FEAST is a new short from first-time director Patrick Osborne (Head of Animation, PAPERMAN) and Walt Disney Animation Studios, is the story of one man’s love life as seen through the eyes of his best friend and dog, Winston, and revealed bite by bite through the meals they share. Osborne is behind Walt Disney Animation Studios’ new short FEAST, taking the film from conception to completion. Osborne joined Disney as an animator on the 2008 feature film BOLT and went on to work on the PREP & LANDING movies andDisney’s 2010 hit TANGLED. Osborne served as Head of Animation for Disney’s’ OSCAR®-winning short PAPERMAN, and acted as Co-Head of Animation for the upcoming feature BIG HERO 6 prior to assuming full-time directing duties for FEAST. Prior to joining Disney, the Cincinnati, Ohio, native was lead character animator on THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBE. He also worked as an animator on I AM LEGEND, SuRF’S uP and OPEN SEASON. Osborne, who earned a BFA with a focus in computer animation from Ringling College of Art and Design, got his start as a kid making movies with his brothers on their parents’ camcorder. His fascination with visual effects was elevated to a career goal when his dad gave him a book about the making of JURASSIC PARK. Director Osborne joins us to talk about Oscar nominated film and the challenges and rewards of having the final say on his own animated film.
2015 Annie Awards Nomination
Audience Award Winner: 2014 Hamptons International Film Festival
Based on the classic Belgian book series by Gabrielle Vincent, Ernest & Celestine won France’s César Award for Best Animated Feature, and nominated for this year’s Oscar for Best Animated Feature, tells the story of a mouse named Celestine, an artist and a dreamer who forms an unlikely bond with a troubadour bear named Ernest. But it isn’t long before their friendship is put on trial by their respective bear-fearing and mice-eating communities. Like a gorgeous watercolor painting brought to life, a constantly shifting pastel color palette bursts and drips across the screen, while wonderful storytelling and brilliant comic timing draw up influences as varied as Buster Keaton, Bug Bunny and the outlaw romanticism of Bonnie and Clyde. Bringing it all together is the on-screen chemistry between the two lead characters – a flowing, tender and playful rapport that will put a smile on your face and make your heart grow. Co-director Benjamin Renner stops by Film School for a conversation on his beguiling collaboration with co-directors Vincent Patar and Stephane Aubier.
“MAGICAL! ENCHANTING! AN ABSOULTE DELIGHT!”
“From its inventive visuals to its unruly heroes, Ernest & Celestine is an equal pleasure for children and adults. A modern-day period piece, a fabulous fable, a most fortunate use of animation artistry!” – Los Angeles Times
“EXTRAORDINARY!” “To call it one of the most beautiful animated films in recent years is not enough. It is simply enchanting!” – Le Monde
“AN UTTER SUCCESS!” “Sublimely elegant, endearing, gorgeous, delightful! This is an artful, handcrafted, and unforgettable piece of animation!” – IndieWire
In THE STUNT MAN, Vietnam veteran Cameron (Steve Railsback) is on the run from the police when he stumbles onto the set of a war movie directed by megalomaniac Eli Cross (Peter O’Toole). But when the young fugitive is forced to replace a dead stunt man, he falls in love with the movie’s leading lady (Barbara Hershey) while trying to avoid getting arrested or killed. Is Eli trying to capture Cameron’s death on film? And what happens to a paranoid stunt man when illusion and reality change places? Completed in 1979 but unreleased until 1980, this innovative dramatic comedy/action thriller has become one of the most acclaimed cult hits of our time. Director, writer and Oscar nominated filmmaker Richard Rush joins us for an engaging conversation the challenges of making a movie about making a movie and the rewards of working with one of cinemas all-time greats, Peter O’Toole.
** Landmark Theatres and Reel Talk with Stephen Farber present the Anniversary Classics Series, returning to The Landmark LA on Wednesday, February 19 at 7:00pm with THE STUNT MAN, celebrating the film’s 35th Anniversary, with in person guests director Richard Rush, lead actor Steve Railsback, and others to be announced.
“THE STUNT MAN is a virtuoso piece of kinetic moviemaking.” – Pauline Kael, New York Times
“Richard Rush’s inventive narrative about the blurred lines between movie reality and factual reality is vastly entertaining, boasting Peter O’Toole in a diabolical, delicious Oscar-nominated performance.” – Emanuel Levy
“At the 1980 San Francisco Film Festival, François Truffaut was asked to name his favorite director. He replied, ‘I don’t know his name, but I just saw his picture last night. It’s called The Stunt Man.’” – Mark Bourne, DVD Journal
Prison Terminal: The Last Days of Private Jack Hall is a moving cinema verité documentary that breaks through the walls of one of Americas oldest maximum security prisons to tell the story of the final months in the life of a terminally ill prisoner, Jack Hall and the hospice volunteers, they themselves prisoners, who care for him. The film draws from footage shot over a six-month period behind the walls of the Iowa State Penitentiary and provides a fascinating and often poignant account of how the hospice experience can profoundly touch even the forsaken lives of the incarcerated. Director Edgar Barens stops to talk about his moving film and the tens of thousands of Jack Halls that are dying right now in prisons all over the United States.
“The only truly great film in this category… The 2013 Short Documentary you shouldn’t miss. – Salon.com film critic Andrew O’Hehir
“Terribly CAPTIVATING. GALVANIZING. GRIPPING.” “SHOULD WIN” the Academy Award for Best Doc Short Subject. – SLANT Magazine
“The film is most moving as a case study of one man, a decorated WWII vet and German POW who killed his late son’s drug dealer. Hall’s a tough bird and so are the volunteers, convicted murderers all, who care for him in his final illness, but “Prison Terminal” turns out to be a profoundly tender experience.” – Ty Burr, The Boston Globe
The Oscar nominated Short Live Action film The Lady in Number 6 is one of the most inspirational and uplifting stories of the year. As the world’s oldest pianist and holocaust survivor, 109 year-old Alice Herz Sommer shares her views on how to live a long and happy life. She discusses music, laughter and how to remain optimistic come what may. The film features beautiful photographs and rare film footage that truly brings Alice’s extraordinary story to life. The director of The Lady in Number 6, Malcolm Clarke joins us to talk about the remarkable life an times of a gifted artist and resilient human being.
“Herz-Sommer’s story is remarkable. Born in Prague to a family focused on the arts, she recalls, as a child, going for fun walks with her mother’s great friend Franz Kafka — the brilliant existentialist author not necessarily known as being a fun guy — or sitting on the knee of Gustav Mahler, the world-renowned composer and a close acquaintance of her kin. But it was another luminary, classical pianist Artur Schnabel, who encouraged her to pursue a concert career.” – Bill Brownstein, Montreal Gazette
Ra Paulette has dug 14 caves in the sandstone cliffs of Northern New Mexico Paulette using only hand tools — a pickaxe and wheelbarrow strapped to his back, each project taking months, sometimes years to complete. Paulette digs cathedral-like, ‘eighth wonder of the world’ art. Each creation takes him years to complete, and each is a masterwork. Paulette’s process is wholly intuitive — he creates arches, pillars, rooms, doorways, steps, benches with carving as detailed as a cathedral. But patrons who have commissioned caves have cut off nearly all of his projects due to artistic differences. Paulette is the subject of filmmaker Jeffrey Karoff’s Academy Award nominated Live Action Short, CaveDigger. Director Karoff joins us to talk about the challenges of capturing the Paulette’s particular vision and spectacular works on film.
“Akin to Andy Goldsworthy—who also painstakingly creates fleeting beauty in the wilderness, but mainly reaches his audience through photographs of those creations—Paulette may benefit from being the subject of Jeffrey Karoff‘s intriguing doc portrait.” – Aaron Hills, Village Voice