Reed (Christopher Abbott) is going on a business trip. He kisses his wife and infant son goodbye, but in lieu of a suitcase filled with clothes, he’s packed a toothbrush and a murder kit. Everything is meticulously planned: check into a hotel and kill an unsuspecting victim. Only then will he rid himself of his devious impulses and continue to be a good husband and father. But Reed gets more than he bargained for with Jackie (Mia Wasikowska), an alluring call girl who arrives at his room. First, they relax and get in the mood, but when there’s an unexpected disruption, the balance of control begins to sway back and forth between the two. Is he seeing things? Who’s playing whom? Before the night is over, a feverish nightmare will unfold, and Reed and Jackie will seal their bond in blood. Based on the critically acclaimed cult novel by Ryu Murakami, Director Nicolas Pesce (THE EYES OF MY MOTHER) talks about how he was able to blend psychological horror with comedy and stylish neo-noir, resulting in a sly take on the fantasy of escape and the hazards of modern romance.
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“Piercing is a quirky and nasty black comedy, essentially a two-hander-so if you don’t mind spending an hour and twenty minutes with a deranged duo doing their twisted tango, then, by all means, tune in.” – Staci Layne Wilson, We Live Entertainment
“Piercing is an unnerving mix of loveliness and lunacy.” – Bilge Ebiri, New York Magazine
“What a deliciously demented and disturbing drama Nicolas Pesce’s “Piercing” is, dripping with gore and laden with forbidden innuendo.” – Katie Walsh, Tribune News Service
“Pesce deploys a potent arsenal of stylistic tools – urban landscape miniatures, plushly disquieting Lynchian interiors, flashbacks, creature effects, and florid gore – to tell the story of Reed.” – Robert Abele, Los Angeles Times