The World Before Your Feet, Director Jeremy Workman

There are 8,000 miles of roads and paths in New York City and for the past six years Matt Green has been walking them all – every street, park, cemetery, beach, and bridge. In the entertaining new documentary THE WORLD BEFORE YOUR FEET we’re taken on a bird’s eye tour through the city’s five-boroughs. It’s a journey that stretches from the barbershops of the Bronx to the forests of Staten Island, from the Statue of Liberty to Times Square, with Matt amassing a surprisingly detailed knowledge of New York’s history and people along the way. Something of a modern-day Thoreau, Matt gave up his former engineering job, his apartment, and most of his possessions, sustaining his endeavor through couch-surfing, cat-sitting and a $15-per-day budget. He’s not sure exactly why he’s doing it, only knowing that there’s no other way he’d rather spend his days. Executive produced by Oscar® nominee Jesse Eisenberg, THE WORLD BEFORE YOUR FEET is a tribute to an endlessly fascinating city and the freedom to be found, wherever you live, in simply taking a walk. Jeremy Workman is known for such documentaries as Magical Universe (IFC Films),Who Is Henry Jaglom? (First Run Features), and the “One Track Mind” segment of True New York (First Run Features). Jeremy’s documentaries have played at such film festivals as SXSW, Tribeca, DocNYC, Hamptons, Slamdance, Melbourne, AFI, Woodstock, Big Sky Documentary, IFFBoston, among several others. Director Jeremy Workman stops by to talk about what motivates this urban John Muir’s curiosity about the most famous city in the world.

 

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For news and updates go to: theworldbeforeyourfeet.com

100% on Rotten Tomatoes

“Filmmaker Workman, who’s behind [Green] every step of the way without ever getting in the way, allows the city and its colorful denizens to take center stage.” = Michael Rechtschaffen, Los Angeles Times

“Short of walking with Green, a film is an ideal way to share in his knowledge. And after watching “The World Before Your Feet,” it’s difficult to look at the city the same way.” – Ben Kenigsberg, New York Times

“Jeremy Workman connects Matt Green’s foot journey to the real-time scale of New York City and to the soul of its citizens. This inspired documentary is perfect.” – Cole Smithey, ColeSmithey.com

“What Green ultimately does, as one interviewee describes it, is show us the “heart, soul, and pulse” of New York City.” – Danielle Solzman, Solzy at the Movies

Astral, Director Chris Mul

ASTRAL is the story of a son coming to terms with the explanation of his mother’s untimely death. Searching for answers, Alex turns to spiritual contact after the relationship with his father breaks down. As a student of metaphysics, Alex learns of the “scientific” premise of astral projection-the ability to project your spirit into an unseen spatial dimension. Attempting to astral project, Alex becomes plagued by shadow spirits-malevolent entities vying to enter his body to access our world. Alex soon learns that he is not the only member of his family to have been besieged by such beings, as his mother’s dark past is brought to his attention. ASTRAL was co-written by Chris and Michael Mul and is Chris Mul’s directorial debut. The film stars Frank Dillane (FEAR THE WALKING DEAD) and features a bright up-and-coming cast of young actors.  Vertical Entertainment will release ASTRAL in a multi-city theatrical release with markets including LA and NY among others on November 23. The film will also be made available on digital platforms such as iTunes, Amazon, Google Play, Xbox, Fandango Now, Direct TV, Dish Network and through local cable providers. Director and co-writer Chris Mul (Michael Mul) joins us to talk about shooting his slick and stylish psychological thriller on an insanely tight production schedule while trying to optimize the performances from talented cast of young actors.

 

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For news and updates go to: Facebook.com/HorrorGeeklife

The Great Mother, Co-director Dave LaMattina (Chad Walker)

Nora Sandigo is a fierce immigration activist who serves as the legal guardian for U.S.-born children of undocumented immigrants who have been deported. Were it not for her, many would be forced into the foster care system, keeping them legally separated from their parents. THE GREAT MOTHER profiles this inspiring woman, who not only provides economic, legal and emotional support for her charges, but lobbies Congress for immigration reform despite an increasingly hostile political climate. Filmed over two years, and encompassing both the 2016 election and its aftermath, the film captures two of the most tumultuous years on record for immigrants. THE GREAT MOTHER is a personal look at immigration through the eyes of Nora Sandigo, legal guardian to over 1,000 US-born children of undocumented immigrants. Without Nora as their guardian, if the parents of these US-citizen children are deported, the kids will be sent to foster care. After three months, they can be adopted, ending any chance of a reunion. With Nora as the guardian, however, not only will the kids never enter foster care, but Nora will also battle to keep their parents from being deported. THE GREAT MOTHER captures the tension of the 2016 election and its aftermath, the film captures the most tumultuous years on record for immigrants in a deeply personal way. Co-director Dave LaMattina (Chad Walker) joins us to talk about the heartbreaking reality that immigrant refugees face and the collateral damage that comes with a broken immigration system

For news and updates go to: greatmotherfilm.com

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Monrovia, Indiana – Director Frederick Wiseman

Located in mid-America, MONROVIA, INDIANA, (population 1,063) founded in 1834, is primarily a farming community. MONROVIA, INDIANA is about the day-to-day experiences living and working in Monrovia, with emphasis on community organizations and institutions, religion and daily life in this farming community. These towns were once the backbone of American life. While their number and populations have shrunk, the importance of rural America as a formative center of American politics and values was demonstrated in the 2016 presidential election. The film explores the conflicting stereotypes and illustrates how values like community service, duty, spiritual life, generosity and authenticity are formed, experienced and lived. MONROVIA, INDIANA gives a complex and nuanced view of daily life in Monrovia and provides some understanding of a rural, mid-American way of life that has always been important in America but whose influence and force have not always been recognized or understood in the big cities on the east and west coasts of America and in other countries. Since  1967,  Frederick  Wiseman  has  directed  42 documentaries — dramatic, narrative films that seek to portray ordinary human  experience in a wide  variety  of  contemporary social  institutions. His films include TITICUT FOLLIES, HIGH  SCHOOL, WELFARE, JUVENILE COURT, BOXING GYM, LA  DANSE,  BALLET, CENTRAL PARK, BALLET, LA COMEDIE FRANCAISE, BELFAST, MAINE, and EX LIBRIS – The New York Public Library. At the 2016 Academy Awards ceremony Frederick Wiseman received an Honorary Award (Governors Awards) for a lifetime of brilliant filmmaking. He joins us to talk about his latest cinematic treasure, Monrovia Indiana.

 

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For news and updates on all of Frederick Wiseman’s work go to: zipporah.com

“He’s arguably the most brilliant, brave and innovative person working in his field.” – Terry Atkinson, Los Angeles Times

“Rigorously shot, impeccably edited and at times startling in their beauty, these films usher us into often otherwise anonymous spaces and lives, and help make the invisible visible.” – Manohla Dargis, The New York Times

Social Media: facebook.com/pages/Zipporah Films

90% on Rotten Tomatoes

“The result is surprisingly companionable and enjoyable, an unhurried look at a location that is in no kind of rush, a place that is concerned most of all with preserving the way it’s always been.” – Kenneth Turan, Los Angeles Times

“Legendary documentarian Frederick Wiseman turns his camera on a pro-gun, pro-God Midwestern town and gives us a landmark view of what it looks like to live in Trump’s America.” – Peter Travers, Rolling Stone

“A calmly analytical film in which-as ever in Wiseman’s work-extended discussions and public debates are developed with an absorbing dramatic power.” – Richard Brody, New Yorker

“The unavoidable political implications of “Monrovia, Indiana” give its observations an undeniable urgency.” – A.O. Scott, New York Times

I Am the Revolution, Director Benedatta Argentieri

I AM THE REVOLUTION is the inspiring documentary about three women fighting for freedom and gender equality – Selay Ghaffar, Rojda Felat, and Yanar Mohammed- while living in three of the worst countries in the world for women: Afghanistan, Syria, and Iraq. Each country reflects the groundswell of feminist revolutions: political revolution in Afghanistan, armed in Syria, and grassroots activism in Iraq. Taking a journalistic approach, the film challenges the images of veiled, silent, and timid women in the Middle East and instead shows the strength of women rising up on the front lines, in remote villages, and in city streets, to claim their voice and their rights. Director Benedetta Argentieri is an independent journalist and director based in New York and I AM THE REVOLUTION is her second film. Since 2014 she has been covering the Iraqi and Syrian war, with several trips on the ground. Her work as a journalist has appeared in publication that include including Reuters, The Sunday Times, Quartz, and Corriere della Sera. In 2016 she co-directed with Bruno Chiaravalloti and Claudio Jampaglia, “Our War”, a documentary about foreigners joining the Kurds in Syria to fight the Islamic State. In 2013 she co-produced “Capulcu-Voices from Gezi”, a documentary about the revolt that occurred in Gezi Park in Istanbul, Turkey, which won several awards including the Amnesty International award. Director Benedatta Argentieri to talk about her thrilling and enlighting look at three extraordinarily brave women and the people who support their groundbreaking movement.

For news and updates go to: possibilefilm.com – I Am the Revolution

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Of Fathers and Sons, Director Talal Derki

Syrian-born filmmaker Talal Derki (Return to Homs) travels to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses primarily on the children, providing an extremely rare insight into what it means to grow up with a father whose only dream is to establish an Islamic caliphate. Osama (13) and his brother Ayman (12) both love and admire their father and obey his words, but while Osama seems content to follow the path of Jihad, Ayman wants to go back to school. Of Fathers and Sons was shot between Summer 2014 and September 2016. During that time, Talal Derki and Director of Photography, Kahtan Hasson, spent about 300 days with Abu Osama’s family. Winner of the Grand Jury Prize for World Documentary at the Sundance Film Festival, Of Fathers and Sons is a work of unparalleled access that captures the chilling moment when childhood dies and jihadism is born. Director Talal Derki joins us to talk about his own personal journey through a devastated country and a troubled society, looking for answers to desperate questions about the future of his country and the future of his own family’s need to flee into exile.

 

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For news and updates go to: offathersandsons.com

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Winner – World Cinema Grand Jury Prize, 2018 Sundance Film Festival

Winner – Filmmaker Award, Full Frame Documentary Film Festival

100% on Rotten Tomatoes

“Of Fathers and Sons succeeds in transporting us behind “enemy” lines for a rare glimpse of a world that seems exotic and threatening” – Screen Daily

“A chilling look at extremism on its home front.” – The Film Stage

“Merely being present to bear witness to this side of the Syrian border would make “Of Fathers and Sons” well worth watching, but Derki is so scrupulous in what he reveals about how ingrained the beliefs of the Islamic jihadis are.” – Stephen Saito, Moveable Feast

“What makes the film all the more poignant is the fact that the children are, of course, despite all this, like kids anywhere else.” – Amber Wilkinson, Eye for Film

“An admirably audacious feat of documentarian access, Of Fathers and Sons is of obvious topical and anthropological interest as a glimpse into the gradual radicalization of young males and the deep community ties which underpin the process.” – Neil Young, Hollywood Reporter

The Last Race, Director Michael Dweck

Long Island was the birthplace of American stock car racing. At its peak, there were over forty racetracks on Long Island, but today, only one remains: Riverhead Raceway. This quarter-mile track somehow managed to slip through the cracks as progress transformed Long Island from a stretch of sand with sleepy main streets and mom and pop farm stands, to a maze of highways connecting shopping malls to buy-in-bulk shopping centers.  When it was built in 1949, the racetrack sat on the edge of a small country road surrounded on every side by miles of farmland. The land the track sits on is valued at well over ten million dollars, while the money that it generates in ticket sales on summer weekends is barely enough to keep the lights on. The fact that the Riverhead Raceway remains open defies the laws of capitalism, and the only thing standing in the way of the bulldozers are 87-year-old Barbara and Jim Cromarty. Barbara and Jim bought the track in 1977 and they continue to run it even as multi-million dollar offers roll in, tempting them toward a well-deserved retirement. Barbara and Jim fight to keep it open because they understand that Riverhead carries the burden of being the last bastion of stock car racing on Long Island, and when Riverhead goes, it’s all over. THE LAST RACE is a cinematic portrait of a Long Island stock car race track as its 87 year-old owners struggle to maintain an American racing tradition in the face of a real estate development boom. The film merges image and sound in a unique narrative form to bring the audience into the world of grassroots racing culture and explores a story that subtly grapples with questions of blue collar American identity that have taken on a profound relevance in the current political era. Director Michael Dweck talks about the community and the loss of a place where people have come to laugh, cheer and share in the ties that bind.

 

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For news and updates go to: thelastracethefilm.com

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ONE NIGHT ONLY! Wednesday, 11/14 Exclusively at @RegalMovies

See @TheLastRaceFilm with an exclusive interview with NASCAR driver @KyleBusch and ESPN’s @MartySmithESPN. Buy tickets now! http://bit.ly/TLRRegal 

100% on Rotten Tomatoes

“Beautiful and Immersive” – Los Angeles Times

“Exhilarating! Dweck’s stoically composed, strangely mesmerizing film makes a strong case for the humble speedway’s soul.” – Guy Lodge, Variety

“The film will likely endure as a testament to the resilience of a community dedicated to long-established racing traditions.” – Justin Lowe, Hollywood Reporter

“Photographer Michael Dweck captures a vanishing piece of Americana.” – Sean P. Means, Salt Lake Tribune

“First rate!’ – IndieWire

Krieg, Director Jeff Fry

In Jeff Fry’s directorial debut KRIEG, an elite German SS mountain unit commits atrocities against their Partisan prisoners while attempting to locate a French Underground transmitter. Ashamed of his involvement, one of the unit’s officers, Konrad Winter, is compelled to leave camp and seek out the resister’s transmitter in order to prevent further crimes. During his search he discovers a downed American aircraft. In a redemptive twist of fate, Winter embarks on a mission to save the wounded American bombardier by delivering to the very enemy for whom they are searching. KRIEG is a richly textured film that follows the journey of a soldier whose remorse for inaction in the face of murder compels him to risk all to protect a wounded enemy airman. KRIEG is an anti-war film that challenges our conceptions of war and how the enemy behaves, blurring the boundaries between nations to teach us that wars are not fought on the battlefield, but in the hearts of men. KRIEG stars Heiko Obermoller (“A Cure For Wellness”), Scott Bailey (“Timeless”), Alexander Schottky (“Nikola”), Zoey Sidwell (“How To Get Away With Murder”), Alex DeVorak (”Night of the Dead: Leben Tod”), Rene Heger (“Circle”), Marko Janovic (“Then What Happened?”), Amanda Michaels (KRIEG), Sierra Willis (“Forerunner”), Chad Evans (KRIEG), Joshua M. Bott (“Loser’s Lounge”), John Gillen (“Surge of Power: The Revenge of the Sequel”), Matt O’Hare (“Wearing Hitler’s Pants”), Ken Collins (“Cape Fear”), and Alison Lees-Taylor (“Escape From Tomorrow”). With an unprecedented thirty-three awards and an additional thirty nominations, KRIEG continues its incredible film festival awards sweep. Director Jeff Fry joins us for an in-depth conversation on the blood, sweat and tears that went into his “American foreign film” as well as the personal satisfaction of working with a dedicated group of film professionals who made it all possible.

For news and updates go to: krieg-the-movie.com

“Looks crisp and impressive on the big screen and is studded with solid performances from top to bottom.” – Boyd van Hoeji, Hollywood Reporter

Welcome to the Men’s Group, Actor David Clennon

WELCOME TO THE MEN’S GROUP is an emotional roller-coaster through the often bumpy inner terrain of the male psyche, as we hear the men open about their lives, sharing truth, telling lies, and revealing secrets they dare not discuss in their lives. WELCOME TO THE MEN’S GROUP is largely inspired by the phenomenon of the “Men’s Movement” of the past 30 years that was championed by writers like the poet Robert Bly and his bestselling book “Iron John” which explored the need for men to reconnect to their authenticity through storytelling, myth and ritualized gathering. WELCOME TO THE MEN’S GROUP takes us inside the intimate dynamic of an all-male support group (Timothy Bottoms, Stephen Tobolowsky, Terence Rotolo, Mackenzie Astin, Joseph Culp, Ali Saam, Phil Abrams, and David Clennon) when they gather one morning for a ritual breakfast and their unique form of male bonding—One Sunday a month, these eight men refrain from beer and football to sit in a circle where they share their personal issues, in the noble hope of becoming a bit more evolved than their fathers. Award winning actor David Clennon (The Right Stuff, Being There, Syriana, Thirtysomething, Missing) joins us to talk about the male psyche, challenges and rewards of working within a strong ensemble cast and the legendary filmmaker Hal Ashby.

For news and updates go to: themensgroupmovie.com

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“The Hangover this is not. Instead, it explores men trying to support each other but ending up triggering each other, escalating tensions as more and more secrets are revealed until the startling, cathartic climax. Like The Big Chill, it’s ensemble acting at its finest, and like Sideways, it’s an insightful exploration of men’s issues that will appeal to both men and women. The story is complex, beautifully written, deftly filmed.” – New Times 

“Welcome to the Men’s Group is full of surprises. It promised to be cutting-edge, but wow, Welcome to the Men’s Group was so much more than I had expected! It will make you laugh, it will make you cry. This is a film that changes the rules.” – Agenda Magazine

Lucha VaVoom, Director Ben Churchill

Lucha VaVOOM: Inside America’s Most Outrageous Show is the documentary that explores the fascinating cast of characters behind Lucha VaVOOM — an enthralling combination of high-octane Mexican wrestling, retro-style burlesque dancing, and witty commentary provided by Hollywood’s most celebrated comedians. Discover how this family of wildly creative and passionate performers from diverse backgrounds, ethnicities, and gender orientations come together to create a unique shared experience. As the costumes, alter egos, and flamboyant performances are put on display, these masked marvels reveal their truest selves, offering up stories of perseverance, equality, and self-acceptance. Lucha VaVOOM: Inside America’s Most Outrageous Show takes you onstage, backstage, and into the minds of the wrestlers, dancers, and producers who provide a show that is not only entertaining, but has the power to change people’s perspectives. Director Ben Churchill joins us totalk about capturing the on-stage energy of the performances and the bond between the performers and the audience.

 

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For news and updates go to: luchavavoomfilm.com

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“I love Lucha VaVoom. It’s seriously crackers and great fun.” – Eric Idle, Monty Python

“It’s enough to make even the most jaded Hollywood insider jump up and yell “Smackdown!” – Rolling Stone

“A madcap mix of Mexican wrestling, comedy, and vintage burlesque. I love, love, love it.” – Vanity Fair

They’ll Love Me When I’m Dead, Director Morgan Neville

Oscar-winning director Morgan Neville (20 Feet from Stardom) tells the provocative story of legendary director Orson Welles during the final 15 years of his life. No longer the “wonder boy” of Citizen Kane, Welles in 1970 was an artist in exile looking for his Hollywood comeback with a project called The Other Side of the Wind. For years, Welles worked on his project about an aging film director trying to finish his last great movie. Welles shot the picture guerrilla-style in chaotic circumstances with a devoted crew of young dreamers, all the while struggling with financiers and fate. In 1985, Welles died, leaving as his final testament the most famous unfinished film in movie history. The negative stayed in a vault for decades until now. With revelatory new insights from Welles collaborators including Peter Bogdanovich, Frank Marshall, Oja Kodar and daughter Beatrice Welles, They’ll Love Me When I’m Dead is the untold final chapter of one of the greatest careers in film history: brilliant, innovative, defiant and unbowed. Director Morgan Neville (20 Feet From Stardom, Won’t You Me My Neighbor, Cool School) joins us for a conversation about his hurly-burly look at the making of a ragged masterpiece by cinema’s greatest auteur.

 

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For news and updates go to: netflix.com

90% on Rotten Tomatoes

“The impeccably assembled production employs Neville’s virtuoso touch to provocative effect.” – Michael Rechtshaffen, Los Angeles Times

“For cinephiles, it’s a high-calorie, clip-and-interview-laden feast of biography, insight, and gossip.” – Robert Abele, The Wrap

“Neville’s film may reveal little that hardcore Wellesians don’t already know. But it offers a lively evocation of the great man’s brilliance, waywardness and pained relationship to Hollywood history.” – Jonathan Romney, Screen International

“A fascinating account of an agonizing creative process.” – Todd McCarthy, Hollywood Reporter

“A cinephiles’ delight.” – Kimberly Myers, The Playlist

November 2 – First Patient, Director Chip Duncan

A dramatic expedition into an unknown world, The First Patient challenges audiences to embrace their curiosity and courage as they follow first year medical students through gross anatomy – the dissection of the human body. The Mayo Clinic School of Medicine granted unprecedented access to veteran filmmaker Chip Duncan and The Duncan Entertainment Group team to explore a world long considered taboo. The documentary proves both entertaining and emotional as the camera follows a diverse group of students, faculty and body donors on this life-affirming journey inside the human body. The First Patient provides dynamic insights into medical science, teamwork, death, and spirituality as students discover what it means to be a doctor … and what it means to be a human being. Director Chip Duncan joins us to talk about the importance for these medical students to past the uneasiness of working on a cadaver and see it as a invaluable teaching tool and a gift from the recently departed.

For news and updates go to:thefirstpatient.com

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“The First Patient may be too graphic for some viewers. But underneath the layers of formaldehyde-treated flesh, there’s real heart and deserved wonder at the human body.” – Kimber Myers, Los Angeles Times

“The First Patient presents a respectful, informative, and surprisingly emotional look at a taboo subject.” – Bradley Gibson, Film Threat

The Providers, Co-directors Lauren Green and Anna Moot-Levin

Set against the backdrop of the physician shortage and opioid epidemic in rural America, THE PROVIDERS follows three healthcare providers – a doctor, a nurse practitioner, and a physician assistant – in northern New Mexico. They work at El Centro, a group of safety-net clinics that offer care to all who walk through the doors, regardless of ability to pay. Amidst personal struggles that reflect those of their patients, the journeys of the providers unfold as they work to reach rural Americans who would otherwise be left out of the healthcare system. With intimate access, the documentary shows the transformative power of providers’ relationships with marginalized patients. THE PROVIDERS will screen as part of DOC NYC festival on Friday, November 9.

Directors’ Statement — Laura Green and Anna Moot-Levin: Given the political and discursive tension over the future of American health care, this film has a particular urgency at this historical juncture. New Mexico is one of the country’s poorest and most rural states and opted to expand medicaid under the ACA. However, the challenges in rural healthcare go far beyond the ameliorating effects of the ACA. THE PROVIDERS reflects the ways poor health is created at the structural level by a lack of public health resources and access to care – in 2016, there were 70,000 preventable deaths in rural areas, and on average life expectancy in rural areas is two years shorter than in urban areas. Set on the frontlines of rural healthcare under the medicaid expansion, the film takes an intimate journey with those who remain marginalized and difficult to reach within traditional healthcare delivery models. We hope the film will inspire more young people to go into rural healthcare, and we are developing an outreach campaign that will target both rural high schools and medical education institutions, including medical schools, nurse practitioner programs, and physician assistant programs.

Co-directors Laura Green and Anna Moot-Levin join us to talk about the health care crisis that is ravaging rural America.

 

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For news and updates go to: theprovidersdoc.com

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Fail State, Director Alexander Shebanow

The hard-hitting new documentary Fail State explores how tens of thousands of unsuspecting students fall victim to predatory and fraudulent for-profit colleges each year. These profit-driven schools are high tuition, low-quality, often lack proper accreditation, or are so poor in reputation that employers do not recognize their credentials. What’s more, these colleges derive nearly all of their revenue—tens of billions of dollars a year—from the federal government in the form of student financial aid. Executive produced by news legend Dan Rather, Fail State investigates the dark side of American higher education, chronicling the decades of policy decisions in Washington, D.C. that have given rise to a powerful and highly-predatory for-profit college industry. With echoes of the subprime mortgage crisis, the film lays bare how for-profit colleges exploit millions of low-income and minority students, leaving them with worthless degrees and drowning in student loan debt. Director Alexander Shebanow joins us to talk about the rise, fall, and resurgence of the for-profit college industry, revealing its Wall Street Backing and the lawmakers enabling widespread fraud and abuse in American higher education.

 

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For news and updates go to: failstatemovie.com

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80% on Rotten Tomatoes

“At a time when the US is beginning to reckon with the economic and social costs of having an undereducated population, Fail State is a useful contribution to ongoing debates.” – Jennie Kermode, Eye for Film

“[Fail State] remains a truly eye-opening and crucial exposé of yet another way, not unlike during last decade’s subprime mortgage crisis, that vulnerable Americans get hurt just by trying to better their lives.” – Gary Goldstein, Los Angeles

All Square, Director John Hyams

John Zbikowski (Michael Kelly) is a down-on-his-luck, small town bookie having a hard time collecting on outstanding debts. After a one night stand with an ex-girlfriend (Pamela Adlon), John strikes up an unlikely friendship with her 12-year old son, Brian (Jesse Ray Sheps), and develops a plan to recoup the money owed to him by taking bets on Brian’s Youth League Baseball games. Written by Timothy Brady and directed by John Hyams, All Square features a line up of first rate actors that include; Michael Kelly (“House of Cards”), Jesse Ray Sheps (Collateral Beauty), Josh Lucas (Home Sweet Alabama), Pamela Adlon (Californication, Louie), Tom Everett Scott, Isiah Whitlock Jr, Yeardley (The Simpsons). Director John Hyams joins us to talk about his funny, messy and endearing story of a man trying hard to not wear his heart on his sleeve.

 

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Winner – 2018 SXSW Film Festival – Audience Award

Winner – 2018 Narrative at Monmouth Film Festival – Best Feature

Winner – 2018 Newport Beach Film Festival – Best Film

Winner – 2018 Newport Beach Film Festival – Best Screenplay, Timothy Brady

100% on Rotten Tomatoes

“Kelly is a king among mordant underplayers. Yulin, a stalwart character actor, is reliably terrific. Adlon and Josh Lucas bring added value to their also-familiar characters.” – Glenn Kenny, New York Times

“A casually profane and frequently uproarious working-class dramedy about a small-time bookie who turns a big profit – for a while – by taking bets on Little League games.” – Joe Leydon, Variety

“Kelly gets a well-earned leading man turn in the amiable indie comedy-drama “All Square” playing a surly, but likable bookie in a small Maryland town.” – Kevin Crust, Los Angeles Times

“All Square is proof that Hyams is way more than just an “action movie director”, and can work well with a talented ensemble of performers, while still exploring the surface of their universe with a documentarian’s eye for East Coast life.” – Jacob Knight, Birth.Movies.Death.

Brampton’s Own, Director Michael Doneger

In Brampton’s Own Dustin Kimmel has decided to call it a career and return to his small hometown where he was once a celebrated athlete. After 12 years of withstanding the rigors of minor league baseball in hopes of making it to the big leagues, Dustin discovers much has changed since he’s last been back as he struggles to fit in. His old friends have started families, his ex-girlfriend is now engaged, his mom is selling his childhood home and moving in with her new boyfriend, and the only person who wants to hang out with Dustin is Gavin, a 40-year-old Brampton lifer who still wears his varsity football letterman jacket around town. Having neglected to prepare for life after baseball, Dustin’s trip home forces him to confront the very decisions that led to his current purposeless state. BRAMPTON’S OWN stars Alex Russell (Chronicle, Only The Brave) who plays Jim Street on CBS’ SWAT and Rose Mclver (CW’s iZombie), and in supporting roles; Spencer Grammer (Rick and Morty), Scott Porter (Dear John), with John Getz (The Social Network), and Jean Smart (FX’s Legion). Director and writer Michael Doneger (The Escort, This Thing With Sarah) talks about working with young and talented actors, intimacy, following your dreams and knowing when its time to move forward.

BRAMPTON’S OWN Q&A with filmmaker Michael Doneger and actors Alex Russell, Scott Porter and Kevin Linehan following the 5:20 PM show on Saturday, 10/20 at the Playhouse.

The Sentence, Director Rudy Valdez

The Sentence draws from hundreds of hours of footage, filmmaker Rudy Valdez shows the aftermath of his sister Cindy’s 15-year sentence for conspiracy charges related to crimes committed by her deceased ex-boyfriend—something known, in legal terms, as “the girlfriend problem.” Valdez’s method of coping with this tragedy is to film his sister’s family for her, both the everyday details and the milestones—moments Cindy herself can no longer share in. But in the midst of this nightmare, Valdez finds his voice as both a filmmaker and activist, and he and his family begin to fight for Cindy’s release during the last months of the Obama administration’s clemency initiative. Whether their attempts will allow Cindy to break free of her draconian sentence becomes the aching question at the core of this deeply personal portrait of a family in crisis. Director Rudy Valdez stops by to talk about his intimate, and loving family saga that support each other no matter the cost.

 

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For dates and times for The Sentence go to: hbo.com

For more on the filmmaker and brother go to: rudyvaldez.com

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**WINNER: Sundance 2018 Audience Award: U.S. Documentary**

**WINNER: 2018 Traverse City Film Festival Roger Ebert Prize For Best Film By A First Time Filmmaker**

**2018 Locarno International Film Festival Official Selection**

100% on Rotten Tomatoes

“THE SENTENCE is poised to do for unjust sentencing what AN INCONVENIENT TRUTH did for climate change. If Al Gore was the hero Americans at Sundance and beyond needed in 2005 — a welcoming, professorial face to associate with the fight against environmental catastrophe — Shank and her daughters offer the criminal justice equivalent, giving a human access point to what many experts describe as a sociological disaster.”  – Steven Zeitchik, The Washington Post

“The Sentence is so committed to its concentration on emotion and heart that it’s difficult not to get carried away and it feels almost churlish to quibble with the intellectual responses it barely aspires to.” – Dan Fienberg, Hollywood Reporter

“The Sentence is a powerful film full of rich, raw emotions as all parties explore their vulnerabilities.” – John Fink, The Film Stage

Morning, Noon and Night, Director Josh Becker

The comedy-drama MORNING, NOON & NIGHT explores a day-in-the-life of six people battling different addictions. The characters feel all-too familiar as they could be your neighbor, your family or even yourself. The film functions as a mirror examining three college students, a history teacher, a lawyer and a top executive as they struggle to make it through a single day. According to director, producer and writer Josh Becker, “Everybody struggles with something. The real question asked is how does anyone get through life? After all, reality is just a crutch for people who can’t handle drugs.” Director Josh Becker joins us to talk about his collaborations with fellow director Sam Rami (Evil Dead, Army of Darkness) and Bruce Campbell (Evil Dead, Bubba Ho-tep) and his film’s raw, unflinching farce about the hypocrisies and denials that are the daily reality of people who are living lives in a suffocating bubble.

 

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For news and updates go to: morningnoonandnightthefilm.com

Opening at the Laemmle Music Hall in Beverly Hills on October 5

Free Solo, Co-directors E. Chai Vasarhelyi (Jimmy Chin)

From award-winning documentary filmmaker Elizabeth Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of “MERU,” comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold, as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock … the 3,200-foot El Capitan in Yosemite National Park … without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement. FREE SOLO is an edge-of-your seat thriller and an inspiring portrait of an athlete who challenges both his body and his beliefs on a quest to triumph over the impossible, revealing the personal toll of excellence. As the climber begins his training, the armor of invincibility he’s built up over decades unexpectedly breaks apart when Honnold begins to fall in love, threatening his focus and giving way to injury and setbacks. Vasarhelyi and Chin succeed in beautifully capturing deeply human moments with Honnold as well as the death-defying climb with exquisite artistry and masterful, vertigo-inducing camerawork. Co-director Chai Vasarhelyi (Jimmy Chin) talks about getting to know Alex Hennold, preparing to document one of the most dangerous climbs on the planet and living life with intention.

 

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nationalgeographic.com/films/free-solo

100% on Rotten Tomatoes

“A brilliant documentary.” – Joe Morgenstern, Wall Street Journal

“…a miraculous opportunity for the rest of us to experience the human sublime.” – The New York Times

“One of the most arresting documentaries of the year.” – Richard Lawson, Vanity Fair
“A stunning…real-world thriller.” – Eric Kohn, IndieWire
“Literally breath-taking.” – Todd McCarthy, The Hollywood Reporter

Mill Valley Film Festival 41 – Zoe Elton, Director of Programming

For four decades, the Mill Valley Film Festival (MVFF) has maintained its position as a vital showcase of the global film community, attracting iconic red-carpet talent, emerging filmmakers, passionate audiences and astutely curated premieres. A destination event for film lovers, drawn by an exciting, diverse program of mainstream studio features and independent visions from around the world, set against the stunning backdrop of Northern California, MVFF also hosts an impressive array of panels, conversations, receptions, parties and live music performances, featuring many of the most acclaimed and in-demand artists and industry professionals of our time. With a reputation for launching new films and creating awards season buzz, MVFF has a knack for spotting emerging talent as well as drawing legendary artists. Known as the filmmaker’s festival, MVFF welcomes more than 200 filmmakers and guests from around the world and has hosted such luminaries as Nicole Kidman, Holly Hunter, Ang Lee, Todd Haynes, Mira Nair, Brie Larson, Costa-Gavras, Damien Chazelle, Marcel Ophuls, Amy Adams, Steve McQueen and Greta Gerwig. Mill Valley Film Festival Director of Programming Zoe Elton, joins us to talk about “the filmmaker’s festival,” and this year’s exciting line-up of documentary, foreign, animated, short and narrative films.

 

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For news and updates go to: Mill Valley Film Festival 41 – October 4 – 14, 2018

Cruise, Director Robert Siegel

It’s the Summer of ’87, and Gio (Spencer Boldman), an Italian kid from Queens, has little on his mind but cars and girls. Gio thinks he’s got it all figured out until he meets Jessica (Emily Ratajkowski), a nice Jewish girl from Long Island who likes to go undercover for illicit thrills on the wrong side of the tracks. An affectionate look at the youth culture of a bygone era, CRUISE celebrates the joys of muscle cars, Motorola pagers and endless summer nights.CRUISE also stars Sebastian Maniscalco, Lucas Salvagno, Kathrine Narducci, Noah Robbins, and Gino Cafarelli. Director and writer Robert Siegel (Big Fan, The Wrestler and The Founder) joins us to talk about his coming-of-age story, his own attraction to outsider culture and the scarcity of red-blooded American actors.

Cruise opens on September 28 at the Univeral Cinema AMC at City Walk Hollywood

Carrie Lozano, Director IDA Enterprise Documentary Fund

The International Documentary Association (IDA) is dedicated to building and serving the needs of a thriving documentary culture. Through its programs, the IDA provides resources, creates community, and defends rights and freedoms for documentary artists, activists, and journalists. IDA is the only group advocating specifically for the documentary filmmaking community. In many ways, this makes IDA’s advocacy work the most important and relevant work we do. Documentary storytelling expands our understanding of shared human experience, fostering an informed, compassionate, and connected world. The Enterprise Documentary Fund is one of the many logistical and financial programs offered by IDA.

About the Enterprise Documentary Fund: 

In the face of an all-out assault on the press, IDA is committed to standing behind the independent storytellers and watchdogs that make up our community—in large part, through the newly created Enterprise Documentary Fund. Made possible by a generous grant from the John D. and Catherine T. MacArthur Foundation, the fund will disburse $1 million per year for the next four years, in the form of production grants up to $100,000 and development grants up to $15,000. The fund is intended to support primarily mid-career filmmakers producing feature-length, in-depth explorations of original, contemporary stories with a journalistic foundation or that incorporate journalistic practice into the filmmaking process. The mission of the Enterprise Documentary Fund is admittedly ambitious: It seeks to provide valuable resources and support systems (not unlike those in newsrooms) for filmmakers taking on the critical stories of our time. Originally sparked by the findings in “Dangerous Documentaries,” the fund is a response to pleas from filmmakers themselves. In interviews recently conducted by Toni Bell, IDA’s Filmmaker Services Manager, filmmakers reiterated the major findings in “Dangerous Docs”: They want access to information about digital and physical security, research databases, legal and other experts, public relations strategists and mentors. Exercising our rights to free speech and freedom of the press are critical for a healthy democracy. As I write this, these rights are clearly under assault, and we owe it to ourselves and to the public to staunchly call ourselves journalists and artists—they are not mutually exclusive.”Carrie Lozano, Director of the Enterprise Documentary Fund

 

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For news and updates go to: documentary.org

For updates on funding resources go to: documentary.org/funding

America to Me, Executive Producer Steve James

Chicago’s Oak Park and River Forest High School’s (OPRF) student population encompasses a racial, economic and cultural mix that reflects the nation as a whole. Located in a mostly affluent, progressive suburb, the school attracts families of all races and means, many of whom make great sacrifices to secure their children a place there. But even in this diverse and liberal community, ensuring an educational experience that equally benefits all students poses challenges for the school’s dedicated and well-meaning teachers, administrators and parents. In the multipart unscripted documentary series AMERICA TO ME, Academy Award-nominated filmmaker Steve James (Hoop Dreams, The Interupters, Life Itself, Abacus: Small Enough to Jail) and his team follow a diverse selection of the school’s 3,400 students, including artists, athletes, scholars, underachievers and iconoclasts, to present an indelible account of their dreams, fears, triumphs and aspirations. Posing complex and controversial questions, the film wrestles with crucial issues, including the effects of race and privilege on education as seen through the eyes of young Americans on the precipice of adulthood. Candid and relatable portraits of 12 students who are just beginning to come into their own provide moving insights into the teenage search for personal identity in today’s world. Director Steve James joins us with his impressions on the state of secondary education, how best to facilitate better outcomes for students and the role racial stereotyping plays in achieving success.

 

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For news and update go to: kartemquin.com/films/america-to-me

100% on Rotten Tomatoes

“The 10-part documentary series from Steve James (Hoop Dreams) is profound and thoughtful, taking a detailed look at inequality in America through the lens of a storied high school in Chicago.” – Sophie Gilbert, The Atlantic

“[America to Me] is an invaluable look at where inequity begins, as well as the difficulty of getting to the place where it ends.” – James Poniewozik

“Even in a series this expansive, you keep wishing you could spend more time with more people, but its scope allows James and his team to show both victories and defeats fade into the past, how fragile and yet how resilient its protagonists can be.” – Sam Adams, Slate

“[James] captures the specific moments that are hard to explain without being there – like a young black girl who feels uncomfortable with a white teacher’s constant attempts to relate to her – and the larger systemic issues that are harder to upend.” – Ben Travers, IndieWire

https://youtu.be/-uNhmWJ4l5k

Socrates, Director Alex Moratto

In the days following his mother’s sudden death, Socrates (Christian Malheiros), a 15-year-old living on São Paulo’s margins, faces the difficulties of surviving on his own and coming to terms with his grief. SOCRATES was produced with a crew of 16-20 year-olds from the Querô Institute, a UNICEF-supported project that provides social inclusion through filmmaking to underprivileged youths in the Baixada Santista region of São Paulo, Brazil. SOCRATES was also written by Thayná Mantesso a 20 year-old Brazilian screenwriter and graduate of the Querô Institute.  SOCRATES was filmed with a micro-budget of under $20,000. Alex Moratto’s award-winning short films NOWHERE TO BE FOUND, THE PARTING and THE OTHER SIDE have screened at international film festivals. SOCRATES is Alex Moratto’s debut feature film. The film was produced by Ramin Bahrani (99 HOMES) and stars Christian Malheiros and Tales Ordakji. Director Alex Moratto joins us for a conversation on working with a young non-professionals, UNICEF and producing his debut feature film.

 

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For news and updates go to: socratesfilm.com

Science Fair, Co-directors Cristina Costantini and Darren Foster

Hailed by critics as “immensely likeable,” “brilliant and quirky” and an “ode to the teenage science geeks on whom our future depends,” and winner of the audience award at Sundance and SXSW, National Geographic Documentary Films’ SCIENCE FAIR follows nine high school students from around the globe as they navigate rivalries, setbacks and, of course, hormones, on their journey to compete at The International Science and Engineering Fair. As 1,700 of the smartest, quirkiest teens from 78 different countries face off, only one will be named Best in Fair. The film, from Fusion and Muck Media and directed by the DuPont Award-winning and Emmy-nominated documentary filmmaking team Cristina Costantini and Darren Foster, offers a front seat to the victories, defeats and motivations of an incredible group of young men and women who are on a path to change their lives, and the world, through science. Co-directors Cristina Costantini and Darren Foster join us to talk about their entertaining, enlightening and heart-warming film.

 

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For news and updates go to: sciencefairfilm.com

Opens in Los Angeles on Friday, September 21 at:
LA Live 14 – 
Laemmle’s Music Hall in Beverly Hills – Arclight in Sherman Oaks


Social Media:
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Twitter: @sciencefairfilm

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 100% 0n Rotten Tomatoes

“Endlessly delightful.” – David Edelstein, New York Magazine

“A work of profound cinematic joy, Science Fair is a winner.” – Christopher Llewellyn Reed, Hammer to Nail

“INSPIRATIONAL AND INVIGORATING.” – Kenneth Turan, Los Angeles Times

“It’s as irresistibly entertaining, inspirational and emotionally engrossing as Spellbound. You don’t have to be into science to be entertained, moved or enlightened by Science Fair. It’s one of the best documentaries of the year.” – Avi Offer, The NYC Movie Guru

“The ultimate crowd-pleaser.” – DeAnna Janes, Harper’s Bazaar

“Unfailingly charming.” – Teo Bugbee, The New York Times