Hunger Ward – Director Skye Fitzgerald

Filmed from inside two of the most active therapeutic feeding centers in Yemen, HUNGER WARD documents two female health care workers fighting to thwart the spread of starvation against the backdrop of a forgotten war. HUNGER WARD provides an unflinching portrait of Dr. Aida Al Sadeeq and Nurse Mekkia Mahdi as they try to save the lives of hunger-stricken children within a population on the brink of famine. HUNGER WARD is the third installment of Director Skye Fitzgerald’s Humanitarian Trilogy, focused on the global refugee crisis. The first film, 50 FEET FROM SYRIA focused on doctors working on the Syrian border and was Oscar® shortlisted. The second, LIFEBOAT documents search and rescue operations off the coast of Libya and was nominated for an Academy Award® and national Emmy®. Director Skye Fitzgerald (Lifeboat, 50 Feet from Syria, Finding Face) joins us for a conversation on the making of his 2021 Oscar® Shortlisted Hunger Ward documentary, how little American mass media has talked about the ongoing genocidal war against a defenseless civilian population – done with diplomatic,  political backing by the Trump Administration, as well as, intelligence and logistical support from the US military – and what we can do to stop it.

 

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For news and updates go to: hungerward.org

2021 Oscar® shortlist – Best Documentary (Short form)

About the filmmaker – Member of the Academy of Motion Picture Arts and Sciences (Documentary Branch). Oscar/Emmy/IDA-Nominated Director Skye Fitzgerald is directing The Humanitarian Trilogy: HUNGER WARD (2020) documents the impact of the war and famine in Yemen on children, families, and health care workers. LIFEBOAT (2018) highlights search and rescue operations off the coast of Libya and was nominated for an Academy Award® and national Emmy® award. 50 FEET FROM SYRIA (2015) focuses on doctors working on the Syrian border and was voted onto the Oscar® shortlist. Fitzgerald was also inducted as an honorary member into SAMS (Syrian American Medical Society) for his work with Syrian refugees and named a Distinguished Alumnus at his alma mater EOU for documentary work. As a Fulbright Research Scholar Fitzgerald directed the film Bombhunters and has since worked with the Sundance Institute, the U.S. Institute of Peace, the State Department, the Paul Robeson Fund and Mountainfilm. As a Director of Photography, Fitzgerald lenses work for major clients including Dateline, VICE, Mercy Corps, CNN, the Discovery, Travel, History and Animal Planet Channels. For more on Skye Fitzgerald go to: spinfilm.org

SOCIAL MEDIA
facebook.com/spinfilm
twitter.com/spin_film
instagram.com/spin_film
instagram.com/explore/tags/skyefitzgerald
#HungerWard
#LifeboatFilm
#50FeetFromSyria

Critical reactions to Skye Fitzgerald’s work:

“…a rare look inside the human impact of the war in Yemen” – Jane Ferguson – PBS NewsHour

“Once you see it, you won’t forget it.” – Sarah Larson – THE NEW YORKER 

“Fitzgerald has sought to harness this art-form to draw attention those who are struggling to obtain their most basic, fundamental human freedoms. LIFEBOAT…is vitally important.” – US HUMAN RIGHTS COMMISSION 

“…deftly addresses the most critical humanitarian issue of our time and those who are doing something about it.” – Michael Brody – Programmer Crested Butte FF  

“…visually brutal…a harrowing package.”  – VARIETY  

Windup – Director Yibing Jiang and Artistic Director Glenn Keane

The animated short film based on her own childhood experience in Wuhan China, WINDUP, tells the story of a father trying to stay connected with his unconscious daughter through music. He plays a windup music box and hopes she can hear it while fighting with his own emotions to stay strong. Meanwhile, his daughter follows the melody in her dreams and looks for a way back. WINDUP is a nine-minute animated short written and directed by an emerging female Chinese filmmaker Yibing Jiang, and Animation Director Jason Keane. Keane has a long family legacy in animation, which includes, his grandfather Bill Keane (Family Circus comics) and his uncles Jeff Keane; and Glenn Keane, (The Little Mermaid, Beauty and the Beast, Aladdin, Pocahontas, Tarzan, and Tangled). WINDUP was also a collaboration with artists working remotely from around the world, created in real-time with Unity. At a time when we are feeling isolated, craving connection and preoccupied with the health and well-being of loved ones, the theme of the film is an uplifting and universal one that highlights the fragile nature of life, love, resiliency and the healing power of music, told through the eyes of a father and the special bond he shares with his ailing young daughter. Director Yibing Jiang and Artistic Director Jason Keane stop by to talk about their work and vision for this heartwarming and beautiful animated film.

 

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To find out more or to watch go to: unity.com/demos/windup

SOCIAL MEDIA
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twitter.com/unity3d
twitter.com/JasonAKeane
instagram.com/unitytechnologies
instagram.com/yibing_art
instagram.com/jasonkeane_animation
@unity3d
#WindUpFilm

The Toxic Pigs of Fukushima – Director Otto Bell

THE TOXIC PIGS OF FUKUSHIMA follows a lone hunter into an isolated and changed landscape. Along the way, other citizens who still live near the reactor share their perspectives on the aftermath of the Great East Japan Earthquake of 2011 triggered a tsunami, nuclear meltdown and mass evacuations in Fukushima Prefecture. Today, as part of a Government push to encourage resettlement, local hunters have been enlisted to dispose of radiated Wild Boars that now roam the abandoned streets and buildings. THE TOXIC PIGS OF FUKUSHIMA focuses on the people who still live near the reactor share their perspectives on the aftermath. Along the way, other citizens who still live near the reactor share their perspectives on the aftermath. THE TOXIC PIGS OF FUKUSHIMA was inspired by the photographs of co-producers Toru Hanai and Yuki Iwanami. The original score was written and performed by renowned ambient artist Midori Takada. Directed by Otto Bell (The Eagle Huntress) THE TOXIC PIGS OF FUKUSHIMA has been acquired by VICE and will be featured in “The Short List with Suroosh Alvi,” an upcoming series from VICE World News. The Short List is a collection of the world’s best documentaries curated by VICE founder Suroosh Alvi.

 

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Watch The Toxic Pigs of Fukushima

**Top 10 short docs of the year from Cinema Eye**
**Official Selection – Telluride Film Festival 2020**
**WINNER – Rhode Island International Film Festival 2020 – Grand Prize, Green Planet Award
**Official Selection – Docs Without Borders Film Festival 2020
**Official Selection – Montclair Film Festival 2020
**Official Selection – St Louis Film Festival 2020
**WINNER – Thomas Edison – Black Maria Film Festival 2021
**Official Selection – Big Sky Film Festival 2021

 

About the filmmaker – Otto Bell runs Courageous, a commercial studio of filmmakers and designers based in New York. He has directed over fifteen documentary films as far afield as Uganda, Japan, Egypt and Vietnam for brands such as IBM and Philips. During a decade in the industry, he has also created and produced multi-award winning world affairs programming such as “Horizons” on BBC World News and “Shunya” on Times Now of India. Otto is a graduate of Oxford University and the prestigious WPP Fellowship Scheme. He lives in Manhattan, but originally hails from Northern England.

The Earthquake And Tsunami – The magnitude-9.1 earthquake struck March 11, 2011 at 2:46 PM. The epicentre was located some 80 miles (130 km) east of the city of SendaiMiyagi prefecture, and the focus occurred at a depth of 18.6 miles (about 30 km) below the floor of the western Pacific Ocean. The earthquake triggered a shut down of the three active reactors at the  Fukushima I Nuclear Power Plant (Fukushima Dai-Ichi). The ensuing tsunami crippled the site, stopped the Fukushima I backup diesel generators, and caused a station blackout. The subsequent lack of cooling led to explosions and meltdowns at the Fukushima I facility, with problems at three of the six reactors and in one of the six spent-fuel pools. The March 11, 2011, earthquake was the strongest to strike the region since the beginning of record keeping in the late 19th century, and it is considered one of the most powerful earthquakes ever recorded. Hundreds of aftershocks, dozens of magnitude 6.0 or greater and two of magnitude 7.0 or greater, followed in the days and weeks after the main quake.

The Impact – Following the 2011 Japanese Fukushima nuclear disaster, authorities shut down the nation’s 54 nuclear power plants. The Tokyo Electric Power CompanyFukushima Daiichi plant remains highly radioactive, with some 160,000 evacuees still living in temporary housing, and some land will be unfarmable for centuries. The  difficult cleanup job will take 40 or more years, and cost many tens of billions of dollars, with total economic costs estimated at $250–$500 billion

Film Maudit 2.0 – Executive Director Leo Garcia and Artistic Director Patrick Kennelly

January 12-24 2021, Highways, the legendary Los Angeles Performance Space and Gallery presents its Second Annual Film Maudit 2.0 festival showcasing and celebrating new outré, unusual and startling films. The festival will feature over 125 works of cinema from 25 countries including films rarely if ever, seen in festivals: works addressing socio-political issues and taboo subject matter that challenges conventional artistic assumptions and sexual mores.Virtual, online screenings of 18 feature films, 21 shorts programs, specially commissioned programs, and new film scored performed by artists who reflect the diversity of Los Angeles. Included are a range of narrative, documentary and experimental films that are deliberately bold, extreme, confrontational and unusual. Film Maudit 2.0 highlights this year include the U.S. premieres of Feature Films: Mathius Marvellous Shop, a Spanish/German surrealistic satire; Kriya, a magical Indian thriller, and the Los Angeles premieres of Woman of the Photographs; a powerful Japanese film about image and reality for a beautiful model; The Columnist, a darkly comic horror film from The Netherlands; A Dark, Dark Man, the Kazakhstan/France thriller just long-listed for the Golden Globes; and Darkness (Buio) the first feature film by Donatello Award-winning director Emanuela Rossi. Other special programs include a special fundraising screening of erotic art pioneers Annie Sprinkle and Beth Stephens’ Water Makes Us Wet, featuring a live stream Q&A with both; new, original music scores performed live to silent films, and multiple Feature and Shorts Programs that showcase works from 25 countries in 16 uniquely curated categories from ‘Ms. Fear’ to ‘Shattering Form’ – with animated documentaries to experimental works handmade on film; extreme horror to comic surrealism. There is a special focus on works in Film Maudit’s BEHOLD section, which includes NSFW! curated by Planet Queer, Hi Kicks Entrails, curated by performance artist Ironstone, and QLX: the Performance of Queer Latinx.

 

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For news, screenings and updates go to: filmmaudit.org

All films at the festival are free and available online January 12 through 24. Reservations are required and can be made for each program via Film Maudit 2.0’s Screening Portal: filmmaudit.org/filmmaudit

Film Maudit 2.0 festival is inspired by French avant-garde filmmaker and writer Jean Cocteau who created the original Festival du Film Maudit (literally “cursed films”) in 1949 aiming to celebrate overlooked, shocking and experimental films. Film Maudit 2.0, in its 2nd year, showcases a counter-cinema will blend of narrative, documentary and experimental films that in their style and/or subject matter, are deliberately bold, extreme, confrontational, troubling, shocking and/or unusual. The festival is funded in part by the California Arts Council, Los Angeles County Department of Cultural Affairs and the City of Santa Monica Cultural Affairs CAP Program.

About HIGHWAYS – Film Maudit 2.0 is co-presented by and takes place at Southern California’s boldest center for new performance and media arts, Highways Performance Space & Gallery in Santa Monica, CA. In its 31st year, Highways continues to be an important alternative cultural center in Los Angeles that encourages radical artists from diverse communities to develop and present innovative new works. Described by the Los Angeles Times as “a hub of experimental theater, dance, solo drama and other multimedia performance,” Highways promotes the development of contemporary socially involved artists and art forms. Under the helm of Executive Director, Leo Garcia, Highways has received funding and support from organizations such as the The James Irvine Foundation, Metabolic Studio, California Community Foundation, Liberty Hill Foundation, The Warhol Foundation, National Endowment for the Arts, and The Roy Cockrum Foundation. Leo Garcia is an award-winning playwright, filmmaker, visual artist and actor who has produced over 800 performance works as Artistic Director-turned-Executive Director of Highways since 2003. highwaysperformance.org

SOCIAL MEDIA
facebook.com/filmmaudit2
twitter.com/filmmaudit2
instagram.com/filmmaudit2.0
@filmmaudit2.0.

Oleander, Director Kate Hackett

OLEANDER, (Emily Robinson)17, is the star and sole creator of her own provocative, sex-positive YouTube channel. She is also an unwilling student at a Christian abstinence program, led by the poised and charismatic Alissa, (Peri Gilpin) 50s. When Alissa demands that Oleander issue an on-camera apology for mocking her abstinence program online, a fierce battle of wills ensues. Alissa is aided by Kim, (Jennifer Lafleur) 30s, a filmmaker-for-hire who has no allegiance other than to serve her client. Oleander fights desperately for her voice and her beliefs, but will her anti slut-shaming message be able to stand up against the manipulative power of the two adults who seek to suppress her? Director Kate Hackett joins us for a conversation on her thoughtful, sharply focused look at the power of manipulation, respect, trust and sexual agency.

 

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For news, updates and screenings go to: oleandershortfilm.com

About the filmmaker – Kate Hackett is a filmmaker and film editor based in Los Angeles. She is a 2020 Emmy winner for her editing work on the Netflix documentary series “Cheer.” Her work as an editor also includes the Emmy award winning Netflix documentary series “Last Chance U,” and the Sundance documentary feature Half The Picture. She was the 2018 Sundance Institute Sally Menke Editing Fellow. As a screenwriter, she was a 2016 American Zoetrope Screenwriting contest finalist with the screenplay Purify My Heart.

 Best Director – Short Film, The Method Fest 2020

Official Selection of LA Femme International Film Festival 2020*

Social Media
facebook.com/oleandershortfilm
twitter.com/oleanderfilm
twitter.com/kate_hackett
instagram.com/oleanderfilm
instagram.com/khangelena
@oleanderfilm
@kate_hackett

The rePRO Film Festival and mama.film Co-founders Lela Meadow-Conner, Mallory Martin and Debby Samples

The rePRO Film Festival begins its inaugural run this August 12-16. The virtual film festival is dedicated to exploring women’s reproductive healthcare, awareness, advocacy and bodily integrity in America. The lineup of films includes documentaries and narratives dealing with women’s rights, endometriosis, illegal sterilization, access to abortion, and reproductive justice for women of color, among other topics. rePRO Film Festival, will host five days of features, short films and themed-conversations focused on a range of topics including healthcare access, fertility, pregnancy, sexual education, abortion, and issues related to the gender spectrum. In-festival moderated conversations will include call-to-action messaging on how people can get involved in a corresponding initiative or topic. The conversations, designed to spotlight the creators who dare to tell stories about women’s reproductive rights, and to showcase courageous advocators, will be available online for free globally. All feature films playing the rePRO Film Festival are directed by women, and all filmmakers, including shorts filmmakers, are being paid to screen their films. The pay-what-you-can film ticket proceeds for films at the festival will be converted to donations to be split evenly among five beneficiary non-profit organizations – SisterSong, Endometriosis Foundation of America, Center for Reproductive Rights, URGE and Trust Women. Tickets are on sale online at repromamafilm.org. Tickets are all pay-what-you-can ($5, $10 or $15) with a limited number of complimentary vouchers available upon request to ensure access for all. rePro Film Festival and festival sponsor mama.film founders Lela Meadow-Conner, Mallory Martin and Debby Samples join us to talk about the launch of their deep dive into the issues, challenges and stories that face 49% of the world’s population and the people who love them.

 

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For news, screenings and updates go to: repromamafilm.org

About MAMA.FILM – Through the power of cinema, mama.film (link), a 501c(3) non-profit organization, unites nurturers of all kinds to ignite conversation and to reflect upon our shared human experience. Founded in 2019, in a pop-up microcinema in a shipping container in Wichita, Kansas, mama.film has since been awarded expanded programming to Cleveland, and to a virtual platform. Film selections include stories and topics that amplify and explore the evolving realities of the human condition and that spark dialogue and reflection. mamafilm is committed to representing the realities and complexities of a diverse range of nurturers, across race, class, geography, sexual preference, ability and generation.An emphasis is placed on independent and foreign films that are grounded in authentic storytelling. mamafilm is committed to supporting the work of creators who are  nurturers and caregivers. Initial support for rePRO by mama.film was generously provided by a grant from the George R. Tiller, M.D., Memorial Fund for the Advancement of Women’s Health at the Wichita Community Foundation. Follow @mamafilm1 on Instagram or Twitter for updates, or follow rePRO by mama.film on Facebook for more updates.

Social Media
facebook.com/mamafilm1
twitter.com/MamaFilm1
instagram.com/mamafilm1

St. Louis Superman, Director Smriti Mundhra and Sami Khan

Bruce Franks Jr. is a 34-year-old battle rapper, Ferguson activist and state representative from St. Louis, Missouri. Known as Superman to his constituents, he is a political figure the likes of which you’ve never seen – full of contradictions and deep insights, who has overcome unspeakable loss to become one of the most exciting and unapologetic young leaders in the country. This short verité documentary follows Bruce at a critical juncture in his life, when he is forced to deal with the mental trauma he’s been carrying for the nearly 30 years since his 9-year-old brother was shot and killed in front of him, in order to find peace and truly fulfill his destiny as a leader for his community.  Co- director Smriti Mundhra  (Sami Khan) join us to talk about how a dynamic and charismatic man from a traumatized community took tragedy and turned into action.

About the filmmakers: Smriti Mundhras A SUITABLE GIRL  premiered at Tribeca in 2017 and won the Albert Maysles Award for Best New Documentary Director. KHOYASami Khan’s feature debut, was selected for the Tribeca Film Institute’s Tribeca All Access® fellowship.

 

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Social Media:
twitter.com/smritimundhra
facebook.com/smriti.mundhra
facebook.com/SamiKhan
twitter.com/samikhanfilm

 

Awards Shortlists:

Cinema Eye Honors – Short Listed – Best Short

DOC NYC – Best Shorts Short List

WINNER AUDIENCE AWARD – BEST SHORT DOC  – 2019 HOT DOCS FILM FESTIVAL – 2019 AFI DOCS FILM FESTIVAL – 2019 TRAVERSE CITY FILM FESTIVAL

WINNER – SPECIAL JURY AWARD  – 2019 TRIBECA FILM FESTIVAL

WINNER – BEST SHORT DOC  – 2019 BIG SKY DOCUMENTARY FILM FESTIVAL

WINNER – BEST DOCUMENTARY – HEARTLAND FILM’S 2019 INDYSHORTS FILM FESTIVAL

“Thank you Mr. Mundhra. The film is powerful and simple.” – Lapacazo Sandoval, Los Angeles Sentinel

Slamdance Film Festival, Co-founder and President Peter Baxter

It all began when a group of cheerful, subversive filmmakers weren’t accepted into the Sundance Film Festival. Unwilling to take “no” for an answer, they instead started their own event – Slamdance: Anarchy in Utah. 26 years later, Slamdance has become a year-round organization fostering the development of unique and innovative filmmakers. The organization now consists of the Film Festival, Screenplay Competition and Slamdance Studios. It has also created Slamdance On The Road, a traveling theatrical showcase that brings popular Slamdance films to audiences that otherwise would not have the opportunity to see them. Dan Mirvish, Jon Fitzgerald, Shane Kuhn and Peter Baxter are the founding forefathers who, along with co-conspirator Paul Rachman, fought for truly independent filmmakers by giving them a voice in 1995 at the very first Slamdance Film Festival. Since then, the festival takes place every January in the breathtakingly stunning, snow-capped mountains of Park City, Utah at the exact same time as the Sundance Film Festival, to provide a more authentic representation of independent filmmaking. Up-and-coming writers, directors and producers, alongside seasoned veterans and film lovers, converge for the weeklong celebration of independent cinema, realizing that Slamdance is a great place to find those next, great, visionary films. Slamdance lives and bleeds by its mantra By Filmmakers For Filmmakers. No other film festival in the world is entirely run and organized by the creative force that can only be found in filmmakers. Slamdance adamantly supports self-governance amongst independents, and exists to deliver what filmmakers go to festivals for – a chance to show their work and a platform to launch their careers. The festival has earned a solid reputation for premiering films by first-time writers and directors working within the creative confines of limited budgets. Co-founder and President Peter Baxter joins us to talk about this year’s Slamdance, the groundbreaking films and the innovative new distribution and digital initiatives being launched by Slamdance.

 

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For news and updates go to: slamdance.com
Check out the film schedule at slamdance 2020 schedule

 

Slamdance Film Festival – January 24-30 at the Treasure Mountain Hotel in Park City, Utah

 

Social Media:
facebook.com/SlamdanceFilmFestival
twitter.com/Slamdance
instagram.com/slamogram

 

** Dance with Film Festival Spotlight

Saturday, June 15 – Raceland, Director Scott Bloom

Raceland is the story of Blake and Lloyd, two old friends from the bayou. As kids they were thick as thieves and had the kind of close friendship that songs are written about. After being separated for a number of years, they’ve rekindled their friendship anew, present day. During a day of fishing, Lloyd is tragically injured and Blake steps up to nurse him back to health. It’s during their concentrated time alone together that they realize the love they had for each other back when they were kids, did not disappear… it’s just buried under years of social cues and macho veneer. Director, Producer and Writer Scott Bloom joins us to talk about the story behind Raceland, his own transition from documentary to narrative filmmaking and the film’s premiere at the Dances with Films Festival.

For news and updates go to: tragoidia.com

Wednesday June 18 – Gutterbug, Director Andrew Gibson

GUTTERBUG is a film about a young man’s human experience as he struggles with the demands of conformity. After running away from home, Bug finds his place in the underbelly of society, among the counter culture of anti-establishment street punks. He is driven by conflict: between morality and survival, life and death, love and anger, being a decent person and not giving a fuck. Homelessness, mental health, drug addiction, family and violence will carry our plot. His desire to cut ties with his past life is outweighed by a powerful pull back to true north, brought on by a series of sentimental flashbacks which spark a journey back to his family. Back to the only thing that makes life worth living. He could do without the possessions and he could do without a house, but he sees it is impossible to live without a home. Today is Bug’s birthday, this is his story. Director and writer Andrew Gibson stops by to talk about the guerrilla filmmaking that brought Gutterbug to life, hanging out with the “right” crowd and the upcoming West Coast premiere at the Dances with Films Festival Wednesday, June 19 at the TCL Chinese Theatre in Hollywood.

For news and updates go to: facebook.com/gutterbug

Los Angeles Asian Pacific Film Festival, Executive Director Francis Cullado

** Spotlight on the Los Angeles Asian Pacific Film Festival

Visual Communications, the nation’s premier Asian Pacific American media arts center, announced its outstanding program of films and events for the upcoming 35th edition of the Los Angeles Asian Pacific Film Festival (LAAPFF) running MAY 2 – MAY 10, 2018. The all encompassing annual film celebration is presented across Los Angeles in West Hollywood, Downtown LA, Little Tokyo, Koreatown, and Hollywood. Visual Communications proudly celebrates the Film Festival’s 34 years as Southern California’s largest and most prestigious film festival of its kind.  LAAPFF launches the celebration of Asian Pacific Heritage Month through this year’s slate of over 100 films from both Asian Pacific American and Asian international artists. For over three decades, the Festival has presented nearly 5,000 films by Asian Pacific American and Asian International talent. This year’s festival  will feature over 130 short films during the nine day fest from May 2 – May 10. These cinema gems from around the globe featuring stories about love, family, heartbreak, friendships, and self acceptance are all part of the exciting line up. The Festival opens May 2nd with the World Premiere of YELLOW ROSE directed by Diane Paragas and starring Broadway legend Lea Salonga and emerging star Eva Noblezada. Two acclaimed festival favorites will screen as the Centerpiece Films at the Festival; GO BACK TO CHINA directed by Emily Ting and MS. PURPLE directed by Justin Chon. The closing night film is the world premiere of EMPTY BY DESIGN directed by Andrea A. Walter premiering on Friday, May 10.  LAAPFF Executive Director Francis Cullado of Visual Communications stops by to talk about the ever expanding interest in Asian filmmakers and the trailblazing artistry being done by them.

 

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 For news and updates go to: festival.vcmedia.org/2019

LEARN MORE ABOUT LAAPFF and VISUAL COMMUNICATIONS:

vcmedia.org

facebook.com/vcfilmfestival

twitter.com/vcfilmfestival

instagram.com/vcmediaorg

20th Anniversary of Newport Beach Film Festival, CEO and Co-founder Gregg Schwenk

For the last 20 years the Newport Beach Film Festival has brought the best of classic and contemporary filmmaking from around the world to Orange County. Under the direction of CEO and Co-founder Gregg Schwenk and the festival’s staff have been committed to entertaining and enlightening the public with a first-class international film program as well as providing a forum for cultural understanding and enriching educational opportunities, the Festival focuses on showcasing a diverse collection of both studio and independent films. The Festival supports the creation and advancement of innovative and artistic cinematic works from both emerging and seasoned filmmakers and proudly embraces the passion, vision and independent spirit of these talented artists. With the integration of the local community and educational institutions, the Festival stimulates an interest in the study and appreciation of film and encourages people of all ages and backgrounds to participate. The Community Outreach Program was created with the idea that film offers new perspectives and possibilities for a changing world. Each year, the Festival partners with over 40 non-profit organizations and pairs each philanthropic organization with a film that aligns with their mission. The Festival gives non-profit organizations a forum to voice their message to large audiences and spread awareness of their organization and mission through the medium of film. Areas of focus include the arts, health and human services, the environment, education, children’s causes, seniors’ and veterans’ programs, and alumni clubs. CEO and Co-founder Gregg Schwenk joins us to talk about a remarkable festival line-up of comedies, dramas, short films, action sports, classics, documentaries, musicals and foreign film excellence.

For news, updates and film schedules go to: newportbeachfilmfest.com

For more on the OC FIlm Society go to: newportbeachfilmfest.com/ocfs

OVID.tv, Co-founder of OVID.tv and Director of Icarus Films Jonathan Miller

In a media environment dominated by increasingly concentrated corporate interests, eight distribution companies who have long championed the best in independent features, documentaries, and social issue films, have joined forces to help launch a new subscription streaming service, OVID.tv. Starting today, OVID.tv offers more than 350 quality documentaries and art-house films from the collections of its founding content partners: Bullfrog Films, The dGenerate Films Collection, Distrib Films US, First Run Features, Grasshopper Film, Icarus Films, KimStim, and Women Make Movies. Most of the films on OVID.tv are not available on any other streaming platform, and OVID.tv will be adding even more films every two weeks–14 fiction feature films and one 10-part documentary series are already scheduled for release. Despite the odds and with little capital, Icarus Films, Docuseek, and our partners have decided that the time has come to step forward and build a new, independent space, dedicated to the films that we believe in and care about, and that we believe you care about, and value as well. OVID.tv co-founder Jonathan Miller joins us to talk about an affordable option for film lovers looking for the highest quality cinema experience presented by people who share your passion.

 

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For news and updates go to:ovid.tv

You can read more about OVID on the International Documentary Association website, click here.

For now OVID.tv is only available in the U.S.

“A cornucopia of international movies and documentaries… recent ones as well as classics. It’s far better for recent movies than FilmStruck ever was, and its spectrum of new movies is far more substantial than that of Netflix, wider-ranging than that of Amazon.”  Richard Brody, The New Yorker, March 22, 2019

Indian Film Festival of Los Angeles, Director of Programming Mike Doughtery

The 17th edition of the fest begins on Thursday, April 11th with an opening night tribute to legendary Indian Actress TABU, who is regarded as one of the most talented Indian actors of her generation, having been honored with two National Film Awards, six Filmfare Awards and notably, the Padma Shri from the Government of India in 2011. In addition to opening with a tribute and moderated discussion with TABU, the festival’s opening night gala event will also include a screening of her latest film ANDHADHUN, a feature directed by IFFLA alum Sriram Raghavan (Johnny Gaddaar).

Some other highlights from this year’s lineup include:

– A moderated panel featuring successful South Asian professionals working across various fields in the television industry. The panel boasts a lineup that includes actor/comedian Nik Dodani (Murphy Brown, Netflix’s Atypical), director Meera Menon (The Walking Dead, GLOW, The Magicians), writer Fawzia Mirza (CBS’ upcoming The Red Line), writer Chitra Sampath (Good Behavior, Southland), writer and co-creator of Fox’s The Resident Roshan Sethi, and actor Dhruv Uday Singh (Freeform’s Good Trouble, CBS pilot Pandas of New York).

-The screening of a trio of Sundance and Slamdance favorites that includes Ronny Sen’s unforgettable feature debut CAT STICKS, the exhilarating and imaginative real-life journey of TAKING THE HORSE TO EAT JALEBIS from theatre-turned-film director Anamika Haksar, and PHOTOGRAPH from The Lunchbox director Ritesh Batra.

-Director Megha Ramaswamy’s THE ODDS would close out the festival on April 14. THE ODDS is a coming-of-age tale about two teens who skip school on an important exam day and go on a fantastical journey through Mumbai. THE ODDS features supporting turns from Abhay Deol (Dev D) and Priyanka Bose (Lion) and special appearance by Monica Dogra, all of whom are expected to attend the Gala along with Ramaswamy and co-leads Yashaswini Dayama and Karanvir Malhotra.

Director of Programming Mike Dougherty stops by to talk the 2019 edition of IFFLA, the future of Indian cinema and the increasing acceptance among mainstream American film lovers.

For news and updates go to: indianfilmfestival.org/

IFFLA Film Guide

IFFLA ticket information

Location:

Regal L.A. LIVE: A Barco Innovation Center

1000 W. Olympic Blvd.

Los Angeles CA 90015

2019 Oscar Nominated Short Films, with ShortsTV Chief Executive, Carter Pilcher

For over a decade, ShortsTV has proudly brought the Oscar© Nominated Short Films to audiences across the globe. This exclusive release features the year’s most spectacular short films and for a limited time is available to watch on the big screen. Each nominee is released in one of three distinct feature-length compilations according to their category of nomination: Live Action, Animation or Documentary. The films go into theaters around the world shortly after nominations are announced and are not released anywhere else until a few days before the Oscars©, when they are also made available via on demand platforms, including iTunes, Amazon Instant Video, Google Play and Vimeo on Demand. The release ensures the greatest number of viewers can see all the nominees before the ceremony, while providing short filmmakers with an unprecedented opportunity to commercialize their movies. Carter Pilcher founded Shorts International in 2000. Coming from a background in both investment banking and law, Carter has made Shorts International the world’s leading short movie Entertainment Company, functioning as distributor, broadcaster and producer. Carter has extensive experience in short movie production and short movie entertainment. He is a voting member of the British Academy of Film and Television Arts and a member of the Short Film and Feature Animation Branch of The US Academy of Motion Pictures, Arts and Sciences (AMPAS) – the guys who pick the Oscars. For the last five years Carter Pilcher has been the highlight of Oscar season here on Film School. His insight, commitment and love of the short film format and the dedicated people who create them insures a lively and informative conversation on some of the best films you will see all year.

 

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For news and updates on the Oscar Shorts go to: shortstv – theoscarshorts

For screening information go to: theoscarshorts/theatrical release

Live Action (Short)    

Detainment 

Madre

Fauve    

Skin    

Marguerite 

 

Documentary (Short)

Black Sheep

Night at the Garden

End Game

Period. End of Sentence

Lifeboat

Animation (Short)

Animal Behavior

One Small Step

Bao

Weekends

Late Afternoon

 

Work in Progress, Co-Directors Abby McEnany, Tim Mason and Actor Julia Sweeney

**SUNDANCE PREMIERE** Based loosely on Abby McEnany’s own experiences, WORK IN PROGRESS is an honest, funny, and rarely seen exploration of the “isms” and phobias that permeate all of our lives: homophobia, transphobia, sexism, racism, sizeism, classism, and more. In a nutshell, Abby is a 45 year old queer dyke who is finally coming into her own or she is a 45 year old queer dyke who is about to kill herself.  Both are true.  It just depends on which day you meet her. She is a finely crafted cocktail of Depression, OCD, Queerness, Insecurity and Anxiety but she only drinks Miller Lite.  And in this coming of age story, every little thing or person she meets has the potential for life-altering meaning. Abby is in an adolescent-like stage and has been stuck there for 30 years. After her therapist dies mid-session and she begins to date a trans man, Abby is forced to re-evaluate her life choices, her dating options and whether or not to confront the woman responsible for ‘ruining her life’: SNL’s Julia Sweeney. Co-directors Abby McEnany, Tim Mason and actor Julia Sweeney join us for a rollicking conversation on their hilarious, honest and engaging Sundance Film Festival debut episode of Work in Progress.

Social Media:

facebook.com/Abby McEnany

Twitter:@workinptv

Instagram:@workinp

 

Slamdance Film Festival Co-founder Peter Baxter

It all began when a group of cheerful, subversive filmmakers weren’t accepted into the Sundance Film Festival. Unwilling to take “no” for an answer, they instead started their own event – Slamdance: Anarchy in Utah. 24 years later, Slamdance has become a year-round organization fostering the development of unique and innovative filmmakers. The organization now consists of the Film Festival, Screenplay Competition and Slamdance Studios. Dan Mirvish, Jon Fitzgerald, Shane Kuhn and Peter Baxter are the founding forefathers who, along with co-conspirator Paul Rachman, fought for truly independent filmmakers by giving them a voice in 1995 at the very first Slamdance Film Festival. Since then, the festival takes place every January in the breathtakingly stunning, snow-capped mountains of Park City, Utah at the exact same time as the Sundance Film Festival, toprovide a more authentic representation of independent filmmaking.  Up-and-coming writers, directors and producers, alongside seasoned veterans and film lovers, converge for the weeklong celebration of independent cinema, realizing that Slamdance is a great place to find those next, great, visionary films.  Slamdance lives and bleeds by its mantra By Filmmakers For Filmmakers. No other film festival in the world is entirely run and organized by the creative force that can only be found in filmmakers. Slamdance adamantly supports self-governance amongst independents, and exists to deliver what filmmakers go to festivals for – a chance to show their work and a platform to launch their careers. The festival has earned a solid reputation for premiering films by first-time writers and directors working within the creative confines of limited budgets. Co-founder and President Peter Baxter joins us to talk about this year’s Slamdance, the groundbreaking films and the innovative new distribution being launched by Slamdance.

 

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For news and updates go to: slamdance.com

Check out the film schedule at slamdance 2019 schedule

Slamdance Film Festival will take place January 25-31, 2019 in Park City, Utah

Social Media:

facebook.com/SlamdanceFilmFestival

twitter.com/Slamdance

instagram.com/slamogram

Los Comandos, Co-directors Juliana Schatz-Preston and Joshua Bennett

Violence has overrun El Salvador. El Salvador remains one of the most dangerous non-war zones in the world. Violent turf wars between rival gangs and the government threatens Salvadorans’ day-to-day life. This is highlighted by a continued migration crisis where families, and unaccompanied youth attempt to flee to neighboring countries or the United States, with hopes of a safer future. The emergency medical unit Los Comandos de Salvamento is standing up to the gangs’ reign of terror. Sixteen-year-old Mimi is a dedicated Comando caught in the cross hairs. When her fellow Comando, 14-year-old Erick, is gunned down while serving, she faces pressure to flee El Salvador and head north. Co-directors Juliana Schatz-Preston and Joshua Bennett join us for a conversation on their ripped from today’s headlines project and the importance of putting a human face on the plight of these beleaguered people.

For news and updates go to: loscomandos.film

The Comandos de Salvamento (Los Comandos) provide a potentially life saving alternative for young people who want to avoid being recruited by gangs. Because the group does not discriminate when attending to victims, Los Comandos have earned a certain degree of respect from the gangs. Many of the volunteers find the Comandos base safer than home. Suport Los Comandos

KIND protects unaccompanied children who enter the US immigration system alone to ensure that no child appears in court without an attorney. Ensuring that no child appears in immigration court without high quality legal representation. Support KIND

GLASSWING help young people who remain in El Salvador or return after deportation, life is a daily struggle. Not only do they face extreme violence and poverty, but cycles of massive migration and social upheaval are also exacerbating issues of family disintegration, school dropout, early pregnancy, and limited economic opportunities. Youth face persistent stigma, social exclusion, and exposure to extreme violence and trauma. They lack opportunities to develop the core skills they need to thrive.  Support Glasswing International

• Winner of Best Documentary Short at Austin Film Festival (Oscar® qualifying award)
• Winner of Best Short at Los Angeles Cinefest
• Finalist for CINE Golden Eagle award for Best Documentary Short

My Dead Dad’s Porno Tapes, Director Charlie Tyrell

In the endlessly clever and bittersweet documentary My Dead Dad’s Porno Tapes filmmaker Charlie Tyrell Seeks to better understand his emotionally distant late-father through personal belongings he left behind… including a stack of his VHS dirty movies. Director / producer Charlie Tyrell joins us for an engaging conversation on the universality of inter-generational silence and obfuscation surrounding the backgrounds and traumas that shaped the lives of parents, grandparents and great-grandparents. And how this wall of that silence can lead to unwarranted alienation and resentment between fathers and sons.

 

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For news and updates go to: mydeaddadspornotapes.com

Social media

facebook.com/mddptfilm

twitter.com/mddptfilm

mddptfilm@gmail.com

Lifeboat, Director Skye Fitzgerald

In a political environment increasingly hostile to immigrants and refugees, documenting the real-life plight of those fleeing war and oppression is more vital and important than ever. The short form documentary film LIFEBOAT bears witness to refugees desperate enough to risk their lives in rubber boats leaving Libya in the middle of the night, despite a high probability of drowning. With few resources but certain that civil society must intervene, volunteers from a German non-profit risk the waves of the Mediterranean to pluck refugees from sinking rafts.  In a real-life context with dire consequences, LIFEBOAT puts a human face on one of the world’s greatest contemporary, global crises and provides a spark of hope surrounding how civil society can intervene in the refugee crisis in a meaningful way. Director Skye Fitzgerald joins us for a conversation on the extremely dangerous and inhospitable world awaiting most of the desperate people fleeing for their lives across the vast expanse of the Mediterranean Sea.

For news and updates go to: lifeboatdocumentary.com

LIFEBOAT nominated as BEST SHORT of 2018 by International Documentary Association

LIFEBOAT wins BEST SHORT at world premiere at Mountainfilm in Telluride!

LIFEBOAT WINS Best Short Doc at Woodstock Intl. Film Festival

LIFEBOAT WINS Special Jury Award at BendFilm!

LIFEBOAT honored with JURY AWARD at Traverse City Film Festival

LIFEBOAT wins social justice ACT NOW award at Crested Butte Film Festival

LIFEBOAT WINS at Dublin International Shorts Film Festival

Mill Valley Film Festival 41 – Zoe Elton, Director of Programming

For four decades, the Mill Valley Film Festival (MVFF) has maintained its position as a vital showcase of the global film community, attracting iconic red-carpet talent, emerging filmmakers, passionate audiences and astutely curated premieres. A destination event for film lovers, drawn by an exciting, diverse program of mainstream studio features and independent visions from around the world, set against the stunning backdrop of Northern California, MVFF also hosts an impressive array of panels, conversations, receptions, parties and live music performances, featuring many of the most acclaimed and in-demand artists and industry professionals of our time. With a reputation for launching new films and creating awards season buzz, MVFF has a knack for spotting emerging talent as well as drawing legendary artists. Known as the filmmaker’s festival, MVFF welcomes more than 200 filmmakers and guests from around the world and has hosted such luminaries as Nicole Kidman, Holly Hunter, Ang Lee, Todd Haynes, Mira Nair, Brie Larson, Costa-Gavras, Damien Chazelle, Marcel Ophuls, Amy Adams, Steve McQueen and Greta Gerwig. Mill Valley Film Festival Director of Programming Zoe Elton, joins us to talk about “the filmmaker’s festival,” and this year’s exciting line-up of documentary, foreign, animated, short and narrative films.

 

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For news and updates go to: Mill Valley Film Festival 41 – October 4 – 14, 2018

Bridget and Iain, Producer Diana C. Zollicoffer

A mother struggles to accept the man her adult son has become. Directed by Leah Patterson, Bridget and Iain is the story of a mother’s love for her adult son. Bridget, (Vivienne Powell) who tries to do everything ‘right’, learns the limits of her power to manage others. Her son Iain (Damian Sommerlad) is charming, funny, and at times kind. He’s also an addict. Worried sick, Bridget finally gets support to make the changes that need to happen. The film charts the shifting relationship between Bridget and Iain as it reaches crisis point. It’s about maturation, change, and the struggle of trying to help someone you love while possibly enabling the very behavior you see as destructive. Bridget and Iain will resonate with anyone who has experienced the impact of any form of addiction in their lives or who have family members with mental health problems, or challenging relationships. Bridget and Iain Producer Diana C. Zollicoffer brought together an all-female crew for the production. Zollicoffer has also produced the environmental/social justice documentary “Forgotten Bayou” numerous short films and web series including Schmoolie the Deathwatcher (winner of the 2015 San Antonio Film Festival). She recently directed the pilot episode of “Annny Minute Now” and assisted in developing the characters and storyline for the web series. She co-wrote “Free Agent: The Benjamin Brown Story” to be directed by Mykelti Williamson (Purge, Fences, Forest Gump), and has several projects that she is developing and two of which, with the intention to direct. Bridget and Iain recently screened at the Cannes Global Women of Color in Film Day and the Cannes Court Métrage Short Film Corner.  Producer Diana C. Zollicoffer joins us to talk about her award winning new film.

 

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To follow the film on social media:

https://www.instagram.com/bridget_and_iain/

https://www.facebook.com/BridgetAndIainTheFilm/

https://twitter.com/bridget_iain