It’s Not a Burden – Director Michelle Boyaner & Producer Katie Ford

Unapologetically honest, IT’S NOT A BURDEN: The Humor and Heartache of Raising Elderly Parents provides an intimate look at the multi-layered and endlessly-complex relationships between aging parents and the adult children who care for them. Emmy® nominated filmmaker Michelle Boyaner shares her very personal journey caring for her long-divorced aging parents (her larger-than-life Mother battling dementia, her Father, a hoarder) as well as weaving in a variety of other families supporting stories, including several “When Harry Met Sally” couch-style interviews. Packed with archival and vérité footage, the  families of IT’S NOT A BURDEN open their homes and their hearts, sharing stories of the universal issues we face around the topic of caring for our aging parents and reminding us we are not alone. IT’S NOT A BURDEN not only explores the frustrations and fears, but also the transformative bonds that happen when familial roles are reversed, friends support friends and communities come together, exemplifying our capacity to love. Emmy®-nominated director, writer and producer Michelle Boyaner (Packed in a Trunk: The Lost Art of Edith Lake Wilkinson) and Producer Katie Ford (Miss Congeniality) join us for a conversation on the many challenges as well as the enriching rewards of caring for your loved ones.

 

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For news and updates go to: itsnotaburden.com

Find out more about caring for loved ones at: itsnotaburden.com/resources

It’s Not a Burden will be distributed by Gravitas Ventures (North American), a Red Arrow Studios Company and will be released on VOD in the US on June 1, 2021 on several platforms.

About the filmmaker – Michelle Boyaner – Writer / Director / Producer is an award-winning, Emmy® nominated filmmaker whose projects have included the recent HBO Documentary film Packed in a Trunk: The Lost Art of Edith Lake Wilkinson, as well as the documentary feature, and festival favorite, A Finished Life: The Goodbye & No Regrets Tour. Documentary shorts include Hi, You’ve Reached Dave’s Apartment, and Tina Paulina: Living on Hope Street, as well as the narrative shorts, You’re Still Young, and The Bedwetter. Prior to her film work, Michelle wrote Oh, for God’s Sake Whisper It, a book of personal essays chronicling her beloved Grandmother’s battle with Alzheimer’s.  She is currently also at work on a scripted web series about growing up in the 1970’s in a Southern California suburb. 

About the filmmaker – Katie Ford – Produceris best known for writing the hit film, Miss Congeniality.  She is currently co-creator of High Desert,  a new series for Apple TV starring Patricia Arquette and produced by Ben Stiller’s Red Hour Productions. Katie has written successfully for both comedy and drama with credits as diverse as the Golden Globe and Emmy-Nominated movie Prayers For Bobby, ABC’s Desperate HousewivesWonderful World of Disney’s critically acclaimed,  Little House on the Prairie mini-series, and TNT’s Transporter series. She got her start at age 21 writing for NBC’s Family Ties. Ford splits her time between writing for TV and Film, and creating new types of storytelling through digital media formats. She has been a guest teacher and lecturer at many Universites and independent classes – working with up-and-coming writers.   

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The Stand: How One Gesture Shook the World, Co-directors Becky Paige and Tom Ratcliffe

It is one of the most iconic images of our time: two African-American medal winners at the 1968 Olympics standing in silent protest with heads bowed and fists raised as “The Star Spangled Banner” is played.  Fifty years later, that singular event remains deeply inspiring, controversial and even misunderstood as one of the most overtly political statement in the annals of sport. The Stand: How One Gesture Shook the World is a revealing exploration into the circumstances that led runners Tommie Smith and John Carlos to that historic moment at the Mexico City Games, mining the great personal risks they took and the subsequent fallout they endured. Through intimate interviews with the participants and witnesses involved in that moment, along with compelling images and archive, the film explores the 1968 Olympics human rights stand in the context of a critically important and volatile time for the U.S. Civil Rights Movement. While The Stand: How One Gesture Shook the World documents this lasting moment in American history, The Stand also remains faithful to what was, for athletes and millions of Olympic fans around the world, a riveting 200-meter footrace between the fastest runners of the day, young people in their athletic prime striving to be the best on one October day in Mexico City. The Stand: How One Gesture Shook the World also features high jumper Ralph Boston, sprinter Mel Pender, crew member Paul Hoffman, silver medalist Peter Norman and Professor Harry Edwards. Filmmakers Tom Ratcliffe and Becky Paige (Bannister: Everest on the Track) join us to talk about the story behind a legendary act that echoes to this day.

 

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For news and updates go to: junofilms.com/the-stand

Subject to Review, Director Theo Anthony

In tennis, measurement – specifically, judging whether a ball is in or out – is particularly crucial. The new ESPN Films 30 for 30 Short, SUBJECT TO REVIEW takes a close look at not just the technology that’s been developed to determine the right calls with better accuracy, but the meaning and significance of that pursuit. The film, directed by Theo Anthony (“RAT FILM”) will air Sunday, Dec. 22, at 3 p.m. ET on ESPN. Tracing the history of photographic review back more than a hundred years, and chronicling controversial moments before and after the age of review in tennis, SUBJECT TO REVIEW explores the mechanisms of the cameras and computerized simulations that now serve as the final word on close calls – but also the limits of the veracity of those calls. Ultimately, it’s a story about technology in sports – but also a study of what we want from our machines, and our minds, well beyond any court of play. “’Subject to Review’ is about how some images are made and why they’re made that way,” said director Anthony. “It’s a film about the inescapable rift between the world and how we image that world. I hope that audiences can take this small exercise in critical curiosity beyond the world of tennis, giving audiences a little space to look differently at the world.” Theo Anthony joins us to talk about the complex relationship between flawed human judgement and the “certainty” of technology.

 

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 “Subject to Review” has screened at New York Film Festival, Hamptons Film Festival, Vancouver Film Festival and Mar Del Plata Film Festival.

 About the Filmmaker – Theo Anthony is a writer, photographer, and filmmaker whose films have received premieres at the Toronto International Film Festival, Locarno International Film Festival, Rotterdam International Film Festival, and SXSW. His first feature, “RAT FILM,” was released by Cinema Guild in 2017 to critical acclaim. “Subject to Review” is produced by Sebastian Pardo and Riel Roch-Decter of MEMORY, an independent artist-driven studio specializing in producing and curating innovative, thought-provoking works that push the formal boundaries of their medium. Together, the duo has produced and distributed multiple award-winning fiction and non-fiction films.

SUBJECT TO REVIEW will air on ESPN beginning Sunday, December 22, at 3 p.m. (Eastern)

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