Winner of a Special Jury Award for Nonfiction Experimentation at the 2021 Sundance Film Festival, Director Theo Anthony (Rat Film, Subject to Review) ALL LIGHT, EVERYWHERE is an exploration of the shared histories of cameras, weapons, policing and justice. ALL LIGHT, EVERYWHERE plunges the viewer into world where police body cams are the hi-tech answer to questions of accountability and As surveillance technologies become a fixture in everyday life, the film interrogates the complexity of an objective point of view, probing the biases inherent in both human perception and the lens. Director Theo Anthony joins us for a wide-ranging conversation on the seemingly relentless march toward an enveloping surveillance state, the expectation of privacy, optic nerves, technological corporate fantasies, bias AI and the Black Box.
About the filmmaker – Theo Anthony – Director, Writer and Editor – Theo Anthony is a filmmaker based in Baltimore and Upstate New York. His first feature documentary, RAT FILM, premiered internationally at the 2016 Locarno Film Festival and domestically at the 2017 True/ False Film Festival. It has received wide critical acclaim, and was nominated for a 2017 Gotham award for Best Documentary Feature film as well as Cinema Eye Honors for Best Debut Feature. The film was theatrically released and was featured on PBS’ Independent Lens Series in early 2018. Theo is the recipient of the 2018 Sundance Art of Non- Fiction Fellowship and the 2019 Sundance and Simons Foundation Science Sandbox Fellowship. In 2015, he was named to Filmmaker Magazine’s 25 New Faces of Independent Film. His latest film SUBJECT TO REVIEW, for ESPN’s 30 for 30 series, premiered at the 57th New York Film Festival. ALL LIGHT, EVERYWHERE is Theo’s second feature length film and his first film premiering at the Sundance Film Festival. For more go to: theoanthony.net
93% on Rotten Tomatoes
“SUPERB. A chillingly insightful doc on the ethics of looking and the incompleteness of seeing.” – Jessica Kiang, Variety
“BRILLIANT, vital criticism about American policing that also speaks to the limitless artistic potential of non-fiction filmmaking” – Nick Allen, Roger Ebert
“FASCINATING. A gripping, mind-expanding wake-up call” – Sheri Linden, The Hollywood ReporterOpen
“All Light, Everywhere is staggering in its expressive yet concise ability to explore a topic as urgent as rampant police violence and excessive surveillance from a strictly technological perspective.” – Jordan Raup, The Film Stage