** Spotlight on the Los Angeles Asian Pacific Film Festival
Visual Communications, the nation’s premier Asian Pacific American media arts center, announced its outstanding program of films and events for the upcoming 35th edition of the Los Angeles Asian Pacific Film Festival (LAAPFF) running MAY 2 – MAY 10, 2018. The all encompassing annual film celebration is presented across Los Angeles in West Hollywood, Downtown LA, Little Tokyo, Koreatown, and Hollywood. Visual Communications proudly celebrates the Film Festival’s 34 years as Southern California’s largest and most prestigious film festival of its kind. LAAPFF launches the celebration of Asian Pacific Heritage Month through this year’s slate of over 100 films from both Asian Pacific American and Asian international artists. For over three decades, the Festival has presented nearly 5,000 films by Asian Pacific American and Asian International talent. This year’s festival will feature over 130 short films during the nine day fest from May 2 – May 10. These cinema gems from around the globe featuring stories about love, family, heartbreak, friendships, and self acceptance are all part of the exciting line up. The Festival opens May 2nd with the World Premiere of YELLOW ROSE directed by Diane Paragas and starring Broadway legend Lea Salonga and emerging star Eva Noblezada. Two acclaimed festival favorites will screen as the Centerpiece Films at the Festival; GO BACK TO CHINA directed by Emily Ting and MS. PURPLE directed by Justin Chon. The closing night film is the world premiere of EMPTY BY DESIGN directed by Andrea A. Walter premiering on Friday, May 10. LAAPFF Executive Director Francis Cullado of Visual Communications stops by to talk about the ever expanding interest in Asian filmmakers and the trailblazing artistry being done by them.
In the new film GO BACK TO CHINA we meet Sasha Li (Anna Akana). To say that Sasha is spoiled would be an understatement. She’s entitled and self centered. But unlike many of her peers, she doesn’t have to struggle financially. Her father, (Richard Ng) a toy tycoon in China, has given her a million dollar trust fund. But instead of investing in her future, she has blown through half of it already on designer duds and bottle services. When she calls her father to complain, she finds out that he has blocked all her accounts and is cutting her off. She’s given an ultimatum. She can either go back to China and work for the family business, or she’s cut off forever.Teddy Li, the patriarch of the family, is not exactly father of the year. Divorced three times (all due to infidelity) and father of four. But with Sasha’s arrival, they all have to figure out a way to co-exist as a family for the first time.Once Sasha starts working at the factory, she also gets a much needed dose of reality check. When she makes a huge mistake that threatens the workers’ livelihood, it’s on Sasha to decide what she’s willing to sacrifice, in order to do the right thing. GO BACK TO CHINAis a heartfelt and bittersweet family portrait that offers an honest look at the human cost of things that are made in China. Director Emily Ting (Already Tomorrow in Hong Kong) joins us to talk about her fish-out-of-water dramedy, and a talented cast of artists.
“A funny, light, and heartfelt situation comedy…thanks in part to its likable lead whose adventures to find herself don’t involve meeting a man of her dreams but rather landing a dream job after learning the value of hard work.” – John Fink, The Film Stage
“Smartly written, funny and wonderfully acted blend of comedy and drama. Its themes of family conflict, the clash of cultures and finding your true calling are framed within a likable, entertaining narrative which will surely find its audience.” – Rouven Linnarz, Asian Movie Pulse
“Anna Akana and Lynn Chen manufacture joy in ‘Go Back to China.’ [It] is funny enough to draw in an audience and smart enough to teach them something while they’re there.” – Brooke Sjoberg, The Daily Texan
“Emily Ting is a needed voice in cinema because she displays life in a way that you won’t see anywhere else. It’s real, raw, and relevant” – Carla Renata, The Curvy Film Critic
For the last 20 years the Newport Beach Film Festival has brought the best of classic and contemporary filmmaking from around the world to Orange County. Under the direction of CEO and Co-founder Gregg Schwenk and the festival’s staff have been committed to entertaining and enlightening the public with a first-class international film program as well as providing a forum for cultural understanding and enriching educational opportunities, the Festival focuses on showcasing a diverse collection of both studio and independent films. The Festival supports the creation and advancement of innovative and artistic cinematic works from both emerging and seasoned filmmakers and proudly embraces the passion, vision and independent spirit of these talented artists. With the integration of the local community and educational institutions, the Festival stimulates an interest in the study and appreciation of film and encourages people of all ages and backgrounds to participate. The Community Outreach Program was created with the idea that film offers new perspectives and possibilities for a changing world. Each year, the Festival partners with over 40 non-profit organizations and pairs each philanthropic organization with a film that aligns with their mission. The Festival gives non-profit organizations a forum to voice their message to large audiences and spread awareness of their organization and mission through the medium of film. Areas of focus include the arts, health and human services, the environment, education, children’s causes, seniors’ and veterans’ programs, and alumni clubs. CEO and Co-founder Gregg Schwenk joins us to talk about a remarkable festival line-up of comedies, dramas, short films, action sports, classics, documentaries, musicals and foreign film excellence.
Writer/director Sam Friedlander’s (“Larry Gaye: Renegade Male Flight Attendant”), second feature film is the comedic gem Babysplitters. Jeff and Sarah are struggling to come to an agreement about having a baby. Jeff wants to be a father eventually, but is afraid to lock himself into his current job situation. Meanwhile Sarah, nearing 35, feels her biological clock ticking and is impatient to start trying. Their mutual friends Don and Taylor have the opposite problem. Don has a successful business and is ready to be a dad. But Taylor, an aspiring dancer, is worried that the toll on her body and career will be too much. When the two couples hatch a plan to share one baby between them, it seems like they may have found the perfect compromise — until things spiral out of control. Winner of the Panavision Spirit Award for Independent Cinema at Santa Barbara Film Festival, Babysplitters is screening at the 2019 Newport Beach Film Festival. Director and writer Sam Friedlander joins us to talk about his wry, playful take on young couple willing to go to any length in hope of starting a new family.
WILD NIGHTS WITH EMILY tells the story of the mid-19th century poet, Emily Dickinson writing prolifically, baking gingerbread, and enjoying a passionate, lifelong romantic relationship with another woman, her friend and sister-in-law Susan…yes this is the iconic American poet, popularly thought to have been a recluse. Beloved comic and Saturday Night Live alum Molly Shannon leads in this humorous yet bold reappraisal of Dickinson, informed by her private letters. While seeking publication of some of the 1,775 poems written during her lifetime, Emily (Shannon) finds herself facing a troupe of male literary gatekeepers too confused by her genius to take her work seriously. Instead her work attracts the attention of an ambitious woman editor, who also sees Emily as a convenient cover for her own role in buttoned-up Amherst’s most bizarre love triangle. Meticulously researched with the support of the Guggenheim foundation, this dramatic comedy generously intertwines Dickinson’ actual letters and poems into the texture of the film, used with permission from Harvard University Press. A timely critique of how women’s history is rewritten, WILD NIGHTS WITH EMILY remains vibrant, irreverent and tender–a perhaps closer depiction of Emily Dickinson’s real life than anything seen before. Director Madeleine Olnek (The Foxy Merkins, Codependent Lesbian Space Alien Seeks Same) stops by to talk about her “wildly” inventive and poignant reset of the often maligned American literary giant.
“Wild Nights With Emily may be Olnek’s most political film to date, one that could forever change the narrative of the world’s most famous woman poet.” – Jude Dry, IndieWire
“Like the remarkable poet at its center, Wild Nights with Emily is playful, clever, and alive.” – Kristy Puchko, Pajiba
“This is an irreverent film, but its lightness is meaningful. With each silly flourish, Olnek offers joy and companionship to a figure whose history was more conveniently presented to generations of readers as solitary.” – Two Bugbee, New York Times
“Olnek has crafted a lovely, heart-warming piece which reminds us of the importance of revisiting and challenging historical narratives and leaves one in both fits of laughter and in need of a few moments of contemplation.” – Hannah Ryan, Much Ado About Cinema
Fueled by an incendiary performance by Elisabeth Moss,HER SMELLfollows Becky Something (Moss) is a ’90s punk rock superstar who once filled arenas with her grungy all-female trio Something She. Now she plays smaller venues while grappling with motherhood, exhausted band mates, nervous record company executives, and a new generation of rising talent eager to usurp her stardom. When Becky’s chaos and excesses derail a recording session and national tour, she finds herself shunned, isolated and alone. Forced to get sober, temper her demons, and reckon with the past, she retreats from the spotlight and tries to recapture the creative inspiration that led her band to success. Anchored by a towering, unflinching performance from Golden Globe and Emmy winner Moss, and supported by a stellar ensemble cast, HER SMELL examines the grit, grace and gravitas of an unforgettable fictional rock star crashing down to earth into the harsh realities of mid-life. With his deeply humane sixth feature, writer- director Alex Ross Perry (Listen Up Philip, Golden Exits) pumps up the volume and shines a light on the terrifying moment when superstardom wanes — and quiet becomes the new loud. Alex Ross Perry joins us for a lively conversation on the film’s fascinating shooting schedule, collaborating with cinematographer Sean Price Williams and working with a remarkable cast of actors.
“Elisabeth Moss turns in a five-alarm blaze of a performance as a frontwoman who makes Courtney Love look like Mother Teresa.” – Peter Travers, Rolling Stone
“Moss varies the volume and the tempo of her performance, calling forth cascades of profane invention and rills of whispery poetry, but she always stays in the same key, the key of Becky.” – A.O. Scott, New York Times
“Formally audacious and ferociously intelligent, Her Smell is Perry’s greatest achievement yet, a wild saga of prestige and madness that is ultimately rooted in the female bonds keeping women sane.” – Natalia Winkelman, The Daily Beast
“Over and above the furious-and ultimately painfully tender-drama, Perry achieves something of a new, grand version of his own cinematic music.” – Richard Brody, New Yorker
In a media environment dominated by increasingly concentrated corporate interests, eight distribution companies who have long championed the best in independent features, documentaries, and social issue films, have joined forces to help launch a new subscription streaming service, OVID.tv. Starting today, OVID.tv offers more than 350 quality documentaries and art-house films from the collections of its founding content partners: Bullfrog Films, The dGenerate Films Collection, Distrib Films US, First Run Features, Grasshopper Film, Icarus Films, KimStim, and Women Make Movies. Most of the films on OVID.tv are not available on any other streaming platform, and OVID.tvwill be adding even more films every two weeks–14 fiction feature films and one 10-part documentary series are already scheduled for release. Despite the odds and with little capital, Icarus Films, Docuseek, and our partners have decided that the time has come to step forward and build a new, independent space, dedicated to the films that we believe in and care about, and that we believe you care about, and value as well. OVID.tv co-founder Jonathan Miller joins us to talk about an affordable option for film lovers looking for the highest quality cinema experience presented by people who share your passion.
“A cornucopia of international movies and documentaries… recent ones as well as classics. It’s far better for recent movies than FilmStruck ever was, and its spectrum of new movies is far more substantial than that of Netflix, wider-ranging than that of Amazon.” – Richard Brody, The New Yorker, March 22, 2019
Never before released in the US, Franco Rosso’s incendiary BABYLON had its world premiere at Cannes in 1980 but was deemed “too controversial, and likely to incite racial tension” (Vivien Goldman, Time Out) by the New York Film Festival that same year. Raw and smoldering, it follows a young reggae DJ (Brinsley Forde, frontman of landmark British group Aswad) in Thatcher-era Brixton as he pursues his musical ambitions, while battling fiercely against the racism and xenophobia of employers, neighbors, police, and the National Front. Written by Martin Stellman (QUADROPHENIA) and shot by two-time Oscar® winner Chris Menges (THE KILLING FIELDS) with beautiful, smoky cinematography that’s been compared to TAXI DRIVER, BABYLON is fearless and unsentimental, yet tempered by the hazy bliss of the dancehall set to a blistering reggae, dub, and lovers rock soundtrack featuring Aswad, Johnny Clarke, and others, anchored by Dennis Bovell’s (The Slits) atmospheric score. BABYLON is the product of outsiders: director Rosso (1941-2016) immigrated from Italy as a child, Stellman is the son of Viennese Jewish immigrants, producer Gavrik Losey is the son of blacklisted Hollywood director Joseph Losey, and composer Bovell immigrated from Barbados, and was falsely imprisoned for running a sound system—the script was partly based on his experiences. Beyond the significance of being the only feature film about London’s sound system scene, BABYLON unflinchingly observes the place of marginalized people in a society resistant—to the point of violence—to multiculturalism. Writer Martin Stellman joins us to talk about the impact that Babylon had on the Caribbean diaspora living in London, the neo-realism style of the film and winding path that Babylon has taken over the last 40 years.
“A STORY WITH LITERALLY EPIC STAKES. It’s no surprise why the film may resonate now—its themes of finding community through art and trying to exist in a society that doesn’t want you are unfortunately both timeless and extremely current.” – Jaya Saxena, GQ
“REMARKABLE. Never lets go for a moment.” – Derek Malcolm, The Guardian
“FEARLESS. Loud and musical and cheerful and funny, and also tragic.” – David Robinson, The Times“EXPLODES IN THE GUT with a powerful mix of pain and pleasure. Like the reggae music that pulses through it, Babylon is RICH, ROUGH and REAL. And like the street life of the young black Londoners it portrays, it’s THREATENING, TOUCHING, VIOLENT and FUNNY.”– Simon Perry, Variety
“FIVE STARS. One of the greatest British films.” – MOJO
The 17th edition of the fest begins on Thursday, April 11th with an opening night tribute to legendary Indian Actress TABU, who is regarded as one of the most talented Indian actors of her generation, having been honored with two National Film Awards, six Filmfare Awards and notably, the Padma Shri from the Government of India in 2011. In addition to opening with a tribute and moderated discussion with TABU, the festival’s opening night gala event will also include a screening of her latest film ANDHADHUN, a feature directed by IFFLA alum Sriram Raghavan (Johnny Gaddaar).
Some other highlights from this year’s lineup include:
– A moderated panel featuring successful South Asian professionals working across various fields in the television industry. The panel boasts a lineup that includes actor/comedian Nik Dodani (Murphy Brown, Netflix’s Atypical), director Meera Menon (The Walking Dead, GLOW, The Magicians), writer Fawzia Mirza (CBS’ upcoming The Red Line), writer Chitra Sampath (Good Behavior, Southland), writer and co-creator of Fox’s The Resident Roshan Sethi, and actor Dhruv Uday Singh (Freeform’s Good Trouble, CBS pilot Pandas of New York).
-The screening of a trio of Sundance and Slamdance favorites that includes Ronny Sen’s unforgettable feature debut CAT STICKS, the exhilarating and imaginative real-life journey of TAKING THE HORSE TO EAT JALEBIS from theatre-turned-film director Anamika Haksar, and PHOTOGRAPH from The Lunchbox director Ritesh Batra.
-Director Megha Ramaswamy’s THE ODDS would close out the festival on April 14. THE ODDS is a coming-of-age tale about two teens who skip school on an important exam day and go on a fantastical journey through Mumbai. THE ODDS features supporting turns from Abhay Deol (Dev D) and Priyanka Bose (Lion) and special appearance by Monica Dogra, all of whom are expected to attend the Gala along with Ramaswamy and co-leads Yashaswini Dayama and Karanvir Malhotra.
Director of Programming Mike Dougherty stops by to talk the 2019 edition of IFFLA, the future of Indian cinema and the increasing acceptance among mainstream American film lovers.
The story of the United California Bank Robbery is one of the greatest stories never told. Back in 1972, the leader of a small group of safecrackers from Youngstown, Ohio got a tip from Jimmy Hoffa: President Nixon was hiding up to $30 million in dirty campaign funds in a bank in Laguna Niguel. Propelled by their hatred for Nixon, the gang travelled to California to rip off the President of The United States. “Finding Steve McQueen” is an unbelievable true story about one of the most daring bank jobs of all time. But at its heart it’s a story about identity. Who we are versus who we want to be — and what happens when those worlds collide. FINDING STEVE MCQUEEN features Travis Fimmel (“Vikings,” Warcraft: The Beginning, The Experiment), Rachael Taylor (Transformers, “Jessica Jones”, Shutter,) William Fichtner (“Mom,” Black Hawk Down, Crash, Armageddon) and Forest Whitaker (Black Panther, Rogue One: A Star Wars Story, The Last King of Scotland). The film is directed by Mark Steven Johnson (Ghost Rider, Daredevil and Grumpy Old Men) is the true story behind “Finding Steve McQueen” one of those fascinating footnotes in American History that deserves to be told. And with a crooked president in the White House and a scandal looming…it’s a story that has never been more relevant. Director Mark Steven Johnson (Grumpy Old Men) stops by to talk about his beguiling stranger-than-fiction tale of politically motivated larceny and the love of a true Hollywood icon.
“[Director Mark Steven Johnson takes] what would have been a rather bland heist story and mix it with a mediocre love story to create an enjoyable final product. It’s an example of getting the most out of the material at hand.” – Rick Bentley, Tribune News Service
“Veteran director Johnson knows to prioritize his characters instead of his own cleverness, while Enzo’s motivating anger about bad men like Nixon reaching the highest levels of power without being punished for their crimes has a resonance today.” – Sherilyn Connelly, SF Weekly
“A slickly made piece of entertainment that’s a good time out at the movies.” – Walter Addiego, San Francisco Chronicle
Always tight on money, with a self-inflated view of his own “genius,” Bruce (Eden Marryshow “Jessica Jones”) is an egocentric, self-professed writer, director, artist and playboy who damages all of his relationships, romantic or otherwise, as he cons his way through his self-obsessed existence with a mixture of swagger and deeply insecure neuroticism. On the heels of his parents cutting him off, his free ride comes to an abrupt end after his roommate (Jason Tottenham “Quantico”) informs him he’s moving in with his fiancé (Jade Eshete “Dirk Gently’s Holistic Detective Agency”). Desperate to keep his apartment and stay afloat financially, Bruce concocts a plan to run an ad for a hot female roommate and charge her 80% of the rent. When Bruce falls for one of the applicants (Mle’ Chester “Vinyl”), he tries to turn his life around, but as the saying goes, “karma is a bitch.” Will Bruce see the error of his ways or remain irredeemably awful? Director, Producer, Writer Eden Marryshow joins us to talk about assembling a terrific supporting cast and the inspiration for his brash feature film debut.
For years, roller-skating rinks have been a constant for African-American communities across the U.S., serving as a meeting ground, a place to have fun and an incubator of iconic hip-hop talents like Queen Latifah and N.W.A. As America’s last standing roller rinks are threatened with closure, a community joins forces in a racially charged environment to save the underground African-American subculture of roller skating, which has been overlooked by the mainstream for generations – yet has given rise to some of the world’s greatest musical talents. From executive producer John Legend and first-time directors Dyana Winkler and Tina Brown, the documentary UNITED SKATES highlights the dynamic world of roller skating, showcasing African-American rinks and skaters across the country as they fight to keep the culture alive and skate their hearts out. The film features interviews with hip-hop legends like Salt-N-Pepa, Coolio, Vin Rock of Naughty by Nature and World Class Wreckin’ Cru. UNITED SKATES spotlights three skaters fighting for their community: L.A. native Phelicia, a single mom who grew up in skates and hopes to keep skating alive for her children; North Carolinian Reggie, who lives hours from any rink that offers a night for black skaters and vows to launch his own; and Buddy Love, the owner of Chicago-based Rich City Skate, who struggles to keep his rink open, despite financial pressure. Co-directors Tina Brown and Dyana Winkler stop by to talk about their infectious and insightful look at a facet of African-American life in danger of fading away.
“This kaleidoscopically vibrant, essential-viewing survey plunges audiences into a dazzling underground scene, celebrating the endangered art form it finds there.” – Peter Debruge, Variety
“This is a passion project in the best sense of the word, a movie in which the ingenuity and dedication of the filmmakers illuminate the same qualities in their subjects.” – Two Bugbee, New York Times
“…[an] exceedingly entertaining and genuinely revealing look into a roller-skating subculture that I frankly knew next to nothing about.” – Daniel Nava, Chicago Cinema Circuit
“This is a film that paints a humanizing portrait of an endangered form of expression, risked at the hands of the micro-racism and economic tribulations faced by the African-American community.” – Laura Birnbaum, Film Inquiry
**SUNDANCE PREMIERE** Based loosely on Abby McEnany’s own experiences, WORK IN PROGRESS is an honest, funny, and rarely seen exploration of the “isms” and phobias that permeate all of our lives: homophobia, transphobia, sexism, racism, sizeism, classism, and more. In a nutshell, Abby is a 45 year old queer dyke who is finally coming into her own or she is a 45 year old queer dyke who is about to kill herself. Both are true.It just depends on which day you meet her. She is a finely crafted cocktail of Depression, OCD, Queerness, Insecurity and Anxiety but she only drinks Miller Lite. And in this coming of age story, every little thing or person she meets has the potential for life-altering meaning. Abby is in an adolescent-like stage and has been stuck there for 30 years. After her therapist dies mid-session and she begins to date a trans man, Abby is forced to re-evaluate her life choices, her dating options and whether or not to confront the woman responsible for ‘ruining her life’: SNL’s Julia Sweeney. Co-directors Abby McEnany, Tim Mason and actor Julia Sweeney join us for a rollicking conversation on their hilarious, honest and engaging Sundance Film Festival debut episode of Work in Progress.
Reed (Christopher Abbott) is going on a business trip. He kisses his wife and infant son goodbye, but in lieu of a suitcase filled with clothes, he’s packed a toothbrush and a murder kit. Everything is meticulously planned: check into a hotel and kill an unsuspecting victim. Only then will he rid himself of his devious impulses and continue to be a good husband and father. But Reed gets more than he bargained for with Jackie (Mia Wasikowska), an alluring call girl who arrives at his room. First, they relax and get in the mood, but when there’s an unexpected disruption, the balance of control begins to sway back and forth between the two. Is he seeing things? Who’s playing whom? Before the night is over, a feverish nightmare will unfold, and Reed and Jackie will seal their bond in blood. Based on the critically acclaimed cult novel by Ryu Murakami, Director Nicolas Pesce (THE EYES OF MY MOTHER) talks about how he was able to blend psychological horror with comedy and stylish neo-noir, resulting in a sly take on the fantasy of escape and the hazards of modern romance.
“Piercing is a quirky and nasty black comedy, essentially a two-hander-so if you don’t mind spending an hour and twenty minutes with a deranged duo doing their twisted tango, then, by all means, tune in.” – Staci Layne Wilson, We Live Entertainment
“Piercing is an unnerving mix of loveliness and lunacy.” – Bilge Ebiri, New York Magazine
“What a deliciously demented and disturbing drama Nicolas Pesce’s “Piercing” is, dripping with gore and laden with forbidden innuendo.” – Katie Walsh, Tribune News Service
“Pesce deploys a potent arsenal of stylistic tools – urban landscape miniatures, plushly disquieting Lynchian interiors, flashbacks, creature effects, and florid gore – to tell the story of Reed.” – Robert Abele, Los Angeles Times
Up a dirt road, nestled in the hills of Southern California lies Spiral Farm, a vibrant and colorful intentional community inspired by the communes of the late 60’s. Its eclectic inhabitants look out for each other, as they work side by side on this completely self sustaining permaculture farm. 17 year-old Anahita (Piper De Palma), has lived on Spiral Farm for as long as she can remember and dreams of one day leaving the safety of Spiral and pursuing a career as a dancer. However, whenever she makes these plans she is always deterred by the thought of leaving Ocean, her eight year old nephew who she cares for and shares a deep bond with. Stifled by her responsibilities to her family and the commune, Anahita has developed what her mother (Amanda Plummer) calls a “bashfulness” when it comes to sexuality. When her mother’s old flame, Maurizio (Cosimo Fusco) arrives for an unexpected visit, he brings along his teenage son, Theo (Teo Halm). Anahita is immediately drawn to him, confused by her newfound feelings. When Theo discovers her passion for dance he encourages her to journey into the city for an audition. Away from the confines of the communes, Anahita discovers that although she lacks the technical skills to be a professional dancer, she may still be able to leave Spiral by going to college in the city changing the course of her life. But will Anahita, who has been so dedicated to others chose to live for herself? Director and writer Alex Tibaldi joins us to talk about his feature film debut and his intimate, moving character study of women in transition, searching for meaningful connections.
BEHIND THE BULLET is the directorial debut from author and activist, Heidi Yewman. When her former basketball coach and teacher, Dave Sanders was killed in the Columbine High School massacre along with 12 students, she began profiling the lives of those altered by the impact of gun violence. She is a tireless advocate for gun safety, sitting on the boards of The Brady Campaign to Prevent Gun Violence,Women Donors Network,Stop our Shootings, and Trauma Intervention Program of Portland, OR. In BEHIND THE BULLET will make it’s world debut as a documentary competition selection at the 2019 Slamdance Film Festival, Yewman chronicles anin-depth look at four individuals who have pulled the trigger and the profound impact it’s had on their lives. Every year, almost 40,000 people are shot and killed in America. Each shooting devastates and forever changes the victim’s family and friends. BEHIND THE BULLET explores a side of gun violence that’s rarely talked about – the impact a shooting has on the shooter. Four individuals share how the pull of a trigger, changed them emotionally, physically, psychologically, and spiritually. They describe the conflicting emotions and moral injury that comes after a self-defense, accidental, or unintentional shooting, offering a new and unbiased perspective on gun violence. Director Heidi Yewman joins us to talk about the devastating impacts that guns and the profound impact they have had on four people’s lives.
“BEHIND THE BULLET is a captivating and honest look at what is going on in our country when it comes to gun control.It looks at all sides of the issue that sometimes the media does not discuss or cover.This is a must see film in our current climate.” — Peter Hammond, Deadline
“Behind The Bullet is just WOW – an amazing insight into what we are dealing with in the U.S.It’s a refreshing insight and a story that needs to be told.”— Chris Gardner, The Hollywood Reporter
This Teacher, Actor Kevin Kane (Director Mark Jackson)
THIS TEACHER follows a French Muslim woman (Cesar-winner Hafsia Herzi) as she travels to New York City to visit her childhood best friend from the rough neighborhoods outside of Paris. When the reunion proves disastrous, Hafsia steals her friend’s credit card and identity, and disappears to a remote cabin upstate. Deep in the woods and alone for the first time in her life, she experiences a divine revelation of an existence without borders. But when she discovers that she’s not alone on the property, Hafsia’s sojourn in nature gradually descends into a terrifying study of the intolerance and suspicion she encounters and reflects back to an Islamophobic America. Written and directed by Mark Jackson featuring a score composed from the Grammy nominated Dave Eggar, the film stars: Cesar-winner Hafsia Herzi (The Secret of theGrain) Sarah Kazemy (Circumstance) Lucy Walters (Power), Kevin Kane (Inside Amy Schumer), and Lev Gorn (The Americans). Jackson’s previous films have won 17 awards including an Independent Spirit Award and a Gotham Nomination. Jackson is also a Sundance, Cinereach and Skywalker Sound Fellow. Actor Kevin Kane joins us for a conversation on THIS TEACHER’S closing night screening at the 2019 Slamdance Film Festival, intolerance and not being afraid to love.
Lois Vossen is the Executive Producer of Independent Lens and has been with the show since its inception as a primetime series on PBS. Lois is responsible for commissioning new films, programming the series and working with filmmakers on editorial and broadcast issues. Independent Lens films have received 17 Emmy Awards, 16 George Foster Peabody Awards, five Alfred I. DuPont-Columbia Journalism Awards and eight Academy Award nominations. The series was honored in 2013, 2014, 2015 and 2017 with the International Documentary Association (IDA) Award for Best Series. Before joining ITVS, Lois was the Associate Managing Director of Sundance Film Festival and Sundance Labs. Lois is a member of the Television Academy Board of Governors, representing the documentary branch. She has served on the jury at Shanghai Festival, Toronto International Film Festival, SXSW, DOC New Zealand and Palm Springs International Film Festival, among others. Under her leadership, films funded or co-produced by Independent Lens include I Am Not Your Negro, Always in Season, Bedlam, One Child Nation, Black Memorabilia, The King, People’s Republic of Desire, Won’t You Be My Neighbor, TOWER, Newtown, Best of Enemies, The Black Panthers: Vanguard of the Revolution, (T)ERROR, The House I Live In, The Invisible War, and The Trials of Muhammad Ali, among many others. Widely regarded as one of the most influential supporters of independent and documentary filmmaking, Lois Vossen joins us for a conversation on the role that Independent Lens /POV and Public Broadcasting has had in maintaining the highest standards for innovative storytelling in non-fiction cinema.
It all began when a group of cheerful, subversive filmmakers weren’t accepted into the Sundance Film Festival. Unwilling to take “no” for an answer, they instead started their own event – Slamdance: Anarchy in Utah. 24 years later, Slamdance has become a year-round organization fostering the development of unique and innovative filmmakers. The organization now consists of the Film Festival, Screenplay Competition and Slamdance Studios.Dan Mirvish, Jon Fitzgerald, Shane Kuhn and Peter Baxter are the founding forefathers who, along with co-conspirator Paul Rachman,fought for truly independent filmmakers by giving them a voice in 1995 at the very first Slamdance Film Festival. Since then, the festival takes place every January in the breathtakingly stunning, snow-capped mountains of Park City, Utah at the exact same time as the Sundance Film Festival, toprovide a more authentic representation of independent filmmaking. Up-and-coming writers, directors and producers, alongside seasoned veterans and film lovers, converge for the weeklong celebration of independent cinema, realizing that Slamdance is a great place to find those next, great, visionary films. Slamdance lives and bleeds by its mantra By Filmmakers For Filmmakers. No other film festival in the world is entirely run and organized by the creative force that can only be found in filmmakers. Slamdance adamantly supports self-governance amongst independents, and exists to deliver what filmmakers go to festivals for – a chance to show their work and a platform to launch their careers. The festival has earned a solid reputation for premiering films by first-time writers and directors working within the creative confines of limited budgets. Co-founder and President Peter Baxter joins us to talk about this year’s Slamdance, the groundbreaking films and the innovative new distribution being launched by Slamdance.
ASHLEY CONNOR is a New York based director of photography. Her work on Josephine Decker’s BUTTER ON THE LATCH and THOU WAST MILD AND LOVELY prompted New Yorker critic Richard Brody to name her, alongside Darius Khonji and Fabrice Aragno, as one of the year’s best cinematographers. Her breadth of style can be seen in work as diverse as Dustin Guy Defa’s PERSON TO PERSON (Sundance ’17) and Adam Leon’s TRAMPS (TIFF ’16), as well as in popular music videos for artists including Jenny Lewis, Angel Olsen and Maggie Rogers. She had two films premiere at the 2018 Sundance Film Festival, Josephine Decker’s MADELINE’S MADELINE and Desiree Akhavan’s Grand Jury Prize winning THE MISEDUCATION OF CAMERON POST starring Chloe Moretz and Sasha Lane. Most recently she shot two pilots for A24/Hulu and has three more films coming out in 2018: Olivia Newman’s FIRST MATCH (SXSW 2018 Audience Award Winner, Netflix produced), Alex O Eaton’s MOUNTAIN REST and an Untitled Daniel Scheinert film. Ashley Connor stops by for a conversation on her work on Josephine Decker’s Madeline’s Madeline’s Madeline and her Spirit Award nomination for her cinematography.
Featuring a heartwarming performance by Molly Ringwald, ALL THESE SMALL MOMENTS tells the story of a teenage boy’s infatuation with a woman he sees on the bus thatfurther complicates his already tumultuous adolescence. ALL THESE SMALL MOMENTS is firmly rooted in the bewildering tangle of human relationships. A husband and wife who are trying to find their way back to themselves, because they’ve drifted too far and no longer recognize each other; an adult woman and a teenage boy who somehow fill a void in each other; and an almost accidental friendship that grows to be much more. ALL THESE SMALL MOMENTS is a portrait of adolescence and aims to capture a time period that, if we make it out unscathed, defines us. Director and screenwriter joins us for a conversation on the working with a cast of established actors like Molly Ringwald, Brian D’arcy James and Jemima Kirke and young actors like Brendan Meyer, Harley Quinn Smith and Sam McCarthy. Director and writer Melissa B. Miller Costanzo talks about getting her first feature film off the ground, enlisting actress Molly Ringwald to be a part of her project and channeling her own adolescent experiences into the performances of her talented cast.
“A beautifully accomplished first film.” Caryn James, Hollywood Reporter
“All These Small Moments reminded me a great deal of two films in particular: that of the recent Lady Bird and this year’s very underseen and underrated Blame.” – David Fontana, Film Inquiry
“Authenticity of character is All These Small Moments’ strongest suit because each proves honest whether or not their inclusion in the larger story does.” – Jared Mobarak, The FIlm Stage
“Despite being overly tidy and commonplace in its plot, [director Melissa B.] Miller-Costanzo succeeds in deliberately avoiding resolution, and while that’s bound to frustrate people, it’s key to the movie’s payoff.” – Kyle Kohner, The Playlist
Lunacy Productions helmed by prolific producer Stu Pollard is excited debut for you their latest film “Rust Creek,” which is being distributed theatrically by IFC Midnight beginning January 11th, 2019.“Rust Creek” starring Hermione Corfield (“Mission: Impossible – Rogue Nation”), Jay Paulson (“Mad Me”), Sean O’Bryan (“Olympus Has Fallen”), Micah Hauptman (“Homeland”), Daniel R. Hills (“The Resident”), Jeremy Glazer (“Letters From Iwo Jima”), and John Marshall Jones (Con Air”); chronicles the presence of mind and skill an ordinary woman, utilizes while summoning extraordinary courage to survive a nightmare odyssey in this harrowing survival thriller. Thisfilm takes the woman in jeopardy premise and turns it on its head with agility and smarts. This is the latest female driven (both in front of & behind the camera) film from Pollard & his team at Lunacy. Lunacy’s teamareincrediblycommitted to supporting gender parity in filmmaking, producing several films featuring female protagonists (This Is Home, Rust Creek, Short History, Plus One) and working with female filmmakers like Jen McGowan (“Rust Creek”), Ani Simon Kennedy (“Short History of the Long Road”), and documentarian Alex Shiva (“This Is Home: A Refugee Story”) among others. Half of the department heads on “Rust Creek”are women and for many of the female crew, “Rust Creek”was their first feature film or their first opportunity in an elevated position (including DP Michelle Lawler, make-up artist Allie Shehorn, art director Priyanka Guterres, and postproduction supervisor Alex Jensen). Pollard has also directed two features: NICE GUYS SLEEP ALONE and KEEP YOUR DISTANCE. In his spare time he teaches at USC’s School of Cinematic Arts and Film Independent. He holds a degree in business from Georgetown and an MFA in film from USC, is a member of the DGA and PGA, and serves on the boards of the Louisville Film Society and GU’s Alumni Board of Governors. Director, producer and head of Lunacy Productions Stu Pollard joins us to talk about his company’s commitment to gender equity on both sides of the camera.
Gilda Radner puts a smile on the faces of people who remember watching her as one of the original cast members of Saturday Night Live, where she created and portrayed such now-classic comic characters as Roseanne Roseannadanna, Emily Litella and Lisa Loopner. LOVE, GILDA, directed by Lisa D’Apolito, is a true autobiography, told in Gilda’s words and in her own voice. Working with the Radner Estate, D’Apolito unearthed a collection of diaries and personal audio and videotapes documenting her childhood, her comedy career, her relationships and ultimately, her struggle with cancer. This never-before-seen footage and journal entries form the narrative spine of the documentary, allowing Gilda to tell her own story– through the laughter and sometimes the tears. Incredibly, she was able to find humor in even the darkest of times. Gilda’s spirit lives on in comedy as a female trailblazer who continues to inspire many present day comedic performers, including Bill Hader, Amy Poehler, Maya Rudolph, and Cecily Strong. Also interviewed are SNL original cast members– Chevy Chase, Laraine Newman and Paul Shaffer– as well as, Lorne Michaels (SNL creator and producer), Alan Zweibel (SNL writer), Stephen Schwartz (Broadway composer); Andrew Alexander (CEO of Second City) and long-time friend Martin Short. LOVE, GILDA Director Lisa D’Apolito talks about the unique window her loving film provides into the honest and whimsical world of a beloved performer whose greatest role was sharing her own story.
“A splendid tribute to one of America’s comedy legends.” – J.R. Kinnard, Film Inquiry
“We come away with the portrait of someone who was never just going along for the ride, but who was always questioning and challenging herself, working toward professional excellence and hoping for an ideal romance.” – Mick LaSalle, San Francisco Chronicle
“‘Laughter – that’s what hugs me and holds me,’ she confides on those muddy cassettes. So does the warm, tender embrace of “Love, Gilda.” – Michael Rechtshaffen, Los Angeles Times
“All the laughs-as well as the tears-in the too-brief but shining life of a true comic genius are present and accounted for in this essential, intensely moving doc.” – David Noh, Film Journal International
In Director Sebastián Silva latest film. Tyrel,Tyler (Jason Mitchell) and his friend John (Christopher Abbott), two young restaurateurs from New York City, push a car along a back road high on a cold, snowy day in the Catskills Mountains. Tyler and John are on their way to a weekend getaway to celebrate the birthday of Pete (Michael Cera), one of John’s old friends, at a cabin in the woods. Tyler needs the excursion, even though he will be among mostly strangers, because the home he shares with his Puerto Rican girlfriend is packed with her visiting family – and the ailing, elderly mother to whom she is devoted. What could be better than a jocular, beer-soaked weekend in the country with a bunch of his buddy’s friends? Well, nothing … except that an empty gas tank is only the first in a series of discomforting moments Tyler encounters and engenders over the next 48 hours. Writer/director Sebastián Silva’s deploys his signature handheld style probing subtext and body language, TYREL conjures an undeniable underlying tension and it marks his most radical character exploration yet—a timely, provocative, and brilliant observation of the idea of otherness in today’s American climate. Director Sebastián Silva (The Maid, Nasty Baby, Crystal Fairy) joins is for a lively conversation on male bonding, tribalism, race, working with this outstanding cast of actors and undermining expectations.
“CRITIC’S PICK. UNNERVINGLY SHARP, AGONIZINGLY DEAD-ON. The stranger “Tyrel” gets, the more accurate it feels.” – Bilge Ebiri, The New York Times
“Silva’s most political work yet–though it is sly and subtle, the intention is palpable, the emotions elicited all too real, and ultimately, “Tyrel” proves to be a fascinating entry in his body of work.” – Katie Walsh, Tribune News Service
“This is a fast and lean film, an absolute workout for its outstanding cast and a devilish roller coaster ride for audiences.” – Jordan Hoffman, Vanity Fair
“Every time this fly-in-the-buttermilk scenario leans toward satire, it reminds you that you’re really watching a horror movie.” – David Fear, Rolling Stone Magazine
John Maringouin’s brilliant, darkly comedic morality tale examines a wildly ambitious Westerner who tries to get in on China’s tech boom and finds that he may not be up to the task. Texan Jimmy Van Horn (David Zellner) is a cowboy huckster who arrives in the booming city of Shenzhen with a couple of bitcoins and huge ambitions of parlaying them into economic success. Lucky for Jimmy, he’s got a friend holding open the back door to this “accidental Shangri-La” – Bob Grainger (Robert Longstreet) – who’s gotten new teeth, a blonde wig and looks twenty years younger. He promises to do the same for Jimmy in 6 weeks. Director and writer John Maringouin (BIG RIVER MAN) develops a startling visual language in this excitingly fresh, complex perspective on China’s economic growth – and the gold rush mentality it inspires. Director John Maringouin joins us for a free-wheeling conversation about his funny, surreal and enthralling tale of the wild west cowboy capitalism that China is now living through.
“Stylish, comic and shameless, with a gonzo, midnight movie tone.” – David D’Arcy, Screen International
“”Ghostbox Cowboy” truly defies categorization, and remains so unpredictable that no single viewing can resolve the fertile ideas it puts on the table about globalization, innovation, and the role of individuality in a fast-paced world that rejects it.” – Eric Kohn, IndieWire
“Fascinating, atmospheric, and utterly strange in ways both good and bad, Ghostbox Cowboy pulls back the curtain on those trying to export the American dream and reaping the whirlwind.” – Joe Blessing, The Playlist
“‘Ghostbox Cowboy’ is fascinating, atmospheric and utterly strange.” – Joe Blessing, The Playlist
WELCOME TO THE MEN’S GROUP is an emotional roller-coaster through the often bumpy inner terrain of the male psyche, as we hear the men open about their lives, sharing truth, telling lies, and revealing secrets they dare not discuss in their lives. WELCOME TO THE MEN’S GROUP is largely inspired by the phenomenon of the “Men’s Movement” of the past 30 years that was championed by writers like the poet Robert Bly and his bestselling book “Iron John” which explored the need for men to reconnect to their authenticity through storytelling, myth and ritualized gathering. WELCOME TO THE MEN’S GROUP takes us inside the intimate dynamic of an all-male support group (Timothy Bottoms, Stephen Tobolowsky, Terence Rotolo, Mackenzie Astin, Joseph Culp, Ali Saam, Phil Abrams, and David Clennon) when they gather one morning for a ritual breakfast and their unique form of male bonding—One Sunday a month, these eight men refrain from beer and football to sit in a circle where they share their personal issues, in the noble hope of becoming a bit more evolved than their fathers. Award winning actor David Clennon (The Right Stuff, Being There, Syriana, Thirtysomething, Missing) joins us to talk about the male psyche, challenges and rewards of working within a strong ensemble cast and the legendary filmmaker Hal Ashby.
“The Hangover this is not. Instead, it explores men trying to support each other but ending up triggering each other, escalating tensions as more and more secrets are revealed until the startling, cathartic climax. Like The Big Chill, it’s ensemble acting at its finest, and like Sideways, it’s an insightful exploration of men’s issues that will appeal to both men and women. The story is complex, beautifully written, deftly filmed.” – New Times
“Welcome to the Men’s Group is full of surprises. It promised to be cutting-edge, but wow, Welcome to the Men’s Group was so much more than I had expected! It will make you laugh, it will make you cry. This is a film that changes the rules.” – Agenda Magazine