MUBI podcast – Host Rico Gagliano

Global distributor and curated streaming service MUBI, has launched its first original podcast, MUBI Podcast.  MUBI Podcast will be hosted by arts and travel reporter Rico Gagliano (The Wall Street Journal, The Dinner Party Download). The documentary-style podcast will be available on all major podcast platforms and on MUBI’s online publication Notebook. New episodes of MUBI Podcast will be released weekly starting on June 3, with a total of six episodes in the first season. Season one, titled “Lost in Translation”, will focus on films that have great importance in their home country, but are lesser known by international audiences and critics. MUBI Podcast will cover nearly every continent with each episode exploring a different film and country, providing a window into cinema cultures around the world. The unique stories behind the films will be brought to life with movie clips, music, and original interviews with filmmakers, critics, academics, and historians. The pilot episode will look at Paul Verhoeven’s second feature Turkish Delight (1973). While one of Verhoeven’s lesser known films to international audiences, it remains the most well-attended domestic film in the history of the Netherlands and was named the greatest Dutch film of the 20th century by the Netherlands Film Festival. The episode will cover the film’s unique significance during the counterculture movement in 1970s Holland and features exclusive interviews with Paul Verhoeven, Monique van de Ven, and Jan de Bont, amongst others. Future episodes will cover film stories from around the globe, including the longest-running film in the history of Indian cinema, a Mexican film that became the biggest movie in the Soviet Union, and the micro-budget feature shot on video that sparked the modern Nigerian film industry. MUBI Podcast host Rico Gagliano joins us to talk about his remarkably diverse career, his love for storytelling and what inspires his passion  to spotlight obscure corners of the film, music and the wide variety the arts that continue to capture his attention. 

For latest on MUBI Notebook podcast & more go to: mubi.com/notebook

To find out more about MUBI go to: mubi.com

About our guest – Rico Gagliano has taken his fascination for the arts, culture, history, travel and politics and his talent for storytelling and turned it into a 20 plus year journey, as a print and audio creator that continues to inform and entertain local, national, and international audiences.  After reporting around the world for the public radio business program “Marketplace,” He co-created, co-hosted, co-produced, and edited “The Dinner Party Download” The “The Dinner Party Download” began as a pioneering 15-minute arts-and-culture podcast, and grown into an hour-long broadcast/digital show heard on nearly 200 public radio stations and downloaded 30 million times. It was nominated for “Best Arts & Culture Show” at the 2018 Webby Awards, and was named “Best Food Podcast” by the Academy of Podcasters in 2016.  He co-wrote the show’s companion book, “Brunch Is Hell,” published by Little/Brown Inc. in December 2017. Gagliano went on to co-host “Safe For Work” for the podcast network Wondery, and co-hosted their narrative non-fiction series “One Plus One.” He has recently been Executive Producing and hosting an international film history podcast I created for the celebrated cinephile platform MUBI, debuting Q2 of 2021. And “Missing America — one of two limited series I co-wrote in 2020 — just won a “People’s Voice” Webby Award for “Best Documentary Podcast Episode.” (The other series, Wondery’s “Jacked,” was nominated for “Best Entertainment Podcast.”) He’s also the Senior Producer of Focus Features’ film history podcast “Zoom,” hosted by Variety critic Amy Nicholson. In his spare time Gagliano spends way too much on vinyl records and daydream about The Netherlands, which he has visited and/or reported from almost every year since 1999.

About MUBIMUBI is a global streaming service, production company and film distributor. A place to discover and watch beautiful, interesting, incredible films. A new hand-picked film arrives on MUBI, every single day. Cinema from across the world. From iconic directors, to emerging auteurs. All carefully chosen by MUBI’s curators. Notebook is MUBI’s daily film publication, exploring all sides of cinema culture. And with MUBI GO, members in select countries can get a hand-picked cinema ticket every single week, to see the best new films in real cinemas.MUBI also produces and distributes ambitious new films, which members can watch exclusively on the platform. Some recent and upcoming MUBI Releases include Sergei Loznitsa’s State Funeral, Magnus von Horn’s Sweat, Déa Kulumbegashvili’s Beginning, Cathy Yan’s feature debut Dead Pigs, Xavier Dolan’s Matthias & Maxime and Werner Herzog’s Family Romance LLC. MUBI’s co-productions include Ekwa Msangi’s Sundance prize-winner Farewell Amor, Danielle Lessovitz’s Port Authority, and Rachel Lang’s Our Men.MUBI is the biggest community of film lovers, available across 190 countries, with more than 10 million members around the world. Subscription plans are $10.99 a month or $83.88 for 12 months. MUBI is available on the web, Roku devices, Amazon Fire TV, Apple TV, LG and Samsung Smart TVs, as well as on mobile devices including iPad, iPhone and Android.  For more go to: mubi.com

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let me come in – Director Bill Morrison

Produced and directed by filmmaker Bill Morrison, “let me come in” features a new song by Pulitzer Prize-winning composer David Lang performed by soprano Angel Blue, one of opera’s brightest stars. The short film incorporates rediscovered (and heavily damaged) footage from the lost 1928 silent film Pawns of Passion to astonishing effect. Filmmaker Bill Morrison, director of the highly acclaimed films Decasia and Dawson City: Frozen Time, has long been fascinated with ancient, decayed nitrate film stock from long-forgotten films—what he describes as “goopy, sticky films deemed not worth saving.” For “let me come in,” he has resurrected footage from what may be the last surviving reels of the 1928 German silent romance Pawns of Passion,  discovered in a Pennsylvania barn in 2012. After decades of expanding in hot summers and contracting in freezing winters, the deteriorated nitrate film stock now reveals, in Morrison’s words, “imagery that seems to be pulled from a state of semi-consciousness, asleep but dreaming.” Morrison describes Lang’s song as “a rumination on love and the borderline separating two souls, seemingly from the precipice of consciousness. When I heard Angel Blue’s incredible interpretation, my mind immediately recalled the ambiguous tension in this scene from Pawns of Passion.Left to rot in a barn, and then scanned and archived again for another eight years on my own personal hard drive, it has found a new life through David’s words and music, and Angel Blue’s voice. It was very exciting to see how quickly it came together and how perfectly the image, words and sound meshed.” Director Bill Morrison joins us for conversation on his inspired interpretation of hauntingly beautiful film fragments. 

 

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“let me come in” will receive its broadcast premiere as part of the TCM Classic Film Festival on May 7.

About the filmmaker – Bill Morrison  makes films that reframe long-forgotten moving images. His films have premiered at the New York, Rotterdam, Sundance, and Venice film festivals. In 2014 Morrison had a mid-career retrospective at MoMA. His found footage opus Decasia  (2002) was the first film of the 21st century to be selected to the Library of Congress’ National Film Registry. The Great Flood (2013),was recognized with the Smithsonian Ingenuity Award of 2014 for historical scholarship. Dawson City: Frozen Time  (2016) was included on over 100 critics’ lists of the best films of the year, and on numerous lists ranking the best films of the decade, including those of the Associated Press, Los Angeles Times and Vanity Fair. His work has previously been seen at LA Opera in productions of David Lang’s “anatomy theater” (2016) and David T. Little’s Soldier Songs (2019). Co-presented by Los Angeles Opera with composer David Lang and soprano Angel Blue. Special thanks to the Library of Congress National Audio-Visual Conservation Center. For more go to: billmorrisonfilm.com/bio-filmography

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“Morrison’s world is one of the most breathtaking and haltingly disturbing cinematic realms of our time”.  – Glenn Kenny, RogerEbert.com