As a pioneer of integrative medicine, which combines conventional medicine with cutting edge alternative treatments, veterinarian Dr. Marty Goldstein has been called everything from “maverick” to “miracle-worker.” Attracting four-legged patients from around the world, Dr. Goldstein’s practice, Smith Ridge Veterinary Center, provides holistic care for animals after other vets have given up hope. In THE DOG DOC, director Cindy Meehl (BUCK), goes behind the scenes at Smith Ridge to capture the full drama of “Dr. Marty” and his colleagues’ life-changing commitment to wellness and the astounding results they achieve. Filmed over a 2½ year period, Meehl’s unobtrusive camera highlights the vulnerability of her subjects – canine and human – while tracking each animal’s progress. THE DOG DOC joins the touching stories of families with the hard science of integrative care. By casting an intimate lens over this unique world, THE DOG DOC shows the healing powers of wellness, compassion and hope. Director Cindy Meehl joins us for a conversation of why conventional techniques and alternative medicines coupled with compassionate care make Doctor Goldstein’s approach so successful.
“An admiring portrait, to be sure, but one that poses penetrating questions about what passes for health care today in the United States, for people and their pets alike.” – Sheri Linden, Hollywood Reporter
“A riveting documentary about a veterinarian who cures seemingly hopeless cases of dog disease with the addition of alternative tweaks.” – Harvey S. Karten, Shockya.com
“”The Dog Doc” doesn’t just tug on the heart to make its point about alternative treatment, but resonates with the mind.” – Stephen Saito, Moveable Fest
PHOENIX OREGON is the story of two friends, a graphic novelist and a chef, seizing an unlikely opportunity to reinvent their lives, quit their jobs to restore an old bowling alley and serve the “world’s greatest pizza.” Phoenix, Oregon stars James Le Gros (Drugstore Cowboy, Living in Oblivion), Lisa Edelstein (Girlfriends’ Guide to Divorce, House), Jesse Borrego (Fame, Blood In Blood Out), Reynaldo Gallegos (Triple Frontier, American Sniper), Diedrich Bader (Napoleon Dynamite, Office Space, Veep), and Kevin Corrigan (The Departed, Pineapple Express, True Romance). PHOENIX OREGON takes a comedic look at the existential crisis many face when trying to find meaning and relevancy at midlife. Despite controlling bosses, dead-end jobs, and broken relationships, the two leads must awaken hibernating courage and resilience in order to take new risks and keep dreams alive. Director and writer Gary Lundgren (Calvin Marshall, Redwood Highway, Black Road) stops by to talk his own midlife angst and inspiration for this disarming gem of a film, working with a stellar cast and his love for the Pacific Northwest.
Premiering at the Pasadena International Film Festival HONESTY WEEKEND begins when John and Ada’s therapist challenges them to be completely honest with each other for an entire weekend, a young married couple attempts to execute this advice over two days with good friends at a country house. At first amused by the couple’s newfound honesty, soon everyone is infected with the “honesty virus”. Secrets spill and desires flare to life. And when husband John’s sexy lesbian friend Delaney arrives to stir the pot, the whole thing heats up until it boils over. At the heart of this relationship comedy is a young marriage in trouble, but look deeper and you’ll see the angsty discomfort of early thirty-somethings struggling to embrace intimacy and true adulthood. In this grounded, smart, funny film writer-director Leslie Thomas exercises her distinct comedic voice and a wry understanding of our poignant and ridiculous human blind spots. HONESTY WEEKEND stars Adam Bartley (This Is Us), Sabina Gadecki (L.A.’s Finest), Dioni Michelle Collins (General Hospital), Pete Ploszek (Captain Marvel), Evan Watkins (College Humor Originals), Allan Wasserman (Big),and Susan Walters (The Vampire Diaries). Director and writer Leslie Thomas joins is for an engaging conversation on a compressed shooting schedule, holding out for the right cast of actors, as well as the challenges and rewards of being a first time director.
About the filmmaker: LESLIE THOMAS produced the 2018 Emmy-winning documentary feature KEVYN AUCOIN Beauty & The Beast In Me (now on Netflix). She is the showrunner of ratings record breakers HALLOWEEN, HOLIDAY & KIDS BAKING CHAMPIONSHIPS on Food Network. She’s a playwright and a California native who studied Film & TV at Loyola Marymount University. Honesty Weekend is her first feature.
By virtually every yardstick, antisemitism in the US and Europe is rising and worsening in ways not seen since the 1930s. It comes in the forms of vandalism, social media abuse, assault and murder. Like a virus, it mutates and evolves across cultures, borders and ideologies, making it all but impossible to stop. Filmmaker Andrew Goldberg explores its infectious behavior in his film VIRAL: ANTISEMITISM IN FOUR MUTATIONS as he travels through four countries to speak firsthand with victims, witnesses, antisemites, and interviewees including Bill Clinton, Tony Blair, Fareed Zakaria, George Will and Deborah Lipstadt. VIRAL: ANTISEMITISM IN FOUR MUTATIONS examines how some on the American far right have incited such acts as the mass shooting at the Tree of Life Synagogue in Pittsburgh, PA. In Hungary, we see how the Prime Minister has launched a massive campaign against Jewish Holocaust survivor and billionaire George Soros that’s reminiscent of Nazi propaganda. Moving to the far left in England, we see members of the traditionally anti-racist Labour party conflating Israel and Jews, causing tremendous pain for the Jewish community. And in France, the film illuminates the seemingly endless wave of violence against Jews by Islamists and radicals. The increasing bigotry, and at times violence, within each of these four countries paints a terrifying portrait of how global hatred disseminates and harms. As activist Maajid Nawaz says in the film, “If we don’t draw a red line in the sand when it comes to antisemitism, Muslims will be next, gays will be next and everyone else who is deemed a minority will be next.” Director Andrew Goldberg joins us to talk about this particularly virulent strain of racism going back hundreds of years, continues to threaten the lives of Jews in Europe and the United States.
“As a topic of tremendous ongoing importance with roots that desperately need exploration, anti-Semitism deserves, and needs, a look into its global impact and perpetuation that makes a deeper dive than this documentary provides.” – Todd Gilchrist, TheWrap
Rose, a sweet, lonely driving instructor in rural Ireland, is gifted with supernatural abilities. Rose has a love/hate relationship with her ‘talents’ & tries to ignore the constant spirit related requests from locals – to exorcise possessed rubbish bins or haunted gravel. But! Christian Winter, a washed up, one-hit-wonder rock star, has made a pact with the devil for a return to greatness! He puts a spell on a local teenager- making her levitate. Her terrified father, Martin Martin, asks Rose to help save his daughter. Rose has to overcome the fear of her supernatural gift & work with Martin to save the girl, get the guy and be home in time for a light snack…maybe a yogurt or something… Co-directors Mike Ahern and Enda Loughman join us for a conversation on the making of their oddly endearing, winning comedy about everyday apparitions, Rose, Martin Martin and Christian and reconnecting with their Talents.
“A near-perfect balance of outrageousness and subtlety. It’s a special film with a large imagination.” – Brian Orndorf, Blu-ray.com
“A fun, heart-warming and genuinely funny film, prepare for belly laughs and warm fuzzy feelings. Buoyed by great comedic, chameleon-like performances, and a rich fictional world, Extra Ordinary is extraordinarily charming.” – Kat Hughes, THN
“Extra Ordinary, writing-directing duo Mike Ahern and Enda Loughman’s feature film debut, is a remarkable achievement – a wholly unique cinematic experience that is grounded with a lot of heart.” – Sarah McIntyre, RTÉ (Ireland)
“A cracking debut feature from Irish writer-directors Mike Ahern and Enda Loughman.” – Peter Bradshaw, Guardian
Ken Loach, the two-time Palme d’Or-winning, 83-year-old director trains his incisive lens on the human cost of our shopping habits and changing workforce. After losing their home in a financial crisis, Ricky and Abby trade the car she uses as a visiting nurse for a van, so Ricky can work as a delivery driver. The advantages of being self-employed come with the constant pressure of meeting impossible deadlines with no margin for error, sickness, or family emergency. Loach’s compassionate, hard-hitting drama will make you rethink your expectations the next time you enjoy the convenience of overnight delivery. Director Ken Loach (KES, THE WIND THAT SHAKES THE BARLEY, I, DANIEL BLAKE) joins us for a conversation on the explosion of the “gig-economy” and the insidious impact its having on work schedules, worker safety, worker health and on the emotional toll it’s taking on raising a family.
“FIVE STARS! Ken Loach raises his game yet further with this gut-wrenching tale of a delivery worker driven to the brink… It’s fierce, open and angry, unironised and unadorned..This brilliant film will focus minds. ” – Peter Bradshaw, THE GUARDIAN
“Ken Loach has done it again. His new film is another intimate and powerful drama about what’s going on in people’s everyday lives—not just in England, but all over the world.”– Owen Gleiberman, VARIETY
“At age 82, [Ken Loach is] doing some of his strongest work in Sorry We Missed You, a drama of such searing human empathy and quotidian heartbreak that its powerful climactic scenes actually impede your breathing… This is an expertly judged and profoundly humane movie…. You’d have to be made of stone not to be moved to your core by it.” – David Rooney, THE HOLLYWOOD REPORTER
Director/Editor Pi Ware’s (“Solitude,” “The Act”) powerful new documentary “Skin Deep: The Battle Over Morgellons,” takes a deep dive approach into the heated controversy surrounding Morgellons disease, a skin condition that most of the medical industry considers delusional. “Skin Deep: The Battle Over Morgellons,” explores the controversy surrounding Morgellons—a disease where fibers grow from sufferers’ skin, but a disease that the medical industry considers, “all in the patient’s head”. The film brings to light the heated debate as to who is delusional—the patients who believe or the doctors who deny– and whether medical treatment for Morgellons should be antibiotics or anti-psychotics. The documentary follows subjects on both sides of the debate: a Texas nurse who suffers from the disease, and a skeptical dermatologist who asserts “there are no bad doctors”. The film investigates new research that claims the fibers are protein-based filaments created by the body, explores historical patterns of medical arrogance, and exposes the fatal flaws in the 2012 Morgellons study by the CDC. “Skin Deep: The Battle Over Morgellons” climaxes in a showdown at the Morgellons Conference in Austin, Texas, where the skeptical dermatologist presents his controversial opinions, and where bridges between doctors and patients will either be built… or burned.Director Pi Ware stops by to talk about the embattled victims and advocates fighting for relief from a debilitating, life-altering disease.
“A beautifully constructed, honest and earnest call-to-action about one of the most baffling and stigmatized illnesses of our time.” – ANDY ABRAHAMS WILSON, DIRECTOR OF UNDER OUR SKIN
“A superb documentary exploring the skin-crawling disease of Morgellons and the plight of its sufferers. A reminder that physicians need to be open-minded about emerging new diseases.” – KRIS NEWBY, AUTHOR OF BITTEN: THE SECRET HISTORY OF LYME DISEASE AND BIOLOGICAL WEAPONS
“This incredible documentary exposes the debilitating difficulties and barriers to effective treatment that Morgellons sufferers experience. The film dives deep into the denialism conventional medicine has towards emerging illnesses and how this attitude can have severe consequences when it comes to funding, needed research, patient care and treatment for these diseases. This is a must see for anyone looking for a better understanding of Morgellons.” – DR KELLY BAY, FUNCTIONAL HEALTH PRACTITIONER, NYC
When Nancy Paulikas, a vivacious woman, engineer and pilot, with early onset of Alzheimer, goes missing from a visit to a Los Angeles museum, the film takes you on a journey to show the unseen boundaries and gaps between our society and the system. It also highlights how a small number of determined people including Kirk Moody, Nancy’s husband, and LA County Supervisor Janice Hahn team up to create ‘LA Found’ program that is helping countless families. The film creates such an excellent portrait of Nancy that by the end of the movie you will know her like your close friend. Director and editor Thiago Dadalt joins us for a conversation on the heartbreaking story of love, loss and the determination of the people who cared about Nancy and their refusal to let tragedy me the end of the story.
About the filmmaker: Thiago Dadalt is an award winning writer, producer, and director from Brazil. He has won numerous awards with Chocolate, an Oscar qualified short film about the early onset of Alzheimer’s and the homeless community in L.A. His latest project Duke(about severe autism) was officially selected at the “Emerging Filmmaker Showcase” at CANNES 2019, Cleveland, Stage 32 contest (showing at HollyShorts, Raindance and Austin Film fest 2019) and many others.
Goldie is a star – well, not quite yet, but at least in the eyes of her little sisters Sherrie and Supreme she is. The rest of the world is bound to take note soon too. Her big break surely awaits, she’s just got to pick up that golden fur coat she’s had her eye on first. And land a role as a dancer in a hip-hop video. And keep child welfare services from separating her from Sherrie and Supreme, after their mother is locked up. Holding onto those dreams isn’t easy when fate has placed such daunting obstacles in her path. With Goldie, Dutch director Sam de Jong has delivered a real New York film: raw and glamorous, unflinchingly realistic and relentlessly optimistic, with a ton of heart and at least as much attitude. Director / writer Sam de Jong joins us to talk about his tale of dreams, expectations and reality crash together in this verite explosion.
About the filmmaker:Director Sam de Jong After graduating from the Dutch Film academy with the acclaimed “Magnesium” Sam went on to write and direct the short film “Marc Jacobs” and entered the Berlinale shorts competition in 2014. With largely the same cast he returned to Berlinale the next year with his first feature Prince. Prince opened the Generations 14 competition in 2015. After Prince, Sam went on to make Goldie with 20th Century Fox and Vice Films. His short work has been shown around the world at festivals like Sundance, Berlin and AFI fest. His first feature Prince was theatrically released in the Netherlands, the United States and in Mexico. His work is heavily influenced by present-day youth culture and studies the implications of growing up in the 21st century: in the face of our rapidly changing multi-ethnic society where pop culture is the new predominant religion. From a mash up of different genres, lavishly coated in bright esthetics, Sam wants to research the meaning of our quest for recognition and identity. Red Sand will be Sam’s first international co-production together with longtime collaborator HALAL. With this movie Sam wants to explore new themes and broaden his horizon.
“This film is filled with bursts of color. The high energy visuals counterbalance the tragic malaise of Goldie’s life perfectly.” – Lorry Kikta, Film Threat
“Suspension between can-do spirit and come-down reality pumps blood into the irrepressible heart of this scrappy tale, along with the natural charisma of model Slick Woods, making a disarming feature debut in the title role.” – David Rooney, The Hollywood Reporter
“Goldie (played by fashion model Slick Woods in her first movie role) is a lot like the film that bears her name: full of attitude, bursting with scrappy New York style, and stuck under the thumb of a merciless system that won’t let her shine like she knows she can. “ – David Ehrlich, IndieWire
“De Jong brings a jolt of brash energy to a social realist scenario that could easily have attracted Ken Loach or the Dardenne brothers. A charismatic, eye-catching debut performance from Instagirl fashion world star Slick Woods adds considerably to the film’s appeal.” – Allan Hunter, Screen Daily
In 1956, four years before Jane Goodall ventured into the world of chimpanzees and seven years before Dian Fossey left to work with mountain gorillas, 23-year-old biologist Anne Innis Dagg made an unprecedented solo journey to South Africa to study giraffes in the wild. In THE WOMAN WHO LOVES GIRAFFES Anne (now 86) retraces her steps, and with letters and stunning, original 16mm film footage offers an intimate window into her life as a young woman, juxtaposed with a first hand look at the devastating reality that giraffes are facing today. Both the world’s first ‘giraffologist’, whose research findings ultimately became the foundation for many scientists following in her footsteps, and the species she loves have each experienced triumphs as well as setbacks. In THE WOMAN WHO LOVES GIRAFFES Anne takes us on her first expedition back to Africa to retrace where her trail-blazing journey began more than half a century ago. By retracing her original steps, and with letters and stunning, original 16mm film footage, Anne offers an intimate window into her life as a young woman, juxtaposed with a first hand look at the devastating reality that giraffes are facing today. Both the world’s first ‘giraffologist’, whose research findings ultimately became the foundation for many scientists following in her footsteps, and the species she loves have each experienced triumphs as well as nasty battle scars. THE WOMAN WHO LOVES GIRAFFESgives us a moving perspective on both. Director Alison Reid joins us for a conversation on meeting Anne Innis Dagg and learning how this gentle soul is more than a pioneer in understanding these magnificent creatures, but just as importantly an advocate for women and science.
About the filmmaker: Alison Reid (Director, Writer, Producer) is an award-winning director who began her career as a stunt coordinator and second unit director. After accumulating 300 credits, she formed Free Spirit Films to produce projects diverse in genre but similar in their exploration of the human spirit. Reid received the 2007 Crystal Award for Emerging Director from DGC/WIFT. Her independent feature, The Baby Formula (2009), sold internationally, won the Audience Award at the Inside Out LGBT Film Festival, ‘Best LGBT Film’ at Nashville Film Festival and was nominated for the Golden Zenith at the Montreal World Film Festival. Her television directing credits include Saving Hope, Heartland and Murdoch Mysteries.
“This warm documentary uses one woman’s singular passion to fuel a tale of zoological discovery, blatant sexism and environmental alarm.” – Jeannette Catsoulis, THE NEW YORK TIMES
“INSPIRING… A bright spot in the middle of this dark month, Alison Reid’s unabashedly sincere documentary offers gentle comfort even when it brushes up against tough subjects.” – Elizabeth Weitzman, THE WRAP
“Her research was groundbreaking, and the 16 millimeter color footage she shot at the time, amply displayed in the documentary, is breathtaking.” – Peter Rainer, THE CHRISTIAN SCIENCE MONITOR
“Alison Reid’s loving documentary affectionately celebrates little-known giraffologist Dr. Anne Innis Dagg’s groundbreaking scientific work and generous contributions to women’s equality.” – Tomris Laffly, VARIETY
“An inspiring documentary that should be at the top of everyone’s list of must-see films.” – , THE ALLIANCE OF WOMEN FILM JOURNALISTS
In a desolate stretch of the Sahara, a mysterious car accident leaves a young woman (Delfine Bafort) lost and alone. Jake, (Svetozar Cvetkovic) a reclusive architect, finds her unconscious. He drives her to the nearest doctor, to discover that she’s suffering from post-traumatic amnesia. Intoxicated by the woman’s beauty, Jake claims to be her husband. He names her Kitty and takes her to his remote desert home to recuperate. As Kitty struggles to come to grips with who she is, Jake invents an elaborate life they can share – the life he has always yearned for. Little by little, Kitty begins to fall in love with him. But when shreds of her past begin to surface, Jake increasingly fears losing the love of his life. Director Dimitri de Clercq joins us to talk about the twisted story of love, perception, illusion and identity that is You Go To My Head.
About the filmmaker: Dimitri de Clercq, (Director, Producer, Screenwriter) Producer turned filmmaker, Dimitri de Clercq began his producing career working with directors Mathieu Kassovitz (Café au Lait), Alain Robbe-Grillet (The Blue Villa) and Raúl Ruiz (The Golden Boat, Time Regained and Savage Souls). In 1993, he won an International Emmy Award for producing Ray Müller’s controversial documentary The Wonderful, Horrible Life of Leni Riefenstahl. A native Belgian, de Clercq grew up in the Middle East before majoring in film direction and production at New York University’s Tisch School of the Arts. In 2002, he started his own production company, CRM-114, named in homage to maverick filmmaker Stanley Kubrick. De Clercq’s fascination with the desert led him to produce several award-winning films set in desolate environments, including Afghan writer-director Atiq Rahimi’s Earth and Ashes (2005) and Iraqi director Mohamed Al-Daradji’s Son of Babylon (2009). The sepia-hued, parched wilderness of the desert was also a key inspiration for You Go To My Head, de Clercq’s feature film directorial debut.
Joan and Tom (Academy Award® nominee Lesley Manville and Liam Neeson) have been married for many years. An everyday couple with a remarkable love, there is an ease to their relationship which only comes from spending a lifetime together. When Joan is unexpectedly diagnosed with breast cancer, the course of her treatment shines a light on their relationship as they are faced with the challenges that lie ahead and the prospect of what might happen if something were to happen to her. Co-directors Lisa Barros D’sa (Good Vibration) and Glenn Leyburn (Cherrybomb) join us to talk about their collaboration with two top tier actors, striking a balance in the tone and look for their extraordinarily empathetic look at two people who truly care about each other.
“A beautifully understated look at intimacy and devotion in the face of potentially devastating loss; stars Leslie Manville and Liam Neeson tap effortlessly into the relatable routines, rhythms and nuances of a lived-in, long term relationship.” – Todd Gilchrist, TheWrap
“Armed with an incandescent screenplay and unforgettable performances, Ordinary Love is affecting in its own quiet way, as it showcases a deeply moving portrait of a marriage tested under strain after a cancer diagnosis.” – Laura Delaney, RTÉ (Ireland)
“An achingly intimate portrait of a marriage weathering a storm, the third feature from directing team Lisa Barros D’Sa and Glenn Leyburn (Good Vibrations) is anything but ordinary.” – Wendy Ide, Screen International
“Everything is completely believable, the relationship and the home clearly lived in, and it’s this that gives Ordinary Love its quiet, but sometimes overwhelming, power.” – Jack Blackwell, One Room With A View
For small-town bar owner Hank (Jeremy Gardner), his 10-year relationship with Abby (Brea Grant) has been storybook-quality. Abby, however, wants more: marriage, to be exact, which Hank doesn’t seem ready to initiate anytime soon. As a result, she leaves him without so much as a note or any subsequent communication. Hank is crushed. Even worse, Abby’s departure seemingly triggers the arrival of an unseen monster that claws at Hank’s front door at night. As the nocturnal threat intensifies, Hank must figure out how to not only save his relationship, but also himself. Co-director Christian Stella (Jeremy Gardner) stops by to talk about the multi-layered film that is After Midnight (Something Else) and his creative cinematography that gives the film its lyrical power.
“Something Else promises monsters but delivers more demons of the human experience variety, as this sweet and sincere creature feature is far more romantically heartfelt than expected.” – Matt Donato, We Got This Covered
“Sublime and emotional, Something Else is one hell of a love story, a nightmarish monster movie, and an overall fantastical experience.” – Michelle Swope, Dread Central
“There’s an honesty in Something Else that makes this man against (his) monsters story one that’ll give you deep meaning, beautiful cinematography, and just the right amount of wtf.” – Kristy Strouse, Film Inquiry
“Jeremy Gardner and Christian Stella’s winsome tale of thirtysomething angst, romance and existential terror, is beautifully written and played.” – Jennie Kermode, Eye for Film
In the days after the shooting at Marjory Stoneman Douglas High School in 2018 that killed 17 people and launched a nationwide student movement, filmmakers Emily Taguchi and Jake Lefferman embedded with students and families whose lives were forever transformed. They include senior David Hogg, who recorded his class during the attack and became the face of the Never Again movement; freshman Brooke Harrison, who was in the first classroom under attack; Sam Zeif, a senior who was locked down in the same building, texting with his little brother and unsure if they would ever see each other again; Andrew Pollack, the father of 18- year-old Meadow, who was killed after being shot nine times; and the loved ones of 17-year-old Joaquin Oliver, including his parents Manuel and Patricia, girlfriend Victoria Gonzalez, and best friend Dillon McCooty. The filmmakers developed trusting relationships with these students and families, who opened their doors during some of the most difficult moments of their lives, and followed their private journeys as they rose to challenge the nation to end gun violence. Weaving together candid, in-depth interviews, vérité footage, and personal videos, the film chronicles moments both intimate and defining – from the quiet hours of grief and reflection, to those of political awakening, and onto milestones on the public stage – creating a moving portrait of one community’s crusade to turn tragedy into progress. Co-directors Emily Taguchi and Jake Lefferman join us to talk about developing the relationships with the students, parents and community that made their intimate, wrenching and hopeful film possible.
“The movie succeeds where it counts: showing the reverberations of violence long after most cameras left.” – New York Times
“’After Parkland’ is that gentle exchange of a movie – listening, being there – and sometimes that’s all an aftermath doc can be and should be.” – LA Times
“The film records this experience in a moving and memorable way. After you’ve seen it, you know more about the meaning of this kind of horror than you did before, and that’s a vital thing.” Owen Gleiberman, Variety
“What feels important in Parkland is less about pushing any kind of political agenda or viewpoint than about simply listening, and bearing witness.” – Entertainment Weekly
AND THEN WE DANCED is a passionate tale of love and liberation set amidst the ultraconservative confines of modern Georgian society, AND THEN WE DANCED follows Merab, a devoted dancer who has been training for years with his partner Mary for a spot in the National Georgian Ensemble. The arrival of another male dancer, Irakli—gifted with perfect form and equipped with a rebellious streak—throws Merab off balance, sparking both an intense rivalry and romantic desire that may cause him to risk his future in dance as well as his relationships with Mary and his family. Director, writer and editor Levan Akin joins us to talk about is sensitive and moving account of finding love, no matter the cost and the way his film has opened a hopeful dialog in his beloved Georgia.
Director’s Statement: In Georgia there are three things that are upheld as the paragon of Georgian Tradition and National Identity: the Church, the traditional polyphonic singing, and the traditional national dance. The lead person I follow in the film actually shares the same name as me, his name is Levan and he is a dancer, I too used to dance when I was younger and I imagined being him in an alternate reality. I interviewed a lot of dancers and they all told me stories of how gender conservative and strict the Georgian Dance scene was. So I decided to set the story in this setting. The Georgian Dance would represent the “old” and the burgeoning love between two of the dancers would represent the new. With this film I find myself really going back to my roots as a filmmaker, working in an organic way, where the real lives of the people in the film and what’s going on in Georgia now affects the story. It is ever evolving. Telling the story of young LGBT+ people and their struggles on a smaller scale but also showing the history and situation of Georgia today on a larger scale. This film will not only be a very interesting look into a part of the world not so many people are familiar with but also a heartfelt movie about the importance of being free. – Levan Akin
Twenty-five years after the 1995 Chicago heat wave, COOKED: Survival by Zip Code examines the events that led to the deaths of 739 people, mostly Black and in the poorest neighborhoods of the city. The film arrives at a time of growing calls across the country to declare racism a public health crisis and to reinvest in communities ravaged by the long-term impact of structural racism. A recent NYU study found life expectancy differentials as wide as 20-30 years linked to racial and ethnic segregation between neighborhoods in American cities. Adapted from Eric Klinenberg’s ground-breaking book ‘HEAT WAVE: A Social Autopsy of Disaster in Chicago,’ the film is directed and produced by Peabody Award-winning director Judith Helfand (Blue Vinyl, A Healthy Baby Girl, Everything’s Cool), produced by Fenell Doremus (co-producer of Academy Award-nominated Abacus: Small Enough to Jail), and Kartemquin Films, the award-winning Chicago documentary production house behind Minding the Gap and Hoop Dreams. In COOKED, Helfand challenges herself, and ultimately all of us, to respond to the man-made disasters taking place in towns and cities across the country before the next unprecedented “natural” disaster hits. Director Judith Helfand joins us to talk about the systemic racism that makes the neighborhoods of the poorest the most likely location for
Independent Lens:COOKED: Survival by Zip Code will have its national television debut on the PBS television series Independent Lens on Monday, February 3 at 10:00 pm (check local listings), preceding coverage of the Iowa Caucuses. The film will also be available to stream at PBS.org and on the free PBS Video App throughout Black History Month.
Each week this award-winning series bring you an original documentary film made by one of the best independent filmmakers working today. Independent Lens films have won 19 Emmy Awards, 16 Peabody Awards, five duPont-Columbia University Awards, and have received 10 Academy Award nominations. Independent Lens won the 2013, 2014, 2015 and 2017 International Documentary Association (IDA) Award for Best Continuing Series.
In a hospital room, the Daughter recalls a childhood moment when as a little girl she tried to share her experience with an injured bird with her Father. A moment of misunderstanding and a lost embrace has stretched into many years all the way to this hospital room, until the moment when a window pane breaks under the impact of a little bird.
Director’s Biography: studies animated film at FaMU in Prague. her student films featured at many international festivals. Daria’s original to accept won the Nespresso talents 2017 film competition in Cannes. in DAUGHTER, her Bachelor’s puppet animation, Daria experiments with camera motion and explores the topic of father-daughter relationships.
Winner – Rome Independent Film Festival 2019 – Winner Student Academy Awards 2019
The 46th Student Academy Award – Gold Medal in International Animation film category
Annecy International Animated Film Festival (France) 2019 Cristal for the Best Student Film – Young Jury Award for the best Student film
Melbourne International Film Festival (Australia) 2019 – City Post Award for Best Animation Short Film
Fantoche International Animation Film Festival (Switzerland) 2019 – Best film of Fantoche
World Festival of Animated Film Varna (Bulgaria) 2019 – Best student film
Tirana International Film Festival (Albania) 2019 – Best Student film
Sweaty Eyeballs Animation Festival (USA) 2019 – Best Student Animation Award
Balkanima (Serbia) 2019 – Best Student film
Taichun International Animation Festival TIAF (Taiwan) 2019 – Grand Prix for the best Student Film
Animafilm (Azerbaijan) 2019 – Best Short Animated Film
Whistler Film Festival (USA) 2019 International – ShortWork Award and many more…
‘KITBULL,’ directed by Rosana Sullivan and produced by Kathryn Hendrickson, reveals an unlikely connection that sparks between two creatures: a fiercely independent stray kitten and a pit bull. together, they experience friendship for the first time.
Director’s Biography: Rosana Sullivan joined pixar animation Studios in April 2011. She worked as a story artist on THE GOOD DINOSAUR, and the academy award®-winning feature film COCO. Sullivan also directed the SparkShorts film KITBULL that debuted in February 2019. As a story artist, Sullivan provides visual storytelling to a project’s script pages, utilizing compositional staging, environment, and character blocking. Each story board aims to maximize drama and entertainment, while making the story point clear as possible. Story artists have to draw characters acting, camera moves, and very limited effects animation to sell an idea or emotion.prior to Pixar, Sullivan attended the University of San Francisco before earning an internship with Pixar University. She later attended Academy of Art University, and worked for Kabam gaming studio in San Francisco. Born in Charleston, SC, Sullivan grew up in Texas and San Francisco.
A man thinks back to his childhood memories of growing up with an annoying little sister in China in the 1990s. What would his life have been like if things had gone differently?
Directors Statement – The genesis of SISTER came from a question I get asked a lot throughout my childhood: What is it like to grow up with a sibling? As a “Little Sister” myself, I was born as the second child in my family at the height of China’s One Child Policy. At that time, it’s really hard to have a second child in one family. Luckily, my parents put in a lot of effort to keep me and raise me. Otherwise, I would not have existed and lived a life. Although many other “Second Child” in my generation never had a chance to get born. Therefore most of my friends don’t have siblings. Growing up with my brother has been a privilege and a bittersweet experience for me. Throughout my childhood, the question that had been asked a lot by friends is that, what is it like to grow up with a sibling? So, I have been telling stories about me and my brother since I was a kid. And I have heard stories of my friends and cousins could not have little sisters and brothers because of the one-child policy. The narrator of this film, for example, told me that he lost a younger sister when he was four years old. He always imagines how his life would be if his sister was ever born. So, I want to make a film to tell my friends what it is like to grow up with a sibling. More importantly, I also want to tell the stories of my friends, who would’ve had a different life if their siblings were born. This film is dedicated to this group memory. – Siqi Song
Director’s Biography – Siqi Song is a Chinese writer, director and animator, currently based in Los Angeles. Her animated films have been recognized internationally by Sundance, SXSW, BAFTA, and ASIFA-Hollywood. Siqi is an alumnus of California Institute of the Arts and China Central Academy of Fine Arts. She is named a Film Independent Directing Fellow in 2018 and BAFTA Los Angeles Newcomer in 2019.
Tender and empowering, HAIR LOVE is an ode to loving your natural hair – and a celebration of daddies and daughters everywhere. It’s when it’s up to Daddy to give his daughter an extra-special hair style in this story of self-confidence and the love between fathers and daughters. Zuri knows her hair is beautiful, but it has a mind of its own. It kinks, coils, and curls every which way. Mum always does Zuri’s hair just the way she likes it – so when Daddy steps in to style it for an extra special occasion, he has a lot to learn. But he LOVES his Zuri, and he’ll do anything to make her – and her hair – happy.
MATTHEW A. CHERRY – in 2007, after retiring from the NFL, Matthew a. cherry moved to los angeles, and switched gears to begin work as a production assistant. after working on over forty commercials, he developed his skills as a director, transitioning from music videos to his first feature film (2012’s THE LAST FALL). in 2017, he launched a kickstarter campaign for an animated short about a black father’s struggle to learn how to style his young daughter’s hair. it became the most highly-funded short film campaign in the platform’s history, and was later released in theaters nationwide. Matthew was an executive at Jordan peele’s production company Monkeypaw productions, he served as an Executive producer on the Spike lee film BLACKKKLANSMAN, and has most recently directed on the aBc hit show BLACK•ISH.
EVERETT DOWNING JR. – is an animator, story artist and director living in the greater los angeles area. Everett began his career as a story artist at Big idea productions before making his break into feature film, animating at Blue Sky Studios on the original ICE AGE. he worked as an animator and story artist on 3 more features there (including ROBOTS, ICE AGE 2 and EPIC) before taking a position as an animator at pixar animation Studios. after animating on several award-winning feature films (every feature from RATATOUILLE to MONSTER’S UNIVERSITY), he transitioned back into story where he boarded on THE TOY STORY THAT TIME FORGOT and CARS 3. currently he’s working at Netflix animation where he just finished storyboarding on Jorge Gutierrez’s animated mini-series, MAYA AND THE THREE.
BRUCE W. SMITH – is a feature film director, animator and television producer. he is best known as the creator and executive producer of the Disney channel hit show THE PROUD FAMILY and for supervising the animation of the evil villain Dr. Facilier in the Walt Disney animated film THE PRINCESS AND THE FROG. Smith studied animation at California institute of the arts and later joined the Walt Disney Studios as an animator on WHO FRAMED ROGER RABBIT. Smith went on to direct the paramount pictures film BEBE’S KIDS and co-directed on the Warner Bros. live action/animated movie SPACE JAM before returning to Disney to supervise animation on TARZAN and THE EMPEROR’S NEW GROOVE. Smith’s knack for unique character design led him into the visual development of other projects at the studio such as WRECK-IT RALPH and FROZEN. Smith is currently signed to an overall deal at Disney television animation.
92nd Oscars – 2020 Nominated Best Animated Short Film
Black Reel Award Nomination – Outstanding Short Film
American Black Film Festival
LightBox Animation Expo
Ottawa International Animation Festival Spark Animation Festival
Animation is Film Festival
Black Filmmaker Foundation Summit World Animation and VFX Summit
CTN Animation eXpo
Recently, Louis, a painter, is experiencing strange events. his world seems to be mutating. Slowly, furniture, objects and people lose their realism. they are destructuring, sometimes disintegrating…
Director’s Biography: Born in 1965 in Saint-Brieuc, France, Bruno collet got his art Degree from the Rennes college of Fine arts in 1990. From 1993 he worked as a set designer on numerous productions in stop motion before starting his career as an author director in 2001 with LE DOS AU MUR, awarded at the cannes critic’s Week. THE LITTLE DRAGON, his stop-motion animated tribute to Bruce lee, won 48 awards and was selected at Sundance Film Fest. MEMORABLE is his sixth short film.
Annecy International Animated Film Festival, Winner Cristal 2019
Best Short / Prix du Public au Festival International du Film d’Animation Annecy 2019
Audience award Anima Mundi Rio 2019
Best art direction Anima Mundi Rio 2019
Grand prix IAF Krok 2019
Best animated short COLCOA L.A. 2019
Audience award, Calgary Film Festival 2019
Audience award Cinanima Espinho 2019
Best film, Linoleum Film Festival Kiev 2019
Audience award Big Cartoon Moscow 2019
Best film Castelli Animati Roma 2019
Audience award Kaboom Festival Amsterdam 2019
Cristal for a short film, FIFA Annecy 2019
Audience award, FIFA Annecy 2019
Junior jury award for a short film, FIFA Annecy 2019
Best Art Direction award, Anima Mundi Rio 2019
Audience award Rio, Anima Mundi Rio 2019
Audience award Sào Paulo, Anima Mundi Rio 2019
Junior jury award, FMK Pordenone 2019
Best international film award, Linoleum animation festival Kiev 2019
Festival Court-Métrange de Rennes 2019
Anima Mundi film Festival de Rio de Janeiro 2019 Festival Séquence Court Métrage de Toulouse 2019 Festival Imaginaria de Conversano 2019
Linoleum Film Festival de Moscou 2019
Bueu International Short Film Festival 2019