Two Gods – Director Zeshawn Ali

Zeshawn Ali’s enthralling feature documentary debut, Two Gods follows Hanif, a Muslim casket maker and ritual body washer in Newark, New Jersey, as he takes two young men under his wing to teach them how to live better lives. He mentors two kids— Furquan, a confident 12- year-old who comes from a rough home and Naz, a 17-year -old who has been fighting through his own struggles as a young black man growing up in Newark. Hardship comes when Furquan’s home life  becomes more turbulent and Naz gets caught up in a serious arrest. Hanif fears he has failed as a mentor and begins to fall into a downward spiral. During each of their darkest moments, they take what they’ve learned from their pasts and from each other to pull through. And through faith, brotherhood and redemption they find their purpose. Director Zeshawn Ali joins us for a conversation on meeting subject Hanif, his exploration of this sacred Islamic body washing tradition and how his own family’s recent losses impacted the film’s storytelling trajectory.

 

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For news, updates and screenings go to: twogodsfilm.com

Director’s Statement – Two Gods explores the juxtaposition of grief and the rituals of death with the vibrancy of coming of age. The film is a tonal balance between those two worlds, and our choice to shoot in black and white was to show how they’re so delicately interconnected. In this film, we witness a crisis of faith within the older and younger generations. This idea of “two Gods” began coming up within the community as a way to refer to the struggle of feeling like you’re not able to worship God and the streets at the same time. Who do you worship when you’re trying your best to survive?  One of the spaces where both generations come together is the janazah (the Islamic funeral) and the body washings. When someone dies, their loved ones and leaders in the community come together to wash the body as a way to prepare them for burial. About two years ago, as we were making this film, I lost my father and grandmother. I went from filming so many washings in this community to having to wash my own father. The grief is so hard to navigate, but the level of preparedness we felt because of the time we spent with Hanif made the process of burying our loved ones much easier. This story means so much to me and my brother Aman (the film’s producer) and I hope to have an impact on audiences in much the same way. Growing up Muslim in America, I always longed for interesting portrayals of Muslim Americans that were not political— stories that were personal, quiet and reflective. Our film gives nuance to our Muslim American community, which has needed a change in the narrative. And it presents a Muslim American story that is intersectional and showcases faith as a fact of life, rather than something that needs to be explained or defended.  Two Gods explores a meaningful story in a way that reflects the intimacy, spirituality and vibrancy of coming-of-age and the rituals of death. And through Hanif’s mentorship and the journey and struggles of him, Furquan and Naz, we learn that the fight to find purpose and meaning in those moments, both small and profound, is what finding faith is all is about. It reminds us all that to be human is to grieve love, and fight— for faith, for redemption, and for purpose. – Ali Zeshawn

About the filmmaker – Director Ali Zeshawn is originally from Ohio and is a graduate of Tisch School of the Arts at New York University. Two Gods is his first feature film and has received support from ITVS, Tribeca Film Institute, Ford Foundation, Sundance Institute, Doc Society, Points North Institute and IFP. He is a member of Brooklyn Filmmakers Collective and Meerkat Media. He is currently based in New York. For more: zeshawnali.com

 
To watch in a virtual release beginning May 21:
Winston-Salem, NC – Aperture Cinema
Brooklyn, NC – BAM Cinema
Harlem, NY – Mayseles Cinema
Akron, OH – The Nitelight
Los Angeles, CA – Laemmle Theater
Cleveland, OH – Cleveland Cinematheque
Hudson, NY – Time And Space LTD
Ithaca, NY – Cinemapolis

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100% on Rotten Tomatoes

“A timely portrait of lives lost and redeemed.” – The Hollywood Reporter

“We are blessed with both the craft and the documentation of sublime empathy that Ali brings to the film” – POV Magazine

“Ali expertly gathers footage to profile the travails and personal growth of his protagonists. It’s a moving, profound odyssey.” – Hammer to Nail

“[A] captivating feature debut…” – Moveable Fest

“This is real cinema vérité, one that authentically gives say to those who often remain voiceless.” – Film Forward

“A poetic meditation on life, death and the struggle to survive in between.” – Filmmaker Magazine

“Two Gods is a beautiful, deeply empathetic piece of storytelling that takes a ground-level look at our relationship with the biggest ideas in our lives. A masterpiece just waiting to be discovered.” – Criterion Cast

Spring Blossom, Director & Writer Suzanne Lindon

Suzanne (Suzanne Lindon) is sixteen. She is bored with people her own age. From the outside, everything appears lovely in her charmed world, but the everyday monotony of school and her relationships with friends and family feels completely uninspired. Every day on her way to high school, she passes a theater. There, she meets a 35-year-old actor named Raphaël (Arnaud Valois, BPM (Beats Per Minute). Despite their age difference they find in each other an answer to their ennui and develop a strong connection. Immersed in the world of grown-ups and adult choices, Suzanne begins questioning the pitfalls of blossoming too quickly and missing out on life – the life of a 16-year-old, which she had struggled so much to enjoy in the same way as her peers. SPRING BLOSSOM is a masterful and refreshing tale, filled with freewheeling musical numbers, of young teen’s sense of curiosity and wonderment at first-love. Director, writer and lead actor Suzanne Lindon joins us for a conversation on the personal story behind the story of SPRING BLOSSOM, the passion and confidence that propelled this project from diary to distribution and what was going through her mind on the first day the 19 year-old Suzanne step on to the set to direct her debut feature film.

 

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For news, screenings and updates go to: kimstim.com/film/spring-blossom

KimStim Films is proud to present the US theatrical release of SPRING BLOSSOM, a film written, directed, and starring Suzanne Lindon. SPRING BLOSSOM is Suzanne Lindon’s directorial debut at nineteen, based on the screenplay she wrote at fifteen. The film will open at Angelika Film Center in New York and at Laemmle Theaters in Los Angeles, and in other cities, on May 21, 2021.

About the filmmaker – Suzanne Lindon is 20 years old and was born IN April 2000 in Paris. At 15, she enrolled at the prestigious French high school Henri IV, and at the same time began writing SPRING BLOSSOM. Suzanne graduated high school with honors in 2018, and decided to take a one year preparatory course in sketching before joining l’Ecole Nationale Supérieure des Arts Décoratifs of Paris. It’s in 2019, the summer of her 19th birthday, that she decided to dive into preparation for her first feature film as both director and lead actress.

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93% on Rotten Tomatoes

“Still just twenty when she directed and starred in the film, Lindon creates a portrait of first love which is fresh, honest and engaging.” – Wendy Ide, Screen International

“Writer-director Suzanne Lindon’s … dazzling directorial debut once again proves that there’s nothing more romantic than Parisian cafés and sun-bleached boulevards.” – Andrew Murray, The Upcoming

“It’s an extremely accomplished introduction from its young director-star, with Lindon delivering a beguiling take on first love that casually casts off the weight of judgement.” – Emma Simmonds, The List

“Spring Blossom is a light, frothy and charming drama from writer/director Suzanne Lindon, who shows great potential in becoming a formidable director in the future. Recommended.” – Harris Dang, The AU Review

The Killing of Two Lovers – Director Robert Machoian

After a startling opening image of extreme tension, first-time solo director Robert Machoian’s stark, slow-burn drama never quite goes where you expect. An evocative and atmospheric transmission from wintry Utah, THE KILLING OF TWO LOVERS is a compact, economical portrait of a husband and father trying to keep it together while seething with rage during a trial separation from his wife. An interior drama set mostly outside, on the vast, lonely street where David (a knockout Clayne Crawford) stays with his ailing father just a few doors up from his wife Niki (Sepideh Moafi) and their four kids, Machoian’s film compassionately depicts a family in crisis, while moving at the ominous pace of a thriller. A complex, brooding soundscape from Peter Albrechtsen that seems to emanate directly from the head of its disturbed protagonist, and a claustrophobic aspect ratio contribute to the powerful emotional register of this impressive new work of American independent cinema. Director and writer Robert Machoian joins us for a conversation on the layered storylines, pulling together a superb cast and the importance of calibrating the appropriate atmospherics, such as sound and cinematography, to create a compelling film that punches way above it’s weight class.

 

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For news and screenings go to: neonrated.com/films/the-killing-of-two-lovers

About the filmmaker – Robert Machoian – Director & Writer. Born in the small town of King City California, and raised up in the DIY Punk culture, Robert has been taking photographs his whole life and making films for well over a decade. His films have premiered at the Sundance, SXSW, LA, and Tribeca Film Festivals in the States and have screened at festivals around the world. His second feature, God Bless the Child, made with his directing partner Robert Ojeda-Beck, received a rave review in The New York Times and won numerous awards, including best film at CPH:DOX, even though it was a narrative hybrid. Robert and Rodrigo were then nominated for a Cinema Eye Honors Heterdox and Indie Spirit Filmmaker to Watch Awards. Focusing on people living everyday lives whose stories often go untold, they bring their unique vision to weave deeply personal stories that absorb their audiences. Robert has won awards for his cinematography and his photographs have appeared in magazines at Filmmaker Magazine, Indiewire, and Bright Ideas. His work comes from the intimate experiences of his life and the lives of those around him. In 2019 Robert had his fourth short film go to the Sundance Film Festival, which won the Jury Prize for Directing. He is currently working on his first solo feature film. For more: robertmachoian.com

About the filmmaker – Clayne Crawford Producer and Lead Actor is an Alabama native that made his jump to Los Angeles in 1997 and immediately began work in numerous theatre productions. It wasn’t long before his talents were recognized on the big screen with major roles in A Walk to Remember, Swimfan, and A Love Song for Bobby Long. Clayne continued to build his fan base with eclectic roles on hit TV shows such as 24, The Glades, All Signs of Death, and Rectify. His most recent success was the lead role of Martin Riggs in the TV series Lethal Weapon.For more: claynecrawford.online

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92% on Rotten Tomatoes

“A rural counterpart to Marriage Story … driven by a viscerally raw performance from Clayne Crawford.” – David Rooney, The Hollywood Reporter

“Crawford’s immaculate performance cements The Killing of Two Lovers as required viewing.” – The Playlist

“The Killing of Two Lovers is flawless in so many ways; the poignant acting, the brilliant sound design, with a narrative so crisp and succinct that not a single moment is wasted.” – Natasha Alvar, Cultured Vultures

“It can best be defined as a cautionary tale dedicated to the fragility of the family structure in the United States, a showcase of a radically talented filmmaker and a dedication to the painful reality of love.” – Jonathan Christian, The Playlist

“Arresting… a poignant, unsentimental depiction of a common circumstance, lent intriguing frisson by the rigor of Machoian’s overall aesthetic.” – Dennis Harvey, Variety

High Ground – Director Stephen Maxwell Johnson

In Stephen Maxwell Johnson’s powerful new film, High Ground, a young indigenous man, Gutjuk, teams up with a World War I soldier / ex-sniper, Travis, to track down the dangerous Bayawara, a fierce warrior in the Territory, who is also his uncle. As Travis and Gutjuk journey through the outback they begin to earn each other’s trust, but when the truths of Travis’ past actions are suddenly revealed, it is he who becomes the hunted. High Ground was conceived as a story that would challenge accepted notions of the colonial settlement of Australia. High Ground is a powerful human drama, instilled with a strong sense of hope and fear, a story of treachery, heroism, sacrifice, freedom and love, misguided beliefs, an unequal struggle for power, and grief. But above all it is a story about the finding of one’s roots. Director Stephen Maxwell Johnson joins us for a conversation on the shameful treatment the indigenous peoples of Australia have suffered under, the denial of that history and why it was so important that High Ground reflect the human drama, instilled with a strong sense of hope and fear, but above all a story about the finding of one’s roots.

 

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For news and updates go to samuelgoldwynfilms.com/high-ground

Watch now: tv.apple.com/us/movie/high-ground

Director’s Statement – At the heart of High Ground is the tragic story of Frontier encounters and the missed opportunity between two cultures, black and white. High Ground was conceived as a story that would challenge accepted notions of the settlement of Australia. Faced with the myth of terra nullius the aim with the film is to create a new mythology and present a different perspective on how this country was made. It explores the themes of identity and culture and the attempts that were made to preserve and progress culture in the face of an overwhelming threat. High Ground is a story with mythic proportions with complexity and no easy answers. This story presents a view that there really is no such thing as settlement it’s all about conquest, it explores the way in which society is built and how connections are made between people and it exposes the shameful truth of our frontier history but rather than choosing to dramatize a specific historical event ‘High Ground’ draws on contact history from a variety of locations – a fiction to illustrate a deeper truth. High Ground is a powerful human drama, instilled with a strong sense of hope and fear, a story of treachery, heroism, sacrifice, freedom and love, misguided beliefs, an unequal struggle for power, and grief. But above all it is a story about the finding of one’s roots. My aim has been to entertain and immerse an audience in an environment teeming with unexpected threats, and to take them on a ride through an aspect of our history that is under-represented and hopefully encourage them to rethink the Australian story. 

About the filmmaker – Stephen Maxwell Johnson grew up in the Bahamas, Africa and the Northern Territory of Australia. He began his film and television career at Channel 9 as a trainee cameraman and has worked on mainstream drama, news and current affairs shows. He attended acting school in London and then headed back to the Northern Territory intent on making his first movie. Stephen established a production house and narrow cast television station in Darwin and directed, produced and photographed drama, documentaries, television commercials, animation, corporate films and rock clips all over the Northern Territory, Australia and many remote Indigenous communities. Stephens work include his multi award winning rock clips for the band Yothu Yindi including ‘Treaty’ an AFI award for best Children’s drama ‘Out There’, an AFI nomination for best direction in television and his first movie which he directed, executive produced and script edited ‘Yolngu Boy’. Stephen has recently completed his second feature film ‘High Ground’ which has been 20 years in the making. High Ground premiered at the at the Berlin International Film Festival in 2020 and will be released in cinemas 2021.

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“Australian storytelling that packs a punch and pushes you to think deeply about the history of this country, High Ground captures the raw beauty of Arnhem Land as it does the brutality of colonialism.” Wenlei Ma, News.com.au

“More intimate than epic, but gorgeous, stately and tense, it captures a last burst of tit-for-tat reprisals in a country starting to face its genocidal past and racist present.” – Roger Moore, Movie Nation

“…High Ground is an overwhelming achievement of cinematic brilliance. It continues the legacy of Sweet Country by exposing the horrifying actions of White Australians…” – Andrew F. Peirce, The Curb

“High Ground is a deceptively simple story about the lingering consequences of revenge through racism taken to heights of excellence due to beautiful vistas, top representation of Aboriginal culture and its brutal depiction of violence.” – Harris Dang, The AU Review

“In the magnetic Nayinggul, superb as the boy on the brink of manhood who must choose whether to reject anger or embrace it, the film showcases a notable new talent.” – Wendy Ide, Screen International

Emily @ The Edge of Chaos – Executive Producer Thea J. Kerman

Emily @ the Edge of Chaos interweaves Emily Levine’s live performance with animation, appearances by scientists, and animated characters (John Lithgow as Sir Isaac Newton, Lily Tomlin as Ayn Rand, Leonard Nimoy as Sigmund Freud, Richard Lewis as Aristotle, Matt Groening as Aldo Leopold). Emily @ the Edge of Chaos uses physics, which explains how the universe works, to explain our metaphysics – the story of our values, our institutions, our interactions. Using her own experience and a custom blend of insight and humor, provocation and inspiration, personal story and social  commentary, Emily takes her audience through its own paradigm shift: from the Fear of Change to the EDGE OF CHAOS! Emily Levine, like her film, was one-of-a-kind. She was a television writer and producer (Designing WomenLove & War and Dangerous Minds), a stand-up performer, and an out-of-the box-thinker, whose brilliant TED Talks have been watched by millions. She made this film with Wendy Apple, who produced and directed it. Wendy died in 2017 and Emily continued working on the film until she also passed away in 2019. Executive Producer Thea Kerman joins us to talk about how her friend and colleague, Emily Levine, poured her heart and should into making this film before cancer took her, and how the unexpected death of the director Wendy Apple played into Thea stepping in to guide the film to completion and distribution.

 

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Opening Friday, May 7 nationwide in virtual cinemas through KINO MARQUEE

Featuring the voices of comic luminaries:
Lily Tomlin as Ayn Rand
John Lithgow as Sir Isaac Newton
Leonard Nimoy as Sigmund Freud
Richard Lewis as Aristotle
Matt Groening as Benjamin Franklin…& more!

 

About Emily Levine – Emily graduated cum laude from Harvard, intent on pursuing a career as an Oracle. Unable to find a good Oracle agent, she settled for a career as a stand-up comedian, headlining in comedy clubs and making television appearances on shows such as David Letterman’s Late Night. The LA Times called her “a stand-out as a stand-up.” Newsweek called her “one of the new queens of comedy.” Her mother called her every week. Later, as a television writer and producer, Emily worked on shows such as Designing Women, Love and War and Dangerous Minds. She created and produced pilots for new situation comedies for CBS, NBC, ABC and HBO. In the 90’s, Emily’s career began to suffer as an undiagnosed tumor in her pituitary gland began to wreak havoc. Lacking an explanation for the weird array of symptoms, including brain fog, osteoarthritis, and a curious lack of interest in consumer-driven activity, she could only believe she was going crazy. The relief that accompanied the eventual diagnosis in 2007 – the fact that there was an actual real reason for her decline – led Emily to fall in love with fact-based reality, aka science. Her movie, “Emily @ the Edge of Chaos,” details this journey, using humor, animations, and guest stars to inspire the country with that same love of fact-based reality.  Emily was diagnosed with stage IV lung cancer in 2018 and started a blog, “The Yoy of Dying,” that takes it all on. Emily died on February 3, 2019, but Emily’s daughter Abby continues working to release “Emily @ the Edge of Chaos.”  You can subscribe to Emily’s Universe and continue to follow Emily’s accounts on Twitter, Facebook, and Instagram to stay up-to-date. For more about Emily go to: emilysuniverse.com

About the filmmaker – Thea Kerman, Executive Producer, has over 30 years of experience as an entertainment lawyer. She has provided legal services for narrative films such as Donnie Brasco, The Fisher King, Hook, Hairspray, Warriors of Virtue, Bats and Black Dynamite, documentary films such as The Cutting Edge: The Magic of Film Editing and Queen of Hearts: Audrey Flack and worked with clients and talent such as Akiro Kurasawa, Barry Levinson, Sidney Lumet, Bruce Willis, Richard Gere, Al Pacino, Whitney Houston and Kiss. Prior to establishing her own law firm in 1990 in Los Angeles, Ms. Kerman was the Senior Production Counsel for Tri-Star Pictures and served as General Counsel for the Marvel Comics Group.. She was a co-producer on Dukhtar, a U.S./Pakistani/Norwegian/Indian narrative co-production which had its world premiere at the Toronto Film Festival and was the official Pakistani nominee for Best Foreign Language Film at the 87th annual Academy Awards. She was an executive producer of Doctors of the Dark Side, a feature length documentary, and co-producer of Yellow Rose, an American-Fillipino musical drama.

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“Witty, whimsical, deeply thoughtful and, most of all, COMPLETELY HILARIOUS.” – Lily Tomlin

“Go see Emily Levine at the risk of BLOWING YOUR MIND, SPLITTING YOUR SIDES, and exiting a better person.” – Norman Lear

“If you don’t get Emily Levine’s smart comedy, you’re an IDIOT!” – Matt Groening

Stealing Chaplin – Director Paul Tanter

The latest caper / drama / comedy from director Paul Tanter STEALING CHAPLIN was inspired by a surreal plot that took place over 40 years ago. Two Las Vegas based con men decided to dig up and steal the corpse of the legendary silent-era comedian Charlie Chaplin in order to ransom it. The bizarre plot grabs the attention of the nation and sets in motion an escalating reward offer by the family. Before long every local lowlife, criminal and dirty cop is looking to cash in on the easy money. STEALING CHAPLIN is driven forward by a slew of quirky but captivating performances that includes the film’s co-writers Simon Phillips (Age of the Living Dead, No Easy Days), Doug Phillips (Not All Who Wander, Butchers) and producer Ken Bressers (The Nights Before Christmas, Not All Who Wander). The prolific British director Paul Tanter (The Nights Before Christmas, Dystopia, and Kill Ratio) joins us to talk about the inspiration for the film, finding the right tone for a multi-genre story and the lightning fast pace he and his crew worked at to make STEALING CHAPLIN.

 

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Ahead of North American VOD/Digital Platform & DVD on May 4

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“Paul Tanter’s Las Vegas-set crime comedy riffs very, very, very loosely on a macabre incident in showbiz history.” – Guy Lodge, Variety

“Plays like Quentin Tarantino making a slapstick comedy.” – Daniel M. Kimmel, North Shore Movies

“If you’re a fan of British dry humor, I think you’ll find the fun in Stealing Chaplin.” – Alan Ng, Film Threat

May 6 – Turner Classic Movies (TCM) Film Festival – May 6 – 9

Turner Classic Movies (TCM)  is a two-time Peabody Award-winning network that presents great films, uncut and commercial-free, from the largest film libraries in the world highlighting the entire spectrum of film history. TCM features the insights from Primetime host Ben Mankiewicz along with hosts Alicia Malone, Dave Karger, Jacqueline Stewart and Eddie Muller, plus interviews with a wide range of special guests and serves as the ultimate movie lover destination. With more than two decades as a leading authority in classic film, TCM offers critically acclaimed series like The Essentials, along with annual programming events like 31 Days of Oscar® and Summer Under the Stars. TCM  also directly connects with  movie fans through events such as the annual TCM Classic Film Festival in Hollywood, the TCM Big Screen Classics series in partnership with Fathom Events, as well as through the TCM Classic Film Tour in New York City and Los Angeles. In addition, TCM produces a wide range of media about classic film, including books and DVDs, and hosts a wealth of material online at tcm.com and through the Watch TCM mobile app. Fans can also enjoy a TCM curated classics experience on HBO Max.

For news, screenings and updates go to: filmfestival.tcm.com

Explore Turner Classic Movies Schedule

View HBO Max Lineup

May 6 – 9 tune in to the TCM network for four fantastic days featuring a curated selection of films reflecting a broad spectrum of the classic movies we love – each surrounded by new interviews, special presentations, archival content, and clips from past TCM Classic Film Festivals.

TCM UNDERGROUND – Tune in every Friday night for TCM Underground, our late-night movie franchise that showcases the best of classic cult favorites and hard-to-find films, from experimental shorts to off-beat comedies. For more discussions around the wild, weird world of cult films and films shown on TCM Underground, check out our web series TCM Slumberground on YouTube!

TCM SLUMBERGROUND is the official monthly pre-show for TCM Underground, a late-night cult movie franchise that airs at 2:00 am EST on Friday nights on Turner Classic Movies. In each episode, TCM Underground programmer Millie De Chirico sits down with a panel of her fellow TCM employees to discuss the upcoming double feature and other cult movie topics.

Other Midnight Films at past TCM Classic Film Festivals include: Boom!, Duck Soup, Eraserhead, Freaks, Gog, Island of Lost Souls, Kentucky Fried Movie,  Night of the Living Dead, Nothing Lasts Forever, Phase IV, Roar, Santo vs. The Evil Brain,The Bride of Frankenstein, The Day of the Triffids, The Mummy, The Student Nurses, The Tingler, The World’s Greatest Sinner and Zardoz.

The L.A. Rebellion – Director Charles Burnett & Director Billy Woodberry @ 2021 TCM Film Festival

In the late 1960s, in the aftermath of the Watts Uprising and against the backdrop of the continuing Civil Rights Movement and the escalating Vietnam War, a group of African and African-American students entered the UCLA School of Theater, Film and Television, as part of an Ethno-Communications initiative designed to be responsive to communities of color (also including Asian, Chicano and Native American communities).  Now referred to as the “L.A. Rebellion,” these mostly unheralded artists created a unique cinematic landscape, as—over the course of two decades—students arrived, mentored one another and passed the torch to the next group. Beyond the films themselves, what makes the L.A. Rebellion movement a discovery worthy of a place in film history is the vitality of its filmmakers, their utopian vision of a better society, their sensitivity to children and gender issues, their willingness to question any and all received wisdom, their identification with the liberation movements in the Third World, and their expression of Black pride and dignity. As part of the 2021 TCM (Turner Classic Movies) Film Festival is spotlighting two of the L.A. Rebellion’s leading lights, Charles Burnett and Billy Woodberry in the festival’s Special Collections section. Charles Burnett and Billy Woodberry join us for a conversation on their recollections the birth of the L.A. Rebellion and the inspiration for their life altering decision to become filmmakers.

 

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Check out Special Collections at: filmfestival.tcm.com/on-hbomax

About the filmmaker – Charles Burnett is a writer-director whose work has received extensive honors. Born in Vicksburg, Mississippi, his family soon moved to the Watts neighborhood of Los Angeles. Burnett studied creative writing at UCLA before entering the University’s graduate film program. His thesis project, Killer of Sheep (1977), won accolades at film festivals and a critical devotion; in 1990, it was among the first titles named to the Library of Congress’ National Film Registry. European financing allowed Burnett to shoot his second feature, My Brother’s Wedding (1983), but a rushed debut prevented the filmmaker from completing his final cut until 2007. In 1988, Burnett was awarded the prestigious John D. and Catherine T. MacArthur (“genius grant”) Fellowship and shortly thereafter Burnett became the first African American recipient of the National Society of Film Critics’ best screenplay award, for To Sleep with Anger (1990). Burnett made the highly acclaimed “Nightjohn” in 1996 for the Disney Channel; his subsequent television works include “Oprah Winfrey Presents: The Wedding” (1998), “Selma, Lord, Selma” (1999), an episode of the seven-part series “Martin Scorsese Presents The Blues” (2003) and “Nat Turner: A Troublesome Property” (2003), which was shown on the PBS series “Independent Lens.” Burnett has been awarded grants from the Guggenheim Foundation, the Rockefeller Foundation, the National Endowment for the Arts and the J. P. Getty Foundation. In 2011, the Museum of Modern Art showcased his work with a month-long retrospective.

To Sleep with Anger – Writer and Director Charles Burnett – A slow-burning masterwork of the early 1990s, this third feature by Charles Burnett is a singular piece of American mythmaking. In a towering performance, Danny Glover plays the enigmatic southern drifter Harry, a devilish charmer who turns up out of the blue on the South Central Los Angeles doorstep of his old friends. In short order, Harry’s presence seems to cast a chaotic spell on what appeared to be a peaceful household, exposing  smoldering tensions between parents and children, tradition and change, virtue and temptation. Interweaving evocative strains of gospel and blues with rich, poetic-realist images, To Sleep with Anger is a sublimely stirring film from an autonomous artistic sensibility, a portrait of family resilience steeped in the traditions of African American mysticism and folklore.

About the filmmaker – Billy Woodberry  Born in Dallas in 1950, Billy Woodberry is one of the founders of the L.A. Rebellion film movement. His first feature film Bless Their Little Hearts (1983) is a pioneer and essential work of this movement, influenced by Italian neo-realism and the work of Third Cinema filmmakers. The film was awarded with an OCIC and Interfilm awards at the Berlin International Film Festival and was added to the National Film Registry of the Library of Congress in 2013. His latest feature film And when I die, I won’t stay dead (2015) about the beat poet Bob Kaufman was the opening film of MoMA’s Doc Fortnight in 2016.  Woodberry has appeared in Charles Burnett’s “When It Rains” (1995) and provided narration for Thom Andersen’s Red HOLLYWOOD” (1996) and James Benning’s “Four Corners”(1998).  His work has been screened at Cannes and Berlin Film Festivals, the Museum of Modern Art (MoMA), Harvard Film Archive, Camera Austria Symposium, Human Rights Watch Film Festival, Tate Modern and Centre Pompidou. He received his MFA degree from UCLA in 1982 where he also taught at the School of Theater, Film and Television. Since 1989 Billy Woodberry is a faculty member of the School of Film/Video and the School of Art at the California Institute of the Arts. 

Bless Their Little Hearts – Director / Producer / Editor Billy Woodberry – A key masterpiece of the L.A Rebellion, Bless Their Little Hearts distills the social concerns and aesthetics of that trailblazing movement in African American cinema. Billy Woodberry’s film showcases his attentive eye, sensitivity to the nuances of community and family, and the power of the blues. Searching for steady work, Charlie Banks (Nate Hardman) views his chronic unemployment as a kind of spiritual trial. But day work and selling a few catfish can’t sustain a family of five. While his wife, Andais (Kaycee Moore), works to support them with dignity, Charlie finds comfort for his wounded sense of manhood in an affair that threatens his marriage and family.  At the heart of this devastatingly beautiful film is the couple’s agonizing confrontation – shot in one continuous ten-minute take – that ranks as “one of the great domestic cataclysms of modern movies.” (Richard Brody, The New Yorker) Named to the National Film Registry, Bless Their Little Hearts features contributions by two iconic American artists: Charles Burnett (Killer of Sheep, To Sleep With Anger), who wrote and shot the film, and Kaycee Moore (Daughters of the Dust), whose powerful performance as Andais Banks remains a revelation. Film restoration by Ross Lipman with Billy Woodberry at UCLA Film & Television Archive. 2K Digital restoration by Re-Kino, Warsaw. English captions and Spanish subtitles.

May 6 – 9 tune in to the TCM network for four fantastic days featuring a curated selection of films reflecting a broad spectrum of the classic movies we love – each surrounded by new interviews, special presentations, archival content, and clips from past TCM Classic Film Festivals.

Turner Classic Movies (TCM) is a two-time Peabody Award-winning network that presents great films, uncut and commercial-free, from the largest film libraries in the world highlighting the entire spectrum of film history. TCM features the insights from Primetime host Ben Mankiewicz along with hosts Alicia Malone, Dave Karger, Jacqueline Stewart and Eddie Muller, plus interviews with a wide range of special guests and serves as the ultimate movie lover destination. With more than two decades as a leading authority in classic film, TCM offers critically acclaimed series like The Essentials, along with annual programming events like 31 Days of Oscar® and Summer Under the Stars. TCM also directly connects with movie fans through events such as the annual TCM Classic Film Festival in Hollywood, the TCM Big Screen Classics series in partnership with Fathom Events, as well as through the TCM Classic Film Tour in New York City and Los Angeles. In addition, TCM produces a wide range of media about classic film, including books and DVDs, and hosts a wealth of material online at tcm.com and through the Watch TCM mobile app. Fans can also enjoy a TCM curated classics experience on HBO Max.

For news, screenings and updates go to: filmfestival.tcm.com

Explore Turner Classic Movies Schedule

View HBO Max Lineup

Check out Special Collections at: filmfestival.tcm.com/on-hbomax

let me come in – Director Bill Morrison

Produced and directed by filmmaker Bill Morrison, “let me come in” features a new song by Pulitzer Prize-winning composer David Lang performed by soprano Angel Blue, one of opera’s brightest stars. The short film incorporates rediscovered (and heavily damaged) footage from the lost 1928 silent film Pawns of Passion to astonishing effect. Filmmaker Bill Morrison, director of the highly acclaimed films Decasia and Dawson City: Frozen Time, has long been fascinated with ancient, decayed nitrate film stock from long-forgotten films—what he describes as “goopy, sticky films deemed not worth saving.” For “let me come in,” he has resurrected footage from what may be the last surviving reels of the 1928 German silent romance Pawns of Passion,  discovered in a Pennsylvania barn in 2012. After decades of expanding in hot summers and contracting in freezing winters, the deteriorated nitrate film stock now reveals, in Morrison’s words, “imagery that seems to be pulled from a state of semi-consciousness, asleep but dreaming.” Morrison describes Lang’s song as “a rumination on love and the borderline separating two souls, seemingly from the precipice of consciousness. When I heard Angel Blue’s incredible interpretation, my mind immediately recalled the ambiguous tension in this scene from Pawns of Passion.Left to rot in a barn, and then scanned and archived again for another eight years on my own personal hard drive, it has found a new life through David’s words and music, and Angel Blue’s voice. It was very exciting to see how quickly it came together and how perfectly the image, words and sound meshed.” Director Bill Morrison joins us for conversation on his inspired interpretation of hauntingly beautiful film fragments. 

 

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“let me come in” will receive its broadcast premiere as part of the TCM Classic Film Festival on May 7.

About the filmmaker – Bill Morrison  makes films that reframe long-forgotten moving images. His films have premiered at the New York, Rotterdam, Sundance, and Venice film festivals. In 2014 Morrison had a mid-career retrospective at MoMA. His found footage opus Decasia  (2002) was the first film of the 21st century to be selected to the Library of Congress’ National Film Registry. The Great Flood (2013),was recognized with the Smithsonian Ingenuity Award of 2014 for historical scholarship. Dawson City: Frozen Time  (2016) was included on over 100 critics’ lists of the best films of the year, and on numerous lists ranking the best films of the decade, including those of the Associated Press, Los Angeles Times and Vanity Fair. His work has previously been seen at LA Opera in productions of David Lang’s “anatomy theater” (2016) and David T. Little’s Soldier Songs (2019). Co-presented by Los Angeles Opera with composer David Lang and soprano Angel Blue. Special thanks to the Library of Congress National Audio-Visual Conservation Center. For more go to: billmorrisonfilm.com/bio-filmography

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“Morrison’s world is one of the most breathtaking and haltingly disturbing cinematic realms of our time”.  – Glenn Kenny, RogerEbert.com


Far East Deep South – Director Larissa Lam and Producer Baldwin Chiu

As America currently deals with a rash of anti-Asian sentiment, FAR EAST DEEP SOUTH is a deeply moving story that offers a poignant perspective on race relations, immigration and the deep roots of Chinese Americans in our national identity. The award-winning documentary follows Charles Chiu and his family (including his son, producer Baldwin Chiu, and daughter-in-law, director Larissa Lam) as they travel from California to Mississippi to find answers about Charles’ father, K.C. Lou. A retired Air Force reservist, Charles was left behind in China as a baby and is reluctant to discuss his family’s complicated past with his sons, Baldwin and Edwin. The family’s emotional journey to a place they’ve never seen leads to stunning revelations and a crash course on the surprising history of Chinese immigrants in the segregated South. Through encounters with local residents who remember K.C., as well as interviews with historians, Congresswoman Judy Chu and others, the family’s trip becomes a once-in-a-lifetime opportunity for discovery and healing. FAR EAST DEEP SOUTH is based off the award-winning short film, Finding Cleveland. The film presents a very personal and unique perspective on immigration, race and American identity. Director Larissa Lam and producer Baldwin Chiu join us for a conversation on how a family trip and personal film project evolved into a revelatory story and sweeping historical overview of the immigrant Chinese experience and deeply moving family saga.

 

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For news and updates go to: Far East Deep South.com.

FAR EAST DEEP SOUTH premieres on the WORLD Channel documentary series America ReFramed on Tuesday, May 4, 2021, 8:00 p.m. EST (check local listings). It will also be available to stream on WORLDchannel.org, PBS.org and the PBS Video app beginning at time of broadcast on May 4 and throughout May in honor of Asian American Pacific Islander Heritage Month.

About the filmmaker – Larissa Lam, Director, Writer and Producer, is making her feature film directorial debut with the documentary Far East Deep South. The film has won garnered awards at numerous film festivals including CAAMFest, Cinequest, Oxford Film Festival and Seattle Asian American Film Festival. She previously directed the acclaimed short documentary Finding Cleveland, which is the basis for Far East Deep South. She has produced TV shows such as “Top 3” for JCTV, music videos and other short form videos such as “A Day in the Life of an Engineer” for Intel’s Stay With It campaign. She was part of a distinguished group of filmmakers invited to be part of the Smithsonian’s History Film Forum Emerging Filmmakers Lab. In addition to directing Far East Deep South, Lam is an award-winning singer and songwriter who has released four critically acclaimed solo albums, including her most recent, Love and Discovery. Her song, “I Feel Alive” won the Hollywood Music in Media Award for Best Dance Song and was the theme song for a national suicide prevention campaign. Lam began her career as the Chief Financial Officer of NSOUL Records and has written & produced music for TV (The Oprah Winfrey Show, Dr. Oz, E!, TLC), film (Zulu, Gone) and video games (Konami, Square Enix). Lam is passionate about empowering and inspiring others through film, music and speaking engagements. A dynamic speaker, she has spoken on diversity and inclusion, the Asian American experience among other topics at TEDx, Leadercast and numerous universities such as Yale, UCLA and MIT.  For nine years, Lam hosted a talk show on JCTV interviewing prominent authors, humanitarians and celebrities. Currently, she hosts the podcast, “Love, Discovery and Dim Sum“, which she co-hosts with her husband, Baldwin Chiu. She is a native of Diamond Bar, CA and graduated UCLA with a degree in Business Economics.

About the filmmaker – Producer Baldwin Chiu and his family are the subjects of Far East Deep South and he teamed up with his wife, Larissa Lam, to produce the film. The film will make its national broadcast debut on “America Reframed” on World Channel (PBS) in May 2021. His family’s story has previously been featured on NBC News and NPR among other media outlets. He is a graduate of the ACT One film producing program, and he previously produced the award-winning documentary short, Finding Cleveland. He was born in San Francisco and raised in Sacramento, where he later graduated from California State University, Sacramento with a degree in mechanical engineering.

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“Informative and compelling. A poignant American story that lingers with you even after it’s finished.“ – Lauren Tuck, Creative Executive, Harpo Films.

“This documentary, with the feel of family drama, will impact you & even move you to tears.” – Pratibha Kelapure, The Literary Nest

“A gorgeous and moving story that unveils an important part of American history.” – Edward Douglas, The Weekend Warrior

Paris Calligrammes, Director Ulrike Ottinger

PARIS CALLIGRAMMES is an epic self-portrait of Ulrike Ottinger, one of Germany’s most prominent contemporary avant-garde artists, known for her paintings, photographs, and, above all, her films. An impressive and extensive archive of sensorial memories, historical photographs, and documentary footage traces the early influences of Ottinger’s life in Paris in the 1960s. This was a time marked by her integration into the rich intellectual and cultural circles of the city, but also engagement in the political and social eruptions around the Algerian War and May 1968. These varied dimensions of her experience make PARIS CALLIGRAMMES an essential historical time capsule, beautifully interwoven with the most precious of memories and images. In a rich torrent of archival audio and visuals, paired with extracts from her own artworks and films, Ottinger resurrects the old Saint-Germaindes-Prés and Latin Quarter, with their literary cafés and jazz clubs, and revisits encounters with Jewish exiles, life with her artistic community, the world views of Parisian ethnologists and philosophers, the political upheavals of the Algerian War and May 1968, and the legacy of the colonial era. Director Ulrike Ottinger (Seven Women, Seven Sins, Ticket of No Return, Johanna d’Arc of Mongolia) joins us for a conversation on her life as young painter in Paris in the 1960s, and her personal memories of Parisian bohemianism and the serious social, political and cultural upheavals of the time into a cinematic “figure poem” (calligram) in “Paris Calligrammes”.

For news and updates on the Ulrike Ottinger go to: ulrikeottinger.com

Watch: Paris Calligrammes at Icarus Films

Watch via Virtual Theatre go to: icarusfilms.com/ Paris Calligrammes

“In Paris Calligrammes, the artist Ulrike Ottinger casts a highly personal and subjective gaze back to the twentieth century. At the heart of her film is Paris: its protagonist is the city itself, its streets, neighborhoods, bookstores, cinemas, but also its artists, authors, and intellectuals. It is a place of magical appeal, an artistic biotope, but also a place where the demons of the twentieth century still confront us.” – Bernd Scherer

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100% on Rotten Tomatoes

“One of the great works of first-person cinema. Ottinger’s personal and political masterwork. Extraordinary; a work of vital and energetic modernism.” – Richard Brody, The New Yorker

“Enriching, stimulating; vital and contradictory. Captures the zeitgeist as experienced by a young woman eager to soak up the cultural riches around her, which she then distilled through her own sensibility to create paintings reflecting the era’s upheavals.” – Jay Weissberg, Variety

“Never a dull moment; the work of a consummate artist who understands the importance of the form matching the story.” – Kaleem Aftab, Cineuropa

“Her cinema is restless, Odyssean: full of stories of exile and adventure. [‘Paris Calligrammes’ is] an homage to the intellectual and artistic life of the city in the 1960s.” – Amy Sherlock, Frieze Magazine

Pink Skies Ahead – Director Kelly Oxford

Set in Los Angeles in 1998, PINK SKIES AHEAD follows Winona (Jessica Barden) who, after dropping out of college and moving back home to live with her parents, is diagnosed with an anxiety disorder. Skeptical of her doctor’s opinion — she hasn’t had a panic attack after all —Winona carries on with her wild lifestyle. Only when things begin to truly unravel around her, does she reluctantly decide to see a therapist and face her truths. PINK SKIES AHEAD showcases mental health issues in a nuanced and authentic way and is a featured part of MTV’s newly-launched Mental Health is Health initiative. PINK SKIES AHEAD is Director Kelly Oxford’s feature-length directorial debut and is based on “No Real Danger,” an essay from her second book, “When You Find Out the World Is Against You.” PINK SKIES AHEAD stars Jessica Barden (End of the F***ing World, The New Romantic), Mary J. Blige (The Umbrella Academy), Devon Bostick (Diary of a Wimpy Kid), Marcia Gay Harden (Mystic River, Pollock), Michael McKean (Better Call Saul, This Is Spinal Tap), Lewis Pullman (Bad Times at the El Royale), Evan Ross Cameron (The United States vs. Billie Holiday), Odeya Rush (Goosebumps, Lady Bird), Rosa Salazar (Alita: Battle Angel) and Henry Winkler (Barry). Writer and Director Kelly Oxford joins us for a lively conversation on making the jump from novelist / essayist to filmmaker and the role that media and storytelling can play in addressing our nation’s persistent and growing mental health challenges.

 

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PINK SKIES AHEAD, written and directed by New York Times best-selling author Kelly Oxford, will premiere, commercial-free broadcast on Saturday, May 8 at 9:00PM ET/PT on MTV with a simulcast on Pop TV.

Director’s Statement – Pink Skies Ahead is loosely based on events that occurred when I was nineteen years old. It is a manifestation and reckoning with my own anxiety struggles. Purely out of self-protection, I’ve spent my life creating a firmly independent exterior surface that does not reflect my inner turmoil or compulsive and obsessive worried thoughts. As a forty-two-year-old woman, I’m still grappling with shame and denial of my own inner workings as an anxious person. The catharsis of writing and directing Pink Skies Ahead was a huge step in accepting myself. And I hope our film helps others feel less shame in their “not normal” feelings than I did. – Kelly Oxford

Books by Kelly Oxford
Everything Is Perfect When You’re a Liar 
When You Find Out the World is Against You: And Other Funny Memories About Awful Moments 

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100% on Rotten Tomatoes

“The catchy title’s a clever way of saying “It gets better,” and in the end, that feels as true for Winona as it does for the high-potential writer-director who created her.”  Peter Debruge, Variety

“Kelly Oxford’s comedically-tinged fictionalized drama paints a staggeringly honest, raw and revelatory portrait that makes for an assured debut directorial feature.” – Courtney Howard, Fresh Fiction

“Pink Skies Ahead makes some major strides toward destigmatizing mental health disorders and therapeutic treatment, thanks to Oxford’s empathetic approach and the way she normalizes these experiences through the eyes of her protagonist.” – Brent Hankins, The Lamplight Review

“The heartfelt, autobiographical elements in writer-director Kelly Oxford’s storytelling, coupled with an appealing and empathetic performance by Jessica Barden… provide a real understanding of mental health that so often escapes films and TV shows.” – Alonso Duralde, TheWrap

Wuhan Wuhan, Director Yung Chang

Yung Chang’s intimate and harrowing latest film, WUHAN WUHAN, is an observational documentary unfolding during February and March, 2020 at the height of the pandemic in Wuhan city, where the coronavirus began. With unprecedented access at the peak of the pandemic lockdown, WUHAN WUHAN goes beyond the statistics and salacious headlines and puts a human experience into the early days of the mysterious virus as Chinese citizens and frontline healthcare workers grappled with an invisible, deadly killer. WUHAN WUHAN focuses on five heart-wrenching and endearing stories: a soft-hearted ER doctor and an unflappable ICU nurse from the COVID-19 hospital; a compassionate volunteer psychologist at a temporary hospital; a tenacious mother and son who are COVID-19 patients navigating the byzantine PRC healthcare system; and a volunteer driver for medical workers and his 9 month pregnant wife whose heartfelt story forms the backbone of this film. In a time when the world needs greater cross-cultural understanding, WUHAN WUHAN is an invaluable depiction of a metropolis joining together to overcome a crisis. Award-winning filmmaker Yung Chang (Up the Yangtze, This is Not a Movie) joins us for a conversation on the daunting challenges associated with a sprawling story with no end in sight and an unknowable trajectory.

 

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For news and updates go to: wuhanwuhandoc.com

Watch: Wuhan Wuhan premieres at 2021 HotDocs Film Festival

Director’s Statement – As a Chinese person who grew-up in North America, I feel strongly committed to telling a nuanced story that doesn’t generalize a population of people and reveals them to be individuals, not just a monolith. Nationalism builds walls and this is not the intention of this film. In WUHAN WUHAN, the lives of the people we follow are individually a document of perseverance, but collectively they represent the profound humanity we universally hope for in times of crisis. I’m driven to make this film because of anti-Asian racism quelled by double-speak and mis-truths from leaders around the world, who obfuscate the realities of this pandemic; that in the end it is the everyday person, the essential frontline workers, the volunteers, the intergenerational families, it is us, who must navigate the ups-and-downs of this unprecedented and historic event that will shape our lives forever. In a way, as systems and governments fail us, the people have come together. We will survive. – Yung Chang

About the filmmaker – Ying Chang is the director of Up the Yangtze (2007), China Heavyweight (2012), and The Fruit Hunters (2012). He is currently completing a screenplay for his first dramatic feature, Eggplant, which was selected in 2015 to participate in the prestigious Sundance Labs. Chang’s films have premiered at international film festivals including Sundance, Berlin, Toronto, and IDFA and have played theatrically in cinemas around the world. Up the Yangtze was one of the top-grossing documentary releases in 2008. In 2013, China Heavyweight became the most widely screened social-issue documentary in Chinese history with an official release in 200 Mainland Chinese cinemas. His films have been critically-acclaimed, receiving awards in Paris, Milan, Vancouver, San Francisco, the Canadian Genie, Taiwan Golden Horse, Cinema Eye Honors, among others and have been nominated at Sundance, the Independent Spirit Awards and the Emmys. Chang’s films have been shown on international broadcasters including PBS, National Geographic, ARTE, ZDF, Channel 4, HBO, TMN, NHK, CBC, TV2, SBS and EBS. Chang is the recipient of the Don Haig Award, the Yolande and Pierre Perrault Award, and the Guggenheim Emerging Artist Award. He is a member of the Directors Guild of Canada. In 2013, he was invited to become a member of the Academy of Motion Picture Arts and Sciences. 

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Tiny Tim, King for a Day – Director Johan von Sydow

TINY TIM: KING FOR A DAY is a biographical documentary about a musician who is not only well known for hits such as TipToe Through The Tulips but for his trailblazing personae that paved the way for other rock stars such as David Bowie, Prince, Iggy Pop and Boy George. An outcast from a young age, Herbert Boudrous Khaury’s rise to stardom as Tiny Tim is the ultimate fairytale. Considered a freak by many of his peers, Tiny Tim left no one unaffected. His wedding to Miss Vicki on the Tonight Show with Johnny Carson was watched by over 45 million Americans, and his queer personality has been celebrated by the likes of Bob Dylan and Lady Gaga. There were plans and hopes that Tiny Tim would be a lasting star, not only a novelty act but one man ruined these plans: Tiny Tim. The memorable archival footage, exclusive access to Tiny Tim’s intense diaries, the playful and powerful animations and the interviews with his family and friends makes this film not only a captivating portrait, but also a psychological drama, examining the borderline between insanity and geniality. TINY TIM: KING FOR A DAY is narrated by Weird Al Yankovic – reading from Tiny Tim revealing diary entries – and includes archival footage from D.A. Pennebaker, Jonas Mekas, Andy Warhol and others. Director and Producer Johan von Sydow (Mare Kandre: I Am the Genius!, The Jussi Bjoerling Saga) joins us to talk about the rise and fall of an artist who was one of the most vulnerable, fearless and determined performers to ever stand in front of an audience. TINY TIM: KING FOR A DAY is a unique portrait of one of the oddest stars the world has ever seen.

 

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For news, screenings and updates go to: tinytimfilm.com

Tiny Tim: King for Day will be in select theaters April 23

About the filmmaker – Johan von Sydow is a drector and staff producer at SVT:s well renowned arts and culture show Kobra. His first two documentaries (Mare Kandre and The Jussi Bjoerling Saga) were called “the two best Swedish cultural docs in the 2000s” by a leading tv-critic, and his latest (Ratata through the ´80s) was, according to another critic, “a benchmark for future Swedish popmusic documentaries”. The Jussi Bjoerling Saga was nominated as Best documentary in the Swedish TV-award Kristallen.

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“A compelling and very entertaining portrait of a showbiz original” – Roger Moore, Movie Nation

“There was never anything like Tiny Tim – not before or since – and, as the film makes clear, his character was anything but an act.” – Joel Selvin, San Francisco Chronicle

“Reveals a performer who was haunted by shame, sexual suppression, religious torment and memories of his brief time at the top.” – Richard Crouse

“Overall, it’s a great place to start if you want to learn more about the American legend who was Tiny Tim.” – Lorry Kikta, Film Threat

GUNDA – Director Victor Kossakovsky

Where his prior film, the acclaimed epic AQUARELA, was a reminder of the fragility of human tenure on earth, in GUNDA, master filmmaker Viktor Kossakovsky reminds us that we share our planet with billions of other animals. Through encounters with a mother sow (the eponymous Gunda), two ingenious cows, and a scene-stealing, one-legged chicken, Kossakovsky movingly recalibrates our moral universe, reminding us of the inherent value of life and the mystery of all animal consciousness, including our own.  Experiential cinema in its purest form, GUNDA chronicles the unfiltered lives of a mother pig, a flock of chickens, and a herd of cows with masterful intimacy. Using stark, transcendent black and white cinematography and the farm’s ambient soundtrack, Master director Victor Kossakowsky invites the audience to slow down and experience life as his subjects do, taking in their world with a magical patience and an other worldly perspective. GUNDA asks us to meditate on the mystery of animal consciousness, and reckon with the role humanity plays in it.

 

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For news and updates go to: gunda.movie

For GUNDA theatrical release go to: neonrated.com/films/gunda

“GUNDA is a mesmerizing perspective on sentience within animal species, normally – and perhaps purposely – hidden from our view. Displays of pride and reverence, amusement and bliss at a pig’s inquisitive young; her panic, despair and utter defeat in the face of cruel trickery, are validations of just how similarly all species react and cope with events in our respective lives. Victor Kossakovsky has crafted a visceral meditation on existence that transcends the normal barriers that separate species. It is a film of profound importance and artistry.” – Executive producer Joaquin Phoenix

Director’s Statement – Growing up I was very much a city kid, but at the age of four I spent a few months in a village in the countryside, where I met my best friend Vasya. He was much younger than me – just a few weeks old when we met – but over time he became my dearest friend and the times we spent together are some of the most cherished memories from my childhood. One day, when we were still young, Vasya was killed and served as pork cutlets for a New Year’s Eve dinner. I was devastated and immediately became (probably) the first vegetarian kid in the Soviet Union. As a consequence, since I became a filmmaker I have always wanted to make a film about the creatures with whom we share the earth, a film about animals as living, feeling beings in their own right. I wanted to make a film without patronizing or humanizing them, without any sentimentality, and without vegan propaganda. However, as the film I had in mind is not about dolphins, elephants, pandas or other cute animals we love to love, it was impossible to finance. I tried for almost three decades until I finally met Norwegian producer Anita Rehoff Larsen from Sant & Usant who took the risk on making it. We were unbelievably lucky to meet Gunda in the Norwegian countryside on the very first day of our research trip. Gunda is on the screen for over half of the runtime of the final film and is an extraordinarily powerful character – you do not need an interpreter to understand her emotions and experiences. As such I decided to make this film without any captions, voice-over, or music, you just need to watch it and allow yourself to feel. For me, the essence of cinema is showing, not telling. I do not make films if I want to tell an audience something I have no interest in prescribing an opinion. I make films if there is something I want people to see and to allow them to find their own conclusion. Documentary cinema is a great tool to show the realities of the world, to show things that we do not see by ourselves, that we do not want to see, or that we have collectively agreed that we do not see, and so we allow ourselves not to think about. With GUNDA I want people to see these animals as sentient beings and to encourage them to think about the possibility of their consciousness and selfhood. With that I feel that GUNDA is the most personal and important film I have made as a filmmaker and as a human being. – Victor Kossakovsky

NOMINEE – Best Feature – IDA Documentary Awards 2021
FEATURES SHORTLIST – DOC NYC 2020
TOP 10 FILM OF THE YEAR – The New York Times

“GUNDA is pure cinema. This is a film to take a bath in – it’s stripped to its essential elements, without any interference. It’s what we should all aspire to as filmmakers and audiences – pictures and sound put together to tell a powerful and profound story without rush. It’s jaw dropping images and sound put together with the best ensemble cast and you have something more like a potion than a movie.” – Paul Thomas Anderson

98% on Rotten Tomatoes

“Sublimely beautiful and profoundly moving, it offers you the opportunity to look – at animals, yes, but also at qualities that are often subordinated in narratively driven movies, at textures, shapes and light.” – Manohla Dargis, New York Times

“Kossakosky’s achingly beautiful black-and-white documentary is ground-breaking and wondrous for its intimacy,” – Radheyan Simonpillai, NOW Toronto

“”Gunda” may be a meditational slow-burn, but as it unfurls its immersive audiovisual tapestry it hovers between non-fiction observation and lyrical insight, and to that end feels like an advancement of the nature documentary form.” – Eric Kohn, indieWire

“It is hard to fully articulate how, but Gunda is as much a damning meditation on the human condition as it is a glowing, thought-provoking portrayal of a mother’s love for her children, a sow’s love for her piglets.” – Matthew Anderson, CineVue

The Race To Save The World – Director Joe Gantz

Emmy Award winning director Joe Gantz’s compassionate documentary THE RACE TO SAVE THE WORLD is a climate change film like no other. Instead of focusing on paralyzing facts and numbers THE RACE TO SAVE THE WORLD inspiring takes a unique approach by following passionate activists, ages 15-72, who are in the trenches fighting for a livable future. These brave climate warriors put their lives on the line to push for change, regardless of the personal cost. THE RACE TO SAVE THE WORLD brings an urgent and intimate portrait of the protests, arrests, courtroom drama and family turmoil these activists endure as they single-mindedly focus their attention on the goal of creating a more sustainable world for future generations. Drawing on powerful footage and moving interviews, THE RACE TO SAVE THE WORLD is an inspiring call to action, urging each one of us to become climate warriors for a livable future. Director and producer Joe Gantz stops by to talk about the dedicated activist who are willing to push aside a comfortable life of in-action to become everyday heroes push to create a sustainable world, often risking their relationships, careers – and freedoms in the process.

 

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For news and updates go to: theracetosavetheworld.com

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THE RACE TO SAVE THE WORLD opens everywhere on EARTH DAY April 22, 2021 but you can preorder you tickets now. Due to Covid, the film will open in virtual releases unless otherwise Indicated.  You can get a ticket through us or you OR You can support your favorite local movie theater or non-profit so that half the proceeds goes to them. More will be added daily so stay tuned!

About the filmmaker – Joe Gantz is known for work that examines personal stories with honesty, humor, and depth. He calls his film style, “life in progress”, where his small crew fades into the background and lets the story evolve organically.  Joe tries to be present for the pivotal moments as well as the everyday moments, to give insight into each subject’s life and relationships.  The goal is to allow the subjects to be comfortable enough to go about their daily life as if there was no one filming. And the subjects are not performing, because there is no agenda, making for very authentic storytelling.  Taxicab Confessions:  Emmy award-winning HBO documentary series featuring real-life interactions between cab drivers and their passengers that was broadcast for fifteen years. American Winter:  A documentary film about families struggling in the wake of the worst economic crisis since the Great Depression. Ending Disease: The Stem Cell, Anti-Cancer T-Cell, & Antibody Revolution In Medicine, is a film about how regenerative therapies are transforming medicine from a lifetime of treatments to onetime cures for a whole host of debilitating diseases. The Race to Save the World:  uses the same personal approach to emotionally-engage viewers in the urgent fight against catastrophic climate change.

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“The Race to Save the World realistically captures characters who take real risks and the impacts on their loved ones and on themselves.  Implicitly it raises questions about the best way to achieve environmental goals… Gantz’ film spurs us to think about how to be more effective”. – Jim Hansen, Director Climate Science, Awareness and Solutions Program Columbia University Earth Institute

ICON – Director Tony Ahedo and Lead Actor Parker Padgett

Young love’s the topic of so many films, but rarely is it handled with earnest, authentic grace, as we see it in Tony Ahedo’s debut feature film ICON. This moving coming-of-age drama is anchored in the compelling performances of the lead actors Parker Padgett and Devon Hales. When a surprise  pregnancy forces Sam to facedown many brutal realities of adulthood and responsibility, things spiral rapidly out of control, as he simultaneously tries to fight to find his own truth: why his absent father hasn’t been in his life since one, fading memory. ICON charts the   perilous journey to adulthood for our  charismatic  leads Sam (Parker Padgett) and Ana (Devon Hales). Director and writer Tony Ahedo and lead actor Parker Padgett joins us to talk about the collaboration the two of them shared in crafting a complex and nuanced portrayal of young romantic love, dysfunctional family history and relationships and flawed people, young and old, striving to do the right things.

 

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ICON will be screening at the Florida Film Festival beginning April 22

About the filmmaker – Pretty Sweet Films founder and director Tony Ahedo started working in the film industry in 2011. Pretty Sweet Films is a central Florida based video production company led by award winning filmmaker Tony Ahedo. Our goal at PSF is to not just get the best visuals for your project, but to tell the best story. We treat every project like a film, taking the time to carefully craft every frame so it tells our audience something important. We’re all about collaboration and teamwork to deliver the film or video you want. Pretty Sweet Films is here to tell your story on your terms.  In 2015 he graduated with his BFA in Filmmaking from Ringling College of Art and Design. Right after graduation he went on to create & direct his Amazon Prime TV series Barry Baker: Aspiring Serial Killer. Tony went on and has worked on multiple feature films, TV shows, music videos and documentaries since then. A few of his past client collaborators include, Universal Sports, NBC, Bose, Lil Wayne, Zumba, and Gunplay. He is recently completed production on his next feature film ICON for Pretty Sweet Films.

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In the Earth – Director / Writer / Editor Ben Wheatley

As the world searches for a cure to a disastrous virus, a scientist (Joel Fry) and park scout (Ellora Torchia) venture deep in the forest for a routine equipment run. Through the night, their journey becomes a terrifying voyage through the heart of darkness, the forest coming to life around them as nature becomes a force of evil,   Director, writer and editor Ben Wheatley (Down Terrace, Kill List, Fields of England) joins us for a conversation on his endlessly compelling pandemic folk tale that is begins with a walk in the woods that drops us into subversively horrifying landscape of screeching trees and bone-crushing vibrations. Golden Globe nominee composer Clint Mansell (The Fountain, Requiem for a Dream, Moon) provides a stunningly propulsive soundtrack to the film.

 

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“It’s damn terrifying, trippy, thoughtfully imaginative in sound design and visual tricks to convey communicating with nature, and packs a savage kick of relatively insane individuals and body horror” – Robert Kojder, Flickering Myth

“The biggest success, however, is the balance of psychedelic mysticism and heady science that are melded with toe-curling scenes of gore and suspense.” – Norman Gidney, Film Threat

“Wheatley is firing on all cylinders with his stripped-down approach to massive topics. An assault on the senses that’s bigger than any blockbuster.” – Kyle Anderson, Nerdist

“In the Earth reminds us that there’s so much more still to fear in the invisible darkness of the natural world — things that our little animal brains can barely grok in all of its terrible splendor.” – Nick Johnston, Vanyaland

“It’s one of the most exciting genre mashups I’ve seen in years.” – Lorry Kikta, Film Threat

“Wheatley and his collaborators have produced something that some of us thought would be impossible: an outrageously entertaining film that feels utterly rooted in the bleak era in which it was made.” – Robbie Collin, Daily Telegraph (UK)

“This is the work of someone who’s always been more in his element when making something out of nothing, and that energy is especially well-served to a story about the fundamental human impulse to do the same.” – David Ehrlich, indieWire

Olympia – Director Harry Mavromichalis

OLYMPIA is a sublimely intimate fly-on-the-wall verité documentary that tells a poignant story of a woman finding her own voice on her own terms to assert a gigantic creative force into the world. Rebelling against her suspicious Greek mother to assert her strong sexual drive, fighting the feeling she was “too ethnic” in Boston, and starting her own theatre company in New Jersey instead of waiting for the phone to ring, Olympia Dukakis models how to live life with blazing courage. Throughout an engrossing story that seamlessly blends past and present, she opens her heart and exposes her truest self to Harry Mavromichalis’ unobtrusive camera. The raw honesty with which Olympia leads us into the core of herself is what makes this film luminary. As fellow actors with whom she has shared the limelight Laura Linney, Diane Ladd, Whoopi Goldberg, and Armistead Maupin all testify, Olympia is “totally open and crazy”, which is what turns out to be the marker of her absolute sanity. OLYMPIA’s intimate portrait of a working class professional, a scholar actor of intuitive power, and a woman beloved around the world, culminates on the steps of the Dukakis’ humble ancestral home in Lesbos, Greece. Through her brutal honesty and sincerity, Olympia compels us to confront our own shortcomings and differences by letting go, and move forward with defiant conviction. Director Harry Mavromichalis takes a page from the Albert Maysles’ school of fly-on-the-wall verité documentary storytelling leaving the viewer with an appreciation of an artist becoming her own woman, on her own terms, primed to share her creative insights with the world.

 

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For news and updates go to: olympiathefilm.com

About the filmmaker – Producer and Director Harry Mavromichalis – OLYMPIA is Harry Mavromichalis’ directorial feature documentary debut and he is currently in post-production for “Yankee Restraint”; a character driven piece that examines the intricacies of a gay relationship spanning decades and tackles issues of love and resentment.  After a long career as a modern dancer with his own dance company in New York, he pursued a Masters in Film Directing from New York University.  He wrote, directed and produced multiple short films, music videos and commercials. Curator of the inaugural LGBTQ Film Festival, Harry was a key organizer of the historic first-ever Pride Parade in Cyprus which attracted over 4,000 attendees.

About Olympia Dukakis – Born June 20, 1931 in Lowell, Massachusetts, the daughter of Greek immigrants, Dukakis earned two degrees from Boston University and worked as a physical therapist while pursuing a stage career. Olympia Dukakis won an Academy Award for her performance in Moonstruck, a role that also earned her a Golden Globe Award, American Comedy Award, and the Los Angeles Film Critics Award for Best Supporting Actress. She has appeared in more than 60 feature and short films, including Steel Magnolias, Cloudburst, Dad, Mr. Holland’s Opus, Working Girl, Look Who’s Talking I, II & III, Mighty Aphrodite, Jeffrey, Away From Her, among many others. Her television include : Big Driver, Sex & Violence, Forgive Me, Bored to Death, Last of the Blond Bombshells, Sinatra (Golden Globe Nominee), Joan of Arc (Emmy Nominee), Tales of the City, More Tales of the City (Emmy Nominee), Further Tales of the City among more than 40 others. She has performed in over 130 productions on and off-Broadway and regionally at theatres including the Public Theater, A.C.T., Shakespeare in the Park, Shakespeare & Co., and the Williamstown Theatre Festival, where she also served as Associate Director. She was a Founding member and Producing Artistic Director of the Whole Theatre in Montclair, NJ, for 19 years; also a founding member of the Actor’s Company and the Charles Playhouse in Boston. She continues to teach acting at NYU and master classes for professional theatre companies, colleges, and universities across the country. She was bestowed the National Arts Club Medal of Honor and her star on the Hollywood Walk of Fame was placed in 2013.

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“It is a pleasure to spend time with Dukakis, who is always not just open to but hungry for revelation, growth, and connection, giving the documentary a deliciously buoyant quality.” – Nell Minow, RogerEbert.com

“Director Harry Mavromichalis, using extreme close-ups that caress the stunning, dramatic topography of [Dukakis’] face, eschews traditional narration and chases after the firebrand as she attends the unveiling of her star on the walk of fame.” – Andrea Simakis,Cleveland Plain Dealer

“Harry Mavromichalis’ Olympia delivers a deeply personal and philosophical documentary, following Oscar-winning actress Olympia Dukakis over the course of several years.” – Grace Williams, Battle Royale With Cheese

“The documentary Olympia is a lot like the Oscar-winning actress Olympia Dukakis herself — opinionated, funny, candid, foul-mouthed, sometimes rambling, but never boring.” – Carla Hay, Culture Mix

LOS HERMANOS/THE BROTHERS Co-Directors Marcia Jarmel and Ken Schneider

Part Geo-political saga, part ode to their origin country of Cuba, LOS HERMANOS/THE BROTHERS follows the journeys of virtuoso Afro-Cuban musician brothers, Ilmar and Aldo López-Gavilán, born in Havana in the 70s. At 14, Ilmar outgrew his island teachers and was sent to the U.S.S.R. to study violin. He never lived in Cuba again, ultimately landing as a working chamber violinist in the United States. Younger brother Aldo grew up mentored by Cuba’s impressive jazz and classical pianists, his extraordinary talent achieving renown on the island, but stymied elsewhere by the 60-year-old U.S. embargo. Though they see  each other when family finances and visa restrictions allow, they’ve never had a chance to collaborate musically—something they’ve longed for all their lives. Tracking their parallel lives, poignant reunion, and momentous first performances together on stages across the U.S., LOS HERMANOS / THE BROTHERS is a nuanced, intensely moving view of nations long estranged, through the lens of music and family. Featuring an electrifying, genre-bending score, composed by Cuban Aldo López-Gavilán, performed with his American brother, Ilmar, and with guest appearances by maestro Joshua Bell and the Grammy-winning Harlem Quartet, filmmakers Ken Schneider and Marcia Jarmel take the viewer on a delightful musical tour through Cuba and the US, capturing the artistry behind their music and their deep familial bond.

 

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For news and updates go to: hermanosbrothersfilm.info

Watch Los Hermanos / The Brothers beginning May 14

About the filmmaker – Marcia Jarmel is a veteran documentary director, producer, and impact producer. Prior to founding PatchWorks, Marcia directed and produced THE RETURN OF SARAH’S DAUGHTERS (Women in the Director’s Chair, IDA’s DocuWeek, Cinequest, international public television) and THE F WORD: A SHORT FILM ABOUT “FEMINISM” (Living Room Festival, AFI’s VideoFest, and Brooklyn Art Museum’s Judy Chicago film series). Angela Davis called THE F WORD “an important step toward rekindling discussion of feminism.” Marcia consults on social issue films, including HBO’s Emmy nominated 50 CHILDREN, and the Academy Award nominated LAST DAY OF FREEDOM. Marcia has been a resident at Working Films’ Content+Intent at Mass MoCA, Fledgling Fund’s Reel Education and Reel Impact, SFFilm’s FilmHouse, the Kopkind Colony, and twice a BAVC MediaMaker. She has taught at NYU-Tisch in Havana and Chapman University and served as a juror for the Emmys, BAVC MediaMaker, and many film festivals.

About the filmmaker – Ken Schneider is a Peabody Award winner who believes in the power of film to affect hearts and minds. For nearly 30 years, Ken has produced, directed and edited documentaries in English and Spanish, focusing on war and peace, human rights, artists’ lives, American history, contemporary social issues, and Cuba. His work has appeared on PBS’s series American Masters, POV, Independent Lens, Frontline, Voces, and on HBO, Al-Jazeera, Showtime, and on television and in film festivals worldwide. Ken co-edited the Oscar-nominated REGRET TO INFORM and has edited over 35 feature length documentaries that have won Primetime and Documentary Emmys, three Peabodys, a Columbia-Dupont, IDA (International Documentary Association) awards, an Indie Spirit award, and top awards at Sundance. Ken edits in English and Spanish and has a personal connection to Cuba, where his Vienna-born father was sheltered during the Holocaust. Ken has taught at NYU-Tisch, Chapman University, and San Francisco City College, and lectured at the SF Art Institute, University of San Francisco, and Harvard. He has been a panelist for the National Endowment for Humanities, Emmys, and various film festivals.

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PatchWorks Films, co-founded by husband and wife team Marcia Jarmel and Ken Schneider, makes documentaries raising nuanced questions about critical contemporary issues. PatchWorks’ films have broadcast and screened worldwide and have each been used in robust engagement campaigns. Their most recent feature, HAVANA CURVEBALL screened in six countries, winning Best Documentary awards at the Boston and Seattle Children’s Film Festival, a special jury award at the Olympia Festival in Greece and a spot on School Library Journal’s “Best of 2014” list. Their previous feature, SPEAKING IN TONGUES, aired on PBS, won the Audience Award at the San Francisco Film Festival, and continues to be a catalyst for changing language education worldwide. Previous films include BORN IN THE U.S.A., which aired on Independent Lens and was hailed as the “best film on childbirth” by the World Health Organization, and several shorts. LOS HERMANOS/THE BROTHERS is their 9th collaboration, their 4th in Cuba. Clips and information on all PatchWorks’ features and shorts can be found at patchworksfilms.net.

“I cannot overstate the pleasure and excitement this film provides. It is a must-see.”- Marin Post

“an exhilarating and perceptive dive into the magical and confounded lives of two Cuban-born brothers” – ARThound

“Here is a purely celebratory film that at the same time biopsies political expedience and nationalism” – Woodstock FIlm Festival

“A remarkable film about a family ensnared in geopolitics” – San Francisco Chronicle

Last Will and Testament – Co-directors Laura Wilson and Lisa Wilson

It’s the greatest literary mystery of all time; who wrote the works of Shakespeare Although the official story has held sway for centuries, questions over the authorship of the plays and poems have persisted. Mark Twain, Sigmund Freud, Charlie Chaplin and Orson Welles are among the many famous figures who doubt that a grain-dealer from Stratford-upon-Avon was England’s “Star of Poets. THE LAST WILL & TESTAMENT will transform the way you look at Shakespeare. Twin sisters & filmmakers Laura Wilson and Lisa Wilson’s intricate historical journey charts the fascinating documentary  THE LAST WILL & TESTAMENT from executive producer Roland Emmerich (who’s brilliant “Anonymous” also explores Shakespeare’s identity) and featuring stage and screen icons Derek Jacobi (Gladiator, Gosford Park, Dead Again), Mark Rylance (Bridge of Spies, The BFG, Dunkirk), and Vanessa Redgrave (Atonement, Howards End, Coriolanus).   It’s the greatest literary mystery of all time who actually wrote the works of Shakespeare?  Featuring a powerful score by Graeme Revell (The Saint, The Crow, Lara Croft: Tomb Raider), the greatest mystery of an identity hidden by time and the constructs of society…The Bard himself. Co-directors Laura Wilson and Lisa Wilson join us for a conversation on their own obsessive dedication concerning the true authorship of Hamlet, Macbeth, Richard III, Taming of the Shrew, and many other fundamental works of Western civilization, as well as, how they were able to enlist the leading lights on this hotly contested topic.

 

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For news and updates go to: strikebackstudios.com/last-will-testament

THE LAST WILL & TESTAMENT is available now (April is Shakespeare is international Month) for audiences to stream on Amazon Prime,Vudu,Tubi and other streaming platforms along with across TVOD platforms. iTunes, Fandango Now, Google Play, YouTube, among others globally to rent or buy. 

THE LAST WILL & TESTAMENT from executive producer Roland Emmerich (a Shakespeare scholar in his own right with his incredible “Anonymous,” which also explores Shakespeare’s identity and pre-dates the documentary)  will transform the way you look at Shakespeare. Iambic pentameter will forever hold tight histories mysteries for fans of The Bard, once you’ve seen this documentary.

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“Laura and Lisa Wilson’s Last Will & Testament is utterly fascinating. Thoroughly investigated, told with flair and authority, the sisters rip the lid off one of the greatest literary puzzles in history. Riveting.” – Anne Brodie, What She Said Canada

Funny Face – Director Tim Sutton

Tim Sutton’s menacing and hauntingly elegant film, FUNNY FACE,  follows the stifling dread of a young Muslim woman, Zama (Dela Meskienyar), running away from her aunt and uncle’s house, desperate for a new life. She quickly finds that she must now navigate the peril of life on the street. A disturbed young man, Saul (Cosmo Jarvis) from Coney Island dons the menacing “Funny Face” mask, transforming himself into a makeshift superhero with a rage disorder as he seeks revenge on the Real Estate Developer, (Jonny Lee Miller) of a soulless high rise that has displaced his grandparents. Misfit avengers in a changing city, the two embark on a neighborhood odyssey that brings danger, love, and tragedy. And pickles. Director / Writer Tim Sutton (Memphis, Dark Knight, Donnybrook) joins us for a conversation on creating films that connect with viewers beyond traditional storytelling, filmmakers and films that inspire him, and how telling the story of Saul and Zama reflects his own anxiety about the hallowing out of his beloved New York City.

 

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Tim Sutton’s menacing and hauntingly elegant film, FUNNY FACE,  follows the stifling dread of a young Muslim woman, Zama (Dela Meskienyar), running away from her aunt and uncle’s house, desperate for a new life. She quickly finds that she must now navigate the peril of life on the street. A disturbed young man, Saul (Cosmo Jarvis) from Coney Island dons the menacing “Funny Face” mask, transforming himself into a makeshift superhero with a rage disorder as he seeks revenge on the Real Estate Developer, (Jonny Lee Miller) of a soulless high rise that has displaced his grandparents. Misfit avengers in a changing city, the two embark on a neighborhood odyssey that brings danger, love, and tragedy. And pickles. Director / Writer Tim Sutton (Memphis, Dark Knight, Donnybrook) joins us for a conversation on creating films that connect with viewers beyond traditional storytelling, filmmakers and films that inspire him, and how telling the story of Saul and Zama reflects his own anxiety about the hallowing out of his beloved New York City. For news and updates go to: gravitasventures.com/funny-face

“Genuinely otherworldly… a tender evocation of a New York City that is currently passing before its inhabitants’ eyes.” —Variety

“Haunting.” —Screen Daily

“A hypotensive urban fairy tale…of a New York borough imagined as a faraway land of rooftops and distant lights and corner bodegas where every day—every moment even—seems to start with ‘once upon a time.'” — The Playlist
“Seductive.” —The Film Stage
“Electric.” —Indiewire

Moffie – Director Oliver Hermanus

To be a moe is to be weak, effeminate, illegal. The year is 1981 and South Africa’s white minority government is embroiled in a conflict on the southern Angolan border. Like all white boys over the age of 16, Nicholas Van der Swart (Kai Luke Brummer) must complete two years of compulsory military service. South African director Oliver Hermanus, fourth feature MOFFIE explores the life of a closeted young boy serving his mandatory military service during Apartheid in 1980s South Africa. MOFFIE  is an adaptation of André-Carl van der Merwe’s iconic memoir, the film serves as a brilliant period piece exposing the psychological violence of institutionalized homophobia. Achingly raw depictions of the brutality of military training recall scenes from Kubrick’s FULL METAL JACKET while the beautifully acted love story provides a sharp contrast to the pervasive violence. Director and screenwriter Oliver Hermanus joins us for a conversation on how important it was to accurately capture to nexus of religion and the racist Apartheid regime and how the repressive culture it created made any relationship outside of it a treasonous act and how rewarding it was for him to be working with a gifted group of talented actors.

 

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For news and updates go to: ifcfilms.com/films/moffie

IFC Films will release MOFFIE on Friday, April 9, 2021 in select theaters and on digital and VOD platforms. 

About the filmmaker – Oliver HERMANUS (1983, South Africa) started his career as a press photographer. He studied at the University of Cape Town and received a scholarship for the University of California. In 2006 he was offered a private scholarship by film director Roland Emmerich to complete his MA at the London Film School. His earlier films Shirley Adams (2009) and Beauty (2011) were both screened in Rotterdam. In 2015, The Endless River became the first South African film to be nominated for the Golden Lion at the Venice Film Festival. His newest feature, Moffie (2019), premiered in the Horizons section of Venice Film Festival and won the Mermaid Award for best LGBTQI-themed film at the 60th edition of Thessaloniki International Film Festival.

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“A masterpiece…establishing [Hermanus] quite plainly as South Africa’s most vital contemporary filmmaker” – Variety, Guy Lodge

“Hermanus digs deep into the South African psyche and teases out the contradictions within white society itself, especially the fracture between South Africans of English origin and Afrikaners.” – Kevin Maher, Times (UK)

“An extraordinary young ensemble cast…Kai Luke Brummer makes a magnetic centre” – Screen International, Jonathan Romney

“Moffie is another powerful addition to the Hermanus canon, and I can’t wait to see what this film maker will do next.” – Grethe Kemp, City Press (South Africa)

“Moments of aching tenderness and desire” – The Hollywood Reporter

Like a House on Fire – Director Jesse Noah Klein

Jesse Noah Klein’s powerful second feature, LIKE A HOUSE ON FIRE, follows Dara (Sarah Sutherland) as she returns home to reconnect with her husband Danny (Jared Abrahamson) and her young daughter, whom she left two years earlier. When she arrives, she discovers that Therese, (Dominique Provost-Chalkley) who is seven months pregnant has taken her place. Compounding Dara’s anxiety, Isabel, (Margaux Vaillancourt) her daughter no longer recognizes her. LIKE A HOUSE ON FIRE tells the story of a woman’s struggle to regain the life she left behind. Director and writer Jesse Noah Klein joins us to talk about how he used his film to take nuanced look at motherhood, trauma, mental health, marriage, identity and what it means to be a family. Under his direction a superb cast, led by Jared Abrahamson (Finding a Family) and a breakout performance by Sarah Sutherland (VEEP, Chronic) LIKE A HOUSE ON FIRE is a compelling tale of struggle and hope.

 

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For news and updates go to: gametheoryfilms.com

Watch: gametheoryfilms.com/likeahouseonfire

Game Theory Films presents LIKE A HOUSE ON FIRE on digital platforms including iTunes/Apple TV, Vimeo on Demand and Amazon Direct. 

About the filmmaker – Jesse Noah Klein is a filmmaker from Montréal. He studied film at The University of Texas at Austin and went on to teach in the United States before returning to his native Canada to teach and make films. His first feature We’re Still Together had its world premiere in competition at the Karlovy Vary International Film Festival, and went on to play at over 20 festivals worldwide. The film won two ACTRA awards as well as Prix Iris nominations at the Québec Cinéma Gala for outstanding male performance for its two leading actors. It is distributed by AZ Films in Canada and by Strand Releasing in the US and abroad. 

About Sarah Sutherland – Upon graduating from New York University’s prestigious Tisch School of the Arts, Sutherland was cast alongside Julia Louis-Dreyfus as her daughter in HBO’s critically acclaimed and award-winning comedy series “Veep”. The political satire follows the life of former Senator Selina Meyer (Julia Louis-Dreyfus) and all that entails being the Vice President of the United States. Sutherland and the cast have been nominated 3 times in the category of Outstanding Performance by an Ensemble in a Comedy Series. Up next Sutherland has a leading role in the indie film “Like a House on Fire” and will co-star with Adam Brody in “Kid Detective.” Other credits include the features “Chronic” opposite Tim Roth, “What They Had” with Michael Shannon and Hilary Swank, and television appearances in HBO’s “The Newsroom” and “Tim and Eric’s Bedtime Stories” on Adult Swim.

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“Sutherland…makes the subtle shades of pain ache and Dara’s mystery well worth exploring in a story that feels too real to distance yourself from.” – Roger Moore, Movie Nation

“Klein could have written [Danny and Thérèse] very differently and pushed Dara to a much darker place as a result, but he chose to embrace hope instead.” – Jared Mobarak, The Film Stage

“Sarah Sutherland is outstanding and does a great job and is the film’s standout. An emotional story that sometimes relies too much on heart wrenching moments.” – Nathaniel Muir, AIPT

“If you’re looking for a low-key, character-driven, existential little drama, you and Klein’s film will get on like a house on fire.” – Alex Saveliev, Film Threat

The Painter and The Thief – Director Benjamin Ree

Director Benjamin Ree’s latest documentary, THE PAINTER AND THE THIEF,  tracks the journey of young Czech artist Barbora Kysilkova after relocating from Berlin to Oslo to launch her career as a painter. In April of 2015, her two most valuable, large-format paintings are stolen – with care – in broad daylight from the window fronts of Galleri Nobel in Oslo’s city center. Desperate for answers about the theft of her paintings, Barbora is presented with an unusual opportunity to reach out to one of the men involved in the heist – Norwegian career criminal, Karl-‘Bertil’ Nordland. Ree begins to document the story after Barbora unbelievably invites her thief to sit for a portrait, capturing the unlikely relationship that ensues as the equally damaged duo find common ground and form an inseparable bond through their mutual affinity for art. Over three years, THE PAINTER AND THE THIEF follows the incredible story of the artist looking for her stolen paintings, while at the same time turning the thief into art. Director Benjamin Ree (Magnus) joins us for a lively conversation about gaining the confidence of these two very complex people and why it was important for him to craft a story where Barbara and Karl resilience and humanity shone through.

To watch go to: neonrated.com/the-painter-and-the-thief

2020 Sundance Film Festival: Winner of the World Cinema Documentary Special Jury Award for Creative Storytelling

Director’s statement – “From the moment I began filming I wanted to explore the complex friendship between the painter and the thief. Two questions were the driving motor: What do we humans do to be seen and appreciated, and why do we help others? For me, filmmaking is about asking intellectually stimulating and emotionally engaging questions through observing human behavior. I hope I have managed to raise some intriguing questions with this film, questions you will think about long after the end credits. I have also tried to push the cinema verite form onto a new path, with several perspectives jumping back and forth in time, revealing new layers of the friendship throughout the whole film. I have worked hard to find a cinematic form to suit the content for each scene, that reflects the inner state of the characters.” – Benjamin Ree

About the filmmaker – Benjamin Ree is a Norwegian documentary filmmaker. In the beginning of his career he worked for BBC and Reuters. Today he makes award winning short and feature documentary films. Ree’s first feature documentary is Magnus, which premiered at Tribeca Film Festival in 2016, and was sold to 64 countries. The film is a coming of age story of a modern genius, Magnus Carlsen, who is the world’s best chess player. The film won many awards at festivals around the world. Ree’s second feature is The Painter and the Thief, premiered at World Documentary Competition at Sundance Film Festival in 2020 and won a Special Jury Award for Creative Storytelling. Benjamin Ree works for the production company and broadcaster VGTV, which co-produced Magnus and The Painter and the Thief. For more on the filmmaker go to benjaminree.com

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96% on Rotten Tomatoes

“Benjamin Ree’s extraordinary documentary feels like a movie – there’s a heist, villains who are not what they seem, scenes of striking intimacy and some fabulous twists.” – Ed Potton, Observer (UK)

“It ends up being about friendship, addiction, and the power of art — but also the cost of art. Throughout it all, the spine of this movie is the rich, layered, and complicated friendship between these two people.” Angie Han, FilmWeek (KPCC – NPR Los Angeles)

“[A] strange, delicately made film, which manages to defy expectations about both of its subjects and the power balance between them.” – Alison Willmore, New York Magazine/Vulture

“[T]here are moments so intimate and unguarded that you may briefly dissociate and question what you’re watching – a documentary, or its carefully scripted and acted narrative counterpart.” – Justin Chang,

“So compelling is “The Painter and the Thief” – and ultimately so powerfully moving in its faith in human resilience – that you may not notice the illuminating ways in which Ree plays with form and viewpoint.” – Ty Burr, Boston Globe

“A story of deeply human connection between two souls that actually see each other, and the healing power wrapped up in that sense of visibility.” – Katie Walsh, Tribune News Service