August 11, 2017 – Ingrid Goes West, Director Matt Spicer

Ingrid Thorburn (Aubrey Plaza) is an unhinged social media stalker with a history of confusing “likes” for meaningful relationships. Taylor Sloane (Elizabeth Olsen) is an Instagram-famous “influencer” whose perfectly curated, boho-chic lifestyle becomes Ingrid’s latest obsession. When Ingrid moves to LA and manages to insinuate herself into the social media star’s life, their relationship quickly goes from #BFF to #WTF. Built around a brilliantly disarming performance from Aubrey Plaza, Ingrid Goes West (winner of the Waldo Salt Screenwriting Award at Sundance) is a savagely hilarious dark comedy that satirizes the modern world of social media and proves that being #perfect isn’t all it’s cracked up to be. Director Matt Spicer joins us to talk about his scalpel sharp tale about celebrity and validation.

For news and updates go to: ingridgoeswestfilm.com

“Plaza shines here in her most multifaceted role to date, fearless in her willingness to take Ingrid to cringe-worthy depths with a chameleonic precision.” – Jen Yamato, Los Angeles Times

“Shiny pop satire with a humming undercurrent of existential dread, Ingrid Goes West is a clever, corrosive little trick of a movie, a neon candy heart dipped in asbestos.” – Leah Greenblatt, Entertainment Weekly

“Matt Spicer’s social media satire is a bonbon spiked with wit and malice. Plaza and Olsen, both toxic perfection, show us a nightmare world of Insta-obsessives that’s all too recognizable as our own.” – Peter Travers, Rolling Stone

“It is entertaining, and often touching, even if it pulls back right when it should be going totally nuts.” – Bilge Emir, Village Voice

August 11, 2017 – The Last Dalai Lama?, Director Mickey Lemle

 

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For over a thousand years, Tibetan Buddhist psychology has taught techniques for overcoming negative, afflictive emotions, such as anger, greed, jealousy, sloth and ignorance.  In the film THE LAST DALAI LAMA?, His Holiness explains that Tibetan Buddhism is both a religion and a “science of the mind”; he also shares his crystallized understanding of the nature of mind, and its part in the creation and alleviation of all of our suffering.  Believing that this precious wisdom belongs to the world, twenty years ago The Dalai Lama challenged a select group of world-renowned Neuroscientists and Mind/Brain researchers to look into the workings of the mind, and to prove scientifically that “Tibetan Buddhist technologies” for overcoming afflictive emotions are skills that can be learned by anyone. The Dalai Lama commissioned Dr. Paul Ekman and his daughter Dr. Eve Ekman to come up with an “Atlas of Emotions” as a way of understanding the effects of emotions on having a tranquil mind.  Being able to recognize the patterns, triggers and responses to emotions is the first step in dealing with them.  In a moving sequence with a high school class in British Columbia, His Holiness The Dalai Lama is able to share his passion for the subject. His urgency and dedication come through in THE LAST DALAI LAMA? as he now turns 82, and must deal with the questions of aging and death, and whether he will reincarnate as The Dalai Lama, or if he will be the last of the lineage that has existed for a millennia. Director Mickey Lemle joins us to talk about his three decade friendship with His Holiness and the profound impact he has had on  politics, culture and a deeper understanding of our shared human nature.

For news and updates go to: thelastdalailamafilm.com/

The Last Dalai Lama opens on Friday, August 11 at the Laemmle Monica Center in Santa Monica for tickets and showtimes

Join Director Mickey Lemle for a Q & A following the Friday, Saturday and Sunday 7:30pm screenings

“You want the chance to bask in his presence and come out with a heightened sense of what he’s about. “The Last Dalai Lama?” accomplishes that, and with an offhand eloquence, though it’s a sketchy, catch-as-catch-can movie …” – Owen Gleiberman, Variety

“A surplus of wisdom and benevolence radiates from “The Last Dalai Lama?”’ – Helen T. Verongos, New York Times 

“The more an audience member sees the beauty left in the Buddhist leader’s wake, the more it become clear that his influence has the power to continue generations beyond his passing.” – Peter Hartlaub, San Francisco Chronicle

August 4, 2017 – Some Freaks, Director Ian MacAllister McDonald

When high school senior Matt (Thomas Mann) meets fellow outcast Jill (Lily Mae Harrington), he falls more in love than he thought possible. However, after graduation comes and Jill moves cross-country to go to college, she loses more than 50 pounds and changes her appearance entirely – much to Matt’s surprise when he arrives to visit her six months later. While Matt struggles to accept Jill’s new choices, Jill begins to question whether Matt is really the man she wants to date. As the distance widens between them, the characters are propelled onto a collision course with brutality and loss, forcing them to confront who they are, who they were, and who everyone thinks they’re supposed to be. Also starring Ely Henry, Lachlan Buchanan, and this feature by writer-director Ian MacAllister-McDonald. McDonald joins us to talk about his touching, heartfelt feature film debut.

For new and updates go to: somefreaksthemovie.com

Special added event: Please join us for a Q&A session after the 7:20PM show on Friday 8/4. Participants will be writer/director Ian MacAllister-McDonald along with cast members Thomas Mann, Lily Mae Harrington, Ely Henry, and Lachlan Buchanan.

!00% on Rotten Tomatoes

Facebook @SomeFreaksfilm

Twitter@SomeFreaksFilm

Instagram@SomeFreaksFilm2016

“All the actors are good, but Harrington is remarkable. It’s not just the physical changes in her character, but the genuineness with which she inhabits her”. – Billy Goodykoontz, Arizona Republic

“Playwright Ian MacAllister-McDonald’s debut feature is a refreshingly grounded, unsentimental yet empathetic slice of D-list teenage life that goes a bit overboard in its final act.” – Dennis Harvey, Variety

“The characters are authentic and deeply felt.” – Bradley Gibson, Film Threat

“Brittle and beautifully-acted and cleverly written “find your tribe” high school romance.” – Roger Moore, Movie Nation

July 21, 2017 – Swim Team, Director Lara Stolman

 

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SWIM TEAM is a feature documentary chronicling the rise of a competitive swim team made up of diverse teens on the autism spectrum. Based in Perth Amboy, New Jersey, the cast of SWIM TEAM is largely Latino and Asian, minorities that are underrepresented in competitive swimming and underserved in autism intervention and education. SWIM TEAM follows three of the team’s star athletes, boys on the cusp of adulthood as they face a future of exclusion and dependence. But everything changes when they come together as a team with parent coaches who train them with high expectations and zero pity. As the team vies for state and national Special Olympics championships, SWIM TEAM captures a moving quest for inclusion, independence  and a life that feels winning. Director Lara Stolman joins us for to talk about the struggles and triumphs of Mikey, Kelvin and Robbie and the people who love them.

For news and updates go to: swimteamthefilm.com

“The breaststroking, freestyling young athletes in “Swim Team” couldn’t be more different in terms of personality, drive, appeal and, of course, developmental challenges, and it gives this film from Lara Stolman its particular character, heart and verve.” – Robert Abele, Los Angeles Times

“Swim Team is long enough to break and warm your heart in equal measure – which is about what you’d expect from a documentary about teenagers with autism who are training to compete in the Special Olympics.” – Ella Taylor, NPR

“This isn’t “just” a film about special needs. It’s about special kids – and the very special adults who advocate for them.” – Stephen Whitty, Newark Star-Ledger

“Well paced and well produced, Swim Team is engaging throughout and would be easy to enjoy as light viewing, but there’s more going on beneath the surface.” – Jennie Kermode, Eye for Film

Lost in Paris, co-directors Fiona Gordon and Dominique Abel

 

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Filmed in Dominique Abel and Fiona Gordon’s signature whimsical style, LOST IN PARIS stars the filmmakers as a small-town Canadian librarian and a strangely seductive, oddly egotistical vagabond. When Fiona’s (Gordon) orderly life is disrupted by a letter of distress from her 88-year-old Aunt Martha (delightfully portrayed by Oscar nominee Emmanuelle Riva) who is living in Paris, Fiona hops on the first plane she can and arrives only to discover that Martha has disappeared. In an avalanche of spectacular disasters, she encounters Dom (Abel), the affable, but annoying tramp who just won’t leave her alone. Replete with the amazing antics and intricately choreographed slapstick that has come to define Abel and Gordon’s work, LOST IN PARIS is a wondrously fun and hectic tale of peculiar people finding love while lost in the City of Lights. Co-directors Dominique Abel and Fiona Gordon join us to talk about their warmhearted, funny and embracing ode to love.

For news and updates go to: lostinparis.oscilloscope.net

“Gordon and Abel incorporate elements of lighthearted musicals and silent-film comedy (a scene atop the Eiffel Tower evokes the derring-do of Harold Lloyd) and provide themselves plenty of opportunities to stretch their pliant, wiry physicality.” – Serena Donadoni, Village Voice

“An exquisite miniature puzzle-box pop-up-book of a movie. All is color and light and exhilaration here, a fantastical lark that is sheer mischievous joy.” – MaryAnn Johanson, Flick Philospher

“Cruel comic mishaps may be this movie’s raison d’être, but they are softened at every turn by the gentle humanity of the city’s inhabitants, and by the unspoken sense that everything will turn out fine in the end.” – Justin Chang, Los Angeles Times

“Rather than reinventing the wheel, Abel and Gordon keep turning it with their own intimate touch.” – Eric Kohn, IndieWire

“Always inventive and occasionally hilarious.” – Todd McCarthy, Hollywood Reporter

** LAFF – Your Own Road, Director Brandon Buczek

 

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An idealistic recent film school graduate with few local professional options takes a road trip from Ohio to Los Angeles with his anxious best friend, his troubled high school sweetheart, and a hitchhiker hippie, to chase his dream of becoming a filmmaker. Your Own Road is about not letting extenuating circumstances determine your path in life. Brian (ASHTON MOIO) wants to make films but whether it’s his parents’ wishes, his geographical location, or just his self-doubt, the world seems stacked against him. Brian hits the road to break away from what is expected of him and pursue what he truly wants out of life. Along for the ride is his best friend Dan (AMIR MALAKLOU) whose whole  life is structure and routine until his   abusive ex-girlfriend dumps him and his plans go out the window. Brian also “accidently” invites his next-door-neighbor and hormer crush, Ally (CORTNEY PALM), who abuses prescription drugs to deal with her depression from caring for her grandmother with Alzheimer’s. Along the road they meet vibrant characters none more so than Ariel (KYM JACKSON), an Australian hitchhiker hippie who is not all that she seems, who they pick up in Colorado going in no place in particular. Each one of these characters takes the journey to California for unique reasons but they all find their inner selves traveling through such a diverse and sometimes scary country. Director and writer Brandon Buczek joins us to talk about his debut film world premiere at the 2017 Los Angeles Film Festival.

** Screening at the Los Angeles Film Festival 

For news and updates go to: filmindependent.org/la-film-festival

Instagram: @yourownroadfilm

Catching Feelings, Director / Writer Kagiso Lediga

Max  Matshane  (Kagiso  Lediga),  is  a  34-year  old  author  who  wrote  a  South African bestseller  in  his  20’s,  but  whose  star has  waned  and  now  finds  himself  as  a disgruntled  professor,  teaching  creative writing  at  the  local  university. Max  lives in  a  leafy  Johannesburg  suburb  with  his exceptionally  beautiful  wife,  Samkelo (Pearl  Thusi),  whose  career  is  on  the  rise as a reputable  journalist. Despite  their love  for  each  other,  their  relationship has  hit  a  rut.  Max  now  spends  his  time at  dinners  and  events,  musing  over  his frustrations  with  his  key  conspirator  and sounding  board,  Joel  (Akin  Omotoso), who  himself  has  his  hands  full  with  an illicit affair. A  wintery  Johannesburg  sets  the  scene, as  it  brings  with  it  a  very  successful  and flamboyant  author,  Heiner  Miller  (Andrew Buckland),  who  abandoned  South  Africa for greener pastures and now returns to  do  a  residency  in  Max’s  department.  But  after  Heiner  suffers  a mild  heart  attack, Max is  forced  to  bring him into his own home to recuperate. Instantly,  tensions  rise  as  the  infectious joie  de  vivre  of  Heiner  is  set  on  a  collision course  with  the  mundane  life  that  Max and  Sam  have  cultivated.  With  new questions  about  love  and  truth  thrust upon  them,  Max  and  Sam  are  faced  with an  unexpected  crossroad,  as  they  search for reason and purpose to life. Director and writer Kagiso Lediga joins usto talk about his edgy, sophisticated and funny feature and its debut at the 2017 Los Angeles Film Festival.

Los Angeles Film Festival Screening Time:

Sunday, June 18th at 6:10pm (ArcLight Culver City)

For news and updates go to: bigdog.digitalworkshop.tv/CatchingFeelings or go to: diprente.co.za/portfolio/catching-feelings

facebook.com/FeelingsMovie

Radio Dreams, Director Babak Jalali

 

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RADIO DREAMS, winner of the 45th Rotterdam International Film Festival’s Tiger Award, is the newest feature film from Iranian-British director Babak Jalali (FRONTIER BLUES). RADIO DREAMS creates the bizarre yet very real world of PARS-FM – a Farsi-language radio station broadcasting from the heart of San Francisco. The story unfolds over a single day as the station’s program manager, Hamid – a brilliant, misunderstood Iranian writer (played by the “Iranian Bob Dylan” Mohsen Namjoo) – prepares for a triumphant broadcast – a live performance pairing Metallica and Kabul Dreams, Afghanistan’s first rock band. Meanwhile, Hamid must juggle a dysfunctional mix of on-air talent, station managers, and performers while fending off the owner’s plans to wrest control of the station. RADIO DREAMS brings to life the sometimes bizarre experience of immigrants pursuing dreams in the U.S.A. with the perfect mixture of honesty, art, and socio-political topicality served up in an ingenious, offbeat transmission.

For news and updates go to: radiodreamsthemovie.com

facebook.com/radiodreamsmovie

WINNER – Tiger Award for Best Picture – 45th Rotterdam International Film Festival
WINNER – Best Director – Tarkovsky International Film Festival
WINNER – Best Actor – Durban International Film Festival
OFFICIAL SELECTION – Viennale, Milano, Munich, San Francisco, and Seattle International Film Festivals

Screenings in Southern California:

Opens in the Los Angeles area on Friday, June 9 

at Laemmle’s Ahrya Fine Arts (Beverly Hills)

at Laemmle’s Town Center (Encino)

and at Edwards Westpark 8 (Irvine)

“The quirky setups, oddball interactions and erratic conflicts … provide ample doses of amusement and provocation to keep things afloat.” – Gary Goldstein, Los Angeles Times

“There are traces of early Wim Wenders in this story of immigrants adrift in a world not their own, trying to make the best of things.” – Glenn Kenny, New York Times

“Royami is the heart of the film: It is his sincere and artistically principled dream of a musical union between East and West, between Metallica and Kabul Dreams, that fuels the film’s engine.” – Catherine Bray, Variety

“The film examines, with wit and patience, the hard work of community-building – and the toll on someone far from home, doing work that’s not his calling.” – Alan Scherstuhl, Village Voice

If You’re Not in the Obit, Eat Breakfast, Director Danny Gold

 

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If You’re Not In The Obit, Eat Breakfast asks the question, “What’s the secret to living into your 90s – and loving every minute of it?” In this feature documentary, irrepressible writer-comedian Carl Reiner (who shows no signs of slowing down at 95) tracks down several celebrated nonagenarians, and a few others over 100, to show how the twilight years can truly be the happiest and most rewarding. Among those who share their insights into what it takes to be vital and productive in older age are Mel Brooks, Dick Van Dyke, Kirk Douglas, Norman Lear and Betty White. Adding spice to this inspiring documentary are admirers from the younger set, including comedian Jerry Seinfeld (who’s already reserved the stage at Caesar’s Palace for his 100th birthday show), longevity expert Dan Buettner, and Van Dyke’s much-younger wife Arlene, who’s got all she can handle keeping up with her exuberant husband on the dance floor. Directed by Danny Gold, If You’re Not in the Obit, Eat Breakfast is an entertaining look at how we all can overcome our society’s fear of aging, and how anyone, with a good dose of humor, can live well into their 90s.

For news and updates go to: If You’re Not the Obit, Eat Breakfast

Premiere Airing on HBO – June 5th at 8 PM 

“If only every inspirational documentary could be as delightfully diverting as “If You’re Not In the Obit, Eat Breakfast” …” – Michael Rechtshaffen, Los Angeles Times

Eliza Sherman’s Revenge, Director / Writer Gregory Fitzsimmons

 

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Ten years ago, Eliza Sherman was humiliated by people she thought were her friends. Now, after an unorthodox encounter, she finds herself newly endowed with special powers.  So she decides to lure her old nemeses to a house in the Hollywood Hills under the guise of a birthday party for ’80s heartthrob Richard Grieco. By spiking the salsa, she brings about a drug induced slumber party — trapping everyone in the house with a good, old-fashioned forcefield.  Battle lines are drawn, and relationships are put to the test. Eliza’s plans to punish her houseguests repeatedly go awry as her powers prove to be no match for fate.  She must conquer her ego and stop screwing up the space-time continuum if she wants to find peace, and ultimately win the heart of her one true love. It’s twenty-four hours of mayhem, marijuana, Mexican food, and (almost) murder in this pitch-black, supernatural revenge comedy. Forgiveness is overrated. Director Gregory Fitzsimmons joins us to talk about his  quirky, off-kilter time-warped comedy.

For news and updates got to: elizashermansrevenge.com

Dances With Films

Saturday June 3, 9:30pm – TCL CHINESE THEATRE – HOLLYWOOD, CA  

Buster’s Mal Heart, Director Sarah Adina Smith and Producer Jonako Donley

 

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Buster’s Mal Heart is a bold thriller peppered with dark humor and interlocking mystery, an eccentric mountain man is on the run from the authorities, surviving the winter by breaking into empty vacation homes in a remote community. Regularly calling into radio talk shows — where he has acquired the nickname “Buster” — to rant about the impending Inversion at the turn of the millennium, he is haunted by visions of being lost at sea, and memories of his former life as a family man. Buster (Rami Malek) was once Jonah, a hard-working husband and father whose job as the night-shift concierge at a hotel took its toll on his psyche and, consequently, his marriage to the sensitive Marty (Kate Lyn Sheil) — until a chance encounter with a conspiracy-obsessed drifter (DJ Qualls) changed the course of their lives forever. As the solitary present-day Buster drifts from house to house, eluding the local sheriff at every turn, we gradually piece together the events that fractured his life and left him alone on top of a snowy mountain, or perhaps in a small rowboat in the middle of a vast ocean — or both, in this visceral mind bender that will provoke discussion long after it turns your world upside-down. Director and writer Sarah Adina Smith and Producer Jonako Donley join us to talk about her wildly entertaining tale.

For news and updates go to: bustersmalheart.com

“A film that’ll break your heart as much as it’ll scramble your brains.” – Paste

“A dark psycho-horror drama that pulls you relentlessly further into the abyss.” – Monsters and Critics

“A storyboard of surreal puzzle pieces that snap together then suddenly split apart.” – The New York Times

“An affecting brainteaser with echoes of Lynchian dissociation.”  – John Defore, Hollywood Reporter 

“Fantastic, thought-provoking, off-beat, and hilarious.” – Ryland Aldrich, Screen Anarchy 

“Genre bending… touching and terrifying.” – Kalyn Corrigan,  Birth.Movies.Death 

Malek has the range to be utterly charming, utterly creepy, or both at once.” – Geoff Berkshire, Variety

“Unclassifiable… a bold, original thriller” – Stephen Saito, The Moveable Fest

Mammoth Lakes Film Festival – Shira Dubrovner, Founder and Festival Director

 

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Shira Dubrovner, longtime resident of Mammoth Lakes, is a community organizer and leader, arts advocate, and film lover who followed her lifelong passion for cinema to become the founder of the Mammoth Lakes Film Festival. Shira is also the Artistic Director of this well regarded theatre company. After her experience creating a successful theatre in Mammoth (established at the Edison Theatre, which will serve as one of the key screening venues during this year’s film festival), she decided to introduce the community to her other passion – independent film – by creating the Mammoth Lakes Film Festival.  This year’s Mammoth Lakes Film Festival is a five-day festival that screens independent features and shorts in the spectacular setting of Mammoth Lakes—California’s premier mountain resort, high in the Eastern Sierras from May 24 – 28, 2017, Memorial Day weekend. The 3rd Annual Mammoth Lakes Film Festival, taking place  in the magnificent mountain setting of Mammoth Lakes, California, has announced its line-up of screenings, which will include premieres, festival favorites and classic films. The five-day festival will take place May 24-28, 2017, beginning on Wednesday with the Opening Night Screening of Cheech and Chong’s much-loved first feature UP IN SMOKETommy Chong, one of its stars as well as its uncredited co-director, will be  present for a Q&A after the screening, which is followed by the Gala Opening Night Party at the Sierra Events Center. Saturday evening will feature the SIERRA SPIRIT AWARD CENTERPIECE GALA & SCREENING: A Night with John Sayles. The evening will begin with a screening of his 1983 film BABY IT’S YOU starring Rosanna Arquette and Vincent Spano, followed by a conversation with Sayles and a presentation of the Sierra Spirit Award. Sayles’s credits include THE BROTHER FROM ANOTHER PLANET, MATEWAN, EIGHT MEN OUTLONE STAR, and THE SECRET OF ROAN INISH, amongst others. In addition to the two classic films representing the work of Chong and Sayles, an additional 18 features will be screened over the five days of the festival. Feature documentary films in competition will include EIGHT (US Premiere), FOREVER B, (World Premiere), THE ISLANDS AND THE WHALES, OLANCHO, RAT FILM, STRAD STYLE and WHAT LIES UPSTREAM. Spotlight Screening Documentaries not in competition will include THE CHALLENGEDINA, and MACHINES. Feature narrative films in competition will include NEIGHBORHOOD FOOD DRIVE, WITHDRAWN, SPACE DETECTIVE. Foreign films in competition will include COLD BREATH, THE ERLPRINCE, THE FIXER and THE GREAT UNWASHED (U.S. Premiere). The final Narrative Feature, not in competition, will be the rave-reviewed Sundance hit MENASHE, which has been picked up by A24 for distribution. In addition to the Opening Night Gala and the Sierra Spirit Award Event, there is a Filmmakers Bash on Saturday evening at Rafters featuring the band Jelly Bread and the Awards Ceremony on Sunday, May 27 at the Sierra Events Center. Founder and Director Shira Dubrovner joins us to talk about this year’s festival highlights.

For ticket sales and updates go to: mammothlakesfilmfestival.com

Harold and Lillian: A Hollywood Love Story, Director Daniel Raim

 

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In the new documentary Harold and Lillian: A Hollywood Love Story, Award-winning director Daniel Raim (The Man on Lincoln’s Nose, Something’s Gonna Live) brings to life a fascinating and moving account of the romantic and creative partnership of storyboard artist Harold Michelson and film researcher Lillian Michelson: two unsung heroes of Hollywood’s Golden Age. Harold and Lillian: A Hollywood Love Story spans the Golden Age of Hollywood through New Hollywood and beyond. It’s a portrait of a time, and an intimate chronicle of their epic journey of life, love, family, and making great movies. Harold and Lillian worked on hundreds of renowned films including The Ten Commandments, The Apartment, The Birds, Who’s Afraid Of Virginia Woolf?, The Graduate, Rosemary’s Baby, Fiddler On The Roof, Scarface, Full Metal Jacket and many more. Although the couple was responsible for some of Hollywood’s most iconic examples of visual storytelling, their contributions remain largely uncredited. Through an engaging mix of love letters, film clips and candid conversations with Harold and Lillian, Danny DeVito, Mel Brooks, Francis Ford Coppola and others, this deeply engaging documentary from Academy Award®-nominated director Daniel Raim (who first encountered Harold Michelson as a student at the AFI Conservatory in 1997), chronicles their remarkable marriage and extraordinary careers through six decades of movie-making history.  Harold and Lillian’s story humanizes Hollywood—an industry sustained by numerous hard-working cinema artisans; master craftsmen and craftswomen who give their lives, their genius and their hearts to the movies. Beyond Harold and Lillian’s contribution to cinema, their story can’t be told without weaving in their 60-year marriage—a creative, challenging, and profoundly loving partnership. Director Daniel Raim stops by for a conversation on his loving tribute to a beguiling pair of artists, partners and lovers.

For news and updates go to: Harold and Lilian: A Hollywood Love Story

**100% on RottenTomatoes

Truly charming…A terrifically moving human story!” – Glenn Kenny, Vanity Fair

“CRITICS’ PICK! Charming… Like flipping through misplaced leaves in a photo book, the documentary maintains a free-flowing tone as it uncovers the work that went into creating some of the indelible scenes in Hollywood history.” – Monica Castillo, The New York Times

“For an hour and a half, this charming little movie, with its chatty talking heads and its sweet-natured subjects, offers a glimpse into the lives of two fascinating people whom I had never heard of, and who shared an unlikely life filled with achievements and setbacks, wonder and pain.” – Bilge Ebiri, The Village Voice

“One of the very best documentaries ever made about movies…I have rarely seen any movie, fact or fiction, that was quite so suffused with love—movie love and human love—as this one.” – David Noh, Film Journal

“An awesome film… funny, heartbreaking, and packed with delicious film lore.” – Ken Kwapis, Director of The Office

Bang!, The Bert Berns Story, Co-director Brett Berns

 

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You may have never heard of Bert Berns, but you know the enduring songs he’s written and produced: Twist & Shout, Cry to Me, Tell Him, Piece of My Heart, Cry Baby, Hang On Sloopy, I Want Candy, Everybody Needs Somebody to Love – Berns’ career IS Rock and Roll. Berns sessions made legends of Solomon Burke, The Isley Brothers, The Drifters, Ben E. King, and Wilson Pickett. He helped launch the careers of Van Morrison and Neil Diamond and produced some of the greatest soul music ever made. Filmmaker and son of Bert, Brett Berns, brings his late father’s story to the screen through interviews with those who knew him best and rare performance footage. Included in the film are interviews with Ronald Isley, Ben E. King, Solomon Burke, Van Morrison, Keith Richards and Paul McCartney. Narrated by E Street Band guitarist Stevie Van Zandt, about the life and career of Bert Berns, the most important songwriter and record producer from the sixties that you never heard of. His premature death at 38 cut short a seven-year streak of hits, rooted in his early Brill Building and 1650 Broadway days, through his tenure at Atlantic Records to the formation and success of his own labels Bang Records and Shout Records. First-time director Brett Berns joins us to talk about a father he never knew and his amazing musical legacy.

For news and updates go to: bangthebertbernsstory.com

facebook.com/bangthebertbernsstory

“[The] impressive lineup of interview subjects properly tells the story of a man whose contributions to popular music have been largely unheralded.” Noel Murray, LA Times

“It has a ton of heart and a bevy of interesting interviewees who paint a clear and coherent picture of who Bert Berns was inside and outside of the music biz… It’s a must see for any fan, new or old.” Anthony Ray Bench, Film Threat

“If you love the music Berns made, you’ll love this movie; if you don’t, I feel for you, but “Bang!” might nevertheless entertain with its dish.” – Glenn Kenny, New York Times

Tomorrow Ever After, Director / Writer Ela Thier

 

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In Tomorrow Ever After Shaina is an historian who lives 600 years in the future. War, poverty, pollution, greed, exploitation, depression, loneliness: these are things that she’s read about in history books. And while she studied this dark period of history, in which money was viewed as more important than people, she has never, in the flesh, seen humans hurting other humans. Until now. While visiting a group of physicists who experiment with time travel, Shaina is accidentally stranded in the year 2015. Here she involves herself with a group of friends who are as lovable as they are flawed. As the harsh realities of their lives unfold, she learns what no history book could have taught her. Old habits, however, are hard to break, and Shaina can’t help but assume that everyone around her is honest, generous, and caring, as she works to recruit the help that she needs to get back home. While most futuristic films depict a dystopia that is even colder and more mechanical than our own, this film takes a bold departure from the sci-fi genre by exploring the possibility of a future in which caring and compassion govern our societies. What if the future of humanity and the planet turns out exactly as we would want it to be? Director and writer Ela Thier joins us for a conversation on her sweet, insightful and humorous rumination on the past, present and hopeful future 

For news and updates go to: tomorroweveraftermovie.com  

“Built around Thier’s dignity and gentle humor… she emanates charismatic warmth and seems genuinely engaged with the film’s theme of compassion in an era of despair.” – Chris Packham, The Village Voice

“Held up brilliantly its premise …Played with touching insight and natural beauty …[Thier] provided me with a new sense of wonder for my fellow humans.” – E. Nina Roth, Huffington Post

“Simultaneously funny and tear-jerking” – Allison Tate, The Advocate

“It is a rare film that insinuates itself so gently into your consciousness, and then opens up like a stealth bomb inside your mind and heart.” Dorothy Woodend, Alliance of Women Film Journalist

**2016 Fort Lauderdale international Film Festival – Winner Best American Indie**

**2016 Moondance International Film Festival – Winner Best Feature Film and the Audience Choice Award**

**2016 Flickers Rhode Island International Film Festival – Winner Best Director**

One Week and 1 Day, Director Asaph Polonsky

 

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In the Jewish religion, a week of sitting Shiva (or mourning the deceased) is called for after a funeral. However, for Eyal and Vicky, a week is hardly enough time to properly mourn the loss of their 25-year-old son Ronnie. A married couple edging into the back half of middle age, the two find themselves reacting to the end of Shiva in markedly different ways.  A return to routine seems to be in order for Vicky, a teacher, as she finds herself back at school trying to abruptly kick out the substitute assigned in her stead. Meanwhile, shopkeeper Eyal opts for a total abdication of routine, as he steals his dead son’s bag of medical marijuana, and proceeds to get high, play ping-pong and judge air guitar routines with his neighbor’s stoner son Zooler. As the world refuses to accommodate Vicky and Eyal’s sensitivities during their time of bereavement — taxi drivers are still difficult, neighbors are still obnoxious, and grave diggers are just as indifferent as anyone else in the service industry — the two grieving parents find themselves acting out in outlandish ways as they attempt to regain a sense of control over their lives. Asaph Polonsky’s debut feature ONE WEEK AND A DAY juxtaposes the grieving process against the immutable fact that, despite the most painful losses imaginable, the world stops for no one’s mourning. With endearing performances from Shai Avivi and Evgenia Dodina as Eyal and Vicky, and Tomer Kapon as Zooler, ONE WEEK AND A DAY provides a nuanced perspective on loss that’s as funny as it is insightful. Director Asaph Polonsky joins us to talk about his thoughtful and nuanced film of loss, grieve and resilience.

For news and updates go to: oneweekandaday.oscilloscope.net

“Tears of laughter and tears of grief are both in abundant supply in Asaph Polonsky’s uproariously funny and heart-wrenchingly moving ONE WEEK AND A DAY.” – Ben Croll, THE WRAP

“A sweet and subdued look at the absurdity of life after death.” – David Ehrlich, INDIEWIRE

“The strength of Asaph Polonskys debut feature is that it’s actually a bittersweet comedy-drama in which the pain is as real as the frequent chuckles.” – Boyd van Hoeij, THE HOLLYWOOD REPORTER 

“Asaph Polonsky’s moving, deceptively simple film ONE WEEK AND A DAY looks at that supremely difficult day after the shiva ends.”Hannah Brown, – THE JERUSALEM POST

“Polonsky resists easy sentimentalisation…the moments of stillness have real potency.”Wendy Ide, SCREEN INTERNATIONAL

Take My Nose Please…A Joan Kron Film, Director Joan Kron

 

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TAKE MY NOSE PLEASE is a seriously funny and wickedly subversive look at the role comedy has played in exposing the pressures on women to be attractive and society’s desire/shame relationship with plastic surgery. More than 15 million cosmetic procedures were performed in the US in 2014.  And 90% of them on were done on women. Yet, for those who elect to tinker with Mother Nature, especially for high-profile women, plastic surgery is still a very dark secret.  Funny women, though, are the exception.  From Phyllis Diller and Joan Rivers to Roseanne Barr and Kathy Griffin, comedians have been unashamed to talk about their perceived flaws, and the steps taken to remedy them. TAKE MY NOSE PLEASE follows two comedians as they deliberate about going under the knife. Emily Askin, an up-and coming improv performer, has always wanted her nose refined. Jackie Hoffman, a seasoned headliner on Broadway and on TV, considers herself ugly and regrets not having the nose job offered in her teens. And maybe she’d like a face-lift, as well. As we follow their surprisingly emotional stories, we meet other who have taken the leap – or held out. Putting it all in perspective are psychologists, sociologists, the medical community and cultural critics. And for comic relief and the profundity only comedians can supply.  The film includes commentary from Roseanne Barr, Phyllis Diller, the late Joan Rivers,Judy Gold, Julie Halston, Lisa Lampanelli, Giulia Rozzi, Bill Scheft, and Adrianne Tolsch. Director Joan Kroc joins us to talk her engaging. lively, funny and enlightening debut film.

For news and updates go to: takemynoseplease.com

See “Take My Nose Please” next Thursday evening (5:15 PM) at Big Newport Theatre in Fashion Island for the Newport Beach Film Festival

Check out a recent article from the Wall Street Journal on Take My Nose Please

Little Boxes, Director Rob Meyer

 

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It’s the summer before 6th grade, and Clark (Armani Jackson) is the new biracial kid in a very white town. Discovering that to be cool he needs to act ‘more black’, he fumbles to meet expectations. Meanwhile, his urban intellectual parents Mack (Nelsan Ellis) and Gina (Melanie Lynskey) try to adjust to small-town living. Accustomed to life in New York, the tight-knit family is ill-prepared for the drastically different set of obstacles that their new community presents. They soon find themselves struggling to understand themselves and each other in this new context. Based on a true story, LITTLE BOXES is a poignant comedy about understanding identity, featuring a cast that also includes, Oona Laurence, Janeane Garofalo and Christine Taylor. Director Rob Meyer joins us to talk about his funny, insightful and complex film.

“Even as some of the supporting players and subplots veer toward caricature, the family dynamics at the film’s center remain entirely relatable.“ – Geoff Berkshire, Variety

“Writer Annie J. Howell and director Rob Meyer stack up their woes without making them feel contrived, so when the breakdown comes, it’s real, and it’s heartbreaking.” – Jason Bailey, Flavorwire

“Jackson, Lynskey and Ellis all deliver effortless performances that further illuminate an essential narrative.” – Reel Talk Online

“Countless movies have examined what happens when a country mouse goes to the city; this one shows that leaving a gentrified urban oasis for a small-town world can be just as jolting.“ – Neil Genzlinger

Tickling Giants, Subject Bassem Youssef

 

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TICKLING GIANTS is a great story about the power of political satire in the face of oppression. In the midst of the Egyptian Arab Spring, Bassem Youssef makes a decision that’s every mother’s worst nightmare… He leaves his job as a heart surgeon to become a full-time comedian. Dubbed, “The Egyptian Jon Stewart,” Bassem creates the satirical show, Al Bernameg. The weekly program quickly becomes the most viewed television program in the Middle East, with 30 million viewers per episode. The Daily Show with Jon Stewart averaged two million viewers. In a country where free speech is not settled law, Bassem’s show becomes as controversial as it popular. He and his staff must endure physical threats, protests, and legal action, all because of jokes. As Bassem attempts to remain on the air, keep his staff safe, and not get arrested, he continues to let those in power know they’re being held accountable. Despite increasing danger, the team at Al Bernameg employ comedy, not violence, to comment on hypocrisy in media, politics, and religion. Directed by Sara Taksler TICKLING GIANTS follows the team of Al Bernameg as they discover democracy is not easily won. The young women and men working on Bassem’s show are fearless revolutionaries, who just happen to be really, really funny. The subject of Tickling Giants, Bassem Youssef joins us for a conversation on the cost and consequences of speaking out.

For news and updates go to: ticklinggiants.com

“Tickling Giants surprises us on several levels. It reveals Egypt’s familiar Arab Spring experience through a lens, that of satiric comedy, which is very different from the way we usually see it. And it has the personal element of Youssef’s involving story.” – Kenneth Turan, Los Angeles Times

“Mostly, the movie makes you understand how every society – and ours more than ever – needs people like Bassem Youssef to demonstrate that laughter will always be one of the essential ways to keep power in check.” – Owen Gleiberman, Variety

“There’s a lot to laugh at, and to learn from, in “Tickling Giants,” a documentary that starts off by telling the story of one man and ends up speaking volumes about satire, freedom of expression and political pressure.” – Ken Jaworoski, New York Times

“Media are their own giant, they shape beliefs and create community, instill hope and fear. Perhaps it’s a lesson that will be taken seriously by viewers in the US.” – Cynthia Fuchs, PopMatters

As You Are, Director Miles Joris-Peyrafitte


 

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Jack (Owen Campbell) is a high school student who lives with his single mother Karen (Mary Stuart Masterson) in a nondescript suburban town. Considered a social outcast and loner, Jack is friendless until Karen’s new boyfriend Tom (Scott Cohen) moves in and brings his son Mark (Charlie Heaton) into their lives. The two outsiders quickly bond and form a tight friendship and, after a chance encounter at a diner, bring fellow student Sarah (Amandla Stenberg) into their group. The three teens become each other’s saving grace until changing relationships and emerging secrets force them to look at themselves and see how far they are willing to go live the lives they choose.

Director Miles Joris-Peyrafitte:  “I love movies, but I’ve always struggled with the “coming of age” genre. I think there is something inherently condescending about it. Obviously this doesn’t span across the whole genre; but I think a lot of times when these stories are told by “adults,” there can be this sort of romanticization of youth which misses the things I think are so important about that age, namely the intensity and stakes that every action carries. There isn’t nostalgia in youth, it is immediate and hard. That was really why I wanted to tell this story now, I wanted to make this kind of film while I was still young enough to not miss it.”

For news and updates go to: asyouare.movie

U.S. Dramatic Special Jury Award Winner – Sundance Film Festival 2016

Official Selection – San Sebastian Film Festival 2016

“Joris-Peyrafitte shows confidence and talent beyond his years, with an artful eye for imagery and a truthful ear for dialogue.” – Christy Lemire, RogerEbert.com

“The setup is common enough, but though you can check off the usual ingredients in what follows – sex, drugs, a glance at Kurt Cobain – this is the furthest thing from a social-issue teen drama.” – Ella Taylor, NPR

“Captures the dreamy intimacy of those teenage relationships where boundaries between friendship and love prove porous.” – Serena Donadoni, Village Voice

“A promising and impressively self-assured debut for 23-year-old filmmaker Miles Joris-Peyrafitte, “As You Are” is crafted with the confidence and skill of a veteran, but also the youthful eye of someone not far removed from his protagonists.” – Geoff Berkshire, Variety