Thirty years after Koyaanisqatsi, Godfrey Reggio–with the support of Philip Glass and Jon Kane–once again leapfrogs over earth-bound filmmakers and creates another stunning, wordless portrait of modern life. Presented by Steven Soderbergh in Black and White digital 4K projection, VISITORS reveals humanity’s trancelike relationship with technology, which, when commandeered by extreme emotional states, produces massive effects far beyond the human species. The film is visceral, offering the audience an experience beyond information about the moment in which we live. Comprised of only seventy-four shots, VISITORS takes viewers on a journey to the moon and back to confront them with themselves. Director Reggio joins us for an engaging conversation on his brave and challenging new film.
The effect is akin to a mediated staring contest: the film audience looks into the eyes of the individual people on screen, who look back, their expressions changing in slow-motion, as Glass’s minor-key score triggers emotional synapses deep within. – TCha Dunlevy, Montreal Gazette
We see unadorned faces staring at the camera; afternoon shadows moving across a large, institutional-looking building; forlorn images of an abandoned amusement park; the misty, magical quiet of a swamp.– Moira MacDonald, Seattle Times
For better or worse, I’ve never seen anything quite like it. – Peter Rainer, Christian Science Monitor
Some of what [Godfrey] Reggio is trying to say is obvious, and some is elusive. Either way, the effect is remarkable. – Noel Murray, Dissolve
The word for the film is transfixing. – Stephen Holden, New York Times