Bleeding Edge, Director Kirby Dick and Producer Amy Ziering

America has the most technologically advanced health care system in the world, yet preventable medical harm has become one of the leading causes of death, and the overwhelming majority of high-risk implanted devices never require a single clinical trial. In THE BLEEDING EDGE, Academy Award nominated filmmakers Kirby Dick and Amy Ziering (THE INVISIBLE WAR, THE HUNTING GROUND) turn their sights on the $400 billion medical device industry, examining lax regulations, corporate cover-ups, and profit driven incentives that put patients at risk daily.  Weaving emotionally powerful stories of people whose lives have been irrevocably harmed, the film asks: what life-saving technologies may actually be killing us? Director Kirby Dick and Producer Amy Ziering join us for a conversation on the lack of integrity in the medical device industry, lax regulatory oversight by the Federal Food and Drug Administration and the potentially deadly combination that it can become.  

For news and updates go to: bleedingedgedoc.com/

See Bleeding Edge in a theatre

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Also available at: netflix.com/thebleedingedge

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100% on Rotten Tomatoes

“A terrifying eye-opener… Exposes the massive health problems caused by the $400 billion medical device industry. – The Hollywood Reporter

“You’ll wish [these interviews] were heard by every government official.” – The New York Times

“Enlightening… A shocking expose of the medical device industry… [with] unnerving immediacy.” – Indiewire

“Equally infuriating and enlightening… I yelled, ‘Oh, my God!’ multiple times while watching.” – Village Voice

Letter from Masanjia, Director Leon Lee

Written and directed by internationally acclaimed filmmaker and Peabody Award winner, Leon Lee, LETTER FROM MASANJIA is an astonishing & riveting documentary follows the true story of an Oregon woman who finds a desperate SOS letter penned by a political prisoner in her Halloween decorations and the nail-biting chain of events that it sparks when she takes the letter public, exposing appalling flagrant human rights violations – that leads to sweeping labor reform in China. The impact of what those two unlikely heroes have accomplished is even more profound in today’s rapidly boiling over political climate, not just in China but around the rest of the world. LETTER FROM MASANJIA is a devastating tale of human rights violations in current day China with corporate giants across the globe receiving prisoner labor efforts for Halloween decorations, asking no questions in a price for pennies on the dollar. This is the tale of one political prisoners desperate plea to alert the world to horrors most of society sweeps under the carpet. Director and writer Leon Lee stops by to talk about the hundreds of thousands of people currently incarcerated in labor camps, and the millions more living in fear as well as the people resisting a totalitarian regime.

 

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For news and updates goto: letterfrommasanjia.com

100% on Rotten Tomatoes

“Sun Yi’s stoicism is admirable and moving, but it’s his ex-wife Fu Ning’s tearful recollection of their separation that cements the story in your mind.” – Adam Keller, Film Threat

“‘Letter From Masanjia’ is a bracing reminder of our sometimes blindered approach to globalization and the effects of simple actions.” Kevin Crust, Los Angeles Times

“It’s an important story, made more intense by its tight focus.” – Ken Jaworowski, New York Times

“A disquieting exposé of China’s human-rights abuses… The perseverance on show should leave viewers inspired to learn more.” – Lucy Liu, Georgia Straight

2018 Los Angels Film Festival * 9/20 – 9/28

 

This Teacher – Director and writer Mark Jackson 

This Teacher follows a French Muslim woman (Cesar-winner Hafsia Herzi) as she travels to New York City to visit her childhood best friend from the rough neighborhoods outside of Paris. When the reunion proves disastrous, Hafsia steals her friend’s credit card and identity, and disappears to a remote cabin upstate. Deep in the woods and alone for the first time in her life, she experiences a divine revelation of an existence without borders. But when she discovers that she’s not alone on the property, Hafsia’s sojourn in nature gradually descends into a terrifying study of the intolerance and suspicion she encounters and reflects back to an Islamophobic America. Written and directed by Mark Jackson featuring a score composed from the Grammy nominated Dave Eggar, the film stars: Cesar-winner Hafsia Herzi (The Secret of the Grain) Sarah Kazemy (Circumstance) Lucy Walters (Power), Kevin Kane (Inside Amy Schumer), and Lev Gorn (The Americans). Jackson’s previous films have won 17 awards including an Independent Spirit Award and a Gotham Nomination. Jackson is also a Sundance, Cinereach and Skywalker Sound Fellow. Director and writer Mark Jackson (War Story, Without) joins us for a conversation on This Teachers’ premiere at the Los Angeles Film Festival, intolerance and not being afraid to love.

 

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This Teacher (LAFF World Premiere screening at September 22nd, 2018 at 4pm (with red carpet media check-in at 3pm) at ArcLight Culver City.

The Wrong Todd – Directed by Rob Schulbaum

Resistant to change, Todd (Jesse Rosen) finds himself at a crossroads when his girlfriend Lucy (Anna Rizzo) is offered a promotion on the other side of the country. Before he can decide whether to stay or go, Todd’s evil twin from a parallel universe arrives to take his place, and Todd must face the prospect of a world without Lucy.  With the reluctant help of Lucy’s brother, Dave (Sean Carmichael), Lucy and Todd must confront the barriers to their relationship, their perception of self, and the laws of the universe itself to distinguish the wrong Todd from the right one. The Wrong Todd is a new take on a sci-fi-fi comedy drama with the added bonus of an evil twin from a parallel universe. The Wrong Todd is about championing love, accepting change, and realizing what you’ve taken for granted before it truly is too late.  Inspired by the works of Charlie Kaufman (Eternal Sunshine of the Spotless Mind) and Harold Ramis (Groundhog Day) The Wrong Todd answer the question so many people think but never articulate “what is wrong with me?” Starring Jesse Rosen (The Art of Being Straight), Anna Rizzo (Lost in Bloom), Sean Carmichael (Trinity), Derek K. Moore (Ghostbusters), and Erin Rose. Director Rob Schulbaum (Family Guy), joins us to talk about his directorial debut.

 

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For news and updates go to: thewrongtodd.com

The Wrong Todd (LAFF World Premiere screening at September 24th, 2018 at 7:15pm (with red carpet media check-in at 6:15pm) at ArcLight Culver City.

LA Muse Narrative Feature Film

We The Coyotes – Co-directors Hanna Ladoul and Marco La Via

Making the films USA debut (it world premiered in the Acid section of Cannes this spring), We The Coyotes by first-time feature filmmakers Hanna Ladoul and Marco La Via, was inspired by the adventure and challenges of their own early days in Los Angeles. Enveloped in the love bubble a young couple, played by Morgan Saylor (Homeland) and McCaul Lombardi (Sollers Point), arrive from their cross-country trip from the midwest to stay with her aunt Betsy Brandt (Breaking Bad), where we continually see them encounter the challenges of their first day in Los Angeles. The city is as much a character in this intimate drama as this young couple, as they find their hopes often crushed under the realities of what you encounter in any major city, much less the city of dreams.  Not unlike countless twenty-somethings over the decades, our westward-bound couple in We The Coyotes arrive in Los Angeles with half-formed plans and half-empty pockets, but we see how tensions bend and shape them while the will to survive drives them on. Co-directors Hanna Ladoul and Marco La Via stop by to talk about their unvarnished, thought provoking film.

 

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We The Coyotes (LAFF Premiere screening at September 26th, 2018 at 7pm (with red carpet media check-in at 6pm) at ArcLight Culver City) and P&I screening is Tuesday, September 25th at 10:30am at ArcLight Culver City)

A Boy. A Girl. A Dream. Director / Producer / Writer Qasim Basir

On the night of the 2016 Presidential election, Cass, (Omari Hardwick) an L.A. club promoter, takes a thrilling and emotional journey with Frida (Meagan Good), a Midwestern visitor. She challenges him to revisit his broken dreams – while he pushes her to discover hers. Director / writer / editor Qasim Basir joins us to talk about his riveting and elegant depiction of relationships, intimacy, Los Angeles, race, politics, and living the life we want instead of the life we have.

For news and updates go to: aboyagirladreamfilm.com

 

 

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“A Boy. A Girl. A Dream may seem simple but every frame is a vibrant work of a passionate filmmaker.” – Matthew Passantino, Film Threat

“From the open cityscapes to the closed confines of the rideshare, Basir packs plenty of material for audiences to digest. His use of such a turbulent time is unique and thought-provoking.” – Jonita Davis, Black Girl Nerds

“The understated performances gurgle with powerful emotions. Hardwick and Good are terrific as people trying be cool to a stranger, but failing to conceal their underlying feelings.” – Rich Cline, Shadows on the Wall

“Set amid a changing nation, the chemistry between the leads help A Boy, A Girl, A Dream find a love story within an ever-changing world.” – Danielle Solzman, Solzy at the Movies

“As Basir and co-writer Samantha Tanner make abundantly clear in this very earnest, ferociously hopeful film, we’re not going to get through this mess if we’re not pushing one another to be at our very best.” – Birth.Movies.Death.

Reversing Roe, Co-directors Ricki Stern and Annie Sundberg

Forty-five years after it revolutionized abortion law in America, the landmark 1973 US Supreme Court case Roe v. Wade is once again at a crossroads. In their timely new documentary REVERSING ROE, filmmakers Ricki Stern and Annie Sundberg (THE DEVIL CAME ON HORSEBACK, MARATHON: THE PATRIOT’S DAY BOMBING) present a deeply illuminating look of the state of abortion and women’s rights in America. The film offers candid and riveting interviews with key figures from both sides of the divide, among them doctors Colleen McNicholas and Curtis Boyd; feminist icon Gloria Steinem; Operation Rescue president Troy Newman; and National Right to Life president Carol Tobias. Intense and unflinching in its commitment to telling the whole story, REVERSING ROE provides a gripping look at what’s happening on the ground in 2018. Drawing from a wealth of historical footage, it charts the period leading up to the Roe decision-and documents the opposition that has followed ever since. Regardless of where you stand on the issue of abortion, REVERSING ROE is essential viewing to understand how the country got here-and where it may be going. Co-directors Ricki Stern and Annie Sundberg join us for an informed conversation on the long history and politics swirling around one of the country’s most divisive issues.

 

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Netflix

Laemmle Music Hall Theater

9036 Wilshire Blvd, Beverly Hills

Times:12:00, 2:30, 5:00, 7:30, 10:00pm

80% on Rotten Tomatoes

“As contentiousness turned into real-world consequences, “Reversing Roe” reminds us that the more women get involved regarding their rights, the more likely we’re to see a fair, principled fight.” – Robert Abele, Los Times

“Nothing new here but a good primer for those who never thought that politics has anything to do with their lives.” – Harvey S. Karten, Big Apple Reviews

“Solid and valuable but familiar.” – Caryn James, Hollywood Reporter

“Provides a clear and accessible overview of more than 50 years of the social and legal history of the issue in the United States.” – Ben Kenigsberg, New York Times

Rodents of Unusual Size, Co-Director Jeff Springer, (Quinn Costello, Chris Metzler)

Hard headed Louisiana fisherman Thomas Gonzales doesn’t know what will hit him next. After decades of hurricanes and oil spills he faces a new threat – hordes of monstrous 20 pound swamp rats. Known as “nutria”, these invasive South American rodents breed faster than the roving squads of hunters can control them. And with their orange teeth and voracious appetite they are eating up the coastal wetlands that protects Thomas and his town of Delacroix Island from hurricanes. But the people who have lived here for generations are not the type of folks who will give up without a fight. Thomas and a pack of lively bounty hunters are hellbent on saving Louisiana before it dissolves beneath their feet. It is man vs. rodent. May the best mammal win. Rodents of Unusual Size is a documentary by Quinn Costello, Chris Metzler and Jeff Springer (Everyday Sunshine,The Story of Fishbone). Co-director Jeff Springer join us to talk about the other ‘beast of the Southern wild.”

 

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For news and updates go to: rodentsofunusualsize.tv

Rodents is opening in Los Angeles on September 14th through September 19th @ 1:10pm, 3:20pm, 5:30pm, 8:00pm, & 10:10pm at the Laemmle’s Monica Film Center, 1332 2nd Street, Santa Monica

  • Opening night Q&A with filmmakers Chris Metzler, Quinn Costello, and animation director Mike Blum

BEST OF FESTIVAL AWARDWild and Scenic Environmental Film Festival

BEST DOCUMENTARY AWARDUNA George Lindsey Film Festival

BEST DOCUMENTARY AWARDTupelo Film Festival

SPECIAL JURY AWARD FOR FILMS FOR OUR FUTUREMendocino Film Festival

EXCELLENCE IN AMERICAN PROFILES AWARDSF Docfest

JURY AWARD FOR BEST DOCUMENTARYOceanside International Film Festival

92% on Rotten Tomatoes

“Rodents of Unusual Size is also a look at how human folly can contribute to environmental disaster, but awareness and ingenuity can help bail us out.” – Peter Keough, Boston Globe

“Depicting the resilience of both the nutria and the Louisianans who’ve endured their presence for many years, Rodents of Unusual Size proves enjoyably quirky and informative.” – Frank Scheck, Hollywood Reporter

“… a squirmy, funny, fascinating documentary that mixes history, zoology and social and cultural anthropology to examine the relationship of the giant rat to the bayou Louisianans who hunt, skin and sometimes even eat the dagger-incisored critters.” – John Beifuss, Commercial Appeal

“A bizarre and fascinating documentary that’ll make your jaw drop.” Randy Myers, San Jose Mercury News

Lost Child, Director Ramaa Mosley and Actor Kip Collins (Fig)

LOST CHILD follows an army veteran, Fern, who returns home in order to look for her brother, only to discover an abandoned boy lurking in the woods behind her childhood home. After taking in the boy, she searches for clues to his identity, and discovers the local folklore about a malevolent, life-draining spirit that comes in the form of a child; the Tatterdemalion. A beautifully-crafted mystery drama from award-winning director Ramaa Mosley. LOST CHILD stars Leven Rambin, Jim Parrack, John Taylor Smith, and Landon Edwards. Director / co-screenwriter (Tim Macy) Ramaa Mosley and actor Kip Collins joins us for a conversation on PTSD, self-financing your own film, the supernatural, and bracing the people of the Ozarks.

 

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For news and updates go to: bgpics.com/2018/lost-child

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“An extraordinarily delicate balancing act between drama and horror, visually and psychologically expansive, set in a place where stories of monsters are not mere entertaining fun, and where superstition is not harmless.” – MaryAnn Johnson, Flick Filosopher

“The slow-burning thriller walks a fine line, balancing elements of psychological drama and the supernatural, with a surging undercurrent of social commentary that sneaks up on you.” – Kevin Crust, Los Angeles Times

“The slow-burning thriller walks a fine line, balancing elements of psychological drama and the supernatural, with a surging undercurrent of social commentary that sneaks up on you.” – Fred Topel, Monsters and Critics

HAL, Director Amy Scott

Although Hal Ashby directed a remarkable string of acclaimed, widely admired classics throughout the 1970s—HAROLD AND MAUDE, THE LAST DETAIL, SHAMPOO, COMING HOME, BEING THERE—he is often overlooked amid the crowd of luminaries from his generation. Amy Scott’s HAL is an exuberant portrait that explores that curious oversight, using rare archival materials, interviews, personal letters, and audio recordings to reveal a passionate, obsessive artist. Ashby was a Hollywood director who constantly clashed with Hollywood, but also a unique soul with an unprecedented insight into the human condition and an unmatched capacity for good. His films were an elusive blend of honesty, irreverence, humor, and humanity. Through the heartrending and inspiring HAL, you feel buoyed by Ashby’s love of people and of cinema, a little like walking on water. On camera interviews his many collaborators, including Oscar®-winning actors Lee Grant, Jane Fonda, Jon Voight, Louis Gossett Jr, Jeff Bridges and more recall how they were empowered by Ashby and granted them artistic freedom. Contemporary directors include Alexander Payne, Judd Apatow, Lisa Cholodenko, and David O. Russell attest to the quiet but powerful influence Ashby has had on their own filmmaking. Behind the camera colleagues Norman Jewison, Robert Towne, Haskell Wexler, and Pablo Ferro stand witness to Ashby’s brilliance as a filmmaker and the forces that led to his undoing.  Director Amy Scott joins us to talk about her artistic connection to Hal Ashby, as editor and director, and her desire to correct many of the lingering misperceptions of Ashby through her riveting and loving film about a true maverick.

 

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For news and updates go to: hal.oscilloscope.net

“If there’s still the sense that Ashby isn’t as sanctified as American New Wave stalwarts Coppola or Scorsese, Amy Scott’s breezy tribute of a documentary is out to correct that oversight.” – Robert Abele, TheWrap

“A vivid portrait of artistic integrity and complete commitment to the art of filmmaking.” – J.R. Kinnard

“Hal is a loving tribute to a filmmaker who rarely gets the attention he deserves.” – Brian Thompson, Film Threat

“Just before the documentary slips into hero worship, Amy Scott pries beneath the calm surface of her bearded and bespectacled subject to reveal the silent rage that fueled his work.” – A.J. Serrano, Slant Magazine

City of Joy, Director Madeleine Gavin

City of Joy follows the first class of students at a remarkable leadership center in the Eastern Democratic Republic of Congo, a region often referred to as “the worst place in the world to be a woman.” These women have been through unspeakable violence spurred on by a 20 year war driven by colonialism and greed. In the film, they band together with the three founders of this center: Dr. Denis Mukwege (2016 Nominee for the Nobel Peace Prize), radical playwright and activist Eve Ensler (“The Vagina Monolgoues”) and human rights activist, Christine Schuler-Deschryver, to find a way to create meaning in their lives even when all that was meaningful to them has long been stripped away. In this ultimately uplifting film, we witness the tremendous resilience as these women transform their devastation into powerful forms of leadership for their beloved country. Director, writer and editor Madeleine Gavin stops by to talk about this beautifully told story of unspeakable cruelty, remarkable resilience and unconditional love in a desperately poor country in a region of the world renown for violence.

 

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For news and updates go to: netflix.com/City of Joy

“City Of Joy is, in as far as it goes, a powerful film, reminding viewers that survival itself is something to be proud of and consigning the notion that a raped woman is ruined forever to the dustbin of history.” – Jennie Kermode, Eye for Film

Active Measures, Director Jack Bryan

ACTIVE MEASURES chronicles the most successful espionage operation in Russian history, the American presidential election of 2016. Filmmaker Jack Bryan exposes a 30-year history of covert political warfare devised by Vladmir Putin to disrupt, and ultimately control world events. In the process, the filmmakers follow a trail of money, real estate, mob connections, and on the record confessions to expose an insidious plot that leads directly back to The White House. With democracy hanging in the balance, ACTIVE MEASURES is essential viewing. Unraveling the true depth and scope of “the Russia story” as we have come to know it, this film a jarring reminder that some conspiracies hide in plain sight. Director / Producer / Writer stops by to talk about his comprehensive, searing indictment of a vast, corrupting totalitarian political system determined to destroy any vestige of self-governance and democratic institutions.

 

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For news and updates go to: activemeasures.com

Check for a theatre near you – activemeasures.com/tickets

Host your own an Active Measures screening

“[A] thorough, chilling rabbit-hole inquiry …” – Robert Abele, Los Angeles Times

“It’s a lot to take in, as names and numbers zip by, yet missing some of its points may be healthy. To explore every moment is to risk overdosing on outrage.” – Ken Jaworowski, New York Times

“‘Active Measures’ names the names and fills in the flowchart of Trump’s corruption with gripping authority.” – Owen Gleiberman, Variety

“Well researched and truly frightening.” – Frank Scheck, Hollywood Reporter

The Man Who Loves to Hurt Himself, Director Anthony Short

“The Man Who Loves To Hurt Himself,” follows the turbulent musical journey of Today is the Day enigmatic legendary frontman and founder, Steve Austin. Ride along as Austin’s first person account brings balance to these opposing forces, reckoning and stretching himself from the drive to create his musical vision, engaging and performing intense shows around the world, to being home with his wife and children. How one near-death experience led him to connect with the love of his life and begin the transition, fulfilling his destiny as a loving family man while completing his mission to bring relief his followers and overcome being the man who loves to hurt himself. “The Man Who Loves to Hurt Himself” is a loose but subdued methodic subtlety of the movie stands in sharp contrast to an artist known in the worldwide underground of extreme music for abrasive, loud, chaotic spectacle neo-violent imagery a slow, brooding and emotional 93-minutes that covers a year of conversations and ride-a-longs with the casual aesthetic of natural conversation supported by raw grainy fan shot footage, old pictures, personal home videos, career spanning amulets, in a self examination of the psyche of a modern-day “madman” and “master.” Director Anthony Short joins us for a conversation on connecting with a singular music savant / philosopher / survivor.

 

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For news and updates go to: tmwlthh.com

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Do You Trust This Computer? Director Chris Paine

Directed by Chris Paine and executive produced by Paine and Tiffany Asakawa, Do You Trust This Computer? examines the promises and perils of this developing era. Science fiction has long anticipated the rise of machine intelligence. Today, a new generation of self-learning computers has begun to reshape every aspect of our lives. Incomprehensible amounts of data are being created, interpreted, and fed back to us in a tsunami of apps, personal assistants, smart devices, and targeted advertisements. Virtually every industry on earth is experiencing this transformation, from job automation, to medical diagnostics, even military operations. Do You Trust This Computer? explores the promises and perils of our new era. Will A.I. usher in an age of unprecedented potential, or prove to be our final invention? Featuring influential minds, including but not limited to: former Google Brain co-founder & director Andrew Ng, co-founder and CEO of Affectiva Rana el Kaliouby, Osaka University robotic engineer Hiroshi Ishiguro, engineer & entrepreneur Elon Musk, OpenAI director Shivon Zilis, and co- showrunner of HBO’s Westworld, Jonathan Nolan. Director Chris Paine ((Who Killed The Electric Car?, Revenge of the Electric Car) joins us for a lively conversation on where we are and where we are heading with Artificial Intelligence.

 

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For news and updates go to: doyoutrustthiscomputer.org

For information on other Chris Paine films go to: papercutfilms.com

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twitter.com/doyoutrust

75% on Rotten Tomatoes

“‘Do You Trust This Computer?’ covers the major talking points about the benefits and dangers of artificial intelligence, assembling them into something engaging and alarming – if not exactly in-depth.” – Noel Murray, Los Angeles Times

“A sleek and engaging watch.” – Ken Jaworowski, New York Times

“This documentary covers a wide array of examples of the potentially scary downside of artificial intelligence, none particularly in depth but with enough ingenuity to cause alarm.” – Jeffrey Anderson, Common Sense Media

“here’s a lot to cram into 78 minutes. Director Chris Paine doesn’t waste any time, so you’ll need to pay attention.” – Jennie Kermode. Eye for Film

Calling All Earthlings, Director Jonathan Berman

One the 2018’s most provocative and wildly entertaining documentaries is Calling All Earthlings. Director Jonathan Berman’s new film explores the Integratron, a mid-century dome created by one-time Howard Hughes confidante, George Van Tassel. Van Tassel claimed to have combined extraterrestrial guidance with the work of inventor/physicist Nikola Tesla and other alternative scientists, to build an electromagnetic time machine he dubbed “The Integratron.” Was he deluded? Or could the dome actually break through the boundaries of space, time, and energy?  FBI agents try to halt the growing army of outliers who gather in the desert to create a threatening reality on the edge of the midcentury American Dream. An empathetic enquiry into an archetypical countercultural movement, the story is told by relatives, neighbors, skeptics, believers, scientists, healers, artists, and historians, including Dr. Kevin Starr, the preeminent historian of California; Eric Burdon, musician and area resident, and futurists JJ and Desiree Hurtak. Berman’s film My Friend Paul (2000), about his relationship with his bipolar best friend. He is director and producer of  The  Shvitz  (1994), a film about the last traditional steam baths in New York. Berman also co-wrote the story for the independent comedy On The Run, and was the American producer on Claudia  Heuermann’s Sabbath in Paradise, which featured Harvey Pekar and John Zorn. Director Jonathan Berman’s documentaries explore third places, those beyond home or work. Berman joins us for a lively conversation on his endlessly fascinating film that never fails to educate, enlighten and entertain.

For news and updates go to: Callingallearthlingsmovie.com

Social Media

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“Laugh if you want – or, conversely, give credence to the ufologists and time travelers – but to most of the people profiled this is serious stuff.” – Christoher Llewellyn, Hammer to Nail

“Most appealing is the film’s mixture of California post-War history, cults and a tinge of science fiction – an intriguing combination of elements that make it a winner.” – Paul Parcellin, Film Threat

“Flakey, non-judgmental fun with UFOlogists and their late guru.” – Roger Moore, Movie Nation

Crime + Punishment, Director Stephen Maing

Meet the NYPD12: a group of minority whistleblower officers who risk everything to expose racially discriminatory policing practices in the NYPD and smash the blue wall of silence. Using stunning cinematography and intimate, character-drive access, CRIME + PUNISHMENT captures the story of these brave individuals right from the beginning, as several officers meet up to talk about the New York Police Department’s outlawed practices of quota-driven policing and officer retaliation — and find themselves starting a class-action suit against the city. Using secret recordings between officers and commanders, firsthand accounts, and emotional testimony, the NYPD12 detail the explosive truth when no one else will listen. In the meantime, Manuel Gomez, an ex-cop turned private investigator, collects testimony from young minorities who have been affected by these policies and targeted by officers in the name of fighting crime. Told from the rarely heard perspective of active whistleblower officers and the young men and women of color they police, CRIME + PUNISHMENT is a once-in-a-generation film that considers the complexities of police work when faced with the unjust systemic and institutional practices fueling social justice movements across America. Director / Producer / Cinematographer / Editor Stephen Maing joins us for conversation on how he came to know the brave men and women who stepped forward, and why this is not just a New York City issue.

 

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For news and updates go to: crimeandpunishmentdoc.com

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instagram.com/crimeandpunishmentdoc

Los Angeles, CA – Royal Theater  Opens August 24, 2018

U.S. Documentary Special Jury Award for Social Impact Filmmaking at the 2018 Sundance Film Festival

94% on Rotten Tomatoes

“A triumph of documentary filmmaking.” – Tim Wu, THE NEW YORKER

“Amazing. An awesome film.” – Eugene Hernandez, FILM COMMENT

“It’s a real achievement, this film. Gorgeously composed…Vital, necessary and groundbreaking. It’s a significant work of investigative journalism.” – Nic Rapold and Eric Hynes, FILM COMMENT PODCAST

“Remarkable. Maing becomes so embedded with his subjects, we get to see them up close and personal. We need to recognize that the way racism functions in our society is out in public, and we must stand with those who are brave enough to put their livelihoods on the line to change the system. Crime + Punishment makes that argument clearly, persuasively, and with immediacy.” – Matt Goldberg, COLLIDER

“Maing doesn’t seek to offer any solutions; instead, he does something that we often fail to do in our embattled society, he gives these particular officers and the people that they police their humanity back.” – Aramide A. Tinubu, SHADOW AND ACT

We the Animals, Director Jeremiah Zagar

Us three. Us brothers. Us kings, inseparable. Three boys tear through their childhood, in the midst of their young parents’ volatile love that makes and unmakes the family many times over. While Manny and Joel grow into versions of their loving and unpredictable father, Ma seeks to shelter her youngest, Jonah, in the cocoon of home. More sensitive and conscious than his older siblings, Jonah increasingly embraces an imagined world all his own. With a screenplay by Dan Kitrosser and Jeremiah Zagar based on the celebrated Justin Torres novel, We the Animals is a visceral coming-of-age story propelled by layered performances from its astounding cast of Sheila Vand, Raul Castillo, and three talented, young first-time actors, Evan Rosado, Isaiah Kristian, Josiah Gabriel as well as stunning animated sequences which bring Jonah’s torn inner world to life. Drawing from his documentary background, director Jeremiah Zagar creates an immersive portrait of working class family life and brotherhood. Director and screenwriter Jeremiah Zagar joins us to talk about his gorgeous and ethereal tale of young boys struggling to find their own way in a tattered landscape of family and identity.

 

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For news and updates go to: wetheanimals.film

Social Media:

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twitter.com/theanimalsfilm

instagram.com/wetheanimal

95% on Rotten Tomatoes

“Every once in a while a movie grabs you, unsuspecting, and hustles its way into your heart. Jeremiah Zagar’s “We the Animals” does that.” – Joe Morgenstern, Wall Street Journal

“On one level… “We the Animals” is a classic coming-of age tale; on another, it’s a near perfect depiction of the emotional damage that can result from economic insecurity” – Jeannette Catsoulis, The New York Times

“An impressionistic swirl of a film about masculinity, about abuse, about growing up queer, about chaotic family life, about the jumble of incidents and stirrings through which a child discovers a self. – Alan Scherstuhl, Village Voice

“In every scene, We the Animals evokes not only the specificity of that world but the deep-seated challenges of escaping it.” – Eric Kohn, IndieWire

The Rider, Actor Brady Jandreau

In the beautifully realized story of struggle and determination, young cowboy Brady Blackburn (Brady Jandreau), once a rising star of the rodeo circuit and an uniquely gifted horse trainer, is warned that his riding days are over after a horse badly crushed his skull at a rodeo and put him in a three-day coma. Back home on the Pine Ridge Indian Reservation, South Dakota, Brady struggles with the physical and emotional complications of the accident. He is comforted by his inimitable little sister Lilly (Lilly Jandreau), who has Asperger’s Syndrome, while tensions between him and his gambling father, Wayne (Tim Jandreau), approach a breaking point when Wayne resorts to selling Brady’s favorite horse to keep their trailer home. Brady finds himself wondering what he has to live for when he can no longer do what gives him a sense of purpose: to ride and compete. In an attempt to regain control of his fate, Brady undertakes a search for new identity and tries to redefine his idea of what it means to be a man in the heartland of America. Lead actor Brady Jandreau talks about his journey from the rodeo to his portrayal of a fictionalized version of his own brush with death, depression, and recovery, and the thrill of working with family and friends in this celebrated film debut by award-winning (Cannes Film Festival Directors’ Fortnight, Best Picture) director/writer /producer Chloe Zhao (Songs My Brother Taught Me).

 

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For news and update go to: sonyclassics.com/therider

Social Media

facebook.com/theridermoviepage

twitter.com/sonyclassics

instagram.com/sonyclassics

96% on Rotten Tomatoes

“The Rider marries the majestic vistas of the greatest American westerns with a deeply interior story of a cowboy having to renegotiate his identity.” – Ben Croll, The Wrap

“It’s just plain excellent.” – Michael Phillips, Chicago Tribune

“A remarkable, deeply moving melding of fact and fiction.” – Jeffrey M. Anderson, San Francisco Examiner

“Filmmaker Chloé Zhao turns the story of real-life bronc rider Brady Jandreau into a gritty, graceful character study. Once The Rider hooks you – and believe me, it will – there’s no way you will ever forget it.” – Peter Travers, Rolling Stone

“One of the year’s most arresting and unforgettable films.” – Nick Schager, The Daily Beast

A Whale of a Tale, Director Megumi Sasaki

In 2010, Taiji, a sleepy fishing town in Japan, suddenly found itself in the worldwide media spotlight. THE COVE, a documentary denouncing the town’s longstanding whale and dolphin hunting traditions, won an Academy Award and almost overnight, Taiji became the go-to destination and battleground for activists from around the world. Can a proud 400-year-old whaling tradition survive a tsunami of modern animal-rights activism and colliding forces of globalism vs. localism? A WHALE OF A TALE reveals the complex story behind the ongoing debate. Told through a wide range of characters including local fishermen, international activists and an American journalist (and long time Japanese resident), this powerful documentary unearths a deep divide in eastern and western thought about nature and wildlife and cultural sensitivity in the face of global activism. In 2008, Filmmaker Megumi Sasaki directed and produced her first feature-length documentary HERB & DOROTHY, about legendary New York art collectors Herb and Dorothy Vogel.  The film went on to win top honors at many international film festivals and was released theatrically nationwide and as a part of PBS’s Independent Lens series. In 2013, Megumi completed the highly anticipated follow-up HERB & DOROTHY 50X50, focusing on the next (and final) chapter in the lives of the beloved couple. Director Megumi Sasaki joins us for a frank and wide-open conversation on the why she felt that telling this story was important and critical to understanding another side of a complex issue that has implication far beyond the shores of Tajii.

 

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For news and updates go to: awhaleofatalefilm.com

A Whale of the Tale is playing this week at the Laemmle Music Hall in Los Angeles

Social Media

facebook.com/awhaleofatalefilm

twitter.com/awhaleofatale18

instagram.com/awhaleofatalefilm

“A Whale of a Tale is a corrective, countering The Cove‘s agitprop sensationalism with a measured and nuanced curiosity.” – The Village Voice

“A Whale of a Tale is a great spectacle that presents the other side of a matter that was too one-sided until now, and that is where its biggest value lies.”– Asian Film Vault

“A Whale of a Tale delivers a thoughtful riposte to The Cove“ – Hollywood Reporter

“An illuminating examination of the still-ongoing conflict.” – Film Journal International

The Swan, Director Asa Hjorleifsdottir

In contemporary rural Iceland, a wayward 9-year old girl, Sól, is sent to distant countryside relatives for a summer to work and to mature. Nature seems endless there, the animals soulful but the people harsh. All except the mysterious farmhand Jón, who – as Sól herself – likes words better than people. But the farmers’ daughter Ásta has a claim on Jón as well, and soon Sól becomes entangled in a drama she hardly can grasp. This summer marks Sól’s rite of passage into the murky waters of adulthood, and the wild nature in us all. Director and screenwriter  Asa Hjorleifsdottir stops by for a conversation on directing a first-time actor in the lead role, returning to her own childhood community and Icelandic traditions.

 

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For news and updates go to: facebook.com/svanurinn2016 or facebook.com/theswan

80% on Rotten Tomatoes

“A gently moving, lyrical and unflinching coming-of-age drama with a terrific performance by newcomer Gríma Valsdóttir.” – Avi Offer, NYC Movie Guru

“Anchored by a remarkable child’s performance, The Swan is a sensitive example of an overlooked element in coming-of-age films: awakening to the outside world.” – Serena Donadoni, Village Voice

“It’s that forceful central performance that really makes The Swan special, together with Martin Neumeyer’s atmospheric but never overbearing cinematography, which brings out the light as well as the darkness in the hills.” – Jennie Kermode, Eye for Film

“A coming-of-age drama that’s as beautiful and brutal as the remote, rural landscape of northern Iceland where it takes place.” – Christy Lemire, RogerEbert.com

Actor Piper Laurie (Snapshots)

In her latest project,SNAPSHOTS, legendary actor Piper Laurie plays family matriarch Rose.. The story will resonate with every person who has lived through the complexity of family relationships, It reminds us that if we are loved no secret is too difficult to hear and accept. Or is it? Rose (Gran) is the matriarch. She has lived in this house for over fifty years. She and her deceased husband Joe raised their daughter Patty in this home. Patty, now a widow in her early 50’s, lives in St. Louis. Each year Patty and her newly married daughter Allison spend a laughter filled girl’s weekend with Gran. This year will be different. Piper Laurie joins us for a conversation on the making of her latest project (Snapshots) in a legendary film career that includes three Academy Award nominated performances (The Hustler, Carrie, Children of a Lesser God) and an Emmy nomination for David Lynch’s groundbreaking television serial (Twin Peaks).

 

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For news and updates go to: snapshotsthefilm.com

Social Media:

Facebook:facebook.com/threewomeninabox

Twitter:@SNAPSHOTSmovie

Instagram: @Snapshotsthefilm

“Performances all around are strong, with Piper Laurie’s Rose taking the lead and directing us through the story’s narrative. We are invited to soak in the retro atmosphere as the story unfolds at a leisurely pace.” – Paul Parcellin, Film Threat

Night Comes On, Director Jordana Spiro

Jordana Spiro’s intimate, detailed feature debut drama, NIGHT COMES ON, tells the story of Angel LaMere. released from juvenile detention on the eve of her 18th birthday. Haunted by her past, Angel embarks on a journey with her 10-year-old sister to avenge her mother’s death. NIGHT COMES ON won the 2018 Sundance NEXT Innovator Prize that features riveting performances by Dominique Fishback (Angel) and Tatum Marilyn Hall (Abby). Director and writer Jordana Spiro joins us for a conversation about her remarkably nuanced tale of pain, loss, empathy and revenge.

For news and updates go to: Night Comes On

 

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100% on Rotten Tomatoes

“A strikingly tender handling of such a tough albeit totally human tale. The amount of empathy within Night Comes On is a spectacle itself.” – Nick Allen, RogerEbert.com

“‘Night Comes On’ is, true to its title, blanketed in a dim, crepuscular state of waiting. Fishback, her film career unfurling clearly before her from scene to scene, blazes a way out of it.” – Guy Lodge, Variety

“But just below the surface, Night Comes On is a careful, layered portrait of a person navigating her uncertain way through a sea of trouble, and we come to care about her and admire her spirit.” – Kelly Vance, East Bay Express

“Night Comes On will stick with you long after turning it off, yearning for more female-driven stories like this one and hoping they become just as poignant as other films to broader audiences.” – Jaime Broadnax, Black Girl Nerds

NICO, 1988, Director Susanna Nicchiarelli

NICO, 1988 features a tour de force performance from Trine Dyrholm’s as the aging Nico (aka Christa Päffgen), interpreting rather than impersonating the famed singer-songwriter as she approaches 50. Leading a solitary existence in Manchester Nico’s life and career are on the ropes, a far cry from her glamorous days as a Warhol superstar and celebrated vocalist for The Velvet Underground. Nico’s new manager Richard (John Gordon Sinclair) convinces her to hit the road again and tour Europe to promote her latest album. Struggling with her demons and the consequences of a muddled life, she longs to rebuild a relationship with the son Ari (Sandor Funtek) she lost custody of long ago. A brave and uncompromising musician, Nico’s is the story of an artist, a mother, and the woman behind the icon. Director Susanna Nicchiarelli joins us to talk about Trine Dyrholm’s raw performance and her own unvarnished look into the post-iconic world of NICO and into the tortuous journey that Christa Päffgen took, as an artist and mother, towards the person she knew she wanted to be.

 

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For news and updates go to: nico1988.com

100% on Rotten Tomatoes

“Writer/director Susanna Nicchiarelli and star Trine Dyrholm craft a late-career biopic that acts not only as a portrait of a complex figure, but recognises the considerable toll of daring not to conform.” – Sarah Ward, Screen International

“Nicchiarelli dives deeply into the life of a tragic but remarkable woman, memorably portrayed by Danish actress and singer Trine Dyrholm as an unpleasant, hurtful junkie plagued with memories and regrets.” – Deborah Young, Hollywood Reporter

“Nico, 1988 shows us how extraordinary the biopic can be when it is freed from unnecessary restrictions to embrace the idiosyncrasies of its subject.” – Lee Jutton, Film Inquiry

“Remarkably personal, with a bold, gritty edge that echoes the intensity of both Nico’s singing and Trine Dyrholm’s thunderous performance.” – Rich Cline, Shadows on the Wall

40 Years in the Making: The Magic Music Movie, Director Lee Aronsohn

40 YEARS IN THE MAKING: THE MAGIC MUSIC MOVIE chronicles how one of their greatest fans, acclaimed director (and UC Boulder alumnus) Lee Aronsohn, tracked down the original band members four decades later to tell their story. More importantly, he makes a dream come true for himself, fellow fans, and the band, by bringing them all back to Boulder for a sold-out reunion concert that preserves their legacy for posterity. Magic Music is one of the most fondly remembered bands of the Boulder Revolution of the late 60s and early 70s. Living in a makeshift camp up in the mountains, they would delight local residents and university students with their original songs, acoustic instruments, and light harmonies; their growing popularity brought them to the brink of success more than once. Unfortunately, they never signed a record deal and eventually broke up in 1975. 40 YEARS IN THE MAKING: THE MAGIC MUSIC MOVIE opens in New York August 3, and in Los Angeles August 10, with a national release to follow. Director Lee Aronsohn talks about his endearing and poignant documentary on the music that became a living soundtrack for a community and the band of musicians who became life-long friends.

 

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For news and updates go to: magicmusicmovie.com

Opening on Friday, August 10 at the Laemmle Music Hall

Social Media:

facebook.com/MagicMusicMovie

twitter.com/MagicMusicMovie

instagram.com/magicmusicmovie

“Beyond celebrating the music, 40 Years in the Making: The Magic Music Movie has something to say about the compromises and reconciliations that are a part of aging, and it turns out to make for a stirring and healing reunion.” – Stephen Farber, Hollywood Reporter

“By the end of the film, I was singing along” – Ain’t It Cool News

“Good vibes…” – Variety

Dark Money, Director Kimberly Reed

DARK MONEY, a political thriller, examines one of the greatest present threats to American democracy: the influence of untraceable corporate money on our elections and elected officials. The film takes viewers to Montana—a frontline in the fight to preserve fair elections nationwide—to follow an intrepid local journalist working to expose the real-life impacts of the US Supreme Court’s Citizens United decision. For decades, Montana had arguably the cleanest campaign laws in the U.S., precisely in reaction to a long history of political corruption. Its small population and rich natural resources like copper, had made it particularly vulnerable to private-industry bribery and extortion. Through this gripping story, DARK MONEY uncovers the shocking and vital truth of how American elections are bought and sold. This Sundance award-winning documentary is directed/produced by Kimberly Reed (PRODIGAL SONS) and produced by Katy Chevigny (E-TEAM). Kimberly joins us for a conversation on where our increasingly fragile democracy is and the very troubling place where it may be headed if dramatic measures are not taken to stop the shadowy corporate money from overwhelming our electoral process.

 

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For news and updates go to: darkmoneyfilm.com

Social Media:

https://twitter.com/DarkMoneyFilm

https://www.facebook.com/DarkMoneyFilm

https://www.instagram.com/darkmoneyfilm/

Q & A’s with Kimberly Reed this weekend at screenings in Los Angeles, San Francisco, Berkeley and Marin

100% on Rotten Tomatoes

“Damning, clear-eyed, and as gripping as any John Grisham thriller.” – Leah Greenblatt, Entertainment Weekly

“There’s not a dull or dry moment in Reed’s briskly paced film about the secret assault on the American electoral and judicial process by corporations whose agenda is nothing less than the dismantling of government itself.” – Ella Taylor

“A densely packed documentary that earnestly and obsessively addresses campaign finance reform, its history and vital importance.” – Todd McCarthy, Hollywood Reporter

“An air-raid siren of a documentary about the pernicious influence of corporate cash in American politics.” – Chris Barsanti, Film Journal International

Pin Cushion, Director Deborah Haywood

Super close Mother Lyn and daughter Iona (Dafty One and Dafty Two) are excited for their new life in a new town. Determined to make a success of things after a tricky start, Iona becomes ‘best friends’ with Keely, Stacey and Chelsea. Used to being Iona’s bestie herself, Lyn feels left out. So Lyn also makes friends with Belinda, her neighbor. As much as Lyn and Iona pretend to each other that things are going great, things aren’t going great for either of them. Iona struggles with the girls, who act more like frenemies than friends, and Belinda won’t give Lyn her stepladders back. Both Mother and Daughter retreat into fantasy and lies. Anchored by two remarkable performances by the film’s leads, Joanna Scanlon (Lyn) and Lily Newmark (Iona) writer / director Deborah Haywood feature film debut confidently delivers a lacerating take on bullying, cruelty and mental illness.

 

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For news and updates go to: pincushionfilm.co.uk

Social Media:

instagram.com/pincushionfilm

facebook.com/pinCushionfilm

Twitter.com/PinCushionFilm

94% on Rotten Tomatoes

“Pin Cushion is most emotionally piercing in depicting the daily ways in which the world still punishes this loving, mild-as-milk woman for her difference.” – Guy Lodge, Variety

“Writer-director Deborah Haywood makes her feature directorial debut with the surreal and whimsical mother-daughter nightmare Pin Cushion, driven by a singular vision and masterful control of a unique tone, which tiptoes the line of beauty and terror.” – Katie Walsh, Los Angeles Times

“The film is like a cross between a crocheted bunny and a nail bomb.” – Wendy Ide, Observer

“Pin Cushion is a whimsical and achingly sad story.” – Emily Sears, Birth.Movies.Death

Generation Wealth, Director Lauren Greenfield

For the past 25 years acclaimed photographer and filmmaker Lauren Greenfield has travelled the world, documenting with ethnographic precision and an artist’s sensitivity a vast range of cultural movements and moments. Yet, after so much seeking and searching, she realized that much of her work pointed at one uniting phenomenon: wealth culture. With her new film, Generation Wealth, she puts the pieces of her life’s work together for in an incendiary investigation into the pathologies that have created the richest society the world has ever seen. Spanning consumerism, beauty, gender, body commodification, aging and more, Greenfield has created a comprehensive cautionary tale about a culture heading straight for the cliff’s edge. Generation Wealth, simultaneously a deeply personal journey, rigorous historical essay, and raucously entertaining expose, bears witness to the global boom-bust economy, the corrupted American Dream and the human costs of capitalism, narcissism and greed. Emmy-award-winning photographer / filmmaker, Lauren Greenfield’s expansive artistry includes her monographs (Girl Culture, Fast Forward, THIN, Generation Wealth), and documentaries (THIN, kids+money, The Queen of Versailles). The Queen of Versailles won her the 2012 Best Documentary Director Award at Sundance Film Festival. Director Lauren Greenfield joins us to talk about her sweeping film and the damning indictment of a profligate world of depraved indifference, hell-bent on stockpiling pointless possessions.

 

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For news and updates go to: generation-wealth.com

“[An] alarming film…” – Anthony Lane, New Yorker

“Through her dedication to other people’s lives, and with such open-book storytelling of her own, Greenfield is able to make a stunningly deeply resonant documentary about notions as seemingly obvious as the value of love over wealth itself.” – Nick Allen, RogerEbert.com

“Greenfield makes a compelling argument for a society on the brink of precipitous decline, choosing to interpret the runaway vanity and rampant materialism observed in her own work as harbingers of our imminent destruction.” – Peter DeBruge, Variety

“This personal approach gives the film a sharp intimacy, and from here Greenfield pulls out to reveal how similar patterns are reshaping lives and families the world over.” – Nikki Baughan, Screen International