The story of the United California Bank Robbery is one of the greatest stories never told. Back in 1972, the leader of a small group of safecrackers from Youngstown, Ohio got a tip from Jimmy Hoffa: President Nixon was hiding up to $30 million in dirty campaign funds in a bank in Laguna Niguel. Propelled by their hatred for Nixon, the gang travelled to California to rip off the President of The United States. “Finding Steve McQueen” is an unbelievable true story about one of the most daring bank jobs of all time. But at its heart it’s a story about identity. Who we are versus who we want to be — and what happens when those worlds collide. FINDING STEVE MCQUEEN features Travis Fimmel (“Vikings,” Warcraft: The Beginning, The Experiment), Rachael Taylor (Transformers, “Jessica Jones”, Shutter,) William Fichtner (“Mom,” Black Hawk Down, Crash, Armageddon) and Forest Whitaker (Black Panther, Rogue One: A Star Wars Story, The Last King of Scotland). The film is directed by Mark Steven Johnson (Ghost Rider, Daredevil and Grumpy Old Men) is the true story behind “Finding Steve McQueen” one of those fascinating footnotes in American History that deserves to be told. And with a crooked president in the White House and a scandal looming…it’s a story that has never been more relevant. Director Mark Steven Johnson (Grumpy Old Men) stops by to talk about his beguiling stranger-than-fiction tale of politically motivated larceny and the love of a true Hollywood icon.
“[Director Mark Steven Johnson takes] what would have been a rather bland heist story and mix it with a mediocre love story to create an enjoyable final product. It’s an example of getting the most out of the material at hand.” – Rick Bentley, Tribune News Service
“Veteran director Johnson knows to prioritize his characters instead of his own cleverness, while Enzo’s motivating anger about bad men like Nixon reaching the highest levels of power without being punished for their crimes has a resonance today.” – Sherilyn Connelly, SF Weekly
“A slickly made piece of entertainment that’s a good time out at the movies.” – Walter Addiego, San Francisco Chronicle
Always tight on money, with a self-inflated view of his own “genius,” Bruce (Eden Marryshow “Jessica Jones”) is an egocentric, self-professed writer, director, artist and playboy who damages all of his relationships, romantic or otherwise, as he cons his way through his self-obsessed existence with a mixture of swagger and deeply insecure neuroticism. On the heels of his parents cutting him off, his free ride comes to an abrupt end after his roommate (Jason Tottenham “Quantico”) informs him he’s moving in with his fiancé (Jade Eshete “Dirk Gently’s Holistic Detective Agency”). Desperate to keep his apartment and stay afloat financially, Bruce concocts a plan to run an ad for a hot female roommate and charge her 80% of the rent. When Bruce falls for one of the applicants (Mle’ Chester “Vinyl”), he tries to turn his life around, but as the saying goes, “karma is a bitch.” Will Bruce see the error of his ways or remain irredeemably awful? Director, Producer, Writer Eden Marryshow joins us to talk about assembling a terrific supporting cast and the inspiration for his brash feature film debut.
For years, roller-skating rinks have been a constant for African-American communities across the U.S., serving as a meeting ground, a place to have fun and an incubator of iconic hip-hop talents like Queen Latifah and N.W.A. As America’s last standing roller rinks are threatened with closure, a community joins forces in a racially charged environment to save the underground African-American subculture of roller skating, which has been overlooked by the mainstream for generations – yet has given rise to some of the world’s greatest musical talents. From executive producer John Legend and first-time directors Dyana Winkler and Tina Brown, the documentary UNITED SKATES highlights the dynamic world of roller skating, showcasing African-American rinks and skaters across the country as they fight to keep the culture alive and skate their hearts out. The film features interviews with hip-hop legends like Salt-N-Pepa, Coolio, Vin Rock of Naughty by Nature and World Class Wreckin’ Cru. UNITED SKATES spotlights three skaters fighting for their community: L.A. native Phelicia, a single mom who grew up in skates and hopes to keep skating alive for her children; North Carolinian Reggie, who lives hours from any rink that offers a night for black skaters and vows to launch his own; and Buddy Love, the owner of Chicago-based Rich City Skate, who struggles to keep his rink open, despite financial pressure. Co-directors Tina Brown and Dyana Winkler stop by to talk about their infectious and insightful look at a facet of African-American life in danger of fading away.
“This kaleidoscopically vibrant, essential-viewing survey plunges audiences into a dazzling underground scene, celebrating the endangered art form it finds there.” – Peter Debruge, Variety
“This is a passion project in the best sense of the word, a movie in which the ingenuity and dedication of the filmmakers illuminate the same qualities in their subjects.” – Two Bugbee, New York Times
“…[an] exceedingly entertaining and genuinely revealing look into a roller-skating subculture that I frankly knew next to nothing about.” – Daniel Nava, Chicago Cinema Circuit
“This is a film that paints a humanizing portrait of an endangered form of expression, risked at the hands of the micro-racism and economic tribulations faced by the African-American community.” – Laura Birnbaum, Film Inquiry
**SUNDANCE PREMIERE** Based loosely on Abby McEnany’s own experiences, WORK IN PROGRESS is an honest, funny, and rarely seen exploration of the “isms” and phobias that permeate all of our lives: homophobia, transphobia, sexism, racism, sizeism, classism, and more. In a nutshell, Abby is a 45 year old queer dyke who is finally coming into her own or she is a 45 year old queer dyke who is about to kill herself. Both are true.It just depends on which day you meet her. She is a finely crafted cocktail of Depression, OCD, Queerness, Insecurity and Anxiety but she only drinks Miller Lite. And in this coming of age story, every little thing or person she meets has the potential for life-altering meaning. Abby is in an adolescent-like stage and has been stuck there for 30 years. After her therapist dies mid-session and she begins to date a trans man, Abby is forced to re-evaluate her life choices, her dating options and whether or not to confront the woman responsible for ‘ruining her life’: SNL’s Julia Sweeney. Co-directors Abby McEnany, Tim Mason and actor Julia Sweeney join us for a rollicking conversation on their hilarious, honest and engaging Sundance Film Festival debut episode of Work in Progress.
Reed (Christopher Abbott) is going on a business trip. He kisses his wife and infant son goodbye, but in lieu of a suitcase filled with clothes, he’s packed a toothbrush and a murder kit. Everything is meticulously planned: check into a hotel and kill an unsuspecting victim. Only then will he rid himself of his devious impulses and continue to be a good husband and father. But Reed gets more than he bargained for with Jackie (Mia Wasikowska), an alluring call girl who arrives at his room. First, they relax and get in the mood, but when there’s an unexpected disruption, the balance of control begins to sway back and forth between the two. Is he seeing things? Who’s playing whom? Before the night is over, a feverish nightmare will unfold, and Reed and Jackie will seal their bond in blood. Based on the critically acclaimed cult novel by Ryu Murakami, Director Nicolas Pesce (THE EYES OF MY MOTHER) talks about how he was able to blend psychological horror with comedy and stylish neo-noir, resulting in a sly take on the fantasy of escape and the hazards of modern romance.
“Piercing is a quirky and nasty black comedy, essentially a two-hander-so if you don’t mind spending an hour and twenty minutes with a deranged duo doing their twisted tango, then, by all means, tune in.” – Staci Layne Wilson, We Live Entertainment
“Piercing is an unnerving mix of loveliness and lunacy.” – Bilge Ebiri, New York Magazine
“What a deliciously demented and disturbing drama Nicolas Pesce’s “Piercing” is, dripping with gore and laden with forbidden innuendo.” – Katie Walsh, Tribune News Service
“Pesce deploys a potent arsenal of stylistic tools – urban landscape miniatures, plushly disquieting Lynchian interiors, flashbacks, creature effects, and florid gore – to tell the story of Reed.” – Robert Abele, Los Angeles Times
Up a dirt road, nestled in the hills of Southern California lies Spiral Farm, a vibrant and colorful intentional community inspired by the communes of the late 60’s. Its eclectic inhabitants look out for each other, as they work side by side on this completely self sustaining permaculture farm. 17 year-old Anahita (Piper De Palma), has lived on Spiral Farm for as long as she can remember and dreams of one day leaving the safety of Spiral and pursuing a career as a dancer. However, whenever she makes these plans she is always deterred by the thought of leaving Ocean, her eight year old nephew who she cares for and shares a deep bond with. Stifled by her responsibilities to her family and the commune, Anahita has developed what her mother (Amanda Plummer) calls a “bashfulness” when it comes to sexuality. When her mother’s old flame, Maurizio (Cosimo Fusco) arrives for an unexpected visit, he brings along his teenage son, Theo (Teo Halm). Anahita is immediately drawn to him, confused by her newfound feelings. When Theo discovers her passion for dance he encourages her to journey into the city for an audition. Away from the confines of the communes, Anahita discovers that although she lacks the technical skills to be a professional dancer, she may still be able to leave Spiral by going to college in the city changing the course of her life. But will Anahita, who has been so dedicated to others chose to live for herself? Director and writer Alex Tibaldi joins us to talk about his feature film debut and his intimate, moving character study of women in transition, searching for meaningful connections.
BEHIND THE BULLET is the directorial debut from author and activist, Heidi Yewman. When her former basketball coach and teacher, Dave Sanders was killed in the Columbine High School massacre along with 12 students, she began profiling the lives of those altered by the impact of gun violence. She is a tireless advocate for gun safety, sitting on the boards of The Brady Campaign to Prevent Gun Violence,Women Donors Network,Stop our Shootings, and Trauma Intervention Program of Portland, OR. In BEHIND THE BULLET will make it’s world debut as a documentary competition selection at the 2019 Slamdance Film Festival, Yewman chronicles anin-depth look at four individuals who have pulled the trigger and the profound impact it’s had on their lives. Every year, almost 40,000 people are shot and killed in America. Each shooting devastates and forever changes the victim’s family and friends. BEHIND THE BULLET explores a side of gun violence that’s rarely talked about – the impact a shooting has on the shooter. Four individuals share how the pull of a trigger, changed them emotionally, physically, psychologically, and spiritually. They describe the conflicting emotions and moral injury that comes after a self-defense, accidental, or unintentional shooting, offering a new and unbiased perspective on gun violence. Director Heidi Yewman joins us to talk about the devastating impacts that guns and the profound impact they have had on four people’s lives.
“BEHIND THE BULLET is a captivating and honest look at what is going on in our country when it comes to gun control.It looks at all sides of the issue that sometimes the media does not discuss or cover.This is a must see film in our current climate.” — Peter Hammond, Deadline
“Behind The Bullet is just WOW – an amazing insight into what we are dealing with in the U.S.It’s a refreshing insight and a story that needs to be told.”— Chris Gardner, The Hollywood Reporter
This Teacher, Actor Kevin Kane (Director Mark Jackson)
THIS TEACHER follows a French Muslim woman (Cesar-winner Hafsia Herzi) as she travels to New York City to visit her childhood best friend from the rough neighborhoods outside of Paris. When the reunion proves disastrous, Hafsia steals her friend’s credit card and identity, and disappears to a remote cabin upstate. Deep in the woods and alone for the first time in her life, she experiences a divine revelation of an existence without borders. But when she discovers that she’s not alone on the property, Hafsia’s sojourn in nature gradually descends into a terrifying study of the intolerance and suspicion she encounters and reflects back to an Islamophobic America. Written and directed by Mark Jackson featuring a score composed from the Grammy nominated Dave Eggar, the film stars: Cesar-winner Hafsia Herzi (The Secret of theGrain) Sarah Kazemy (Circumstance) Lucy Walters (Power), Kevin Kane (Inside Amy Schumer), and Lev Gorn (The Americans). Jackson’s previous films have won 17 awards including an Independent Spirit Award and a Gotham Nomination. Jackson is also a Sundance, Cinereach and Skywalker Sound Fellow. Actor Kevin Kane joins us for a conversation on THIS TEACHER’S closing night screening at the 2019 Slamdance Film Festival, intolerance and not being afraid to love.
Lois Vossen is the Executive Producer of Independent Lens and has been with the show since its inception as a primetime series on PBS. Lois is responsible for commissioning new films, programming the series and working with filmmakers on editorial and broadcast issues. Independent Lens films have received 17 Emmy Awards, 16 George Foster Peabody Awards, five Alfred I. DuPont-Columbia Journalism Awards and eight Academy Award nominations. The series was honored in 2013, 2014, 2015 and 2017 with the International Documentary Association (IDA) Award for Best Series. Before joining ITVS, Lois was the Associate Managing Director of Sundance Film Festival and Sundance Labs. Lois is a member of the Television Academy Board of Governors, representing the documentary branch. She has served on the jury at Shanghai Festival, Toronto International Film Festival, SXSW, DOC New Zealand and Palm Springs International Film Festival, among others. Under her leadership, films funded or co-produced by Independent Lens include I Am Not Your Negro, Always in Season, Bedlam, One Child Nation, Black Memorabilia, The King, People’s Republic of Desire, Won’t You Be My Neighbor, TOWER, Newtown, Best of Enemies, The Black Panthers: Vanguard of the Revolution, (T)ERROR, The House I Live In, The Invisible War, and The Trials of Muhammad Ali, among many others. Widely regarded as one of the most influential supporters of independent and documentary filmmaking, Lois Vossen joins us for a conversation on the role that Independent Lens /POV and Public Broadcasting has had in maintaining the highest standards for innovative storytelling in non-fiction cinema.
It all began when a group of cheerful, subversive filmmakers weren’t accepted into the Sundance Film Festival. Unwilling to take “no” for an answer, they instead started their own event – Slamdance: Anarchy in Utah. 24 years later, Slamdance has become a year-round organization fostering the development of unique and innovative filmmakers. The organization now consists of the Film Festival, Screenplay Competition and Slamdance Studios.Dan Mirvish, Jon Fitzgerald, Shane Kuhn and Peter Baxter are the founding forefathers who, along with co-conspirator Paul Rachman,fought for truly independent filmmakers by giving them a voice in 1995 at the very first Slamdance Film Festival. Since then, the festival takes place every January in the breathtakingly stunning, snow-capped mountains of Park City, Utah at the exact same time as the Sundance Film Festival, toprovide a more authentic representation of independent filmmaking. Up-and-coming writers, directors and producers, alongside seasoned veterans and film lovers, converge for the weeklong celebration of independent cinema, realizing that Slamdance is a great place to find those next, great, visionary films. Slamdance lives and bleeds by its mantra By Filmmakers For Filmmakers. No other film festival in the world is entirely run and organized by the creative force that can only be found in filmmakers. Slamdance adamantly supports self-governance amongst independents, and exists to deliver what filmmakers go to festivals for – a chance to show their work and a platform to launch their careers. The festival has earned a solid reputation for premiering films by first-time writers and directors working within the creative confines of limited budgets. Co-founder and President Peter Baxter joins us to talk about this year’s Slamdance, the groundbreaking films and the innovative new distribution being launched by Slamdance.
ASHLEY CONNOR is a New York based director of photography. Her work on Josephine Decker’s BUTTER ON THE LATCH and THOU WAST MILD AND LOVELY prompted New Yorker critic Richard Brody to name her, alongside Darius Khonji and Fabrice Aragno, as one of the year’s best cinematographers. Her breadth of style can be seen in work as diverse as Dustin Guy Defa’s PERSON TO PERSON (Sundance ’17) and Adam Leon’s TRAMPS (TIFF ’16), as well as in popular music videos for artists including Jenny Lewis, Angel Olsen and Maggie Rogers. She had two films premiere at the 2018 Sundance Film Festival, Josephine Decker’s MADELINE’S MADELINE and Desiree Akhavan’s Grand Jury Prize winning THE MISEDUCATION OF CAMERON POST starring Chloe Moretz and Sasha Lane. Most recently she shot two pilots for A24/Hulu and has three more films coming out in 2018: Olivia Newman’s FIRST MATCH (SXSW 2018 Audience Award Winner, Netflix produced), Alex O Eaton’s MOUNTAIN REST and an Untitled Daniel Scheinert film. Ashley Connor stops by for a conversation on her work on Josephine Decker’s Madeline’s Madeline’s Madeline and her Spirit Award nomination for her cinematography.
Featuring a heartwarming performance by Molly Ringwald, ALL THESE SMALL MOMENTS tells the story of a teenage boy’s infatuation with a woman he sees on the bus thatfurther complicates his already tumultuous adolescence. ALL THESE SMALL MOMENTS is firmly rooted in the bewildering tangle of human relationships. A husband and wife who are trying to find their way back to themselves, because they’ve drifted too far and no longer recognize each other; an adult woman and a teenage boy who somehow fill a void in each other; and an almost accidental friendship that grows to be much more. ALL THESE SMALL MOMENTS is a portrait of adolescence and aims to capture a time period that, if we make it out unscathed, defines us. Director and screenwriter joins us for a conversation on the working with a cast of established actors like Molly Ringwald, Brian D’arcy James and Jemima Kirke and young actors like Brendan Meyer, Harley Quinn Smith and Sam McCarthy. Director and writer Melissa B. Miller Costanzo talks about getting her first feature film off the ground, enlisting actress Molly Ringwald to be a part of her project and channeling her own adolescent experiences into the performances of her talented cast.
“A beautifully accomplished first film.” Caryn James, Hollywood Reporter
“All These Small Moments reminded me a great deal of two films in particular: that of the recent Lady Bird and this year’s very underseen and underrated Blame.” – David Fontana, Film Inquiry
“Authenticity of character is All These Small Moments’ strongest suit because each proves honest whether or not their inclusion in the larger story does.” – Jared Mobarak, The FIlm Stage
“Despite being overly tidy and commonplace in its plot, [director Melissa B.] Miller-Costanzo succeeds in deliberately avoiding resolution, and while that’s bound to frustrate people, it’s key to the movie’s payoff.” – Kyle Kohner, The Playlist
Lunacy Productions helmed by prolific producer Stu Pollard is excited debut for you their latest film “Rust Creek,” which is being distributed theatrically by IFC Midnight beginning January 11th, 2019.“Rust Creek” starring Hermione Corfield (“Mission: Impossible – Rogue Nation”), Jay Paulson (“Mad Me”), Sean O’Bryan (“Olympus Has Fallen”), Micah Hauptman (“Homeland”), Daniel R. Hills (“The Resident”), Jeremy Glazer (“Letters From Iwo Jima”), and John Marshall Jones (Con Air”); chronicles the presence of mind and skill an ordinary woman, utilizes while summoning extraordinary courage to survive a nightmare odyssey in this harrowing survival thriller. Thisfilm takes the woman in jeopardy premise and turns it on its head with agility and smarts. This is the latest female driven (both in front of & behind the camera) film from Pollard & his team at Lunacy. Lunacy’s teamareincrediblycommitted to supporting gender parity in filmmaking, producing several films featuring female protagonists (This Is Home, Rust Creek, Short History, Plus One) and working with female filmmakers like Jen McGowan (“Rust Creek”), Ani Simon Kennedy (“Short History of the Long Road”), and documentarian Alex Shiva (“This Is Home: A Refugee Story”) among others. Half of the department heads on “Rust Creek”are women and for many of the female crew, “Rust Creek”was their first feature film or their first opportunity in an elevated position (including DP Michelle Lawler, make-up artist Allie Shehorn, art director Priyanka Guterres, and postproduction supervisor Alex Jensen). Pollard has also directed two features: NICE GUYS SLEEP ALONE and KEEP YOUR DISTANCE. In his spare time he teaches at USC’s School of Cinematic Arts and Film Independent. He holds a degree in business from Georgetown and an MFA in film from USC, is a member of the DGA and PGA, and serves on the boards of the Louisville Film Society and GU’s Alumni Board of Governors. Director, producer and head of Lunacy Productions Stu Pollard joins us to talk about his company’s commitment to gender equity on both sides of the camera.
Gilda Radner puts a smile on the faces of people who remember watching her as one of the original cast members of Saturday Night Live, where she created and portrayed such now-classic comic characters as Roseanne Roseannadanna, Emily Litella and Lisa Loopner. LOVE, GILDA, directed by Lisa D’Apolito, is a true autobiography, told in Gilda’s words and in her own voice. Working with the Radner Estate, D’Apolito unearthed a collection of diaries and personal audio and videotapes documenting her childhood, her comedy career, her relationships and ultimately, her struggle with cancer. This never-before-seen footage and journal entries form the narrative spine of the documentary, allowing Gilda to tell her own story– through the laughter and sometimes the tears. Incredibly, she was able to find humor in even the darkest of times. Gilda’s spirit lives on in comedy as a female trailblazer who continues to inspire many present day comedic performers, including Bill Hader, Amy Poehler, Maya Rudolph, and Cecily Strong. Also interviewed are SNL original cast members– Chevy Chase, Laraine Newman and Paul Shaffer– as well as, Lorne Michaels (SNL creator and producer), Alan Zweibel (SNL writer), Stephen Schwartz (Broadway composer); Andrew Alexander (CEO of Second City) and long-time friend Martin Short. LOVE, GILDA Director Lisa D’Apolito talks about the unique window her loving film provides into the honest and whimsical world of a beloved performer whose greatest role was sharing her own story.
“A splendid tribute to one of America’s comedy legends.” – J.R. Kinnard, Film Inquiry
“We come away with the portrait of someone who was never just going along for the ride, but who was always questioning and challenging herself, working toward professional excellence and hoping for an ideal romance.” – Mick LaSalle, San Francisco Chronicle
“‘Laughter – that’s what hugs me and holds me,’ she confides on those muddy cassettes. So does the warm, tender embrace of “Love, Gilda.” – Michael Rechtshaffen, Los Angeles Times
“All the laughs-as well as the tears-in the too-brief but shining life of a true comic genius are present and accounted for in this essential, intensely moving doc.” – David Noh, Film Journal International
In Director Sebastián Silva latest film. Tyrel,Tyler (Jason Mitchell) and his friend John (Christopher Abbott), two young restaurateurs from New York City, push a car along a back road high on a cold, snowy day in the Catskills Mountains. Tyler and John are on their way to a weekend getaway to celebrate the birthday of Pete (Michael Cera), one of John’s old friends, at a cabin in the woods. Tyler needs the excursion, even though he will be among mostly strangers, because the home he shares with his Puerto Rican girlfriend is packed with her visiting family – and the ailing, elderly mother to whom she is devoted. What could be better than a jocular, beer-soaked weekend in the country with a bunch of his buddy’s friends? Well, nothing … except that an empty gas tank is only the first in a series of discomforting moments Tyler encounters and engenders over the next 48 hours. Writer/director Sebastián Silva’s deploys his signature handheld style probing subtext and body language, TYREL conjures an undeniable underlying tension and it marks his most radical character exploration yet—a timely, provocative, and brilliant observation of the idea of otherness in today’s American climate. Director Sebastián Silva (The Maid, Nasty Baby, Crystal Fairy) joins is for a lively conversation on male bonding, tribalism, race, working with this outstanding cast of actors and undermining expectations.
“CRITIC’S PICK. UNNERVINGLY SHARP, AGONIZINGLY DEAD-ON. The stranger “Tyrel” gets, the more accurate it feels.” – Bilge Ebiri, The New York Times
“Silva’s most political work yet–though it is sly and subtle, the intention is palpable, the emotions elicited all too real, and ultimately, “Tyrel” proves to be a fascinating entry in his body of work.” – Katie Walsh, Tribune News Service
“This is a fast and lean film, an absolute workout for its outstanding cast and a devilish roller coaster ride for audiences.” – Jordan Hoffman, Vanity Fair
“Every time this fly-in-the-buttermilk scenario leans toward satire, it reminds you that you’re really watching a horror movie.” – David Fear, Rolling Stone Magazine
John Maringouin’s brilliant, darkly comedic morality tale examines a wildly ambitious Westerner who tries to get in on China’s tech boom and finds that he may not be up to the task. Texan Jimmy Van Horn (David Zellner) is a cowboy huckster who arrives in the booming city of Shenzhen with a couple of bitcoins and huge ambitions of parlaying them into economic success. Lucky for Jimmy, he’s got a friend holding open the back door to this “accidental Shangri-La” – Bob Grainger (Robert Longstreet) – who’s gotten new teeth, a blonde wig and looks twenty years younger. He promises to do the same for Jimmy in 6 weeks. Director and writer John Maringouin (BIG RIVER MAN) develops a startling visual language in this excitingly fresh, complex perspective on China’s economic growth – and the gold rush mentality it inspires. Director John Maringouin joins us for a free-wheeling conversation about his funny, surreal and enthralling tale of the wild west cowboy capitalism that China is now living through.
“Stylish, comic and shameless, with a gonzo, midnight movie tone.” – David D’Arcy, Screen International
“”Ghostbox Cowboy” truly defies categorization, and remains so unpredictable that no single viewing can resolve the fertile ideas it puts on the table about globalization, innovation, and the role of individuality in a fast-paced world that rejects it.” – Eric Kohn, IndieWire
“Fascinating, atmospheric, and utterly strange in ways both good and bad, Ghostbox Cowboy pulls back the curtain on those trying to export the American dream and reaping the whirlwind.” – Joe Blessing, The Playlist
“‘Ghostbox Cowboy’ is fascinating, atmospheric and utterly strange.” – Joe Blessing, The Playlist
WELCOME TO THE MEN’S GROUP is an emotional roller-coaster through the often bumpy inner terrain of the male psyche, as we hear the men open about their lives, sharing truth, telling lies, and revealing secrets they dare not discuss in their lives. WELCOME TO THE MEN’S GROUP is largely inspired by the phenomenon of the “Men’s Movement” of the past 30 years that was championed by writers like the poet Robert Bly and his bestselling book “Iron John” which explored the need for men to reconnect to their authenticity through storytelling, myth and ritualized gathering. WELCOME TO THE MEN’S GROUP takes us inside the intimate dynamic of an all-male support group (Timothy Bottoms, Stephen Tobolowsky, Terence Rotolo, Mackenzie Astin, Joseph Culp, Ali Saam, Phil Abrams, and David Clennon) when they gather one morning for a ritual breakfast and their unique form of male bonding—One Sunday a month, these eight men refrain from beer and football to sit in a circle where they share their personal issues, in the noble hope of becoming a bit more evolved than their fathers. Award winning actor David Clennon (The Right Stuff, Being There, Syriana, Thirtysomething, Missing) joins us to talk about the male psyche, challenges and rewards of working within a strong ensemble cast and the legendary filmmaker Hal Ashby.
“The Hangover this is not. Instead, it explores men trying to support each other but ending up triggering each other, escalating tensions as more and more secrets are revealed until the startling, cathartic climax. Like The Big Chill, it’s ensemble acting at its finest, and like Sideways, it’s an insightful exploration of men’s issues that will appeal to both men and women. The story is complex, beautifully written, deftly filmed.” – New Times
“Welcome to the Men’s Group is full of surprises. It promised to be cutting-edge, but wow, Welcome to the Men’s Group was so much more than I had expected! It will make you laugh, it will make you cry. This is a film that changes the rules.” – Agenda Magazine
In Matthew Atkinson’s debut feature, Room for Rent, our “hero” Mitch Baldwin (Mark Little) is in a deep rut. He lives with his parents and has no intention of leaving. At 18, Mitch won the County Lottery, $3.5M dollars. 12 years later he’s broke, has no friends or love life, and is a laughing stock. With his dad retiring, talk of selling the house pushes tensions to a breaking point. Mitch convincingly suggests renting their spare room for extra cash. Tentative, his parents agree. Quickly, a charming, yet peculiar stranger shows up at their front door willing to pay cash – this is Carl Lemay Brett Gelman). Mitch sets rules for Carl, but the family’s routine is instantly upset. Mitch notices mysterious details about Carl; his car’s license plates are missing, his back story is vague, and he seems set on pushing Mitch out of his comfort zone. Yet Mitch is disarmed by Carl’s charm and confides in him about some of his regrets. To Mitch’s dismay, Carl begins to use the information to undermine Mitch and expose his faults. A battle of wits breaks out and turns into all-out war involving deception, humiliation, spying and revenge. The question is how far are these two prepared to go?Writer and director Matthew Atkinson joins us for a conversation on his entertaining, quirky and funny film with a crackling good ensemble cast (Mark McKinney, Carla Gallo, Stephanie Weir and Patrick J, Adams) of new and veteran performers.
Oscar-winning director Morgan Neville (20 Feet from Stardom) tells the provocative story of legendary director Orson Welles during the final 15 years of his life. No longer the “wonder boy” of Citizen Kane, Welles in 1970 was an artist in exile looking for his Hollywood comeback with a project called The Other Side of the Wind. For years, Welles worked on his project about an aging film director trying to finish his last great movie. Welles shot the picture guerrilla-style in chaotic circumstances with a devoted crew of young dreamers, all the while struggling with financiers and fate. In 1985, Welles died, leaving as his final testament the most famous unfinished film in movie history. The negative stayed in a vault for decades until now. With revelatory new insights from Welles collaborators including Peter Bogdanovich, Frank Marshall, Oja Kodar and daughter Beatrice Welles, They’ll Love Me When I’m Dead is the untold final chapter of one of the greatest careers in film history: brilliant, innovative, defiant and unbowed. Director Morgan Neville (20 Feet From Stardom, Won’t You Me My Neighbor, Cool School) joins us for a conversation about his hurly-burly look at the making of a ragged masterpiece by cinema’s greatest auteur.
“The impeccably assembled production employs Neville’s virtuoso touch to provocative effect.” – Michael Rechtshaffen, Los Angeles Times
“For cinephiles, it’s a high-calorie, clip-and-interview-laden feast of biography, insight, and gossip.” – Robert Abele, The Wrap
“Neville’s film may reveal little that hardcore Wellesians don’t already know. But it offers a lively evocation of the great man’s brilliance, waywardness and pained relationship to Hollywood history.” – Jonathan Romney, Screen International
“A fascinating account of an agonizing creative process.” – Todd McCarthy, Hollywood Reporter
“A cinephiles’ delight.” – Kimberly Myers, The Playlist
An inspired labor of love for zine-making (Exploding Cat) teens Sandi Tan, Jasmine Ng and Sophie Siddique, Shirkers was a Singapore-made 1992 cult classic—or it would have been, had the 16mm footage not been stolen by their enigmatic American collaborator Georges Cardona, who disappeared. More than two decades later, Tan, now a novelist in L.A., returns to the country of her youth and to the memories of a man who both enabled and thwarted her dreams. Magically, too, she returns to the film itself, revived in a way she never could have imagined. Shirkersmade its world premiere at the Sundance Film Festival in 2018, where Sandi Tan received the World Cinema Documentary Directing Award, and went on to tour festivals all over the world, including True/False, HotDocs, CPHDOX, Sheffield Doc/Fest, Full Frame, San Francisco Intl. Film Festival, AFI Docs and more. Director Sandi Tan talks about her 25-year relationship with her friends, then and now, Exploding Cat and her thoughts on losing and then rediscovering a crucial part of her life.
“Wildly delightful… teeming with incident and personality… No amount of caustic self-criticism from Tan can dampen the thrill of witnessing the vibrancy and bounteous energy of everything captured within the frame.” – Eric Hynes, Film Comment
“Shirkers has the handmade delicacy of a scrapbook come to life… [Sandi Tan] has produced a remarkable statement on the formation of a creative identity across many years and life experiences.” – Eric Kohn, Indiewire
Forty years ago, Dorothea (Tyne Daly) and Greta (Elisabeth Henry) moved to the town of Checkford and bought an abandoned bread factory that they transformed into an arts space. Here they host movies, plays, dance, exhibits and artists. It’s where civic groups and immigrant communities can meet, where there are after school programs for children. Now a celebrity couple—performance artists from China—have come to Checkford. They’ve constructed a huge building, the FEEL Institute, down the street. It is a strange sight for a small town. Dorothea and Greta learn about a new proposal to give all the funding from the school system for their children’s arts programs to the FEEL Institute. Without this funding, the Bread Factory would not survive. They quickly rally the community to save their space. The commercial forces behind the FEEL Institute fight also, bringing a young movie star to town to help make their case. The school board meeting turns into a circus where the fate of the Bread Factory hangs in the balance.
Bread Factory, Part Two: Walk with Me a While
Checkford hasn’t been the same since the school board meeting. Mysteriously, the reporter who runs the local newspaper disappears. Bizarre tourists start to show up, then come mysterious tech start-up workers. With all the new people, real estate is booming. Amidst all these distractions, Dorothea and Greta try to continue their work. They are rehearsing a production of HECUBA by Euripides. On the day they open the play, Dorothea gets the news that the Bread Factory will lose an essential piece of their funding. The beautiful opening night performance of HECUBA plays to a tiny audience. Brokenhearted, Dorothea and Greta must decide whether to give up their work at the Bread Factory because their community and support has disappeared, or to continue in their struggle to build community through art.
Patrick Wang was born in Texas, the son of Taiwanese immigrants. He is author of the books THE MONOLOGUE PLAYS and POST SCRIPT, an interactive book about the making of THE GRIEF OF OTHERS.His first film IN THE FAMILY was released to critical acclaim in the US and France and hailed “an indie masterpiece” by Roger Ebert. He was named one of the “25 New Faces of Independent Film” by Filmmaker Magazine, and the New York Times remarked, “This is a career to keep an eye on.” Director and writer Patrick Wang joins us for a conversation on his brilliant, funny, touching, humanist rumination on art, relationships and MAY RAY.
Under the guidance of acclaimed South African storyteller, Gcina Mhlophe, five orphaned children from Swaziland collaborate to craft a collective fairytale drawn from their darkest memories and brightest dreams. Their fictional character, LIYANA is brought to life in innovative animated artwork as she embarks on a perilous quest to rescue her young twin brothers. The children’s real and imagined worlds begin to converge, and they must choose what kind of story they will tell – in fiction and in their own lives. This genre-defying film weaves an original animated hero’s journey with poetic documentary scenes to create an inspiring tale of perseverance. LIYANA is a tribute to creativity, the strength of the human spirit, and the healing power storytelling.Critically acclaimed, and executive produced by award-winning actress, Thandie Newton, LIYANA has won more than 25 jury and audience awards and screened at more than 80 film festivals around the world including the British Film Institute’s London Film Festival and MoMA’s Doc Fortnight. Co-directors Amanda and Aaron Kopp join us for a conversation on their enchanting, inspiring and wildly creative film.
John Zbikowski (Michael Kelly) is a down-on-his-luck, small town bookie having a hard time collecting on outstanding debts. After a one night stand with an ex-girlfriend (Pamela Adlon), John strikes up an unlikely friendship with her 12-year old son, Brian (Jesse Ray Sheps), and develops a plan to recoup the money owed to him by taking bets on Brian’s Youth League Baseball games. Written by Timothy Brady and directed by John Hyams, All Square features a line up of first rate actors that include;Michael Kelly (“House of Cards”), Jesse Ray Sheps (Collateral Beauty), Josh Lucas (Home Sweet Alabama), Pamela Adlon (Californication, Louie), Tom Everett Scott, Isiah Whitlock Jr, Yeardley (The Simpsons). Director John Hyams joins us to talk about his funny, messy and endearing story of a man trying hard to not wear his heart on his sleeve.
Winner – 2018 Narrative at Monmouth Film Festival – Best Feature
Winner – 2018 Newport Beach Film Festival – Best Film
Winner – 2018 Newport Beach Film Festival – Best Screenplay, Timothy Brady
100% on Rotten Tomatoes
“Kelly is a king among mordant underplayers. Yulin, a stalwart character actor, is reliably terrific. Adlon and Josh Lucas bring added value to their also-familiar characters.” – Glenn Kenny, New York Times
“A casually profane and frequently uproarious working-class dramedy about a small-time bookie who turns a big profit – for a while – by taking bets on Little League games.” – Joe Leydon, Variety
“Kelly gets a well-earned leading man turn in the amiable indie comedy-drama “All Square” playing a surly, but likable bookie in a small Maryland town.” – Kevin Crust, Los Angeles Times
“All Square is proof that Hyams is way more than just an “action movie director”, and can work well with a talented ensemble of performers, while still exploring the surface of their universe with a documentarian’s eye for East Coast life.” – Jacob Knight, Birth.Movies.Death.
When Elan and Jonathan lose their beloved grandmother, Annette Ontell, they face a profound question: When a loved one dies, what do we do with the things they leave behind? Housewife, fashion designer, and beloved family member, Ontell lived seven decades in the same house—306 Hollywood Avenue in Hillside, New Jersey. Turning documentary on its head, the Bogaríns embark on a magical-realist journey to discover who their grandmother really was, transforming her cluttered New Jersey home of 71 years into a visually exquisite ruin where tchotchkes become artifacts, and the siblings become archaeologists. By turns elegiac, celebratory, and edgy, with extrapolations ranging from the Rockefellers to Rome, 306 Hollywood moves unexpectedly but inevitably, like a beautiful murmuration of birds. With help from physicists, curators and archivists—and the added inspiration of a decade of interviews with the vivacious octogenarian herself—they excavate the extraordinary universe contained in Annette’s home. 306 HOLLYWOOD playfully transforms the dusty fragments of an unassuming life into an epic metaphor for the nature of time, memory and history Co-directors Jonathan Bogarín (Elan) joins us for a conversation on celebrating family, peering into the unknown, why understanding the past can help us live better in the present.
“The movie’s blend of charm and philosophical inquiry makes it at once structurally daring and a total crowd-pleaser, sure to find appreciative audiences who will see echoes of their own clutter-filled lives in its story.” – Eric Kohn, Indiewire
“One of the more universal and relatable films you’re ever likely to see. It’s such a little story you may wonder about why it was being told at all, except that it’s a story likelyto touch anybody who has ever lost a loved one, which makes it a very big story.” – Daniel Feinberg, The Hollywood Reporter
“It’s unforgettable. 306 HOLLYWOOD feels like a whole new way of tackling documentaries. This ‘magical-realist doc’ pushes subjectivity into poetry.” – Tasha Robinson The Verge
“Part biopic, part magical-realist rumination, the two [filmmakers] offer the genre a new format and the ordinary a beautiful homage.” – Deanna Janes, Harper’s Bazaar
Nina Geld is an up-and-comingcomedian in New York City. She’s funny, smart and has worked hard to build a career for herself in the male-dominated world of stand-up. When it comes to romantic relationships though, Nina’s life is a mess. When we meet her, she has picked up a random guy in a bar and brought him home, only to find Joe, a married policeman, waiting for her against her wishes. Unable to stand-up for herself, Nina sleeps with Joe again, bringing up old issues of self-hatred. Nina decides to focus on work and later gets Larry Michaels, producer of the legendary television show, Comedy Prime, to come see Nina’s stand-up. Amazingly, he asks Nina to audition! She will need to create characters impersonations and move to LA to audition. In LA, she meets Rafe Hines, a dream-come-true, quintessential good-guy who makes all of Nina feel good. But when Joe shows up in LA unexpectedly Nina has to deal with her past. Finally confronting the truth in such a public setting has terrifying and unexpectedly liberating consequences. Director / Producer / Writer Eva Vives joins us for a conversation on her sharp-edged, drama about a woman driven by demons, trauma and a dark need to embrace her pain.
“Vives’ filmmaking is confident, threading the needle on some emotionally complex scenes, but the film works because of Winstead’s bravura performance, taking Nina to a place of raw, deep emotional honesty.” – Katie Walsh, Los Angeles Times
“A striking and at times uncomfortably personal feature debut from writer-director Eva Vives that makes good on its title by not shying away from the emotional damage that makes its protagonist so compelling.” – Peter Debruge, Variety
“The movie is carried by Winstead’s mesmerizingly mercurial performance, and not just because she does pitch-perfect impressions of, among others, Kristen Stewart and Werner Herzog.” – Ella Taylor, NPR
“There are three main reasons you should seek out Nina: The phenomenal Winstead, a refreshing female character that manages to be truly hilarious, and a script that keeps a wonderful balance of humor and pain.” – Kristy Strouse, Film Inquiry
The comedy-drama MORNING, NOON & NIGHT explores a day-in-the-life of six people battling different addictions. The characters feel all-too familiar as they could be your neighbor, your family or even yourself. The film functions as a mirror examining three college students, a history teacher, a lawyer and a top executive as they struggle to make it through a single day. According to director, producer and writer Josh Becker, “Everybody struggles with something. The real question asked is how does anyone get through life? After all, reality is just a crutch for people who can’t handle drugs.” Director Josh Becker joins us to talk about his collaborations with fellow director Sam Rami (Evil Dead, Army of Darkness) and Bruce Campbell (Evil Dead, Bubba Ho-tep) and his film’s raw, unflinching farce about the hypocrisies and denials that are the daily reality of people who are living lives in a suffocating bubble.