On November 28th, 1953, mild-mannered military scientist Frank Olson plunged from the window of his 13th-floor New York hotel room and died. His cause of death was described as a “fall or jump” and though many questions remained about the exact circumstances, the case was left unsolved, and Olson’s wife and three young children attempted to move on. Over two decades later, in June of 1975, the Rockefeller Commission issued a comprehensive, high-profile report on myriad illegal CIA activities that featured a passing mention of a 1953 incident in which an army scientist was purposefully drugged with LSD without his knowledge and died from a fall a few days later. This revelation sends the Olson family, led by oldest son Eric, on a decades-long hunt for answers that takes them to the highest corridors of power in the U.S. government and close to some of its darkest secrets. Acclaimed storyteller Errol Morris weaves this mystery into a six-part story exploring the limits of our knowledge about the past and the lengths we’ll go in the search for the truth. Wormwood is the saga of one man’s obsessive, sixty-year quest to identify the real circumstances about his father’s death that tells a hidden history of key events of the second half of the 20th Century. Was Frank’s death an accident? Did he commit suicide after a bad drug trip? Or was he murdered for knowing too much? In Wormwood, Morris connects Frank’s story to the Korean War, mind control experiments, illegal germ warfare, brainwashing, Manchurian candidates, Dick Cheney, Donald Rumsfeld and more.
“Wormwood is more concerned with its intellectual and philosophical musings on the intangibility everything about this case represents, but it comes at the cost of an emotional impact that’s always just beneath the surface.” – Kevin Jagernauth, The Playlist
“With “Wormwood,” Morris reclaims the approach he popularized by employing accomplished performers such as Molly Parker, Tim Blake Nelson, Peter Sarsgaard and Bob Balaban to bridge the gap between fact, presumption and fantasy.” – Lorraine Ali, Los Angeles Times
“Redefining what a documentary can do and be, Morris’ epic proves a tragedy of systemic corruption, personal mania, and the inability to grasp that which one knows exists, but remains just out of reach.” – Nick Schager, The Daily Beast
“heir testimonies unfolds alongside a series of dramatic reenactments that may or may not illustrate the precise nature of the events being described. The result is a documentary-fiction combination like nothing seen before.” – Eric Kohn, IndieWire
“It has an eerie, something-is-happening-here-but-you-don’t-know-what-it-is-do-you-Mr.-Jones vibe that evokes mid-century American cold war paranoia” – Jordan Hoffman, Vanity Fair