Street Gang: How We Got to Sesame Street – Director Marilyn Agrelo

STREET GANG: HOW WE GOT TO SESAME STREET takes audiences inside the minds and hearts of the “Sesame Street” creators, artists, writers, and educators who together established one of the most influential and enduring children’s programs in television history. Inspired by the activism of the late 1960s, socially conscious television executive Joan Ganz Cooney and Sesame Workshop co-founder Lloyd Morrisett conducted a revolutionary experiment: to harness the burgeoning power of television and create an educational, impactful, uplifting and entertaining show that could reach children nationwide, especially those living in urban areas. Cooney recruited trailblazing Muppets creator Jim Henson and acclaimed children’s television writer and director Jon Stone to craft the iconic and beloved world of “Sesame Street.” STREET GANG: HOW WE GOT TO SESAME STREET reintroduces this visionary “gang” of mission-driven artists, writers, and educators that audaciously interpreted radical changes in society and created one of most impactful television programs in history.  With more than 20 interviews with original writers, cast, and crew, and never-before-seen behind the scenes footage, STREET GANG is told from the inside with humor and emotion, weaving together personal narratives and eyewitness accounts. The film explores the original mission of the “gang” that created this cultural phenomenon, now spanning 50-plus years and reaching more than 150 countries. Director Marilyn Agrelo joins us to talk about the enduring legacy of SESAME STREET as well as the beautifully disruptive and groundbreaking approach to connecting with children and in doing so made them into collaborators and the beneficiaries of this illuminating enterprise.

For news and updates go to: streetgangmovie.com

For more news go to: screenmediafilms.net/Street Gang

Official Selection – 2021 Sundance Film Festival

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97% on Rotten Tomatoes

“Street Gang is a wonderful documentary that would play extraordinarily well whenever it was released, but in this present moment? It feels positively miraculous; a much-needed happy-sad warm blanket indeed.” – Shaun Munro, Flickering Myth

“It’s hard to ask for much more than a doc that captures creatives thoughtfully sneaking the civil revolution as well as basic education into children’s TV and includes a Muppets blooper reel.” – Chris Willman, Variety

“It’s genuinely, enormously inspirational to watch this ragtag band of beatniks and beardos turning sinister Madison Avenue techniques into instruments of learning.” – Sean Burns, Spliced Personality

“Carries tremendous power as an emotional reminder of such a triumphant run, also working beautifully as a reunion with old faces and as an introduction to key behind-the-scenes figures helping to bring inclusion to the masses.” – Brian Orndorf, BrianOrndorf.com

“Street Gang is a loving, emotional tribute to a global brand that tackled racism, education and more with puppets, music through a street that everyone wanted to live on – Sesame Street…” – Carla Renata, The Curvy Film Critic

Paris Calligrammes, Director Ulrike Ottinger

PARIS CALLIGRAMMES is an epic self-portrait of Ulrike Ottinger, one of Germany’s most prominent contemporary avant-garde artists, known for her paintings, photographs, and, above all, her films. An impressive and extensive archive of sensorial memories, historical photographs, and documentary footage traces the early influences of Ottinger’s life in Paris in the 1960s. This was a time marked by her integration into the rich intellectual and cultural circles of the city, but also engagement in the political and social eruptions around the Algerian War and May 1968. These varied dimensions of her experience make PARIS CALLIGRAMMES an essential historical time capsule, beautifully interwoven with the most precious of memories and images. In a rich torrent of archival audio and visuals, paired with extracts from her own artworks and films, Ottinger resurrects the old Saint-Germaindes-Prés and Latin Quarter, with their literary cafés and jazz clubs, and revisits encounters with Jewish exiles, life with her artistic community, the world views of Parisian ethnologists and philosophers, the political upheavals of the Algerian War and May 1968, and the legacy of the colonial era. Director Ulrike Ottinger (Seven Women, Seven Sins, Ticket of No Return, Johanna d’Arc of Mongolia) joins us for a conversation on her life as young painter in Paris in the 1960s, and her personal memories of Parisian bohemianism and the serious social, political and cultural upheavals of the time into a cinematic “figure poem” (calligram) in “Paris Calligrammes”.

For news and updates on the Ulrike Ottinger go to: ulrikeottinger.com

Watch: Paris Calligrammes at Icarus Films

Watch via Virtual Theatre go to: icarusfilms.com/ Paris Calligrammes

“In Paris Calligrammes, the artist Ulrike Ottinger casts a highly personal and subjective gaze back to the twentieth century. At the heart of her film is Paris: its protagonist is the city itself, its streets, neighborhoods, bookstores, cinemas, but also its artists, authors, and intellectuals. It is a place of magical appeal, an artistic biotope, but also a place where the demons of the twentieth century still confront us.” – Bernd Scherer

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100% on Rotten Tomatoes

“One of the great works of first-person cinema. Ottinger’s personal and political masterwork. Extraordinary; a work of vital and energetic modernism.” – Richard Brody, The New Yorker

“Enriching, stimulating; vital and contradictory. Captures the zeitgeist as experienced by a young woman eager to soak up the cultural riches around her, which she then distilled through her own sensibility to create paintings reflecting the era’s upheavals.” – Jay Weissberg, Variety

“Never a dull moment; the work of a consummate artist who understands the importance of the form matching the story.” – Kaleem Aftab, Cineuropa

“Her cinema is restless, Odyssean: full of stories of exile and adventure. [‘Paris Calligrammes’ is] an homage to the intellectual and artistic life of the city in the 1960s.” – Amy Sherlock, Frieze Magazine

Pink Skies Ahead – Director Kelly Oxford

Set in Los Angeles in 1998, PINK SKIES AHEAD follows Winona (Jessica Barden) who, after dropping out of college and moving back home to live with her parents, is diagnosed with an anxiety disorder. Skeptical of her doctor’s opinion — she hasn’t had a panic attack after all —Winona carries on with her wild lifestyle. Only when things begin to truly unravel around her, does she reluctantly decide to see a therapist and face her truths. PINK SKIES AHEAD showcases mental health issues in a nuanced and authentic way and is a featured part of MTV’s newly-launched Mental Health is Health initiative. PINK SKIES AHEAD is Director Kelly Oxford’s feature-length directorial debut and is based on “No Real Danger,” an essay from her second book, “When You Find Out the World Is Against You.” PINK SKIES AHEAD stars Jessica Barden (End of the F***ing World, The New Romantic), Mary J. Blige (The Umbrella Academy), Devon Bostick (Diary of a Wimpy Kid), Marcia Gay Harden (Mystic River, Pollock), Michael McKean (Better Call Saul, This Is Spinal Tap), Lewis Pullman (Bad Times at the El Royale), Evan Ross Cameron (The United States vs. Billie Holiday), Odeya Rush (Goosebumps, Lady Bird), Rosa Salazar (Alita: Battle Angel) and Henry Winkler (Barry). Writer and Director Kelly Oxford joins us for a lively conversation on making the jump from novelist / essayist to filmmaker and the role that media and storytelling can play in addressing our nation’s persistent and growing mental health challenges.

PINK SKIES AHEAD, written and directed by New York Times best-selling author Kelly Oxford, will premiere, commercial-free broadcast on Saturday, May 8 at 9:00PM ET/PT on MTV with a simulcast on Pop TV.

Director’s Statement – Pink Skies Ahead is loosely based on events that occurred when I was nineteen years old. It is a manifestation and reckoning with my own anxiety struggles. Purely out of self-protection, I’ve spent my life creating a firmly independent exterior surface that does not reflect my inner turmoil or compulsive and obsessive worried thoughts. As a forty-two-year-old woman, I’m still grappling with shame and denial of my own inner workings as an anxious person. The catharsis of writing and directing Pink Skies Ahead was a huge step in accepting myself. And I hope our film helps others feel less shame in their “not normal” feelings than I did. – Kelly Oxford

Books by Kelly Oxford
Everything Is Perfect When You’re a Liar 
When You Find Out the World is Against You: And Other Funny Memories About Awful Moments 

 

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100% on Rotten Tomatoes

“The catchy title’s a clever way of saying “It gets better,” and in the end, that feels as true for Winona as it does for the high-potential writer-director who created her.”  Peter Debruge, Variety

“Kelly Oxford’s comedically-tinged fictionalized drama paints a staggeringly honest, raw and revelatory portrait that makes for an assured debut directorial feature.” – Courtney Howard, Fresh Fiction

“Pink Skies Ahead makes some major strides toward destigmatizing mental health disorders and therapeutic treatment, thanks to Oxford’s empathetic approach and the way she normalizes these experiences through the eyes of her protagonist.” – Brent Hankins, The Lamplight Review

“The heartfelt, autobiographical elements in writer-director Kelly Oxford’s storytelling, coupled with an appealing and empathetic performance by Jessica Barden… provide a real understanding of mental health that so often escapes films and TV shows.” – Alonso Duralde, TheWrap

LOS HERMANOS/THE BROTHERS Co-Directors Marcia Jarmel and Ken Schneider

Part Geo-political saga, part ode to their origin country of Cuba, LOS HERMANOS/THE BROTHERS follows the journeys of virtuoso Afro-Cuban musician brothers, Ilmar and Aldo López-Gavilán, born in Havana in the 70s. At 14, Ilmar outgrew his island teachers and was sent to the U.S.S.R. to study violin. He never lived in Cuba again, ultimately landing as a working chamber violinist in the United States. Younger brother Aldo grew up mentored by Cuba’s impressive jazz and classical pianists, his extraordinary talent achieving renown on the island, but stymied elsewhere by the 60-year-old U.S. embargo. Though they see  each other when family finances and visa restrictions allow, they’ve never had a chance to collaborate musically—something they’ve longed for all their lives. Tracking their parallel lives, poignant reunion, and momentous first performances together on stages across the U.S., LOS HERMANOS / THE BROTHERS is a nuanced, intensely moving view of nations long estranged, through the lens of music and family. Featuring an electrifying, genre-bending score, composed by Cuban Aldo López-Gavilán, performed with his American brother, Ilmar, and with guest appearances by maestro Joshua Bell and the Grammy-winning Harlem Quartet, filmmakers Ken Schneider and Marcia Jarmel take the viewer on a delightful musical tour through Cuba and the US, capturing the artistry behind their music and their deep familial bond.

For news and updates go to: hermanosbrothersfilm.info

Watch Los Hermanos / The Brothers beginning May 14

About the filmmaker – Marcia Jarmel is a veteran documentary director, producer, and impact producer. Prior to founding PatchWorks, Marcia directed and produced THE RETURN OF SARAH’S DAUGHTERS (Women in the Director’s Chair, IDA’s DocuWeek, Cinequest, international public television) and THE F WORD: A SHORT FILM ABOUT “FEMINISM” (Living Room Festival, AFI’s VideoFest, and Brooklyn Art Museum’s Judy Chicago film series). Angela Davis called THE F WORD “an important step toward rekindling discussion of feminism.” Marcia consults on social issue films, including HBO’s Emmy nominated 50 CHILDREN, and the Academy Award nominated LAST DAY OF FREEDOM. Marcia has been a resident at Working Films’ Content+Intent at Mass MoCA, Fledgling Fund’s Reel Education and Reel Impact, SFFilm’s FilmHouse, the Kopkind Colony, and twice a BAVC MediaMaker. She has taught at NYU-Tisch in Havana and Chapman University and served as a juror for the Emmys, BAVC MediaMaker, and many film festivals.

About the filmmaker – Ken Schneider is a Peabody Award winner who believes in the power of film to affect hearts and minds. For nearly 30 years, Ken has produced, directed and edited documentaries in English and Spanish, focusing on war and peace, human rights, artists’ lives, American history, contemporary social issues, and Cuba. His work has appeared on PBS’s series American Masters, POV, Independent Lens, Frontline, Voces, and on HBO, Al-Jazeera, Showtime, and on television and in film festivals worldwide. Ken co-edited the Oscar-nominated REGRET TO INFORM and has edited over 35 feature length documentaries that have won Primetime and Documentary Emmys, three Peabodys, a Columbia-Dupont, IDA (International Documentary Association) awards, an Indie Spirit award, and top awards at Sundance. Ken edits in English and Spanish and has a personal connection to Cuba, where his Vienna-born father was sheltered during the Holocaust. Ken has taught at NYU-Tisch, Chapman University, and San Francisco City College, and lectured at the SF Art Institute, University of San Francisco, and Harvard. He has been a panelist for the National Endowment for Humanities, Emmys, and various film festivals.

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PatchWorks Films, co-founded by husband and wife team Marcia Jarmel and Ken Schneider, makes documentaries raising nuanced questions about critical contemporary issues. PatchWorks’ films have broadcast and screened worldwide and have each been used in robust engagement campaigns. Their most recent feature, HAVANA CURVEBALL screened in six countries, winning Best Documentary awards at the Boston and Seattle Children’s Film Festival, a special jury award at the Olympia Festival in Greece and a spot on School Library Journal’s “Best of 2014” list. Their previous feature, SPEAKING IN TONGUES, aired on PBS, won the Audience Award at the San Francisco Film Festival, and continues to be a catalyst for changing language education worldwide. Previous films include BORN IN THE U.S.A., which aired on Independent Lens and was hailed as the “best film on childbirth” by the World Health Organization, and several shorts. LOS HERMANOS/THE BROTHERS is their 9th collaboration, their 4th in Cuba. Clips and information on all PatchWorks’ features and shorts can be found at patchworksfilms.net.

“I cannot overstate the pleasure and excitement this film provides. It is a must-see.”- Marin Post

“an exhilarating and perceptive dive into the magical and confounded lives of two Cuban-born brothers” – ARThound

“Here is a purely celebratory film that at the same time biopsies political expedience and nationalism” – Woodstock FIlm Festival

“A remarkable film about a family ensnared in geopolitics” – San Francisco Chronicle

Mr. Soul! – Director Melissa Haizlip

From 1968 to 1973, the public television variety show SOUL!, guided by the enigmatic producer and host Ellis Haizlip, offered an unfiltered, uncompromising celebration of Black literature, poetry, music, and politics—voices that had few other options for national exposure, and, as a result, found the program an improbable place to call home.  The WNET-based series was among the first to provide expanded images of African Americans on television, shifting the gaze from inner-city poverty and violence to the vibrancy of the Black Arts Movement. With participants’ recollections and illuminating archival clips, Mr. SOUL! captures a critical moment in culture whose impact continues to resonate, and an unsung hero whose voice we need now more than ever to restore the SOUL of a nation. Director / Producer / Writer and the niece of Ellis Haizlip, Melissa Haizlip joins us for a lively conversation on the joy and passion that her uncle brought to all of his artistic projects but none more than this resounding response to a constipated white culture that marginalized outside voices with a joyous ode to the astounding depth and breath of Black Culture.

 

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For news, updates and screenings go to: mrsoulmovie.com

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** Mr. Soul!’s Show Me Your Soul – 2021 Oscar® Shortlisted for the Best Song

About the filmmaker – Melissa Haizlip, Producer, Director, Writer is an award-winning filmmaker based in New York. Her work responds to pressing social issues at the intersection of racial justice, social justice, activism, and representation. Female transformation and empowerment are at the core of all of her ideas, with the goal being to advocate and amplify the voices of women and people of color. Melissa’s feature documentary, Mr. SOUL!, has been shortlisted for the Oscars, for Best Original Song. Mr. SOUL! has been nominated by the Guild of Music Supervisors for Best Music Supervision for a Documentary. Mr. SOUL! is also nominated for three NAACP Image Awards, including Outstanding Documentary (Film), Outstanding Writing in a Documentary (Television or Motion Picture), and Outstanding Breakthrough Creative (Motion Picture). Mr. SOUL! won the 2020 Critics Choice Documentary Award for Best First Documentary Feature. Melissa’s two-channel art films have been exhibited by the Hammer Museum Los Angeles Biennial, Contemporary Arts Museum Houston, and Stedelijk Museum in Amsterdam. Melissa has been awarded grants from the Ford Foundation JustFilms, National Endowment for the Humanities, International Documentary Association, National Endowment for the Arts, Black Public Media, Firelight Media, ITVS, Awesome Without Borders, and Puffin Foundation. Melissa went to Yale University. She’s currently co-executive producing a docu-series on women in hip-hop for Netflix.

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96% on Rotten Tomatoes

“Mr. Soul! is an effulgent and joyous celebration of the life-changing public broadcasting program. … Imagine for a moment what pop culture might be like without Questlove and you may have a small sense of what things would be like without SOUL!.” – Douglas Davidson, CLTure

“There’s a sense of overpowering love and gratitude for Haizlip that’s beautiful and wholly felt throughout Mr. Soul!’s runtime, and it’s as warm and comforting as the hot milk cake that Haizlip’s mom used to make for him.” – Jenny Nulf, Austin Chronicle

“Broad in scope and rapidly paced, the film can feel as if it’s bursting at the seams. But it acutely conveys the radical joy that “Soul!” inspired, barely contained in the movie’s running time.” – Devika Girish, New York Times

“Mr. SOUL brings the amazing individual that was Ellis Haizlip back into the forefront of his and our cultural history.” – Robert Daniels, 812filmreviews

“[Mr. Soul!] highlights black excellence and champions equality, tolerance and inclusion … that it manages to be funny, charming, and uplifting is icing on the cake.” – Victor Stiff, Goomba Stomp

“A rich and illuminating piece of cultural history.” – Sheri Linden, Hollywood Reporter

Underplayed – Director Stacey Lee

Filmed over the summer festival season, UNDERPLAYED presents a portrait of the current status of the gender, ethnic, and sexual equality issues through the lens of the female pioneers, next-generation artists, and industry leaders who are championing the change, and inspiring a more diverse pool of role models for future generations. The impetus for the UNDERPLAYED came to light during the 2018 Bud Light House Party Tour, when Bud Light Canada sat down with artists from diverse backgrounds and genres to learn about the evolution of their careers, and their unique experiences in recording, touring, and performing. Key conversations with female DJs exposed a striking gender inequality in the space, and further research substantiated their experiences. Electronic music was born from the ideals of diversity, community, and inclusivity; yet in 2019 only 7% of Billboard’s Top 100 DJs were women. They make up less than 3% of production and technical roles in the music industry. For women of color, it’s less than 0.3%.An official selection of both the 2020 Tribeca Film Festival and Toronto International Film Festival, UNDERPLAYED features NERVO, Rezz, TOKiMONSTA, Alison Wonderland, and Tygapaw. Director Stacey Lee stops by to talk about just how grotesquely under represented women are in a music genre that has made truckloads of music from a female fan base that is ready and willing to support a rise wave of women taking their place behind soundboards and laptops all around the world.

 

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 For news, updates and screenings go to: underplayedthefilm.com

UNDERPLAYED will have its global on demand release on Monday, March 8. In the U.S. and abroad, the film will be released on Amazon Prime Video.

World Premiere – 2020 Toronto International Film Festival

Official Selection – 2020 Tribeca Film Festival

Director’s Statement – “When the pioneering godmothers of electronic music first began tinkering away in their scientific labs back in the 50s and 60s, they could never have imagined their little back room experiments would make way for a blossoming 8 billion dollar global industry today. Nor could they have foreseen how drastically its very creative, egalitarian roots would transmute from an open experimental playing field, to an industry dominated by a one-dimensional male point of view. This is a universal theme, and sadly one that I can personally relate to as a “female” filmmaker in a heavily male field. I empathize and understand the frustration of having to fight harder to be considered for jobs “because there aren’t as many good female directors,” to turn a deaf ear to the belief that women “can’t be technical”, that we don’t deserve equal pay, or in my instance, hiding my pregnancy beneath an oversized blazer so I wouldn’t jeopardize my chances of securing jobs. When I learned about the shared plight of the women in electronic music, I saw a necessity to tell a story that speaks to the deeply personal and very human impact of this global issue. That transcends the music space, and speaks to the collective experience of so many working women today from film to politics and beyond.” Ultimately Underplayed raises the question; do we want our ears to be controlled by logarithms, safe bets and preconceived formulas…or become a space that is radically free to sound as rich, diverse and ever- changing as the world around us? The hope is for Underplayed to stimulate the conversation needed to break down the systematic bias’ and bring electronic music back to its open, diverse and fiercely experimental roots. To remind us that equality isn’t about one side defeating the other, but by all sides coming together for the greater good. Because the more we can lift each other up, the more we all have to gain.” – Stacey Lee

About the filmmaker – Director Stacey Lee was born in New Zealand, Stacey Lee’s work focuses on humanity, music, and movement. Her documentary short Live Fast Draw Yung premiered at Tribeca Film Festival in 2015, winning awards in Atlanta and Tacoma. She was recently shortlisted for the Cannes Young Directors Award and selected as part of the DGA/AICP Diversity Showcase. Underplayed is her feature debut. 

100% on Rotten Tomatoes

“By its conclusion, you will want to check out everyone’s playlists, spin some tunes and get a groove on. May they never be underplayed again.” – Christopher Llewellyn Reed, Hammer to Nail

“Stacey Lee’s film will have one pumping your fist in solidarity with these insanely talented women while simultaneously bopping your head to their infectious beats.” – Courtney Small, That Shelf

“In an industry that has historically failed to make space for female artists, creating safe spaces where women can feel seen and heard is crucial. – Natalia Winkelman, The Daily Beast

“Directed by Stacey Lee, the in-depth Underplayed looks at how women have risen to take up space in the male-dominated music production world.” – Carolyn Mauricette, View From The Dark

Barb and Star go to Vista del Mar – Director Josh Greenbaum

Take a trip and break out of your shell with Barb and Star. From the gals who brought you Bridesmaids (co-stars and co-writers Kristen Wiig and Annie Mumolo) comes BARB & STAR GO TO VISTA DEL MAR. Lifelong friends Barb and Star embark on the adventure of a lifetime when they decide to leave their small Midwestern town for the first time…ever. Romance, friendship and a villain’s evil plot…Hold onto your culottes, BARB & STAR is streaming now! Director Josh Greenbaum (Too Funny to Fail, Behind the  Mask, Becoming Bond) joins us for a lively conversation on he became part of  the Trish-a-licious inspired Kristen Wiig and Annie Mumulo’s project, and finding just the right amount of kitsch, color and culottes to make the funniest magical turtle comedy in the history of cinema.

 

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 For news, updates and screening go to: barbandstar.movie

About the filmmaker – Josh Greenbaum is a Director, Writer and Producer in both film and television. He has won an Emmy Award, an MTV Award, and a CINE Golden Eagle Award. His first feature documentary THE SHORT GAME won the Audience Award at the SXSW Film Festival and was acquired by Netflix to launch their Originals film division. His second film BECOMING BOND also won the Audience Award at the SXSW Film Festival and was acquired by Hulu as one of their first Original films. His latest film called TOO FUNNY TO FAIL is a Hulu Original Documentary about The Dana Carvey Show, which was the launching ground for then unknowns Steve Carell, Stephen Colbert, Louis CK, and Charlie Kaufman among others and currently has a 100% fresh rating on Rotten Tomatoes. In television, Greenbaum is the creator, Executive Producer, and Director of the Emmy- nominated Hulu Original series BEHIND THE MASK now in its second season, and Executive Producer and Director of the Netflix Original Series THE PLAYBOOK. In addition, Greenbaum has written and directed projects for ABC, CBS, Fox, Comedy Central and the CW, including THE NEW GIRL for Fox, as well as dozens of short films, including one for the Clinton Foundation and Funny or Die starring Matt Damon, Ben Stiller, Kevin Spacey, Sean Penn, Jack Black, Bill Clinton, Kristen Wiig and others. Greenbaum has also directed award-winning commercials for brands such as Dove, Coke, AT&T, ESPN, Burger King, Old Navy, Carhartt, and has directed top name talent such as Daniel Craig, Ben Affleck, Kristen Bell, Matt Damon, including a commercial starring Arnold Schwarzenegger that garnered 20 million hits in less than two days and was awarded the Youtube Ad of the Year. He also recently won a Cannes Lion Award for a campaign he directed for Burger King. Greenbaum is a graduate of Cornell and Oxford Universities and received his MFA in film from the graduate program at USC’s School of Cinematic Arts. 

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“To call it a trip is an understatement. Barb and Star Go to Vista Del Mar is a tumble down a piña-colada-fuelled rabbit hole. Once through the looking glass, it’s an uncanny but thoroughly enjoyable time.” – Gabriella Geisinger, Digital Spy

“’Barb & Star Go to Vista Del Mar’ is one of the silliest and most ridiculous films I’ve seen in some time…and I loved every damn moment of it.” – Doug Jamieson, The Jam Report

“Barb & Star is what happens when you let two genius women do whatever they want and what they want happens to be an action comedy set in tourist Florida with two middle-aged women who love culottes at the center.” – Esther Zuckerman, Thrillist

“Brimming with incredible energy and non-stop laughter, Barb and Star Go to Vista Del Mar is the movie the entire world needs right now.” – Maxance Vincent, Cultured Vultures

“A tropical blue beacon of absurd joy that has nothing profound to say, and is all the better for it.” – Abby Olcese, Crooked Marquee

Heartworn Highways – Producer Graham Leader (Director James Szalapski

In the mid-‘70s, filmmaker James Szalapski traveled to Texas and Tennessee to capture the radical country artists reclaiming the genre through an appreciation for its heritage in folk and bluegrass and a rejection of the mainstream Nashville machine. The hard living – and hard partying – lifestyles of outlaw country’s figureheads are played out on screen in trailer homes, prisons and even a liquor-fueled Christmas gathering. It borrowed from rock, folk and bluegrass, with an edge that was missing from mainstream Nashville country. This newly-restored document, HEARTWORN HIGHWAY, includes rarely-captured performances of musicians as they perfected this then-new style and helped change the course of country music history by artists that include Townes Van Zandt, Guy Clark, Rodney Crowell, Steve Young, David Allan Coe, and a 19-year-old Steve Earle and many others appear and perform. Musical highlights include Clark’s brilliant “Desperados Waiting For A Train”, Young’s stirring “Alabama Highways” and Van Zandt’s emotional “Waiting Around To Die.” The hard living – and hard partying – lifestyles of outlaw country’s figureheads are played out on screen as we visit Van Zandt’s Austin trailer, see Coe play in Tennessee State Prison, join the gang in Nashville’s notorious Wig Wam Tavern and witness a liquor-fueled Christmas at Clark’s house. No wonder the film’s original tagline read: “The best music and the best whiskey come from the same part of the country”. Outside of a couple festival screenings, the movie remained unreleased for five years after its completion, finally hitting screens in 1981 and finding a cult audience ever since.” Heartworn Highways Producer Graham Leader joins us to talk about the groundbreaking artists he and director / writer / cinematographer  James Szalapski were able to wrangle into participating as well as the long and winding road this fabled film has taken over the last 44 years.

 

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For news and updates go to: kinolorber.com/film/heartworn-highways

For more about the films of Graham Leader go to: sealionfilms.com

About the filmmaker – Graham Leader grew up in England, studied art history at the Victoria & Albert Museum and worked as a dealer in twentieth century art before becoming a producer. Founded by Leader in 2014, SEALIONFILMS is currently developing a broad slate of character-driven scripts and documentary projects aimed at the international market. His films include: HEARTWORN HIGHWAYS (1976), SHUTTLECOCK (1990), IN THE BEDROOM (1991), THE SAFFRON LIMITED (2005), CHILDLESS (2008), HEARTWORN HIGHWAYS REVISITED (2012 – 2014), and SINS OF A FATHER (2014).

About the music – “Musically, it’s almost impossible to pick highlights but Guy Clark’s “That Old Time Feeling” is a husky delight and when Seymour Washington, a friend of Van Zandt’s (born 1896!) hears him sing “Waitin’ ‘Round To Die” he can’t prevent teardrops from rolling down his cheeks; neither will you.” – Record Collector

“The only thing flawed about “Heartworn Highways” is the people, and they’re so likable you’ll quickly look past their less desirable qualities or notions.” – Michael J. Casey, Michael J. Cinema

“Heartworn Highways refuses that historicizing assessment, even resists it. The film would certainly not have become the canonical documentary it has without the subsequent success of its subjects, but their names are never the emphasis here.” – Doug Freeman, Austin Chronicle

“Shot in 1975 but not released until 1981, this documentary by James Szalapski captures the nascent stages of a poetic country music played by Texas outsiders like Guy Clark, Steve Young, Townes Van Zandt, and a young Steve Earle.” – Peter Margasak, Chicago Reader


Rock Camp -The Movie – Creator David Fishof

After producing the comeback tour of The Monkees in 1986, promoter and talent agent David Fishof founded Rock’ n’ Roll Fantasy Camp, which has been making dream comes true for more than 25 years. Summer camp meets Spinal Tap, Rock’ n’ Roll Fantasy Camp brings together musicians from all walks of life for an unforgettable experience with legendary rock stars. These musicians teach, inspire, and jam with the campers over four days, concluding with a life performance at a famed venue. The experience takes music lovers from spectator to the stage, sharing the limelight with their musical heroes. Rock Camp, The Movie follows four campers (and their families) trough their journeys to shred with their heroes and see how they overcome their fears and transform their lives. Rock Camp – The Movie boasts a jaw-dropping array of rock star “counselors” that include Roger DaltreyAlice CooperPaul Stanley and Gene Simmons,  Nancy WilsonJoe PerryJeff BeckSlash, and countless other rock legends. Directed and produced by Doug Blush, co-directed and edited by Renee Barron, and produced by Jeff Rowe. Rock’ n’ Roll Fantasy Camp founder David Fishof joins us to talk about his life as a promoter, the amazing array of talented artists he has gotten to know and the endless joy that his “Fantasy Camp” and now the “The Movie” has brought him over these many years.

 

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For news and updates go to: rockcampthemovie.com

About the founder – David Fishof began his career as a sports agency and eventually an entertainment executive and music producer more than four decades ago. Through the Rock’ n’ Roll Fantasy Camp, he has been making dream comes true for more than 25 years. Whether he’s producing a tour, assembling an All-Starr band with Ringo Starr, or writing a best-selling book, there’s one thing David Fishof is always doing: dreaming. Hailed as one of the most creative and innovative entertainment producers in the world, David has been responsible for some of the most original, successful, and exciting live shows ever brought to the stage. But of all the shows he’s put on over his 40-plus year career, there’s one production that stands out from all the rest: Rock ‘n’ Roll Fantasy Camp. After years of good fortune working with veteran rockers like Roger Daltrey, Ringo Starr, The Monkees, Levon Helm, Joe Walsh, Jack Bruce and Peter Frampton, David decided it was time to share his experiences with rock fans around the world. And so, in 1997, he debuted the rock camp—a place where regular people can reconnect with their passion for music alongside the most famous names in the business. For more information go to: rockcamp.com

About the filmmaker – Doug Blush is an award-winning director, producer, editor, and cinematographer. His credits include, as editor, the Oscar and ACE Eddie Award winning 20 Feet from Stardom (2013), as executive producer, the Oscar winning Period. End of Sentence. (2018) and, as consulting producer and editor, the Oscar winning Icarus (2017).

SOCIAL MEDIA
facebook.com/RockFantasyCamp
twitter.com/RockFantasyCamp

Rock Camp is an eye-opening treat. Entertaining and surprising.” – Michael O’Sullivan, The Washington Post

“I love this film. it really has a grid heart to it.” – Richard Roeper, ABC Chicago – Windy City LIVE

“Touching.” “Pure entertainment.” Provides the pure pleasure of seeing people having fun simply by making music.” – Loren King, Newport This Week

“Wildly entertaining.” – Mike McGranaghan, The Aisle Seat

Yellow Rose – Director Diane Paragas

YELLOW ROSE features Eva Noblezada, who is joined by fellow Miss Saigon alum and Tony Award winner Lea Salonga. The film follows Rose Garcia, a 17-year-old Filipina American in Texas. When her mom is arrested by Immigration and Customs Enforcement, Rose undertakes a musical journey while facing deportation back to the Philippines. Inspired by the music of country musicians like Patsy Cline, Loretta Lynn, and Willie Nelson, the original composition accompanied by Noblezada’s captivating voice becomes the soundtrack of Rose’s wanderings akin to American westerns. YELLOW ROSE Director Diane Paragas joins us to talk about her warm-hearted tale of a young woman’s determination to fight back against the cruelty of a heartless immigration system while pursuing her own version of the American Dream deep in the heart of Texas with Austin’s music icon, Dale Watson at her side.

 

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For news, screenings and updates go to: yellowrosefilm.com

Yellow Rose is available on Digital now and on Blu-ray and DVD January 5

About the filmmaker – Diane Paragas is an award-winning director, editor, cinematographer and producer of commercials, narrative features and documentaries. IN 2012, Paragas co-directed Brooklyn Boheme, a feature length documentary about an African American arts movement, with writer and critic Nelson George.  The film featuring Spike Lee, Chris Rock and Rosie Perez to name a few. The film was acquired by Showtime and won a Black Reel Award for Best Documentary. In 2019, Paragas wrote and directed her debut narrative feature, Yellow Rose, about an undocumented Filipino-American teen pursuing a dream to become a country music singer. The film won over a dozen Grand Jury Prizes during its festival run and will be released by Sony Pictures in 2020. She is also in pre-production for a bold feature documentary about a wrongfully convicted undocumented immigrant called “The Three Lives of David Wong” that uses puppetry to tell its story. The film was is supported by The Sundance Institute,  The Bertha Foundation Grant and CAAM. Ms Paragas is a 2020 recipient of the prestigious Creative Capital Award  and was named as A100’s Most Impactful Asians of 2020 alongside directors Bong Joon Ho, Taika Waititi and Lulu Wang. 

Social Media
facebook.com/YellowRoseFilm
twitter.com/YellowRoseFilm
twitter.com/dianeparagas
twitter.com/EvaNoblezada
twitter.com/TheDalewatson
twitter.com/salonga_updates
instagram.com/yellowrosefilm
instagram.com/paragasdiane
instagram.com/livevamaria
@dianeparagas
@YellowRoseFilm
@EvaNoblezada
@salonga_updates
@TheDalewatson

“The film beautifully captures the struggles of a young woman to find her voice and a sense of belonging in an often hostile world as it celebrates the joy of making music and its power to provide hope.” – Loren King, AWFJ Women on Film

“Diane Paragas’ film finds fresh ground to explore the price and the power of the American dream, bolstered by country crooning and heartbreaking (and very real) legal worries.” – Kate Erbland, indieWire

“Writer-director Diane Paragas spins a story that is both politically timely and personal.” – Kristen Yoonsoo Kim, New York Times

“An affecting portrayal of a young woman finding her footing against all odds, and claiming her home in a nation that makes it unduly challenging.” – Katie Walsh, Tribune News Service

“The lean screenplay and [Diane] Paragas’ focused creative vision makes for a singular directorial feature debut that feels like nothing else happening in film right now.” – Beth Sullivan, Austin Chronicle

Tandem Pictures, Founder Julie Christeas and COO Jonathan Blitstein

Tandem Pictures is a leader in conceiving and implementing eco-sustainable filmmaking practices in the indie film space, with all of their productions following Environmental Media Association standards and the Producers Guild’s Green Best Practices. They’re also an advocate for how these practices – from using hybrid vehicles on set, to having the sound and camera teams use rechargeable batteries, to composting and using metal straws – can and should be adopted industry-wide. Female owned and operated, it is Tandem’s mission is to bring female talent and narratives to the forefront. They embrace female-centric storytelling, and pride themselves on the fact that the casts and crews of their films are composed of underserved and underrepresented minority groups, LGBTQIA, and women.  tandempictures.com

 

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ABOUT TANDEM PICTURES Since 2010, TANDEM PICTURES has elevated and given a platform to misrepresented and underrepresented ideas. We are filmmakers, driven by justice and representation for both people and the planet. We strive to not only tell stories, but to share learnings with the industry in order to grow positive filming practices across our community.  Past films include acclaimed festival films THE SURROGATE, BLOODSTRIPE, THE EYES OF MY MOTHER, THE SLEEPWALKER, WILDLIKE, GHOST TEAM and more.  tandempictures.com

JULIE CHRISTEAS – Tandem Pictures – Founder, Chief Executive Officer        Julie’s recent films include BLACK BEAR (Sundance 2020) starring Aubrey Plaza, Christopher Abbott and Sarah Gadon which will be released later this year by eOne/Momentum and THE SURROGATE (SXSW 2020/Monument Releasing) . She also executive produced the cult horror favorite THE EYES OF MY MOTHER (Sundance 2016/Magnet Releasing), MONOGAMY (Best NY Narrative, Tribeca Film Festival 2010), the feature doc DUKALE’S DREAM starring Hugh Jackman, and GHOST TEAM starring Jon Heder, David Krumholtz, Justin Long, Amy Sedaris and Melonie Diaz. Previously she produced BLOOD STRIPE (Jury Prize for Best Narrative Film, LA Film Festival 2016), WILDLIKE starring Bruce Greenwood and Brian Geraghty (HIFF), and THE SLEEPWALKER starring Christopher Abbott and Brady Corbet (Sundance 2014/IFC). 

JONATHAN BLITSTEIN – Tandem Pictures – Co-owner, Chief Operating Officer Jonathan’s most recently produced the acclaimed films THE SURROGATE, and BLACK BEAR (SUNDANCE, EOne/Universal release) starring Aubrey Plaza. Prior to Tandem he worked in production and branded entertainment for Vudu, Sony and Disney, supporting Fortune 500 Brands such as Walmart, Sprint and Covergirl. At Oracle (formerly CrowdTwist), he initiated the creation of Marvel Studios’ first nationwide fan loyalty program Marvel Insider. In his early career, he made two micro-budget feature films LET THEM CHIRP AWHILE and ANOTHER KIND which both premiered at the Woodstock Film Festival which were distributed on Netflix and VOD. Early career roles include marketing arthouse films such as Park Chan Wook’s OLD BOY, and Noah Baumbach’s SQUID AND THE WHALE. 

Social Media
facebook.com/tandempictures
twitter.com/tandempicture
twitter.com/JChristeas
instagram.com/tandempictures
instagram.com/juliechristeas
@TandemPictures
@tandempictures

Gay Chorus Deep South, Director David Charles Rodrigues

UPDATE: MTV Documentary Films’ Gay Chorus Deep South directed by David Charles Rodrigues premieres Sunday, December 20 at 9:00PM ET/PT on Pop, Logo and Pluto

The documentary Gay Chorus Deep South chronicles one community’s response to a wave of discriminatory anti-LGBTQ laws in Southern states and the divisive 2016 election. The San Francisco Gay Men’s Chorus embarks on a tour of the American Deep South. Led by Gay Chorus conductor Dr. Tim Seelig and joined by The Oakland Interfaith Gospel Choir, the tour brings a message of music, love, and acceptance to communities and individuals confronting intolerance. Over 300 singers travelled from Mississippi to Tennessee through the Carolinas and over the bridge in Selma. They  performed in churches, community centers, and concert halls in hopes of uniting us in a time of difference. The journey also challenges Tim and other Chorus members who fled the South to confront their own fears, pain, and prejudices on a journey towards reconciliation. The conversations and connections that emerge offer a glimpse of a less divided America, where the things that divide us – faith, politics, sexual identity – are set aside by the soaring power of music and humanity. Director David Charles Rodrigues joins us to talk about the expectations and realities that comes with traveling to communities with the hope of changing hearts and minds.

 

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For news, screenings and updates go to: gaychorusdeepsouth.com

Social Media:
facebook.com/gaychorusdeepsouth
twitter.com/gcds_film
instagram.com/gaychorusdeepsouth

WINNER AUDIENCE AWARD – BEST DOCUMENTARY – 2019 TRIBECA FILM FESTIVAL

WINNER AUDIENCE AWARD – BERKSHIRE INTERNATIONAL FILM FESTIVAL

WINNER AUDIENCE AWARD – TOP 5 NONFICTION FAVORITES – 2019 TRAVERSE CITY FILM FESTIVAL

“Successfully harnessing the power of both music and message, documentary Gay Chorus Deep South draws its strength not only from its subject, but also the effective way in which it it presents its arguments.” – Nikki Baughan, Screen International

“What makes the film especially compelling, though, are the all-too-human narratives involving those who were at one time badly victimized because of their sexual orientation; they want to forgive, but may never be able to.” – Phil Guie, Film-Forward.com

“There’s a lesson here that applies to more than just LGBT political causes: To heal the country and move on, we must reach across the divide and listen to one another.” – Peter Debruge, Variety

“With good folks like this, from both sides of the aisle, there is hope for humanity yet.” – Christopher Llewellyn Reed, Hammer to Nail

Music Got Me Here – Director Susan Koch

From award-winning director Susan Koch’s comes new feature documentary, MUSIC GOT ME HERE. The film follows the against-all-odds, true-life journey of Forrest Allen – a story of the power of music to heal and transform lives, often in miraculous ways. A snowboard accident leaves Forrest Allen, age 18, trapped inside himself, unable to speak or walk for almost two years. Tom Sweitzer, an eccentric music therapist with a troubled childhood who credits music with saving his own life, is determined to help Forrest find his voice. He dresses up in costumes and makes up silly songs.  For months, Forrest doesn’t even acknowledge him. Then, one day Forrest painstakingly types with one finger on his Dynavox: “Please help me find my voice”. Tom begins by teaching Forrest to breathe…then hum. After many months of painstaking practice, the hums turn into Forrest’s first two words. Director and writer Susan Koch joins us to talk about her uplifting tale of overcoming hardship, physical, spiritual and psychological as well as underscoring the pre-cognitive connective that humans share and with it our brains can be rewired to overcome trauma.

 

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For news, screenings and updates go to: musicgotmehere.com

Winner of the Best Social Impact Award at the Greenwich International Film Festival,MUSIC GOT ME HERE was filmed over the course of five years and features interviews with renowned soprano and music therapy advocate Renee Fleming and National Institutes of Health Director Dr. Francis Collins. MUSIC GOT ME HERE, is currently screening at Laemmle Virtual Cinema.

About the Director – Emmy and Peabody award-winning filmmaker Susan Koch’s films and non-fiction television shows have appeared on ABC, NBC, PBS, HBO, Showtime, MTV, ESPN, The Discovery Channel, National Geographic, CNN, and American Movie Classics. Koch’s documentary Kicking It, about homeless soccer players who compete in an international tournament, premiered at the Sundance and Tribeca Film Festivals and was broadcast on ESPN. Koch’s other films include the award-winning documentaries Reel Models:  First Women of Film (AMC), Mario’s Story (Showtime), City at Peace (HBO) and The Other City (Showtime). Koch is the Executive Director of the Middleburg Film Festival, located in Middleburg, Virginia, outside Washington, D.C.

Social Media
facebook.com/MusicGotMeHereMovie
twitter.com/MGMHMovie
#traumaticbraininjury
#musictherapy

Crock of Gold, A Few Rounds with Shane MacGowan – Director Julien Temple

If future generations look back at what it was truly like to be both human and alive in the late 20th century, they will be hard put to find a more powerful and enlightening testament than the songs of Shane McGowan. In a world where music has become increasingly sanitized and unable to venture beneath the surface clichés of human emotion, Shane’s songs stand out in ever greater relief. A cinematic exploration of Shane MacGowan’s story, Julien Temple’s film CROCK OF GOLD details Shane’s explosive existence, from his salad days, growing up in Ireland, to time spent on the mean streets of London and embracing the punk scene. To forming the Pogues and the conquering the known universe, we discover MacGowan’s passions, his humor and deep knowledge of music, history, spirituality & popular culture. For this is Shane’s story. A vision of the world through the eyes of the great punk poet himself and an intimate cast of close friends and family members, all channeled through  director Julien Temple’s inimitable and eternally vibrant lens. Director Julien Temple joins us for an enlightening conversation on MacGowan’s unusual childhood living on a farm without electricity, his collaboration with Johnny Depp and his respect and admiration for an artist that has stay faithful to his love of music and his country, no matter the cost.

 

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For news, screenings and updates go to: crockofgoldfilm.com

Director’s Statement – In a world where music has become increasingly sanitized and unable to venture beneath the surface clichés of human emotion, none has bared their soul like Shane McGowan. His unique ability to plumb the dark recesses of the human soul, while in the very same breath celebrating its capacity to find healing transcendence, in both love and the sublime mysteries of existence, goes a long way to making sense of who we actually are. His work is raw, unflinching and unashamed, reflecting all the many places Shane inhabits – the invisible world, hedonism, alcoholism, God, redemption and romance, in all their respective grit and glory. And so, here, via the inventions of the Pogues and the Popes, via the hits, the flops, the fallouts of fame. Via the triumphs and the disasters. Via the love, the hate. Via the bodily abuse and miraculous survival against the odds. And above all else, via the songs… Shane’s incomparable songs, we join Shane, in this film, in his never-ending search for that elusive ‘Crock of Gold’… – Julien Temple

About the filmmaker – Julien Temple became established as one of the early pioneers of music videos, directing such diverse talents as; Rolling Stones, Sex Pistols, David Bowie, Kinks, Neil Young, Tom Petty, Janet Jackson, Jimi Hendrix, Pete Doherty and many more. He has directed feature films including the musicals ‘Absolute Beginners’ and ‘Earth Girls Are Easy’. Other directing credits ‘Pandaemonium’, selected as the Gala film at the Toronto Film Festival 2000 and winner of the Evening Standard best British actor award for Linus Roache. Temple’s feature documentary about the Sex Pistols ‘The Filth & The Fury’ screened in official selection at both the Sundance and Berlin Film Festivals 2001. In 2005 he directed ‘Glastonbury’, a vivid chronicle of the past thirty years of the music festival. ‘The Future Is Unwritten’, a film to celebrate the life of Joe Strummer, premiered at Sundance in 2007. His recent films include ‘Oil City Confidential’ a documentary about the forgotten precursors of punk, Dr. Feelgood, which won the main prize at the 2009 Turin Film Festival, ‘Imaginary Man’ a film about songwriter Ray Davies for BBC One Imagine and ‘Kinkdom Come’ about his brother Day Davies. Temple’s feature documentary ‘Requiem For Detroit’ won a Grierson Award for Best Historical Documentary 2010. He is currently working with producer Jeremy Thomas to develop ‘You Really Got Me – The Kinks’, the story of Ray and Dave Davies, the brilliant love hate sibling creative force behind the legendary band.

Social Media
twitter.com/CrockofGoldFilm
twitter.com/JulienTemple
instagram.com/crockofgoldfilm
instagram.com/magnoliapics
instagram.com/johnnydepp
facebook.com/crockofgoldfilm
#CrockofGoldFilm
@CrockofGoldFilm

 

95% on Rotten Tomatoes

“Crock of Gold” isn’t intended as a lament for an artist derailed by his worst impulses, though. Instead, it’s a celebration of what MacGowan accomplished at his peak, as well as an explanation of the experiences that informed his music. – Noel Murray, Los Angeles Times

“Temple has always used archive material playfully; here, it’s particularly riotous, like a chaotic patchwork quilt tacked together by one of Shane’s drunk aunties. – Wendy Ide, Observer (UK)

“Bold and crass, insightful and fascinating. Director Julien Temple makes clear that this is a complex artist, with a multi-faceted personality, who has changed greatly over the years.” – Deirdre Molumby, entertainment.ie

“The director Julien Temple – who has excellent documentaries on the Sex Pistols, Joe Strummer and other galvanic musicians under his belt – is very good at this sort of thing.” – Glenn Kenny, New York Times

Ronnie’s, Director Oliver Murray

RONNIE’S is a love letter to saxophonist Ronnie Scott and the indispensable night club  he and partner Peter King established in 1959. For more than 60 years music giants have walked through the door of a small basement club in London’s Soho. From the beginning of the burgeoning British modern jazz movement, he and King dreamt of opening a club modeled after the swinging jazz scene of New York’s 52nd Street. From its humble beginnings sixty years ago, Ronnie Scott’s would become the cornerstone of the UK jazz scene and one of the most famous jazz clubs in the world. Ronnie Scott was beloved by many, from the great and famous who frequented his club, to the many hard up musicians who were often helped by his warmth and generous spirit. However, Ronnie was as complex and colourful as the music played on his stage. In private Ronnie battled with depression and when his untimely death occurred in 1996 it left the jazz community bereft of a respected and favorite leader. Funny and moving, Ronnie’s features performances by some of greatest musicians of the 20th Century including…Oscar Peterson, Dizzie Gillespie, Roland Kirk, Cleo Lane and John Danforth, Buddy Rich, Sarah Vaughn, Sonny Rollins, Miles Davis, Jimi Hendrix, Ella Fitzgerald, Mary Lou Williams, Van Morrison and Chet Baker, Nina Simone and Ben Webster.

 

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For news and updates go to: olliemurray.com/portfolio/ronnies

Or go to: orofenafilms.com/Ronnies

About the filmmaker – Oliver Murray was born in Oxford, United Kingdom in 1985. He is a writer and director. He studied Fine Art at The Glasgow School of Art and Film & Animation at The Pratt Institute in New York City. His feature film debut ‘The Quiet One’ was released in 2019. His second feature film ‘Ronnie’s’ is scheduled for release in 2020.

Social Media
facebook.com/oliver.murray.39
#ronniescott

“Such a joyous, visually stunning film – It’s a beautiful piece of work.” – Phil Williams, Times Radio

“An exemplary doc. The founding myths are lively and fascinating. But it’s the study of Ronnie himself, with his depressions and doubts, that provides the depth and soul.” – Jason Solomons

“A subtle portrait of a complicated man, Murray has made an exemplary documentary worthy of its subject.”- Richard Williams, Uncut Magazine, 9/10

“An incredibly important film, It’s beautifully, sensitively and perfectly presented…” – Stephen Fry

“This journey back in time makes for an exhilarating and nostalgic ride.” – The Reviews Hub, 5/5

“It’s a ripping yarn, enlivened by fascinating footage.” – The Wire

“This documentary about the beloved London music venue brings us sterling performers, atmospheric footage, and a sad heart” – The Guardian, 4/5

Herb Alpert Is… Director John Scheinfeld

With his trumpet he turned the Tijuana Brass into gold, earning 15 gold and 14 platinum records; He has won nine Grammys Awards between 1966 and 2014, and received the National Medal of Arts from President Barack Obama in 2012. Herb co-founded the indie label, A & M Records with his business partner, Jerry Moss, which recorded artists as varied as Carole King, Cat Stevens, The Carpenters, Janet Jackson, Peter Frampton, Joe Cocker, Quincy Jones, Sergio Mendes, and The Police. A&M would go on to become one of the most successful independent labels in history. He has shown his striking work as an abstract painter and sculptor, worldwide. And through the Herb Alpert Foundation, he has given significant philanthropic support of educational programs in the arts nationwide, from the Harlem School of the Arts and Los Angeles City College to CalArts and UCLA. John Scheinfeld’s documentary Herb Alpert is… profiles the artist, now 85, mostly from the perspective of colleagues like Questlove, Paul Williams, Sting, and Bill Moyers. In their words, the shy, unassuming trumpeter is a musical, artistic and philanthropic heavyweight. Director John Scheinfeld stops by to talk about many facets of Alpert’s personal and public life that make him the compelling and warm-hearted person he is.

 

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For news, screenings and updates go to: herbalpertis.com

For more on the work and latest news go to: herbalpert.com

About the filmmaker – John Scheinfeld – From pop culture to politics, sports to world religions, Venice and Toronto film festivals to PBS, Emmy®, Grammy® and Writers Guild Award nominee John Scheinfeld is a critically acclaimed documentary filmmaker with a broad range of subjects and productions to his credit. In addition to directing, writing and producing Herb Alpert Is…, Scheinfeld is in post-production on a primetime documentary special about comedy legend Garry Marshall that will air on ABC in the Spring of 2020. Another Scheinfeld feature documentary, Sergio Mendes: In The Key of Joy, had its World Premiere at the Santa Barbara International Film Festival in January 2020 and will be released worldwide on multiple media platforms later in the year. Previously, his feature documentary, Chasing Trane: The John Coltrane Documentary, was an official selection of the Telluride Film Festival and the Toronto International Film Festival before playing on 175 theater screens worldwide during the spring of 2017. In November 2017 it was the season premiere of Independent Lens, the largest showcase for independent documentary film on television. Scheinfeld is best known for two widely acclaimed feature documentaries: The U.S. vs. John Lennon, which tells the true story of the US government’s attempt to silence the beloved musician and iconic advocate for peace and Who Is Harry Nilsson (And Why Is Everybody Talkin’ About Him)?, a compelling yet wildly entertaining documentary about one of the most talented and uncompromising singer-songwriters in pop music history. For more on the work of John Scheinfeld go to: crewneckproductions.com

Social Media
facebook.com/HerbAlpertPresents
twitter.com/HerbAlpert
instagram.com/officialherbalpert
instagram.com/officialherbalpert
facebook.com/JScheinfeld
@HerbAlpert

 

“The story of Herb Alpert is a lot more than a snappy greatest hits collection; it’s a deep dive into the agonies and ecstasies that drive profoundly creative people.” – Bill Newcott, The Saturday Evening Post

“This movie will likely go down as the definitive documentary about Alpert and, as such, it’s not a bad way to be remembered.” – James Berardinelli, ReelViews

“This documentary is a joyous celebration of Herb Alpert’s life and career as it examines his roots not only as a musician but as a painter, sculptor, businessman and philanthropist.” – Charles Koplinski, Reel Talk with Chuck and Pam

“You’ll probably come away from Herb Alpert Is… not only admiring the man but wishing you were him.” – Frank Scheck, Hollywood Reporter

Get Duked!, Director Ninian Doff

GET DUKED! follows teenage pals from Glasgow Dean, Duncan and DJ Beatroot as they embark on the character-building camping trip — based on a real-life program — known as the Duke of Edinburgh’s Award, where foraging, teamwork and orienteering are the order of the day. Eager to cut loose and smoke weed in the Scottish Highlands, the trio find themselves paired with strait-laced Ian, a fellow camper determined to play by the rules. After veering off-path into remote farmland that’s worlds away from their urban comfort zone, the boys find themselves hunted down by a shadowy force hell-bent on extinguishing their futures. From writer-director Ninian Doff — making his feature debut after a slew of award-winning music videos and short films for artists including Run the Jewels, The Chemical Brothers, Miike Snow, Migos, and Mykki Blanco — comes an anarchic satire of generational politics, hip-hop-loving farmers and hallucinogenic rabbit droppings that pits the youth of tomorrow against the status quo of yesterday. GET DUKED! stars Eddie Izzard, Kate Dickie, Georgie Glen, James Cosmo and a breakout young cast featuring Samuel Bottomley, Viraj Juneja, Rian Gordon, and Lewis Gribben. Creator and director Ninian Doff joins us for a raucous conversation on the brilliance of Eddie Izzard, getting a chance to bring his music video chops to a feature film and why the Brits are so attuned to the power of satire.

 

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Watch Get Duked! at amazon.com/Get-Duked!

About the filmmaker: Ninian Doff is a robot built by the military as an advanced ruthless killing machine. Unfortunately when they booted him up he showed no interest in murder and to their dismay started making films instead. He is considered the greatest military failure in history. Nominated for 9 British Arrows 2020 (Sainsburys and Veg Power), Grammy 2020 Best Music Video Nominated (Chem Brothers), Campaign’s Top 10 Directors 2019, Winner Shots Awards “Television Commercial of the Year – Up to and including 60 second” (Veg Power), BIFA Best Debut Director Nominated (Boyz In the Wood/ Get Duked!), Winner Just Film Grand Prix Talin Black Night Festival (Boyz In the Wood/ Get Duked!), Winner The Siren Award for Best Feature Film 2019 Lund Fantastik Film Festival (Boyz In the Wood/ Get Duked!), Winner Music video of the year Ars Independent Festival (Chemical Brothers), Nominated Best Dance Video UKMVA 2019 (Chemical Brothers), Winner SXSW Audience Award Midnighters (Boyz In The Wood), Winner of Best Director at UKMVA 2016. Winner Best Urban Video, Best Pop Video UKMVA 2016. D&AD Director Pencil 2016. Gold in FilmCraft at Europebest 2015. UKMVA 2015 Best Director Nominee. UKMVA 2104 “Best Director” Nominee. Winner UKMVA 2014 “Best Choreography”. Winner of UKMVA 2013 “Best Indie Video”. Jury and Audience award at ‘Depict13 at Brief Encounters Film Festival 2013. Nominee at UKMVA’s in last 3 years running including “Best New Director”. Selected for Saatchi and Saatchi’s New Director’s Showcase at Cannes 2012 and One Dot Zero’s “New British Talent 11”. Work has been screened at over A BILLION festivals around the world including SXSW, LA Film Festival, London Short Film Festival, Las Vegas Film Festival, Montreal Museum of Modern Art, The V&A London. For more on the filmmaker fo to: niniandoff.com

Social media
twitter.com/NinianDoff
instagram.com/niniandoff
@NinianDoff
@procrastibot

“Fabulously funny and subversive.” – Anne Brodie, What She Said

“Serves as a distinctive calling card for a gifted yet twisted comedian, one without the slightest qualms about turning a bucolic countryside jaunt into a bloody “The Hills Have Eyes”-style hunting party.” – Peter Debruge, Variety

“A rambunctious film shot through with daft humour and an endearing, toxic masculinity-smashing sweet streak.” – Jamie Dunn, The Skinny

“An anarchic, pitch black, generation gap horror comedy that’s also one of the funniest films in a year where we are desperately in need of a laugh.” – James Croot, Stuff.co.nz

Nena Erb, Editor, Emmy®-nominated (HBO’s Insecure)

Nena Erb, an ACE and Emmy®-winning editor, for her work can be seen on HBO’s Emmy®  nominated and Peabody award-winning series  INSECURE, episode Lowkey Trying directed by Kerry Washington. As both an Asian American and person of color, she is committed to advancing the stories of others. She is thrilled to be a continuing part of the team showing the reality of life for modern women of color in America.  Her work can also be seen on Apple TV’s groundbreaking Little America series. As an immigrant herself, she’s excited to help shape standout episodes for this series this season including The Son, tackling a gay man’s struggle for safety and love as he attempts a harrowing immigration to the United States and The Silence, which charts love among immigrants in a situation where sound/speaking is forbidden. Emmy nominated editor Nena Erb joins us to talk about the career decision that brought her to the editing suite and why mentoring others is her way of helping others “get into the room” where they can have a positive impact on the stories being told.

 

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For the latest on the work of Nena Erb go to: nenaerb.com

To find out more go to: hbo.com/insecure

About the filmmaker: Nena Erb, a gifted ACE and Emmy®-winning editor born in Taipei, Taiwan and based in Los Angeles. Her family immigrated to the US in the late 70’s to live in a democracy and have the right to vote. Raised in an Asian American immigrant family, Nena’s father wanted her to be a doctor and her mother wanted her to be a pianist with the LA Philharmonic.  Nena wanted to be Andy Warhol. After graduating with an art degree, a friend brought her into the entertainment industry and she started working in various capacities in production. It was her stint as an associate producer that gave her the opportunity to work closely with editors. This proved to be a defining moment for her interest in post-production. Since then, Nena has been the editor on productions for HBO, Universal, CBS, Apple, and others.  She is experienced in multiple genres from drama series to feature films, documentaries and comedy.  In 2016, she received an Emmy® award for her work on HBO’s documentary series Project Greenlight.In addition, she has received two ACE Eddie nominations for her work, one for HBO’s Peabody award-winning series INSECURE and the other for CW’s acclaimed seriesCrazy Ex-Girlfriend. Currently, she is editing Little America, an anthology series on America’s immigrants, produced by Kumail Najiani, Emily V. Gordon, Alan Yang, and Lee Eisenberg

The rePRO Film Festival and mama.film Co-founders Lela Meadow-Conner, Mallory Martin and Debby Samples

The rePRO Film Festival begins its inaugural run this August 12-16. The virtual film festival is dedicated to exploring women’s reproductive healthcare, awareness, advocacy and bodily integrity in America. The lineup of films includes documentaries and narratives dealing with women’s rights, endometriosis, illegal sterilization, access to abortion, and reproductive justice for women of color, among other topics. rePRO Film Festival, will host five days of features, short films and themed-conversations focused on a range of topics including healthcare access, fertility, pregnancy, sexual education, abortion, and issues related to the gender spectrum. In-festival moderated conversations will include call-to-action messaging on how people can get involved in a corresponding initiative or topic. The conversations, designed to spotlight the creators who dare to tell stories about women’s reproductive rights, and to showcase courageous advocators, will be available online for free globally. All feature films playing the rePRO Film Festival are directed by women, and all filmmakers, including shorts filmmakers, are being paid to screen their films. The pay-what-you-can film ticket proceeds for films at the festival will be converted to donations to be split evenly among five beneficiary non-profit organizations – SisterSong, Endometriosis Foundation of America, Center for Reproductive Rights, URGE and Trust Women. Tickets are on sale online at repromamafilm.org. Tickets are all pay-what-you-can ($5, $10 or $15) with a limited number of complimentary vouchers available upon request to ensure access for all. rePro Film Festival and festival sponsor mama.film founders Lela Meadow-Conner, Mallory Martin and Debby Samples join us to talk about the launch of their deep dive into the issues, challenges and stories that face 49% of the world’s population and the people who love them.

 

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For news, screenings and updates go to: repromamafilm.org

About MAMA.FILM – Through the power of cinema, mama.film (link), a 501c(3) non-profit organization, unites nurturers of all kinds to ignite conversation and to reflect upon our shared human experience. Founded in 2019, in a pop-up microcinema in a shipping container in Wichita, Kansas, mama.film has since been awarded expanded programming to Cleveland, and to a virtual platform. Film selections include stories and topics that amplify and explore the evolving realities of the human condition and that spark dialogue and reflection. mamafilm is committed to representing the realities and complexities of a diverse range of nurturers, across race, class, geography, sexual preference, ability and generation.An emphasis is placed on independent and foreign films that are grounded in authentic storytelling. mamafilm is committed to supporting the work of creators who are  nurturers and caregivers. Initial support for rePRO by mama.film was generously provided by a grant from the George R. Tiller, M.D., Memorial Fund for the Advancement of Women’s Health at the Wichita Community Foundation. Follow @mamafilm1 on Instagram or Twitter for updates, or follow rePRO by mama.film on Facebook for more updates.

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Dirty John: The Betty Broderick Story, Co-Executive Producer and Director Maggie Kiley

Maggie Kiley is the Executive Producer and one of the series directors for the second season of USA Network’s high profile series, DIRTY JOHN: THE BETTY BRODERICK STORY. This season is special for the fact that all eight episodes were directed by women. Kiley directed four out of the eight episodes, including the season premiere and finale. DIRTY JOHN: THE BETTY BRODERICK STORY follows the tumultuous relationship of Betty and Dan Broderick, played by Amanda Peet and Christian Slater, as their marriage turns into what was called one of “America’s messiest divorces” even before it ended in double homicide. DIRTY JOHN: THE BETTY BRODERICK STORY follows a high society woman, mother of four, driven to the edge by her husband’s lies, manipulation, and psychological abuse, that slowly escalates as his extra-marital affair is revealed, a bitter divorce ensues, and blood is shed. This is a warts-and-all depiction of the extremes of erratic behavior provoked under pressure. The creative juggernaut known as Maggie Kiley takes time out of her very busy life to talk with us about her love for storytelling, mentoring other artists and working with her beloved actors.

 

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For news and updates go to: maggiekiley.com

About the filmmaker: Award-winning filmmaker Maggie Kiley, is an alumnae of AFI’s Directing Workshop for Women, both a Fox and Film Independent Directing Fellow. She was recently as the first director chosen for Ryan Murphy’s Half Initiative, which has led to gigs helming episodes of American Horror Story: CultScream Queens, and 9-1-1. Her credits reflect her diversity, since she has made contributions to CW’s Katy Keene, Riverdale, Marvel’s The Gifted, Netflix’s What/If and Syfy’s George R. R. Martin’s  Nighflyers, to name just a few. Kiley recently signed a major  exclusive, multi-year overall deal at Warner Bros TV. Under the pact, she will render director and executive producer services for the studio, in addition to developing new TV projects for broadcast, cable and streaming services. She was the first woman in 30 years to have a TV deal at WBTV like this. Maggie Kiley began her career as an actor with the Atlantic Theatre Company in New York City before making the transition from acting to directing with her award winning short film, Some Boys Don’t Leave. The film stars Jesse Eisenberg and Eloise Mumford and played over 50 festivals, garnering top honors at Tribeca and Palm Springs. Kiley received the Panavision New Filmmaker Grant for her debut feature, Brightest Star which starred Chris Lowell and Allison Janney. Her second feature, Dial a Prayer, released in 2015 starred Brittany Snow and William H. Macy. Her third feature was a thriller with Anna Camp, titled Caught marking the last of three features films in three years.

Social Media
twitter.com/kileygal
instagram.com/maggiekiley.director

You Don’t Nomi, Director Jeffrey McHale

In YOU DON’T NOMI, a chorus of film critics and fervent devotees explore the complicated afterlife of 1995’s biggest film flop, Paul Verhoeven’s salacious SHOWGIRLS from disastrous release to cult adoration and extraordinary redemption 25 years later. Showgirls was met by critics and audiences with near universal derision. YOU DON’T NOMI traces the film’s redemptive journey from notorious flop to cult classic, and maybe even masterpiece.The film features Adam Nayman (Vice Guide to Film), April Kidwell (I, Nomi) and Peaches Christ (Milk) as well as archive interview footage with the cast and crew of Showgirls. While SHOWGIRLS is the main subject of YOU DON’T NOMI, the documentary is also a retrospective of Verhoeven’s directing career from RoboCop, Total Recall, Basic Instinct, Starship Troopers and Elle, among others. It explores the themes that unite his films, while showcasing Verhoeven as a genius and as a controversial figure all at the same time. Director Jeffrey McHale joins us to talk about his own Showgirls odyssey and how he came to document the subculture that celebrates a film that cinephiles often vilify and embrace at the same time.

 

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For news, screenings and updates goto: youdontnomifilm.com

Available Tuesday, June 9 on Amazon Prime Video, iTunes, Google Play & Fandango NOW

About the filmmaker Jeffrey McHale, Director / Producer / Editor, is a documentary filmmaker based in Los Angeles. His feature film debut, YOU DON’T NOMI, is the zenith of what he calls his “Showgirls adventure.” While McHale’s inspiration for You Don’t Nomi originated with the unexpected viral success of his 2010 trailer mashup of Paul Verhoeven’s  Showgirls and Darren Aronofsky’s Black SwanNomi also synthesizes recurring themes in McHale’s work, including the examination of queer subcultures and the exploration of how identities are articulated. As a television editor, McHale’s work includes acclaimed technology and science news series TechKnow for Al Jazeera English and most recently the groundbreaking World Cup docuseries Phenoms for Fox. Earlier projects, including documentary shorts and music videos, have screened at NewFest, Frameline, Austin Gay & Lesbian International Film Festival, and the Melbourne Queer Film Festival. A native of Michigan, McHale began his career at WGN America after studying film at Columbia College Chicago.

Social Media
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instagram.com/youdontnomifilm

89% on Rotten Tomatoes

“You Don’t Nomi makes a compelling case that the much-maligned pop-culture landmark can be judged as either tawdry rubbish or subversive comic triumph.” – David Rooney, Hollywood Reporter

“This is the most thoughtful deconstruction of a film imaginable, as well as an ideal festival choice for those who used to buy DVDs just for the commentaries.” – Kent Turner, Film-Forward.com

“While far from a straightforward documentary about a widely marginalized film, You Don’t Nomi reminds us that it’s okay to like things with rough edges, that streamlined perfection is overrated…” – Chuck Foster, Film Threat

“Nomi leaves it up to audiences to decide if Showgirls is trash, a masterpiece, or a “masterpiece of trash,” but one thing is certain: no matter how good or how bad one considers the film’s objective quality, one can enjoy Showgirls all the same.” – Pat Mullen, POV Magazine

Kate Nash: Underestimate the Girl, Director Amy Goldstein

Amy Goldstein’s wildly entertaining documentary, KATE NASH: UNDERESTIMATE THE GIRL, chronicles the meteoric rise and years-long struggle of musician / artist Kate Nash to re-establish a thriving career on her own terms. At 18, Nash reached the stratosphere of pop music, vaulting from a working-class family in North London into worldwide tours, a platinum record, and a season dominating the music charts. Fast forward to ten years later: Kate is breaking down, nearly homeless. Defrauded by her manager, she is forced to take odd jobs–like hosting a QVC show in a comic bookstore–and must sell off her clothes. After hitting bottom, she rises out of the darkness by crowd-funding her third album, using the uplifting power of online culture and her own authentic voice. From pop wonder, to riot grrrl, to TV wrestling queen, Kate’s journey is an inspiring call to the creative heart in all of us: be fearless. Blending performance footage with verité style sequences, KATE NASH: UNDERESTIMATE THE GIRLis both a no-punches-pulled look at an artist in flux who manages to come out on top, and at an industry that proves its own gender bias at every opportunity. The film is structured around songs and lyrics, as they are written and performed by Kate Nash, to tell its unfolding story. Director Amy Goldstein joins us to talk about Kate Nash, her work ethic, determination, sense of humor and how that has served her over the many years of struggle.

 

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For news and updates go to: thehoopinglife.com/kate-nash-underestimate-the-girl

KATE NASH: UNDERESTIMATE THE GIRL will be released nationally on Friday May 22 via the groundbreaking virtual cinema platform ALAMO ON DEMAND. Following the Saturday, May 23 6:00 PST / 9:00 EST there will be an interactive performance and Q&A with Kate Nash.The exclusive release will then hit a limited traditional theatrical rollout in August. Watch tonight: On Demand.drafthouse.com/film/kate-nash-underestimate-the-girl

 

About the filmmaker: Amy Goldstein, Director/Producer/Cinematographer Amy Goldstein graduated from Hampshire College with a BA in semiotics and from NYU Film School. She was a Louis B. Mayer fellow at NYU film school. Her short, “Commercial for Murder” (1990), screened at the Berlin Film Festival and was distributed theatrically in a collection of shorts. Her thesis film, Because the Dawn, was presented as the American Independents at the Toronto Film Festival with Todd Haynes‘ Superstar: The Karen Carpenter Story. After school, Amy directed music videos for artists from around the world, including Rod Stewart‘s “Downtown Train”. She directed the feature film The Silencer, which she co-wrote with Scott Kraft, and they went on to develop pilots for HBO, CBS, Fox, Showtime, and MTV, and the hip-hop musical Check Under the Hood for Jersey Films/Polygram. She directed the award-winning feature film East of A, an edgy comedy about an alternative family facing the challenges of raising a child with HIV. Amy directed “The Hooping Life” (1999), a chronicle of a worldwide subculture of “hoopers” who transcend their personal toil and the world’s fears through hula-hooping. Her most recent project is the documentary about the career of pop star Kate Nash, Kate Nash: Underestimate the Girl. Amy Goldstein and Anouchka van Riel, Producer head up Span Productions

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facebook.com/TheHoopingLife
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twitter.com/katenash

 

“What emerges is a comprehensive, thoroughly engaging portrait of a woman who has made it on her own terms and is back for more.” – Christopher Llewellyn Reed, Hammer to Nail

“If you want a reminder that misogyny is alive and well, this is the documentary for you. It actually ends on a bright note, but the road there is brutal” – Lindsay Pugh, Woman in Revolt

“While not quite as saddening as the recent Avicii documentary, Kate Nash: Underestimate the Girl is another indictment of the music business and its tendency to chew up young talent.” – Suzi Feay, Financial Times

Walk Run Cha Cha, Director Laura Nix

WALK RUN CHA-CHA has been nominated for Documentary Short Subject at the 92nd Academy Awards®. Directed by Laura Nix, the film follows Paul and Millie Cao, who lost their youth to the aftermath of the Vietnam War. Forty years later, they have become successful professionals in Southern California-and are rediscovering themselves on the dance floor. WALK RUN CHA CHA is now streaming on New York Times Op-Docs.

About the Filmmaker: Director Laura Nix Laura Nix is an award-winning fiction and nonfiction filmmaker based in Los Angeles. WALK RUN CHA-CHA is adapted from a feature-length documentary in progress. It was produced by Concordia Studio for The New York Times Op-Docs and premiered at the 2019 Tribeca Film Festival. Laura’s work also includes  other work includes her feature documentary INVENTING TOMORROW, about teenagers from around the globe tackling environmental issues through science,  THE YES MEN ARE REVOLTING, a comedy about activism and climate change, the documentary THE LIGHT IN HER EYES, about a Syrian Qur’an school for women and she was a writer on the Emmy-nominated documentary CALIFORNIA STATE OF MIND: THE LEGACY OF PAT BROWN. In 2001, Nix co-founded the production company Automat Pictures, where she produced and/or directed over 100 presentations, including the feature documentary WHETHER YOU LIKE IT OR NOT: THE STORY OF HEDWIG, which played in over a dozen film festivals in the U.S. and worldwide. Previously she was a member of Oscar-winning filmmakers Rob Epstein and Jeffrey Friedman’s production company Telling Pictures, where she was Associate Producer on THE CELLULOID CLOSET.

 

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For news and updates go to: feltfilms.com

Walk Run Cha Cha is now available at nytimes.com/Op-Docs

 

*** 2020 Oscar nomination for Best Documentary (Short) *** 

 

Official Selection – Tribeca Film Festival 2019

Winner – Grand Jury Trống Đồng Award for Best Short – Viet Film Fest 2019

Official Selection – SFFILM Doc Stories 2019

 

Social Media

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https://twitter.com/WalkRunChaCha

@feltfilms

 

“Laura Nix’s WALK RUN CHA-CHA is a moving, poignant portrait of two aging refugees who have endured a great deal, and who now face one of life’s biggest challenges: figuring out how to stay in love. Through them, Nix also evokes the textures, tastes, and sounds of Vietnamese refugee life, and mixes them in with everything that is good about the United States. Ultimately, WALK RUN CHA-CHA is an optimistic film about both love and hope—the hope that our country will continue to believe in welcoming strangers from other lands, who in the end are not that strange at all.” – Viet Thanh Nguyen, Pulitzer Prize-winning author of The Sympathizer

 

Slamdance Film Festival, Co-founder and President Peter Baxter

It all began when a group of cheerful, subversive filmmakers weren’t accepted into the Sundance Film Festival. Unwilling to take “no” for an answer, they instead started their own event – Slamdance: Anarchy in Utah. 26 years later, Slamdance has become a year-round organization fostering the development of unique and innovative filmmakers. The organization now consists of the Film Festival, Screenplay Competition and Slamdance Studios. It has also created Slamdance On The Road, a traveling theatrical showcase that brings popular Slamdance films to audiences that otherwise would not have the opportunity to see them. Dan Mirvish, Jon Fitzgerald, Shane Kuhn and Peter Baxter are the founding forefathers who, along with co-conspirator Paul Rachman, fought for truly independent filmmakers by giving them a voice in 1995 at the very first Slamdance Film Festival. Since then, the festival takes place every January in the breathtakingly stunning, snow-capped mountains of Park City, Utah at the exact same time as the Sundance Film Festival, to provide a more authentic representation of independent filmmaking. Up-and-coming writers, directors and producers, alongside seasoned veterans and film lovers, converge for the weeklong celebration of independent cinema, realizing that Slamdance is a great place to find those next, great, visionary films. Slamdance lives and bleeds by its mantra By Filmmakers For Filmmakers. No other film festival in the world is entirely run and organized by the creative force that can only be found in filmmakers. Slamdance adamantly supports self-governance amongst independents, and exists to deliver what filmmakers go to festivals for – a chance to show their work and a platform to launch their careers. The festival has earned a solid reputation for premiering films by first-time writers and directors working within the creative confines of limited budgets. Co-founder and President Peter Baxter joins us to talk about this year’s Slamdance, the groundbreaking films and the innovative new distribution and digital initiatives being launched by Slamdance.

 

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For news and updates go to: slamdance.com
Check out the film schedule at slamdance 2020 schedule

 

Slamdance Film Festival – January 24-30 at the Treasure Mountain Hotel in Park City, Utah

 

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instagram.com/slamogram