Film Maudit 2.0 – Executive Director Leo Garcia and Artistic Director Patrick Kennelly

January 12-24 2021, Highways, the legendary Los Angeles Performance Space and Gallery presents its Second Annual Film Maudit 2.0 festival showcasing and celebrating new outré, unusual and startling films. The festival will feature over 125 works of cinema from 25 countries including films rarely if ever, seen in festivals: works addressing socio-political issues and taboo subject matter that challenges conventional artistic assumptions and sexual mores.Virtual, online screenings of 18 feature films, 21 shorts programs, specially commissioned programs, and new film scored performed by artists who reflect the diversity of Los Angeles. Included are a range of narrative, documentary and experimental films that are deliberately bold, extreme, confrontational and unusual. Film Maudit 2.0 highlights this year include the U.S. premieres of Feature Films: Mathius Marvellous Shop, a Spanish/German surrealistic satire; Kriya, a magical Indian thriller, and the Los Angeles premieres of Woman of the Photographs; a powerful Japanese film about image and reality for a beautiful model; The Columnist, a darkly comic horror film from The Netherlands; A Dark, Dark Man, the Kazakhstan/France thriller just long-listed for the Golden Globes; and Darkness (Buio) the first feature film by Donatello Award-winning director Emanuela Rossi. Other special programs include a special fundraising screening of erotic art pioneers Annie Sprinkle and Beth Stephens’ Water Makes Us Wet, featuring a live stream Q&A with both; new, original music scores performed live to silent films, and multiple Feature and Shorts Programs that showcase works from 25 countries in 16 uniquely curated categories from ‘Ms. Fear’ to ‘Shattering Form’ – with animated documentaries to experimental works handmade on film; extreme horror to comic surrealism. There is a special focus on works in Film Maudit’s BEHOLD section, which includes NSFW! curated by Planet Queer, Hi Kicks Entrails, curated by performance artist Ironstone, and QLX: the Performance of Queer Latinx.

 

Download MP3 Podcast | Open Player in New Window

For news, screenings and updates go to: filmmaudit.org

All films at the festival are free and available online January 12 through 24. Reservations are required and can be made for each program via Film Maudit 2.0’s Screening Portal: filmmaudit.org/filmmaudit

Film Maudit 2.0 festival is inspired by French avant-garde filmmaker and writer Jean Cocteau who created the original Festival du Film Maudit (literally “cursed films”) in 1949 aiming to celebrate overlooked, shocking and experimental films. Film Maudit 2.0, in its 2nd year, showcases a counter-cinema will blend of narrative, documentary and experimental films that in their style and/or subject matter, are deliberately bold, extreme, confrontational, troubling, shocking and/or unusual. The festival is funded in part by the California Arts Council, Los Angeles County Department of Cultural Affairs and the City of Santa Monica Cultural Affairs CAP Program.

About HIGHWAYS – Film Maudit 2.0 is co-presented by and takes place at Southern California’s boldest center for new performance and media arts, Highways Performance Space & Gallery in Santa Monica, CA. In its 31st year, Highways continues to be an important alternative cultural center in Los Angeles that encourages radical artists from diverse communities to develop and present innovative new works. Described by the Los Angeles Times as “a hub of experimental theater, dance, solo drama and other multimedia performance,” Highways promotes the development of contemporary socially involved artists and art forms. Under the helm of Executive Director, Leo Garcia, Highways has received funding and support from organizations such as the The James Irvine Foundation, Metabolic Studio, California Community Foundation, Liberty Hill Foundation, The Warhol Foundation, National Endowment for the Arts, and The Roy Cockrum Foundation. Leo Garcia is an award-winning playwright, filmmaker, visual artist and actor who has produced over 800 performance works as Artistic Director-turned-Executive Director of Highways since 2003. highwaysperformance.org

SOCIAL MEDIA
facebook.com/filmmaudit2
twitter.com/filmmaudit2
instagram.com/filmmaudit2.0
@filmmaudit2.0.

Night Stalker – Director Tiller Russell

The Netflix limited docu-series Night Stalker: The Hunt for a Serial Killer tells the spellbinding true story of how one of the most notorious serial killers in American history was hunted down and brought to justice. In the sweltering summer of 1985, a record-breaking heatwave hit Los Angeles, along with a series of murders and sexual assaults that at first seemed disconnected. The victims were men, women, and children. They ranged in age from six to 82, coming came from different neighborhoods, racial backgrounds and socioeconomic levels. Never before in criminal history had a single killer been responsible for such a grisly array of crimes.  Racing against the clock to stop this nocturnal monster were a young detective named Gil Carrillo from the Los Angeles County Sheriff’s Department and the legendary homicide investigator Frank Salerno. As they worked tirelessly to solve the case, the media hounded their tracks, and panic gripped California.  Told through harrowing first-person interviews, gripping archival footage and spectacular original photography, this four-part series represents the definitive telling of this iconic L.A. real-life horror story, painting a portrait of how it felt to live in fear at a time when absolutely anyone could be the Night Stalker’s next victim. Night Stalker: The Hunt for a Serial Killer director Tiller Russell joins us to talk about his deep dive into truly terrifying chapter of Southern California history, capturing the palpable fear that gripped and connected so many communities in 1985 and the people who brought Richard Ramirez to justice.

 

Download MP3 Podcast | Open Player in New Window

To watch go to: netflix.com/nightstalker

SOCIAL MEDIA
facebook.com/Night-Stalker-The-Hunt-For-a-Serial-Killer

Climate of the Hunter – Director Mickey Reece

Mickey Reece’s mind-bending latest film, CLIMATE OF THE HUNTER immerses us inhttps://youtu.be/vOT3l77LTZc the story of two sisters, Alma and Elizabeth, along with a dog who’s described as a “philosopher,” have come to Alma’s remote house to reconnect with Wesley after twenty years. Alma is recently divorced, Elizabeth is a workaholic in Washington, D.C., while Wesley lives in Paris dealing with a wife recently struck with a fatal disease. When the three come together for dinner it has all the makings of a lovely adult melodrama about loneliness, and the desire to connect and share our lives with someone… but we must add to the mix one otherworldly piece of information: Wesley could be a vampire. CLIMATE OF THE HUNTER stars Ginger Gilmartin, Mary Buss, Ben Hall, Danielle Evon Ploeger, Laurie Cummings, and Jacob Ryan Snovel. Director Mickey Reece (Arrows of Outrageous Fortune, Mono) joins us to talk about his shadowy slow-burn, stylized cinematic mind-f**k of a story.

 

Download MP3 Podcast | Open Player in New Window

For news and updates go to: darkstarpics.com

On Demand beginning January 12, 2021 on iTunes, Amazon, Google Play, Xbox, Vudu,  Direct TV, Dish Network and all major cable providers.

SOCIAL MEDIA
facebook.com/DarkStarPictures
instagram.com/darkstarpix

“an instant cult classic” – Film Freak Central

“Climate of the Hunter never sacrifices its smarts for fun (or vice versa), but with its dazzling visuals and hypnotic descent downwards into a seemingly inevitable chaos, the film’s delights are ultimately as sensorial as they are intellectual” – Alexandra Heller-Nicholas, AWFJ Women on Film

“Climate of the Hunter captures the 1970s perfectly and crafts a beautiful film filled with a central mystery that builds in every revelation.” – Amanda Mazzillo, Film Inquiry

“Climate of the Hunter is for anybody who, when dining out, feels compelled to try (and hopes to love) the weirdest item on the menu.” – Simon Abrams, RogerEbert.com

“This weird little slice of vampire movies is definitely not your average bloodfest. It’s odd and dreamlike and one of my favorite films I’ve seen so far this year. So give it a shot!” – Lorry Kikta, Film Threat

“Gloriously quirky cinematic feat” – Rue Morgue

Yellow Rose – Director Diane Paragas

YELLOW ROSE features Eva Noblezada, who is joined by fellow Miss Saigon alum and Tony Award winner Lea Salonga. The film follows Rose Garcia, a 17-year-old Filipina American in Texas. When her mom is arrested by Immigration and Customs Enforcement, Rose undertakes a musical journey while facing deportation back to the Philippines. Inspired by the music of country musicians like Patsy Cline, Loretta Lynn, and Willie Nelson, the original composition accompanied by Noblezada’s captivating voice becomes the soundtrack of Rose’s wanderings akin to American westerns. YELLOW ROSE Director Diane Paragas joins us to talk about her warm-hearted tale of a young woman’s determination to fight back against the cruelty of a heartless immigration system while pursuing her own version of the American Dream deep in the heart of Texas with Austin’s music icon, Dale Watson at her side.

 

Download MP3 Podcast | Open Player in New Window

For news, screenings and updates go to: yellowrosefilm.com

Yellow Rose is available on Digital now and on Blu-ray and DVD January 5

About the filmmaker – Diane Paragas is an award-winning director, editor, cinematographer and producer of commercials, narrative features and documentaries. IN 2012, Paragas co-directed Brooklyn Boheme, a feature length documentary about an African American arts movement, with writer and critic Nelson George.  The film featuring Spike Lee, Chris Rock and Rosie Perez to name a few. The film was acquired by Showtime and won a Black Reel Award for Best Documentary. In 2019, Paragas wrote and directed her debut narrative feature, Yellow Rose, about an undocumented Filipino-American teen pursuing a dream to become a country music singer. The film won over a dozen Grand Jury Prizes during its festival run and will be released by Sony Pictures in 2020. She is also in pre-production for a bold feature documentary about a wrongfully convicted undocumented immigrant called “The Three Lives of David Wong” that uses puppetry to tell its story. The film was is supported by The Sundance Institute,  The Bertha Foundation Grant and CAAM. Ms Paragas is a 2020 recipient of the prestigious Creative Capital Award  and was named as A100’s Most Impactful Asians of 2020 alongside directors Bong Joon Ho, Taika Waititi and Lulu Wang. 

Social Media
facebook.com/YellowRoseFilm
twitter.com/YellowRoseFilm
twitter.com/dianeparagas
twitter.com/EvaNoblezada
twitter.com/TheDalewatson
twitter.com/salonga_updates
instagram.com/yellowrosefilm
instagram.com/paragasdiane
instagram.com/livevamaria
@dianeparagas
@YellowRoseFilm
@EvaNoblezada
@salonga_updates
@TheDalewatson

“The film beautifully captures the struggles of a young woman to find her voice and a sense of belonging in an often hostile world as it celebrates the joy of making music and its power to provide hope.” – Loren King, AWFJ Women on Film

“Diane Paragas’ film finds fresh ground to explore the price and the power of the American dream, bolstered by country crooning and heartbreaking (and very real) legal worries.” – Kate Erbland, indieWire

“Writer-director Diane Paragas spins a story that is both politically timely and personal.” – Kristen Yoonsoo Kim, New York Times

“An affecting portrayal of a young woman finding her footing against all odds, and claiming her home in a nation that makes it unduly challenging.” – Katie Walsh, Tribune News Service

“The lean screenplay and [Diane] Paragas’ focused creative vision makes for a singular directorial feature debut that feels like nothing else happening in film right now.” – Beth Sullivan, Austin Chronicle

Heaven’s Gate: The Cult of Cults – Director Clay Tweel

Heaven’s Gate: The Cult of Cults is a thorough examination of the infamous UFO cult through the eyes of its former members and loved ones. What started in 1975 with the disappearance of 20 people from a small town in Oregon, ended in 1997 with the largest suicide on US soil and changed the face of modern New Age religion forever. This HBO Max four-part docu-series uses never-before-seen footage and first-person accounts to explore the infamous UFO cult that shocked the nation with their out-of-this-world beliefs. Director and Producer Clay Tweel joins us for a rollicking conversation on one of the most sensational and compelling collection of intelligent, engaging, and spiritually inspired people to ever embrace a collection of beliefs, brought to them by former minister and natal nurse, that eventually led them to hitch a ride on an undetectable space ship heading for parts unknown.

 

Download MP3 Podcast | Open Player in New Window

Heaven’s Gate: Cult of Cults can be seen on: hbomax.com

In the beginning… The son of a Presbyterian minister and a former soldier, Marshall Applewhite began his foray into biblical prophecy in the early 1970s. After being fired from the University of St. Thomas in HoustonTexas over an alleged relationship with one of his male students, he met Bonnie Nettles, a 44-year-old married nurse with an interest in theosophy and biblical prophecy, in March 1972. According to Applewhite’s writings, the two met in a hospital where she worked while he was visiting a sick friend there. It has been rumored that it was a psychiatric hospital, but Nettles was substituting for another nurse working with premature babies in the nursery.  Applewhite later recalled that he felt as though he had known Nettles for a long time and concluded that they had met in a past life. She told him their meeting had been foretold to her by extraterrestrials, persuading him that he had a divine assignment. – (from Wikipedia) 

About the filmmaker – Clay Tweel is a native Virginian living in Los Angeles, California. Clay is a documentary director/producer/editor with a passion for telling great character based stories. His works include Make Believe, Print the Legend, Finders Keepers, Out of Omaha and Gleason – the last of which was shortlisted for an Academy Award and named one of the 5 best documentaries of 2016 by the National Board of Review. His features have been distributed by Showtime, Netflix, and Amazon Studios while working closely with companies that include Open Road, The Orchard and Exhibit A. Most recently, Clay executive produced and directed all six episodes of The Innocent Man, a true crime doc series for Netflix based on John Grisham’s only non fiction book. He is currently directing a feature documentary and producing numerous projects under his banner Parkside Films. claytweel.com

About the filmmaker – Shannon Riggs is a producer with a diverse background in film spanning multiple genres and scales. Alongside award winning director Clay Tweel, she produced the Netflix 6 part docu-series, The Innocent Man, and the Academy Award shortlisted documentary Gleason. Recently Shannon produced The Smartest Kids In the World based on Amanda Ripley’s New York Times bestseller, which premiered at DOC NYC in 2018 and was directed by Sundance Grand Jury Prize winner, Tracy Droz Tragos. Shannon was a Sundance Fellow and participant in their 2015  Female Filmmaker Initiative.  She is also honored to be a member of Women in Film and actively mentors young filmmakers through various industry programs.   She is currently producing a feature documentary and numerous projects under her banner Parkside Films with co-founder and director Clay Tweel.

86% on Rotten Tomatoes

“Heaven’s Gate: Cult of Cults is a thoughtful assessment of the mechanisms of how otherwise smart, savvy people are attracted to fringe beliefs. It takes a story that is larger than life and brings it solidly back to earth.” – Ashlie D. Stevens, Salon.com

“What The Cult Of Cults does very effectively is tell the story of the organization, showing why it attracted members and held onto them for so long.” – Joel Keller, Decider

“Viewers may bob in and out during the first few episodes, though it’s worth sticking out for the grand finale, as sickening as it is oddly poignant.” – Ryan Lattanzio, indieWire

“The human toll isn’t lost among the kooky, UFO-centric beliefs of Ti and Do’s followers.” – Beau North, The Spool

Tandem Pictures, Founder Julie Christeas and COO Jonathan Blitstein

Tandem Pictures is a leader in conceiving and implementing eco-sustainable filmmaking practices in the indie film space, with all of their productions following Environmental Media Association standards and the Producers Guild’s Green Best Practices. They’re also an advocate for how these practices – from using hybrid vehicles on set, to having the sound and camera teams use rechargeable batteries, to composting and using metal straws – can and should be adopted industry-wide. Female owned and operated, it is Tandem’s mission is to bring female talent and narratives to the forefront. They embrace female-centric storytelling, and pride themselves on the fact that the casts and crews of their films are composed of underserved and underrepresented minority groups, LGBTQIA, and women.  tandempictures.com

 

Download MP3 Podcast | Open Player in New Window

ABOUT TANDEM PICTURES Since 2010, TANDEM PICTURES has elevated and given a platform to misrepresented and underrepresented ideas. We are filmmakers, driven by justice and representation for both people and the planet. We strive to not only tell stories, but to share learnings with the industry in order to grow positive filming practices across our community.  Past films include acclaimed festival films THE SURROGATE, BLOODSTRIPE, THE EYES OF MY MOTHER, THE SLEEPWALKER, WILDLIKE, GHOST TEAM and more.  tandempictures.com

JULIE CHRISTEAS – Tandem Pictures – Founder, Chief Executive Officer        Julie’s recent films include BLACK BEAR (Sundance 2020) starring Aubrey Plaza, Christopher Abbott and Sarah Gadon which will be released later this year by eOne/Momentum and THE SURROGATE (SXSW 2020/Monument Releasing) . She also executive produced the cult horror favorite THE EYES OF MY MOTHER (Sundance 2016/Magnet Releasing), MONOGAMY (Best NY Narrative, Tribeca Film Festival 2010), the feature doc DUKALE’S DREAM starring Hugh Jackman, and GHOST TEAM starring Jon Heder, David Krumholtz, Justin Long, Amy Sedaris and Melonie Diaz. Previously she produced BLOOD STRIPE (Jury Prize for Best Narrative Film, LA Film Festival 2016), WILDLIKE starring Bruce Greenwood and Brian Geraghty (HIFF), and THE SLEEPWALKER starring Christopher Abbott and Brady Corbet (Sundance 2014/IFC). 

JONATHAN BLITSTEIN – Tandem Pictures – Co-owner, Chief Operating Officer Jonathan’s most recently produced the acclaimed films THE SURROGATE, and BLACK BEAR (SUNDANCE, EOne/Universal release) starring Aubrey Plaza. Prior to Tandem he worked in production and branded entertainment for Vudu, Sony and Disney, supporting Fortune 500 Brands such as Walmart, Sprint and Covergirl. At Oracle (formerly CrowdTwist), he initiated the creation of Marvel Studios’ first nationwide fan loyalty program Marvel Insider. In his early career, he made two micro-budget feature films LET THEM CHIRP AWHILE and ANOTHER KIND which both premiered at the Woodstock Film Festival which were distributed on Netflix and VOD. Early career roles include marketing arthouse films such as Park Chan Wook’s OLD BOY, and Noah Baumbach’s SQUID AND THE WHALE. 

Social Media
facebook.com/tandempictures
twitter.com/tandempicture
twitter.com/JChristeas
instagram.com/tandempictures
instagram.com/juliechristeas
@TandemPictures
@tandempictures

Yalda – A Night for Forgiveness, Director Massoud Bakhshi

In Massoud Bakhshi’s riveting new film, Yalda – A Night for Forgiveness, Maryam is a 22-year-old woman, who has been sentenced to death for murdering her 65-year-old husband, Nasser. Iranian law allows for the victim’s family to forgive her and spare her life, so Maryam’s fate will be decided by Nasser’s daughter, Mona, 37, on the country’s most popular televised reality show. In front of millions of viewers during Yalda, the winter solstice celebration, Maryam and Mona discover that forgiveness can be difficult as they relive the past. Director and screenwriter Massoud Bakhshi brings aesthetic energy and dramatic intensity to a story that unfolds over a few hours and almost entirely within the studio. Compelled by the social complexities of contemporary Iran, Bakhshi started as a documentary filmmaker, during which time he met several women who had murdered their husbands. Their stories stayed with him as he developed this powerful exploration of women characters. Although Maryam and Mona are condemned in some way and subject to Iran’s profound patriarchy, they find agency, moral authority, and freedom within those confines.  Winner of the 2020 Sundance Film Festival Grand Jury Prize: Dramatic Yalda, a Night for Forgiveness elucidates Iran’s vibrant, modern identity alongside its deeply traditional culture.

 

Download MP3 Podcast | Open Player in New Window

For news and updates go to: pyramidefilms.com/yalda-a-night-for-forgiveness

About the filmmaker – Born in Tehran, Iran, in 1972, Massoud Bakhshi has worked as film critic, scriptwriter and producer, before making 12 documentaries and short films which were awarded internationally. His first feature film A Respectable Family was selected at Cannes Film Festival 2012 (Quinzaine des réalisateurs). Yalda, a night for forgiveness is his second feature film, selected at the World Cinema Dramatic Competition Sundance Film Festival 2020 and at the 70th Berlin International Film Festival Generation 14+ Competition 2020.

2020 SUNDANCE FILM FESTIVAL – GRAND JURY PRIZE World Cinema Dramatic Competition

Sound of Metal, Director Darius Marder

The feature film debut of director Darius Marder, Sound of Metal, chronicles the life of Ruben, (Riz Ahmed) an itinerant punk-metal drummer. During a series of adrenaline-fueled one-night gigs, Ruben begins to experience intermittent hearing loss. When a specialist tells him his condition will rapidly worsen, he thinks his music career — and with it his life — is over. His bandmate and girlfriend Lou (Olivia Cooke) checks the recovering heroin addict into a secluded sober house for the deaf in hopes it will prevent a relapse and help him learn to adapt to his new situation. But after being welcomed into a community that accepts him just as he is, Ruben has to choose between his equilibrium and the drive to reclaim the life he once knew. Utilizing startling, innovative sound design techniques, director Darius Marder takes audiences inside Ruben’s experience to vividly recreate his journey into a rarely examined world. Director and screenwriter Darius Marder joins us for a conversation on technical challenge of creating a cinematic language to meet the demands of telling Ruben’s complex story, creating an environment for remarkable performances from Riz Ahmed, Olivia Cooke and Paul Raci and his collaboration with fellow director Derek Cianfrance (The Place Beyond the Pines).

 

Download MP3 Podcast | Open Player in New Window

To watch go to: amazon.com/Sound of Metal

About the filmmaker – DARIUS MARDER (Director, Writer) is a writer and director making his narrative feature directorial debut. His film Loot was awarded the Best Documentary Feature prize at the 2008 Los Angeles Film Festival, received five Cinema Eye Honors Award nominations and earned Marder an Independent Spirit Award nomination in the Truer Than Fiction category. Marder then co-wrote The Place Beyond the Pines with Derek Cianfrance and Ben Coccio. The original screenplay won the trio a PEN Literary Award in 2014. The following year Marder and Cianfrance co-adapted S.C. Gwynne’s Pulitzer Prize finalist Empire of the Summer Moon for Warner Bros. The film will go into production in 2021 with Cianfrance directing. 

Social Media
twitter.com/rizwanahmed
twitter.com/dariusmarder
instagram.com/dariusmarder
instagram.com/rizahmed
@rizwanahmed
@dariusmarder

 

97% on Rotten Tomatoes

“As Ruben’s fear and rage begins to open itself to the unknown, the movie reaches toward something profound – finding real, furious power in the spaces between the sound.” – Leah Greenblatt, Entertainment Weekly

“An engrossing deeply affecting, meticulously crafted movie. The tone is straightforward and naturalistic. The camera focuses on intimate connections between the characters. This is a thoughtful, grounded, human scale film.” – Karen Gordon, Original Cin

“The film is profound, frightening, uplifting and, yes, actually breathtaking at times, and you’re not likely to take your hearing for granted anytime soon afterward.” – Brian Truitt, USA Today

“It’s a devastating, poignant, and ultimately hopeful film, especially for a side of humanity that rarely sees itself portrayed on screen.” – David Fontana, Film Inquiry

With ‘Sound of Metal,’ filmmaker Darius Marder crafts one of the most compelling, raw, and unforgettable films of the year.” – Preston Barta, Denton Record-Chronicle

The Sounding, Director & Lead Actor Catherine Eaton

In her riveting feature film debut, THE SOUNDING, Catherine Eaton also stars as Liv, a young woman who has never spoken, raised on a remote island by her grandfather Lionel (Harris Yulin, “Ozark”). When Lionel discovers he’s dying, he calls the driven, privileged son (Teddy Sears, “The Flash”) of his best friend to the island and asks him to protect Liv’s independence, alongside Lionel’s attorney (Frankie Faison, “The Wire”). That night, as Lionel is reading to Liv, his voice fails him. Liv picks up the book of Shakespeare and begins – first reading, then weaving a new language from Shakespeare’s words. She is committed to a psychiatric hospital and becomes a full-blown rebel in the hospital; her increasing violence threatens to keep her locked up for life as she fights for her voice and her freedom.  At a tipping point for otherness in our current climate, THE SOUNDING champions it. Director Catherine Eaton joins to talk about the origin story for THE SOUNDING, the challenges and rewards of being on both sides of the camera and the supportive cast and crew who made the film such a success.

 

Download MP3 Podcast | Open Player in New Window

For news, updates and screenings go to: thesoundingfilm.com

About the Filmmaker – Catherine Eaton’s feature debut as a director and writer, The Sounding has won two-dozen awards on the festival circuit. She was chosen for Tribeca Film Festival’s ”Through Her Lens” Lab and Grant for emerging female directors, and was selected as a Shadowing Director for show runner Ryan Murphy’s Half Program on the hit Fox show “9-1-1.” Her pilot script “Breaking News” – based on her personal experience working with freelance news crews in conflict zones – was selected for IFP’s Project Forum and as a finalist for the Screenwriters Colony. Catherine shared an Emmy with the production team on “The Human Toll of Ethanol” for Bloomberg TV, and did freelance production work for various news crews for five years. As an actor, she’s been seen on Broadway, TV and film, and was nominated for a Helen Hayes Award for Best Actor in a Leading Role. Catherine teaches Screenwriting at Harvard University. 

Social Media
facebook.com/thesoundingfilm
twitter.com/thesoundingfilm
twitter.com/catherineveaton
instagram.com/soundingmovie
instagram.com/catherineveaton
@thesoundingfilm
@catherineveaton

“Ms. Eaton’s film can be… precious in several spasms of ritual jubilation, but it’s never less than fascinating, and often beautiful.” – Joe Morgenstern, Wall Street Journal

“Makes you want to brush up your Shakespeare: start quoting him now.” – Harvey S. Karten, Shockya.com

Wolfman’s Got Nards, Director Andre Gower

When it was released in 1987, The Monster Squad was deemed a failure by critics and was, according to the box office, a film no one cared about. But over the last three decades, word of mouth has turned this sleeping hit into a cultural phenomenon. WOLFMAN’S GOT NARDS explores the relationship a dedicated audience (including celebrities and filmmakers) has with The Monster Squad. The film takes an in-depth look into the film’s conception, response, cult status, and revival. Through interviews with the cast, crew, screenwriters, directors, academics and original reviewers as well as through never-before-seen footage, it turns the lens on an audience of self-proclaimed misfits who have kept The Monster Squad alive for more than 30 years. Director Andre Gower and Monster Squad member, Sean, joins us for a lively conversation on the unlikely saga of a box-office bomb that, like the squad, refuses to give up, and a community of fans that continues to grow.

 

Download MP3 Podcast | Open Player in New Window

For news, updates and screenings go to:thesquaddoc.com

About the filmmaker – Director André Gower has 40 years of experience in the entertainment industry, making him one of the most recognizable child stars of his generation. His body of work includes network series, movies of the week, and features. He is best known for playing the lead character in the cult classic The Monster Squad. Currently, André heads Fitterpiper Entertainment, a production company focusing on young independent filmmakers, new concepts from industry veterans, experimental digital concepts and short films with a roster of production professionals. He also co-hosts the short film series ‘Short Ends’ (Nerdist/ALPHA) and a podcast, ‘Squadcast with Ryan and André.

Social Media
twitter.com/andregower
twitter.com/thesquaddoc
instagram.com/thesquaddoc
instagram.com/andregowerofficial
instagram.com/gravitasventures
@thesquaddoc
@andregower
@GravitasVOD

“Wolfman’s Got Nards is a well-made documentary that does right by The Monster Squad.” – Danielle Solzman, Solzy at the Movies

“There’s so much to cover, and Gower and his crew do an astounding job of being as thorough as possible.” – Kyle Anderson, Nerdist

“Watching these films – and this documentary – generates the type of joy we only felt as kids, as well as evoking the warm fuzzy feeling that nostalgia brings.” – Katie Driscoll, Starburst

“As a whole, I cannot recommend Wolfman’s Got Nards enough for those who love The Monster Squad, for fans of the horror genre, or even for anyone who has ever felt misunderstood by the world at large.” – Heather Wixson, Daily Dead

The Way I See It – Director Dawn Porter

Inspired by a New York Times No. 1 bestseller, The Way I See It is an unprecedented look  behind the scenes at two of the most iconic presidents in American history, Barack Obama and Ronald Reagan, as seen through the eyes of renowned photographer Pete Souza. As official White House photographer, Souza was an eyewitness to the unique and tremendous responsibilities of the most powerful person on Earth. Award-winning filmmaker Dawn Porter’s The Way I See It also reveals how Souza transforms from a respected photojournalist to a searing commentator on the issues we face as a country and a people. The Way I See It also traces Souza’s fearless public transformation from chronicler of history to critic of an administration he believes is destroying the legacy of empathy, honor and hope that he witnessed during his 13 years at the White House. Inspired by his two bestselling books, Obama: An Intimate Portrait and Shade: A Tale of Two Presidents, and featuring more than 400 of his photos, the film is an emotional and stirring reminder of America’s pledge of a government for and by the people. Director Dawn Porter joins us for a conversation about the personal journey of an accomplished photojournalist turned activist and when it comes to the most powerful person in the world, why judgement, perspective, honor, and empathy matter.

 

Download MP3 Podcast | Open Player in New Window

For news, screenings and updates go to: focusfeatures.com/the-way-i-see-it

Check out the future of voting at: headcount.org

In select theaters Friday, September 18th

MSNBC Films premiere Friday, October 9th, 10:00pm EDT

About the filmmaker – Dawn Porter (Director, Producer) is an award-winning documentary filmmaker whose work has appeared on HBO, PBS, Discovery and Netflix, among others. A two-time Sundance Film Festival director, Porter may be best known for her film Trapped, which explored laws regulating abortion clinics in the American South. The film won the Special Jury Award for Social Impact Filmmaking at Sundance in 2016, in addition to a Peabody and numerous other awards. Porter’s 2013 documentary Gideon’s Army premiered on HBO and won Best Editing at Sundance. Gideon’s Army was nominated for both an Independent Spirit Award and an Emmy Award, and is part of the U.S. Department of State’s American Film Showcase. More recently, Porter completed John Lewis: Good Trouble, a feature documentary about the late congressman that will be distributed by Magnolia Pictures and CNN Films. Porter has been commissioned to make films for the Center for Investigative Reporting, Time and Essence magazines, The New York Times Op Docs and Amazon. Her work has received generous support from the MacArthur Foundation, the Ford Foundation, Tribeca Film Institute, Sundance Film Institute, Chicken & Egg Pictures and other esteemed organizations. The filmmaker is a member of the Academy of Motion Picture Arts and Sciences, the Academy of Television Arts & Sciences, and the Directors Guild of America. 

Social Media
facebook.com/trilogyfilms
twitter.com/Trilogy_Films
twitter.com/dawnporterm
instagram.com/trilogyfilms
#JohnLewisIsGoodTrouble
@dawnporterm
@DawnPorterM

“If you’ve seen Dawn Porter’s John Lewis documentary, you’ll fall in love with this candid look behind the scenes with a former White House photographer in her new documentary The Way I See It.” – Carolyn Mauricette, View From The Dark

“It’s effective because it gives us momentary relief and validates our rage while asking once again for us to have hope and to keep moving ahead.” – Allyson Johnson, The Young Folks

“Chief White House Photographer Pete Souza and the makers of The Way I See It kindly remind us what decency looked like not so long ago.” – Brigid Presecky, Impressionist Media

“Filmmaker Porter delivers a blisteringly-paced documentary that is, virtually from start to finish, nothing short of fascinating…” – David Nusair, Reel Film Reviews

Wine and War: The Untold Story of Wine in the Middle East, Co-directors Mark Ryan and Mark Johnston

In 2013, inspired by the book Wines of Lebanon by Michael Karam, filmmakers Mark Johnston and Mark Ryan set out to change the perceptions of the Middle East – and in particular the tiny nation of Lebanon – by examining an enigmatic and misunderstood part of the world with winemakers who had a story to tell. Co-directors Johnston and Ryan released their first award-winning documentary The Invisible Front, but by then, they were already in Lebanon recording stories of courage, adventure and determination. There, they met Michael Karam, and two became three. Wine and War: The Untold Story of Wine in the Middle East tells the story that starts in the 2nd BC, when the Phoenicians, the ancient Lebanese, with their awesome trading empire gave the gift of wine to the then known world. They were the first wine merchants! In doing so, the Lebanese became the masters of crisis management, a skill personified by Lebanon’s winemakers who for thousands of years have gone about their work in war, famine, occupation and the constant hum of political instability. Co-directors Mark Ryan and Mark Johnston join us to talk about the amazing resilience of the Lebanese people and how wine is such a powerful thread in their shared history.

 

Download MP3 Podcast | Open Player in New Window

For news, updates and screenings go to: wineandwar.com

About the filmmaker – Mark Johnston is an executive producer and documentary filmmaker who is known for tackling a full range of near-impossible production challenges with a proven track record of creative development in complex and cross-functional multicultural environments. Mark has invested all his savings to make documentaries. He doesn’t own a home. He literally once moved into a mini van to save money to film a documentary. Mark’s passion for the work takes him to the farthest places on the globe and he always strives to do what he can to help each project realize its full potential. Big budget or big challenge, domestic or around the globe… Mark has done it all with calm collection and inventive problem solving be it feature film documentaries, TV campaigns, brand funded content, animated short films, live event programming, experiential projects, the Lanzarote Iron Man, En Svensk Klassiker, Vasaloppet, and the Stones 100k Ultra Marathon. 

About the filmmaker – Mark Ryan, Director / Producer. Over the past two decades, Mark has been a producer, director, and cinematographer on five continents and the North Pole. Early in his career, Mark was part of a film crew that was the first in thirty years to be given unprecedented access to the Hopi Indians of Arizona. This experience cemented Mark’s desire to sensitively tell the stories of other people. Mark has a number of film credits under his belt including the James Beard Award-winning short films The Scent of Black and Stewards of the Land. He’s also served as a producer on the MTV hit show Pimp My Ride.  A Los Angeles native, Mark is a graduate of the University of Southern California with a BA in Cinema Production. He also holds a post-graduate degree from Central St. Martins School of Fine Art in London.  Today, Mark combines his love for adventure, travel, and hearing the stories of other people with best practices for capturing scenes of film to create stunning imagery for clients around the world.

 
Social Media
facebook.com/wineandwar
twitter.com/wineandwar
instagram.com/wineandwar
@wineandwar

InterReflections, Director Peter Joseph

InterReflections explores deep social issues. In three timelines our main story takes us into the future when ecological crisis and inequality has destabilized society. John Taylor, a defected government intelligence agent turned revolutionary leader, is captured by his former colleague and nemesis, Simon Devoe. Simon leads a government spy agency, encouraging John to join him to avoid punishment. Simon humors John as they debate ideas about humanity, seeing no possibility of John’s escape. But John has a secret. Our second timeline follows a woman in modern day, experiencing life as a horror show, reflecting issues such as racism and environmental destruction. Fired from her job, she sets about finding another. Her journey transforms her. Timeline three takes place 100 years forward as four academics of this future talk about the way things used to be in the early 21st century. They speak of “The Great Transition,” a dramatic global revolution that changed everything for the better. Director Peter Joseph (The New Human Rights Movement, The Zeitgeist Movement) joins us for a conversation about his genre-shattering approach to filmmaking and what his film’s vision says about the world we live in.

 

Download MP3 Podcast | Open Player in New Window

For news, screenings and updates go to: interreflectionsmovie.com

InterReflections will arrive online in various VOD outlets on Oct 6th 2020. This page will be updated at that time with both access to the online services and available DVD/Blu-ray.

About the filmmaker – Peter Joseph is an American musician, filmmaker, author and activist. His most recent media work is the live action film InterReflections, to be released on Oct 6th 2020. Other notable credits included the award-winning “Zeitgeist Film Series”, the Culture in Decline web series and his book The New Human Rights Movement, published in 2017 by BenBella books. He is also host of the podcast Revolution Now! started in 2020. In 2009, he founded  “The Zeitgeist Movement”, a global, nonprofit sustainability advocacy group and has been on the Advisory Board/Steering Committee for “Project-Peace on Earth“ since 2013. He also founded and curates the Annual Zeitgeist Media Festival for the arts and periodically works with UN working groups including UNFUCA and The World Academy. Joseph has given talks around the world, including the UK, Canada, GermanyAmerica, Brazil & Israel. He was a featured speaker at the 2011 Leaders Causing Leaders Conference [Lecture Here] and his work has been profiled in the New York Times, Vice, The Huffington Post, The Marker, Free Speech TV, The Young TurksThe Examiner and many other media outlets. He has participated in multiple TEDx Events, has worked with The Global Summit  and is also a frequent social critic on the news network Russia Today. He has appeared on the Joe Rogan Experience Podcast, Thom Hartmann’s The Big Picture, Watching The Hawks, BoomBust, Redacted Tonight with Lee Camp, The David Pakman show, Christopher Ryans “Tangentially Speaking” podcast, Telesur’s Empire Files with Abby Martin, The Jimmy Dore Show and others.

 
Social Media
facebook.com/InterReflections
twitter.com/ZeitgeistFilm
instagram.com/peterjosephofficial
@ZeitgeistFilm

 

#UNFIT: The Psychology of Donald Trump, Director Dan Partland

In his thoroughly documented and clarion call to action, Dan Partland’s latest documentary, #UNFIT: The Psychology of Donald Trump, provides a platform for a number of prominent mental health professionals to present their observations on camera as part of their ethical “Duty to Warn” the public of imminent danger presented by President Donald Trump. After years of empirical observation these leading mental health professionals, discuss DSM-5 disorders, their danger, and the doctor’s own Duty to Warn, They introduce the syndrome known as malignant narcissism and explain how it is responsible for some of history’s cruelest kinds of inhumanity.  They liken it symptoms to the behavior of the most powerful human being on earth, a man with the capacity to launch several thousand nuclear weapons on his command, Donald Trump. Medical doctors and mental health professionals go on camera, on the record, for the record – it’s an eye-opening discussion, analysis, and science-based examination of the behavior, psyche, condition, and stability of President Donald Trump. #UNFIT also examines Trump’s effect on our citizenry, culture, and institutions. Director Dan Partland joins us for a spirited conversation on Trump’s constant perversion of truth, his appeal to tribalism, and the way he has undermined the pillars of civil society, a free press, and an independent judiciary.

 

Download MP3 Podcast | Open Player in New Window

For news, screenings and updates go to: unfitfilm.com

About the filmmaker Dan Partland director/producer/writer of both documentary films & television for over 20 years. His work has found success in theatrical, art-house, cable, and network outlets and includes some landmark films of the American Independent Cinema. In the 15 years that the Emmys have recognized primetime nonfiction series, Partland’s shows have been nominated for best in class 5 times, and in 3 different sub-genres; Reality, Nonfiction format, and Documentary. Partland has twice won nonfiction series Emmys and in 2011 and 2012 was nominated by the Producers Guild of America for Nonfiction Producer of the Year. In 2001, Partland won an Emmy (Best Non-Fiction Program) for his work on the ground-breaking 13-part doc series American High on Fox. Partland served as the Supervising Producer and a Director of the critically acclaimed show that is widely regarded as one of the progenitors of the current doc series genre. Partland’s work has spanned several nonfiction genres.  He produced and directed How To Raise An Olympian, a winter Olympics special for NBC and was Showrunner for the multi-award-winning CNN archival series The Sixties. Partland was the Executive Producer and Showrunner of A&E’s Intervention for over 150 episodes, garnering countless awards and accolades including the Emmy for best reality series. Partland spent the early days of his career working under Albert Maysles, a founding filmmaker of the cinema verité movement. While on staff at Maysles Films, Partland worked on the dozens of documentary films and television commercials that the legendary company produced during his tenure. Partland is founder and President of DOCSHOP Productions. docshopproductions.com

Social Media
facebook.com/UnfitMovie
twitter.com/duty2warn
twitter.com/dpartland
instagram.com/danpartland
@dpartland

#1 Documentary on iTunes and Apple TV

#UNFIT is sharp, cohesive, and illuminating, with alarming insights.— Richard Roeper, Chicago Sun-Times

#UNFIT is an Incisive documentary with freshly perceptive nuances. — Owen Gleiberman, Variety

“Mental-health professionals, bound by ethics to point out danger, discuss how President Donald Trump is uniquely dangerous, a literal menace to society. Nay, not ‘discuss’: they are screaming it.” – MaryAnn Johanson, Flick Filosopher

“With stunning editing and a slew of thorough and reasoned criticism, this could be the nonfiction movie treatment of Trump to beat this year.” – Harvey S. Karten, Shockya.com

Once Upon a River, Director Haroula Rose

Based on the best-selling novel by Bonnie Jo Campbell, ONCE UPON A RIVER is the story of Native American teenager Margo Crane (Kenadi DelaCerna) in 1970s rural Michigan who after enduring a series of traumas and tragedies, sets out on an odyssey on the Stark River in search of her estranged mother. On the water, Margo encounters friends, foes, wonders, and dangers; navigating life on her own, she comes to understand her potential, all while healing the wounds of her past. ONCE UPON A RIVER features newcomer Kenadi DelaCerna, John Ashton (Midnight Run, Gone Baby Gone), Tatanka Means (The Son, Saints & Strangers, Tiger Eyes), Ajuawak Kapashesit (Caleb, Outlander), Sam Straley (Hala,.Chicago P.D.), Coburn Goss (Man of Steel, What Women Want), Lindsay Pulsipher (True Blood, Justified, Hatfields & McCoys), Kenn E. Head (ER, Chicago Fire). Director Haroula Rose joins us for a conversation on her collaboration with author Bonnie Jo Campbell, bringing her background in music into the filmmaking world and bringing the role of Margo to life through the stellar performance of newcomer Kenadi DelaCerna.

 

Download MP3 Podcast | Open Player in New Window

For news, screenings and updates go to: filmmovement.com/once-upon-a-river

Social Media
facebook.com/ouarfilm
twitter.com/ouarfilm
instagram.com/ouarfilm
@ouarfilm
@Film_Movement

“A tender coming-of-age drama with a slice of rural period piece that is both chilling and earnestly moving.”  — THIRD COAST REVIEW

“One of the Most Anticipated American Films” — FILMMAKER MAGAZINE

“There’s a lot to love about ‘Once Upon a River.’ Kenadi DelaCerna shines!” – FILM THREAT

“Stunning! …a tender coming of age drama with a slice of rural period piece.” – The Moveable Fest

Space Dogs, Co-directors Elsa Kremser and Levin Peter

In their mesmerizing new film, SPACE DOG, Elsa Kremser and Levin Peter chronicle the legacy of Laika, a stray dog picked up by the Soviet space program on the streets of Moscow, the first living being to orbit the earth when she was launched into space on Sputnik 2. Kremser and Peter trace the persistence of her memory and legacy into the present day. As the capsule containing the lifeless body of Laika re-entered Earth’s orbit and began to burn up, the narrator announces “What had been a Moscow street dog had become a ghost.”The ghost Laika lives on in the present-day strays of SPACE DOGS. Photographed at ground level with wandering, hypnotic camera movements, the strays are seen navigating the urban environs of modern Moscow. In hewing closely to the dog’s point of view, the city is rendered as a strange, alien environment. Pulsating music from buildings and unidentified passerby take on an unfamiliar quality as the dogs explore this strange new world. Archival footage of the Soviet space program is interwoven throughout the film, reveling in the bizarre tests and procedures the canines were subjected to in preparation for space travel. Co-directors Elsa Kremser and Levin Peter join us for a conversation on their fascinating project that features stunning cinematography and meditative pacing that recalls the work of Andrei Tarkovsky, and how SPACE DOGS de-centers humans in order to uncover a forgotten history.

 

Download MP3 Podcast | Open Player in New Window

For news, screenings and updates go to: icarusfilms.com/if-spaced

For more about the filmmakers go to: raumzeitfilm.com

About the filmmaker – Director ELSA KREMSER Born 1985 in Austria, Elsa Kremser studied Film at the University of Vienna and the Filmakademie Ludwigsburg. As an author and producer, she realized several documentaries that were shown worldwide. Her diploma film NEBEL premiered at the Berlinale. She was a jury member of Visions du Réel and participated in the Nipkow Grand and the EuroDoc program. In 2016 she founded the Vienna-based production company RAUMZEITFILM together with Levin Peter. As a directing duo, they are currently working on their first fiction feature, THE GREEN PARROT, which received the Berlinale Kompagnon Script Award. Their recent documentary SPACE DOGS premiered at Locarno IFF where it received two special jury mentions. It was presented at over 50 festivals worldwide and awarded as the “Best Austrian Film 2019” at the Viennale.

About the filmmaker – Director LEVIN PETER Born 1985 in Germany, Levin Peter studied at the Filmakademie Ludwigsburg where he realized several documentaries that were shown worldwide. His diploma film BEYOND THE SNOWSTORM won the German Upcoming Film Award and was presented as a Guest at the Berlinale. He was a jury member at Visions du Réel and received the Nipkow and the Gerd Ruge Grant. In 2016 he founded the Vienna-based production company RAUMZEITFILM with Elsa Kremser. As a directing duo, they are currently working on their first fiction feature, THE GREEN PARROT, which received the Berlinale Kompagnon Script Award. Their recent documentary SPACE DOGS premiered at Locarno IFF where it received two special jury mentions. It was presented at over 50 festivals worldwide and awarded as the “Best Austrian Film 2019” at the Viennale.

Social Media
facebook.com/raumzeitfilm
facebook.com/spacedogsfilm
twitter.com/RAUMZEITFILM
instagram.com/raumzeitfilm
instagram.com/spacedogs_film
@RAUMZEITFILM

“Brutal but also deeply sensitive; a complex work that got under my skin.” —Film Comment

“No one leaves this movie unchanged.” —Publico

“Radical and rigorous; one of the documentaries of the year.” —Film Idea

“Like Disney directed by Andrei Tarkovsky.” —CineVue

“Undoubtedly the most exciting film at Locarno: a philosophical film that does what cinema has to do: show unseen images.” —Deutchland Funk

“Successfully subverts the anthropocentric gaze to illustrate the violent way humans inhabit space.” —Little White Lies

“A total work of art, foreshadowing a near future in which man is no longer the center of the world.” —Kino Zeit

“Ingenious; Kremser and Peter connect a roughly hewn space traveling animal history with modern stray subjects.” —IonCinema

“The scariest film of the year.” —CineEuropa

Feels Good Man, Director Arthur Jones and Giorgio Angelini

In November 2016, a nasty election cycle had exposed a seismic cultural rift, and the country suddenly felt like a much different place. For underground cartoonist Matt Furie, that sensation was even more surreal. Furie’s comic creation Pepe the Frog, conceived more than a decade earlier as a laid-back humanoid amphibian, had unwittingly become a grotesque political pawn. FEELS GOOD MAN is a Frankenstein-meets-Alice-in-Wonderland journey of an artist battling to regain control of his creation, while confronting a disturbing cast of characters who have their own peculiar attachments to Pepe. Now, as Pepe continues to morph around the world – FEELS GOOD MAN offers a vivid, moving portrait of one man, one frog, and the very strange reality we’ve all found ourselves living in. Director Arthur Jones and Producer Giorgio Angelini stop by to talk about their mind-blowing journey into an internet / social media / 4Chan rabbit hole where a hippy-dippy cartoon character becomes an avatar and unfathomable messenger of hatred and bigoted propaganda.

 

Download MP3 Podcast | Open Player in New Window

For news, updates and screenings go to: feelsgoodmanfilm.com

To watch Feels Good Man go to: feelsgoodman.watch

For more on Pepe the Frog creator mattfurie.com

About the filmmakers: Arthur Jones – Director / Animator / Writer FEELS GOOD MAN is Jones’s directorial debut, but he’s uniquely suited to tell the story. He’s a cartoonist who came up in the same indie comics scene as the film’s subject, Matt Furie. Jones published a book of his illustrations in 2011: Post-it Note Diaries (Penguin/Plume Paperbacks). Over his career, he’s art directed animation and motion graphics for journalists and documentary filmmakers, working with companies including The New York Times, VICE, The Center for Investigative Reporting and The International Consortium of Journalists. Recently he’s been a part of several documentary features: Seed Money: The Chuck Holmes Story (2015), BUNKER 77 (Amazon Studios, 2017), Owned, A Tale of Two Americas (2018) and Hal (Oscilloscope Films, 2018). Jones is a graduate of the Rhode Island School of Design. For more on the work of Arthur Jones go to: futuresmells.com

Giorgio Angelini: Producer / Writer / Cinematographer came into film from a longer, multi-faceted career in the creative arts. After touring in bands like The Rosebuds and Bishop Allen for much of his 20s, Giorgio enrolled in the Masters of Architecture program at Rice University during the depths of the 2008 real estate collapse. It was during this tumultuous time that the seeds for Giorgio’s directorial debut, OWNED: A Tale of Two Americas began to take shape. Following graduate school, Angelini began working with the boutique architecture firm, Schaum Shieh Architects, where he designed the White Oak Music Hall in Houston, Texas, as well as the headquarters for The Transart Foundation for Art and Anthropology, which won the Architect’s Newspaper’s “Design of the Year” award in 2018. 

WINNER – U.S. Documentary Special Jury Award for Emerging Filmmaker – 2020 Sundance Film Festival
WINNER – Best Feature Documentary – 2020 Lighthouse International Film Festival
Official Selection – 2020 True/False Film Festival
Official Selection – 2020 Big Sky Documentary Festival
Official Selection – Festival Favorites – 2020 SXSW Film Festival

Social Media
instagram.com/feelsgoodmanfilm
twitter.com/feelsgoodmandoc
@feelsgoodmandoc

94% on Rotten Tomatoes

“You’ve just got to see it. It is chilling, hopeful, terrible, and wonderful—and made with care, gorgeous animation, and perfect pacing.”Allen Salkin, Los Angeles Magazine

“An expansive forensic look at the life cycle of an idea, a warp-speed analysis of internet sociology, and a harrowingly modern fable about innocence lost.“ – David Ehrlich, IndieWire

“It’s mesmerizing and kind of trippy, but also makes the film feel like a one-of-a-kind creation in the greater context of the Pepe the Frog legacy…an outstanding documentary.” 9/10 – Alex Billington, FirstShowing

“The most urgent and poignant political documentary of the year.” – Matt Patches, Polygon

The rePRO Film Festival and mama.film Co-founders Lela Meadow-Conner, Mallory Martin and Debby Samples

The rePRO Film Festival begins its inaugural run this August 12-16. The virtual film festival is dedicated to exploring women’s reproductive healthcare, awareness, advocacy and bodily integrity in America. The lineup of films includes documentaries and narratives dealing with women’s rights, endometriosis, illegal sterilization, access to abortion, and reproductive justice for women of color, among other topics. rePRO Film Festival, will host five days of features, short films and themed-conversations focused on a range of topics including healthcare access, fertility, pregnancy, sexual education, abortion, and issues related to the gender spectrum. In-festival moderated conversations will include call-to-action messaging on how people can get involved in a corresponding initiative or topic. The conversations, designed to spotlight the creators who dare to tell stories about women’s reproductive rights, and to showcase courageous advocators, will be available online for free globally. All feature films playing the rePRO Film Festival are directed by women, and all filmmakers, including shorts filmmakers, are being paid to screen their films. The pay-what-you-can film ticket proceeds for films at the festival will be converted to donations to be split evenly among five beneficiary non-profit organizations – SisterSong, Endometriosis Foundation of America, Center for Reproductive Rights, URGE and Trust Women. Tickets are on sale online at repromamafilm.org. Tickets are all pay-what-you-can ($5, $10 or $15) with a limited number of complimentary vouchers available upon request to ensure access for all. rePro Film Festival and festival sponsor mama.film founders Lela Meadow-Conner, Mallory Martin and Debby Samples join us to talk about the launch of their deep dive into the issues, challenges and stories that face 49% of the world’s population and the people who love them.

 

Download MP3 Podcast | Open Player in New Window

For news, screenings and updates go to: repromamafilm.org

About MAMA.FILM – Through the power of cinema, mama.film (link), a 501c(3) non-profit organization, unites nurturers of all kinds to ignite conversation and to reflect upon our shared human experience. Founded in 2019, in a pop-up microcinema in a shipping container in Wichita, Kansas, mama.film has since been awarded expanded programming to Cleveland, and to a virtual platform. Film selections include stories and topics that amplify and explore the evolving realities of the human condition and that spark dialogue and reflection. mamafilm is committed to representing the realities and complexities of a diverse range of nurturers, across race, class, geography, sexual preference, ability and generation.An emphasis is placed on independent and foreign films that are grounded in authentic storytelling. mamafilm is committed to supporting the work of creators who are  nurturers and caregivers. Initial support for rePRO by mama.film was generously provided by a grant from the George R. Tiller, M.D., Memorial Fund for the Advancement of Women’s Health at the Wichita Community Foundation. Follow @mamafilm1 on Instagram or Twitter for updates, or follow rePRO by mama.film on Facebook for more updates.

Social Media
facebook.com/mamafilm1
twitter.com/MamaFilm1
instagram.com/mamafilm1

The Sunlit Night, Writer Rebecca Dinerstein Knight

In Director David Wnendt (Wetlands) beguiling new film, The Sunlit Night, summer is off to a terrible start for Frances (Jenny Slate). Her art school project fails, her boyfriend unceremoniously kicks her out of his Hamptons home, and, to top it all off, her younger sister reveals she’s engaged just moments before her parents announce their separation. Hoping to invigorate her work and expand her horizons Frances hastily takes an opening for an art residency in Norway and heads off to an isolated island where the sun never sets. In a remote village, among the locals, she meets a fellow New Yorker (Sharp), who has come in search of a proper Viking funeral only to find that the Chief (Galifianakis) is but a re-enactor from Cincinnati. The eclectic crew ranges from “home” to “lost,” within the extreme and dazzling landscape of the Far North. Under a sun that never quite sets, and the high standards of an unforgiving mentor, Frances must navigate between ambition, desire, obligation, and risk in order to find a way forward. Author and screenwriter Rebecca Dinerstein Knight joins us to talk her collaboration with actor / producer Jenny Slate and director David Wnendt and finding the right mixture of understated drama and absurdist spirit that informs this charming gem of a film.

 

Download MP3 Podcast | Open Player in New Window

For news and updates go to : The Sunlit Night

About the filmmaker(s): “I wrote The Sunlit Night as a stranger in a foreign land: no Jewish New Yorkers had ever moved to the Norwegian Arctic for no reason before, so the locals told me, on the island I had come to share with them, 95 miles north of the Arctic Circle and floating in the Norwegian Sea. Without any Norwegian ancestry to justify my journey, I could only explain my sudden relocation to the Lofoten Islands as a search for beauty, an opportunity to test language against a supreme landscape. I wanted to write about rapture. In the story that resulted, and in our faithful film, the gruffness of ancient mountain rock meets the unpredictable softness of goat’s fur; cultures clash and form new harmonies. Living alone at the top of the planet drove me to ask what connection means. What makes a person feel at home in the world, and who is responsible for the warmth of a welcome? Can geography exert emotional force? How can a woman communicate herself in the absence of common language and custom? How does the practice of art transcend practical circumstances? This is a movie about stretching oneself over the abyss of the unknown and touching the other, quieter side. The blankness and newness that open up there carry the risk of incredible loneliness, and the promise of wild revelation.” Writer Rebecca Dinerstein Knight  

Director David Wnendt made his mark at the 2014 Sundance Film Festival with Wetlands, adapted from the best-selling novel by Charlotte Roche. His next film, Look Who’s Back, grossed over $20 million and was released by Netflix. Wnendt’s debut film, Combat Girls, earned him the Bavarian Film Award for best young director and the Prix Genève Europe for best fiction script by a newcomer. Wnendt was one of Variety’s “10 Europeans to watch” for 2016.

The Killing Floor, Director Bill Duke

Praised by The Village Voice as the most “clear-eyed account of union organizing on film,” THE KILLING FLOOR tells a true story of how a group of black and white slaughterhouse workers attempted to break race barriers to build an interracial union for the first time in the brutal stockyards. Damien Leake (SERPICO, APOCALYPSE NOW) stars as Frank Custer, a young black sharecropper from Mississippi – one of tens of thousands of southern blacks who journeyed to the industrial north during World War One, hoping for more racial equality. When Frank lands a job as a laborer on “the killing floor” in one of Chicago’s giant meatpacking plants., he finds a place seething with racial antagonism and decides to support the union cause. His best friends from the South, distrustful of the white-led union, turn against him. As racial violence explodes in the notorious Chicago Race Riot of 1919, management is able to further divide the workforce to defeat the union, and Frank must forge a new path. Director Bill Duke ( A RAGE IN HARLEM, DEEP COVER) stops by to talk about the challenges of making a sweeping historical film on a PBS budget, bringing together a talent group of mostly unknown African-American actor and the joy of seeing his groundbreaking and newly relevant film restored and revisited.

For news and updates go to: filmmovement.com/the-killing-floor

Watch The Killing Floor: filmmovement.com/in-theaters

About The Killing Floor: The film was shot in 1983 in Chicago, working with local union crews and with many talented Chicago actors. It was made in the midst of the Reagan Era and shortly after the election of Chicago’s first African-American mayor, Harold Washington. Funded by the National Endowment for the Humanities, foundations, corporations and dozens of national and local unions, THE KILLING FLOOR premiered on PBS’ American Playhouse series in 1984 to rave reviews. In 1985 the film was invited to Cannes and won the Sundance Film Festival Special Jury Award. Featuring a screenplay by Obie Award-winner Leslie Lee, based on an original story by producer Elsa Rassbach and directed by Bill Duke (A RAGE IN HARLEM, DEEP COVER), THE KILLING FLOOR. New 4K restoration. Preserved by UCLA Film & Television Archive, laboratory services and DCP by UCLA Film & Television Archive Digital Media Lab, with a special thanks to Elsa Rassbach, Sundance Institute Collection at UCLA Film & Television Archive.

Social Media
facebook.com/FilmMovement
twitter.com/Film_Movement
instagram.com/filmmovement

 

100% on Rotten Tomatoes

“Rich and revealing, a cry of historical dimensions….” — Variety

 “A classic study in class hate, greed and stubborn idealism.  You won´t forget it.” — Newsday

 “Brilliantly captures the drama of the moment as well as the historical forces that produced it.” — The Journal of American History

“…a particularly brilliant example of a cinema which knows how to use all the resources of fiction, without ever allowing its historical documentary side to be marred.” – La Revue du Cinema

“…fascinatingly recreated period reality, in performances that combine political faith with artistic force….” – London Evening Standard

“A very powerful, very surprising film….” – Le Monde

 “As compelling dramatically as its historical analysis is fascinating …Surprising that a film from the U.S. can be so frank and explicit in its exposure of the class struggle.” — Sight & Sound

Sometimes Always Never, Director Carl Hunter

In the latest collaboration between director Carl Hunter and writer Frank Cottrell-Boyce SOMETIMES ALWAYS NEVER follows a stylish tailor and wayward father, Alan, (Bill Nighy) who is has spent a big chunk of his adult life playing the word game Scrabble. At the expense of his other relationships Alan has spent years searching tirelessly for his missing son, Michael, who stormed out over a game of Scrabble. With a body to identify and his family torn apart, Alan must repair the relationship with his youngest son, Jack (Sam Riley) and identify an online player who he thinks could be Michael, so he can finally move on and reunite his family. A quirky mystery / comedy starring the BAFTA winner Bill Nighy (Love Actually, Shaun of the Dead), SOMETIMES ALWAYS NEVER is a story about redemption, family, and finding the right words. Director Carl Hunter joins us to talk about his on-going work with screenwriter working with Cottrell-Boyce, and the photo that convinced lead actor Bill Nighy to join the project and striking the right visual look for his thoughtful, wryly funny film.

 

Download MP3 Podcast | Open Player in New Window

For news, virtual screenings and updates goto: sometimes-always-never.com

About the filmmaker: Carl Hunter is a director, screenwriter and also the bass player for Liverpool band, The Farm, who had a number 1 LP, Spartacus in 1991, 3 top 10 singles and spent a total of 50 weeks in the official top 40s for both LPs and singles. He has been making films, producing and directing, since the late 1990s and in 2019 he directed his first feature film, Sometimes, Always, Never, starring Bill Nighy and produced by Hurricane Films. In 2007, Carl produced and co-wrote the feature film, ‘Grow Your Own.’ He’s currently developing his next ideas with writer Frank Cottrell-Boyce.

Social Media
twitter.com/thefarm_carl
twitter.com/Sometimesmovie
twitter.com/frankcottrell_b

 

“…charming, elegant, whimsical and unexpectedly moving gem.” – Chris Hunneysett, Daily Mirror (UK)

“It’s universally well acted and it’s directed with an inventive, original visual style that matches the audacity of basing a film on Scrabble, by TV director Carl Hunter. The end result is unusual, intriguing and endearing.” – Alexa Dalby, Dog and Wolf

“It’s Nighy who will have you enthralled. He delivers a subtle, nuanced performance that allows the actor to shine while in full support of his costars.” – Kevin Crust, Los Angeles Times

“Screenwriter Frank Cottrell Boyce, who adapted the film from his own short story, has crafted a joy of a script, which seeds its themes as elegantly as Nighy’s character, Alan, a Scrabble-obsessed tailor, wears his suits. – Wendy Ide, Observer (UK)

American High, Founder Jeremy Garelick

Yale graduate Jeremy Garelick started in the mailroom at the Creative Artists Agency, before going on to work as assistant to legendary writer/director, Joel Schumacher on Tigerland, Bad Company, Phone Booth, and Veronica Guerin. Jeremy made his feature screenplay debut with the Vince Vaughn vehicle The Break-Up and followed that by teaming up with Todd Phillips to pen the production draft of The Hangover, establishing himself as the go-to A-list comedy writer in Hollywood. In 2015 Jeremy directed his first feature film, The Wedding Ringer starring Kevin Hart and Josh Gad. Between writing, directing, and show running his Netflix original limited series, Best. Worst. Weekend. Ever., and executive producing his YouTube Red original, Side Swiped, Jeremy also formed his own production company, American High. Staked with a $45 million film fund, American High has shot five indie comedies in Garelick’s recently acquired school-turned-studio in Syracuse, NY, including Big Time Adolescence, starring Pete Davidson, Jon Cryer, and Sydney Sweeney, which was recently invited to compete in dramatic competition at the 2019 Sundance Film Festival. In addition, American High Founder Jeremy Garelick is set to direct and produce a slate of three higher budget high school comedy features in 2020.

 

Download MP3 Podcast | Open Player in New Window

For news and updates go to: americanhigh.com

 

About American High: Do for this generation what John Hughes did for the audiences of the 1980’s. Embrace the R-rated reality of high school and tell stories from eclectic characters from diverse backgrounds as they navigate the most formative (and often most hilarious) years of their lives. Why high school? Simple. Because it is one of the only shared experiences that we all go through. It’s where every challenge feels like life and death, where every victory is your greatest accomplishment. It’s a world of firsts. It’s where you first snuck out of your house and got in real trouble. Where you first learned how to drive and crashed into a lake. It’s your first kiss. The first time you touched a boob or someone touched yours. Where you discover who your friends are, the music you love, the movies you love, what your style is, who you are. In 2019 American High produced HULU’s very first original film, THE BINGE, starring Vince Vaughn and directed by American High founder Jeremy Garelick.

American High is using its sound stages for manufacturing 3-D Face Shields for our COVID first responders, Watch this video and go to the American High website to see how you can join them. 

Defending Jacob, Executive Producer Mark Bomback

Andy Barber has been an assistant district attorney in his suburban Massachusetts county for more than twenty years. He is respected in his community, tenacious in the courtroom, and happy at home with his wife, Laurie, and son, Jacob. But when a shocking crime shatters their New England town, Andy is blindsided by what happens next: His fourteen-year-old son is charged with the murder of a fellow student. Every parental instinct Andy has rallies to protect his boy. Jacob insists that he is innocent, and Andy believes him. Andy must. He’s his father. But as damning facts and shocking revelations surface, as a marriage threatens to crumble and the trial intensifies, as the crisis reveals how little a father knows about his son, Andy will face a trial of his own – between loyalty and justice, between truth and allegation, between a past he’s tried to bury and a future he cannot conceive. The Apple+TV limited drama series is a gripping, character-driven thriller based on the 2012 New York Times best selling novel of the same name by William Landay. Creator and Executive Producer Mark Bomback joins us to talk about how he and his creative team, including director Morten Tyldum, brought this complex and nuanced tale to life.

 

Download MP3 Podcast | Open Player in New Window

To watch Defending Jacob go to: tv.apple.com/us/show/defending-jacob

Social Media
facebook.com/AnonContent
twitter.com/AnonContent
instagram.com/anoncontent
twitter.com/MarkBomback
instagram.com/markbomback
instagram.com/appletv
twitter.com/AppleTV

 

“One thing that’s evident from the outset is that all of the actors are perfect for their roles. Jaeden Martell, in particular, is still a young actor, but he handles the dark material with ease, and I appreciated the way the journey began with him.” – Paul Dailly, TV Fanatic

“The director applies an autumnal hue, with a color range of frosty blues that really adjusts to the atmosphere of slowly crumbling feelings.” – Jorge Loser, Espinof

“Chris Evans does some of the best work of his career as Andy… He expertly conveys Andy’s desperate, ferocious need to protect his son, his genuine love for his wife – and the haunting memories that jolt him awake in the middle of the night.” – Richard Roeper, Chicago Sun-Times

“The pilot does a remarkable job of building up the situation and its main players, but leaving enough in a nebulous spot that there’s still some doubt and some questions to dig deeper into.” – Kevin Lever, Tell-Tale TV

Raising Buchanan, Creator and Actor Amanda Melby

Inspired by a couple of true presidential corpse stories: the 1876 plot to steal Abraham Lincoln’s body, and the exhumation of Zachary Taylor in 1991, RAISING BUCHANAN took the idea of presidential corpse stealing to extraordinary lengths of dark comedy delight with terrible dead presidents. Because there’s certainly something to be learned from terrible presidents, as well as laughing at them. Finding their inspiration in the off-kilter tone of the dramatically rooted comedies of Alexander Payne, the Coen Brothers, and Hal Ashby, the RAISING BUCHANAN stars Amanda Melby (Candid Camera), René Auberjonois (Star Trek: Deep Space Nine), Cathy Shim (Reno 911!), Robert Ben Garant (Reno 911!), Terence Bernie Hines (The Secret Life of Walter Mitty), Jennifer Pfalzgraff  (21 Grams), Steve Briscoe (Covet), Lynnette ‘L.A.’ Brown (Kerry and Angie), and M. Emmet Walsh (Blade Runner). Produced by Melby and Joe Gruberman (Eleven Eleven), this award-winning feature film swept the film festival circuit racking up multiple awards, including: Best Feature, Best Dramedy, Best Actress (Melby) and Best Screenplay (Bruce Dellis), among others. Creator and lead actor Amanda Melby stops by for a lively conversation on her wryly funny and endearing film, Raising Buchanan, and her collaboration with the late, great René Auberjonois.

 

Download MP3 Podcast | Open Player in New Window

For news and updates go to: raisingbuchanan.com

Social Media
facebook.com/raisingbuchananmovie
twitter.com/raisingbuchanan
instagram.com/raisingbuchanan

 

“Auberjonois is so good as the feckless leader, nobly defending his poor decisions, that it makes you long for a full one-man show that will never come.” – Josh Bell, Crooked Marquee

“Surely, Buchanan was never going to earn the kind of cinematic lionization that so many American filmmaking greats (like Steven Spielberg and John Ford) gave to good old Abe Lincoln, but he could have done a whole lot worse than this.” – Nick Rocco Scalia. Film Threat

“Simply as a showcase for two of the best character actors of the last fifty years, Raising Buchanan deserves praise.” – M.V. Moorhead, Phoenix Magazine

BULL, Director Annie Silverstein

The quietly powerful new film from award-winning director Annie Silverstein BULL focuses on a  14-year-old Kris (Amber Havard), who, after trashing her neighbor’s house in a fit of youthful defiance, seems destined to follow in her mother’s footsteps to the state penitentiary. To make amends, she is forced to help Abe Turner (Rob Morgan), an ex-bull rider scraping by on the Texas rodeo circuit, with errands at home and at his work. While traveling with Abe, she discovers a passion for bull riding.  Yet, as Kris sets out to learn the dangerous sport, bad influences lure her back into delinquent ways. Meanwhile, Abe struggles with the aches and pains of growing older and aging out of the only life he has ever known. Together, Kris and Abe forge an unexpected connection, helping each other see new possibilities and hope for the future before it’s too late. Director and writer Annie Silverstein stops by to talk about the inspiration for BULL and how her experience as a social worker informs her instincts as a filmmaker.

 

Download MP3 Podcast | Open Player in New Window

About the filmmaker – Annie Silverstein is an award winning filmmaker and media educator based in Austin, Texas. Her films have screened at international festivals including Cannes, SXSW, Silverdocs and on PBS Independent Lens. Her latest film, SKUNK, won first prize at the 2014 Cannes Film Festival–Cinéfondation. Before attending film school, Annie spent ten years as a youth worker and community media educator. She co-founded and served as Artistic Director at Longhouse Media, an indigenous arts organization based in Seattle. For her work there, Annie received the National Association for Media Literacy Award for outstanding contributions made in the field of media education. Annie is a lecturer at the University of Texas-Austin, where she earned her MFA in Film Production. Annie was named one of the “25 New Faces of Independent Film” by Filmmaker Magazine and was selected for the Sundance Screenwriters and Directors Labs for Bull, her feature debut. Annie recently premiered Bull at the Cannes Film Festival in Un Certain Regard.

For news, screenings and updates go to: samuelgoldwynfilms.com/bull/

For more on Annie Silverstein got to: anniesilverstein.com

Social Media
facebook.com/samuelgoldwynfilms
twitter.com/goldwynfilms
instagram.com/goldwynfilms

“The fact that this never comes across as maudlin is tribute to a director who knows her way through dark places, and a pair of actors who can create a quiet storm.” – Steve Pond, TheWrap

“By resisting sentimentality, the filmmaker, alongside her naturalistic actors, allows us to sit inside the characters’ despair so that we appreciate the intensity of its stifling oppression.” – Tim Grierson, Screen International

“As she proved with her superb, award-winning 2014 short film Skunk, Silverstein portrays marginal lives with unflinching honesty and heart-wrenching humanity.” – Loren King, AWFJ Women on Film

“[Director] Silverstein makes a strong case that these people have something worthwhile to say to viewers. There is a grace and tenderness to the movie that are hard to resist.” – Daniel Eagan, Film Legacy