Mossville, When Great Trees Fall, Director Alexander John Glustrom

Mossville, Louisiana is a shadow of its former self – a community rich in natural resources and history, founded by formerly enslaved people and free people of color – where neighbors lived in harmony, insulated from the horrors of Jim Crow. Today, Mossville is surrounded by 14 petrochemical plants and the future site of apartheid-born South African-based chemical company Sasol’s newest plant – proposed as a $21.2 billion project and the largest in the western hemisphere. The remaining family members of Mossville struggle to let go of their ancestral home – and at the center of it all is a man named Stacey Ryan. Stacey is 49 years old and a lifelong resident of Mossville. In the past ten years Stacey has lost much of his family to cancer and seen the neighborhood he grew up in demolished to make way for Sasol’s new multi-billion dollar project. Having promised his dying parents to fight the sprawling chemical companies, Stacey struggles to keep his word as his power, water, and sewage are all cut off, and his health continues to decline from ongoing chemical exposure. As Sasol encroaches on citizens’ property with buyout offers, Stacey and other community members have to decide whether to exist in a chemical war zone, or abandon land that has been in their families for generations.,MOSSVILLE: When Great Trees Fall Director and Editor Alexander John Glustrom joins us to talk about one man’s fight to hold on to the last patch of a historic community and the legacy of a shattered community.

 

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For news and updates go to: mossvilleproject.com

About the filmmaker: Alexander John Glustrom – Director / Editor / Director of Photography – Alexander John Glustrom’s first film was the award winning documentary, “Big Charity,” winner of The Jury Award and Audience Award at New Orleans Film Festival and the 2015 Documentary of the Year by Louisiana Endowment for the Humanities. He was awarded “Filmmaker of the Year” at the 2015 New Orleans Millennial Awards and one of New Orleans’ “40 under 40” by Gambit Magazine. He has directed, shot, produced, and edited a wide variety of film and media projects that have reached hundreds of thousands online, played at film festivals internationally and aired on major networks including HBO, CNN, Fusion, NYtimes.com, Great Big Story and Democracy Now.  Daniel Bennett, Katie Mathews and Catherine Rierson are Producers, while Linda Karn and Michelle Lanier serve as Executive Producers.

For more about Alexander John Glustrom go to: ajgmedia.com

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MOSSVILLE: When Great Trees Fall will be broadcast nationally on the PBS series Reel South beginning May 25 and on the world channel beginning May 31.

MOSSVILLE: When Great Trees Fall opens virtually in theaters in New York on May 7 through the Maysles Documentary Center, and in Los Angeles on May 8 through the Laemmle Theaters. Select screenings will be followed by a Q&A with filmmakers.  Additional participating theaters include Milwaukee Film Sofa Theater (Milwaukee, WI), Smith Rafael Film Center (Marin County, CA), Grail Moviehouse (Asheville, NC), Frida Cinema (Santa Ana, CA), Broad Theater (New Orleans, LA) and Tampa Theatre (Tampa, FL). Please check the MOSSVILLE website for more information on theaters and Q&As: mossvilleproject.com/screenings

“Striking and Urgent…” – Indie Wire

“Mossville captures the devastation of the destruction of a community with grace and empathy and has a message that will reverberate across generations.” – BRWC

“A sad and uncommonly stunning exploration of environmental racism and the adverse effects of industrialization on fenceline communities.” – Anti-Gravity

“A nightmarish landscape is the battleground for Stacey’s defiant spirit, as he’s forced to choose between a better life for his son and fighting to preserve his ancestors’ legacy.” – Planet in Focus

The Infiltrators, Co-directors Cristina Ibarra and Alex Rivera

THE INFILTRATORS is a docu-thriller that tells the true story of young immigrants who are detained by Border Patrol and thrown into a shadowy for-profit detention center— on purpose. Marco and Viri are members of the National Immigrant Youth Alliance, a group of radical DREAMers who are on a mission to stop unjust deportations. And the best place to stop deportations, they believe, is in detention. However, when Marco and Viri attempt a daring reverse ‘prison break,’ things don’t go according to plan. By weaving together documentary footage of the real infiltrators with re-enactments of the events inside the detention center, THE INFILTRATORS tells an incredible and thrilling true story in a genre-defying new cinematic language. Co-directors Cristina Ibarra and Alex Rivera joins for a conversation on dire conditions that await detainees, the cruelty of a for-profit system designed to frustrate people with legitimate reasons for remaining in the United States and their respect for the people who willingly put their lives and futures on the line for the sake of others.

 

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For news and updates go to: theinfiltrators.oscilloscope.net or infiltratorsfilm.com

About the filmmakers:

Alex Rivera is an award-winning filmmaker who tells visually adventurous stories. His first feature film, Sleep Dealer, won the screenwriting award at the 2008 Sundance Film Festival, was screened at the Museum of Modern Art, and had a commercial release around the world. In 2015 Alex was awarded support from the Surdna Foundation and the Ford Foundation for The Infiltrators.

Cristina Ibarra has been making award-winning films that explore the U.S.-Mexico border for the past seventeen years. The New York Times calls her documentary Las Marthas “a striking alternative portrait of border-town life.” Her PBS documentary collaboration, The Last Conquistador, had a national broadcast on POV. In 2015 she became part of Women at Sundance.

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“THE INFILTRATORS manages to personalize the undocumented struggle by transforming it into an unlikely blend of activism and suspense that makes a compelling case for the abolishment of ICE.” – Eric Kohn, INDIEWIRE

“A doc mixing interviews, real-time action and reenactment in exciting ways, Alex Rivera and Cristina Ibarra’s THE INFILTRATORS tells a true story so inspiring it’s a wonder it isn’t better known.’ – John DeFore, THE HOLLYWOOD REPORTER

“Chronicling the audacious acts of a group of organized undocumented youth prior to the Obama-implemented, temporary relief known as DACA (Deferred Action for Childhood Arrivals), THE INFILTRATORS, from Latinx directors Alex Rivera and Cristina Ibarra, is a vital piece of hybrid cinema that shines light into the obscure realm of privately-operated immigration detention facilities.” – Carlos Aguilar, THE WRAP

Shadows of Freedom, Co-directors Amos Carlen and Aline Robichaud

SHADOWS OF FREEDOM recounts the untold story of the Jewish & French resistance of 1942 in Algiers, which helped change the course of WWII, yet remains largely forgotten. These 388 resistors – mostly young and inexperienced – almost haplessly ended up supporting the Allies in North Africa. In the process they paved the way for a successful invasion of Algiers by the U.S., but also helped to save the lives of over 500,000 Jews in North Africa, targeted by Hitler’s Final Solution. This was all part of OPERATION  TORCH the joint American/U.K. mission that was to be the Allies’ first successful strike against the Nazis. This largely forgotten military operation remains to this day as the longest invasion in the history of conflict. Co-directors and co-producers Amos Carlen and Aline Robichaud join us to talk about a little known but critically important chapter of French resistance, American and British military strategy and the courageous contributions made by Jewish resistance fighters. 

 

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For news and updates go to: shadowsfreedom.com/home

 
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* OPERATION TORCH was the 1942 Anglo-American invasion of North Africa (Algeria and Morocco). It was the 1st joint operation of the U.S. and the U.K., the 1st Allied success against the Nazis and, until D-Day, the largest military operation ever undertaken. It was a hugely significant turning point in the war – aided greatly by the resistance in Algiers – yet remains largely forgotten. SHDOWS OF FREEDOM unveils the importance of Operation Torch in the hopes of highlighting this historical moment that stands as a remarkable achievement by America and Great Britain. This powerful alliance made victory a certainty.

Planet of the Humans, Director Jeff Gibbs

Released on the eve of the 50th anniversary of Earth Day and in the midst of the global Covid-19 pandemic, PLANET OF THE HUMANS takes a harsh look at how the environmental movement has lost the battle through well-meaning but disastrous choices, including the belief that solar panels and windmills would save us, and by giving in to the corporate interests of Wall Street. PLANET OF THE HUMANS is the debut movie from director Jeff Gibbs, whom Executive Producer Michael Moore calls “a brave and brilliant filmmaker whose new voice must be heard.” Gibbs is a lifelong environmentalist and longtime collaborator of Moore’s with whom he co-produced Bowling for Columbine and Fahrenheit 9/11. Gibbs has dared to say what no one will — that “we are losing the battle to stop climate change because we are following environmental leaders, many of whom are well-intentioned, but who’ve sold out the green movement to wealthy interests and corporate America.” This film is the wake-up call to the reality which we are afraid to face: that in the midst of a human-caused extinction event, the so-called “environmental movement’s” answer is to push for techno-fixes and band-aids. Moore and Gibbs decided that with the American public — and much of the world – confined to their homes and suddenly having to consider the role humans and their behavior have played in our fragile ecosystem, the moment was too urgent to wait until later this year for the film’s planned release. Director / Producer / Writer / Editor and Cinematographer Jeff Gibbs joins us for a free-wheeling conversation on the hard truths we all face and the dawning realization that we have allowed ourselves to be lulled into believing the billionaire class is going to ensure a sustainable collective future.

 

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For news and updates go to: planetofthehumans.com

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“This is perhaps the most urgent film we’ve shown in the 15 year history of our film festival” – Filmmaker Michael Moore, Founder, Traverse City Film Festival

“A delusion-shattering documentary on how the environmental and green energy movements have been taken over by capitalists.” – Frederic and Mary Ann Brussat, Spirituality and Practice

“A bleak picture of a near future that mankind’s very existence is irrevocably condemning.” – Simon Foster, Screen-Space

“This doc, directed by long-time Michael Moore collaborator Jeff Gibbs, advocates passionately for a planet suffering from environmental devastation but offers few glimmers of hope.” – Liam Lacey, Original Cin

“From the warnings of the 1950s to the 21st-century corporate takeover of green energy, a grim look at humanity’s fate as the planet heats up. Is there any hope? This feels like only half the story.” – MaryAnn Johanson, Flick Filosopher

Stray, Director Dustin Feneley

Winner of numerous international film awards STRAY, director Dustin Feneley’s feature film debut, takes place in a cold and remote landscape, two strangers, Jack (Kieran Charnock) and Grace (Arta Dobroshi) struggle to repair their broken pasts. A young man is on parole after serving time for attempting to murder the man who killed his girlfriend in a hit and run. A woman is released from a psychiatric facility far from her homeland. These two damaged strangers cross paths in the mountains in winter and fall into a complex intimate relationship, putting to the test their capacity to trust and heal. A stark, complex story of people confronting their past while struggling to find their own resolve to forge a better future. Director / Producer / Writer Dustin Feneley joins us for a conversation on his own journey getting Stray financed and completed  as well as crafting a beautifully rendered tale of two lost, psychologically exhausted souls. 

 

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For news, screenings and updates go to: strayfilm.com

 
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Winner – Silver Saint George Award – Best Actor –  Moscow International Film Festival 2018
Winner – Grand Prix – Best Cinematography – Golden Eye Festival 2018 
Winner – Best Feature Film – Rivne International Film Festival 2018
Winner – Best Production Design – Rivne International Film Festival 2018                       Winner – Best Actress – Festival des Antipodes 2018
Winner – Best Direction in a Feature Film – Australian Directors Guild Awards 2019         Winner – Best New Director – Brooklyn Film Festival 2019
Winner – Best Feature Film – Portoviejo Film Festival 2019
Winner – Best Actor – Balneario Camboriu International Film Festival 2019
Winner – Best Cinematography – Balneario Camboriu International Film Festival 2019

 

100% on Rotten Tomatoes

“Stray is simply contemplative and resoundingly lyrical in representing two kinds of nature set against one another: pained human nature and the Great Outdoors joined at the emotional hip” – Frank Ochieng, Flick Feast

“Stray is a quiet and internalised film that will demand your attention and compassion to really appreciate. A resolution – of sorts – when it arrives, is conveyed in a single, wordless shot.” – Graeme Tuckett, Stuff.co.nz

“While not an apolitical film…Feneley never lets social commentary overpower his narrative, constantly returning to the internal struggle, and never romanticising the damage his protagonists suffer from.” – Doug Dillaman, 4:3

“It is an iceberg of a film – what appears above the surface barely scratches at the behemoth of emotion lurking within.” – Tom Augustine, New Zealand Herald

BULL, Director Annie Silverstein

The quietly powerful new film from award-winning director Annie Silverstein BULL focuses on a  14-year-old Kris (Amber Havard), who, after trashing her neighbor’s house in a fit of youthful defiance, seems destined to follow in her mother’s footsteps to the state penitentiary. To make amends, she is forced to help Abe Turner (Rob Morgan), an ex-bull rider scraping by on the Texas rodeo circuit, with errands at home and at his work. While traveling with Abe, she discovers a passion for bull riding.  Yet, as Kris sets out to learn the dangerous sport, bad influences lure her back into delinquent ways. Meanwhile, Abe struggles with the aches and pains of growing older and aging out of the only life he has ever known. Together, Kris and Abe forge an unexpected connection, helping each other see new possibilities and hope for the future before it’s too late. Director and writer Annie Silverstein stops by to talk about the inspiration for BULL and how her experience as a social worker informs her instincts as a filmmaker.

 

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About the filmmaker – Annie Silverstein is an award winning filmmaker and media educator based in Austin, Texas. Her films have screened at international festivals including Cannes, SXSW, Silverdocs and on PBS Independent Lens. Her latest film, SKUNK, won first prize at the 2014 Cannes Film Festival–Cinéfondation. Before attending film school, Annie spent ten years as a youth worker and community media educator. She co-founded and served as Artistic Director at Longhouse Media, an indigenous arts organization based in Seattle. For her work there, Annie received the National Association for Media Literacy Award for outstanding contributions made in the field of media education. Annie is a lecturer at the University of Texas-Austin, where she earned her MFA in Film Production. Annie was named one of the “25 New Faces of Independent Film” by Filmmaker Magazine and was selected for the Sundance Screenwriters and Directors Labs for Bull, her feature debut. Annie recently premiered Bull at the Cannes Film Festival in Un Certain Regard.

For news, screenings and updates go to: samuelgoldwynfilms.com/bull/

For more on Annie Silverstein got to: anniesilverstein.com

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“The fact that this never comes across as maudlin is tribute to a director who knows her way through dark places, and a pair of actors who can create a quiet storm.” – Steve Pond, TheWrap

“By resisting sentimentality, the filmmaker, alongside her naturalistic actors, allows us to sit inside the characters’ despair so that we appreciate the intensity of its stifling oppression.” – Tim Grierson, Screen International

“As she proved with her superb, award-winning 2014 short film Skunk, Silverstein portrays marginal lives with unflinching honesty and heart-wrenching humanity.” – Loren King, AWFJ Women on Film

“[Director] Silverstein makes a strong case that these people have something worthwhile to say to viewers. There is a grace and tenderness to the movie that are hard to resist.” – Daniel Eagan, Film Legacy

Working Man, Director Robert Jury

Somewhere in the Rust Belt of America another factory is closing down. After decades on the job, the reclusive Allery Parkes (Peter Gerety) finds himself out of work. Following his plant’s closure, Allery attempts to bide his time – same as his former, disgruntled, unemployed co-workers. However, despite the best efforts of his conciliatory wife Iola (Talia Shire), to get him to move on with his life. Allery keeps going back to his old workplace. A new morning presents a new opportunity. Allery gets dressed in his factory work clothes, he packs his lunch and, when asked by his perplexed wife where he’s off to, Allery responds, “I’m going to work.” WORKING MAN traces Allery as he sneaks into the closed factory. At first, he does this alone, but in time he gains an unexpected – and initially unwelcome ally. A charismatic neighbor, Walter Brewer (Billy Brown), soon joins Allery at the defunct factory. As their community rallies around them – and as their former corporate bosses strategize how to implode this unexpected movement – Allery learns that he might be something he never thought possible: a leader. Director and writer Robert Jury joins us to talk about his clear-eyed look at a man and a town, gave their job everything, now coming to grips with a haunting past and an uncertain future.

 

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For news and updates go to: workingmanmovie.com

For updates on Working Man screenings go to: workingmanmovie.com/screenings

 

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Himalayan Ice, Co-director Austin Schmitz and Ari Novak

In December 2018, alpinists Ari Novak and Karsten Delap set out for India to explore one of the most remote valleys in the Indian Himalaya with local climber Karn Kowshik. Their goal was to meet with the indigenous population of the Spiti Valley and try to support local ice climbing. What they found was perhaps the biggest treasure trove of unclimbed ice in all the Himalaya. HIMALAYAN ICE (Adventures in India’s Most Remote Valley) tells the history-making story of their journey to put up nine first ascents and start an ice climbing movement by the local population. From their journey to the valley along the most treacherous road on earth to walking amongst Snow Leopards, the expedition was anything but expected. Co-directors Austin Schmitz and Ari Novak join us to talk the challenges of getting to India’s Spiti Valley, connecting with the people, climbers and non-climbers, and the life lessons learned during their remarkable journey.

 

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For news and updates go to: himalayanicefilm.com

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Supporting Himalayan Ice: Himalayan Ice is presented by La Sportiva to raise money and awareness for impoverished and indigenous populations to enable these native people to climb in their own mountains. By empowering native populations through climbing for conservation we hope to establish and protect safe climbing areas for native populations in the worlds great mountain ranges. Himalayan Ice has partnered with Project Conservation a 501c3 non profit to enable our efforts. Ticket proceeds will directly go to support this non profit effort.

Beyond the Visible, Hilma af Klint, Director Halina Dyrschka

Hilma af Klint was an abstract artist before the term existed, a visionary, trailblazing figure who, inspired by spiritualism, modern science, and the riches of the natural world around her, began in 1906 to reel out a series of huge, colorful, sensual, strange works without precedent in painting. The subject of a recent smash retrospective at the Guggenheim Museum, af Klint was for years an all-but-forgotten figure in art historical discourse, before her long-delayed rediscovery. Halina Dryschka’s dazzling, course correcting documentary describes not only the life and craft of af Klint, but also the process of her mischaracterization and her erasure by both a patriarchal narrative of artistic progress and capitalistic determination of artistic value. Director Halina Dyrschka joins us to talk about her own journey in making this compelling and powerful film and the importance of shattering the art world narrative of marginalizing woman artists.

 

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About the filmmaker – Director Halina Dyrschka was born in Berlin, Germany and is active as a director and producer. After studying acting, classical singing and film production she founded the company AMBROSIA FILM in Berlin. Her first film as a director the short film “9andahalf’s Goodbye” was shown at over 40 film festivals worldwide and has won several awards. BEYOND THE VISIBLE – HILMA AF KLINT marks her directorial feature documentary debut and is the first and only film on the Swedish artist Hilma af Klint.

For news, screenings and updates go to: zeitgeistfilms.com/film/beyondthevisiblehilmaafklint

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100% on Rotten Tomatoes

“One needn’t have a B.F.A. to see the striking resemblances between Klint’s works, painted years earlier, and those of vastly more lauded male artists who came later.” – Kenneth R. Morefield, 1More Film Blog

“Beyond the Visible should reach the general public as a needed and welcome corrective, shining a light on yet another dynamic, trailblazing woman denied her rightful place in history, until now.” – Loren King, AWFJ Women on Film

“Beyond the Visible: Hilma af Klint reminds us that just because we do not yet know them, does not mean that there are not more than enough women artists to entirely populate their own club of geniuses – and that in itself makes the film worthwhile.” – Lee Jutton, Film Inquiry

The Booksellers, Director D.W. Young

D.W. Young’s elegant and absorbing documentary, THE BOOKSELLERS, is a lively tour of New York’s book world, populated by an assortment of obsessives, intellects, eccentrics and dreamers, past and present: from the Park Avenue Armory’s annual Antiquarian Book Fair, where original editions can fetch hundreds of thousands of dollars; to the Strand and Argosy bookstores, still standing against all odds; to the beautifully crammed apartments of collectors and buyers. The film, executive produced by Parker Posey, features a range of commentators, including Fran Lebowitz, Susan Orlean, Gay Talese, and a community of dedicated book dealers and collectors who strongly believe in the wonder of the object and what it holds within. Director D.W. David Young joins us to talk about his endearing look into a vanishing institution, local bookstores, and the people who love them and the treasures they hold.

 

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About the filmmaker – D.W. Young / Director and Editor – D.W. Young’s films have screened at festivals around the world including SXSW, Vancouver International Film Festival, Maryland Film Festival, Provincetown Film Festival, Sarasota Film Festival and many more. His features A HOLE IN A FENCE and THE HAPPY HOUSE were released by First Run Features. Most recently his short A FAVOR FOR JERRY, filmed on election night 2016, premiered at IFF Boston.

For news, screenings and updates go to: booksellersdocumentary.com

The Booksellers is being distributed through greenwichentertainment.com

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“Though it opens with a quote from Susan Sontag invoking Jorge Luis Borges’s belief… the film is not about the content, but the container – the tactile, redolent artifact essential to book lovers and sought by collectors.” – Peter Keough, Boston Globe

“[A] charming documentary about the book world – or more specifically the book-as-object world, with antiquarian booksellers trying to reinvent themselves and their industry in a digital era.” – Jennifer Szalai, New York Times

“The Booksellers is a documentary for people who treasure the sheer look and feel of books… As a proud member of this diminishing tribe of obsessives, I am grateful there exists a film featuring my spiritual kinfolk.” – Peter Rainer, Christian Science Monitor

“Pays warm-hearted tribute to the reading, but also the shopping, the rifling, the obsessing, the complaining, the dreaming, the list-making, the shelf-organizing, and everything else book-lovers love to do.” – Elizabeth Weitzman, TheWrap

Selah and the Spades, Director Tayarisha Poe

SELAH AND THE SPADES tells the beautifully complex story of an insulated world at an elite Pennsylvania boarding school, Haldwell, where the student body is run by five factions. Seventeen-year-old Selah Summers (Lovie Simone) runs the most dominant group, the Spades, with unshakable poise, as they cater to the most classic of vices and supply students with coveted, illegal alcohol and pills. Tensions between the factions escalate, and when Selah’s best friend/right hand Maxxie (MOONLIGHT’s Jharrel Jerome) becomes distracted by a new love, Selah takes on a protégée, enamored sophomore Paloma (Celeste O’Connor), to whom she imparts her wisdom onruling the school. But with graduation looming and Paloma proving an impressively quick study, Selah’s fears turn sinister as she grapples with losing the control by which she defines herself. In her feature debut, writer/director Tayarisha Poe immerses us in a heightened depiction of teenage politics. This searing character study encapsulates just how intoxicating power can be for a teenage girl who acutely feels the threat of being denied it. Exciting newcomer Lovie Simone’s performance beautifully embodies both Selah’s publicly impeccable command and the internal fears and uncertainty that drive it. Director and writer Tayarisha Poe joins us for a lively conversation on her own high school experience, The Godfather, the importance of showcasing powerful young women and the remarkably talented actors who make Selah and the Spades so riveting.

 

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Selah and the Spades premieres April 17 on Amazon Prime

About the filmmaker: Director / writer Tayarisha Poe is a storyteller from West Philadelphia who believes that all stories are inherently multi-sensory and multi-dimensional, and thus should be told that way. She was chosen as one of the 25 New Faces by Filmmaker Magazine in 2015, and in 2016 she received the Sundance Institute’s Knight Foundation Fellowship. In 2017 she was selected for the Sundance Screenwriters and Directors Labs. Her first feature film, SELAH AND THE SPADES, premiered at the 2019 Sundance Film Festival.

For more about Tayarisha Poe go to: tayarishapoe.com

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100% on Rotten Tomatoes

“Selah and the Spades shows a great deal of promise for writer/director Tayarisha Poe, who demands your attention with style and story in her directorial debut.” – Nick Allen, RogerEbert.com

“Quietly confident in its unconventional yet clear point of view, Selah and the Spades signals a bright future for a promising young filmmaker.” – Beandrea July, Hollywood Reporter

“The level of craft in Poe’s feature debut exceeds that of directors with more experience and portends a long career with more wonderful art to come.” – Bradley Gibson, Film Threat

“More than the sheer delight of watching a powerful Black girl, Selah and the Spades is an earnest celebration of youth and power -something long-reserved for white teens while excluding young people of color.” – Aramide Tinubu, Shadow and Act

Saint Frances, Director Alex Thompson

Flailing thirty-four-year-old Bridget (Kelly O’Sullivan) finally catches a break when she meets a nice guy and lands a much-needed job nannying six-year-old Frances (played by a scene-stealing Ramona Edith-Williams). But an unwanted pregnancy introduces an unexpected complication. To make matters worse, she clashes with the obstinate Frances and struggles to navigate a growing tension between Frances’s moms. Amidst her tempestuous personal relationships, a reluctant friendship with Frances emerges, and Bridget contends with the inevitable joys and shit-shows of becoming a part of someone else’s family. Director Alex Thompson joins us to talk about his collaboration with screenwriter / lead actor Kelly O’Sullivan, the casting of Frances and his approach to guiding this beautifully rendered story of three women and a child in search of family, love and power over their own lives.

 

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An open letter from Saint Frances writer and lead actor, Kelly O’Sullivan When I got pregnant in my early thirties and knew immediately I would get an abortion, I had no idea what to expect. My mom got me the “What to Expect When You’re Expecting” pregnancy book one Christmas, hoping I would hurry up and give her a grandchild, but nobody proudly hands you a guidebook on what to expect with abortion. I had no idea my abortion could be induced just with pills, and I had no idea how long my post-abortion bleeding would last. Women and girls are encouraged, outrightly or subliminally, to keep abortion, postpartum depression, periods, or any other innate part of womanhood that’s considered messy, “gross,” or shameful to ourselves. That makes for lonely, confusing, and isolating experiences. When my Mom finally learned what this movie was about, she said, “Well, you’re the first one in our whole family to get an abortion!” And I clarified, “Maybe I’m just the first person you know about.” Saint Frances endeavors to normalize and destigmatize those parts of womanhood that we’re encouraged not to talk about. I wanted not only to talk about these subjects, but to show them onscreen unapologetically, realistically. This movie could be called “There Will Be Blood 2,” and a sense of humor is a vital intention of the film. Saint Frances tries to show that abortion doesn’t always have to equal trauma, periods shouldn’t equal shame, and postpartum depression shouldn’t equal isolation. This story and these characters are filled with sincerity, empathy, humor and 6 tons of love. And there’s that healthy amount of blood. Thank you for watching. I truly, truly hope you enjoy. – Kelly O’Sullivan

For news and updates go to: saintfrances.oscilloscope.net

For more on the work of Director Alex Thompson go to: runawaytrainchicago.com

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98% on Rotten Tomatoes

“Kelly O’Sullivan writes and stars in the small masterpiece that’s both thought-provoking and wildly entertaining.” – Richard Roeper, Chicago Sun-Times

“I believe that everyone, especially women, should check out Saint Frances. It will make you laugh, it will make you cry, and it will make you think. That doesn’t happen all that often in the same movie.” – Lorry Kikta, Film Threat

“O’Sullivan and her creation are riveting, and when the film comes to an emotional end that hinges on all its early strengths, the result is satisfying and hard-won, a coming-of-age story told on just a slight delay.” – Kate Erbland, indieWire

“With a warm heart and a nonjudgmental mind, “Saint Frances” weaves abortion, same-sex parenting and postpartum depression into a narrative bursting with positivity and acceptance.” – Jeannette Catsoulis, New York Times

Slay the Dragon, Co-directors Barak Goodman and Chris Durrance, Journalist David Daley

After the 2008 election, a secretive, well-funded partisan initiative poured money into state legislative races in key swing states to gain control of their redistricting processes and used high-tech analytics to dramatically skew voting maps based on demographic data. The result is one of the greatest electoral manipulations in U.S. history, one that poses a fundamental threat to our democracy and exacerbates the already polarized atmosphere in Congress and state houses across the country.  Gerrymandering, the practice of redrawing electoral maps to serve the party in power, has been around for centuries. But in today’s hyper-partisan political environment it has been taken to unprecedented extremes, fueled by the elimination of corporate campaign contribution limits and the availability of vast amounts of personal information. The effects of this insidious strategy have continued to bear fruit through the 2018 midterms. But voters, fed up with cynical efforts to sidestep the will of the majority, have begun fighting back. In one example, a grassroots movement led by a young with no political experience gathered hundreds of thousands of signatures to put an anti-gerrymandering initiative on the ballot in Michigan. The new documentary SLAY THE DRAGON shines a light on this timely issue, and follows a handful of citizens’ groups, outraged by what they see as an attack on the core democratic principle that every person’s vote should count equally, as they battle party operatives and an entrenched political establishment to fix a broken system. Co-directors Barak Goodman and Chris Durrance stop by to talk about their approach to tackling a complex issue, and finding the grassroots activists who have shown that there is a way to affect real change despite the overwhelming odds.

 

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For news, screenings and updates go to: slaythedragonfilm.com

Watch Slay the Dragon AND support local Theatres: slaythedragonfilm.com/tickets

To learn more about the filmmakers and their work go to: ark-media.net

Social Media
facebook.com/SlayTheDragonFilm
twitter.com/SlayTheDragon
instagram.com/slaythedragonfilm

 

“The most important political film of the year. It may prove to be one of the key political films of the decade. There is no issue more threatening to the future of American democracy than gerrymandering.” – Owen Gleiberman, VARIETY

“Slay the Dragon does an extraordinarily good job of taking a complex issue and connecting the dots, which seems particularly appropriate for a documentary about gerrymandering.” – Brian Lowry, CNN.com

“Outrage is a likely reaction.” – Karen Martin, ARKANSAS DEMOCRAT-GAZETTE

“Shocking. It changes the way you see everything.”- Adrian Horton, THE GUARDIAN

The American Nurse, Director Carolyn Jones

THE AMERICAN NURSE explores some of the biggest issues facing America — aging, war, poverty, prisons — through the work and lives of five nurses. It is an examination of real people that will change how we think about nurses and how we wrestle with the challenges of healing America. Jason Short drives up a creek to reach a homebound cancer patient in Appalachia. Tonia Faust runs a prison hospice program where inmates serving life sentences care for their fellow inmates as they’re dying. Naomi Cross coaches patient Becky, an ovarian cancer survivor, through the cesarean delivery of her son. Sister Stephen runs a nursing home where she uses goats, sheep, dogs and llamas for animal therapy and the entire nursing staff comes together to sing to a dying resident. And Brian McMillion, an Army veteran and former medic, rehabilitates wounded soldiers returning from war. Director and Executive Director Carolyn Jones (Defining Hope), joins us to talk about her own journey to the making of The American Nurse and how she came to know the remarkably compassionate and professional people who have provided comfort and care to all of us.

 

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For news and updates got to: kinolorberedu.com/film/the-american-nurse

Watch The American Nurse: kinonow.com/american-nurse

About the filmmaker(s)

Carolyn Jones / Director and Executive Producer Carolyn Jones is an award-winning photographer and filmmaker who specializes in telling stories that shed light on issues of global concern. From people “living positively” with AIDS to women artisans supporting entire communities and nurses on the front lines of our healthcare system, Carolyn has devoted her career to celebrating invisible populations and breaking down barriers. She founded the non-profit 100 People Foundation which creates educational films and curricula and has students participating in thousands of schools in over 90 countries worldwide. Her most widely acclaimed book publications include Living Proof: Courage in the Face of AIDS and The American Nurse, which led to a feature documentary included in the U.S. State Department’s American Film Showcase. In the spring of 2018 her award-winning documentary Defining Hope, which was the culmination of a journey investigating how we can make better end-of-life choices, was broadcast over 1,000 times on PBS stations nationwide.  carolynjones.com

Lisa Frank – Producer As Director of Programs and Production for the 100 People Foundation, Lisa has traveled the globe to produce award-winning short documentaries on global issues for students worldwide. She founded a trans-Atlantic production company and produced a narrative short that screened at Cannes and the French-language documentary Démocratie en France which premiered in Paris and at the Alliance Française in New York City. She holds a B.S. in Theater from Northwestern University, and certificats des Beaux-Arts from L’Ecole Jacques Lecoq and L’Ecole Philippe Gaulier in Paris, where she also taught movement, dance and acrobatics.

To learn about the American Nurse Project, visit americannurseproject.com

About The American Nurse Project sponsor FRESENIUS KABI: Fresenius Kabi was inspired to launch an endeavor that celebrates nurses in this country– an undertaking that acknowledges the nurse’s critical role at the bedside, and their pivotal role within our healthcare system. The American Nurse Project, which includes the book The American Nurse as well as the forthcoming documentary, seeks to tell a story that needs telling. Capturing intimacy, rare beauty, and refreshing frankness with journalistic objectivity, we hope to celebrate the crucial role that care can have in all our lives, and to celebrate the people that care the most. We are proud to be the sole sponsor of the book and the production of the documentary. Fresenius Kabi is a global health care company that specializes in lifesaving medicines and technologies for infusion, transfusion and clinical nutrition.  Our products are used to help care for critically and chronically ill patients. To learn more, please visit us at www.fresenius-kabi.us. For more information about our support of The American Nurse Project, please contact geoffrey.fenton@fresenius-kabi.com.

Social Media
facebook.com/americannurseproject
twitter.com/amnurseproject
instagram.com/carolynjonesproductions

 

“A compassionate and psychologically revealing doc.” – The Hollywood Reporter

“Carolyn Jones’s portrait of five medical caregivers walks us through day-in, day-out sacrifices without ever coming off as sentimental or aggrandizing.” – The Village Voice

“A solid, worthwhile documentary…Elegantly clear-eyed.” – The New York Times

“Intellectually and emotionally engaging. This is one of the best films you’ll see this year, documentary or otherwise.” – Aisle Seat

Film Festival Day, Lela Meadow-Conner, Film Festival Alliance Executive Director

The Film Festival Alliance announced it will team with Theatrical-At-Home to present the inaugural Film Festival Day on Saturday, April 11. 30 FFA member film festivals will participate in a virtual screening of Gary Lundgren’s PHOENIX, OREGON, which will benefit each of the film festivals with a share of the evening’s proceeds.

Among the 30 participating film festivals are; Alexander Valley Film Festival (CA), Ashland Film Festival (OR), BendFilm (OR), Blue Whiskey Independent Film Festival (IL), Buffalo International Film Festival (NY), Cambria Film Festival (CA), Cinetopia Film Festival (MI), Cucalorus Film Festival (NC), Durango Independent Film Festival (CO), Heartland Film Festival (IN), Hell’s Half Mile Film & Music Festival (MI), Indy Film Fest (IN), Interfaith Film & Music Festival (NY), Flyway Film Festival (WI), Free State Festival (KS), Golden State Film Festival (CA), New Filmmakers Los Angeles (CA), Orcas Island Film Festival (WA), Oxford Film Festival (MS), Phoenix Film Festival (AZ), Poppy Jasper International Film Festival (CA), Sidewalk Film Festival (AL), Scottsdale International Film Festival (AZ), Skyline Indie Fest (VA), South Georgia Film Festival (GA), St. Louis International Film Festival (MO), Tallgrass Film Festival (KS), The Valley Film Festival (CA), Vermont International Film Festival (VT), and Woods Hole Film Festival (MA).

 

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Film fans from across the country will be able to select their festival of choice when purchasing tickets and box office revenue will be generously split with that organization. All ticket purchases will receive a one-time link to watch the movie at home as well as a free digital copy upon its official release this summer. Film festivals across the nation have endured more than 175 cancellations, postponements and quick pivots in the wake of COVID-19, with an estimated economic impact of more than $1.4 million for this group of organizations alone. Of the participating festivals, which come from 19 states, they have combined audiences of more than 200,000, support more than 5,500 filmmakers and collectively screened over 3,700 films in the last year.

Gary Lundgren’s PHOENIX, OREGON is about two friends, a graphic novelist and a chef, who defy a midlife haze by seizing an unlikely opportunity to reinvent their lives by quitting their jobs to restore an old bowling alley and serve the “world’s greatest pizza.” The film stars an impressive lineup of indie film stalwarts and comedy favorites including James Le Gros (DRUGSTORE COWBOY, LIVING IN OBLIVION), Lisa Edelstein (“House”), Jesse Borrego (“Fame,” BLOOD IN BLOOD OUT), Reynaldo Gallegos (AMERICAN SNIPER), Diedrich Bader (NAPOLEON DYNAMITE, OFFICE SPACEN, “Veep”), and Kevin Corrigan (THE DEPARTED, PINEAPPLE EXPRESS, TRUE ROMANCE).  Watch the trailer for Phoenix, Oregon

To purchase tickets go to: shop.jomafilms.com/Phoenix, Oregon – Film Festival Day

ABOUT FILM FESTIVAL ALLIANCE  Film Festival Alliance creates a collaborative global community for mission-driven film festivals. FFA advocates for a sustainable and inclusive environment for our industry within the cinema exhibition ecosystem and creates a powerful collective voice for film festivals and the people who run them. Founded in 2010 as a program of IFP, Film Festival Alliance (FFA) was established in 2015 as an independent non-profit networking organization, and now serves a membership of more than 180 organizations and individuals – representing a diverse array of size, geographic location and annual budget. FFA presents year-round professional development, and engagement opportunities around the country, offers valuable money-saving benefits and creates a collective community for festival professionals. FFA works year-round to celebrate and support the art of film, filmmaking and film presentation by connecting festival professionals with one another, and with other industry stakeholders including the greater filmmaking community.

Crip Camp, Co-directors Nicole Newnham and Jim LeBrecht

CRIP CAMP explores the revolution that blossomed in a ramshackle, unorthodox summer camp for teenagers with disabilities in the early 1970s, transforming their lives and igniting a landmark movement. This joyous and exuberant documentary, co-directed by Emmy®-winning filmmaker Nicole Newnham and sound mixer (and former camper) James LeBrecht, draws from a jaw-dropping store of archival footage to show how the campers’ bonds endured as they migrated West to Berkeley, California — a promised land for a growing and diverse disability community — where they realized that by working together they might secure life-changing accessibility for millions. CRIP CAMP arrives the same year as the 30th anniversary of the Americans with Disabilities Act, at a time when the country’s largest minority group still battles daily for the freedom to exist. Co-directors Nicole Newnham and Jim LeBrecht join us for a lively conversation on the personal and professional journey behind the making of CRIP CAMP and the remarkable people who fought and those who continue to fight for human rights.

 

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For news and updates go to: cripcamp.com

Watch Crip Camp on Netflix right now!

About the filmmakers: Jim LeBrecht is the founder of Berkeley Sound Artists (BSA), an audio postproduction house. Films that he has mixed have screened at film festivals including Sundance, Tribeca, SXSW, Telluride and Berlin. Credits include Unrest, The Force, Audrie and Daisy, The Waiting Room, The Devil and Daniel Johnston and We Were Here. LeBrecht started his career in the theater as the resident sound designer at the Berkeley Repertory Theatre for 10 years. He’s also designed sound for the American Conservatory Theatre, The Public Theater in NY, La Jolla Playhouse and the Old Globe Theatre in San Diego. Jim co-authored (with Deena Kaye) the book Sound and Music for the Theatre: the art and technique of design. Now in its 4th edition, the book is used all over the world as a textbook. Jim’s work as a disabled rights advocate began in his teens as a member of Disabled in Action, a pioneering disability rights group. While at UC, San Diego, he helped found the Disabled Students Union. Jim is currently a board member at the Disability Rights Education & Defense Fund, a leading organization working for the rights of the disabled through education, legislation and litigation.

Nicole Newnham is a documentary producer and director, Sundance Film Festival alumnus and four time Emmy-nominee. She recently produced the breakthrough virtual reality experience, Collisions, directed by artist Lynette Wallworth. Among her films are The Revolutionary Optimists, winner of the Sundance Hilton Sustainability Award, and Sentenced Home. Both films aired on PBS’ series Independent Lens. Nicole instigated, co-produced and directed the acclaimed documentary The Rape of Europa, about the Nazi war on European culture, which was nominated for a WGA award and shortlisted for the Academy Award. She is known for working to achieve concrete impact from the power of the stories she tells, and co-founded a story and data-mapping platform for youth – linked to The Revolutionary Optimists, own communities, called Map Your World (www.mapyourworld.org).

 

Social Media
twitter.com/jimlebrecht
facebook.com/JimLeBrecht
twitter.com/nicolenewnham
twitter.com/hashtag/CripCampNetflix
facebook.com/nicole.malarkey
twitter.com/CripCampFilm
facebook.com/CripCampFilm
instagram.com/cripcampfilm

 

100% on Rotten Tomatoes

“The riveting tale of a decades-long radical revolution that changed the world forever.” – Katie WalshTribune News Service

“The spirit of revolution – righteously angry yet full of bonhomie, demanding but generous in its reach – is alive and well in the film. As, one hopes, it is everywhere else.” – Richard Lawson, Vanity Fair

“Using a treasure trove of archived footage and colorful contemporary interviews, Lebrecht and Newnham weave together a punchy, straightforward and inspiring documentary that is greater than the sum of its parts.” – Ashlie D. Stevens, Salon.com

“”Crip Camp” is thus a moving and passionate tribute to the herculean efforts it took… to bring about ramps, curb cuts and other essential accessibility provisions.” – Justin Chang, Los Angeles Times

The Dog Doc, Director Cindy Meehl

As a pioneer of integrative medicine, which combines conventional medicine with cutting edge alternative treatments, veterinarian Dr. Marty Goldstein has been called everything from “maverick” to “miracle-worker.” Attracting four-legged patients from around the world, Dr. Goldstein’s practice, Smith Ridge Veterinary Center, provides holistic care for animals after other vets have given up hope. In THE DOG DOC, director Cindy Meehl (BUCK), goes behind the scenes at Smith Ridge to capture the full drama of “Dr. Marty” and his colleagues’ life-changing commitment to wellness and the astounding results they achieve. Filmed over a 2½ year period, Meehl’s unobtrusive camera highlights the vulnerability of her subjects – canine and human – while tracking each animal’s progress. THE DOG DOC joins the touching stories of families with the hard science of integrative care. By casting an intimate lens over this unique world, THE DOG DOC shows the healing powers of wellness, compassion and hope. Director Cindy Meehl joins us for a conversation of why conventional techniques and alternative medicines coupled with compassionate care make Doctor Goldstein’s approach so successful.

 

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For news, screenings and updates go to: dogdocthefilm.com

Social Media
facebook.com/dogdocthefilm
twitter.com/dogdocthefilm
instagram.com/dogdocthefilm

 

“An admiring portrait, to be sure, but one that poses penetrating questions about what passes for health care today in the United States, for people and their pets alike.” – Sheri Linden, Hollywood Reporter

“A riveting documentary about a veterinarian who cures seemingly hopeless cases of dog disease with the addition of alternative tweaks.” – Harvey S. Karten, Shockya.com

“”The Dog Doc” doesn’t just tug on the heart to make its point about alternative treatment, but resonates with the mind.” – Stephen Saito, Moveable Fest

“…an evenhanded, detailed look at the integrative veterinary practice of Dr. Marty Goldstein.” – Amy Taubin, Film Comment Magazine

Phoenix Oregon, Director Gary Lundgren

PHOENIX OREGON is the story of two friends, a graphic novelist and a chef, seizing an unlikely opportunity to reinvent their lives, quit their jobs to restore an old bowling alley and serve the “world’s greatest pizza.” Phoenix, Oregon stars James Le Gros (Drugstore Cowboy, Living in Oblivion), Lisa Edelstein (Girlfriends’ Guide to Divorce, House), Jesse Borrego (Fame, Blood In Blood Out), Reynaldo Gallegos (Triple Frontier, American Sniper), Diedrich Bader (Napoleon Dynamite, Office Space, Veep), and Kevin Corrigan (The Departed, Pineapple Express, True Romance). PHOENIX OREGON takes a comedic look at the existential crisis many face when trying to find meaning and relevancy at midlife. Despite controlling bosses, dead-end jobs, and broken relationships, the two leads must awaken hibernating courage and resilience in order to take new risks and keep dreams alive. Director and writer Gary Lundgren (Calvin Marshall, Redwood Highway, Black Road) stops by to talk his own midlife angst and inspiration for this disarming gem of a film, working with a stellar cast and his love for the Pacific Northwest.

 

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For news, screenings and updates go to: phoenixoregonmovie.com

For more about the work of Gary Lundgren go to: jomafilms.com

For information on Phoenix Oregon screenings in Southern California go to: laemmle.com/film/phoenix-oregon

Social Media
facebook.com/phoenixoregonmovie
instagram.com/phoenixoregonmovie

 

“Walks a gorgeous line between pathos and comedy… having more to say about depression, anxiety, art, friendship and love than any dozen movies I’ve seen in the theater this year.” -SOURCE WEEKLY

 

Honesty Weekend, Director Leslie Thomas

Premiering at the Pasadena International Film Festival HONESTY WEEKEND begins when John and Ada’s therapist challenges them to be completely honest with each other for an entire weekend, a young married couple attempts to execute this advice over two days with good friends at a country house. At first amused by the couple’s newfound honesty, soon everyone is infected with the “honesty virus”. Secrets spill and desires flare to life. And when husband John’s sexy lesbian friend Delaney arrives to stir the pot, the whole thing heats up until it boils over. At the heart of this relationship comedy is a young marriage in trouble, but look deeper and you’ll see the angsty discomfort of early thirty-somethings struggling to embrace intimacy and true adulthood. In this grounded, smart, funny film writer-director Leslie Thomas exercises her distinct comedic voice and a wry understanding of our poignant and ridiculous human blind spots. HONESTY WEEKEND stars Adam Bartley (This Is Us), Sabina Gadecki (L.A.’s Finest), Dioni Michelle Collins (General Hospital), Pete Ploszek (Captain Marvel), Evan Watkins (College Humor Originals),  Allan Wasserman (Big), and Susan Walters (The Vampire Diaries). Director and writer Leslie Thomas joins is for an engaging conversation on a compressed shooting schedule, holding out for the right cast of actors, as well as the challenges and rewards of being a first time director.

 

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For news and updates go to: honestyweekend.com

Honesty Weekend screens at PIFF on Saturday, March 14 at 6:15 PM

About the filmmaker: LESLIE THOMAS produced the 2018 Emmy-winning documentary feature KEVYN AUCOIN Beauty & The Beast In Me (now on Netflix). She is the showrunner of ratings record breakers HALLOWEEN, HOLIDAY & KIDS BAKING CHAMPIONSHIPS on Food Network. She’s a playwright and a California native who studied Film & TV at Loyola Marymount University. Honesty Weekend is her first feature.

For more on the work of Leslie Thomas go to: puttimedia.com

 

Viral: Antisemitism in Four Mutations, Director Andrew Goldberg

By virtually every yardstick, antisemitism in the US and Europe is rising and worsening in ways not seen since the 1930s. It comes in the forms of vandalism, social media abuse, assault and murder. Like a virus, it mutates and evolves across cultures, borders and ideologies, making it all but impossible to stop. Filmmaker Andrew Goldberg explores its infectious behavior in his film VIRAL: ANTISEMITISM IN FOUR MUTATIONS as he travels through four countries to speak firsthand with victims, witnesses, antisemites, and interviewees including Bill Clinton, Tony Blair, Fareed Zakaria, George Will and Deborah Lipstadt. VIRAL: ANTISEMITISM IN FOUR MUTATIONS examines how some on the American far right have incited such acts as the mass shooting at the Tree of Life Synagogue in Pittsburgh, PA. In Hungary, we see how the Prime Minister has launched a massive campaign against Jewish Holocaust survivor and billionaire George Soros that’s reminiscent of Nazi propaganda. Moving to the far left in England, we see members of the traditionally anti-racist Labour party conflating Israel and Jews, causing tremendous pain for the Jewish community. And in France, the film illuminates the seemingly endless wave of violence against Jews by Islamists and radicals. The increasing bigotry, and at times violence, within each of these four countries paints a terrifying portrait of how global hatred disseminates and harms. As activist Maajid Nawaz says in the film, “If we don’t draw a red line in the sand when it comes to antisemitism, Muslims will be next, gays will be next and everyone else who is deemed a minority will be next.” Director Andrew Goldberg joins us to talk about this particularly virulent strain of racism going back hundreds of years, continues to threaten the lives of Jews in Europe and the United States.

 

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For news, screenings and updates go to: viralthefilm.com

Social Media
facebook.com/viralthedoc
twitter.com/viralthedoc
instagram.com/viralthedoc

 

“As a topic of tremendous ongoing importance with roots that desperately need exploration, anti-Semitism deserves, and needs, a look into its global impact and perpetuation that makes a deeper dive than this documentary provides.” – Todd Gilchrist, TheWrap

“A terrifying, and sadly necessary, warning.” – Frank Scheck, Hollywood Reporter

“Brutal, yet vital, the movie is must-see viewing in our current age of rising global hatred against not only Jews, but ethnic minorities everywhere.” – Christopher Llewellyn Reed, Hammer to Nail

“Viral: Antisemitism in Four Mutation is timely and it is vital, and it is a documentary that not only a community needs, but all of us do.” – Stephanie Archer, Film Inquiry

Extra Ordinary, Co-directors Mike Ahern and Enda Loughman

Rose, a sweet, lonely driving instructor in rural Ireland, is gifted with supernatural abilities. Rose has a love/hate relationship with her ‘talents’ & tries to ignore the constant spirit related requests from locals – to exorcise possessed rubbish bins or haunted gravel. But! Christian Winter, a washed up, one-hit-wonder rock star, has made a pact with the devil for a return to greatness! He puts a spell on a local teenager- making her levitate. Her terrified father, Martin Martin, asks Rose to help save his daughter. Rose has to overcome the fear of her supernatural gift & work with Martin to save the girl, get the guy and be home in time for a light snack…maybe a yogurt or something… Co-directors Mike Ahern and Enda Loughman join us for a conversation on the making of their oddly endearing, winning comedy about everyday apparitions, Rose, Martin Martin and Christian and reconnecting with their Talents. 

 

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For news, screenings and updates go to: crankedupfilms.com/extraordinary

Social Media
facebook.com/crankedupfilms
twitter.com/ExtraOrdFilm
twitter.com/CrankedUpFilms
instagram.com/crankedupfilms

 

“A near-perfect balance of outrageousness and subtlety. It’s a special film with a large imagination.” – Brian Orndorf, Blu-ray.com

“A fun, heart-warming and genuinely funny film, prepare for belly laughs and warm fuzzy feelings. Buoyed by great comedic, chameleon-like performances, and a rich fictional world, Extra Ordinary is extraordinarily charming.” – Kat Hughes, THN

“Extra Ordinary, writing-directing duo Mike Ahern and Enda Loughman’s feature film debut, is a remarkable achievement – a wholly unique cinematic experience that is grounded with a lot of heart.” – Sarah McIntyre, RTÉ (Ireland)

“A cracking debut feature from Irish writer-directors Mike Ahern and Enda Loughman.” – Peter Bradshaw, Guardian

Sorry We Missed You, Director Ken Loach

Ken Loach, the two-time Palme d’Or-winning, 83-year-old director trains his incisive lens on the human cost of our shopping habits and changing workforce. After losing their home in a financial crisis, Ricky and Abby trade the car she uses as a visiting nurse for a van, so Ricky can work as a delivery driver. The advantages of being self-employed come with the constant pressure of meeting impossible deadlines with no margin for error, sickness, or family emergency. Loach’s compassionate, hard-hitting drama will make you rethink your expectations the next time you enjoy the convenience of overnight delivery. Director Ken Loach (KES, THE WIND THAT SHAKES THE BARLEY, I, DANIEL BLAKE) joins us for a conversation on the explosion of the “gig-economy” and the insidious impact its having on work schedules, worker safety, worker health and on the emotional toll it’s taking on raising a family.

 

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For news, screenings and updates go to: zeitgeistfilms.com/film/sorrywemissedyou

 

Social Media
facebook.com/SorryWeMissedYou
twitter.com/2019Missed
facebook.com/ZeitgeistFilms
twitter.com/zeitgeistfilms

 

“FIVE STARS! Ken Loach raises his game yet further with this gut-wrenching tale of a delivery worker driven to the brink… It’s fierce, open and angry, unironised and unadorned..This brilliant film will focus minds. ” – Peter Bradshaw, THE GUARDIAN

“Ken Loach has done it again. His new film is another intimate and powerful drama about what’s going on in people’s everyday lives—not just in England, but all over the world.”  – Owen Gleiberman, VARIETY

“At age 82, [Ken Loach is] doing some of his strongest work in Sorry We Missed You, a drama of such searing human empathy and quotidian heartbreak that its powerful climactic scenes actually impede your breathing… This is an expertly judged and profoundly humane movie…. You’d have to be made of stone not to be moved to your core by it.” – David Rooney, THE HOLLYWOOD REPORTER

Skin Deep: The Battle Over Morgellons, Director Pi Ware

Director/Editor Pi Ware’s (“Solitude,” “The Act”) powerful new documentary “Skin Deep: The Battle Over Morgellons,” takes a deep dive approach into the heated controversy surrounding Morgellons disease, a skin condition that most of the medical industry considers delusional. “Skin Deep: The Battle Over Morgellons,” explores the controversy surrounding Morgellons—a disease where fibers grow from sufferers’ skin, but a disease that the medical industry considers, “all in the patient’s head”. The film brings to light the heated debate as to who is delusional—the patients who believe or the doctors who deny– and whether medical treatment for Morgellons should be antibiotics or anti-psychotics. The documentary follows subjects on both sides of the debate: a Texas nurse who suffers from the disease, and a skeptical dermatologist who asserts “there are no bad doctors”. The film investigates new research that claims the fibers are protein-based filaments created by the body, explores historical patterns of medical arrogance, and exposes the fatal flaws in the 2012 Morgellons study by the CDC. “Skin Deep: The Battle Over Morgellons” climaxes in a showdown at the Morgellons Conference in Austin, Texas, where the skeptical dermatologist presents his controversial opinions, and where bridges between doctors and patients will either be built… or burned.  Director Pi Ware stops by to talk about the embattled victims and advocates fighting for relief from a debilitating, life-altering disease.

 

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For news and updates go to: morgellonsmovie.org

 

Social Media
facebook.com/morgellonsmovie
twitter.com/morgellonsmovie
instagram.com/morgellonsmovie

 

“A beautifully constructed, honest and earnest call-to-action about one of the most baffling and stigmatized illnesses of our time.” – ANDY ABRAHAMS WILSON, DIRECTOR OF UNDER OUR SKIN

“A superb documentary exploring the skin-crawling disease of Morgellons and the plight of its sufferers. A reminder that physicians need to be open-minded about emerging new diseases.” – KRIS NEWBY, AUTHOR OF BITTEN: THE SECRET HISTORY OF LYME DISEASE AND BIOLOGICAL WEAPONS

“This incredible documentary exposes the debilitating difficulties and barriers to effective treatment that Morgellons sufferers experience. The film dives deep into the denialism conventional medicine has towards emerging illnesses and how this attitude can have severe consequences when it comes to funding, needed research, patient care and treatment for these diseases. This is a must see for anyone looking for a better understanding of Morgellons.” – DR KELLY BAY, FUNCTIONAL HEALTH PRACTITIONER, NYC

Where is Nancy?, Director Thiago Dadalt

When Nancy Paulikas, a vivacious woman, engineer and pilot, with early onset of Alzheimer, goes missing from a visit to a Los Angeles museum, the film takes you on a journey to show the unseen boundaries and gaps between our society and the system. It also highlights how a small number of determined people including Kirk Moody, Nancy’s husband, and LA County Supervisor Janice Hahn team up to create ‘LA Found’ program that is helping countless families. The film creates such an excellent portrait of Nancy that by the end of the movie you will know her like your close friend. Director and editor Thiago Dadalt joins us for a conversation on the heartbreaking story of love, loss and the determination of the people who cared about Nancy and their refusal to let tragedy me the end of the story. 

About the filmmaker: Thiago Dadalt is an award winning writer, producer, and director from Brazil. He has won numerous awards with Chocolate, an Oscar qualified short film about the early onset of Alzheimer’s and the homeless community in L.A. His latest project Duke (about severe autism) was officially selected at the “Emerging Filmmaker Showcase” at CANNES 2019, Cleveland, Stage 32 contest (showing at HollyShorts, Raindance and Austin Film fest 2019) and many others. 

 

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For news and updates go to: dellenmillerproductions.com/where-is-nancy

Where is Nancy? World Premiere at the 2020 Cinequest
Sunday, March 8 – 5 PM at the Hammer Theater
In attendance:
Kirk Moody (Nancy’s husband)
George and Joan Paulikas (Nancy’s parents)
Director Thiago Dadalt

 

Click here for other Where is Nancy? screenings at Cinequest

Social Media
facebook.com/whereisnancy
Instagram.com/whereis_nancy

Goldie, Director Sam de Jong

Goldie is a star – well, not quite yet, but at least in the eyes of her little sisters Sherrie and Supreme she is. The rest of the world is bound to take note soon too. Her big break surely awaits, she’s just got to pick up that golden fur coat she’s had her eye on first. And land a role as a dancer in a hip-hop video. And keep child welfare services from separating her from Sherrie and Supreme, after their mother is locked up. Holding onto those dreams isn’t easy when fate has placed such daunting obstacles in her path. With Goldie, Dutch director Sam de Jong has delivered a real New York film: raw and glamorous, unflinchingly realistic and relentlessly optimistic, with a ton of heart and at least as much attitude. Director / writer Sam de Jong joins us to talk about his tale of dreams, expectations and reality crash together in this verite explosion.

 

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About the filmmaker: Director Sam de Jong
After graduating from the Dutch Film academy with the acclaimed “Magnesium” Sam went on to write and direct the short film “Marc Jacobs” and entered the Berlinale shorts competition in 2014. With largely the same cast he returned to Berlinale the next year with his first feature Prince. Prince opened the Generations 14 competition in 2015. After Prince, Sam went on to make Goldie with 20th Century Fox and Vice Films. His short work has been shown around the world at festivals like Sundance, Berlin and AFI fest. His first feature Prince was theatrically released in the Netherlands, the United States and in Mexico. His work is heavily influenced by present-day youth culture and studies the implications of growing up in the 21st century: in the face of our rapidly changing multi-ethnic society where pop culture is the new predominant religion. From a mash up of different genres, lavishly coated in bright esthetics, Sam wants to research the meaning of our quest for recognition and identity. Red Sand will be Sam’s first international co-production together with longtime collaborator HALAL. With this movie Sam wants to explore new themes and broaden his horizon.

For news and updates go to: filmmovement.com/goldie

For February 21 Los Angeles screenings go to: lumierecinemala.com/film-goldie

 

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“This film is filled with bursts of color. The high energy visuals counterbalance the tragic malaise of Goldie’s life perfectly.” – Lorry Kikta, Film Threat

“Suspension between can-do spirit and come-down reality pumps blood into the irrepressible heart of this scrappy tale, along with the natural charisma of model Slick Woods, making a disarming feature debut in the title role.” – David Rooney, The Hollywood Reporter

“Goldie (played by fashion model Slick Woods in her first movie role) is a lot like the film that bears her name: full of attitude, bursting with scrappy New York style, and stuck under the thumb of a merciless system that won’t let her shine like she knows she can. “ – David Ehrlich, IndieWire

“De Jong brings a jolt of brash energy to a social realist scenario that could easily have attracted Ken Loach or the Dardenne brothers. A charismatic, eye-catching debut performance from Instagirl fashion world star Slick Woods adds considerably to the film’s appeal.” – Allan Hunter, Screen Daily