and updates go to: ghostboxcowboy.com

Social Media

facebook.com/ghostboxcowboy

twitter.com/GhostboxCowboy

instagram.com/ghostboxcowboy

88% on Rotten Tomatoes

“Stylish, comic and shameless, with a gonzo, midnight movie tone.” – David D’Arcy, Screen International

“”Ghostbox Cowboy” truly defies categorization, and remains so unpredictable that no single viewing can resolve the fertile ideas it puts on the table about globalization, innovation, and the role of individuality in a fast-paced world that rejects it.” – Eric Kohn, IndieWire

“Fascinating, atmospheric, and utterly strange in ways both good and bad, Ghostbox Cowboy pulls back the curtain on those trying to export the American dream and reaping the whirlwind.” – Joe Blessing, The Playlist

“‘Ghostbox Cowboy’ is fascinating, atmospheric and utterly strange.” – Joe Blessing, The Playlist

The 20th Annual Animation Show of Shows, Founder and CEO Ron Diamond

The 20th anniversary of the award winning The 20th Annual Animation Show of Shows presents 15 thought-provoking, poignant, and very funny animated shorts from around the world. In a year when the best and worst of human nature has been on constant display, the works in this year’s show remind us of both the universality of shared ideals, as well as the diverse challenges we face. For 20 years, The Animation Show of Shows  has been presenting new and innovative short films to appreciative audiences at animation studios, schools and, since 2015, theaters around the world. Over the years, 38 of the films showcased in The 20th Annual Animation Show of Shows  went on to receive Academy Award® nominations, with 11 films winning the Oscar®. The 20th Annual Animation Show of Shows  not only has something for everyone, but is a remarkable and insightful microcosm of our world. According to founder and curator Ron Diamond, “Animation is such a flexible and open-ended medium that it lends itself to exploring the innumerable aspects of what it means to be human, and this year’s program, as much as any of our past presentations, really illuminates human strengths and foibles, and the bonds that unite us across cultures and generations.” Ron Diamond joins us to talk about this year’s latest collection of wonderfully creative, insightful and entertaining animation from across the globe. 

 

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For news and updates go to: animationshowofshows.com

Social Media

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Upcoming Los Angeles area screenings:

The Vista Theatre at 4473 Sunset Blvd. in Los Angeles

Tuesday December 11 – 2:45pm, 5:30pm, 8:45pm

Wednesday December 12 – 2:45pm, 5:30pm, 8:45pm

Thursday December 13 – 2:45pm, 5:30pm

Glendale Laemmle Theatres – Friday, December 14

207 N. Maryland Ave. Glendale, CA

Call: 310-478-3836 for screening times

United We Fan, Director Michael Sparaga

Fans, stars, creators and more come together to explore the history and evolution of TV’s save-our-show fan campaigns in Michael Sparaga’s (The Missing Ingredient) humorous and heartfelt feature documentary UNITED WE FAN. From the letter-writing and product mail-ins of yesterday to the social media and crowdfunding campaigns of today, UNITED WE FAN goes beyond the headlines to give viewers deeper insights into fandom, community and identity. For most viewers, it’s simply a disappointment when their favorite TV series is cancelled. But the fans of some series take the loss a lot harder. And they fight back. UNITED WE FAN chronicles the stories of those passionate individuals and their unique crusades to save their beloved shows. Declared “a joy to watch” by POV Magazine, UNITED WE FAN intertwines the remarkable stories of Kaily, Dorothy and the Trimbles while also taking time to delve into the inspiring campaigns to save Designing Women, Quantum Leap, Chuck, Longmire, Jericho, Veronica Mars, Roswell and the Rosetta Stone of rescued TV series Star Trek. “UNITED WE FAN is not a movie about television’s wackiest fans,” said director Michael Sparaga, “rather, it’s a love letter to the inspiring people who have formed communities and fought tirelessly against seemingly impossible odds to give viewers everywhere more seasons of some of television’s most iconic shows.” Director / Writer / Producer Michael Sparaga joins us to talk about the men and women whose embrace and affection for specific television series goes way beyond passive entertainment into the realm of a life affirming connections to the creators, performers and characters who have enriched their lives via episodic storytelling.

 

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Social Media

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twitter.com/unitedwefandoc

instagram.com/unitedwefandoc

UNITED WE FAN is available on multiple VOD platforms beginning December 4

100% on Rotten Tomatoes

“A cheery collage of anecdotes about how popular culture brings people together and inspires them to fight for the things they love.” – Norman Wilner, Toronto Now

“It’s a fun film to watch, but also one that makes us question how far we’re all willing to go to save our favourite series from extinction, and where the future of such fan campaigns might be going from here.” – Andrew Parker, The Gate

“United We Fan is a brisk, enjoyable look at the way TV fan culture has evolved since the days when Star Trek first flirted with cancellation.” – Jesse Schedeen, IGN Movies

“What United We Fan does very well is that the documentary offers a blueprint for the many television fans wanting to save their favorite series.” – Danielle Solzman, Solzy at the Movies

Life Underground, Director Hervé Cohen

LIFE UNDERGROUND is a groundbreaking trans-media project that invites visitors on a journey through the subways of the world and into the personal stories of their passengers. Its main component is an interactive web documentary. LIFE UNDERGROUND has also become an immersive multimedia installation for museums and public spaces (including subway stations) featuring the same content but on large screens with a multi-track soundscape. Shot in over 17 cities, across 4 continents, in over 11 languages, by director Hervé Cohen this interactive web documentary and immersive media installation takes viewers on a journey into the subways of the world through the personal stories of passengers. Hervé Cohen is an award-winning filmmaker and cinematographer and has traveled the world to capture compelling stories for international productions. He has also shot two feature narratives, in San Francisco and in Haiti (the 2017 Oscar entry for Best Foreign Language Film, AYITI MON AMOUR). LIFE UNDERGROUND is nominated for Best Short Form Series by the International Documentary Association. Director Hervé Cohen joins us to talk about his enlightening and humanizing look at a world where people have much more in common than not.

 

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To watch the film go to: life-underground.com

Social Media

facebook.com/lifeundergroundproject

instagram.com/lifeunderground2018

twitter.com/lifeunderdoc

The World Before Your Feet, Director Jeremy Workman

There are 8,000 miles of roads and paths in New York City and for the past six years Matt Green has been walking them all – every street, park, cemetery, beach, and bridge. In the entertaining new documentary THE WORLD BEFORE YOUR FEET we’re taken on a bird’s eye tour through the city’s five-boroughs. It’s a journey that stretches from the barbershops of the Bronx to the forests of Staten Island, from the Statue of Liberty to Times Square, with Matt amassing a surprisingly detailed knowledge of New York’s history and people along the way. Something of a modern-day Thoreau, Matt gave up his former engineering job, his apartment, and most of his possessions, sustaining his endeavor through couch-surfing, cat-sitting and a $15-per-day budget. He’s not sure exactly why he’s doing it, only knowing that there’s no other way he’d rather spend his days. Executive produced by Oscar® nominee Jesse Eisenberg, THE WORLD BEFORE YOUR FEET is a tribute to an endlessly fascinating city and the freedom to be found, wherever you live, in simply taking a walk. Jeremy Workman is known for such documentaries as Magical Universe (IFC Films),Who Is Henry Jaglom? (First Run Features), and the “One Track Mind” segment of True New York (First Run Features). Jeremy’s documentaries have played at such film festivals as SXSW, Tribeca, DocNYC, Hamptons, Slamdance, Melbourne, AFI, Woodstock, Big Sky Documentary, IFFBoston, among several others. Director Jeremy Workman stops by to talk about what motivates this urban John Muir’s curiosity about the most famous city in the world.

 

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For news and updates go to: theworldbeforeyourfeet.com

100% on Rotten Tomatoes

“Filmmaker Workman, who’s behind [Green] every step of the way without ever getting in the way, allows the city and its colorful denizens to take center stage.” = Michael Rechtschaffen, Los Angeles Times

“Short of walking with Green, a film is an ideal way to share in his knowledge. And after watching “The World Before Your Feet,” it’s difficult to look at the city the same way.” – Ben Kenigsberg, New York Times

“Jeremy Workman connects Matt Green’s foot journey to the real-time scale of New York City and to the soul of its citizens. This inspired documentary is perfect.” – Cole Smithey, ColeSmithey.com

“What Green ultimately does, as one interviewee describes it, is show us the “heart, soul, and pulse” of New York City.” – Danielle Solzman, Solzy at the Movies

The Last Race, Director Michael Dweck

Long Island was the birthplace of American stock car racing. At its peak, there were over forty racetracks on Long Island, but today, only one remains: Riverhead Raceway. This quarter-mile track somehow managed to slip through the cracks as progress transformed Long Island from a stretch of sand with sleepy main streets and mom and pop farm stands, to a maze of highways connecting shopping malls to buy-in-bulk shopping centers.  When it was built in 1949, the racetrack sat on the edge of a small country road surrounded on every side by miles of farmland. The land the track sits on is valued at well over ten million dollars, while the money that it generates in ticket sales on summer weekends is barely enough to keep the lights on. The fact that the Riverhead Raceway remains open defies the laws of capitalism, and the only thing standing in the way of the bulldozers are 87-year-old Barbara and Jim Cromarty. Barbara and Jim bought the track in 1977 and they continue to run it even as multi-million dollar offers roll in, tempting them toward a well-deserved retirement. Barbara and Jim fight to keep it open because they understand that Riverhead carries the burden of being the last bastion of stock car racing on Long Island, and when Riverhead goes, it’s all over. THE LAST RACE is a cinematic portrait of a Long Island stock car race track as its 87 year-old owners struggle to maintain an American racing tradition in the face of a real estate development boom. The film merges image and sound in a unique narrative form to bring the audience into the world of grassroots racing culture and explores a story that subtly grapples with questions of blue collar American identity that have taken on a profound relevance in the current political era. Director Michael Dweck talks about the community and the loss of a place where people have come to laugh, cheer and share in the ties that bind.

 

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For news and updates go to: thelastracethefilm.com

Social Media

facebook.com/TheLastRaceFilm

twitter.com/TheLastRaceFilm

instagram.com/TheLastRaceFilm

ONE NIGHT ONLY! Wednesday, 11/14 Exclusively at @RegalMovies

See @TheLastRaceFilm with an exclusive interview with NASCAR driver @KyleBusch and ESPN’s @MartySmithESPN. Buy tickets now! http://bit.ly/TLRRegal 

100% on Rotten Tomatoes

“Beautiful and Immersive” – Los Angeles Times

“Exhilarating! Dweck’s stoically composed, strangely mesmerizing film makes a strong case for the humble speedway’s soul.” – Guy Lodge, Variety

“The film will likely endure as a testament to the resilience of a community dedicated to long-established racing traditions.” – Justin Lowe, Hollywood Reporter

“Photographer Michael Dweck captures a vanishing piece of Americana.” – Sean P. Means, Salt Lake Tribune

“First rate!’ – IndieWire

Welcome to the Men’s Group, Actor David Clennon

WELCOME TO THE MEN’S GROUP is an emotional roller-coaster through the often bumpy inner terrain of the male psyche, as we hear the men open about their lives, sharing truth, telling lies, and revealing secrets they dare not discuss in their lives. WELCOME TO THE MEN’S GROUP is largely inspired by the phenomenon of the “Men’s Movement” of the past 30 years that was championed by writers like the poet Robert Bly and his bestselling book “Iron John” which explored the need for men to reconnect to their authenticity through storytelling, myth and ritualized gathering. WELCOME TO THE MEN’S GROUP takes us inside the intimate dynamic of an all-male support group (Timothy Bottoms, Stephen Tobolowsky, Terence Rotolo, Mackenzie Astin, Joseph Culp, Ali Saam, Phil Abrams, and David Clennon) when they gather one morning for a ritual breakfast and their unique form of male bonding—One Sunday a month, these eight men refrain from beer and football to sit in a circle where they share their personal issues, in the noble hope of becoming a bit more evolved than their fathers. Award winning actor David Clennon (The Right Stuff, Being There, Syriana, Thirtysomething, Missing) joins us to talk about the male psyche, challenges and rewards of working within a strong ensemble cast and the legendary filmmaker Hal Ashby.

For news and updates go to: themensgroupmovie.com

Social Media

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twitter.com/mensgroupfilm

instagram.com/welcometothemensgroup

“The Hangover this is not. Instead, it explores men trying to support each other but ending up triggering each other, escalating tensions as more and more secrets are revealed until the startling, cathartic climax. Like The Big Chill, it’s ensemble acting at its finest, and like Sideways, it’s an insightful exploration of men’s issues that will appeal to both men and women. The story is complex, beautifully written, deftly filmed.” – New Times 

“Welcome to the Men’s Group is full of surprises. It promised to be cutting-edge, but wow, Welcome to the Men’s Group was so much more than I had expected! It will make you laugh, it will make you cry. This is a film that changes the rules.” – Agenda Magazine

Room for Rent, Director Matthew Atkinson

In Matthew Atkinson’s debut feature, Room for Rent, our “hero” Mitch Baldwin (Mark Little) is in a deep rut. He lives with his parents and has no intention of leaving. At 18, Mitch won the County Lottery, $3.5M dollars. 12 years later he’s broke, has no friends or love life, and is a laughing stock. With his dad retiring, talk of selling the house pushes tensions to a breaking point. Mitch convincingly suggests renting their spare room for extra cash. Tentative, his parents agree. Quickly, a charming, yet peculiar stranger shows up at their front door willing to pay cash – this is Carl Lemay Brett Gelman). Mitch sets rules for Carl, but the family’s routine is instantly upset. Mitch notices mysterious details about Carl; his car’s license plates are missing, his back story is vague, and he seems set on pushing Mitch out of his comfort zone. Yet Mitch is disarmed by Carl’s charm and confides in him about some of his regrets. To Mitch’s dismay, Carl begins to use the information to undermine Mitch and expose his faults. A battle of wits breaks out and turns into all-out war involving deception, humiliation, spying and revenge. The question is how far are these two prepared to go?Writer and director Matthew Atkinson joins us for a conversation on his entertaining, quirky and funny film with a crackling good ensemble cast (Mark McKinney, Carla Gallo, Stephanie Weir and Patrick J, Adams) of new and veteran performers.

 

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For news and updates go to: roomforrentmovie.com

Social Media

facebook.com/RoomForRentFilm

twitter.com/RoomForRentFilm

instagram.com/RoomForRentFilm

Snapchat:@RoomForRentFilm

88% on Rotten Tomatoes

“Hilarious, off-beat comedy“ – The Silver Screen Analysis

“…Room for Rent is a funny, light comedy that stays a step ahead of the audience. It’s solid story and with solid performances worth checking out.” – Alan Ng, Film Threat

“Atkinson directs from a script that pays homage to Alfred Hitchcock…the way that Gelman interacts with Little, the threats take the film to the next level.” – Danielle Solzman, Solzy at the Movies

“A quirky comedy with a lot of ‘tude mostly in the shape of high school lottery winner Mitch who burned through $3.5 M and wound up in his parents’ spare room.” – Anne Brodie, What She Said

Bread Factory Part One and Part Two, Director Patrick Wang

Bread Factory, Part One: For the Sake of Gold

Forty years ago, Dorothea (Tyne Daly) and Greta (Elisabeth Henry) moved to the town of Checkford and bought an abandoned bread factory that they transformed into an arts space. Here they host movies, plays, dance, exhibits and artists. It’s where civic groups and immigrant communities can meet, where there are after school programs for children. Now a celebrity couple—performance artists from China—have come to Checkford. They’ve constructed a huge building, the FEEL Institute, down the street. It is a strange sight for a small town. Dorothea and Greta learn about a new proposal to give all the funding from the school system for their children’s arts programs to the FEEL Institute. Without this funding, the Bread Factory would not survive. They quickly rally the community to save their space. The commercial forces behind the FEEL Institute fight also, bringing a young movie star to town to help make their case. The school board meeting turns into a circus where the fate of the Bread Factory hangs in the balance.

Bread Factory, Part Two: Walk with Me a While

Checkford hasn’t been the same since the school board meeting. Mysteriously, the reporter who runs the local newspaper disappears. Bizarre tourists start to show up, then come mysterious tech start-up workers. With all the new people, real estate is booming. Amidst all these distractions, Dorothea and Greta try to continue their work. They are rehearsing a production of HECUBA by Euripides. On the day they open the play, Dorothea gets the news that the Bread Factory will lose an essential piece of their funding. The beautiful opening night performance of HECUBA plays to a tiny audience. Brokenhearted, Dorothea and Greta must decide whether to give up their work at the Bread Factory because their community and support has disappeared, or to continue in their struggle to build community through art.

Patrick Wang was born in Texas, the son of Taiwanese immigrants. He is author of the books THE MONOLOGUE PLAYS and POST SCRIPT, an interactive book about the making of THE GRIEF OF OTHERS. His first film IN THE FAMILY was released to critical acclaim in the US and France and hailed “an indie masterpiece” by Roger Ebert. He was named one of the “25 New Faces of Independent Film” by Filmmaker Magazine, and the New York Times remarked, “This is a career to keep an eye on.” Director and writer Patrick Wang joins us for a conversation on his brilliant, funny, touching, humanist rumination on art, relationships and MAY RAY.

 

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For news and updates go to: abreadfactory.com

100% on Rotten Tomatoes

“One senses that [Wang] is rediscovering the rules of cinema on his own. This is a career to keep an eye on.” – New York Times

“A major filmmaking talent. Wang’s realism is closer to 19th-century literary giants obsessed with daily life and family relationships.” – Hollywood Reporter

“A coronation. Nothing less than the birth of a great filmmaker.” – Playlist Society

“John Cassavetes can finally rest in peace. His true spiritual son may just have been found.” – Requiem pour un film

“Patrick Wang is slowly becoming the most dependably sensitive and inventive independent filmmaker in America.” – Screen Rant

The Price of Everything, Director Nathaniel Kahn

Today, art is spectacle, big bucks and front-page news. As a society, we have become less concerned with the aesthetic and social values of art, and more concerned with brand names and the business of it all. Can the value of art really be measured in dollars and cents? How are these values assigned and who assigns them? Does the art market have a chilling effect on our great museums and the ability of the public to engage in the art of our time? Nathaniel Kahn’s (My Architect) new documentary THE PRICE OF EVERYTHING explores these questions and demystifies the rarefied world of contemporary art in a dynamic and entertaining way. With unprecedented access to artists, dealers, collectors and auction houses, the film takes us deep into a hidden world where nothing is what it seems. In revealing scenes and interviews, we come to understand how the art market actually works and we confront the challenges of being an artist in the current environment where success can come at lightning speed, only to evaporate next season, and where even the most revered creators must find ways to block out the temptations of the market if they wish to remain in control of their creative process. THE PRICE OF EVERYTHING offers a complex portrait of a late capitalist society confronting itself. While holding a funhouse mirror up to our consumerist culture, the film ultimately reaffirms the transcendent power of art itself and the deep need we have for it in our lives. Director Nathaniel Kahn stops by to talk about how the art world got to this over-heated, crazed marketplace where many wealthy “art lovers” know the price of everything and the value of nothing.

For news and updates go to: thepriceofeverything.com

90% on Rotten Tomatoes

“If you are a devotee of the arts, an artist, or just a fan of good documentary filmmaking, check out The Price of Everything as soon as you can.” – Lorry Kikta, Film Threat

“[A] colorful and inquisitive cinematic essay on the state of the art world…” – A.O. Scott, The New York Times

“A fascinating and insightful look at the dynamics between contemporary art and commerce….” – Avi Offer, NYC Movie Guru

“The Price of Everything” exalts in the spirt of art over commerce, yet what’s thrilling about the film — and what echoes in your mind after it’s over — is that it captures all the ways those two forces can’t be separated.” Owen Gleiberman, Variety

Liyana, Co-directors Amanda Kopp and Aaron Kopp

Under the guidance of acclaimed South African storyteller, Gcina Mhlophe, five orphaned children from Swaziland collaborate to craft a collective fairytale drawn from their darkest memories and brightest dreams. Their fictional character, LIYANA is brought to life in innovative animated artwork as she embarks on a perilous quest to rescue her young twin brothers. The children’s real and imagined worlds begin to converge, and they must choose what kind of story they will tell – in fiction and in their own lives. This genre-defying film weaves an original animated hero’s journey with poetic documentary scenes to create an inspiring tale of perseverance. LIYANA is a tribute to creativity, the strength of the human spirit, and the healing power storytelling. Critically acclaimed, and executive produced by award-winning actress, Thandie Newton, LIYANA has won more than 25 jury and audience awards and screened at more than 80 film festivals around the world including the British Film Institute’s London Film Festival and MoMA’s Doc Fortnight. Co-directors Amanda and Aaron Kopp join us for a conversation on their enchanting, inspiring and wildly creative film.

 

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For news and updates go to: liyanathemovie.com

Opening on Friday October 19 at the Laemmle Glendale – 207 N. Maryland Ave. Glendale

Additional screenings go to: liyanathemovie.com/screenings

100% on Rotten Tomatoes

“Gorgeous” “Unlike any documentary you have ever seen before.” – Entertainment Weekly

“A spirited testament to the power of creativity – not only as a source of strength and joy, but as a way to access buried emotions.” – Sheri Linden, Hollywood Reporter

“Masterful.” “A testament to the power of story.” – Cinemacy

“Brilliant.” “The World desperately need more stories like this.” – Shadow and Art