One Week and 1 Day, Director Asaph Polonsky

 

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In the Jewish religion, a week of sitting Shiva (or mourning the deceased) is called for after a funeral. However, for Eyal and Vicky, a week is hardly enough time to properly mourn the loss of their 25-year-old son Ronnie. A married couple edging into the back half of middle age, the two find themselves reacting to the end of Shiva in markedly different ways.  A return to routine seems to be in order for Vicky, a teacher, as she finds herself back at school trying to abruptly kick out the substitute assigned in her stead. Meanwhile, shopkeeper Eyal opts for a total abdication of routine, as he steals his dead son’s bag of medical marijuana, and proceeds to get high, play ping-pong and judge air guitar routines with his neighbor’s stoner son Zooler. As the world refuses to accommodate Vicky and Eyal’s sensitivities during their time of bereavement — taxi drivers are still difficult, neighbors are still obnoxious, and grave diggers are just as indifferent as anyone else in the service industry — the two grieving parents find themselves acting out in outlandish ways as they attempt to regain a sense of control over their lives. Asaph Polonsky’s debut feature ONE WEEK AND A DAY juxtaposes the grieving process against the immutable fact that, despite the most painful losses imaginable, the world stops for no one’s mourning. With endearing performances from Shai Avivi and Evgenia Dodina as Eyal and Vicky, and Tomer Kapon as Zooler, ONE WEEK AND A DAY provides a nuanced perspective on loss that’s as funny as it is insightful. Director Asaph Polonsky joins us to talk about his thoughtful and nuanced film of loss, grieve and resilience.

For news and updates go to: oneweekandaday.oscilloscope.net

“Tears of laughter and tears of grief are both in abundant supply in Asaph Polonsky’s uproariously funny and heart-wrenchingly moving ONE WEEK AND A DAY.” – Ben Croll, THE WRAP

“A sweet and subdued look at the absurdity of life after death.” – David Ehrlich, INDIEWIRE

“The strength of Asaph Polonskys debut feature is that it’s actually a bittersweet comedy-drama in which the pain is as real as the frequent chuckles.” – Boyd van Hoeij, THE HOLLYWOOD REPORTER 

“Asaph Polonsky’s moving, deceptively simple film ONE WEEK AND A DAY looks at that supremely difficult day after the shiva ends.”Hannah Brown, – THE JERUSALEM POST

“Polonsky resists easy sentimentalisation…the moments of stillness have real potency.”Wendy Ide, SCREEN INTERNATIONAL

Karl Marx City, Co-directors Petra Epperlein and Michael Tucker

 

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In this chilling, intimate and evocative documentary, KARL MARX CITY filmmaker Petra Epperlein returns to the proletarian Oz of her childhood, twenty-five years after the collapse of the German Democratic Republic (GDR), to find the truth about her late father’s suicide and his rumored Stasi past. The Stasi, the GDR’s Ministry for State Security, was the “shield and sword” of a ruling party that was well aware of the illegitimate nature of its power. This was, after all, a country living on one side of a wall erected—officially—not to keep the people in, but to keep the fascists out. Under the guise of combating reactionary forces, the apparatus implemented a policy of total surveillance. Much like her GDR hometown, Karl Marx City, which was redacted from public memory after German reunification, Petra Epperlein’s father erased himself. Right after the new year in 1999, he cleaned his car, burned all of his photographs and letters, and then took his own life near the house where she was raised. Had he been an informant for the secret police? Was her childhood an elaborate fiction? As she looks for answers in the Stasi’s extensive archives, she pulls back the curtain of her own ostalgia and enters the parallel world of the security state, seeing her former life through the lens of the oppressor. KARL MARX CITY Reconstructs everyday GDR life through declassified Stasi surveillance footage, the past plays like dystopian science fiction, providing a chilling backdrop to interrogate the apparatus of control and the meaning of truth in a society where every action and thought was suspect. Co-directors Petra Epperlein and Michael Tucker (Gunner Palace, The Prisoner Or How I Planned to Kill Tony Blair) join us for a conversation on going home, what it means to live in a surveillance state and facing down a complex crosscurrent of family history. 

For news and updates go to: karlmarxcity.com

“… a shrewd personal inquiry into the mass psychology of fear and oppression … a film that ingeniously subverts the weaponry of Cold War-era surveillance, employing the tools of the Stasi’s intelligence-gathering operation toward a far more principled end. Whereas the secret police sought to root out and destroy even the slightest hint of subversive activity among a terrified populace, Epperlein and Tucker sift through these illicit materials — and forge their own fresh images and interviews — with an eye toward illuminating the truth and possibly even vindicating the innocent. … Shot in evocative black and white, Karl Marx City is a sleek, absorbing detective story, a fascinating primer on mass surveillance in the pre-Snowden era, and a roving memoir of East German life.” – Justin Chang, LA Times 

New York Times Critic’s Pick: “… a smart, highly personal addition to the growing syllabus of distressingly relevant cautionary political tales. … The mystery of her (Epperlein’s) father’s life and death provides Karl Marx City with suspense, and with a concrete sense of profound moral and emotional stakes. Repressive regimes excel at creating ambiguity, at making complicity easier than resistance and at blurring the lines between heroes and villains. Ms. Epperlein and Mr. Tucker, shooting in black and white and making judicious use of historical footage, brilliantly evoke a landscape of gray areas. They also uncover glimmers of decency, loyalty and solidarity — the tiny cracks in the totalitarian edifice that foretold its eventual and inevitable collapse.” – A.O.Scott, The New York Times

“[A] must-see… An essayistic, quietly moving look at another lost world… The movie draws you in quickly with its intelligence, its restrained emotions and its jaw-dropping period material, which includes some wildly creepy Stasi surveillance imagery.” – Manohla Dargis, The New York Times

Tickling Giants, Subject Bassem Youssef

 

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TICKLING GIANTS is a great story about the power of political satire in the face of oppression. In the midst of the Egyptian Arab Spring, Bassem Youssef makes a decision that’s every mother’s worst nightmare… He leaves his job as a heart surgeon to become a full-time comedian. Dubbed, “The Egyptian Jon Stewart,” Bassem creates the satirical show, Al Bernameg. The weekly program quickly becomes the most viewed television program in the Middle East, with 30 million viewers per episode. The Daily Show with Jon Stewart averaged two million viewers. In a country where free speech is not settled law, Bassem’s show becomes as controversial as it popular. He and his staff must endure physical threats, protests, and legal action, all because of jokes. As Bassem attempts to remain on the air, keep his staff safe, and not get arrested, he continues to let those in power know they’re being held accountable. Despite increasing danger, the team at Al Bernameg employ comedy, not violence, to comment on hypocrisy in media, politics, and religion. Directed by Sara Taksler TICKLING GIANTS follows the team of Al Bernameg as they discover democracy is not easily won. The young women and men working on Bassem’s show are fearless revolutionaries, who just happen to be really, really funny. The subject of Tickling Giants, Bassem Youssef joins us for a conversation on the cost and consequences of speaking out.

For news and updates go to: ticklinggiants.com

“Tickling Giants surprises us on several levels. It reveals Egypt’s familiar Arab Spring experience through a lens, that of satiric comedy, which is very different from the way we usually see it. And it has the personal element of Youssef’s involving story.” – Kenneth Turan, Los Angeles Times

“Mostly, the movie makes you understand how every society – and ours more than ever – needs people like Bassem Youssef to demonstrate that laughter will always be one of the essential ways to keep power in check.” – Owen Gleiberman, Variety

“There’s a lot to laugh at, and to learn from, in “Tickling Giants,” a documentary that starts off by telling the story of one man and ends up speaking volumes about satire, freedom of expression and political pressure.” – Ken Jaworoski, New York Times

“Media are their own giant, they shape beliefs and create community, instill hope and fear. Perhaps it’s a lesson that will be taken seriously by viewers in the US.” – Cynthia Fuchs, PopMatters

Zookeeper’s Wife, Director Nikki Caro

 

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The time is 1939. The place is Poland, homeland of Antonina (two-time Academy Award nominee Jessica Chastain) and her husband, Dr. Jan Żabiński (Johan Heldenbergh). Devoted to each other, the couple thrive as personal and professional partners; the Warsaw Zoo flourishes until the entrance is slammed shut and the zoo is crippled in an attack as the entire country is invaded by the Germans. The couple is forced to report to the Reich’s newly appointed chief zoologist, Lutz Heck (Daniel Brühl, Captain America: Civil War). Heck envisions a new, selective breeding program for the zoo. Antonina and Jan fight back on their own terms, and covertly begin working with the Resistance – realizing that their zoo’s abandoned animal cages and underground tunnels, originally designed to safeguard animal life, can now secretly safeguard human life. As the couple puts into action plans to save lives out of what has become the Warsaw Ghetto, Antonina places herself and even her children at great risk. Director Niki Caro (Whale Rider, North Country) directs the movie from a screenplay by Angela Workman, adapted from Diane Ackerman’s nonfiction book of the same name and based on Antonina’s diaries. Director Niki Caro joins us for a conversation on her beautiful and moving historic drama.

For news and updates go to: focusfeatures.com/thezookeeperswife

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“A fundamental sense of empathy may not be especially cinematic, but that’s no reason to ignore it (and Chastain, who strikes a wonderful balance with Heldenbergh, is masterful at expressing stoicism without ever tipping into sanctimony).” – David Ehrlich, IndieWire

“Subtle yet striking, this is a film that is filled with the power of exquisitely executed storytelling.” – Chelsey Grasso, The Film Stage

“”The Zookeeper’s Wife” may have appeal to history buffs of that turbulent time but the story has a more universal appeal about love and compassion for all animals, even us humans.” – Robin Clifford, Reeling Reviews

“It imbues a pessimistic view of the seemingly bottomless depths of human cruelty with sorrowful tragic force.” – Kenji Fujishima, Slant Magazine

HyperNormalisation, Director Adam Curtis

 

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In Adam Curtis’s acclaimed BBC documentary, HyperNormalisation, he employs masterfully edited found footage to investigate how, at a time of confusing and inexplicable world events, politicians and other power brokers construct new, slippery realities. Curtis tells a story that begins in 1975 in New York and Damascus, and ends with today’s world.          

Adam Curtis on his work and HyperNormalisation: ”Those in power in society – the politicians, the journalists, the experts – maintain their power by telling us stories about the world. Those stories tell us what is true and what is false, what is right and wrong, and what is real – and what is illusion. But there come times when these stories begin to break down. And people start to distrust those in power – and their definition of what is real and what is fake. At that point you enter the Zone. The film Hypernormalisation tells the story of how we got to this place. It is also about the new systems of power that we cannot see – because we are trapped inside the Zone.”

Adam Curtis is an award-winning widely influential documentary filmmaker and journalist. He works for BBC television in London. His acclaimed films include The Century of the Self (2002), The Power of Nightmares  (2004), All Watched Over by Machines of Loving Grace (2011), Bitter Lake (2015) – and most recently HyperNormalisation..  His films go back into the recent past to tell dramatic stories that lead the viewer to look again at the present day – and help them make sense of it. They try to show how power really flows in today’s complex society, not just through politics – but through science, public relations and advertising, psychology, computer networks and finance. Curtis has also done live shows with the immersive theatre group Punchdrunk and the band Massive Attack. His films have been shown at the Cannes film festival and have won awards – including 6 BAFTAs. Curtis joins us to talk about power, journalism, the world as is understood today and his work.

For news and updates go to: bbc.co.uk/blogs/adamcurtis

“I want to be Adam Curtis when I grow up.” – Oscar-winning filmmaker Errol Morris

“Hypernormalisation” feels like a greatest hits compilation of familiar Curtis themes — the decline of political power in a corporate age, the rise of global terrorism, America’s tortuous secret history in the Middle East, the hollow narcissism of cyberspace. But this also is a dazzling and thought-provoking film that blurs the line between op-ed journalism and mesmerizing audio-visual art.” – Hollywood Reporter

“‘HyperNormalisation’ is a searching and essential document of our times, a movie that leaves us, as in its opening shot, groping through a pitch-black forest with only a flashlight, wondering what lies in all that terrifying darkness that no one has found a way through.” – The New Yorker

Cries From Syria, Director Evgeny Afineevsky

 

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CRIES FROM SYRIA will take the audience on a unique, five-year journey, from Syria to Turkey, through Jordan, Lebanon and into Europe. They will see the situation from the inside out, through the eyes of those trapped in-between – many of them children – and experience their suffering, bravery, struggle, survival and hope. In March 2011, the Syrian people, inspired by events in Tunisia, Libya and Egypt, rose up against the authoritarian rule of President Bashar al-Assad. Public protests sparked by the arrest and torture of children who had been detained after writing anti-regime graffiti led to violent crackdowns. As what would become a long civil war intensified, the Islamic State and other groups began seizing Syrian territory and imposing brutally oppressive conditions of their own. Stranded between the opposing forces in the conflict, hundreds of thousands of Syrians have been killed, seven million have been internally displaced and more than five million have desperately tried to survive by fleeing the country. Two-thirds of those who have fled to date are women and children. CRIES FROM SYRIA is a searing, comprehensive account of the Syrian war from the inside out. The film draws on hundreds of hours of war footage from Syrian activists and citizen journalists, as well as testimony from child protestors, revolution leaders, human rights defenders, ordinary citizens and high-ranking army generals who have defected from the government. Their collective stories are a cry for attention and help from a world that little understands their reality or agrees on what to do about it. Oscar®-nominated Director Evgeny Afineevsky (Winter on Fire: Ukraine’s Fight for Freedom) joins us to talk about his unflinching look inside our own heart of darkness.

For news and updates go to: criesfromsyria.com

“If the idea of cozying up to Russia strikes you as harmless, or all those Syrian refugees are too far away to seem real, the HBO documentary Cries From Syria is something you ought to watch.” – Neil Genzlinger, New York Times

“Documentarian Evgeny Afineevsky offers a comprehensive, immensely powerful look inside the Syrian civil war through this vital film that aims for the heart with urgency.”- Tomris Laffly, Film Journal International

“It’s understandable why many people struggle to process the tsunami of devastating news coming out of Syria, but Evgeny Afineevsky’s extraordinary film vigorously cuts through the noise, and dramatically shows us the human cost of the war through the eyes of children and the innocent.” -Jamie Carmichael, President-Film at Content

“Cries from Syria is one of the most heart-rending documentaries at Sundance, with disturbing images of the civil war including infants killed by sarin gas released by Syrian President Bashar al-Assad and schoolchildren tortured by the regime for writing anti-government graffiti.” -The Wrap

Mr. Gaga: A True Story of Love and Dance – Director Tomer Heymann

Tomer Heymann’s MR. GAGA: A True Story of Love and Dance is a unique documentary experience that tells the story of the internationally acclaimed choreographer Ohad Naharin, who created the daring form of dance and “movement language” Gaga. When he was 22, he was invited to perform with the prestigious Martha Graham dance company, and attended Juilliard and the School of American Ballet simultaneously. But Ohad would not be happy until he could do exactly what he wanted. Moving back to Israel, Naharin became the Artistic Director of the Batsheva Dance Company, developing gaga within his own ensemble. Even after achieving worldwide acclaim, Naharin continues to fight every day, sometimes with his own dancers, once even with the president of Israel, to make his vision come to life. Mr. Gaga tells Naharin’s personal story of a controversial, political, and always entertaining figure, and his constant battle for artistic perfection. Eight years in the making, Mr. Gaga traces Ohad Naharin’s artistic roots using personal family footage, intimate rehearsal footage, extensive unseen archive material and stunning dance sequences. Heymann weaves a marvelous tale of what it takes to be a genius, the exhausting toll dance can take on its performers, and finally, the beauty that art can bring to this world. Director Tomer Heymann joins us for a conversation on the trials and triumphs of surpassing creativity and finding the sometimes difficult ways of expressing it.

For news and updates go to:mrgagathefilm.com

“When someone can talk as well as they create, the rewards are considerable, as the documentary “Mr. Gaga: A True Story of Love and Dance” convincingly demonstrates.” – Kenneth Turan, LA Times

“Interweaves archival film with contemporary material to masterfully portray one of the most vital dance artists of the past half-century.” – Elizabeth Zimmer, Village Voice

“Leading Israeli choreographer Ohad Naharin is profiled in Mr. Gaga, possibly the most exciting documentary for fans of edgier modern dance since Pina.” – Dennis Harvey, Variety

“Director Tomer Heymann captures both the intimate authority of Naharin at work and then the beautiful range of movement conveyed on stage by his dancers.” – Craig Mathieson, Sunday Age

Nasser’s Republic, The Making of Modern Egypt – Director Michal Goldman

In 1952, a then-unknown young Egyptian colonel led a coup that became a revolution. Over the next 18 years, Gamal Abdel Nasser challenged Western hegemony abroad and confronted Islamism at home, and faced deep divisions among the Arabs. He emerged as a titanic figure, a champion of Arab progress and African liberation, but he could not offer democracy. Instead, Nasser established the region’s first authoritarian military regime. A man of enormous charisma and ambition, Nasser became caught in the coils of his own power, dying at the age of 52 with dreams unrealized. The Arab Spring and its aftermath are his legacy: a period of turmoil when Egyptians argued passionately about their history as a way to see what course to follow in the future. It is their voices—peasants and professors, secularists and Islamists—that drive Goldman’s essential documentary. Nasser’s Republic, The Making of Modern Egypt Director Michal Goldman’s previous film, Umm Kulthum, A Voice Like Egypt (1996), a vibrant portrait of a superstar singer, was an official selection of the New York Film Festival, winner of the Golden Plaque for Documentary at the Chicago International Film Festival, and winner of the Promoting Tolerance Award from the American-Arab Anti-Discrimination Committee. Goldman joins us to talk about the historic significance of Nasser’s enormous influence on Egypt , the course of the Cold War and modern day Middle East.

For news and updates go to: nassersrepublic.com

Director Michal Goldman organizes a vast amount of information to pose as many questions as answers in this immersive documentary. Narration by Palestinian actress Hiam Abbass rivets us to history and its contradictions, an ongoing story witnessed by millions.” —Judy Bloch, for the Washington, DC International Film Festival (aka FilmFest DC)

“Goldman’s [documentary] accomplishes something that most media covering events in the Middle East don’t even attempt: She provides an historical context.” —Peter Keough, The Boston Globe

“I thought we had buried him. It turns out he’s still alive.” —Khaled Fahmy, Egyptian historian, in NASSER’S REPUBLIC

“What’s impressive is how many of the necessary narrative angles are treated, raising compelling questions that resonate today. At the film’s center is an officer turned politician who is photogenic, charismatic, shrewd and sometimes reckless. The storyline is crisp, the archival footage is gripping, and the witnesses—whose passions drive the story—are compelling. From a teacher’s perspective, this film is a godsend.” —Joel Gordon, Professor of History & Director of the King Fahd Center for Middle East Studies, University of Arkansas

Trespass Against Us, Director Adam Smith

Trespass Against Us poster 

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TRESPASS AGAINST US is set across three generations of the Cutler family who live as outlaws in their own anarchic corner of Britain’s richest countryside. Chad Cutler (Michael Fassbender) is heir apparent to his bruising criminal father, Colby (Brendan Gleeson) and has been groomed to spend his life hunting, thieving and tormenting the police. But with his own son, Tyson (Georgie Smith) coming of age, Chad soon finds himself locked in a battle with his father for the future of his young family. When Colby learns of Chad’s dreams for another life he sets out to tie his son and grandson into the archaic order that has bound the Cutler family for generations. He engineers a spectacular piece of criminal business involving a heist, a high-speed car chase and a manhunt, which leaves Chad bruised and bloodied and with his very freedom at stake. With the law cracking down and his father tightening his grip, Chad is forced into increasingly desperate measures. Featuring incredible performances – and an astonishing score by The Chemical Brothers – TRESPASS AGAINST US is at once an exhilarating crime thriller and a profoundly moving story about love and family. TRESPASS AGAINST US director ADAM SMITH (Director) is an award-winning film, television drama, documentary and music-video director. Smith is best known for his long-term collaboration with the Chemical Brothers, and the critically acclaimed concert film Chemical Brothers: Don’t Think he directed.  Director Adam Smith joins us to talk about his feature film debut and the riveting performances turned in by his three lead performers.

For news and updates go to: trespass-against-us

“Even when Trespass Against Us slumps toward the same generational conflicts at the heart of so many recent indies, these actors refuse to reduce their characters into any recognizable archetypes.” – David Ehrlich, IndieWire

“Dynamic storytelling and powerful performances bring out the pathos in an unusual tale of conflicting loyalties set on the criminal edges of a traveling community.” – Screen International

“At this point we should just accept that Michael Fassbender can play anything. In Trespass Against Us, he turns up his charisma and blunts his native intelligence, and the mixture works remarkably well.” – Norman Wilner, NOW Toronto

“It all boils down to the complicated relationships of fathers and sons, but with some riveting action and heart-tugging drama, Trespass Against Us ends up as thrilling must-see.” – Peter Turner, Starburst

The Mute’s House, Director Tamar Kay

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Eight-year-old Yousef and his deaf mother Sahar are the last Palestinian residents of an otherwise deserted building in the Israeli part of the city of Hebron. Their island within the Jewish quarter is called “The Mute’s House” by Israeli soldiers, even though Sahar isn’t mute at all. Travel agencies have included the property in their tours. Yousef makes good use of his privilege to cross the border when he goes to school. Through the tour guides’ explanations, we learn the story of Yousef and Sahar, who bravely withstand all the threats and bullying. None of Yousef’s Palestinian classmates can come to his house, and filmmaker Tamar Kay isn’t allowed to cross the border to film the Palestinian quarter with Yousef. Despite his disability – Yousef was born with one arm – he amuses himself with the chickens, goats and rabbits that forage among the ruined neighboring houses, and he plays the guitar and video games. The Mute’s House is an intimate portrait that elegantly illustrates the absurdity of the endless conflict. Director Tamar Kay was born in Jerusalem and graduated The Jerusalem Sam Spiegel Film & Television School in 2015, stops by to talk about her moving and heartbreaking portrait of life on the edge of chaos and isolation.

“If someone wrote a fictional script for a film about this story, no one would believe it.” Alan Berliner, (dir. Nobody’s Business, Emmy Award Winner)

*Winner – Special Jury Award – IDFA*

*Winner – President’s Award – Full Frame FF*

Academy Award Shortlist for Short Doc program

Slash, Director Clay Liford

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Neil (Michael Johnston) is an introverted, questioning high school freshman. Lacking any friends IRL, his main social outlet is the steamy fan fiction he writes about Vanguard, the brawny, galaxy-hopping hero of a popular sci-fi franchise. When his stories are exposed in class Neil is mortified, but the slightly older, effortlessly cool Julia (Hannah Marks) comes to his defense. An erotic fan fic writer herself, Julia pushes Neil to publish his stories to an online “adult” forum, where they quickly grab the attention of the site moderator, Denis (Michael Ian Black). When Neil is invited to present his work at a comic con live-read event, he has to face the fact that Denis’ interest in him may be more than simply professional… perhaps like his own feelings for Julia. Director Clay Liford stops by to talk about his endearing, beautifully rendered story of angst, creativity and self discovery.

For news and updates go to: slashthemovie.com

“An effortlessly engaging dramedy that somehow manages to sustain an air of buoyant sweetness even while repeatedly referencing erotic fantasies and sexual anxieties.” – Joe Leydon, Variety

“This sweet-natured coming-of-age movie, written and directed by Clay Liford, is perhaps more complicated than most by having characters whose sexual orientations aren’t settled.” – Ben Kenigsberg, The New York Times

“Charming and slightly, beautifully dangerous”BIRTH.MOVIES.DEATH

“Effortlessly engaging”VARIETY

“Grounded, funny, and relatable”AIN’T IT COOL NEWS

4.1 Miles, Director Daphne Matziaraki

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is a 41-year old local captain of the Greek Coast Guard. He has two wonderful young daughters Vivi and Melissa, and before the refugee crisis exploded in 2014, he had a “normal” life. Lesbos was a small peaceful island and is job involved routine border patrols. Him, like the rest of the crew isn’t trained to do CPR. His boat is not equipped with thermal cameras or other instruments that would help deal with such an emergency. Often times, the captain had to disobey orders and despite rough weather he would continue to go out in the sea to save as many lives as possible. There have been plenty of times that he could turn his back. But he’s choosing to do the opposite: to respond. Director Daphne Matziaraki joins to talk about her work as a photojournalist and filmmaker in Europe, Africa and the US as well as her compelling, compassionate and humanizing film on the refugee crisis gripping Europe.

For news and updates go to:4point1miles.com

Festivals and Screenings

Telluride Film Festival 2016

IDA Screening series 2016

NYC Greek Film Festival 2016

Hot Springs Documentary Film Festival 2016

SF Film Society Doc Stories 2016

IDFA, Amsterdam 2016

Awards

Gold Medal, Student Academy Award  2016

32 IDA Documentary Awards,

David L. Wolper Student Documentary Award  2016

Disturbing the Peace, co-directors Stephen Apkon (Andrew Young) and Producer Marcina Hale

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DISTURBING THE PEACE follows a group of former enemy combatants – Israeli soldiers from the most elite units, and Palestinian fighters, many of whom served years in prison – who have come together to challenge the status quo and say “enough.” The film traces their transformational journeys from soldiers committed to armed battle to non-violent peace activists and their founding of Combatants for Peace. The Combatants for Peace, a group of Palestinians and Israelis working together to promote human rights and peace for all, are the only bi-partisan, non-violent activist group of enemy combatants working together in an ongoing armed conflict in the world today.  They are an inspiring modern day example of the importance of using nonviolent solutions to our conflicts. Their personal stories tell an inspiring story of the human potential that is unleashed when people have the courage to follow the power of their own consciences. Co-directors Stephen Apkon and Andrew Young joins us to talk about just how far cooperation and rapprochement between Israelis and Palestinians has come and how much further it needs to go before there is justice in this troubled region.

For news and updates go to: disturbingthepeacefilm.com

100% on Rottentomatoes!

“Their stories are compelling – and persuasive.” – Andy Webster, New York Times

“Well-chosen news and archival clips, footage from CFP’s provocative rallies, plus a series of skillful and useful reenactments help flesh out this inspiring portrait.” – Gary Goldstein, LA Times

“Effectively illustrates the universality of suffering by juxtaposing the stories of people on both sides of the Israeli-Palestinian conflict.” – Matt Fagerholm, RogerEbert.com

“By focusing on combatants from both sides who came together to bring about change, Disturbing the Peace is a rejoinder to pessimism, delivering a message of hope that lands with some success.” Stephen Mayne, Under the Radar

Friday, December 9, 2016 – Harry Benson: Shoot First, Co-director Justin Bare (Matthew Miele)

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HARRY BENSON: SHOOT FIRST charts the illustrious career of the renowned photographer who initially rose to fame alongside The Beatles, having been assigned to cover their inaugural trip to the United States in 1964. With unprecedented “behind the scenes” access, Benson captured some of the most vibrant and intimate portraits ever taken of the most popular band in history. His extensive portfolio includes iconic images of Winston Churchill, Bobby Fischer, Muhammad Ali, Greta Garbo, Michael Jackson, Dr. Martin Luther King, Jr., and the Robert F. Kennedy assassination, and his work has appeared in publications including Life, Vanity Fair and The New Yorker. Now 86, workaholic Benson has no intention of stopping. Co-director Justin Bare (SCATTER MY ASHES AT BERGDOF’s), joins us for a lively conversation on this charismatic and remarkable artist.

For news and updates go to: magpictures.com/harrybenson

“The film captures not only Harry’s boldness and bravery in pursuing controversial subjects, but also his disarming personality and his ability to achieve intimacy with his subjects.” – Katie Walsh,

“Iconic shutterbug Benson is captured in all his funny, feisty, gritty and graceful complexity in this spellbinder of a doc from Justin Bare and Matthew Miele with images that take the breath away.” – Peter Travers, Rolling Stone

“He can shoot fast and make art,” a friend says, and “Harry Benson: Shoot First” makes that point again and again.” – Kenneth Turan, LA Times

“Don’t blink — not even once. That’s the best advice for viewers of the dazzling new documentary Harry Benson: Shoot First.” – Isaac Guzman, Time Magazine

Friday, December 9, 2016 – The Ruins of Lifta, Director Oren Rudavsky

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In this new documentary from filmmakers Menachem Daum and Oren Rudavsky (Hiding and Seeking, A Life Apart), audiences will travel to Lifta—the only Palestinian village abandoned during the 1948 Arab-Israeli war that has not been destroyed or repopulated by Jews. Lifta, at the western entrance to Jerusalem, is rarely a destination on any tourist map despite its significant history. The village is now threatened by an Israeli development plan that would convert it into an upscale Jewish neighborhood and forever change its character. With the support of the Palestinian and Jewish Coalition to Save Lifta, Lifta has become a battleground between developers, the Israeli Land authority, and its defenders. Lifta’s unique history and architectural treasures have made it a candidate to become a UNESCO World Heritage site, pending far from certain Israeli government approval. Oren Rudavsky (director, co-producer and director of photography) was co-producer and co-director of HIDING AND SEEKING and A LIFE APART. Rudavsky is the recipient of a Guggenheim Fellowship and has received awards and grants from the National Endowment for the Arts, the National Endowment for the Humanities, the New York State Council for the Arts and more. His most recently completed film COLLIDING DREAMS is a feature length documentary that was supported by a media grant from the National Endowment for the Humanities. Director Oren Rudavsky stops by to talk about his remarkable film and the chance for some form of reconciliation in this troubled land.

For news and updates go to: firstrunfeatures.com/ruinsoflifta

“Watching these sturdy carriers of suffering inevitably argue, your spirits may sink. But you also can’t help but notice that the rocky terrain requires them at times to hold on to each other.” – Robert Abele, LA Times

“A vital study of loss and memory. Grounded in the art of listening, ‘The Ruins of Lifta’ builds a powerful, personal, political conversation between Palestinians and Israelis looking to live differently. The result is necessary viewing.” – Diana Clarke, Village Voice

“The Ruins of Lifta offers a muscular example of ability of documentaries to make the political intensely personal. More painfully, it’s also a case study in the limits of benign intention.” – Ella Taylor, NPR

“A thoughtful lesson in history – and listening.” – Sheri Linden, Hollywood Reporter

Friday, November 25, 2016 – Notes on Blindness, Co-directors Peter Middleton and James Spinney

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Based on the Emmy Award-winning short film of the same name, Notes on Blindness is the debut feature from writer / directors Peter Middleton and James Spinney. In 1983, after decades of steady deterioration, writer and theologian John Hull became totally blind. To help him make sense of the upheaval in his life, he began documenting his experiences on audio cassette. Drawing on John’s original audio recordings, Notes on Blindness is a poetic and intimate story of loss, rebirth and transformation, charting his extraordinary journey into ‘a world beyond sight’. To compliment this archive material, the filmmakers recorded over twenty hours of audio interviews with John and his wife Marilyn. These audio interviews are interwoven throughout the film’s soundtrack, forming a lyrical narration, with the couple reflecting on events from a distance of thirty years. This wealth of documentary audio material is embedded within cinematic interpretations, in which actors play John and his family, lip-synching to this documentary audio. This innovative creative approach liberates the scope of the film to explore the interior aspects of John’s journey into blindness – John’s dream life, his memories and flights of imagination. Writer / directors Peter Middleton and James Spinney join us for a conversation on the their innovative approach to conveying the experience of blindness and the challenges of telling this deeply personal story of love and triumph.

Story of film subject John Hull: John M. Hull taught for 30 years at the University of Birmingham until his retirement in 2002. He was the first professor of Religious Education in the UK and recipient of the prestigious William Rainey Harper award from the Religious Education Association of the US and Canada. This award is only held by 12 international scholars, and is presented to ‘outstanding leaders whose work in other fields has had a profound impact upon religious education’, including luminaries such as Marshall McLuhan, Margaret Mead and Paolo Freire.

For news and updates go to: notesonblindness.arte.tv/en/

★★★★★  “The genius of the film is in allowing us to understand and visualise the world of blindness… A beautiful, accessible and thoughtful work of art.”   THE GUARDIAN, Charlie Phillips

★★★★★ “A visionary, lyrical film” THE TIMES, Kate Muir

★★★★★ “Articulate, eloquent and soul-searching” OBSERVER, Mark Kermode

★★★★★ “Remarkable… a haunting, throat-catching documentary that shares some of the lyrical power of Clio Barnard’s The Arbor or Carol Morley’s Dreams of a Life.”  THE LIST, Allan Hunter

★★★★★ “Beautiful and reassuring, Notes On Blindness is a moving and inspiring film” DAILY MAIL, Libby Purves

‘I, Daniel Blake,’ ‘American Honey,’ ‘Notes On Blindness,’ ‘Under The Shadow’ Lead British Indie Film Award Nominations DEADLINE HOLLYWOOD

Friday November 25, 2016 – Finding Kukan, Director Robin Lung

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In the late 1930s China is in dire straits. The country will collapse under Japan’s military juggernaut if it doesn’t get outside help. Chinese American firebrand Li Ling-Ai jolts Americans into action with a new medium — 16mm Kodachrome color film. She hires photo-journalist Rey Scott to travel to China and capture a citizen’s perspective of the war-torn country, including the massive bombing of the wartime capital Chungking (now Chongqing). Their landmark film KUKAN screens for President Franklin Roosevelt at the White House, is called “awesome” by the New York Times, and receives one of the first
kukan-film-posterAcademy Awards for a feature documentary in 1942. Why have we never heard of Li Ling-Ai?
And why have all copies of KUKAN disappeared? FINDING KUKAN uses rare and unseen archival footage to create an unforgettable portrait of a female filmmaking pioneer, and sheds light on the long history of racial and gender discrimination behind the camera, which continues to reverberate in Hollywood today. Director / Producer Robin Lung stops by to talk about the 7-year quest to find the answers to a multitude of questions.

For news and updates go to: nestedeggproductions.com/

“Totally absorbing.” Louis Proyect (Rec Arts)

“Amazing.” “If you love movies or history see this film.” Steve Kopian (Unseen Films)

“4 stars” John Soltes (Hollywood Soapbox)

Friday, November 18, 2016 – National Bird, Director / Producer Sonia Kennebeck

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National Bird is an investigative political documentary that explores the complex issue of drone warfare from a human perspective. National Bird follows the dramatic journey of three whistleblowers who are determined to break the silence around one of the most controversial current affairs issues of our time: the secret U.S. drone war. At the center of the film are three U.S. military veterans. Plagued by guilt over participating in the killing of faceless people in foreign countries, they decide to speak out publicly, despite the possible consequences. Their stories take dramatic turns, leading one of the protagonists to Afghanistan where she learns about a horrendous incident. But her journey also gives hope for peace and redemption. National Bird gives rare insight into the U.S. drone program through the eyes of veterans and survivors, connecting their stories as never seen before in a documentary. Like previous advancements in military technology, combat drones have transformed warfare, outpacing the ability of legal and moral frameworks to adapt and address these developments. Director / producer and journalist Sonia Kennebeck joins us for a conversation on the immediate consequences, long term ramifications and potential for abuse of a technology that has not received an appropriate level of public discourse.

For news and updates go to: nationalbirdfilm.com

“National Bird” is powerful cinematic journalism.” – Kimber Myers, LA Times

“Chilling testimony from those three veterans, each of whom helped to wage war from behind consoles half a world away, serves as the backbone of a film that adds its voice to mounting criticism of the U.S. drone program.” – Peter DeBarge, Variety

“[An] elegantly unsettling documentary about the United States’ reliance on aerial combat drones.” – Jeanette Catsoulis, New York Times

“This is a truly amazing and eye-opening film about the drone program of the U.S. Air Force and some courageous people who realized what sort of threat these unmanned warplanes represent and who decided to speak out about their experiences.  You will see and hear things you’ve never seen or heard, and you will leave the theater with insight, in the true sense of the word, you did not have before.” – Wim Wenders        

“NATIONAL BIRD is a one-of-a-kind film. It’s nothing short of miraculous that Sonia Kennebeck was able to secure the cooperation of multiple analysts recently active in the U.S. drone program. The film offers an unparalleled glimpse into the surreal landscape of automated murder. – Errol Morris

“NATIONAL BIRD is an extraordinary first person perspective that is starkly riveting, deeply compelling, and a signature eyewitness portrayal of three drone whistleblowers confronted by the remote killing fields of American foreign policy as well as the tragedy experienced by the people of Afghanistan at the everyday level. – Thomas Drake, Whistleblower/ Former Senior Executive of the National Security Agency

Friday, November 18, 2016 – Magnus, Director Benjamin Ree

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How would you react if you discovered that your child –  who is often lost in their own thoughts and disconnected from other children – is actually one of the greatest minds of their time? As a young boy, Magnus Carlsen was very different from his peers. Bullied by the other children, he usually sat by himself, lost in thought. But when a strong interest in numbers led him to the game of chess at the age of 5, he quickly started to climb the ranks of the chess world. At 13, he decided that he would become the World Chess Champion. Magnus is now known as the “Mozart of Chess” – combing the skill and intellect of chess with unrivaled originality and instinct.  Through an extensive amount of archival footage and home movies, filmmaker Benjamin Ree follows Magnus’s meteoric rise to the top in this unique coming-of-age story.  The film invites audiences to not only experience the fascinating world of competitive chess, but also peek into the mind of a modern genius. Director Benjamin Ree joins us to talk about the international culture of chess and the fascinating story of a prodigy with a talent for understanding numbers, patterns and following his remarkable instincts.

For news and updates go to: trustnordisk.com/film/2015-magnus

Opening in Los Angeles on November 25 

Exclusively at Laemmle Music Hall9036 Wilshire Blvd, Beverly Hills, CA 90211

Available on VOD NOVEMBER 25 on all platforms

Opening New York on November 18 at Village East Cinema181-189 2nd Ave.  NY, NY 10003

OFFICIAL SELECTION AT THE 2016 TRIBECA FILM FESTIVAL

“Taut and paced with drama…captivating to watch.” – Screen Daily

“Chess has never been quite so riveting.” – We Got This Covered

“Hits all the right beats.” – Film Pulse

“Superb documentary filmmaking.” – The Hollywood News

Friday, November 18, 2016 – The Anthropologist, Co-director Jeremy Newberger (Seth Kramer, Daniel A. Miller)

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The Anthropologist tells the story of Katie Yegorov-Crate, a thirteen-year-old girl from Fairfax, Virginia. She is carted around the globe by her mother, noted environmental anthropologist Susie Crate. Susie studies the effects of climate change on centuries-old indigenous communities. Famed anthropologist Margaret Mead also analyzed how communities confront change, but that which results from war and modernity. Mead’s daughter Mary Catherine Bateson, now 76 and a cultural anthropologist in her own right, provides extraordinary insight into what Susie and Katie discover. Filmed over the course of five years, The Anthropologist is a meditation on change, both individual and societal. Susie and Katie work with people in Siberia, the South Pacific, the Andes, and the nearby Chesapeake Bay, who struggle to reconfigure how and where they live. In Siberia, where Susie met Katie’s father while doing research, Katie’s relatives can no longer farm on land they’ve occupied for generations. Katie’s roots are also threatened by the inhospitable soil. Uniquely revealed from their daughters’ perspectives, Mead and Crate demonstrate a fascination with how societies are forced to negotiate the disruption of their traditional ways of life, whether through encounters with the outside world or the unprecedented change wrought by melting permafrost, receding glaciers and rising tides. Co-director Jeremy Newberger stops by to talk about the rapid climate changes occurring around the world and the increasing human cost.

For news and updates go to: ironboundfilms.com/the anthropologist

facebook.com/TheAnthropologistDocumentary/

THE ANTHROPOLOGIST will have a one-week engagement beginning November 18 at Laemmle’s Music Hall, 9036 Wilshire Boulevard, Beverly Hills, CA 90021, 310-478-3836. Go to: laemmle.com/films/41178

“A highly human look at a single mother field scientist and her teenage daughter as they globetrot to study the effects of climate change.” – Film Journal International

“At this point no documentarian can possibly have a fresh take on climate change, right? Wrong.” – Neil Gezlinger, New York Times

“It may not be handled with the rigor that climate change activists would like to see, but it’s an entertaining way of putting a human face on a problem while still providing enough important facts to promote thought.” – Valeriy Kolyadych, PopMatters