Driven, Director Nick Hamm

DRIVEN is a fast-paced, comedic crime thriller of a bromance gone wrong between John DeLorean, played by Lee Pace (Captain Marvel, Guardians of the Galaxy, The Book of Henry), and Jim Hoffman, played by Jason Sudeikis (Colossal, Booksmart). Set in early 1980s California, the story follows the meteoric rise of the golden boy of the automotive industry, John DeLorean and his iconic DeLorean Motor Company, through the eyes of his friendship with charming, ex-con pilot turned FBI informant, Jim Hoffman. DeLorean turned to unsavory activities to save his financially troubled DeLorean Motor Company, and it was Hoffman who was all too willing to lure the car designer / engineer into a cocaine trafficking ring set up by the FBI. Isabel Arraiza is Cristina DeLorean, DeLorean’s fashion model wife, Judy Greer (Ant-Man, Jurassic World, War for the Planet of the Apes) is Ellen Hoffman, Hoffman’s direct, no nonsense wife and Corey Stoll (First Man, Ant-Man, Midnight in Paris) is ambitious FBI Special Agent Benedict Tisa. Director Nick Hamm joins us for a conversation on the challenges of re-creating the time and place where the DeLorean / Hoffman took place and establishing a comedic tone that propels this highly entertaining story.

 

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For news, screenings and updates go to: drivenmovie.us

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Nick Hamm: twitter.com/realnickhamm

“A joyride more interested in the journey than in any significant destination.” – Elizabeth Weitzman, TheWrap

“This is actually quite a fair amount of fun, due in no small part to the charms of Jason Sudeikis.” – Joey Magidson, Hollywood News

“Driven is a short and sweet supernatural romp that never gets boring and somehow manages to pack laughs into what could be a very intense storyline in another film.” – Lorry Kikta, Film Threat

“Once again, two fine central performances bring a clever Colin Bateman script alive, with Jason Sudeikis injecting a well of emotional depth to his portrayal of a scuzzy FBI informant with a small but troubling conscience.” – Lee Marshall, Screen International

Peanut Butter Falcon, Michael Schwartz and Tyler Nilson

THE PEANUT BUTTER FALCON is an adventure story set in the world of a modern Mark Twain that begins when Zak (Gottsagen), a young man with Down syndrome, runs away from a nursing home where he lives to chase his dream of becoming a professional wrestler and attending the wrestling school of The Salt Water Redneck. Through circumstances beyond their control Tyler (LaBeouf), a small time outlaw on the run, becomes Zak’s unlikely coach and ally. Together they wind through deltas, elude capture, drink whisky, find God, catch fish, and convince Eleanor (Johnson), a kind nursing home employee with a story of her own, to join them on their journey. THE PEANUT BUTTER FALCON stars Shia LaBeouf, Dakota Johnson, Thomas Haden Church, Bruce Dern, John Hawkes and newcomer, Zack Gottsagen, premiered back in March at SXSW and was a huge critical success, with a current score of 100% on Rotten Tomatoes. The film also won over fans, taking home the Audience Award for Narrative Spotlight. Co-directors and co-writers Michael Schwartz and Tyler Nilson stop by to talk about there experiences and the stacks of miracles that brought this heart-warming tale of friendship and reaching for your dreams.

 

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For news, screenings and updates go to: thepeanutbutterfalconmovie.com

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97% on Rotten Tomatoes

“LaBeouf brings the soul to “The Peanut Butter Falcon,” while Gottsagen brings the spirit. He has an undeniably charming screen presence, and the actor takes to this starring role with gusto.” – Katie Walsh, Los Angeles Times

“A heartwarming, tender and funny adventure grounded in humanism. Refreshingly witty and unconventional. It’s one of the summer’s best surprises.” – Avi Offer, NYC Movie Guru

“What’s clear is that a lot of development time, movie resources, and A-List actors all came together to make a masterpiece of a film centering on one person…Zack Gottsagen.” – Alan Ng, Film Threat

“‘The Peanut Butter Falcon’ is a sweet, warm story about dreams and the family you choose. Zack Gottsagen is pure comedy. Shia LaBeof is giving me sexy, scruffy with substance and the pairing of these two on screen is perfection.” – Carla Renata, The Curvy Film Critic

One Child Nation, Co-director Nanfu Wang (Jialing Zhang)

China’s One Child Policy, the extreme population control measure that made it illegal for couples to have more than one child, may have ended in 2015, but the process of dealing with the trauma of its brutal enforcement is only just beginning. From award-winning documentarian Nanfu Wang (HOOLIGAN SPARROW, I AM ANOTHER YOU) and Jialing Zhang, the sweeping ONE CHILD NATION explores the ripple effect of this devastating social experiment, uncovering one shocking human rights violation after another – from abandoned newborns, to forced sterilizations and abortions, and government abductions. Wang digs fearlessly into her own personal life, weaving her experience as a new mother and the firsthand accounts of her family members into archival propaganda material and testimony from victims and perpetrators alike, yielding a revelatory and essential record of this chilling, unprecedented moment in human civilization. ONE CHILD NATION is a stunning, nuanced indictment of the mindset that prioritizes national agenda over human life, and serves as a first-of-its-kind oral history of this collective tragedy – bearing witness to the truth as China has already begun to erase the horrors of its “population war” from public record and memory. Director Nanfu Wang joins us to talk about her own journey and how it illuminates a greater, more universal truth about family secrets.

For news, screenings and updates go to: onechildnation.com

ONE CHILD NATION director Nanfu Wang will participate in a Q&A moderated by Alissa Wilkinson following the 7:30 pm show on Friday, 8/9 at the Royal. 

Social Media:

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#OneChildNation

**WINNER – Grand Jury Prize, U.S. Documentary – Sundance FF 2019**

**WINNER – Grand Jury Prize – Full Frame Doc Festival 2019**

**OFFICIAL SELECTION – Tribeca Film Festival 2019**

“SHATTERING. Informative yet always grounded in deep personal investment and clear-eyed compassion, this is a powerful indictment of a traumatic social experiment.” – David Rooney, The Hollywood Reporter

“PROVOCATIVE AND PERSONAL. Undoubtedly one of the year’s most important documentaries.” – Peter Debruge, Variety

“A thoroughly gripping and ceaselessly unnerving investigation into the policy that shaped and devastated China for a generation. Intimate, thought-provoking and well-crafted…gives voice to so many families whose agency was stolen from them. – Gary Garrison, The Playlist

American Heretic: The Gospel of Politics, Director Jeanine Butler and Producer Catherine Lynn Butler

We’ve entered a time where the power of negative partisanship has sorted us along lines of race and religion. These two factions have exploited race and religion, two of the most visceral things you can think of in terms of the human experience, and they’ve locked them in partisan identities.” The latest documentary from filmmakers Jeanine Butler and Catherine Lynn Butler AMERICAN HERETICS: THE GOSPEL OF POLITICS takes audiences into the buckle of Bible belt where a group of defiant ministers, congregations, and community leaders are challenging deeply rooted fundamentalist Christian doctrine in favor of a Gospel of Inclusion.  Labeled as “heretics” for their beliefs and actions, they refuse to wield their faith as a sword sharpened by literal interpretations of the Bible. Especially those fundamentalist  Christian interpretations that continue to justify nationalism and hack away at landmark civil rights protections for women, minorities, immigrants, and the LGBTQ communities. This poignant story challenges what we think we know about the Christian heartland by offering a rare personal glimpse into the contentious and often misunderstood history of religion, race, and politics in America. These Heretics are still interested in saving you from hell, but’s the earthly one, where poverty, discrimination and nationalism oppresses “…those who are the least among us.” Director / Producer Jeanine Butler (Documenting the Face of America) and Producer Catherine Lynn Butler (Journey of the Universe) stop by to talk about their journey into America’s Bible Belt and the growing movement to embrace a more tolerant perspective of spiritual enlightenment. 

 

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For news and updates go to: americanhereticsthefilm.com

“‘American Heretics: The Politics of the Gospel’ doesn’t break ground cinematically, but it is eye-opening in other ways.” – Ben Kenigsberg, New York Times

“All the usual theological arguments for a loving rather than discriminatory faith are here” – Luke Y. Thompson, Forbes

“It makes passionate arguments. It offers a ray of hope. And it evokes the sense that those most desperately in need of seeing it will never cross its path.” – John Anderson, America Magazine

“A film that shines a light on those who would be a candle in the midst of the Medieval darkness of modern, white Southern American Christianity.” – Roger Moore, Movie Nation

Unmasking Jihadi John: Anatomy of a Terrorist, Director Anthony Wonke and Journalist Richard Kerjab

Mohammed Emwazi was a grade school student in London with a promising future ahead of him in 1995. By 2014, he had become known as “Jihadi John,” a masked ISIS terrorist in Syria who internationalized his notoriety by broadcasting his beheadings of Western hostages on the internet. UNMASKING JIHADI JOHN: ANATOMY OF A TERRORIST includes rare footage of Emwazi as a young boy in London and interviews with his schoolteachers who reveal that he lived a relatively comfortable and normal childhood. His behavior grew more disconcerting in his teenage years. Emwazi’s brutality is illustrated through harrowing, first-hand accounts from his surviving hostages, and the collaboration between the world’s leading intelligence agencies, including the CIA and Britain’s intelligence agents, who ultimately tracked him down and ended his life.  UNMASKING JIHADI JOHN: ANATOMY OF A TERRORIST examines what propelled Emwazi’s journey down a violent path despite US and British authorities being aware of his extremism. It also highlights the self-declared operational failures by counter-terrorism officials as Emwazi became ISIS’s chief executioner and propagandist.  Joining us on Film School Radio will be Oscar®-nominated, BAFTA and Emmy®-winning director Anthony Wonke (HBO’s “The Battle for Marjah”), and BAFTA-winning producer and investigative journalist Richard Kerbaj for a conversation on the how and why a schoolboy and promising soccer player morphs into a sadistic killer.

UNMASKING JIHADI JOHN: ANATOMY OF A TERRORIST debuts WEDNESDAY, JULY 31 (8:00-9:40 p.m. ET/PT), exclusively on HBO.

 

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For news and updates go to: hbo.com/documentaries

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“This is a superior doc, just know when to briefly look away.” – Anne Brodie, What She Said

“Part high-tech manhunt and part brutal captivity narrative, “Unmasking Jihadi John: The Anatomy of a Terrorist” is one documentary unlikely to leave anyone in its viewing audience bored.” – David Zurawik, Baltimore Sun

“This is a film that spends much of its time on observation and analysis of the known facts… This makes it feel rather dry in places but avoids any glamorisation of its subject.” – Jennie Kermode, Eye for Film

“In terms of cinematography and editing, Jihadi John: Anatomy of a Terrorist is well-executed, and it’s certainly informative.” – Amy Glynn, Paste Magazine

Long Gone Wild, Director William Neal

William Neal’s documentary LONG GONE WILD focuses on the plight of captive orcas, picking up where Gabriela Cowperthwaite’s acclaimed documentary BLACKFISH left off while telling a uniquely new and different story… LONG GONE WILD centers on five primary areas: (1) The Blackfish Effect (what it did and didn’t accomplish i.e., SeaWorld took a major hit to its bottom line, but the 20 orcas are still there); (2) The case against captivity (orcas are forced to live in barren concrete tanks); (3) Orcas as sentient animals (their great capacity to think, feel, communicate, and empathize); (4) The Whale Sanctuary Project and its model seaside sanctuary for retired orcas – providing a safe, permanent home in their natural habitat; and, (5) The ominous threat to orcas posed by Russia and China, triggered by the explosive growth of mega-aquariums in China. Director, producer and writer Bill Neal joins us for a conversation on the set-backs and steps being taken around the world to defend and enhance the lives of these magnificent mammals.

Director’s Statement: For decades, killer whales have been performing for sold-out audiences at aquatic theme parks like SeaWorld – and for nearly as long, there have been cries to “free the orcas.” To which park executives have answered with a simple question: Where will they go? A legitimate argument. Orcas held in captivity for much or all of their lives are simply not equipped to deal with life in the wild. But all that is about to change, thanks to the “dream team” of scientists/orca experts/engineers with The Whale Sanctuary Project. Their mission: to establish a model seaside sanctuary where whales and dolphins can be rehabilitated or can live permanently in an environment that maximizes well-being and autonomy and is as close as possible to their natural habitat. We will document this ground-breaking effort through interviews with the key players along with exclusive footage of the proposed cold-water site, the most crucial piece of a very complex puzzle. In the end, it is all about restoring something we humans have taken from these highly intelligent, socially complex animals by forcing them to live in captivity for our entertainment and amusement. And by retiring them to a seaside sanctuary, we dignify not only the orcas but ourselves. – William Neal

 

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For news, screenings and updates go to: longgonewild.com

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“Long Gone Wild will prove to be just as damaging for SeaWorld and other marine aquariums as Blackfish was six years ago” – Danielle Solzman, Solzy at the Movies

For Sama, Directors Waad al-Kateab and Edward Watts

FOR SAMA is both an intimate and epic journey into the female experience of war. A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much. FOR SAMA took home the Best Documentary Award at this year’s 2019 Cannes Film Festival, FOR SAMA had its world premiere at SXSW Film Festival where it won the Grand Jury Prize and the Audience Award for Best Documentary.  Since then, it continues to gather more awards every time it screens.  The growing awards list includes the aforementioned SXSW; Cannes Film Festival; and Sheffield Doc/Fest; Telluride MountainFilm; Nantucket Film Festival; River Run; LA Asian Pacific Film Festival; Hot Docs; and Newport Beach Film Festival. Co-directors Waad al-Kateab and Edward Watts join us for a conversation on the courage to document the unimaginable horror of a brutal regime and what it means to believe in something so deeply that you are willing to risk everything for it. 

 

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For news, screenings and updates go to: ForSamaFilm.com

For Sama – Q&A with directors Waad al-Kateab and Edward Watts and  Dr. Hamza al-Kateab following the 4:30 pm show on Sunday, 7/28.

Social Media:

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100% on Rotten Tomatoes

WINNER – Best Documentary – 2019 Cannes Film Festival
WINNER – Documentary Grand Jury Prize – 2019 SXSW Film Festival
WINNER – Audience Award – 2019 SXSW Film Festival
WINNER – Jury Prize – 2019 HotDocs Film Festival
WINNER – Grand Jury Award – International Docu – 35th LA Asian Pacific Film Festival
WINNER – Indomitable Spirit Award – 2019 MountainFilm
WINNER – Special Jury Mention – 2019 Sheffield Doc/Fest
WINNER – Audience Award – 2019 Sheffield Doc/Fest
WINNER – Best Documentary Jury Prize – 2019 Newport Beach Film Festival
WINNER – Audience Award – 2019 Nantucket Film Festival
WINNER – Best Cinematography – 2019 RiverRun Film Festival

“Simple in concept and shattering in execution, blending hard-headed reportage with unguarded personal testimony, it’s you-are-there cinema of the most literal order.” – Guy Lodge, Variety

“For Sama is undoubtedly difficult to watch, but you cannot close your eyes when watching such an urgent film. An endlessly powerful and absolutely essential work, it’s a must-see when it is released this autumn.” – Musanna Ahmed, Film Inquiry

“If not turning away is how we must confront the violence, inhumanity and senselessness of war, this brutal, heart-wrenching film is essential viewing.” – Loren King, AWFJ Women on Film

“For Sama is an astonishing achievement. A moving memorial to all who died in the pursuit of freedom.” – Rob Aldam, Backseat Mafia

Mike Wallace is Here, Director Avi Belkin

Never before has journalism in America been so hotly debated. At a time when it seems like the hard-hitting question is fighting for its right to be asked, MIKE WALLACE IS HERE turns the tough question loose on its inventor to understand how we got here and what’s really at stake. Legendary newsman Mike Wallace unflinchingly interrogated the 20th century’s biggest figures in over fifty years on the air, and his aggressive reporting style and showmanship redefined what America came to expect from broadcasters. Unearthing decades of never-before-seen footage from the 60 Minutes vault, this documentary portrait explores what drove and plagued this restless reporter, whose storied career was entwined with the evolution of journalism itself. MIKE WALLACE IS HERE is told exclusively through archival footage, without one talking-head commentary or backward-looking interview diluting the immediacy and power of Wallace’s work. The film traces his career on the air from his invention of the “tough question” in his 1950s interview show Night Beat to his news specials of the ’60s and his extraordinary four decades on CBS’ 60 Minutes, examining how his genre-defining work changed the standards of broadcast journalism for good and for ill, while unpacking the personal qualities that made Mike tick. Director Avi Belkin takes us behind the mask of the fearless inquisitor to reveal a driven man fraught with doubt and insecurities.

 

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For news and updates go to: mikewallaceishere.com

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100% on Rotten Tomatoes

“A compulsively engrossing account of a career notable for its gutsy, confrontational attitude toward the power brokers in business and politics.” – Todd McCarthy, Hollywood Reporter

“A no holds barred, sobering look at one our most acerbic, in your face, troubled award winning journalist – Mike Wallace. CBS unlocked their vaults with exclusive archival footage, interviews and words from Wallace himself.” – Carla Renata, The Curvy Film Critic

“As Belkin’s brisk and compelling documentary fades to black, the director seems to hope that the Wallace quotation audiences cling to isn’t one of his fanged questions, but his optimism for the profession to which he dedicated his life” – Amy Nicholson, Variety

The Mountain, Director Rick Alverson

THE MOUNTAIN is a dark, hypnotic and surreal satire about repression and conformity set against the 1950’s “golden age” of American male domination.  (Tye Sheridan, READY PLAYER ONE, MUD), whose mother was sent to an asylum years ago, is an introverted young photographer at loose ends, ignored by his father (cult actor Udo Kier). After the death of his father, Andy is befriended by renowned lobotomist Dr. Wallace Fiennes (Jeff Goldblum, THE GRAND BUDAPEST HOTEL, JURASSIC PARK) and joins him on a tour to promote the doctor’s recently-debunked procedure. As Andy increasingly identifies with the asylum’s patients, he falls in love with a rebellious young woman, Susan (Hannah Gross), and encounters the burgeoning New Age movement of the West. Also starring Denis Lavant (HOLY MOTORS). Director and co-writer Rick Alverson (THE COMEDY, ENTERTAINMENT) joins us for a conversation on the subversive performances of Goldblum and Sheridan and the ways his harrowing, brilliant film cuts to the core of savage male brutality in the guise of “science.”

 

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For news and updates go to: kinolorber.com/The Mountain

Rick Alverson Productions

Rick Alverson’s film production –  madebedproductions.com

Social Media

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Opening in Los Angeles at the NuArt Theatre on July 26 – 11272 Santa Monica Blvd, Los Angeles, CA 90025

(Q&A with Jeff Goldblum and Rick Alverson following the 7:00 pm screening on Saturday, July 27th)

Official Selection at: SXSW / Venice Film Festival / Sundance Film Festival

A beautiful… singular portrait of America’s fractured identity.” – Eric Kohn, Indiewire

“Genuinely menacing. A near-hypnotic pall of strangeness.” – Guy Lodge, Variety

“Shimmeringly surreal. Lanthimos meets Roy Andersson meets a heavy dose of lithium.” – Jessica Kiang, The Playlist

“Dark and visionary.” – Deborah Young, The Hollywood Reporter

“Surreally gorgeous. Replete with unsettling, rewarding pleasures.” – Leonard Goi, MUBI

The Great Hack, Co-directors Jehane Noujaim and Karim Amer

Big Data has surpassed oil as the world’s most valuable asset. It’s being weaponized to wage cultural and political warfare. People everywhere are in a battle for control of our most intimate personal details. From award-winning filmmakers Karim Amer and Jehane Noujaim, THE GREAT HACK uncovers the dark world of data exploitation with astounding access to the personal journeys of key players on different sides of the explosive Cambridge Analytica/Facebook data scandal. Academy-Award nominees Amer and Noujaim (The Square, Control Room, Startup .com) continue their tradition of exploring the seismic ripples of social media with this riveting, complex film. THE GREAT HACK forces us to question the origin of the information we consume daily. What do we give up when we tap that phone or keyboard and share ourselves in the digital age? THE GREAT HACK is co-directed by Karim Amer and Jehane Noujaim, with a production team led by Geralyn Dreyfous, Judy Korin and Pedro Kos. Karim Amer and Jehane Noujaim join us to talk about Big Data, the expectation of privacy and where we go from here.

 

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For news and updates go to: thegreathack.com

Social Media:

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87% on Rotten Tomatoes

“You leave with a clear sense of how one company [sold] democracy down the river, not to mention having your fingernails chewed down to the quick.” – David Fear, Rolling Stone

“A thrilling yarn of political espionage and fascinating characters… However, this isn’t hollow entertainment. The film insists upon the gravity of the situation, toggling effortlessly between the micro and the macro lens on this tale.” – Katie Walsh, Tribune News Service

“[A] gripping, challenging documentary by Karim Amer and Jehane Noujaim, about the biggest scandal of our time: the gigantic question mark over the legality of the Brexit vote.” – Peter Bradshaw, Guardian

“Pondering individual data rights and the sinister side of widespread connectivity, co-directors Jehane Noujaim and Karim Amer diligently inspect how our innocent likes and shares became the building blocks of Brexit and Trump.” – Tomris Laffly, Time Out

BlackStar Film Festival, Founder Maori Karmael Holmes

The BlackStar Film Festival (BlackStar) returns August 1-4, 2019 with a stellar slate of black, brown and indigenous films from around the globe. The BlackStar Film Festival is an annual celebration of the visual and storytelling traditions of the African diaspora and of global communities of color, showcasing films by black, brown and indigenous people from around the world. Continuing its legacy of discovery and excellence, audiences can expect must-see film premieres, poignant artist discussions, and discover new cinematic favorites from this year’s class of emerging filmmakers. Founded in 2012 by Maori Karmael Holmes, BlackStar has become the hottest event on the film festival calendar. With a program unlike any other, BlackStar is the destination to discover new artists voices from Black and global indigenous filmmakers. Artists including Terence Nance (An Oversimplification of Her Beauty; HBO’s Random Acts of Flyness), and Matthew A. Cherry (9 RIdes; ABC’s Whiskey Cavalier), and Nijla Baseema Mu’min (Jinn) have shared their work at the festival and from BlackStar cultivated a fanbase that has grown with their careers.  

 

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For news and updates go to blackstarfest.org

BlackStar Festival Film Highlights:

This year’s festival features sneak preview of Hip-Hop: The Songs That Shook America, a new documentary series directed by directed Erik Parker and One9.

From Executive Producers Ahmir “Questlove” Thompson, Tariq “Black Thought” Trotter, Shawn Gee, and Alex Gibney, Fear No Gumbo, a documentary feature directed by Kimberly Rivers Roberts, about the 13 years since the deadly Category 5 Hurricane Katrina that made landfall on Florida and Louisiana and the corruption and systemic racism that still victimizes the residents that returned after Katrina. 

A new documentary from Emmy Award-winning director and  Macarthur “genius” fellow Stanley Nelson (The Black Panthers: Vanguard of the Revolution). Boss which explores over 150 years of African American entrepreneurship, from bondage to billion dollar moguls.

Academy Award-winning  director, Roger Ross Williams (Music By Prudence, God Loves Uganda) will be on-hand for the debut of his latest documentary The Apollo chronicling the unique history and contemporary legacy of New York City’s landmark Apollo Theater.

Panels and Awards:

BlackStar will present the Luminary Award to Marcia Smith, President of Firelight Media

To commemorate the 30th anniversary of Do The Right Thing, filmmaker Spike Lee and activist Tarana Burke will discuss the possibilities of using radical storytelling to center social justice and foster narrative change. 

For news and updates go to blackstarfest.org

Who Killed Garrett Phillips?, Director Liz Garbus

On Oct. 24, 2011, 12-year-old Garrett Phillips was murdered in his home in Potsdam, a small town in upstate New York. Police quickly zeroed in on a suspect in this unthinkable crime: Oral “Nick” Hillary, a black man in the mostly white community, who was a soccer coach at Clarkson University and the ex-boyfriend of Garrett’s mother, Tandy Cyrus. WHO KILLED GARRETT PHILLIPS? chronicles the five years following the murder, as Garrett’s family and community relentlessly seek justice for Garrett, and as Nick, who maintains his innocence, fights to clear his name and take back control of his life while raising five children. Through interviews with local police investigators, District Attorneys, defense lawyers, Phillips’ family members, friends of Tandy Cyrus as well as Nick Hillary and his children, along with extensive police audio and video recordings, and courtroom footage, the film is a gripping, eye-opening look at how justice is delivered and delayed. WHO KILLED GARRETT PHILLIPS? seeks to uncover the truth behind both the tragic murder of a young boy that traumatized a town, as well as the vilification of a black man who was swept up in a quest for justice, and the enduring mysteries that remain. Directed by two-time Academy Award® nominee and Emmy® winner Liz Garbus (HBO’s A Dangerous Son and Nothing Left Unsaid: Gloria Vanderbilt & Anderson Cooper, and What Happened, Miss Simone?), the captivating two-part documentary WHO KILLED GARRETT PHILLIPS? looks at the case from the initial investigation through the arrest and numerous legal twists and turns that culminated in Hillary’s trial for murder five years after the crime. Director Liz Garbus joins us to talk about how this case raises troubling questions of racial bias and issues surrounding policing and the criminal justice system.

 

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For news and updates go to: hbo.com/documentaries/who-killed-garrett-phillips

WHO KILLED GARRETT PHILLIPS? debuts TUESDAY, JULY 23 and WEDNESDAY, JULY 24 (8:00 pm ET/PST), exclusively on HBO. The film will also be available on HBO On Demand, HBO NOW, HBO GO and partners’ streaming platforms.

For news and updates go to: moxiefirecracker.com

Social Media:

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Ray & Liz, Director Richard Billingham

On the outskirts of Birmingham and the margins of society the Billingham family perform extreme rituals and break social taboos as they muddle through a life decided by factors beyond their control. At times shocking and laced with an unsettling humour, three episodes unfold as a powerful evocation of the experience of growing up in a Black Country council flat. Director Richard Billingham joins us for a conversation on his raw, intimate, biographical tale of dysfunctional family and fractured memories.

About the filmmaker Richard Billingham: In 1997 he was the first recipient of the Deutsche Borse Photography Prize and the following year BBC2 broadcast his film Fishtank, (47mins) produced by Artangel and filmmaker Adam Curtis. He exhibited at the Venice Biennale 2001 and was nominated for the Turner Prize, also 2001. He has made work about his immediate family, about animals in zoos around the world and about the British landscape. Recently he has written and directed his first feature film for cinema called ‘Ray & Liz’, shot on location in the Midlands where he grew up. His work is held in many collections including San Francisco Museum of Modern Art, The Metropolitan Museum, New York, V & A and Tate Galleries, London.

 

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For news and updates go to: kimstim.com/film/ray_and_liz

“Performed with absolute commitment by its cast (Justin Salinger and Ella Smith play the younger versions of the title characters), “Ray & Liz” is a quietly harrowing movie.” – Glenn Kenny, New York Times

“All hail an instant classic.” – Charlotte O’Sullivan, London Evening Standard

“Reaching backwards to understand the hardship of his formative years, [Richard] Billingham finds clarity and cinematic grace by reconciling the deep, irreparable flaws of his mother and father.” – Rhys Handley, One Room With A View

“We often say art “cuts close to the bone,” but in its depiction of clinking liquor bottles and drawers of unopened rent notices soaked in dog urine, Ray & Liz slices clean through that bone.” – Andrew Lapin, NPR

LUZ, Director Tilman Singer

A rainy night. A dazed and numb young cabdriver, Luz, drags herself into the brightly lit entrance of a rundown police station. Across town in a nightspot, Nora seductively engages police psychiatrist Dr. Rossini in a conversation. Nora is possessed by a demonic entity, longing for the woman it loves – Luz. She tells the Doctor about her old schoolmate Luz’s rebellious past at a Chilean school for girls. Increasingly drunk on her story, Rossini turns into an easy prey in Nora’s hands, but he’s soon called away to the police station to examine Luz. Supervised by his colleagues, the doctor puts Luz in a state of hypnosis that initiates a series of flashbacks, unfolding the events leading to her arrival. But the entity that has taken control of the doctor wants something more. Bit by bit it slips into Luz’ reenactment and makes old memories come to light. Shooting entirely on 16mm, first time feature film director Tilman Singer pays homage to horror masters David Cronenberg, Dario Argento and Lucio Fulci, while infusing the genre with a fresh take of his own. Director Tilman Singer stops by to talk about his mind-bending, trip through a fevered tale of “demonic” possession, ruptured identity and menacing dread.

Director’s Statement:

”LUZ is a story about identity, a lack of one, or maybe even denying one’s own. For the most part this is told by forces (archetypal characters, institutions, or personifications of moral arguments) influencing and manipulating our titular character Luz. I structured the narrative as a panic attack, of repressed memories and confusion. It is purposely open to interpretation by the viewer. LUZ is a sensuous thriller that plays with the sensory perception of the audience. Initially, I wanted to write a simple story that could only be told audio-visually. How we ended up telling it cinematically, nested within diegetic flashbacks, got a little more complicated. For example, we use an additional layer of sound that adds a past reality to a present one. Given that we are observing a moment relived under hypnosis,  the credibility of both realities is questioned at all times. The viewer who attempts to answer this question of credibility has to, with sharpened senses, fully engage in image and sound.”

 

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For news and updates go to: yellowveilpictures.com/luz

Social Media:

twitter.com/tilmansinger

“Equal measures demonic-possession thriller, experiment in formalist rigor, and flummoxing narrative puzzle-box.” – Dennis Harvey, Variety

“A refreshing take on demonic possession in which the usual fright-flick cliches are nowhere to be found.” – John DeFore, Hollywood Reporter

“Working with very little resources, (writer/director) Singer creates a wholly unique story of possession, obsession, loneliness, manipulation, and ultimately self-destruction that is incredibly ambitious and impressively executed.” – Rob Dean, Daily Grindhouse

“Though there’s a split in audiences around what constitutes horror … the one thing that’s agreed upon is that the genre seeks to unsettle and provoke. In this regard, Singer’s Luz is an undeniable triumph.” – Douglas Davidson, Elements of Madness

The Art of Self-Defense, Director Riley Stearns

After he’s attacked on the street at night by a roving motorcycle gang, timid bookkeeper Casey (Jesse Eisenberg) joins a neighborhood karate studio to learn how to protect himself. Under the watchful eye of a charismatic instructor, Sensei (Alessandro Nivola), and hardcore brown belt Anna (Imogen Poots), Casey gains a newfound sense of confidence for the first time in his life. But when he attends Sensei’s mysterious night classes, he discovers a sinister world of fraternity, brutality and hyper-masculinity, presenting a journey that places him squarely in the sights of his enigmatic new mentor. Audacious and offbeat, The Art of Self-Defense is an original dark comedy that takes toxic masculinity to absurd extremes. Director Riley Stearns joins us for a lively conversation on this wildly inventive, surreal black comedy.

 

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For news and updates go to: bleeckerstreetmedia.com/theartofselfdefense

For screening info go to: theartofselfdefense-tickets.com

Social Media:

facebook.com/artofselfdefensemovie

twitter.com/The Art of Self Defense

instagram.com/taosdfilm

“The Art of Self-Defense manages to clarify the filmmaker’s intriguing vision by stuffing it into a remarkably unnerving character study.” – Eric Kohn, indieWire

“”The Art of Self-Defense” may be presented as an absurdist satire, but like the best American comedies… it doubles as a keen critique of our national character.” – Peter Debruge, Variety

“’Fight Club’ by way of Yorgos Lanthimos, Riley Stearns’ screed on “might is right” toxic masculinity is a giggly black comedy that cowers down a twisty-turny rabbit hole.” – Matt Oakes, Silver Screen Riot

“It emerges as a strong early contender for best film of the year.” – Bobby LePire, Film Threat

“The Art of Self-Defense is not only a must-see, it’s an easy contender for the best film of the year so far.” – Kevin L. Lee, Film Inquiry

Sea of Shadows, Director Richard Ladkani

A looming disaster in one of the most spectacular environments on Earth sparks a rescue mission unlike any other in SEA OF SHADOWS, a riveting new documentary with the intensity of a Hollywood thriller from National Geographic Documentary Films and winner of the Sundance audience award. When Mexican drug cartels and Chinese traffickers join forces to poach the rare totoaba fish in the Sea of Cortez, their deadly methods threaten to destroy virtually all marine life in the region, including the most elusive and endangered whale species on Earth, the vaquita porpoise. SEA OF SHADOWS follows a team of dedicated scientists, high-tech conservationists, investigative journalists and courageous undercover agents as well as the Mexican Navy as they put their lives on the line to save the last remaining vaquitas and bring the vicious international crime syndicate to justice. Director Richard Ladkani (The Ivory Game, The Devil’s Miner) talks about the monumental challenge of saving a highly intelligent mammal from a desperately poor community who see the black market totoaba and the vaquita as a way to spare their family from a life of poverty and degradation.

 

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For news and updates go to: nationalgeographic.com/films/sea-of-shadows

For screening information go to: nationalgeographic.com/films/sea-of-shadows

Social Media:

facebook.com/seaofshadowsSOS

twitter.com/seaofshadowsSOS

instagram.com/seaofshadows

For more about the filmmaker:

malaikapictures.com

richardladkani.com

“Sea of Shadows is truly horrifying.” Danielle Solzman, Solzy at the Movies

“An environmentally conscious, unabashedly heart-grabbing exposé.” –  Guy Lodge, Variety

“Ladkani has a way with conveying just how big the stakes are and brings them to land.” – Stephen Saito, Moveable Fest

“Sea of Shadows may still raise awareness about the plight of other sea creatures still under threat from illegal nets sweeping the bottom of the ocean, killing everything unfortunate enough to swim in its wake.” – Monica Castillo, Remezcla

Marianne & Leonard: Words of Love, Director Nick Broomfield

Marianne & Leonard: Words of Love is renowned filmmaker Nick Broomfield’s most personal and romantic film of his career. The Marianne & Leonard: Words of Love starts on the Greek island of Hydra in 1960, where Leonard Cohen, then a struggling and unknown fiction writer, and Marianne Ihlen, a single mother with a young son, became part of community of expat artists, writers and musicians. Never-before-seen footage shot by Broomfield and legendary documentarian D.A. Pennebaker make for a unique portrait of an idyllic 1960’s bohemia.  The time on Hydra left a lasting imprint on both Marianne and Leonard, whose friendship would last another fifty years before their deaths in 2016. It was on Hydra in 1968 that director Broomfield, then aged 20, first himself met Marianne. She introduced him to Cohen’s music and encouraged Nick to make his first film.   As she was with so many artists, Marianne was an enormous influence on Broomfield, who went on to direct award-winning documentaries, many about iconic music legends including Whitney Houston, (Whitney Houston: Can I Be Me) Tupac Shakur and Biggie Smalls, (Tupac and Biggie) Kurt Cobain and Courtney Love (Kurt & Courtney). Director Nick Broomfield joins us to talk about his relationship with Marianne, the undeniable talent and charisma of Cohen, and the profound impact his time on Hydra had on his personal and professional life.

 

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For news and updates go to: marianneandleonardwordsoflove.com

Social Media for Marianne and Leonard:

facebook.com/marianneandleonardwordsoflove

Social Media for Nick Broomfield:

twitter.com/nickbroomfield1

“Love stories are like Tolstoy’s unhappy families: no two of them are alike. But even given that, the relationship chronicled in “Marianne & Leonard: Words of Love” has a quality very much its own.” – Kenneth Turan, Los Angeles Times

“An impossibly heartfelt portrait of this woman, and her impossible relationship with a brilliant man.” – Katie Walsh, Tribune News Service

“Broomfield’s personal engagement and his embrace of the complexities of life and love elevate this film, which travels across decades and continents to show the lasting power of one connection.” – Joe BlessingThe Playlist

“Unmissable.” – Rolling Stone

Phil, Director Greg Kinnear

Directed by Academy Award nominated actor Greg Kinnear (As Good as It Gets, Little Miss Sunshine, The Matador) with an outstanding cast that includes; Emily Mortimer (Mary Poppins Returns), Luke Wilson (Bottle Rocket, Meadowland), Bradley Whitford (Get Out, West Wing), Jay Duplass (Beatriz at Dinner, Landline), Robert Forster (Jackie Brown, The Descendants), and Kurt Fuller (Midnight in Paris, Auto Focus). PHIL is the story of a depressed dentist whose life is falling apart. Phil is shocked when one of his patients, Michael Fisk (Bradley Whitford),  a man who seemed to have the perfect life, kills himself. Determined to find out what would drive a man who had everything to end his life, Phil pretends to be a handyman and integrates himself in to the dead man’s life, befriending his wife (Emily Mortimer) and daughter. How long can Phil keep up this double life when he is determined to end his normal one? Director and lead actor Greg Kinnear joins us to talk about the challenges and rewards of a first-time director, finding the humanity in a story of personal tragedy and working with an incredibly talented group of artists.

 

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For news and updates go to: bronstudios.com/productions/phil

PHIL screens in Los Angeles July 5 – 11 at the Arena Cinelounge.

Social Media:

https://twitter.com/realgregkinnear

“Greg Kinnear combines acting with directing in a role that exudes nice-guy-ness that few other performers can duplicate as well.” – Shockya.com

Blue Note Records: Beyond the Notes, Director Sophie Huber

BLUE NOTE RECORDS: BEYOND THE NOTES chronicles one of the most important record labels in the history of jazz — and, by extension, that of American music. Blue Note Records has been home to such groundbreaking artists as Miles Davis, Thelonious Monk, John Coltrane, Bud Powell and Art Blakey, as well as present-day luminaries like Robert Glasper, Ambrose Akinmusire and Norah Jones. Founded in New York in 1939 by German Jewish refugees Alfred Lion and Francis Wolff, the history of Blue Note Records goes beyond the landmark recordings, encompassing the pursuit of musical freedom, the conflict between art and commerce and the idea of music as a transformative and revolutionary force. Through rare archival footage, current recording sessions and conversations with jazz icons Herbie Hancock, Wayne Shorter and today’s groundbreaking Blue Note musicians, BLUE NOTE RECORDS: BEYOND THE NOTES reveals a powerful mission and illuminates the vital connections between jazz and hip hop. Filmmaker Sophie Huber gained her filmmaking experience as a member of an award winning Berlin film collective. Huber’s debut feature documentary, the critically acclaimed HARRY DEAN STANTON: PARTLY FICTION, premiered at the Venice Film Festival in 2012. Director Sophie Huber joins us to talk about chronicling the lives and musical journey for many of the greatest artists of the 20th Century and the German Jewish refugees who provided them with a platform in her second remarkable feature documentary BLUE NOTE RECORD: BEYOND THE NOTES.

 

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For news and updates go to: bluenoterecords-film.com

For more about the filmmaker go to: facebook.com/sophie.huber

Social Media:
facebook.com/BlueNoteRecordsFilm
instagram.com/bluenoterecordsfilm
twitter.com/BlueNoteFilm

“Damn near immaculate music documentary” – Leslie Felperin, The Guardian

“Glorious and invaluable documentary by Sophie Huber of the ultimate jazz record label Blue Note Records.” – Dennis Dermody, Paper Magazine

“The 85-minute film is a jazz nerd’s dream… Jazz’s evolution into hip-hop is a major theme in Beyond the Notes, which is in some ways also a hip-hop documentary and a passing of the torch.”  – Maiysha Kai, The Root 

“Jazz lovers will go ape over Blue Note Records: Beyond the Notes… For jazz lovers worldwide, this Swiss doc is heaven-sent and heaven itself.” – Doris Toumarkine, The Film Journal

“Seductive and invigorating… taking the viewer beyond the music to immerse them in the talent, drive and sense of heritage that continue to propel the distinct mission …” – Jason Wood, Wire Magazine 

“It’s about music, yes, but the label and this film concern more: Life-lessons, collaboration, open-minded attitudes and the value of submitting to the now.” – Brad Wheeler, Globe and Mail

“A must-see if you love John Coltrane … or Kendrick Lamar… And especially if you think jazz is dead.” – Pamela Espeland, Minnpost, Sound Unseen Review

Toni Morrison: The Pieces I Am, Director Timothy Greenfield-Sanders

TONI MORRISON: THE PIECES I AM offers an artful and intimate meditation on the life and works of the acclaimed novelist. From her childhood in the steel town of Lorain, Ohio to ‘70s-era book tours with Muhammad Ali, from the front lines with Angela Davis to her own riverfront writing room, Toni Morrison leads an assembly of her peers, critics and colleagues on an exploration of race, America, history and the human condition as seen through the prism of her own literature. Woven together with a rich collection of art, history, literature and personality, the film includes discussions about her many critically acclaimed works, including novels “The Bluest Eye,” “Sula” and “Song of Solomon,” her role as an editor of iconic African-American literature and her time teaching at Princeton University. In addition to Ms. Morrison, the film features interviews with Hilton Als, Angela Davis, Fran Lebowitz, Walter Mosley, Sonia Sanchez and Oprah Winfrey, who turned Morrison’s novel “Beloved” into a feature film. Using Timothy Greenfield-Sanders’ elegant portrait-style interviews, Toni Morrison: The Pieces I Am includes original music by Kathryn Bostic, a specially created opening sequence by artist Mickalene Thomas, and evocative works by other contemporary African-American artists including Kara Walker, Rashid Johnson and Kerry James Marshall. Director Timothy Greenfield-Sanders joins us for a conversation on gaining the trust and confidence of a literary icon.

 

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For news and updates go to: tonimorrisonfilm.com

For more on upcoming screenings go to: tonimorrisonfilm.com/tickets

For more about the filmmaker go to: greenfield-sanders.com

Social Media:

https://www.facebook.com/ToniMorrisonFilm

https://twitter.com/tonimorrison

“[An] inspiring doc. An eloquent nonfiction biopic that travels creatively through the past, Timothy Greenfield-Sanders’ film is enlivened both by its own storytelling dexterity and by the participation of its subject, who at 87 years old remains as warm, vibrant and insightful as ever… [She] comes across as a vivacious and intellectually formidable presence deserving of the titanic praise heaped upon by her.” – Nick Schager, Variety

“[A] visually beautiful documentary… Morrison, now 87, narrates her life in a tone that is determined, self-assured and sly… The clarity of her vision as she talks about race may be the most trenchant and potent aspect of the film… Morrison and her novels are treasures.” – Caryn James, The Hollywood Reporter

“What’s most interesting about The Pieces I Am is not just Morrison’s explanations and reflections of her work but her steadfast determination while editing, writing and raising two children on her own, to never indulge the white gaze… A comprehensive examination of Morrison, the perseverance of Black women and how we understand ourselves as a people.” – Aramide Tinubu, Shadow and Act

Endzeit – Ever After, Director Carolina Hellsgård

ENDZEIT – EVER AFTER, is a post-apocalyptic feminist gothic fairy tale that takes place two years after zombies have overrun Earth. Two young women, Vivi (Gro Swantje Kohlhof) and Eva (Maja Lehrer), develop an unlikely friendship in order to survive. They are stranded in the no-man’s land of the Black Forest where they have to rely on each other and on nature, while in search of a more humane world. But their survival has also unleashed demons from their past that they must confront. In the end, love arises not only for each other, but also for the fantastic natural world surrounding them. According to the director Carolina Hellsgård: “ENDZEIT – EVER AFTER reflects upon our future existence, how we choose to live, and what our options will be in a world where nature strikes  back. The aesthetics are inspired by the quirky and refreshing style of Olivia Vieweg’s graphic novel, which the script is based on.”

About the filmmaker: Carolina Hellsgård is a writer-director, born in Sweden and based in Berlin. She studied experimental media design at the Berlin University of Arts and film directing and screenwriting at Cal Arts in Los Angeles. Her critically acclaimed debut feature film WANJA premiered at the Berlinale 2015 and was nominated for Berlinale Best First Feature Award. It won Best Screenplay (Valletta Film Festival) and Best Feature Film Debut at the Biberacher Filmfestspiele. She is currently in post-production for the feature film project SUNBURNED.

 

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For news and updates go to: endzeiteverafter.com

For more on upcoming screenings go to: endzeiteverafter.com

** ENDZEIT – EVER AFTER, Director Carolina Hellsgrd will be in  Los Angeles on June 28 and 29 for Q&A at the Laemmle Royal and Laemmle Glendale.

“The alternating light and darkness here, and throughout “Ever After,” is a wonderful leitmotif for the women’s labyrinthian path, the journey of heroes.” – Maria Garcia Los Angeles Times

“A post-apocalyptic film, although fictional alludes to the reality we face today as nature begins to wreak its revenge on an out-of-control civilization.” – Louis Proyect Counterpunch.org

“Endzeit has definitely become one of my favorite films of the year, and one of my favorites of the genre. It is a refreshing take on not only these horrific creatures but also the meaning behind them and the apocalypse they bring.” – Stephanie Archer Film Inquiry

“It’s this ecological theme that leads to some truly inspired visuals which sustain the film until its unexpected, conciliatory conclusion. Endzeit is an unbalanced film, to be sure, but proof nonetheless of zombies’ enduring relevance in horror cinema.” – Christopher Machell CineVue

Before Stonewall, Co-director Robert Rosenberg (Greta Schiller)

BEFORE STONEWALL tells the story of the 1969 the police raided the Stonewall Inn, a gay bar in New York City’s Greenwich Village, leading to three nights of rioting by the city’s gay community. With this outpouring of courage and unity the gay liberation movement had begun. BEFORE STONEWALL pries open the closet door, setting free the dramatic story of the sometimes horrifying public and private existences experienced by LGBT Americans since the early 1900’s. Revealing and often humorous, this widely acclaimed film relives the emotionally-charged sparking of the contemporary Lesbian and Gay rights movements, from the events that led to the fevered 1969 riots to many other milestones in the brave fight for acceptance. Experience the fascinating and unforgettable, decade-by-decade history of homosexuality in America through eye-opening historical footage and amazing interviews with those who lived through an often brutal closeted history. The recently restored version of BEFORE STONEWALL, supervised by Co-director Greta Schiller and underwritten by First Run Features, is being released for a 2019 theatrical run in commemoration of the 50-year anniversary of the Stonewall riots. Co-director Robert Rosenberg joins us to talk about the making of the landmark film and how it helped change perceptions of the LGBTQ community.

For news and updates go to: firstrunfeatures.com/beforestonewall

“Entertaining and enlightening.” – Los Angeles Times

“Funny, sad, courageous and touching.” – Seattle Times

“Intelligent and moving. Adroitly mixes old newsreel and film footage, interviews and even home movies.” – The New York Times

“You owe it to yourself to see it.” – Judith Crist, WOR-TV

LETO / Summer, Co-writers Mikhail Idov and Lili Idova

Avant-garde Russian filmmaker Kirill Serebrennikov (The Student) returns to the big-screen with a tribute to the early years of Russian rock with LETO. Leningrad, in the summer, early eighties. Smuggling LP’s by Lou Reed and David Bowie, the underground rock scene is boiling ahead of Perestroika. LETO tells the tale of Viktor Tsoi (Theo U) and the Kino group, about his relationship with Mike Naumenko (Roma the Beast), his wife Natalya (Irina Starshenbaum) and many who were in the vanguard of the rock movement Leningrad in 1981. This is a story about Leningrad of the 80s, about love, searching and high hopes – about a mood that will stay with us forever. LETO is full of music that the characters live and breathe: the Kino group, Mike Naumenko, the cult tracks of that time. Mike and his beautiful wife Natasha meet with young Viktor Tsoï. Together with friends, they will change the trajectory of rock n’roll music in the Soviet Union. Co-writers Mikhail Idov and Lili Idova join us to talk about the  working with avant-garde Russian filmmaker Kirill Serebrennikov, celebrating a time of artistic freedom and indelible impression that these artists had on the people who connected to their enthusiasm.

Social Media:

For news and updates go to: twitter.com/michaelidov

“Weaving a glancing love triangle into a poignant observation on the waxing and waning of creativity, Serebrennikov revels in radiant black-and-white scenes of urban grit.” – Jeannette Catsoulis, New York Times

“Far from an angry political screed, it feels both removed from its fraught larger context and shrewdly, poignantly attuned to it.” – Justin ChangLos Angeles Times

“Leto is a gorgeous, endlessly charming romance drama that’s part jukebox musical and part anthropological document. With revolution on the periphery, Leto is a superb picture.” – Joshua BrunstingThe CriterionCast

“There is a sprawling sense of time and place to Leto, which blows out the running to over two hours, yet there is not a frame of the film one would want to see excised.” – Simon Foster, Screen-Space

The Edge of Democracy, Director Petra Costa

THE EDGE OF DEMOCRACY is a cautionary tale for these times of democracy in crisis, the personal and political fuse to explore one of the most dramatic periods in Brazilian history. THE EDGE OF DEMOCRACY captures the  personal journey of filmmaker Petra Costa (ELENA, Olma and the Seagull) into politics watching her country fall into disarray, echoing the undoing of so many democracies around the world. Combining unprecedented access to leaders past and present, including Presidents Dilma Rousseff and Lula da Silva, Costa witnesses their rise and fall and the tragically polarized nation that remains. Through the stories of her mother and father, Costa documents the rebirth of a democratized Brazil following years of authoritarian rule under a military dictatorship. She traces the impeachment of Rousseff, the imprisonment of de Silva, and the rise of the far right. Was Brazil’s democracy a short-lived dream? Merging the personal and the political, Costa delves to the heart of her country’s unfolding identity crisis, examining widespread institutional corruption while connecting her own family’s complex past to Brazil’s current crisis. Capturing a unique historical moment, A NETFLIX original documentary production, THE EDGE OF DEMOCRACY examines the forces at play in the global erosion of democracy. Director Petra Costa joins us for a conversation about Brazil’s past, present and future and how the political trajectory of her beloved country is increasingly relevant to our own.

 

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The Edge of Democracy is available at: netflix.com

For more about the filmmaker go to: petracosta.com

Social media:

facebook.com/PetraCostaOficial/

twitter.com/petracostal

instagram.com/petracostal

95% on Rotten Tomatoes

“Directed by Petra Costa, this completely fascinating documentary provides an unexpectedly compelling inside look at the political earthquakes that have been roiling Brazil for several years.” – Kenneth Turan, Los Angeles Times

“It’s a chronicle of civic betrayal and the abuse of power, and also of heartbreak.” – A.O. Scott, New York Times

“[Petra Costa] seems utterly incapable of crafting a frame that is lacking in urgency or vibrance.” – Matt Fagerholm, RogerEbert.com

“A dense, complex undertaking Costa impressively wraps her arms – and our minds – around, made even more daunting by the dual purpose “The Edge of Democracy” serves as both an immediate witness to an extraordinarily precarious historical moment.” – Stephen Saito, Moveable Fest

The Feeling of Being Watched, Director Assia Boundaoui

Assia Boundaoui’s deeply personal investigative documentary THE FEELING OF BEING WATCHED about the Arab-American neighborhood outside of Chicago where director she grew up. It is a community where most of her neighbors think they have been under surveillance for over a decade. While investigating their experiences, Assia uncovers tens of thousands of pages of FBI documents that prove her hometown was the subject of one of the largest counter-terrorism investigations ever conducted in the U.S. before 9/11, code-named “Operation Vulgar Betrayal.” With unprecedented access, THE FEELING OF BEING WATCHED weaves the personal and the political as it follows the filmmaker’s examination of why her community fell under blanket government surveillance. Assia struggles to disrupt the government secrecy shrouding what happened and takes the FBI to federal court to compel them to make the records they collected about her community public. In the process, she confronts long-hidden truths about the FBI’s relationship to her community. THE FEELING OF BEING WATCHED follows Assia as she pieces together this secret FBI operation, while grappling with the effects of a lifetime of surveillance on herself and her family. Director / Producer Assia Boundaoui talks about her own determination to hold the FBI and the government accountable, the impact the FBI surveillance has had on her family and community and the bigger question, why?

 

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For news and updates go to: feelingofbeingwatched.com

For upcoming screenings go to: feelingofbeingwatched.com/screenings

*** Los Angeles area screening:  The week of 6/21 – 6/27 at the Laemmle Music Hall – Q&A’s with director Assia Boundaoui following the 7:40 pm show on Friday, 6/21, Saturday, 6/22 and Thursday 6/27 and also after the 3:10 pm show on Sunday, 6/23 at the Music Hall.

Social Media:

facebook.com/BeingWatchedDOC

twitter.com/BeingWatchedDOC

92% on Rotten Tomatoes

“Expanding its scope beyond Bridgeview and Islamophobia, it looks at the larger question of how the United States government has targeted minority groups throughout its history.” – Kimber Myers, Los Angeles Times

“Equal parts angry and anxious, Boundaoui’s smart, unsettling documentary functions both as a real-world conspiracy thriller and a personal reflection on the psychological strain of being made to feel an outsider in one’s own home.” – Guy Lodge, Variety

“A quietly unsettling first-person doc,The Feeling of Being Watched proceeds as a head-on exploration of the gray area between fear and certainty.” – Sheri Linden, Hollywood Reporter

“This should be required viewing for all Americans, but especially those who think they couldn’t possibly be living in a surveillance state.” – Leah Pickett, Chicago Reader