In the late 1930s China is in dire straits. The country will collapse under Japan’s military juggernaut if it doesn’t get outside help. Chinese American firebrand Li Ling-Ai jolts Americans into action with a new medium — 16mm Kodachrome color film. She hires photo-journalist Rey Scott to travel to China and capture a citizen’s perspective of the war-torn country, including the massive bombing of the wartime capital Chungking (now Chongqing). Their landmark film KUKAN screens for President Franklin Roosevelt at the White House, is called “awesome” by the New York Times, and receives one of the first
Academy Awards for a feature documentary in 1942. Why have we never heard of Li Ling-Ai? And why have all copies of KUKAN disappeared? FINDING KUKAN uses rare and unseen archival footage to create an unforgettable portrait of a female filmmaking pioneer, and sheds light on the long history of racial and gender discrimination behind the camera, which continues to reverberate in Hollywood today. Director / Producer Robin Lung stops by to talk about the 7-year quest to find the answers to a multitude of questions.
“Totally absorbing.” Louis Proyect (Rec Arts)
“Amazing.” “If you love movies or history see this film.” Steve Kopian (Unseen Films)
“4 stars” John Soltes (Hollywood Soapbox)