The Sounding, Director & Lead Actor Catherine Eaton

In her riveting feature film debut, THE SOUNDING, Catherine Eaton also stars as Liv, a young woman who has never spoken, raised on a remote island by her grandfather Lionel (Harris Yulin, “Ozark”). When Lionel discovers he’s dying, he calls the driven, privileged son (Teddy Sears, “The Flash”) of his best friend to the island and asks him to protect Liv’s independence, alongside Lionel’s attorney (Frankie Faison, “The Wire”). That night, as Lionel is reading to Liv, his voice fails him. Liv picks up the book of Shakespeare and begins – first reading, then weaving a new language from Shakespeare’s words. She is committed to a psychiatric hospital and becomes a full-blown rebel in the hospital; her increasing violence threatens to keep her locked up for life as she fights for her voice and her freedom.  At a tipping point for otherness in our current climate, THE SOUNDING champions it. Director Catherine Eaton joins to talk about the origin story for THE SOUNDING, the challenges and rewards of being on both sides of the camera and the supportive cast and crew who made the film such a success.

 

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For news, updates and screenings go to: thesoundingfilm.com

About the Filmmaker – Catherine Eaton’s feature debut as a director and writer, The Sounding has won two-dozen awards on the festival circuit. She was chosen for Tribeca Film Festival’s ”Through Her Lens” Lab and Grant for emerging female directors, and was selected as a Shadowing Director for show runner Ryan Murphy’s Half Program on the hit Fox show “9-1-1.” Her pilot script “Breaking News” – based on her personal experience working with freelance news crews in conflict zones – was selected for IFP’s Project Forum and as a finalist for the Screenwriters Colony. Catherine shared an Emmy with the production team on “The Human Toll of Ethanol” for Bloomberg TV, and did freelance production work for various news crews for five years. As an actor, she’s been seen on Broadway, TV and film, and was nominated for a Helen Hayes Award for Best Actor in a Leading Role. Catherine teaches Screenwriting at Harvard University. 

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“Ms. Eaton’s film can be… precious in several spasms of ritual jubilation, but it’s never less than fascinating, and often beautiful.” – Joe Morgenstern, Wall Street Journal

“Makes you want to brush up your Shakespeare: start quoting him now.” – Harvey S. Karten, Shockya.com

TIME, Director Garrett Bradley

Fox Rich is a fighter. The entrepreneur, abolitionist and mother of six boys has spent the last two decades campaigning for the release of her husband, Rob G. Rich, who is serving a 60-year sentence for a robbery they both committed in the early 90’s in a moment of desperation. Combining the video diaries Fox has recorded for Rob over the years with intimate glimpses of her present-day life, TIME director Garrett Bradley paints a mesmerizing portrait of the resilience and radical love necessary to prevail over the endless separations of the country’s prison-industrial complex. Bradley won the U.S. Documentary Directing Award at this year’s Sundance Film Festival, and is the first Black woman to be awarded the prize with TIME, her documentary feature debut. Director and producer Garrett Bradley joins us to talk about her beautifully rendered look into the most intimate moments of a determined matriarch and a family grappling with a life lived under the relentless cloud of uncertainty.

 

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To watch beginning on October 16 go to: amazon.com/TIME-Garrett-Bradley

TIME will open in select theaters on October 9 ahead of its global launch on Amazon Prime Video on October 16.

About the filmmaker – Garrett Bradley works across narrative, documentary, and experimental modes of filmmaking to address themes such as race, class, familial relationships, social justice, southern culture, and the history of film in the United States. Bradley has received numerous prizes which include the 2019 Prix de Rome, and the 2017 Sundance Jury Prize for the short film “Alone,” which was released by The New York Times OpDocs And became an Oscar Contender for short nonfiction filmmaking, included in Academy Shortlist. Bradleys work can be seen across a variety of spaces including her Second Unit Directing work on Ava DuVernays “When They See Us” and the 2019 Whitney Biennial. In December of this 2019, Bradley’s first solo exhibition opened at The Contemporary Arts Museum Houston (CAMH), curated by Rebecca Matalon. In January of 2020, Bradley became the first Black American woman to receive Best Director at the 2020 Sundance Film festival for her first feature length documentary, “Time.” For more go to: garrettabradley.com

Sundance 2020 – Directing Award: U.S. Documentary

The Center for Documentary Studies Filmmaker Award

Full Frame Documentary Film Festival 2020 – The Charles E. Guggenheim Emerging Artist Award

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“A vibrant cubist portrait, alive with shadings of Rich’s vulnerability and the psychic bruises from dealing with an indifferent correctional system, expensive lawyers and unresponsive courts.” – Sheri Linden, Hollywood Reporter

“A formally stunning masterwork of empathy, exhaustion, love, and rage.” – Jordan Raup, The Film Stage

“While gripping from start to finish, there isn’t a minute of “Time” that feels engineered for our entertainment.” – David Ehrlich, indieWire

“Transcendent yet down-to-earth.” – Beandrea July, Hyperallergic

“It’s an enormous achievement to crystallize two decades of both fighting and loving in 81 minutes, as Bradley never takes Rich’s voice away to patronize or preach to the viewer about what we should care about.” – Ella Kemp, WeLoveCinema

Belly of the Beast, Director Erika Cohn

BELLY OF THE BEAST shines a white hot spotlight on the pastoral farmlands surrounding the Central California Women’s Facility (CCWF), the world’s largest women’s prison. For decades CCWF concealed the reproductive and human rights violations transpiring inside its walls. A courageous woman, Kelli Dillon, who was involuntarily sterilized at the CCWF, teams up with a radical lawyer, Cynthia Chandler, to stop these violations. Together they spearhead investigations that uncover a series of statewide crimes, primarily targeting women of color, from inadequate access to healthcare to sexual assault to illegal sterilization. With a team of tenacious heroines, both in and out of prison, they take to the courtroom to fight for reparations. But no one believes them. As additional damning evidence is uncovered by the Center for Investigative Reporting, a media frenzy and series of hearings provide hope for some semblance of justice. Yet, doctors and prison officials contend that the procedures were in each person’s best interest and of an overall social benefit. Invoking the weight of the historic stain and legacy of eugenics, BELLY OF THE BEAST presents a decade long, infuriating contemporary legal drama. Director Erika Cohn (The Judge, When the Voices Fade) joins us for a conversation about her incredible tale that chronicles the rampant abuse of incarcerated women, being coerced by a prison-based culture of medical personnel actively subverting their basic human rights.

 

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For news, updates and screenings go to: bellyofthebeastfilm.com

About the filmmaker – Director Erika Cohn is a Peabody and Emmy Award-winning director/producer who Variety recognized as one of 2017’s top documentary filmmakers to watch and was featured in DOC NYC’s 2019 “40 Under 40.” Most recently, Erika completed The Judge, a Peabody Award-winning and Emmy-nominated film about the first woman judge appointed to the Middle East’s Shari’a courts, which premiered at the 2017 Toronto International Film Festival and was broadcast on PBS’ 2018 Independent Lens series. Erika co-directed/produced, In Football We Trust, an Emmy award-winning, feature documentary about young Pacific Islander men pursuing their dreams of playing professional football, which premiered at the 2015 Sundance Film Festival and was broadcast on PBS’ 2016 “Independent Lens” series. She has received numerous accolades for her work, including a Director’s Guild of America award for her fiction short film, When the Voices Fade. Erika grew up attending the Sundance Film Festival as a native Utahn, where she first began her career and later studied at Chapman University (California) and Hebrew University (Jerusalem) where she received degrees in Film Production, Middle East Studies, and Acting Performance. In 2013, Erika founded Idle Wild Films, Inc., which has released three feature documentaries and produced numerous branded content and commercial spots, including Gatorade’s “Win from Within” series, for which she received a 2016 Webby award nomination. Belly of the Beast is her third feature-length documentary. For more about Erika Cohn go to: idlewildfilmsinc.com

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“A harrowing documentary about the practice of forced sterilization.” – Evan Dossey, Midwest Film Journal

“Inside the belly of documentarian Erika Cohn’s Beast lurks a monstrosity more appalling than horror fiction.” – Scott Marks, San Diego Reader

Wolfman’s Got Nards, Director Andre Gower

When it was released in 1987, The Monster Squad was deemed a failure by critics and was, according to the box office, a film no one cared about. But over the last three decades, word of mouth has turned this sleeping hit into a cultural phenomenon. WOLFMAN’S GOT NARDS explores the relationship a dedicated audience (including celebrities and filmmakers) has with The Monster Squad. The film takes an in-depth look into the film’s conception, response, cult status, and revival. Through interviews with the cast, crew, screenwriters, directors, academics and original reviewers as well as through never-before-seen footage, it turns the lens on an audience of self-proclaimed misfits who have kept The Monster Squad alive for more than 30 years. Director Andre Gower and Monster Squad member, Sean, joins us for a lively conversation on the unlikely saga of a box-office bomb that, like the squad, refuses to give up, and a community of fans that continues to grow.

 

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For news, updates and screenings go to:thesquaddoc.com

About the filmmaker – Director André Gower has 40 years of experience in the entertainment industry, making him one of the most recognizable child stars of his generation. His body of work includes network series, movies of the week, and features. He is best known for playing the lead character in the cult classic The Monster Squad. Currently, André heads Fitterpiper Entertainment, a production company focusing on young independent filmmakers, new concepts from industry veterans, experimental digital concepts and short films with a roster of production professionals. He also co-hosts the short film series ‘Short Ends’ (Nerdist/ALPHA) and a podcast, ‘Squadcast with Ryan and André.

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“Wolfman’s Got Nards is a well-made documentary that does right by The Monster Squad.” – Danielle Solzman, Solzy at the Movies

“There’s so much to cover, and Gower and his crew do an astounding job of being as thorough as possible.” – Kyle Anderson, Nerdist

“Watching these films – and this documentary – generates the type of joy we only felt as kids, as well as evoking the warm fuzzy feeling that nostalgia brings.” – Katie Driscoll, Starburst

“As a whole, I cannot recommend Wolfman’s Got Nards enough for those who love The Monster Squad, for fans of the horror genre, or even for anyone who has ever felt misunderstood by the world at large.” – Heather Wixson, Daily Dead

Oleander, Director Kate Hackett

OLEANDER, (Emily Robinson)17, is the star and sole creator of her own provocative, sex-positive YouTube channel. She is also an unwilling student at a Christian abstinence program, led by the poised and charismatic Alissa, (Peri Gilpin) 50s. When Alissa demands that Oleander issue an on-camera apology for mocking her abstinence program online, a fierce battle of wills ensues. Alissa is aided by Kim, (Jennifer Lafleur) 30s, a filmmaker-for-hire who has no allegiance other than to serve her client. Oleander fights desperately for her voice and her beliefs, but will her anti slut-shaming message be able to stand up against the manipulative power of the two adults who seek to suppress her? Director Kate Hackett joins us for a conversation on her thoughtful, sharply focused look at the power of manipulation, respect, trust and sexual agency.

 

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For news, updates and screenings go to: oleandershortfilm.com

About the filmmaker – Kate Hackett is a filmmaker and film editor based in Los Angeles. She is a 2020 Emmy winner for her editing work on the Netflix documentary series “Cheer.” Her work as an editor also includes the Emmy award winning Netflix documentary series “Last Chance U,” and the Sundance documentary feature Half The Picture. She was the 2018 Sundance Institute Sally Menke Editing Fellow. As a screenwriter, she was a 2016 American Zoetrope Screenwriting contest finalist with the screenplay Purify My Heart.

 Best Director – Short Film, The Method Fest 2020

Official Selection of LA Femme International Film Festival 2020*

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The Disrupted, Co-director Sarah Colt (Josh Gleason)

Sarah Colt and Josh Gleason’s documentary THE DISRUPTED asked the question, what do a farmer in Kansas, a laid-off factory worker in Ohio, and an Uber driver in Florida have in common? All three are resourceful, positive thinkers who strive to adapt and thrive despite dehumanizing forces at play in the American economy. Donn is a fifth-generation farmer, struggling to hold on to 900 acres of land uncle made a full-time living raising crops and livestock. But in the last decade, corporate consolidation and free-falling commodity prices have made it impossible for small farms to achieve a profit. Cheryl didn’t plan on becoming a driver for Uber and Lyft. She spent years working her way up the ladder in the mortgage industry as a single mother raising hree kids. But her career came to an abrupt halt in 2008 when the crash bankrupted her employer. For Pete the closure of the 3M sponge factory, where Pete held a union job for 12 years, is the latest chapter in the city’s decades- long deindustrialization into the Rust Belt. As the film’s heroes face these roadblocks with courage, certain ideals remain sacred: family, love, and staying strong in the face of adversity. Lush cinematography galvanizes a sense of place and, as the narrative unfolds, the intimacy with the characters results in an emotionally rich observational drama. Ultimately, THE DISRUPTED reveals a collective American experience of financial challenge, family resilience, and the quest for the purpose and dignity of work. Co-director Sarah Colt (Josh Gleason) stops by to talk about the unraveling of the American Dream and the cruel trajectory of economic deprivation and the systemic failure of any feasible path forward.

 

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For news, updates and screenings go to: thedisruptedfilm.com

Take Action at: thedisruptedfilm.com/take-action

About the filmmaker – Sarah Colt is an award-winning documentary filmmaker whose work brings to life the figures and forces that have shaped America. Since founding Sarah Colt Productions a decade ago, she has directed and produced numerous films for PBS, including the Emmy-nominated and Peabody finalist “Walt Disney.” Most recently, Sarah’s independent short documentary “True Believer” followed an evangelical pastor’s grassroots campaign for Congress. “True Believer” screened at several major film festivals across the country and had its online premiere on The Atlantic.

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“Colt and Gleason interweave these stories with subtlety and irony, catching the nuanced details of their subjects’ lives and relationships, the cinematography evoking a mood of fading hope and dogged resistance.” – Boston Globe

“Eye-opening film about people being left behind in our current economy…theoretically the “forgotten men and women” Trump campaigned on. And in the ensuing years, not only have their lives not gotten better, they’ve gotten significantly worse.” – Film Week

“Arguably the most important film I’ve encountered in 2020 thus far.” – Mountain Express

“Squarely takes aim at the beleaguered middle class.” MODERN TIMES

Driving While Black, Co-directors Dr. Gretchen Sorin and Ric Burns

DRIVING WHILE BLACK: RACE, SPACE AND MOBILITY IN AMERICA is a ground-breaking, two-hour documentary film by acclaimed historian Dr. Gretchen Sorin and Emmy–winning director Ric Burns. Chronicling the riveting history and personal experiences – at once liberating and challenging, harrowing and inspiring, deeply revealing and profoundly transforming  –  of African Americans on the road from the advent of the automobile through the seismic changes of the 1960s and beyond – DRIVING WHILE BLACK explores the deep background of a recent phrase rooted in realities that have been an indelible part of the African American experience for hundreds of years – told in large part through the stories of the men, women and children who lived through it. The documentary draws upon the wealth of recent scholarship – and based on and inspired in large part by Gretchen Sorin’s recently published study of the way the automobile and highways transformed African American life across the 20th century – the film examines the history of African Americans on the road from the depths of the Depression to the height of the Civil Rights movement and beyond, exploring along the way the deeply embedded dynamics of race, space and mobility in America during one of the most turbulent and transformative periods in American history. Co-directors Gretchen Sorin and Ric Burns join us to talk about the crippling impact of systemic racism and the continuing stain of America’s original sin.

 

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For  more on the story and history behind the the film go to: dwbfilm.com

DRIVING WHILE BLACK will air on PBS on Tuesday, October 13, 2020 at 9:00 p.m. (check local listings).

About the filmmaker – Gretchen Sullivan Sorin, Project Director & Senior Historical Advisor Dr. Gretchen Sullivan Sorin is Distinguished Professor and Director of the Cooperstown Graduate Program. Her dissertation and upcoming book form the basis of the scholarship for this project. Her research explores the role that the automobile played in the lives of African Americans during the Jim Crow era, the way that African Americans expressed middle class American values through car ownership, and how cars helped change deeply entrenched racial etiquette. Sorin received her Ph.D. in history from the University at Albany in 2009. For more on the work of Dr. Gretchen Sorin go to gpmuseumstudies.org

About the filmmaker – Ric Burns is an internationally recognized documentary filmmaker and writer, best known for his eight-part, seventeen and a half hour series, New York: A Documentary Film, which premiered nationally on PBS to wide public and critical acclaim when broadcast in November 1999, September 2001, and September 2003. Burns has been writing, directing and producing historical documentaries for over 25 years, since his collaboration on the PBS series The Civil War, (1990), which he produced with his brother Ken and co-wrote with Geoffrey C. Ward.  Since founding Steeplechase Films in 1989, he has directed some of the most distinguished programs for PBS including Coney Island (1991), The Donner Party (1992), The Way West (1995), Ansel Adams (2002), Eugene O’NeillAndy Warhol (2006), We Shall Remain: Tecumseh’s Vision (2009), Into the Deep: America, Whaling & the World (2010), Death and the Civil War (2012), American Ballet Theatre (2015), Debt of Honor (2015), The Pilgrims (2015), VA: The Human Cost of War (2017), and The Chinese Exclusion Act (2018). His work has won numerous film and television awards including six Emmy Awards, two George Foster Peabody Awards,  two Alfred I. DuPont-Columbia University Awards,  three Writer’s Guild of America Awards for Outstanding Individual Achievement in a Craft: Writing;  the Eric Barnouw Award of the Organization of American Historians, and the D.W. Griffith Award of the National Board of Review. Find out more about Ric Burns and Steeple Chaase Films at: ricburns.com  And dwbfilm.com

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Shithouse, Director Cooper Raiff

Cooper Raiff’s extraordinarily assured debut film, SHITHOUSE, follows a lonely college freshman Alex (Cooper Raiff) during his first year at college and first time away from home. Alex has closed himself off from his classmates, who all appear to have this whole “college thing” figured out. Among thousands of kids trying their best to make college work, He feels alone and depressed. Home is 1500 miles away and he’s struggling to find a reason not to go back. Maggie (Dylan Gelula, First Girl I Loved), Alex’s sophomore RA, has been crushing college since day one. Today though, Maggie is dealt an unexpected loss. After a party at Shithouse, Maggie wants some company and finds it in Alex. Two young people raised in very different households, Alex and Maggie challenge each other and grow up together. Desperately clinging to his social breakthrough, Alex pulls out all the stops with one more night at Shithouse, hoping to rekindle that moment of connection. Director / Producer / Writer / Editor / Actor Cooper Raiff joins us to talk about the challenge of making his debut feature film, SHITHOUSE, while taking on a multitude of roles and winning the 2020 SXSW Grand Jury Prize for his first film.

 

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For news, updates and screenings go to: shithousemovie.com

Winner of the Grand Jury Prize (Narrative Film) at the 2020 SXSW Film Festival

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“One of the most extraordinary debuts on the list of SXSW selections for this year”Richard Whittaker, The Austin Chronicle

“Charmingly funny and surprisingly sweet” Matt Delman, Hammer to Nail

“Whenever “Shithouse” starts drifting towards a more generic energy, or gets the tiniest bit too plotty for its own good down the home stretch, Gelula is there to bring things back on course.”David Ehrlich, Indiewire

“Cooper Raiff is breakthrough filmmaker and actor to watch and these are immensely fascinating characters in all of their anxiety, naivety, vulnerability, pain, and palpable growth as human beings” – Robert Kojder, Flickering Myth

SOFTIE, Director Sam Soko

The directorial debut of Sam Soko, SOFTIE is an intimate look at the life of Boniface Mwangi, a daring and audacious Kenyan photojournalist and activist who fights for Kenyan citizens to change a corrupt political system; his supportive wife Njeri stands by him and was often protesting alongside him. Now that they three small children, her priorities have shifted. Boniface on the other hand, decided to take his ideas further and run for political office. He claims he is fighting for his children and their future, but after receiving serious threats of violence, Njeri worries he is risking the safety of their entire family.  Boniface is forced to face a difficult choice – which should come first, family or country? SOFTIE, the winner of the World Cinema Documentary Special Jury Award for Editing at the Sundance Film Festival, is now streaming as part of Hot Docs Film Festival Online. SOFTIE will have its North American broadcast premiere on October 12 as a part of the award-winning PBS documentary series POV. Director Sam Solo joins us for a conversation on his intimate, moving portrait of Boniface “Softie” Mwangi, a man willing to sacrifice everything for his country, his wife, Njeri and his family.

 

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For news, screenings and updates go to: softiethefilm.com

WINNER – Special Jury Award for Editing – 2020 Sundance Film Festival

About the filmmaker – Sam Soko is a director and producer based in Nairobi. His work on sociopolitical projects in music and film has allowed him to connect and work with artists around the world. He is co-founder of LBx Africa, a Kenyan production company that produced the 2018 Academy Award–nominated short fiction film Watu Wote. The film Softie is his first feature documentary project.

About the subject – Boniface “Softie” Mwangi has long fought injustices in his country as a political activist. Now he’s taking the next step by running for office in a regional Kenyan election. From the moment Boniface decides to run, telling his wife, Njeri, in passing with a hesitant laugh, he responds to each challenge with optimism. But running a clean campaign against corrupt opponents becomes increasingly harder to combat with idealism alone. And Boniface soon finds that challenging strong political dynasties is putting his family at risk. Should country really come before family, as he’s always believed?

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“Eye-opening as “Softie” is as an immediate account of toxic Kenyan politics, it’s an equally moving marriage story, unsentimental but generously sympathetic in its study of a family brought to the brink of collapse for a greater good cause.” – Guy Lodge, Variety

“A marvel of narrative storytelling…” – Filmmaker Magazine

“Softie is a compelling act of defiance, made more alarming by the violent events documented throughout the film, including the torture and murder of an official charged with keeping the elections fair and safe.” – John Fink, The Film Stage

“Softie is a grim assessment of both the cost of revolution and modern-day manhood.” – Aramide Tinubu, Shadow and Act

The Way I See It – Director Dawn Porter

Inspired by a New York Times No. 1 bestseller, The Way I See It is an unprecedented look  behind the scenes at two of the most iconic presidents in American history, Barack Obama and Ronald Reagan, as seen through the eyes of renowned photographer Pete Souza. As official White House photographer, Souza was an eyewitness to the unique and tremendous responsibilities of the most powerful person on Earth. Award-winning filmmaker Dawn Porter’s The Way I See It also reveals how Souza transforms from a respected photojournalist to a searing commentator on the issues we face as a country and a people. The Way I See It also traces Souza’s fearless public transformation from chronicler of history to critic of an administration he believes is destroying the legacy of empathy, honor and hope that he witnessed during his 13 years at the White House. Inspired by his two bestselling books, Obama: An Intimate Portrait and Shade: A Tale of Two Presidents, and featuring more than 400 of his photos, the film is an emotional and stirring reminder of America’s pledge of a government for and by the people. Director Dawn Porter joins us for a conversation about the personal journey of an accomplished photojournalist turned activist and when it comes to the most powerful person in the world, why judgement, perspective, honor, and empathy matter.

 

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For news, screenings and updates go to: focusfeatures.com/the-way-i-see-it

Check out the future of voting at: headcount.org

In select theaters Friday, September 18th

MSNBC Films premiere Friday, October 9th, 10:00pm EDT

About the filmmaker – Dawn Porter (Director, Producer) is an award-winning documentary filmmaker whose work has appeared on HBO, PBS, Discovery and Netflix, among others. A two-time Sundance Film Festival director, Porter may be best known for her film Trapped, which explored laws regulating abortion clinics in the American South. The film won the Special Jury Award for Social Impact Filmmaking at Sundance in 2016, in addition to a Peabody and numerous other awards. Porter’s 2013 documentary Gideon’s Army premiered on HBO and won Best Editing at Sundance. Gideon’s Army was nominated for both an Independent Spirit Award and an Emmy Award, and is part of the U.S. Department of State’s American Film Showcase. More recently, Porter completed John Lewis: Good Trouble, a feature documentary about the late congressman that will be distributed by Magnolia Pictures and CNN Films. Porter has been commissioned to make films for the Center for Investigative Reporting, Time and Essence magazines, The New York Times Op Docs and Amazon. Her work has received generous support from the MacArthur Foundation, the Ford Foundation, Tribeca Film Institute, Sundance Film Institute, Chicken & Egg Pictures and other esteemed organizations. The filmmaker is a member of the Academy of Motion Picture Arts and Sciences, the Academy of Television Arts & Sciences, and the Directors Guild of America. 

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“If you’ve seen Dawn Porter’s John Lewis documentary, you’ll fall in love with this candid look behind the scenes with a former White House photographer in her new documentary The Way I See It.” – Carolyn Mauricette, View From The Dark

“It’s effective because it gives us momentary relief and validates our rage while asking once again for us to have hope and to keep moving ahead.” – Allyson Johnson, The Young Folks

“Chief White House Photographer Pete Souza and the makers of The Way I See It kindly remind us what decency looked like not so long ago.” – Brigid Presecky, Impressionist Media

“Filmmaker Porter delivers a blisteringly-paced documentary that is, virtually from start to finish, nothing short of fascinating…” – David Nusair, Reel Film Reviews

Wine and War: The Untold Story of Wine in the Middle East, Co-directors Mark Ryan and Mark Johnston

In 2013, inspired by the book Wines of Lebanon by Michael Karam, filmmakers Mark Johnston and Mark Ryan set out to change the perceptions of the Middle East – and in particular the tiny nation of Lebanon – by examining an enigmatic and misunderstood part of the world with winemakers who had a story to tell. Co-directors Johnston and Ryan released their first award-winning documentary The Invisible Front, but by then, they were already in Lebanon recording stories of courage, adventure and determination. There, they met Michael Karam, and two became three. Wine and War: The Untold Story of Wine in the Middle East tells the story that starts in the 2nd BC, when the Phoenicians, the ancient Lebanese, with their awesome trading empire gave the gift of wine to the then known world. They were the first wine merchants! In doing so, the Lebanese became the masters of crisis management, a skill personified by Lebanon’s winemakers who for thousands of years have gone about their work in war, famine, occupation and the constant hum of political instability. Co-directors Mark Ryan and Mark Johnston join us to talk about the amazing resilience of the Lebanese people and how wine is such a powerful thread in their shared history.

 

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For news, updates and screenings go to: wineandwar.com

About the filmmaker – Mark Johnston is an executive producer and documentary filmmaker who is known for tackling a full range of near-impossible production challenges with a proven track record of creative development in complex and cross-functional multicultural environments. Mark has invested all his savings to make documentaries. He doesn’t own a home. He literally once moved into a mini van to save money to film a documentary. Mark’s passion for the work takes him to the farthest places on the globe and he always strives to do what he can to help each project realize its full potential. Big budget or big challenge, domestic or around the globe… Mark has done it all with calm collection and inventive problem solving be it feature film documentaries, TV campaigns, brand funded content, animated short films, live event programming, experiential projects, the Lanzarote Iron Man, En Svensk Klassiker, Vasaloppet, and the Stones 100k Ultra Marathon. 

About the filmmaker – Mark Ryan, Director / Producer. Over the past two decades, Mark has been a producer, director, and cinematographer on five continents and the North Pole. Early in his career, Mark was part of a film crew that was the first in thirty years to be given unprecedented access to the Hopi Indians of Arizona. This experience cemented Mark’s desire to sensitively tell the stories of other people. Mark has a number of film credits under his belt including the James Beard Award-winning short films The Scent of Black and Stewards of the Land. He’s also served as a producer on the MTV hit show Pimp My Ride.  A Los Angeles native, Mark is a graduate of the University of Southern California with a BA in Cinema Production. He also holds a post-graduate degree from Central St. Martins School of Fine Art in London.  Today, Mark combines his love for adventure, travel, and hearing the stories of other people with best practices for capturing scenes of film to create stunning imagery for clients around the world.

 
Social Media
facebook.com/wineandwar
twitter.com/wineandwar
instagram.com/wineandwar
@wineandwar

This Is Not a Movie: Robert Fisk and the Politics of Truth, Director Yung Chang

Yung Chang’s This is Not a Movie is a fascinating documentary portrait of world-acclaimed British born Beirut-based foreign correspondent Robert Fisk. Fisk’s work is as vital as ever in an era of “fake news,” politicized facts, and the rise of ethno-nationalist politics. A Middle East correspondent for The Independent, Fisk holds more international journalism awards than any other foreign correspondent. For more than 40 years, journalist Robert Fisk has reported on some of the most violent and divisive conflicts in the world. Director Yung Chang (Up the Yangtze, The Fruit Hunters) captures Fisk in relentless action—feet on the ground, notebook in hand, as he travels into landscapes devastated by war, ferreting out the facts and firing reports back home to reach an audience of millions. Director Yung Chang stops by to talk about Robert Fisk’s dedicated work ethic, stamina and desire to talk with all sides of a story and why, in a time of disinformation and deceit by the powerful, his voice, his pen and his reporting have made him one of journalism’s most reliable sources of information and truth.

 

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For news, updates and screenings go to: kimstim.com/film/this-is-not-a-movie

For more about Yung Chang’s work go to: yungfilms.com

Watch This Is Not a Movie on virtual cinema at laemmle.com/film/not-movie

About the filmmaker – Yung Chang is the director of Up the Yangtze (2007), China Heavyweight (2012), and The Fruit Hunters (2012). He is currently completing a screenplay for his first dramatic feature, Eggplant. In 2015, Chang was selected to participate in the prestigious Sundance Labs for Eggplant. Chang was the Spotlight Artist for the 2019 Reel Asian Int’l Film Festival where a live script reading of Eggplant was performed to a sold-out audience by talented actors from Kim’s Convenience, The Handmaid’s Tale and Locke & Key.  Chang’s award-winning short, Gatekeeper, qualified for the 2016 Oscars and is distributed by Field of Vision, Laura Poitras’ curated online film unit. His latest feature documentary, This is Not a Movie is about Robert Fisk, the iconoclastic Middle East correspondent. The film is co-produced by the National Film Board of Canada, currently on the festival circuit, World Premiered at TIFF 2019 . A graduate of the Meisner acting technique from the Neighborhood Playhouse School of the Theatre in NYC and Concordia University’s Mel Hoppenheim School of Cinema in Montreal, Chang brings emotional depth and cinematic realism into his work. Chang is the recipient of the Don Haig Award, the Yolande and Pierre Perrault Award, and the Guggenheim Emerging Artist Award. He is a member of the Directors Guild of Canada. In 2013, he was invited to become a member of the Academy of Motion Picture Arts and Sciences, the organization behind the Academy Awards. For more about Yung Chang’s work go to: yungfilms.com

Social Media
twitter.com/yungfilms
@yungfilms

“[The film] provides a comprehensive portrait of a man who has become essential reading.” – Hollywood Reporter

“[A] laudatory, engaging profile of [Robert Fisk]…” – Globe and Mail

“In This Is Not a Movie, Fisk’s life history is paired with a director up to the task of presenting the facts in a compelling, cogent manner.” – Hammer to Nail

“It is as fascinating to watch Fisk talk about the media landscape as it is to read his inimitable writings on the Middle East.” – Cineuropa

“Fisk’s story is a compelling reminder of just how real the news can be.”- POV Magazine

InterReflections, Director Peter Joseph

InterReflections explores deep social issues. In three timelines our main story takes us into the future when ecological crisis and inequality has destabilized society. John Taylor, a defected government intelligence agent turned revolutionary leader, is captured by his former colleague and nemesis, Simon Devoe. Simon leads a government spy agency, encouraging John to join him to avoid punishment. Simon humors John as they debate ideas about humanity, seeing no possibility of John’s escape. But John has a secret. Our second timeline follows a woman in modern day, experiencing life as a horror show, reflecting issues such as racism and environmental destruction. Fired from her job, she sets about finding another. Her journey transforms her. Timeline three takes place 100 years forward as four academics of this future talk about the way things used to be in the early 21st century. They speak of “The Great Transition,” a dramatic global revolution that changed everything for the better. Director Peter Joseph (The New Human Rights Movement, The Zeitgeist Movement) joins us for a conversation about his genre-shattering approach to filmmaking and what his film’s vision says about the world we live in.

 

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For news, screenings and updates go to: interreflectionsmovie.com

InterReflections will arrive online in various VOD outlets on Oct 6th 2020. This page will be updated at that time with both access to the online services and available DVD/Blu-ray.

About the filmmaker – Peter Joseph is an American musician, filmmaker, author and activist. His most recent media work is the live action film InterReflections, to be released on Oct 6th 2020. Other notable credits included the award-winning “Zeitgeist Film Series”, the Culture in Decline web series and his book The New Human Rights Movement, published in 2017 by BenBella books. He is also host of the podcast Revolution Now! started in 2020. In 2009, he founded  “The Zeitgeist Movement”, a global, nonprofit sustainability advocacy group and has been on the Advisory Board/Steering Committee for “Project-Peace on Earth“ since 2013. He also founded and curates the Annual Zeitgeist Media Festival for the arts and periodically works with UN working groups including UNFUCA and The World Academy. Joseph has given talks around the world, including the UK, Canada, GermanyAmerica, Brazil & Israel. He was a featured speaker at the 2011 Leaders Causing Leaders Conference [Lecture Here] and his work has been profiled in the New York Times, Vice, The Huffington Post, The Marker, Free Speech TV, The Young TurksThe Examiner and many other media outlets. He has participated in multiple TEDx Events, has worked with The Global Summit  and is also a frequent social critic on the news network Russia Today. He has appeared on the Joe Rogan Experience Podcast, Thom Hartmann’s The Big Picture, Watching The Hawks, BoomBust, Redacted Tonight with Lee Camp, The David Pakman show, Christopher Ryans “Tangentially Speaking” podcast, Telesur’s Empire Files with Abby Martin, The Jimmy Dore Show and others.

 
Social Media
facebook.com/InterReflections
twitter.com/ZeitgeistFilm
instagram.com/peterjosephofficial
@ZeitgeistFilm

 

Dick Johnson is Dead, Director Kirsten Johnson

A lifetime of making documentaries has convinced award-winning filmmaker Kirsten Johnson of the power of the real. But now she’s ready to use every escapist movie-making trick in the book – staging inventive and fantastical ways for her 86-year-old psychiatrist father to die while hoping that cinema might help her bend time, laugh at pain and keep her father alive forever. The darkly funny and wildly imaginative DICK JOHNSON IS DEAD is a love letter from a daughter to a father, creatively blending fact and fiction to create a celebratory exploration of how movies give us the tools to grapple with life’s profundity. DICK JOHNSON IS DEAD was filmed, produced and directed by Kirsten Johnson (Cameraperson), produced by Katy Chevigny and Marilyn Ness, co-produced by Maureen A. Ryan and executive produced by Megan Ellison. Director Kirsten Johnson joins us for conversation on her approach to working along side her dad, making the personal universal and how sharing her own acquired wisdom has impacted her life.

 

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For news, screenings and updates go to: dickjohnsonisdead.com

Watch it: netflix.com/Dick Johnson is Dead

About the filmmaker – Kirsten Johnson is a cinematographer and director interested in addressing the changing dimensions and urgent ethical challenges of documentary camerawork. Her most recent film, CAMERAPERSON, premiered at Sundance 2016, was shortlisted for an Academy Award, won the National Board of Review “Freedom of Expression” prize, and was awarded three 2017 Cinema Eye Honors, including ‘Outstanding Nonfiction Feature’. CAMERAPERSON was named one of the ‘Top Ten Films of 2016’ by The New York Times and The Washington Post, was the Grand Jury Prize Winner of 9 international festivals, won the ARRI Cinematography Award, and is distributed by The Criterion Collection. Her short, THE ABOVE, premiered at the 2015 New York Film Festival and was nominated for the International Documentary Association ‘Best Short Award’ for 2016. Kirsten’s camerawork has appeared in the Academy Award-winning CITIZEN FOUR, Cannes Premiere RISK, Academy Award-nominated THE INVISIBLE WAR, Tribeca Documentary Winner, PRAY THE DEVIL BACK TO HELL, Cannes winner FAHRENHEIT 9/11, and Emmy Award-winning LADIES FIRST. She shared the Sundance 2010 Cinematography Award with Laura Poitras for their work on THE OATH. She and Katy Chevigny co-directed the Berlinale premiering DEADLINE, which won the Thurgood Marshall Award. She teaches “Visual Thinking” in the NYU Graduate Journalism Department. In 2017, she was awarded the Chicken and Egg Breakthrough Filmmaker Award and she is currently a Sundance Art of Nonfiction Fellow. She is a 2017 Guggenheim Fellow and was recently invited to be one of the 4% of ASC members who are women. 

Social Media
twitter.com/RIPDickJohnson
twitter.com/Cameraperson16
twitter.com/MarilynNess9
instagram.com/dickjohnsonisdead
facebook.com/dickjohnsonisdead
@Cameraperson16
@MarilynNess9
@RIPDickJohnson
@Netflix
#DickJohnsonIsDead

100% on Rotten Tomatoes

“A deeply moving vision of life in the face of bodily death and the threatened loss of selfhood, as well as a loving unpacking of the lifetimes of memories from which families are made.” – Richard Brody, New Yorker

“Instead of pushing her father’s death to the back of her mind, Johnson embraces it fully and even has fun with it. She takes her heartache and turns it into joy.” – Brianna Zigler, Little White Lies

“Unabashedly toying with the conventions of obituary, the documentation of the infirm, and the memorialization of a parent, the end result is a triumph.” – Jason Gorber, POV Magazine

“A touching and funny meditation on embracing life and fearing death at the same time.” – Eric Kohn, indieWire

Our Time Machine, Co-director S. Leo Chiang (Yang Sun)

The emotionally gripping documentary, OUR TIME MACHINE, focuses on 43-year-old Maleonn, one of China’s most influential conceptual artists, and his father, Ma Ke, former artistic director of the Shanghai Chinese Opera Theater. After being humiliated and forbidden from working for a decade during the Cultural Revolution, Ma Ke immersed himself in theater. The mysterious excitement of Ma Ke’s creative world inspired the young Maleonn, but his father’s absences stoked early feelings of resentment. When Ma Ke is diagnosed with Alzheimer’s, Maleonn pours everything into an ambitious new theater project: “Papa’s Time Machine,” a visually stunning time-travel adventure told with human-sized puppets. At the play’s heart are autobiographical scenes inspired by Maleonn’s memories with his father. He hopes this will bring them together artistically and personally. Facing his father’s painful decline, Maleonn becomes more aware of life’s complexities. There are no effortless masterpieces or simple solutions. And there’s no traveling back in time to retrieve what has been lost. OUR TIME MACHINE probes the complex relationships of a family in transition, generation to generation, filtered through the lens through art, theatre and puppeteering. Co-director S. Leo Chiang joins us to talk about his collaboration with co-director Yang Sun and subject Maleonn as well as unpack the multi-layered questions concerning memory, dreams, love, and family.

 

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For news, screenings and updates go to: timemachinefilm.com

Directors’ Statement Those who grew up in post-Cultural Revolution China lived through a kind of socio-economic transformation that would have taken another country 100 years to bring about. In the span of 20 years, cities emerged from towns, the economy generated unprecedented wealth for some while leaving others behind, and new roads and digital networks connected China to the world. These migrations within our country and its rapid digitization have fundamentally changed the way people communicate and relate to one another. So, when we came across Maleonn and his ageing father, both artists, but who came of age on opposite sides of the Cultural Revolution in China, we made immediate personal connections. We see a story that could be our own in the not-so-distant future. For us and for Maleonn, the struggle to express affection towards one’s family goes hand in hand with defining and sharing the meaning behind devoting one’s life to art. Our intentions in crafting our film are to move others the way it has profoundly moved us. This is an evergreen story, relevant for past and future generations and across cultural divides, so long as there is love between children and their parents. Our story provides a needed addition to highlight the similarities between people in the West and in China during a time where the political language can be hostile and divisive.We hope this film celebrates the process in which two men reconcile their past feelings and create something together that repairs a distressed part of the fabric of Chinese society. – S. Leo Chiang and Yang Sun

Social Media
facebook.com/timemachinefilm
instagram.com/timemachinefilm
twitter.com/timemachinefilm
#OurTimeMachine
@sleochiang
#EndALZ
#ChineseArt
#Puppet

100% on RottenTomatoes

“The issues of aging and familial relationships and the appealing nature of this family would make “Our Time Machine” worthy of a look in any case, but what puts it over the top is Maleonn’s fascinating visual creations.” – G. Allen Johnson, San Francisco Chronicle

“S. Leo Chiang and Yang Sun’s vibrant documentary about this labor of love proves to be a multi-layered metaphor of the interplay of art, memory, loss, and reconciliation, as well as a study of a touching and fraught father-son relationship.” – Peter Keough, Boston Globe

“Even though Our Time Machine is about a big, ambitious stage production with some visually stunning puppets, the documentary’s smaller, quieter moments with Maleonn and his family are where the movie is at its best.” – Carla Hay, Culture Mix

“Maleonn’s wondrous creations are enough of an attraction on their own, but the film… has many more layers to reveal about the legacy of Cultural Revolution, familial relationships, the agonies of love and loss and the circle of life.” – Scott Tobias, Variety

PUSH, Director Fredrik Gertten & Subject Leilani Farha

Fredrik Gertten’s latest documentary, PUSH, is a searing indictment of the systemic corruption that continues to drive the world’s affordable housing toward the edge of collapse. All of which is happening while many of the world’s largest financial and real estate institutions are facilitating a tidal wave of dark money from organized crime, human trafficking, illicit drugs trade and illegal tax “shelters” into the legitimate world of finance. Housing prices are skyrocketing in cities around the world. Incomes are not. PUSH sheds light on a new kind of faceless landlord, our increasingly unliveable cities and an escalating crisis that has an effect on us all. This is not gentrification, it’s a different kind of monster. PUSH follows Leilani Farha, the former UN Special Rapporteur on Adequate Housing, as she’s travels the globe, trying to understand who’s being pushed out of the city and why. Director Fredrik Gertten and film subject Leilani Farha join us for a spirited conversation on the state of the world’s housing stock and how homeownership, real estate and high finance has been such a determinate factor on our society, both past and present.

 

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For news, screenings and updates go to: pushthefilm.com

About the subject – Leilani Farha has a background in advocacy for the homeless and for three years Leilani was the UN Special Rapporteur on Adequate Housing, with the right to hold governments accountable if they don’t meet the human rights obligations in the UN Human Rights Charter. She believes that if we really want to make change to ensure people can live in the city.then we have to be able to hold someone responsible for what is going on. Currently Leilani is the Global Director for Make the Shift, a worldwide movement to secure the human right to housing. 

About the filmmaker – Fredrik Gertten is an award-winning Swedish director and journalist. His latest works BECOMING ZLATAN (2016), BIKES VS CARS (2015), BIG BOYS GONE BANANAS!* (2012) and BANANAS!* (2009) have met audiences in over 100 countries and screened at leading festivals. In 1994, Fredrik founded the production company WG Film. He previously worked as a foreign correspondent and columnist for radio, TV and press in Africa, Latin America, Asia and around Europe. Today he combines filmmaking with a role as a creative producer at WG Film – one of Sweden’s most prominent documentary production companies, famous for local stories with a global understanding and impact. In October 2017 Fredrik was named Honorary Doctor at Malmö University’s Faculty of Culture and Society for his work as a documentary filmmaker. 

Social Media
facebook.com/pushthefilm2019
twitter.com/Push_TheFilm
instagram.com/push_thefilm
twitter.com/FredrikGertten
twitter.com/leilanifarha
twitter.com/right2housing
@Make_TheShift
#Right2Housing
@leilanifarha
@Push_TheFilm

Herb Alpert Is… Director John Scheinfeld

With his trumpet he turned the Tijuana Brass into gold, earning 15 gold and 14 platinum records; He has won nine Grammys Awards between 1966 and 2014, and received the National Medal of Arts from President Barack Obama in 2012. Herb co-founded the indie label, A & M Records with his business partner, Jerry Moss, which recorded artists as varied as Carole King, Cat Stevens, The Carpenters, Janet Jackson, Peter Frampton, Joe Cocker, Quincy Jones, Sergio Mendes, and The Police. A&M would go on to become one of the most successful independent labels in history. He has shown his striking work as an abstract painter and sculptor, worldwide. And through the Herb Alpert Foundation, he has given significant philanthropic support of educational programs in the arts nationwide, from the Harlem School of the Arts and Los Angeles City College to CalArts and UCLA. John Scheinfeld’s documentary Herb Alpert is… profiles the artist, now 85, mostly from the perspective of colleagues like Questlove, Paul Williams, Sting, and Bill Moyers. In their words, the shy, unassuming trumpeter is a musical, artistic and philanthropic heavyweight. Director John Scheinfeld stops by to talk about many facets of Alpert’s personal and public life that make him the compelling and warm-hearted person he is.

 

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For news, screenings and updates go to: herbalpertis.com

For more on the work and latest news go to: herbalpert.com

About the filmmaker – John Scheinfeld – From pop culture to politics, sports to world religions, Venice and Toronto film festivals to PBS, Emmy®, Grammy® and Writers Guild Award nominee John Scheinfeld is a critically acclaimed documentary filmmaker with a broad range of subjects and productions to his credit. In addition to directing, writing and producing Herb Alpert Is…, Scheinfeld is in post-production on a primetime documentary special about comedy legend Garry Marshall that will air on ABC in the Spring of 2020. Another Scheinfeld feature documentary, Sergio Mendes: In The Key of Joy, had its World Premiere at the Santa Barbara International Film Festival in January 2020 and will be released worldwide on multiple media platforms later in the year. Previously, his feature documentary, Chasing Trane: The John Coltrane Documentary, was an official selection of the Telluride Film Festival and the Toronto International Film Festival before playing on 175 theater screens worldwide during the spring of 2017. In November 2017 it was the season premiere of Independent Lens, the largest showcase for independent documentary film on television. Scheinfeld is best known for two widely acclaimed feature documentaries: The U.S. vs. John Lennon, which tells the true story of the US government’s attempt to silence the beloved musician and iconic advocate for peace and Who Is Harry Nilsson (And Why Is Everybody Talkin’ About Him)?, a compelling yet wildly entertaining documentary about one of the most talented and uncompromising singer-songwriters in pop music history. For more on the work of John Scheinfeld go to: crewneckproductions.com

Social Media
facebook.com/HerbAlpertPresents
twitter.com/HerbAlpert
instagram.com/officialherbalpert
instagram.com/officialherbalpert
facebook.com/JScheinfeld
@HerbAlpert

 

“The story of Herb Alpert is a lot more than a snappy greatest hits collection; it’s a deep dive into the agonies and ecstasies that drive profoundly creative people.” – Bill Newcott, The Saturday Evening Post

“This movie will likely go down as the definitive documentary about Alpert and, as such, it’s not a bad way to be remembered.” – James Berardinelli, ReelViews

“This documentary is a joyous celebration of Herb Alpert’s life and career as it examines his roots not only as a musician but as a painter, sculptor, businessman and philanthropist.” – Charles Koplinski, Reel Talk with Chuck and Pam

“You’ll probably come away from Herb Alpert Is… not only admiring the man but wishing you were him.” – Frank Scheck, Hollywood Reporter

#UNFIT: The Psychology of Donald Trump, Director Dan Partland

In his thoroughly documented and clarion call to action, Dan Partland’s latest documentary, #UNFIT: The Psychology of Donald Trump, provides a platform for a number of prominent mental health professionals to present their observations on camera as part of their ethical “Duty to Warn” the public of imminent danger presented by President Donald Trump. After years of empirical observation these leading mental health professionals, discuss DSM-5 disorders, their danger, and the doctor’s own Duty to Warn, They introduce the syndrome known as malignant narcissism and explain how it is responsible for some of history’s cruelest kinds of inhumanity.  They liken it symptoms to the behavior of the most powerful human being on earth, a man with the capacity to launch several thousand nuclear weapons on his command, Donald Trump. Medical doctors and mental health professionals go on camera, on the record, for the record – it’s an eye-opening discussion, analysis, and science-based examination of the behavior, psyche, condition, and stability of President Donald Trump. #UNFIT also examines Trump’s effect on our citizenry, culture, and institutions. Director Dan Partland joins us for a spirited conversation on Trump’s constant perversion of truth, his appeal to tribalism, and the way he has undermined the pillars of civil society, a free press, and an independent judiciary.

 

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For news, screenings and updates go to: unfitfilm.com

About the filmmaker Dan Partland director/producer/writer of both documentary films & television for over 20 years. His work has found success in theatrical, art-house, cable, and network outlets and includes some landmark films of the American Independent Cinema. In the 15 years that the Emmys have recognized primetime nonfiction series, Partland’s shows have been nominated for best in class 5 times, and in 3 different sub-genres; Reality, Nonfiction format, and Documentary. Partland has twice won nonfiction series Emmys and in 2011 and 2012 was nominated by the Producers Guild of America for Nonfiction Producer of the Year. In 2001, Partland won an Emmy (Best Non-Fiction Program) for his work on the ground-breaking 13-part doc series American High on Fox. Partland served as the Supervising Producer and a Director of the critically acclaimed show that is widely regarded as one of the progenitors of the current doc series genre. Partland’s work has spanned several nonfiction genres.  He produced and directed How To Raise An Olympian, a winter Olympics special for NBC and was Showrunner for the multi-award-winning CNN archival series The Sixties. Partland was the Executive Producer and Showrunner of A&E’s Intervention for over 150 episodes, garnering countless awards and accolades including the Emmy for best reality series. Partland spent the early days of his career working under Albert Maysles, a founding filmmaker of the cinema verité movement. While on staff at Maysles Films, Partland worked on the dozens of documentary films and television commercials that the legendary company produced during his tenure. Partland is founder and President of DOCSHOP Productions. docshopproductions.com

Social Media
facebook.com/UnfitMovie
twitter.com/duty2warn
twitter.com/dpartland
instagram.com/danpartland
@dpartland

#1 Documentary on iTunes and Apple TV

#UNFIT is sharp, cohesive, and illuminating, with alarming insights.— Richard Roeper, Chicago Sun-Times

#UNFIT is an Incisive documentary with freshly perceptive nuances. — Owen Gleiberman, Variety

“Mental-health professionals, bound by ethics to point out danger, discuss how President Donald Trump is uniquely dangerous, a literal menace to society. Nay, not ‘discuss’: they are screaming it.” – MaryAnn Johanson, Flick Filosopher

“With stunning editing and a slew of thorough and reasoned criticism, this could be the nonfiction movie treatment of Trump to beat this year.” – Harvey S. Karten, Shockya.com

Blood on the Wall, Director Nick Quested

In Central America, a caravan of migrants seeking a better life heads north to the United States, as narco-traffickers — part of the cause for the caravan — move drugs and money back and forth across the same border. From Academy Award-nominated director Sebastian Junger and Emmy-winning producer Nick Quested, BLOOD ON THE WALL explores the depths of corruption plaguing Mexico and Central America and the policies of the past that have made it impossible for everyday people to find justice. Filmed in 2018 and 2019, just as the caravans made international news, BLOOD ON THE WALL is both intimate and wide-ranging as it follows a 17-year-old journeying from Honduras, a mother and daughter and their family trying to make the life-threatening trek easier for their kids, and smugglers and traffickers who reveal what set them on their own path. Using the same on-the-ground journalism and granular point of view that co-directors Sebastian Junger and Nick Quested used in Hell on Earth: The Fall of Syria and the Rise of ISIS, Korengal, and the Oscar-nominated Restrepo, BLOOD ON THE WALL brings the humanity of the migrants to the forefront and untangles how politics, the drug trade, violence, and the desire for safety result in unbelievable anguish happening in plain sight. Co-director Nick Quested joins us to talk about the extraordinarily violent and unstable circumstance these immigrants navigate and the palpable sense of cynical betrayal that the US and Mexico deploy against them.

 

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For news, screenings and updates go to: nationalgeographic.com/blood-on-the-wall

For more on sebastianjunger.com

About the filmmaker – Co-director Nick Quested is executive director and owner of Goldcrest Films, where he has built one of the premiere documentary brands in the world, winning two Emmys for his work. Quested has served as a producer on over 35 films, including Sebastian Junger’s The Last Patrol, Korengal, and the PGA- and twice Emmy-nominated Which Way Is the Front Line From Here?; the Oscar-nominated Restrepo; and National Geographic Doc Films’ duPont Award-winning Hell on Earth: The Fall of Syria and the Rise of ISIS. Quested is also an award-winning music video director, working with such artists as Dr. Dre, Nas, Puffy, Sting, Master P, Cash Money, and Trick Daddy. His credits include “Stretch and Bobbito: Radio That Changed Lives,” “Rubble Kings,” “Pussy Riot: A Punk Prayer,” “Smash and Grab: The Story of the Pink Panthers,” “Stolen Seas,” “The List,” “Tell Spring Not to Come This Year,” and “Doin’ It in the Park: Pick-Up Basketball, NYC.”

Social Media
facebook.com/natgeodocs
twitter.com/natgeodocs
instagram.com/natgeodocs
twitter.com/nickquested
instagram.com/nickquested
twitter.com/sebastianjunger
instagram.com/sebastia_junger
#BloodOnTheWall
@natgeodocs
#natgeodocs

“The film’s two brutal narratives – the caravans and the web of narco-trafficking – don’t always coalesce and may have benefited from a longer format.” – Kevin Crust, Los Angeles Times

“A very hard and complicated story to tell. But Junger and Quested are more than up to challenge in Blood on the Wall.” – David Zurawik, Baltimore Sun

The Artist’s Wife, Director Tom Dolby

Claire (Lena Olin) lives a quiet domestic life in the Hamptons as the wife of celebrated artist Richard Smythson (Bruce Dern). Once a promising painter herself, Claire now lives in the shadow of her husband’s illustrious career. While preparing work for his final show, Richard’s moods become increasingly erratic, and he is diagnosed with dementia. As his memory and behavior deteriorate, she shields his condition from the art community while trying to reconnect him with his estranged daughter, Angela (Juliet Rylance) and grandson from a previous marriage.  Challenged by the loss of her world as she knew it, Claire must now decide whether to stand with Richard on the sidelines or step into the spotlight herself. Director Tom Dolby (Call Me My Your Name, Little Men, Regarding Susan Sontag, Scotty and the Secret History of Hollywood) stops by to talk about his compelling, clear-eyed look at a loving couple’s faltering attempts to find a way forward.

 

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For news, screenings and updates go to: theartistswifefilm.com

About the filmmaker – Tom Dolby’s feature film writing and directing debut, Last Weekend, starring Patricia Clarkson, was released in 2014 by IFC/Sundance Selects and called “Chekhovian” by The New York Times, with Ms. Clarkson’s performance hailed as “terrifically nuanced, heartbreaking, and often very funny” by the San Francisco Chronicle.  Dolby is the founder of Water’s End Productions, where he and his team have developed a slate of narrative features and documentaries with the goal of supporting provocative and challenging human stories. The company funded the development of the Academy Award-winning film Call Me By Your Name, on which he served as an Executive Producer.  Dolby and Water’s End have also produced the critically acclaimed films Little Men, Regarding Susan Sontag, Scotty and the Secret History of Hollywood, The House of Tomorrow, and Little Woods, among others. Upcoming projects include an adaptation of the novel Women in Sunlight by New York Times bestselling author Frances Mayes (Under the Tuscan Sun). Dolby is also the author of four novels, and his writing has appeared in The New York Times, The Village Voice, and the San Francisco Chronicle, among others. Born in London and raised in San Francisco, he is a graduate of Yale University, where he received his B.A. in the history of art. He lives in Los Angeles with his two daughters. For many years, he had a house in Wainscott, NY, right next to East Hampton

Social Media
facebook.com/theartistswifefilm
twitter.com/hashtag/theartistswifefilm
instagram.com/watersendprod
#TheArtistsWifeFilm

“The emotions are powerfully put on screen by two great veterans.” – Alci Rengifo, Entertainment Voice

“Bruce Dern and Lena Olin are fantastic here.” – Joey Magidson,Awards Radar

“A really beautiful portrait of a relationship.” – Lael Loewenstein;FilmWeek (KPCC – NPR Los Angeles)

“By refusing to compromise about life’s messiness, it makes an art of chaos in elegantly composed vignettes filmed with a chilly beauty, and gives us an ending that is maddening, yet absolutely true.” – Andrea Chase,Killer Movie Reviews

Once Upon a River, Director Haroula Rose

Based on the best-selling novel by Bonnie Jo Campbell, ONCE UPON A RIVER is the story of Native American teenager Margo Crane (Kenadi DelaCerna) in 1970s rural Michigan who after enduring a series of traumas and tragedies, sets out on an odyssey on the Stark River in search of her estranged mother. On the water, Margo encounters friends, foes, wonders, and dangers; navigating life on her own, she comes to understand her potential, all while healing the wounds of her past. ONCE UPON A RIVER features newcomer Kenadi DelaCerna, John Ashton (Midnight Run, Gone Baby Gone), Tatanka Means (The Son, Saints & Strangers, Tiger Eyes), Ajuawak Kapashesit (Caleb, Outlander), Sam Straley (Hala,.Chicago P.D.), Coburn Goss (Man of Steel, What Women Want), Lindsay Pulsipher (True Blood, Justified, Hatfields & McCoys), Kenn E. Head (ER, Chicago Fire). Director Haroula Rose joins us for a conversation on her collaboration with author Bonnie Jo Campbell, bringing her background in music into the filmmaking world and bringing the role of Margo to life through the stellar performance of newcomer Kenadi DelaCerna.

 

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For news, screenings and updates go to: filmmovement.com/once-upon-a-river

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@Film_Movement

“A tender coming-of-age drama with a slice of rural period piece that is both chilling and earnestly moving.”  — THIRD COAST REVIEW

“One of the Most Anticipated American Films” — FILMMAKER MAGAZINE

“There’s a lot to love about ‘Once Upon a River.’ Kenadi DelaCerna shines!” – FILM THREAT

“Stunning! …a tender coming of age drama with a slice of rural period piece.” – The Moveable Fest

The Velvet Underground Played at My High School, Director Robert Pietri

On December 11, 1965, The Velvet Underground played their first concert (and their first paid gig) at the most unlikeliest of places: a high school auditorium in Summit, New Jersey. They opened for a popular local band called The Myddle Class, who had a top 40 hit on the AM radio. The audience was packed with Myddle Class fans, who were mostly sheltered kids from this picture-perfect town some 25 miles west of New York City — kids who were just discovering the Beatles but who were still dancing the Lindy, the Waltz, and the Cha Cha at school dances. It was in this atmosphere that the black-leather-clad Velvets hit the stage blasting loud, droning, screeching music laced with drug-and sex-infused lyrics. On the stage for merely 20 minutes, they performed three songs, ending with “Heroin,” and the audience responded with, as one of the band recalled in 1983, a “murmur of surprise that greeted our appearance” that “increased to a roar of disbelief as we started to play” and “swelled to a mighty howl of outrage and bewilderment…” Half the audience walked out. Director Robert Pietri joins us for a lively conversation on this little known cultural event, his friendship with award-winning cinematographer, eye-witness and inspiration for the film Tony Jannelli and the creative process he used to tell this story.

 

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For news, screenings and updates go to: cornerbarpictures.com/velvet-underground-played

To watch: click on PBS POV

About the filmmaker: Writer/Director Robert Pietri, winner of several award-winning shorts and a feature length film, has been working on commercial/media related projects since graduating from NYU Grad Film program. His commercial clients include Pure Digital, the City of New York, TORAY, NYU, and Amazon Studios. He has been the recipient of grants from Fox Searchlab and IFP. Before filmmaking, he worked for years as an art director at MetaDesign, Razorfish, and Imaginary Forces.

 
Best Documentary Short at the Seattle Wine & Film Festival
Winner – Music Award Short at Docutah
Best Documentary Short Film Winner at the Sydney World Film Festival

 

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Chasing the Present, Film Subject James Sebastiano Jr.

CHASING THE PRESENT is a timely documentary following one man’s world wide journey of self inquiry as he explores the root cause of his lifelong battle with mental health issues. A materially successful young man, James Sebastiano Jr., riddled with anxiety, embarks on a world-wide journey of self-inquiry. From the streets of NY, to the stillness of the Ganges, and deep into the jungles of Peru, he immerses himself in meditation, self-inquiry, and plant medicine to find the root cause of the problem and learn how to finally find freedom from his crippling anxiety.  Along the way, he finds answers to why a person who seemingly has it all can continue to suffer from debilitating panic attacks, recognizing the beauty and power that lies within each of us, if we are willing to go there. CHASING THE PRESENT features Featuring James Sebastiano Jr., Russell Brand, Alex Grey, Graham Hancock, Gary Weber, Rupert Spira, Sharon Salzberg, Joseph Goldstein, Matthew Watherston, Jose Sanchez, James Sebastiano Sr., Jordan Sebastiano, Zelda Hall, Josh Korda, Vijeth Kumar. CHASING THE PRESENT subject James Sebastiano joins us to talk about the physical, psychological and spiritual journey he and director Mark Waters shared over the three plus years that this passion project took them on and why their experiences and the lessons learned from people they met will resonate with all that choose to join them.

 

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For news, screenings and updates go to: chasingthepresent.com

About the filmmaker – Mark Waters, Producer / Director / Cinematographer. Mark is an award winning-filmmaker specializing in films that explore reality beyond the limits of the current status quo. In 2011 he shot and edited, “Uncommon Ideals”, which was screened at SXSW as one of the top action-sports shorts of the year. In 2015, Mark independently completed his first feature film, “The Salt Trail” – A philosophical, portrayal, of those who fearlessly choose to travel outside the comforts of modern society. His most recent project, “Chasing the Present”, took a unique direction, pushing the boundaries of the documentary form, to frame an extremely important message. “Chasing the Present” evolved into a deeply immersive feature film, exploring the root cause of suffering, the mystery of consciousness and the nature of the self. Instead of chasing these common Ideals, he has been driven by his love for the natural world, traveling to 50 countries, and exploring the beauty, stillness and serenity unfolding in the present moment. His love for life has inspired him to find ways to frame and share his perception of the world, to inspire a fresh perspective. 

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Public Trust, Director David Garrett Byars

One of the most important documentaries of the year, Public Trust is a film that needs to be seen by everyone who enjoys getting out in nature. Although many of us take the 640 million acres of America’s Public Lands for granted, these lands are endangered by powerful forces that are attempting the largest land grab in modern history. By focusing on the eminent destruction of the Boundary Waters Wilderness in Minnesota, the downsizing of Bears Ears National Monument in Utah, and the wholesale appropriation of the Arctic National Wildlife Refuge, director David Garrett Byars enlists a slew of journalists, land historians, tribal leaders, and government whistleblowers to present a highly persuasive argument that is impossible to ignore and vital to hear. Above all else, as Executive Producer Robert Redford tells us,Public Trust is the story of citizens who are fighting back. It’s a much-needed wake-up call for all of us who want to preserve our unique and wild cultural heritage. Director David Garrett Byars joins us to talk about the on-going schemes by the most pernicious corporate interest to steal our heritage and how a growing group of dedicated and non-partisan people from around the country are thwarting them.

 

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For news and updates go to: patagonia.com/films/public-trust

Our public lands are under threat. Join us in the fight to protect them. Text ‘DEFEND’ to 71333.

Public Trust will premiere on Friday September 25 on YouTube Watch it for free for the next 30 days,

About the filmmaker – David Garrett Byars made his directorial debut at the 2017 Tribeca Film Festival with No Man’s Land, a documentary about the 2016 militia occupation of the Malheur National Wildlife Refuge that sparked international headlines. Byars also produced and lensed Massacre River, Suzan Beraza’s film about statelessness in the Dominican Republic.

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100% on Rotten Tomatoes

“If Donald Trump ever stands trial for crimes against the public interest, this film should be entered as evidence.” – Louis Proyect, Counterpunch.org

“Don’t miss it.” – Randy Myers, San Jose Mercury News

“Public Trust is calling for advocacy instead of just interest…and makes the case for why we all should be invested. It’s a beautiful documentary, and an important one.” – Tom Santilli, Movie Show Plus

“The documentary is conventionally structured and sometimes placid, but it has an alarming message.” – Ben Kenigsberg, New York Times

“Public Trust is calling for advocacy instead of just interest…and makes the case for why we all should be invested. It’s a beautiful documentary, and an important one.” – Tom Santilli, Movie Show Plus

We Are Many, Director Amir Amirani

WE ARE MANY focuses on February 15th, 2003, when up to 30 million people, many of whom had never demonstrated before in their lives, came out in nearly 800 cities around the world to protest against the impending Iraq War. The New York Times called this movement the “Second Superpower”. How did this day come about? Who organized it? And was it, as many people claimed, a total failure? This fearless, thought-provoking documentary is the remarkable inside story behind the first ever global demonstration and its surprising and unreported legacy. WE ARE MANY features testimony from a unique cast of direct participants, including organizers, activists, high-profile figures, and of course the public, filmed in seven countries – Italy, Spain, Egypt, Sweden, Australia, UK, and the USA. Extraordinary testimony from activists in Egypt reveals how, on the eve of the invasion of Iraq, the global anti-war protests inspired those in Tahrir Square to go on to engage in the massive democratic movement that ultimately led to the Arab Spring. In the UK, the government was defeated over the proposed invasion of Syria, a historic event that might not have transpired without the legacy of those demonstrations a decade ago. The star-studded list of contributors includes Danny Glover, actor Mark Rylance, film director Ken Loach, Prof. Noam Chomsky, musicians Brian Eno and Damon Albarn, writer and Vietnam Vet Ron Kovic (author of ‘Born on the 4th of July’), Rev. Jesse Jackson, Richard Branson, and Colin Powell’s former Chief of Staff Col. Lawrence Wilkerson, amongst others. WE ARE MANY is a bold documentary by Amir Amirani charts the birth and growth of the new people power movement, now sweeping the world, taking us up to the Arab Spring and Syria, a little over 10 years after that historic day.

 

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For news, screenings and updates go to: wearemany.com

About the filmmaker – Amir Amirani is a film-maker with a strong track record of work for some of the most respected series of the BBC. He has a degree in Biology from Nottingham University, and an M.Phil in International Relations from Cambridge University. Amir joined the BBC in 1992 and took up a Graduate Production Traineeship. In 1994, Amir and his brother Taghi established Amirani Films to produce documentaries for the major UK broadcasters, the BBC, Channel 4, PBS, and other international broadcasters. Amir has made films for a several of the BBC’s flagship series, including the multi BAFTA award winning Arena, Timewatch, Picture This, Correspondent and Newsnight, for which he was nominated for an Amnesty International Award. A film he directed in South Africa was nominated for the One World Broadcasting Trust Awards. Amir also works in radio, where he has produced programmes for leading series on BBC Radio 4, such as In Business, From Our Own Correspondent, The World Tonight, and single programmes such as From Tehran With Laughter. He has also directed British televisionís most popular soap opera. His journalism includes writing for the New Statesman, New Scientist,Business Traveller Asia and the Economist Intelligence Unit. His work has been well reviewed by the press.