Francis Ford Coppola protégé Phillip Borsos directs The Grey Fox, an elegiac, low-key tale about real-life bandit Bill Miner that has become a classic of Canadian cinema. Having been released from jail in 1901 following a 33-year prison sentence for robbing stagecoaches, Bill Miner (Richard Farnsworth) finds himself living in a society that has completely changed from the one of his youth. He tries to put his life of crime behind him and settle down in Washington state with his sister, but the quiet life does not suit him. He feels restless but uncertain as to how to proceed next. The answer comes to him when he sees Edward S. Porter’s The Great Train Robbery. Soon, Miner has slipped over the border into Canada and, along with his new partner, Shorty (Wayne Robson), robs the Canadian Pacific Railway Trans-continental Express. Later, while laying low after the crime in a remote corner of British Columbia, he meets the beautiful, strong-willed photographer Kate Flynn (Jackie Burroughs). In writing this script, Borsos reportedly made heavy use of contemporary court documents and testimonies. Producer Peter O’Brian stops by to talk about his collaboration with director Phillip Boros and Richard Farnsworth and The Grey Fox 4K Restoration is being released through Kino Marquee.
Kino Marquee is a new initiative that creates “virtual cinemas” for temporarily closed independent theaters. Local audiences support their community’s theater in these uncertain times by buying a virtual “ticket” to watch the film. Their ticket purchases directly support their local art house as all revenue is being shared between distributor and exhibitor, just as if they bought their ticket at the theater’s box office. Kino Marquee currently works with over 350 art house theaters across the nation.
“Farnsworth is a superb camera subject, with a lulling sexual presence. [Director Phillip] Borsos is an inspired image-maker.” – Pauline Kael, The New Yorker
“One of the loveliest adventures of the year…director Phillip Borsos is able to make this a human story and still keep it exciting as an action picture.” – Roger Ebert, Chicago Sun-Times
“Terrific. Richard Farnsworth is a delight…remarkably appealing with a face the camera adores.” – Vincent Canby, The New York Times
“Fits beautifully between McCabe and Mrs. Miller and Unforgiven, each of them stories about characters coming to term with changing times. There are even echoes of The Irishman, and the newly-refreshed film is ripe for reconsideration.” – Jason Gorber, Slashfilm