Landfall – Director Cecilia Aldarondo

Through shard-like glimpses of everyday life in post-Hurricane María Puerto Rico, LANDFALL is a cautionary tale for our times. Set against the backdrop of protests that toppled the The United States colony’s governor in 2019, the film offers a prismatic portrait of collective trauma and resistance. While the devastation of María attracted a great deal of media coverage, the world has paid far less attention to the storm that preceded it: a 72-billion-dollar debt crisis crippling Puerto Rico well before the winds and waters hit. LANDFALL examines the kinship of these two storms-one environmental, the other economic-juxtaposing competing utopian visions of recovery. LANDFALL explores the intertwining legacies of colonialism, exploitative industries and disaster capitalism and the barriers to recovery they create. As opportunists looking to make a profit descend upon the island, the Puerto Rican diaspora comes together to create unprecedented forms of community-led mutual aid when assistance from the federal government and traditional NGOs fails to appear.  LANDFALL features intimate encounters with Puerto Ricans as well as the newcomers flooding the island, LANDFALL reflects on a question of contemporary global relevance: when the world falls apart, who do we become? Director Cecilia Aldarondo joins us for frank conversation on US colonialism, Puerto Rico as a laboratory for social experimentation and the crypto-libertarian grifters peddling economic fairy-tales about freedom and financial independence.

 

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For news and updates go to: landfallfilm.com

Landfall is a co-production of POV and ITVS, in association with Latino Public Broadcasting. Mark your calendars, LANDFALL to broadcast on PBS’ POV July 12An official selection of the Tribeca Film Festival and winner of the Viewfinders Grand Jury at 2020 DOC NYC, Landfall is Aldarondo’s second documentary film to broadcast on POV after her Season 30 title, Memories of a Penitent Heart. Offering a prismatic portrait of collective trauma and resistance and set against the backdrop of the 2019 protests in the wake of Hurricane María in Puerto Rico that toppled the governor, the film assembles scenes from all over the island, spotlighting the different ways each community addresses its own recovery. 

Director’s Statement – As a Puerto Rican from the diaspora, I watched Hurricane María unfold from afar while cut off from loved ones, including my grandmother who would die six months after the storm. Reeling from the debt crisis, which unleashed a wave of austerity, poverty and migration that María only intensified, the Puerto Rico depicted in Landfall is a laboratory for greed, privatization, gentrification, the dismantling of social services, and the devastating effects of climate change. We may have a new President and Puerto Rico a new governor, but little has changed since María hit, as evidenced by the recent privatization of Puerto Rico’s electric grid. The Puerto Rican people are still fighting to end the profit-driven policies that have proved disastrous ever since President Obama signed them into existence. In Landfall I wanted to balance a cautionary tale for our times, while also prioritizing a dignified image of Puerto Ricans who have banded together to fight for their sovereignty. – Cecilia Aldarondo 

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92% on Rotten Tomatoes

“An impressive, impressionistic and intimate overview of the unhappy “Island of Enchantment” as it stands today, years after Hurricane Maria hit.” – Roger Moore, Movie Nation

“Cecilia Aldarondo’s intelligent, insightful documentary captures how a natural disaster served to expose the man-made troubles that have blighted the island down the centuries.” – Allan Hunter, Screen International

“Impressionistic rather than explanatory, Landfall seldom spells out the complex set of issues still afflicting an island long beset by “the colonial disease.” But it still makes a powerful statement…” – Dennis Harvey, 48 Hills

“A studied and sober look at Puerto Rico’s dire state.” – Jordan Mintzer, Hollywood Reporter

“Aldarondo’s impressionistic, kaleidoscopic take offers a more accurate picture of the chaos than any standard narrated documentary ever could.” – Janet Smith, Georgia Straight

Last Call: The Shutdown of NYC – Director Johnny Sweet

What happens if the entire industry is laid off in a single day? Filmed during the height of the pandemic, Last Call : The Shutdown of NYC Bars explores the social and economic impact of COVID-19 on the NYC hospitality industry. Last Call : The Shutdown of NYC Bars follows Jena Ellenwood, a bartender in Queens, NY, as she and her co-works and friends recount their experiences in the dawning realization that they are going to lose their jobs to a deadly new virus. Jena has just moved to New York and recently been brought on as a bartender at the Sparrow Tavern, a local Astoria watering hole. In March 2020, business-as-usual comes to a grinding halt as COVID-19 sweeps through New York City, quickly establishing Queens as the epicenter of the pandemic, not only the state of New York, but throughout the entire country. Bars and restaurants are ordered to close, leaving thousands of hospitality workers stranded without work and an uncertain future. Jena and her friends vent their frustrations and anxieties, not only surrounding the seemingly hopeless economic uncertainty, but also the deadly virus that threatens their very lives. Throughout the process of finding a foothold in this “new normal”, the anxiety and uncertainty of New York’s hospitality industry looms, as 2020 ends with COVID hospitalizations in New York continuing to rise once again. Director, producer and writer Johnny Sweet (Quiet Storm: The Ron Artest Story) joins us to talk about his own journey over the last 16 months, the serious challenges of making a film under the cloud brought on by the pandemic and why showcasing the undervalued work and contributions of the service workers is so important to a healthy community.

For news, updates and screenings go to: lastcalldocumentary.com

In Los Angeles watch at: laemmle.com/film/last-call-shutdown-nyc-bars

Last Call : The Shutdown of NYC Bars kicks off a virtual theatrical release on 7/16 viaLaemmle theatersahead of a wide digital release 8/13 from Global Digital Releasing.

About the filmmaker – Born and raised in NYC, Johnny Sweet graduated from Syracuse University in 2003. He was recently nominated for an Emmy for Best Long Sports Documentary for “Quiet Storm: The Ron Artest Story.” Sweet was an Emmy Award winning feature producer at ESPN for 10 years, primarily covering the NBA and the NFL. In 2016 Sweet directed his first long form documentary, “Vick” which won the Associated Press Sports Editor Award for journalism, his second APSE award. His second film, “Quiet Storm,” a documentary about the life of Ron Artest was released in 2019 on Showtime. The film won the Santa Barbara International Film Festival and Cleveland International Films Festival for Best Documentary and was selected by the Hot Docs and Big Sky Film Festivals. For more go to: ocp-productions.com

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Wuhan Wuhan, Director Yung Chang

Yung Chang’s intimate and harrowing latest film, WUHAN WUHAN, is an observational documentary unfolding during February and March, 2020 at the height of the pandemic in Wuhan city, where the coronavirus began. With unprecedented access at the peak of the pandemic lockdown, WUHAN WUHAN goes beyond the statistics and salacious headlines and puts a human experience into the early days of the mysterious virus as Chinese citizens and frontline healthcare workers grappled with an invisible, deadly killer. WUHAN WUHAN focuses on five heart-wrenching and endearing stories: a soft-hearted ER doctor and an unflappable ICU nurse from the COVID-19 hospital; a compassionate volunteer psychologist at a temporary hospital; a tenacious mother and son who are COVID-19 patients navigating the byzantine PRC healthcare system; and a volunteer driver for medical workers and his 9 month pregnant wife whose heartfelt story forms the backbone of this film. In a time when the world needs greater cross-cultural understanding, WUHAN WUHAN is an invaluable depiction of a metropolis joining together to overcome a crisis. Award-winning filmmaker Yung Chang (Up the Yangtze, This is Not a Movie) joins us for a conversation on the daunting challenges associated with a sprawling story with no end in sight and an unknowable trajectory.

 

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For news and updates go to: wuhanwuhandoc.com

Watch: Wuhan Wuhan premieres at 2021 HotDocs Film Festival

Director’s Statement – As a Chinese person who grew-up in North America, I feel strongly committed to telling a nuanced story that doesn’t generalize a population of people and reveals them to be individuals, not just a monolith. Nationalism builds walls and this is not the intention of this film. In WUHAN WUHAN, the lives of the people we follow are individually a document of perseverance, but collectively they represent the profound humanity we universally hope for in times of crisis. I’m driven to make this film because of anti-Asian racism quelled by double-speak and mis-truths from leaders around the world, who obfuscate the realities of this pandemic; that in the end it is the everyday person, the essential frontline workers, the volunteers, the intergenerational families, it is us, who must navigate the ups-and-downs of this unprecedented and historic event that will shape our lives forever. In a way, as systems and governments fail us, the people have come together. We will survive. – Yung Chang

About the filmmaker – Ying Chang is the director of Up the Yangtze (2007), China Heavyweight (2012), and The Fruit Hunters (2012). He is currently completing a screenplay for his first dramatic feature, Eggplant, which was selected in 2015 to participate in the prestigious Sundance Labs. Chang’s films have premiered at international film festivals including Sundance, Berlin, Toronto, and IDFA and have played theatrically in cinemas around the world. Up the Yangtze was one of the top-grossing documentary releases in 2008. In 2013, China Heavyweight became the most widely screened social-issue documentary in Chinese history with an official release in 200 Mainland Chinese cinemas. His films have been critically-acclaimed, receiving awards in Paris, Milan, Vancouver, San Francisco, the Canadian Genie, Taiwan Golden Horse, Cinema Eye Honors, among others and have been nominated at Sundance, the Independent Spirit Awards and the Emmys. Chang’s films have been shown on international broadcasters including PBS, National Geographic, ARTE, ZDF, Channel 4, HBO, TMN, NHK, CBC, TV2, SBS and EBS. Chang is the recipient of the Don Haig Award, the Yolande and Pierre Perrault Award, and the Guggenheim Emerging Artist Award. He is a member of the Directors Guild of Canada. In 2013, he was invited to become a member of the Academy of Motion Picture Arts and Sciences. 

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