July 22, 2016, The Seventh Fire, Director Jack Pettibone Riccobono

Seveth Fire film posterFrom executive producers Terrence Malick, Natalie Portman, and Chris Eyre comes this haunting and unflinching debut feature, THE SEVENTH FIRE, directed by Jack Pettibone Riccobono. When gang leader Rob Brown is sentenced to prison for a fifth time, he must confront his role in bringing violent drug culture into his beloved American Indian community in northern Minnesota. As Rob reckons with his past, his seventeen-year-old protégé, Kevin, dreams of the future: becoming the most powerful and feared Native gangster on the reservation. Director, Producer, Writer, and Director of Photography Jack Pettibone Riccobono has produced and directed a wide range of work across the five boroughs of his native New York City and around the world, from Moscow to Shanghai to Freetown. His narrative short KILLER premiered at New Directors / New Films and won Best Short at the Nantucket Film Festival. His short documentary THE SACRED FOOD, shot on the same reservation as THE SEVENTH FIRE, premiered at the Berlin Film Festival. Riccobono joins us for a conversation on the chronic unemployment and sense of desperation that permeates Native American reservations like Pine Point as well as the sliver of hope that may point to a brighter future.

For news and updates go to: theseventhfire.com

“The betrayal of Native Americans by larger forces looms over this powerful movie without ever being explicitly discussed.” – Glenn Kenny, New York Times

“Riccobono films it all with intelligence, sensitivity and a feel for offhand poetry; his camera captures moments of intimacy and tension without ever quite intruding.” – Bilge Ibiri, Village Voice

“This documentary, by the first-time director Jack Pettibone Riccobono, is a deep drink of bleak. But there are incidental moments of beauty or startling surreality to marvel at “ – Leslie Pelperin, Guardian

“Bracingly candid in both tone and image.” – Mathew Anderson, CineVue

Friday, July 22, 2016, The Netflix Effect, Technology and Entertainment in the 21st Century, Co-author and editor Kevin P. McDonald

The Netflix Effect- Technology and Entertainment in the 21st CenturyNetflix is the definitive media company of the 21st century. It was among the first to parlay new Internet technologies into a successful business model, and in the process it changed how consumers access film and television. It is now one of the leading providers of digitally delivered media content and is continually expanding access across a host of platforms and mobile devices. Despite its transformative role, however, Netflix has drawn very little critical attention-far less than competitors such as YouTube, Apple, Amazon, Comcast, and HBO. The Netflix Effect, Technology and Entertainment in the 21st Century addresses this gap, as the essays are designed to critically explore the breadth and diversity of Netflix’s effect from a variety of different scholarly perspectives, a necessary approach considering the hybrid nature of Netflix; its inextricable links to new models of media production and distribution, to new modes of viewer engagement and consumer behavior, its relationship to existing media conglomerates and consumer electronics, to its capabilities as a web-based service provider and data network, and to its reliance on a broader technological infrastructure. Marking the first scholarly work to address its significance. Co-author and editor Kevin P. McDonald talks about how The Netflix Effect provides a critical framework for understanding the company’s specific strategies as well as its broader social, economic, and cultural impact. McDonald teaches at the Communication Studies Department at Cal State Northridge, USA. His research focuses on film theory, contemporary Hollywood, and media industries. His work has appeared in Jump-Cut, Velvet Light Trap, and Alphaville

For more on Netflix Effect go to: bloomsbury.com/us/the-netflix-effect

Friday, July 15, 2016 – Unlocking the Cage, Co-directors Chris Hegedus and D. A. Pennabaker

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The latest documentary from the renowned filmmaking team of Chris Hegedus and D. A. Pennebaker (The War Room), UNLOCKING THE CAGE follows trailblazing animal rights lawyer Steven Wise in his challenge to break down the legal wall that separates animals from humans. UNLOCKING THE CAGE premiered at the 2016 Sundance Film Festival. Given that the Supreme Court has ruled that corporations are people, why not chimps? Attorney Steven Wise and his legal team, the Nonhuman Rights Project, are making history by filing the first lawsuits that seek to transform an animal from a “thing” with no rights to a “person” with legal protections. Supported by affidavits from primatologists around the world, Wise maintains that, based on scientific evidence, cognitively complex animals such as chimpanzees, whales, dolphins and elephants have the capacity for limited personhood rights that would protect them from abuse. The filmmakers capture Wise’s progress: from the halls of academia to animal sanctuaries and zoos, and finally into the courtrooms where he makes a compelling case on behalf of four captive chimpanzees in New York State.  UNLOCKING THE CAGE captures a monumental shift in our culture, as the public and judicial system show increasing receptiveness to Wise’s impassioned arguments. It is a provocative and intimate look at a lawsuit that could forever transform our legal system, and one man’s lifelong quest to protect “nonhuman” animals. Among the most renowned and accomplished documentary filmmakers ever, co-directors Chris Hegedus and D. A. Pennebaker join us to talk about their latest groundbreaking film.

For news and updates go to: unlockingthecage

Get involved: nonhumanrightsproject.org and unlockingthecagethefilm.com/sanctuaries

“Thoughtful, Compelling and Heroic. The film made me proud to be a primate.” – Jon Stewart

“In their new documentary, D A Pennebaker and Chris Hegedus bring their relaxed, acute observational style of filmmaking to bear on a thorny tangle of legal and philosophical questions. Observant and absorbing.” – A.O. Scott, The New York Times

“Engaging… makes a worthy case for reconsidering the sturdiness of laws that explicitly separate humans from animals. With legal-thriller pacing and emotional intelligence, it chronicles attorney Steven Wise’s gung-ho effort to get a U.S. court to recognize a chimpanzee as a legal person with protections, as opposed to a legal “thing” without rights.” – Robert Abele, Los Angeles Times

“A smart, heroic act of film-making. This compassionate and distinctive work is a combination of single-minded legal drama and humane consciousness raising possibilities. It is a story about something that is often very near to our hearts.” – Isa Freeling and Deborah Kane, The Huffington Post

Friday, July 15, 2016 – Making the American Man, Director Gregory Caruso

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Men’s style has changed dramatically over the past few years. MAKING THE AMERICAN MAN will grant viewers access into the creative minds of the artisans and entrepreneurs who are leading this movement. Some of these “makers” are tried-and-true, rediscovered heritage American brands, dedicated to an unwavering tradition of union-made quality. Others are young entrepreneurs who mourn the transition to disposable, imported clothing—and so were inspired to make menswear that equaled the artisanal quality products that their parents and grandparents took for granted. MAKING THE AMERICAN MAN draws its power from intimate conversations with over 35 cult-cool designers and tastemakers who have defined what classic masculinity looks like today, and how they feel it must be produced. From Los Angeles to New York and everywhere in between, these cultural trendsetters shed light on the modern age of American men’s style, the value of American-made goods—and how one cannot exist without the other. MAKING THE AMERICAN MAN Director Gregory Caruso joins us to talk about the present and future of American manufacturing, craftsmanship and modern masculinity.

Now available on Netflix

For news and updates go to: makingtheamericanman.com

Friday, July 8, 2016 – Nuts! Director Penny Lane

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Inventive and wildly fun, NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. From there, the story only gets more bizarre. Mixing hand-drawn animated reenactments, interviews, archival footage, and a very unreliable narrator, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. Along the way, he transplants thousands of goat testicles, amasses an enormous fortune, is (sort of) elected Governor of Kansas, invents junk mail and the infomercial, builds the world’s most powerful radio station, and generally annoys the heck out of the establishment. Filmmaker Penny Lane has skillfully borrowed a page from her subject – charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was. NUTS! reminds us that our love of (and need for) compelling narratives is exactly what makes us so endlessly susceptible to being conned. Director Penny Lane stops by for a conversation on Brinkley, our collective need to believe in something and any contemporary parallels to be drawn from this bizarre story.

For news and updates go to: nutsthefilm.com

NUTS! had it’s World Premiere at the 2016 Sundance Film Festival and won the U.S. Documentary Special Jury Award for Editing.



“Mixing droll animation, stock footage and a restrained number of talking head interviews, the director Penny Lane’s biography has all the whimsy of a tall tale, until a late change in tone surprises with genuine emotion.Nuts! is really a kick.” – The Guardian

“Don’t let the synopsis fool you, there’s much more here than a simple movie about a guy who likes to put goat balls in people…[Lane] explores the peculiar and undeniably fascinating story of Brinkley in what is easily an early contender doc of the year…Nuts! is a film you’ll definitely want to check out.” – Film Pulse

“Penny Lane is a documentarian who blends the archival with the personal in powerfully emotive ways… [she] is now firmly ensconced as a leading voice among her documentary filmmaking peers. “ – Vimeo

“What won’t spoil the film is my spewing praise for Lane’s craft… Lane is the answer to a question more people should be asking: who’s the great documentarian of this generation?” – The Verge

“In keeping with a recent trend in documentary filmmaking, nontraditional, sometimes controversial storytelling techniques will be on full display, Mr. Cooper said. The director Penny Lane, for instance, uses animated re-enactments and “one seriously  unreliable narrator” to trace the “mostly true” story of a man who found success selling a goat-testicle impotence cure..” – New York Times

Friday, July 8, 2016 – How He Fell in Love, Director Marc Meyers

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Travis (Matt McGorry), a young struggling musician, crosses paths with Ellen (Amy Hargreaves), an older married yoga teacher who is trying to adopt a child with her husband. Travis and Ellen begin an affair that slowly deepens into something more intimate and profound. As their encounters continue, Ellen is confronted with her failing marriage while Travis must face the consequences of his actions.  Written and directed by Marc Meyers (HARVEST) and stars Matt McGorry (Orange is the New Black)Amy Hargreaves (Homeland, BLUE RUIN), Britne Oldford (American Horror Story) and veteran film and theatre actor Mark Blum (Mozart in the Jungle). Director Marc Meyers joins us for a conversation on managing the responsibilities of writing, producing and directing his own unforgettably intimate film.

For news and updates go to: howhefellinlove.com

There will be Q&As opening weekend in Los Angeles on Friday, July 8th following the 7:00pm show with Marc Meyers, Matt McGorry and Amy Hargreaves; on Saturday July 9th following the 7:00pm show with Marc Meyers and Matt McGorry and on Sunday, July 10th following the 1:20pm show with Marc Meyers.

*** Official Selection – 2015 Los Angeles Film Festival***

“How He Fell in Love is truly adult moviemaking that respects both carnality and commitment. It’s the type of mature drama that’s rarely seen in American movies.”Bob Strauss, Los Angeles Daily News

“…the subtly wrought interior life  (Amy)Hargreaves instills her in character holds your gaze throughout.”John Lopez, The Huffington Post

“… (Marc) Meyers has so grounded the narrative that it feels like a fresh unique take.”Terence Johnson, Award Circuit

“…the real standout of this story is the five-star turn by the wonderful and heartbreaking Amy Hargreaves who lays barren equal parts love and hate, joy and sorrow in a brave performance that isn’t afraid to show the emotional turbulence and confusion of a woman of age…” Star Pulse

Friday, July 8, 2016 – Ovarian Psycos, Co-directors Joanna Sokolowski & Kate Trumbull-LaValle

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Riding at night through streets deemed dangerous in Eastside Los Angeles, the Ovarian Psycos use their bicycles to confront the violence in their lives. At the helm of the crew is founder Xela de la X, a single mother and poet M.C. dedicated to recruiting an unapologetic, misfit crew of women of color. The film intimately chronicles Xela as she struggles to strike a balance between her activism and nine year old daughter Yoli; street artist Andi who is estranged from her family and journeys to become a leader within the crew; and bright eyed recruit Evie, who despite poverty, and the concerns of her protective Salvadoran mother, discovers a Kate and Joanna Picnewfound confidence. Co-directors Joanna Sokolowski & Kate Trumbull-LaValle stop by to talk about the boldness of Ovas’ politics, their brazen approach to feminism, and unapologetic aesthetic: a hybrid mix of Chicana, Riot Grrrl, Zapatista and militant-punk cultural markers and the individual personalities that make Ovarian Psycos such a compelling watch.

For news and updates go to:sylviafrancesfilms.com/

WorldPremiere,SXSWFilmFestival2016

InternationalPremiere,HotDocsCanadianInternationalFilmFestival

OfficialSelection,SeattleInternationalFilmFestival(WestCoastPremiere)

OfficialSelection,HumanRightsWatchFilmFestival(NYPremiere)

OfficialSelection,FramelineLGBTQFilmFestival(SFPremiere)

Friday, July 1, 2016 – Life, Animated, Director Roger Ross Williams

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From Academy Award-winning filmmaker Roger Ross Williams (“Music by Prudence”), is the inspirational story of Owen Suskind, a young man who was unable to speak as a child until he and his family discovered a unique way to communicate by immersing themselves in the world of classic Disney animated films. This emotional coming-of-age documentary follows Owen as he graduates to adulthood and takes his first steps toward independence. The subject of his father Ron Suskind’s New York Times bestseller, Owen was a thriving three-year-old who suddenly and inexplicably went silent—and for years after remained unable to connect with other people or to convey his thoughts, feelings or desires. Over time, through repeated viewings of Disney classics like The Little Mermaid and The Lion King, Owen found useful tools to help him to understand complex social cues and to re-connect with the world around him. Life, Animated evocatively interweaves classic Disney sequences with vérité scenes from Owen’s life in order to explore how his identification and empathy for characters like Simba, Jafar and Ariel gave him a means to understand his feelings and allowed him to interpret reality. Director and Producer Roger Ross Williams (God Love Uganda) joins us to talk about the challenge of presenting a balanced portrait of Owen Suskind and his family.

For news and updates go to: lifeanimateddoc.com/

Winner of the Audience Award – San Francisco Film Festival

Winner of the Audience Award – Full Frame Film Festival 

Winner of the Directing Award – Sundance Film Festival, Life, Animated

“A captivating portrait of a young man for whom Disney animated movies have provided a powerful lifeline to progress, language and understanding. – Justin Chang, Variety

“Williams smartly devotes large portions of the documentary to Owen on his own, letting him explain his fears himself rather than relying on the other Suskinds for clarification and translation. – Noel Murray, A.V. Club

“Incredibly moving documentary takes us into the interior life of an autistic person, and explores how films helped him communicate with the outside world.” – Lanre Bakare, The Guardian

“Instead of false hope, it offers up possibility, the chance of a stimulus that might get past the blocks of developmental disorder.”- Peter Travers, Rolling Stone

Friday, July 1, 2016 – Indian Point, Director / Producer Ivy Meeropol

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INDIAN POINT takes an unblinking look at the dramatic debate over nuclear power by going inside the aging plant that looms just 35 miles from New York City. With over 50 million people living in close proximity to the facility, it has stoked a great deal of controversy in the surrounding community, including a vocal anti-nuclear contingent concerned that the kind of disaster that happened at Japan’s Fukushima nuclear plant could happen here. At the same time, its continued operation has the support of the plant’s operators and the NRC (Nuclear Regulatory Commission) as they campaign to relicense Indian Point for another 20 years of operation. INDIAN POINT presents a complex story through the people who are most invested in the nuclear industry—the owners of the plant, the workers at the plant and the activists who want to shut it down. The debate at the center of INDIAN POINT is more timely now than ever. In February of 2016, news broke that the groundwater below Indian Point had been contaminated with radioactive material, prompting a state investigation.
 Director and producer Ivy Meeropol takes full advantage of her unprecedented access to the plant at the center of the most contentious relicensing process in the history of the industry. Her even-handed approach to the history and issues surrounding nuclear energy in general and INDIAN POINT specifically makes the film compelling filmmaking and indispensable viewing for anyone who cares about our energy future.

For news and updates go to: firstrunfeatures.com/indianpoint

“See it if you want to lose sleep.” – Vulture

“A cautionary tale about a technology once seen as an abundant and non-polluting energy source, but with downsides that could make oil spills and electrical brownouts seem as minor as a fender bender.” – Lewis Beale, The Daily Beast

“Must-see” – New York Post

“A startling portrait.”– The Hollywood Reporter

“Rigorously balanced… disturbing.” – Newsday

Friday, July 1, 2016 – March of the Living, Director Jessica Sanders

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MARCH OF THE LIVING tells the story of the last generation of Holocaust survivors traveling to Poland with thousands of teenagers from around the world to revisit the sites of the Holocaust and retrace the Death March from Auschwitz to Birkenau, in a journey of remembrance. Filmed in Brazil, Germany, Poland, Israel and the US, the film tells the moving story of the survivors’ hope of passing down their history and memory of the Holocaust to the next generation. MARCH OF THE LIVING follows survivors and teens from Sao Paulo, Los Angeles and Berlin on an emotional journey as they confront the enormity of the past and the possibility of hope in a visit to Israel on its 60th anniversary. A contemporary and unique look at the Holocaust, the film features striking cinematography of the concentration camps today and images and artifacts never seen. MARCH OF THE LIVING raises questions about Holocaust memory as it relates to genocides worldwide today, and about what will happen when the remaining survivors, now in their 80’s and 90’s, will be gone. MARCH OF THE LIVING director and writer Jessica Sanders joins us to talk about the desire of Holocaust survivors to share their memories and the hope that the world will say once and for all never again to racism, indifference, anti-semitism and injustice.

For news and updates on Jessica Sanders go to: jessicasandersfilm.com

For news and updates on March of the Living go to: www.visitfilms.com

MARCH OF THE LIVING will be available on VOD 
Tuesday, June 28, 2016
on iTunes and Amazon Prime


iTunes Link: https://itunes.apple.com/movie/march-of-the-living/id1111106663

Vimeo On Demand Link: https://vimeo.com/ondemand/marchoftheliving

Hunt for the Wilderpeople, Producer Carthew Neal

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HUNT FOR THE WILDERPEOPLE is a zany tale of a defiant city kid, Ricky, raised on hip-hop and foster care, gets a fresh start in the New Zealand countryside. He quickly finds himself at home with his new foster family: the loving Aunt Bella, the cantankerous Uncle Hec, and dog Tupac. When a tragedy strikes that threatens to ship Ricky to another home, both he and Hec go on the run in the bush. As a national manhunt ensues, the newly branded outlaws must face their options: go out in a blaze of glory or overcome their differences and survive as a family. Equal parts road comedy and rousing adventure story, director Taika Waititi (WHAT WE DO IN THE SHADOWS, upcoming THOR: RAGNORAK) masterfully weaves lively humor with emotionally honest performances by Sam Neill, Rima Te Wiata, Rachel House and Julian Dennison. A hilarious, touching crowd-pleaser, HUNT FOR THE WILDERPEOPLE reminds us about the journey that growing up is (at any age) and those who help us along the way. Producer Carthew Neal (Tickled, A Band Called Hook Ups) joins us to talk about how Barry Crump’s classic book, Wild Pork and Watercress found its way into the hands of the talented director and writer Taika Waititi and onto the screen.

For news and updates go to: wilderpeople.film

“Hunt for the Wilderpeople” takes a troika of familiar story types – the plucky kid, the crusty geezer, the nurturing bosom – and strips them of cliché.” – Manohla Dargis, New York Times

“Every once in a while, a small, unheralded film comes along, so smart and funny, such a pleasure to experience, you can’t believe your luck. “Hunt for the Wilderpeople” is such a film.” – Kenneth Turan, LA Times

“It’s off-beat in all the best ways, has fantastic actors all delivering fantastic performances, and is a uproarious adventure with endless heart.” – CinemaBlend.com

“An oddball and oddly affecting take on two misfits finding their metaphorical partner-in-crime match.” – David Fear, Rolling Stone

Wiener Dog, Director Todd Solandz

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“I love dogs and would love one of my own, the only problem being that I don’t like walking them or feeding them or cleaning them or having to stay home because of them. When I was a child we (my family) went through a lot of them, and they never lasted very long.”WIENER-DOG Director Todd Solondz.

WIENER-DOG is a dark, starkly funny story of a single dog and the many different people she touches over her short lifetime.  Man’s best friend starts out teaching a young boy some contorted life lessons before being taken in by a compassionate vet tech named Dawn Wiener. Dawn reunites with someone from her past and sets off on a road trip. After leaving Dawn, Wiener-Dog encounters a floundering film professor, as well as an embittered elderly woman and her needy granddaughter—all longing for something more.  Solondz’s perversely dark comedy offers an appallingly honest look at the American experience, brought to life by its all-star cast.  As to be expected, WIENER-DOG has all the characteristics of the Solondz oeuvre — quick wit, dark tragedy, familiar characters, and an incredible ensemble cast—but the film’s brainchild also found inspiration in classic films. As Solandz says, “The touchstones were movies like AU HASARD BALTHAZAR and BENJI. In between those two is where I think this film lies.” Solandz joins us to talk about the making of Wiener Dog and the state of independent filmmaking in 2016.

For news and updates go to: ifcfilms.com/films/wiener-dog

“En route to the harshest, most unremittingly bleak film of his career, Solondz unleashes some of his sharpest commentary on human mortality and regret” – Joshua Rothkopf, Time Out

“Solondz gives no quarter, nor does he mince words about where we’re all headed. His vision of our predicament is bleakly funny and weirdly heartfelt.” – Ella Taylor, NPR

“Writer/director Todd Solondz makes insightful movies about innocents suffering the worst human impulses from a viewpoint that suggests arrested adolescence mixed with intellectual black humor and a critical eye towards America.” – Laura Clifford, Reeling Reviews

Art Bastard, Artist and subject Robert Cenedella

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In a madcap art world obsessed with money, fame and hype, how does an artist driven by justice, defiance and his own singular style thrive? ART BASTARD is the rousing tale of a rebel who never fit into today’s art world… yet has become one of its most provocative, rabble-rousing characters nevertheless. At once a portrait of the artist as a young troublemaker, an alternate history of modern art and a quintessential New York story, ART BASTARD is as energetic, humorous and unapologetically honest as the uncompromising man at its center: Robert Cenedella. Cenedella was a contemporary of Andy Warhol. But he has essentially served as the anti-Warhol. His noisy, raucous, color-splashed paintings of city scenes approach the world with a sincerity that defies the irony, frivolity and controversy-for-the-sake-of-controversy that have become the cultural currency since the 60s. In a fast-moving series of riveting interviews with family members, art critics, museum directors, New York power brokers, art students and Cenedella himself, director Victor Kanefsky candidly presents Cenedella’s personal journey – and reveals the creation of a modern art career that ignored all the modern art rules. What ART BASTARD shows, in stunning cinematic detail, are the living, breathing, storytelling canvases that Cenedella has created for six decades. The result is a visceral art documentary that also has the sweeping impact of a feature film – at once an investigation of a man’s identity, an inquiry into what art is and who it’s for and a feisty portrait of the ups and downs of a life lived on one’s own terms. The artist and subject of ART BASTARD, Robert Cenedella joins us for a spirit discussion of love, life and art.

For news and updates go to: artbastard.com

Opening Friday June 17 at the Laemmle Monica Theatre in Santa Monica

Artist Robert Cenedella and ART BASTARD executive producer Chris Concannon will participate in Q&A’s at the Monica Film Center following the 7:30 PM screenings on Friday and Saturday, June 17 and 18, as well as after the 2:30 and 5 o’clock screenings on Saturday the 18th.

*New York Times CRITIC’s PICK! “Robust documentary portrait of lifelong rebel and art-world gadfly.” –Stephen Holden, THE NEW YORK TIMES

Meet The NYC artist who crucified Santa Claus -by Barbara Hoffman, NEW YORK POST

“An intimate portrait of the iconoclastic artist Robert Cenedella… Socially conscious and often mordantly humorous, the paintings are wonderfully exhibited in this film which benefits from being seen on the big screen.” –Frank Scheck, THE HOLLYWOOD REPORTER

“THE BEST FILM ABOUT ART I HAVE SEEN… A scintillating, visually splendid look at the life and satirical work of socially conscious, talented and articulate art rebel Robert Cenedella. The art establishment should take a fresh look at Cenedella’s work, which certainly deserves a major, reflective New York exhibition at this point in time.” – William Wolf, wolfentertainmentguide.com

**Winner – Best Documentary – 2016 Manchester Film Festival**

**Winner- Best Documentary, Best Director – 2016 IDYLLWILD**

**Winner – Focus on Art Award – 2015 Orlando Film Festival**

**Winner – Eleanor Roosevelt Award for Creativity – 2015 Utopia Film Festival

Tickled, Co-director Dylan Reeve (David Farrier)

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One of the most talked-about films at this year’s Sundance Film Festival, TICKLED begins with reporter David Farrier stumbling upon a bizarre “competitive endurance tickling” video online, wherein young men are paid to be tied up and tickled, and reaching out to request a story from the company. But the reply he receives is shocking—the sender mocks Farrier’s sexual orientation and threatens extreme legal action should he dig any deeper. So, like any good journalist confronted by a bully, he does just the opposite: he travels to the hidden tickling facilities in Los Angeles and uncovers a vast empire, known for harassing and harming the lives of those who protest their involvement in these films. The more he investigates, the stranger it gets, discovering secret identities and criminal activity. Discovering the truth becomes Farrier’s obsession, despite increasingly sinister threats and warnings. With humor and determination, Farrier and co-director Dylan Reeve summon up every resource available to get to the bottom of this tickling worm-hole. Reeve joins us for a conversation on the world of competitive tickling, the competitors and promoters involved in tickling as well as the litigious and threatening environment that making TICKLED has engendered.

For news and updates go to: tickledmovie.com

Tickled opens on Friday, June 17 2016 at the Nuart Theatre in West Los Angeles and the Sunshine Cinema 5 in New York City

“Gunning to be the year’s strangest doc, ‘Tickled’ takes a Dantean descent into a shadowy netherworld as bizarre as the ones in ‘Eyes Wide Shut’ and J.G. Ballard’s ‘Crash.’” – Matt Prigge, Metro

“Tickled morphs from an offbeat caper to a disturbing exposé on the dangers of cyberbullying.” Nigel Smith, The Guardian

“In its genial, low-key way, the film … is a chilling account of cyberbullying, perpetrated on a disturbingly wide scale over many years.” – Sheri Linden, Hollywood Reporter

The Witness, Director James Solomon

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Fifty years ago, the name “Kitty Genovese” became synonymous with urban apathy after 38 eyewitnesses did nothing while an attacker stabbed her to death on a street in New York City. “For more than half an hour,” The New York Times report began, “38 respectable, law-abiding citizens watched a killer stalk and stab a woman in three separate attacks.” Forty years later, her brother Bill Genovese, who was 16 at the time of his sister’s death, decides to re-examine the details of the crime. THE WITNESS is a probing and deeply personal investigation into one of the most iconic crimes in New York history, featuring interviews with those closest to the murder including the surviving witnesses to Kitty’s death. It offers an illuminating look into the way stories take form and their rippling effects on the lives they touch.  THE WITNESS, a gripping and emotional documentary look at the mythic death and little-known life of Kitty Genovese, is the directorial debut of New York screenwriter (“The Conspirator”) James Solomon.  James sits down to talk about Kitty’s brother and his personal story and how Kitty’s tragic story came to condemn a city and define an era.

For news and updates go to: thewitness-film.com

Pasadena – Laemmle Playhouse 7 – TICKETS – opens 6/17
Director James Solomon will participate in a Q&A on Saturday, June 18th after the 3pm screening.

Santa Monica – Laemmle Monica Film Center – TICKETS – opens 6/17
Director James Solomon will participate in Q&As on Friday, June 17th and Saturday, June 18th after the 7:20 screenings.

THE WITNESS will also open in Los Angeles on June 17 at the Edwards Westpark 8 in Irvine and the Laemmle Claremont 5 in Claremont.

New York Times Critics’ Pick



“STUNNING!” – Joe Morgenstern, The Wall Street Journal



“EXTRAORDINARY!” – Richard Brody, The New Yorker

“ASTONISHING!” – Alexander Nazaryan, Newsweek



“FASCINATING!” – Jordan Hoffman, The Guardian



“A VISUALIZED SERIAL!” – John Surico, Vice

“A RIVETING DEEP DIVE INTO A CULTURAL FLASHPOINT!” – Jason Bailey, Flavorwire