Friday October 31, 2014 – The Great Invisible, Director Margaret Brown

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On April 20, 2010, communities throughout the Gulf Coast of the United States were devastated by the explosion of the Deepwater Horizon, a state-of-the-art, offshore oil-drilling rig operated by BP in the Gulf of Mexico. The blast killed 11 of the rig’s 126 crewmembers and injured many more, setting off a fireball that could be seen 35 miles away. After two days ablaze, the Deepwater Horizon sank, causing the largest offshore oil spill in American history. The spill flowed unabated for almost three months, dumping hundreds of millions of gallons of oil in the ocean, shutting down the local fishing industry, polluting the fragile ecosystem and raising serious questions about the safety of continued offshore drilling. In the thought-provoking new documentary The Great Invisible, Peabody Award-winning documentarian Margaret Brown travels to small towns and major cities in Alabama, Louisiana and Texas to explore the fallout of the disaster on the people of the region. Eyewitnesses reconstruct the spill and its aftermath in their own words, creating a vivid picture of the deadly accident and its consequences. Brown treats her subjects with respect and sensitivity as they provide first-hand accounts of the tragedy from the moment of the explosion to its still unfolding repercussions on the region and its residents. Director Brown talks about the ongoing tension between the haves and the have-nots, exploring the crisis through the eyes of oil-industry executives, survivors, and local residents who are left to pick up the pieces while the world moves on.

For news and updates on The Great Invisible go to: radiustwc.com/releases/the-great-invisible/

The Great Invisble now playing at the
Sundance Cinemas in Los Angeles

“The Great Invisible,” Margaret Brown’s quietly infuriating documentary film about the 2010 Deepwater Horizon oil spill, includes depressing information that many would probably be happier not knowing.” – Stephen Holden, New York Times

“Brown’s gift is in the interviews she gets, which include a grieving father whose son was killed in the explosion and two oil rig workers who now suffer from a variety of maladies, including PTSD and depression.” – Sheila O’Malley RogerEbert.com

“It effectively demonstrates how the systemic cause of the Deepwater Horizon explosion was tied as much to society’s staggering dependence on fossil fuels as to the oil industry’s greed.” – Nick Prigge, Slant Magazine

“Quietly devastating …” – Andrew O’Hehir

Friday October 31, 2014 – Life Inside Out, Writer / Actor Jill Baird and Director Jill D’Agnenica

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LIFE INSIDE OUT tells the story of Laura, the mother of three teenage boys, and her youngest son Shane, the family misfit and a disappointment to his father. When Laura stumbles upon her long forgotten guitar, she is taken under it’s spell and rediscovers her love for songwriting. When she impulsively flies off to her first open-mic night; she takes an unhappy Shane along for the ride. Despite a rocky entry into the late night mélange of musicians and unusual characters that populate the club, Laura starts to blossom and Shane seems oddly at home. Soon, following his mother’s lead and with a little help from Youtube, Shane begins to discover musical gifts of his own. Although the family struggles under financial pressure and the path to creative expression is bumpy, Together, through the power of music, they’re finally able to make sense of a world in which they’ve felt so lost. Writer / Actor Jill Baird and Director Jill D’Agnenica joins us for a lively conversation on their award winning film, running a successful Kickstarter campaign that and the resoundingly positive chord LIFE INSIDE OUT has struck with audiences across the country.

For News and updates on Life Inside Out go to: http://www.lifeinsideoutthemovie.com/  

Facebook: https://www.facebook.com/LifeInsideOutTheMovie 

Follow on Twitter:  https://twitter.com/LIOthemovie

“Gentle, poignant drama whose heart and head are squarely in the right place.”– Los Angeles Times

“The earnest film’s straightforwardness and down-to-earth characters — especially the lead performance by Maggie Baird — have a gentle appeal…” – The Hollywood Reporter

“The film’s two leads, Maggie Baird and Finneas O’Connell, are real life mother and son and that truth infuses the film with a heartfelt intimacy and comfort that will make you laugh and cry along the way.”

“D’Agnenica has a tremendous visual eye and frame after frame of Life Inside Out draws you in and refuses to let you go. D’Agnenica is aided in this endeavor by the top notch lensing of Guido Frenzel, who clearly understands that this is a character-driven film and keeps his lens framed beautifully on the relationships between these characters.” – The Independent Critic

Friday, October 24, 2014 – Force Majeure, Director Ruben Östlund

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A critical favorite at this year’s Cannes Film Festival, where it took the Jury Prize in Un Certain Regard, this wickedly funny and precisely observed psychodrama tells the story of a model Swedish family—handsome businessman Tomas, his willowy wife Ebba and their two blond children —on a skiing holiday in the French Alps. The sun is shining and the slopes are spectacular but, during a lunch at a mountainside restaurant, an avalanche suddenly bears down on the happy diners. With people fleeing in all directions and his wife and children in a state of panic, Tomas makes a decision that will shake his marriage to its core and leave him struggling to reclaim his role as family patriarch. Director / Writer Ruben Östlund joins us to talk about the exploration of gender roles, cultural perceptions and the idea of “every man for himself.”

For news and updates on Force Majeure go to: magpictures.com/forcemajeure/

“As a slow-burn melodrama, “Force Majeure” is expertly crafted.” – Eric Kohn, indieWIRE

“The “pleasure” of Östlund is in his command of silence and detail. A sigh or physical twitch says more than a line of dialogue, and what it says is more alarming and more provocative than anyone bargains for.” – Colin Fraser, FILMINK

“Easily one of the films of the year; a must-see, and on the big screen, so you can’t escape. You’ve got to just sit there, and squirm.” – CJ Johnson, ABC Radio

“Ruben Östlund masterfully manages the marital tensions that drive the film’s plot forward while imbuing the scenario with these carefully layered philosophical reflections.” – Tomas Horchard, Slant Magazine

Friday, October 17, 2014 – Evolution of a Criminal, Director Darius Clark Monroe

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In the moving and compelling documentary EVOLUTION OF A CRIMINAL, filmmaker Darius Clark Monroe asks this very question—about himself. After seeing his mother and stepfather struggle to make ends meet while living outside of Houston, Texas, Monroe decided to help them by robbing a bank with two friends. Returning to his neighborhood several years after the crime, Monroe creates an incredibly intimate and personal journey of reflection and forgiveness while examining lower class struggles, the desperation of a teen under pressure, and the emotional impact that rippled in the aftermath of that day. The people from the bank remember that day vividly, as he asks for their forgiveness 10 years after the act. EVOLUTION OF A CRIMINAL examines the intersections of economic inequality, poverty, race, and the importance of family in a very moving and insightful way. The film is executive produced by Monroe’s professor at NYU Film School Spike Lee and Jen Gatien, and the DP is the amazing newcomer Daniel Patterson. Director and subject Monroe joins us to talk about pursuing this very personal project and the journey he has taken to get to where he is today.

For news and updates on Evolution of a Criminal go to: evolutionofacriminal.com

Evolution of a Criminal opens Friday, October 17, 2014 at 12:00 PM through October 23, 2014 at the Laemmle Music Hall 3 in Beverly Hills.

Director Darius Clark Monroe will participate in Q & A after the 7:10 screenings at the Music Hall on Friday, October 17 and Tuesday, October 21.

“Its images, its shape, its tone, and its implications make it a terrific movie, as well as the birth of an artist.” – Richard Brody, The New Yorker

“Raising significant questions about the psychological effects of poverty on young children, this unsettlingly direct stab at atonement feels genuine.” – Jeanette Catsoulis, New York Times

“Vital, thoughtful, and deeply personal, first-timer Darius Clark Monroe’s autobiographical doc stands as a testament to the power of movies to stir empathy.” – Alan Scherstuhl

“But the crisp confidence shown in so much of the film, as well as its all-too-rare moral intelligence, marks Evolution of a Criminal as a highly worthy debut from a filmmaker who hopefully has more stories to tell besides his own.” – Chris Barsanti, Film Journal International

Friday, October 17, 2014 – Under Our Skin 2: Emergence, Director Andy Abrahams Wilson

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In this dramatic follow-up to the widely acclaimed UNDER OUR SKIN, EMERGENCE takes the viewer on a journey from horror to hope. We witness the emerging epidemic of Lyme disease as infection and education spread globally. We watch as the truth emerges about the disease’s persistence and reach, about promising new research, and about medical collusion and conflicts of interest that continue to impede progress. We revisit the characters from UNDER OUR SKIN as they emerge into better health, reclaiming their lives and dignity, and offering hope to the legions now suffering. As Lyme disease explodes, EMERGENCE shines a probing light on the issue and becomes a beacon in the dark. Producer /Director/ Cinematographer
 Andy Abrahams Wilson talks about the continuing resistance from the medical establishment, an expanding level of research into the various manifestations of Lyme disease and the hopeful new therapies that are helping thousands of people live happier and healthier lives.

For news and updates on Under Our Skin 2: Emergence go to: underourskin.com/ – home-emergence

“Heart-rending…scary enough to make the faint of heart decide never to venture into the woods. – Stephen Holden, New York Times

“Fascinating…artful and compelling.” – Frank DiGiacomo, Vanity Fair

“Eye-opening…frightening, powerful stuff.” – Gary Goldstein, Los Angeles Times

“Head-spinning…riveting…a rigorously researched and highly thorough piece of investigative reporting.” – Lauren Wissot, Slant Magazine

“Stirs the deepest emotions and reveals the most unsettling truth.” – Justin Berton, San Francisco Chronicle

Friday, October 17, 2014 – Young Ones, Director Jake Paltrow

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Set in a near future when water has become the most precious and dwindling resource on the planet, one that dictates everything from the macro of political policy to the detailed micro of interpersonal family and romantic relationships. The land has withered into something wretched. The dust has settled on a lonely, barren planet. The hardened survivors of the loss of Earth’s precious resources scrape and struggle. Ernest Holm (Michael Shannon) lives on this harsh frontier with his children, Jerome (Kodi Smit-McPhee) and Mary (Elle Fanning). He defends his farm from bandits, works the supply routes, and hopes to rejuvenate the soil. But Mary’s boyfriend, Flem Lever (Nicholas Hoult), has grander designs. He wants Ernest’s land for himself, and will go to any length to get it. Director Jake Paltrow joins us for a conversation on his making of a sci-fi western and the challenges of working in South Africa and a bug-like robotic cargo carrier.

For news and updates on Young Ones go to: screenmedia.net/project/young-ones

Opening October 17th at the Laemmle NoHo Theatre in North Hollywood - 5240 Lankershim Blvd. – 310-478-3836

“Perhaps most fascinating about the movie is its three-tiered baton pass from protagonist to protagonist (all of them types of different patriarchs). Exploring themes of blame, sin, guilt, lies and violence, as the title suggests, “Young Ones” tackles notions of what our kin inherit, and the baggage passed down from generation to generation. Thoughtful and well-considered, Paltrow’s film is most effective when meditating on these textures, that take on the look and feel of Greek tragedy.” – Rodrigo Perez, The Playlist

“It avoids the typical trappings of the genre pastiche by utilizing its clear indebtedness to numerous other films as merely a starting point, rather than an end.” – Clayton Dillard, Slant Magazine

Friday, October 17, 2014 – Algorithms, Director Ian McDonald

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In India, a group of boys dream of becoming Chess Masters, driven by a man with a vision. But this is no ordinary chess and these are no ordinary players. Algorithms is a documentary on the thriving but little known world of Blind Chess in India. Filmed over three years, Algorithms travels with three talented boys and a totally blind player turned pioneer to competitive national and world championships and visits them in their home milieu where they reveal their struggles, anxieties and hopes. Going beyond sight and story, this observational sport doc with a difference moves through the algorithms of the blind chess world challenging the sighted of what it means to see. It allows for the tactile and thoughtful journey that explores foresight, sight and vision to continue long after the moving image ends. Writer / Editor / Director Ian McDonald talks about traveling the world to capture the struggles, anxieties and hopes of the chess players Anant, SaiKrishna, Darpan and their mentor / teacher Charudatta.

For news and updates on Algorithms go to: algorithmsthedocumentary.com/

Director Ian McDonald and Special Guests at select shows in both LA and New York City

Opening October 17th at the Laemmle Town Center 5 – 17200 Ventura Blvd., Encino, 310-478-3836

October 24-30 • One Week Only! 
QUAD CINEMA
- 34 West 13th Street, New York City, 212-255-2243

“Algorithms is a wonderful film – beautiful to watch, engrossing, with great characters and a brilliant insight into their world.” – Nick Broomfield, Filmmaker, UK.

“What a huge viewing pleasure! Algorithms is absolutely wonderfully shot, impeccably edited and with a range of engaging characters all of whom are portrayed with charm, wonderful insight and immense humanity.” – John Akomfrah, Filmmaker, UK.

“I loved this film. It is all that a documentary should be. Unobtrusive and compassionate without being sentimental, sympathetic without being condescending. In short, very good.” – Shyam Benegal, Filmmaker, India.

Friday, October 10, 2014 – The Decent One, Director Vanessa Lapa

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A recently discovered cache of hundreds of personal letters, diaries and photos belonging to the Nazi Gestapo chief seems to reveal a thoughtful, loving husband and devoted father to his daughter. The documents first found in the Himmler family house in 1945 were hidden in Tel Aviv for decades and sold to the father of the Israeli documentary filmmaker, Vanessa Lapa. Through readings of Himmler’s and his family’s most personal writings and rarely seen restored film footage from key German archives, Lapa has fashioned a fascinating case study: a portrait of the man responsible for some of the worst atrocities of the Second World War, who thought of himself in heroic terms. Director Lapa stops by to talk about how cruelty can grow from an apparent normality, and when fueled by ideology, economical reality, a Fuhrer, a whole people and a state of the art technology, an individual who lacks self-confidence can become a hero in his own eyes and one of the biggest mass murderers in history.

For news and updates on The Decent One go to: thedecentonefilm.com

Screenings at the Laemmle Theatre Music Hall 3, from Oct 10th on daily at 12:00  2:25  4:50  7:20 The screenings on Oct 10 – 13 will be followed by an Q&A with Director Vanessa Lapa.

“I found this film to be one of the most profoundly disturbing cinematic experiences in a life full of them.” – Andrew O’Hehir, Salon.com

“At its most effective … “The Decent One” reveals a psychological portrait of a man devoted to his family yet consumed by a soul-blackening and horrifically destructive cause,” – Robert Abele, LA Times

“The Decent One once again posits that perhaps unanswerable question: How can seemingly “normal” people perpetrate the worst human atrocities?” – Peter Rainer, Christian Science Monitor

“A fabulous excursion into the deep mystery of evil”
- Errol Morris



“‘The Decent One’ is rare film that at once advances the form of historical documentaries while simultaneously telling a riveting story from a new and wholly unanticipated and unexpected perspective. It features a wealth of new archival material, but it puts those images and voices to work in a novel way–the film is intimate, human, suspenseful, and terrifying, its momentum guided by individual self-delusion and the awful weight and fact of history.” – Ken Burns

Winner of the Best Documentary award at the 2014 Jerusalem Film Festival.

Friday, October 10, 2014 – The Supreme Price, Director Joanna Lipper

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Director Joanna Lipper elegantly explores past and present as she tells the remarkable story of Hafsat Abiola, daughter of human rights heroine Kudirat Abiola, and Nigeria’s President-elect M.K.O. Abiola, who won a historic vote in 1993 that promised to end years of military dictatorship. Shortly after the election M.K.O. Abiola’s victory was annulled and he was arrested. While he was imprisoned, his wife Kudirat took over leadership of the pro-democracy movement, organizing strikes and rallies, winning international attention for the Nigerian struggle against human rights violations perpetrated by the military dictatorship. Because of this work, she too became a target and was assassinated in 1996. In this riveting political thriller, the Abiola family’s intimate story unfolds against the epic backdrop of Nigeria’s evolution from independence in 1960 – through the Biafra War, subsequent military dictatorships and the tumultuous transition to civilian rule – through present day as Hafsat continues to face the challenge of transforming a corrupt culture of governance into a democracy capable of serving Nigeria’s most marginalized population: women. Director Lipper joins us to talk about the price that the Abiola family has paid in their collective effort to help the country and the people they love.

For news and updates on The Supreme Price go to: joannalipper.com/filmmaker/supreme-price

“The Supreme Price is a deeply profound and beautiful experience, and an integral film to watch.”  - Indiewire

“The Supreme Price’ is a Door to Africa’s Recent History.” - The New York Times

“The Supreme Price may sound like a metaphorical title, but after seeing this strong, forthright documentary, you’ll understand it’s the literal truth.” – Los Angeles Times

“Excellent…  Lean, lucid… No hashtag activist, Lipper does an excellent job of using her film as a vehicle for the voices and concerns of Nigerians, and especially of Nigerian women, who are traditionally expected to stay at home while men operate in the public sphere.” – Village Voice and LA Weekly Critics Pick

“A critically acclaimed new documentary, The Supreme Price, tells the story of the Abiola family, which battled for gender equality and democracy in a nation where both have been repressed for decades.”  -The Independent

Some of the best documentaries tell inspiring stories of people overcoming the unthinkable…  With an uptick in kidnappings and killings, the situation in Nigeria is looking bleak. How exactly did the country get to such a state? Joanna Lipper’s film looks at the pro-democracy movement in the corrupt African nation but also gives a helpful tutorial on Nigerian politics.” – The Washington Post

Friday, October 3, 2014 – Waiting for August, Director Teodora Ana Mahai

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Georgiana Halmac, eldest daughter of her family, is turning fifteen this winter. She lives with her six siblings in a social housing condo on the outskirts of Bacau (Romania). Their mother Liliana, an economic migrant in Torino, will not be back till the summer. During mother’s absence, Georgiana is catapulted to the role of new head of the family. Her adolescence is brutally cut short, when she becomes responsible for her brothers and sisters. Caught between puberty and responsibilities, she moves ahead improvising. Phone conversations with her mom, plus the conflicting values of religion on the one hand, and commercial TV stations on the other, are her only guidelines. Intimate scenes from the daily life of Georgiana and her siblings will show us – uncensored, in fly-on-the-wall style – how real events are experienced and interpreted with great imagination by these children. One is bound to be amazed by their great ingenuity, while also realizing how fragile their daily balance is. Director Teodora Ana Mahai joins us for a conversation on her intimate, moving portrait of a family held together by a remarkable teenage girl and a mother’s phone calls.

WINNER:

Best International Documentary – HOT DOCS 2014

Best Documentary – Karlovy Vary Film Festival

For news and updates on Waiting for August go to: waitingforaugust.be/

Waiting for August opens Friday, October 3rd with daily screenings at 1pm, 3.10pm, 5.35pm, 7.50pm and 10.15pm. Laemmle Theatre information go to: laemmle.com/

Director Teodora Ana Mahai will be at the Laemmle Royal, 11523 Santa Monica Blvd. Los Angeles, for a Q & A following the Friday, Oct 3rd 7:50 pm screening and the Saturday, Oct 4th 5.35 pm screening

“Exploring economic migration from the point of view of children, “Waiting for August” is an impressive, if muted, debut documentary.” – Sheri Linden, Los Angeles Times