December 6 – Knives and Skin, Director Jennifer Reeder

What happened to Carolyn Harper? Part suburban nightmare, part neon-soaked teenage fever dream, this tantalizing mystery traces the wave of fear and distrust that spreads across a small Midwestern town in the wake of a high school girl’s mysterious disappearance. As the loneliness and darkness lurking beneath the veneer of everyday life gradually comes to light, a collective awakening seems to overcome the town’s teenage girls—gathering in force until it can no longer be contained. Unfolding in a hallucinatory haze of lushly surreal images, Knives and Skin is a one-of-a-kind coming-of-age noir that haunts like a half-remembered dream. Director / writer Jennifer Reeder joins us for a lively conversation on her heady melange of a film that bends multiple genres to its razor sharp will.

Director’s Statement: I tell stories about unruly women and the landscapes they transform. This is a story by a woman that proposes girlhood as a place of transcendence and transgression. I am committed to this voice and to producing unexpected narratives. I write scripts from actual experience and observation and my films are specific in mood and perspective. I am influenced by Ohio, where I grew up—all that sky and flatness. And even more so by the Midwestern people and their kind of everyday destructiveness and determination to cope. This awkward emotionality is evident in my films as scenes unfold like sticky flypaper and characters make one small mistake after another. – Jennifer Reeder

 

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For news and updates go to: chicagofilmproject.com/knives-and-skin

Social Media

facebook.com/knivesandskin

twitter.com/knivesandskin

“It may be the most anarchic and refreshing take on the American teen’s existential malaise since Heathers.” – Demetrios Matheou, Screen International

“An effervescent suburban noir rich with tragedy, rough around the edges, but sharp like the dagger when it counts.” – Matt Donato, Dread Central

“The film’s approach to narrative structure is both messy and strangely confident and alluring, poising Knives and Skin as a bold and complicated cross-genre anomaly, much like the women Reeder lovingly depicts.” – Chloe Leeson, Screen Queens

“At times fraught with anxiety, haunting in quiet horror, blackly comedic, and aching with with sorrow and love, Knives and Skin is many things and also defies easy categorization, as it puts forth a perspective that is multiple and complicated.” – Shelagh Rowan-Legg, ScreenAnarchy

December 6 – The Animal People, Co-director Casy Suchan (Denis Henry Hennelly)

Fifteen years in the making, The Animal People, Co-directed by Casey Suchan and Denis Henry Hennelly – Executive Produced by Joaquin Phoenix – follows the journey of six young Americans who find themselves targeted as terrorists by the US government for their involvement in a controversial protest campaign. Seeing the future of social movement organizing, the activists used the then fledgling internet to dramatically magnify their impact as they systematically knocked out the pillars of financial support that kept the company in business. But when letter writing and protests began to mushroom into dead-of-night vandalism and worse by unknown activists, this corporation and the government formed an alliance to destroy the group. The FBI began an unprecedented campaign of surveillance in preparation for prosecution, creating a model that would later be used against Occupy Wall Street and Black Lives Matter. Congress, under corporate influence, rewrote laws and bent the definition of incitement in order to accomplish the prosecution of these six, potentially weakening free speech rights for all Americans. Featuring expansive interviews with the activists spanning over a decade, rare archival footage – including never-before-seen FBI undercover surveillance tapes, wiretaps and government documents, The Animal People is a chilling portrait of what happens when activism rattles the institutions of power. Co-director Casey Suchan (Denis Henry Hennelly) joins us to talk about their bellwether film that puts the anti-accountability campaign engineered by large corporate interests and the supine partnership with complicit government agencies on full display.

https://www.finngatepictures.com/theanimalpeople

https://www.facebook.com/theanimalpeopledoc/

“INCREDIBLE”Richard Whittaker, The Austin Chronicle

“POWERFUL… COMPELLING… highlights a pivotal case.”Sightlines Magazine

 “EYE-OPENING… will stick with you long after you’ve watched.”Shuffle

November 29 – Recorder: The Marion Stokes Project, Director Matt Wolf

In the fascinating new documentary from Matt Wolf (Teenage, Wild Combination) RECORDER: THE MARION STOKES PROJECT, we follow the life of a former librarian, Marion Stokes. Her unusual “project” began when she started secretly recording American television twenty-four hours a day at the dawn of what we know today as the twenty-four hour news cycle. It started in 1979 with the Iranian Hostage Crisis, ending more than 32 years later, on December 14, 2012. Marion passed away as the Sandy Hook massacre played out on television. In between, she recorded on 70,000 VHS tapes, capturing revolutions, lies, wars, triumphs, catastrophes, bloopers, talk shows, and commercials that tell us who we were, and show how television shaped the world of today. Before the era of “fake news,” Marion was fighting to protect the truth by archiving everything that was said and shown on television. The public didn’t know it, but the networks were disposing their archives for decades into the trashcan of history. Remarkably, Marion saved it, and now the Internet Archive will digitize her tapes and we’ll be able to search them online for free. A mystery in the form of a time capsule, the film delves into the strange life of a radical Communist activist who became a fabulously wealthy recluse archivist. Marion’s work was crazy but it was also genius, and she would pay a profound price for dedicating her life to this visionary and maddening project. Director Matt Wolf joins us to talk about the librarian / activist / archivist / free thinker Marion Stokes, and how her unusual obsession has provided us with a window into an era of rapidly evolving news and infotainment platforms and the profound impact it continues to have on the present.

 

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For news, screenings and updates go to: recorderfilm.com

For more about the filmmaker: mattwolf.info

Social Media:
instagram.com/mattpwolf
twitter.com/mattpwolf

 

95% on Rotten Tomatoes

“Matt Wolf’s remarkable Recorder uses Stokes’ recording obsession as a way to explore both Stokes herself and the world she literally committed to video tape. The results are fascinating, weird, and often quite moving.” – Indiewire

“Intriguing from first minute to last… Relating this stranger-than-fiction tale with the narrative twists and turns of a well-paced thriller, Recorder will make news junkies feel a lot better about themselves.” – Hollywood Reporter

“Weirdly exhilarating… Enlightening and the stuff of madness.” Critic’s Pick – New York Times

“One outstanding offering in this year’s Tribeca Film Festival is Recorder, which reveals the secret greatness of a reclusive activist… An information revolutionary, Stokes, despite her decades of isolation, touched the nerve center of the times.” – New Yorker

“Recorder is more than just a portrait of a woman’s complicated relationships and obsessions… Recorder quietly seeds damning observations about the ways media narratives are formed, and how the shapers of these narratives distort the truth and our worldview.” – Flixist

“Utterly compelling and beautifully textured… A thrilling portrait of a woman collecting the history of the world as she lived through it through the very media we all engaged with, this is a powerful and truly important documentary feature.” – CriterionCast

“Marion’s life makes for a pensive, complicated romantic tragedy.” – Nonfics

Coastal Road Killer, Co-director Yotam Guendelman and Ari Pines

In October of 1974 the body of Rachel Heller, a female IDF solider, is found in the sand dunes of Caesarea. She’s completely naked, except for a single sandal and a bra strap tied tightly around her neck. The investigation leads nowhere, until a young man by the name of Amos Baranes storms into a local police station, claiming he knew the victim and wants to help find the person responsible. He’s arrested and after 3 days of interrogations, he confesses to the murder. Coastal Road Killer is a riveting multi-part series examines whether a serial killer, who was never brought to justice, was behind a string of murders that occurred in Israel between the late 70s and early 80s and whether they might still be on the loose. Coastal Road Killer was created by Yotam Guendelman, Mika Timor and Ari Pines, the team behind   Shadow of Truth, the story of the 2006 murder of Tair Rada, a 13-year old Israeli girl, which became one of Netflix’s most-watched true crime docs. Coastal Road Killer explores the connection between storytelling and truth. Very much like Shadow of Truth, the filmmaking is aimed at showing us how easily we can be manipulated into believing a certain narrative, only to have it completely deconstructed in the next few frames.  Co-directors Yotam Guendelman and Ari Pines stop by to talk about their riveting multi-part series investigative expose that through diligent research and forensic experts uncover new, credible evidence that raises a possible serial killer who has, so far, avoided responsibility for their crimes.

 

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Toss It, Director, Producer, Writer Lead Actor Michele Remsen

Toss It is the story of smart-skeptical Emily and obsessive-compulsive-flirt Finn – (latter-day Rosalind Russel and Cary Grant types) who can witty-banter-for-days and seem a perfect match — then everything gets tossed. Finn wonders why he’s so fucked up, and Emily wonders why she’s so drawn to him. Toss It explores women as the real power players because women, by and large, run and nurture the fundamental unit of society: family. And via this particular family, Toss It looks at Natalie blindly following what she thinks is woman’s role, Marie seems to know nothing but by the end attains some wisdom by actively exploring female options, Adele has wisdom but in retrospect re-evaluates women’s culpability in fostering dominant men, and Emily discovers the age-old Socrates’ maxim ‘I know that I know nothing’ applies to herself – pushing her to learn what really matters. While Emily evolves, Finn seeks to discover ‘why he’s so fucked up’ – and finally, together, they toss everything they know, in this entertaining film that opens a dialogue for the audience to continue long after it ends. Director Producer / Writer / Lead Actor Michele Remsen joins us to talk about her witty and endearing “anti-romatic-comedy” and the story behind her passion project.

Filmmaker’s Statement –Toss It began as a one-act play for my LA theater company’s annual show, My Bitter Valentine, that evolved accidentally into a full play, which I then turned into a film script. I jokingly thought it was an exploration of why men are so screwed up, but as I crafted the characters, the story turned into an examination of what or who made them so screwed up and, by extension, of society at large. How people are shaped by traditions, lore, myths. And only the brave or desperate or seekers kick against convention to find some kind of truth that’s their own. Life is often defined by big events, but it’s really in the back hallways that the real-deal goes down. So I peeled back the curtain on cornerstones of Western Civilization to try to figure out a few characters, and stumbled onto things I didn’t know. Much like Finn and Emily: he thinks he can spin everything and she thinks she knows everything, until everything gets tossed — it’s then both discover what they don’t know — as I did as I made this film: I begged, borrowed and crowd-sourced enough to get it in the can, and, as I pushed this production through, as producer / director / writer / actor, with a cast and crew who worked for fumes because they loved the project, by the end of an intense 12-day shoot we felt like family – which I think is what most people want: a tribe to which they belong. It’s lonely to navigate the world alone, but sharing what we discover makes it cozier, funnier and a little more joyful. – Michele Remsen

 

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To find out more about news, screenings, and updates go to: journeymanfeatures.com

To find out more about the filmmaker go to: micheleremsen.com

Social Media
instagram.com/micheleremsen
instagram.com/tossitmovie
facebook.com/journeymanpictures
twitter.com/JourneymanVOD
instagram.com/journeymanpictures

 

“Insightful funny film with heart.” – Film School Radio

“The chemistry between spirited leads Michele Remsen and Phil Burke is top notch… ” – Why So Blu

“‘Toss It’ tosses the fairytales women are fed and serves up real life” – Broadway World

November 22 – Mickey and the Bear, Director Annabelle Attanasio

 Annabelle Attanasio makes her directorial debut with the critically-acclaimed feature MICKEY AND THE BEAR, starring Camila Morrone and James Badge Dale. Faced with the responsibility to take care of her opioid-addicted veteran father (Dale), headstrong teen Mickey Peck (Morrone) does what she can to keep her household afloat. When she receives the opportunity to leave her home for good, she must make the impossible decision between familial obligation and personal fulfillment. Mickey and the Bear is a heartbreaking, coming-of-age story that is anchored by remarkable performances from Morrone and Dale. It has a haunting ending that will stay with you long after the credits roll.  MICKEY AND THE BEAR, made its world premiere at SXSW this year, where it was nominated for the Grand Jury Award; the film was also selected for Cannes International Film Festival, Deauville Film Festival, the Montclair Film Festival, where Attanasio was recognized with the Audible Storyteller Award; and the Nantucket Film Festival, where she was recognized with the Adrienne Shelly Foundation Excellence in Filmmaking Award. Director and screenwriter Attanasio was selected for this year’s Film Society of Lincoln Center’s prestigious Artist Academy program pegged to the 57th New York Film Festival, which has historically nurtured some of the most celebrated filmmakers of our time. Director Annabelle Attanasio joins us to talk about her thrilling debut feature film.

 

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For news and updates go to: mickeyandthebear.com

Screening schedule for Mickey and the Bear

Social Media:
instagram.com/annabelllllle
instagram.com/mickeyandthebear

 

100% on Rotten Tomatoes

“Bolstered by a phenomenal cast and an ending that will leave the audience breathless, there is not a single misstep in the entire production.” – Bobby LePire, Film Threat

“It’s a poignant, harrowing tale…” – Gerald Peary, Arts Fuse

“Every shot in Mickey and the Bear is artfully composed… The performances are also quite strong. Morrone is especially affecting as the put-upon Mickey…. James Badge Dale is potent as Hank. – Gary M. Kramer, Film International

“Give Camila Morrone all of the roles. All of them. She deserves them all.” – Rendy Jones, Rendy Reviews

“Camila Morrone and James Badge Dale’s powerful performances align wonderfully with introspective exploration in this beautifully tragic coming-of-age tale that will leave you dazed.” – Amanda Sink, The Hollywood Outsider

November 22 – When Lambs Become Lions, Director Jon Kasbe

In this extraordinary documentary, WHEN LAMBS BECOME LIONS we are immersed in the Kenyan bush, as a small-time ivory dealer fights to stay on top while forces mobilize to destroy his trade. When he propositions his younger cousin, a conflicted wildlife ranger who hasn’t been paid in months, they both see a possible lifeline. The plummeting elephant population in Africa has captured the attention of the world, and as the government cracks down, both poachers and rangers face their own existential crises— what is the value of elephant life relative to human life? And can we understand these hunters who will risk death, arrest, and the moral outrage of the world to provide for their families? The photography in this film is so stunning that many people forget they’re watching a documentary, and it’s probably why WHEN LAMBS BECOME LIONS was just nominated for two 2019 IDA Documentary Awards (Best Cinematography and Best Editing). WHEN LAMBS BECOME LIONS is told in the style of “embedded” filmmaking with an intimate and strikingly honest look at elephant poaching in Kenya, told from both perspectives — the poachers and the rangers who pursue them. At its core, WHEN LAMBS BECOME LIONS is the human side of why people do what they do given their circumstances. An angle not many people think about when they hear “elephant poaching”. WHEN LAMBS BECOME LIONS is executive produced by Academy Award-nominated filmmaker Matthew Heineman (Cartel Land) and directed by Emmy Award-winning filmmaker and Doc NYC 40 Under 40 honoree, Jon Kasbe. Kasbe followed his subjects over a three-year period, gaining an extraordinary level of access and trust on both sides of the ideological and ethical spectrum. The result is a rare and visually arresting look at the perspectives and motives of the people at the epicenter of this conservation crisis. Director Jon Kasbe joins us to talk about the making of his riveting film, gaining the confidence of the film’s subjects and navigating the many ethical questions he confronted during the making of When Lambs Become Lions.

 

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For news, screenings and updates go to: whenlambs.oscilloscope.net

For more on Director Jon Kasbe go to: jonkasbe.com

WHEN LAMBS BECOME LIONS filmmaker Jon Kasbe will participate in Q&A’s following the 7:30 pm show on Friday, 11/22 and Saturday, 11/23 and following the 1:00 pm show on Sunday, 11/24 at the Monica Film Center.

Social Media
facebook.com/whenlambs
twitter.com/whenlambs
instagram.com/whenlambs
twitter.com/jonkasbe

 

“A probing view of how a failed African state allows poaching to continue, no matter the lofty speeches of its new president. When people are desperate, they turn to crime–including poaching.” – Louis Proyect, Counterpunch.org

“…supple, complex, and darkly gorgeous” – Chris Barsanti, The Playlist

“Documents how this daily struggle binds together the inhabitants of Northern Kenya, both man and beast, and explores how questions of morality and mortality become increasingly complicated in such a savage landscape.” – Nikki Baughan, Screen International

“Kasbe nudges us to remember the importance of food on the table – for all Kenyatta’s show of might, wouldn’t a better situation be kindled by simply paying people what they’re owed?” – Amber Wilkinson, Eye for Film

The Body Remembers When the World Broke Open, Co-directors Elle ­Máijá Tailfeathers and Kathleen Hepburn and Actor Violet Nelson

THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN reveals a beautifully intimate, real-time portrait that follows two Indigenous women from vastly different backgrounds whose worlds collide when one of them is fleeing a violent domestic attack.  A love poem to women, THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN weaves a compellingly simple story around the complex themes of racialized female bodies, a country’s failure to support its most vulnerable youth, and the continuing effects of colonial violence.  THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN is the newest acquisition from Ava DuVernay’s ARRAY Releasing. Founded in 2010 by Ava DuVernay, ARRAY is a film collective dedicated to the amplification of images by people of color and women directors. Now in its ninth year, ARRAY Releasing focuses on grassroots distribution of feature narrative and documentary work by varied voices. Co-directors / co-writers Elle ­Máijá Tailfeathers and Kathleen Hepburn, as well as lead actor Violet Nelson joins us to talk about the different creative elements that went into the making of this heart-bending film on violence against women, class, privilege and the limitations of compassion.

 

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For news and updates go to: arraynow.com/ The Body Remembers When the World Broke Open

For more on the work of Kathleen Hepburn go to: experimentalforest.ca/thebodyremembers

About the filmmakers

Elle­ Máijá Tailfeathers, Co­-Writer / Co­-Director, is a filmmaker, writer, and actor based in Vancouver, British Columbia. She is Blackfoot from the Kainai First Nation (Blood Reserve) as well as Sámi from northern Norway. She holds a Bachelor’s Degree from the University of British Columbia in Indigenous Studies with a Minor in Women’s and Gender Studies. THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN is her debut narrative feature. Tailfeathers was the 2018 Sundance Institute Merata Mita Film Fellow and is an alumni of the Berlinale Talent Lab, the Hot Docs Accelerator Lab, the CFC/NFB/Ford Foundation Open Immersion Virtual Reality Lab, the Whistler Film Festival Aboriginal Film Fellowship, and the International Sámi Film Institute Indigenous Film Fellowship. Her short documentary, Bihttoš, was included in the TIFF Top Ten Canadian Shorts and was also nominated for a Canadian Screen Award and a Leo Award for Best Short Documentary.

elle-maija-tailfeathers.com

Kathleen Hepburn, Co­-Writer / Co­-Director, is a Vancouver born writer and director whose debut feature, NEVER STEADY, NEVER STILL, which Variety Magazine calls a “stoically broken hearted debut,” premiered at the Toronto International Film Festival in 2017 and was awarded Best Canadian Film and Best Director by the Vancouver Film Critics Circle, as well as Special Jury Prize at the Dublin International Film Festival. It went on to be nominated for eight Canadian Screen Academy Awards including Best Picture. She holds an MFA in Creative Writing, and a BFA in Film Production from the Universities of Guelph and Simon Fraser respectively. THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN is her sophomore feature, co­-written and co­-directed by Elle­-Máijá Tailfeathers.

Social Media:
facebook.com/thebodyremembersfilm
twitter.com/bodyremembers
twitter.com/ava
twitter.com/experiforest
instagram.com/experimentalforest

 

100% on Rotten Tomatoes

“Intricate and impactful… a world-affirming work.” Sarah-Tai Black, Globe and Mail

“What Tailfeathers and Hepburn have shared… is a practice of filmmaking that grapples with these exact intricacies of embodiment and acknowledges them as wholly inextricable from Indigenous presents and futures.” – Sarah-Tai Black, Globe and Mail

“As poetic as its title, The Body Remembers When the World Broke Open cannot be understated for its power and must not be erased from the conversation.” – Aaron Berry, Film Inquiry

“Stands alongside many recent social realism dramas by the likes of Andrea Arnold and Lynne Ramsay … these performances will hit you like a punch to the gut.” Shelagh Rowan-Legg, Screen Anarchy

To Kid or Not To Kid, Director Maxine Trump

In her latest documentary, TO KID OR NOT TO KID, filmmaker Maxine Trump turns the camera on herself and her close circle of family and friends as she confronts the idea of not having kids. While exploring the cultural pressures and harsh criticism childfree women regularly experience, as well as the personal impact this decision may have on her own relationship, Maxine meets other women reckoning with their choice: Megan, who struggles to get medical permission to undergo elective sterilization, and Victoria, who lives with the backlash of publicly acknowledging that she made a mistake when she had a child. TO KID OR NOT TO KID bravely plunges into an aspect of reproductive choice often misunderstood, mischaracterized, or considered too taboo to discuss. With rising public awareness about climate change, resource scarcity and global population, this timely film asks the question “Why can’t we talk about not having children?” Director Maxine Trump joins us for a lively conversation on pros and cons of parenthood, how that decision has played itself out in her life and the lives of those around her.

 

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Foe news, screenings and updates go to: tokidornottokid.com

About the filmmaker: Maxine Trump worked for the BBC in London for seven years as a development executive for scripted comedy before emigrating to the USA, working as a TV commercial director and producer for eight years. She won BDA awards for her work on numerous commercial projects for Network TV and agency clients. She  went on to direct documentaries for Sundance, TNT, BBC, TLC, Discovery etc. Her previous feature film Musicwood was a New York Times Critics pick, festival award winner and played on TV and in theaters around the world. Maxine is the author of the book “The Documentary Filmmakers Roadmap” published by Routledge, she is a Sundance advisor and teaches documentary filmmaking at the New York Film Academy. She lives in Brooklyn, NY with her husband and inquisitive cat and is always seeking new stories to tell.

Social Media:
facebook.com/tokidornottokid
instagram.com/maxinetrump_childfreedirector
youtube.com/channel/MaxineTrump

 

“Candid and empathetic, the movie’s segments can feel rushed and unfocused; yet they have a ragged intimacy that argues implicitly for an individual’s right to choose, without interference or condemnation.” – Jeannette Catsoulis, New York Times

“An engaging personal essay documentary about not having children, complete with interviews, arguments, hard data and sound reasoning coming from both sides of the debate” – Roger Moore, Movie Nation

“Strong arguments hold that having children is in some cases a selfish choice. Not having children, by contrast, is not selfish.” – Harvey S. Karten, Big Apple Reviews

In Bright Axiom – Director Spencer McCall and film subject Jeff Hull

The thought-provoking and intriguing new documentary IN BRIGHT AXIOM introduces us into the world of the House of Latitude. A place where absolute discretion is demanded in exchange for entry into a mysterious social experiment in the form of an elaborate immersive experience. Drawing a community of curiosity seekers, this secret society becomes a way of life for some, putting increasing pressure on the organizers to maintain this sophisticated and fantastical parallel world. From the minds who inspired AMC’s upcoming series Dispatches From Elsewhere, IN BRIGHT AXIOM weaves an intriguing cautionary tale about the unforeseen consequences of embracing the unknown.  Followers of Meow Wolf, Sleep No More,  Ingress and other immersive & augmented reality entertainment should take note. IN BRIGHT AXIOM also features never-before-seen discourse from the mesmerizing hip-hop polymath, RAMMELLZEE and original music by Justin Robbins, with additional songs from Isan, Tickles, and ü-Ziq. Director Spencer McCall has spent the last ten years orchestrating socio-reengineering and public hoax-prank performance art pieces. An avid fan of the Yes Men, McCall began by participating in Improv Everywhere inspired events, “plant” based roles in The Go Game, and location-based performances with Atmos-theater. In 2009, he became a co-creator of the Jejune Institute; a citywide alternate reality game in San Francisco that lasted three years and “inducted” over 10,000 unknowing participants. McCall took his experience working with Jejune and turned it into an award-winning documentary The Institute. The Institute is currently being remade into a series on a major television network. McCall also contributed to follow-up experience The Latitude Society; a faux secret society with an underground experiential labyrinth beneath San Francisco. Director Spencer McCall and House of Latitude founder and In Bright Axiom subject, Jeff Hull, join us for a fascinating conversation on the ebb and flow, as well as, the inherent contradiction that facilitated the unraveling of this remarkable enterprise.

 

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For news, screenings and updates go to: Inbrightaxiom.com

For more on In Bright Axiom go to: nonchalance.com/AXIOM

For more on the work of  Spencer McCall go to: spencersreel.com

SOCIAL MEDIA
divinenonchalance.tumblr.com
twitter.com/pervasiveplay
instagram.com/divinenonchalance
#inbrightaxiom
@DOCNYCfest #docnyc

 

Mr. Toilet: The World’s #2 Man, Director Lily Zepeda

In the entertaining and informative documentary we meet Jack Sim, MR. TOILET: The World’s #2 Man. To strangers, Jack Sim might come across as an eccentric entrepreneur who is obsessed with toilets, but to those who know him he’s “Mr. Toilet,” a crusader for global sanitation. Born in the Singapore slums, Sim knows first-hand the agonies of not having a proper loo. Sim’s is dedicating his life to a crisis no one dares talk about. Not having a place “to go” isn’t just an inconvenience, it’s a problem that impacts 2.4 billion people worldwide. In India alone, 200,000 children die each year from lack of safe sanitation, while women are regularly raped because they have to defecate in public spaces. He founded the World Toilet Organization and spent the last 13 years lobbying 193 countries to raise awareness for proper sanitation. He even successfully lobbied the United Nations to create World Toilet Day (November 19) – the first International day of celebration for the toilet. Now he is plunged into his biggest challenge yet when asked to secure 6 million toilets for the “Clean India” initiative. But with few resources and no help from the government, his epic project and reputation are in jeopardy. Jack’s once supportive staff begins to doubt him; and when his family bonds start to fray over his obsessive dedication, Mr. Toilet realizes there is a price to pay for being the world’s #2 man. But as a “su-poo-hero”, he can’t quit. Director, producer and writer Lily Zepeda joins us to talk about a man possessed with bringing sanitation to a world that may not be ready to embrace it and how his mission has impacted the people closest to him.

 

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For news, screenings and updates go to: mrtoiletfilm.com

Toilet Facts:
Almost 40% of the world’s population does not have access to safe sanitation
Almost 1 million children die every year from diarrhea due to a lack of sanitation
Over the past 200 years, toilets have added 20 years to the lifespan of humans
i in 5 girls in India drop out of school when they start having periods due to the lack of private toilets
Jack Sim was named one of the heroes of the environment for 2008 by TIME magazine

 

Social Media:
facebook.com/worldsnumber2man
instagram.com/mrtoiletfilm
instagram.com/lilyzepeda

 

100% on RottenTomatoes

“For me, the issue of clean sanitation and access to it is absolutely something I took for granted. Mr. Toilet showed me how foolish that idea was.” – Bobby LePire, Film Threat

“Enhanced by playful animations, this nicely composed documentary serves as an engagingly honest profile of a driven man and his prodigious movement.” – Michael Rechtshaffen, Los Angeles Times

“An intelligently crafted and balanced documentary that effectively captures her subject’s rambunctious personality, the sanitary issues he wants to bring to a wider audience, and even some light criticism.” – Andrew Parker, The Gate

“Bathroom humour is rarely so effective.” – Pat Mullen, POV Magazine

DOC/NYC spotlight: Mai Khoi and the Dissidents, Director Joe Piscatella

After the patriotic themes of her first hit song launch her to stardom in Vietnam, Mai Khoi’s personal and artistic growth places her and those around her in jeopardy. A shift from pop star to activist sees Khoi run for office, advocate for women’s rights and sit down with President Barack Obama. Her aspirations to release an album with her new band, The Dissidents, are challenged by looming retaliation by the authoritarian Vietnamese regime, leading the young activist to take drastic measures. Director Joe Piscatella stops by to talk about the journey of Vietnam’s most popular leading pop star from celebrated to hunted for speaking out against an oppressive regime hell-bent to silence her.

About the filmmaker: Joe Piscatella’s second feature documentary, Joshua: Teenager vs. Superpower won the Audience Award at the 2017 Sundance Film Festival and was acquired as a Netflix Original. His first feature documentary, #ChicagoGirl, has been seen in more than 60 countries. He was also an executive producer on the documentary Finders Keepers, which premiered at Sundance in 2015. In 2019 he was nominated for an Emmy for his directorial work on Food Interrupted. His latest documentary, Mai Khoi & the Dissidents premiered at the 2019 DOC/NYC film festival.

 

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Social Media:
twitter.com/jpiscatella
twitter.com/MaiKhoiOi

 

Ernie and Joe: Crisis Cops, Director Jenifer McShane and film subjects Ernie Stevens and Joe Smarro

In the new HBO Documentary Film – ERNIE & JOE: CRISIS COPS, director Jenifer McShane dives into the lives of these incredible officers and their amazing mental health unit officers, trying and succeeding in doing good and truly making an impact. Winner of the Special Jury Award for Empathy in Craft at the 2019 SXSW Film Festival, director Jenifer McShane follows two members Ernie Stevens and Joe Smarro of the San Antonio Police Department’s 10-person Mental Health Unit who are helping to change the way police respond to mental health calls. Their jail diversion work is humane and desperately needed to improve not only the health of the mentally ill, but also of their families. The duo head the special team that looks to treat mental health calls as opposed to the traditional policing tactics. Drawing on their own experiences, each have learned that the old ways of policing and dealing with mental health issues weren’t working. The issues they face as a department are the issues every community and police department in the country faces. The two officers and their colleagues in this unique department provide hope and inspiration at a time when we need it most, and show that great ideas and inspiration can come from any corner of the country.  Director Jenifer McShane and film subjects Ernie Stevens and Joe Smarro join us for a conversation on the trailblazing work being done by themselves and their colleagues as well as the withering and sometimes frustrating challenges that mental health, “crisis cops” deal with in the face of a national mental health epidemic.

 

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For news, theatrical screenings and updates go to: ernieandjoethefilm.com
For screening information go to: hbo.com/documentaries/ernie-and-joe

Social Media:
facebook.com/ernieandjoethefilm
twitter.com/ernieandjoe
instagram.com/ernieandjoethefilm

 

Winner – Special Jury Prize – 2019 SXSW Film Festival
Winner – Grand Jury Prize Documentary – 2019 Independent Film Festival Boston

 

“No story or lecture can replace the power of witnessing this empathy in action, and Ernie & Joe is a moving, important testament to the impact that this unique approach can make on a community.”- Tori Preston, Pajiba

“Impressively intimate” – VARIETY

“One of the Best Films of SXSW 2019” – THE HOLLYWOOD REPORTER

“Should Change the Conversation on Modern Police Work” – GLIDE MAGAZINE

“10 out of 10 STARS” – FILM THREAT 

Atlantics, Director Mati Diop

Winner of the Grand Prix at the 2019 Cannes Film Festival, ATLANTICS marks the feature narrative debut of director Mati Diop. Along the Atlantic coast of Africa, a soon-to-be-inaugurated futuristic tower looms over a suburb of Dakar. Ada, 17, is in love with Souleimane, a young construction worker. But she has been promised to another man. One night, Souleimane and his co-workers disappear at sea. Soon after, they come back to haunt their old neighbourhood by taking possession of the girlfriends they left behind. Some of the workers have come claiming revenge and threaten to burn the tower down if the developer does not pay their wages. But Souleiman has come back for Ada, so they can be together one last time. Director and writer Mati Diop joins us for a conversation on her compelling new film, finding love, and the mythology of a ghost story.

About the filmmaker: Trained in Le Fresnoy (National Studio of Contemporary Arts – a leading and very selective French artistic institution), Mati Diop directed four shorts and a medium-length film which received the “Martin E. Segal – Emerging Artist Award” of the Lincoln Center (USA) in 2016. A THOUSAND SUNS (2013), BIG IN VIETNAM (2011), SNOW CANON (2010) and ATLANTIQUES (2009) were selected and awarded in a wide number of international festivals such as the Venice International Film Festival, the Toronto International Film Festival, the Rotterdam International Film Festival, the Viennale, The Indie Lisboa International Film Festival, and the FID Marseille. They were also programmed in the MoMA and in the Moving Image Museum (USA). As an actress, Mati Diop played in HERMIA Y HELENA by director Matias Piñeiro (2015), FORT BUCHANAN by Benjamin Crotty (2014), SIMON KILLER by Antonio Campos (2012) and 35 SHOTS OF RHUM by Claire Denis (2008).

 

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For news, screenings and updates go to: mk2films.com/en/film/atlantics

Social Media:
facebook.com/mk2films/photos/atlantics-by-mati-diop
twitter.com/hashtag/atlantics
twitter.com/#MatiDiop

 

Grand Prix Winner, Cannes Film Festival 2019
Official Selection, Toronto International Film Festival 2019
Official Selection, New York Film Festival 2019
Mati Diop, Mary Pickford Award Winner, Toronto International Film Festival 2019

 

“This shape-shifting Senegalese drama is pure cinematic poetry. Slipping in and out of modes with a magician’s confidence, Atlantics is mysterious and mythic, with a wizardly use of sound and some unforgettable images.” ★★★★★ The Telegraph – Tim Robey

“A striking work, with a lyrical, richly evocative ghost story. Exquisitely shot by Claire Mathon and lushly scored by Fatima Al Qadiri, the film pulls together some exceedingly strong components.”The Hollywood Reporter – Leslie Felperin

“Constantly intriguing, Atlantics is an intense romance notable for the craft of the filmmaking and Diop’s original approach to complex issues of love, loss and the forces for change that can rise from the ashes of tragedy.”Screen International – Allan Hunter

“A gorgeous, mesmerizing feature directorial debut. Atlantics is an absorbing, otherworldly vision of an alienated seaside life in Dakar.”IndieWire – Eric Kohn

“A romantic and melancholy film, part social commentary, part ghost tale, that works best in its evocation of loss and female solidarity.”Variety – Jay Weissberg

Scandalous: The Untold Story of the National Enquirer, Director Mark Landsman

Sex! Gossip! Scandal! For over 60 years, the National Enquirer has pumped out salacious, shocking stories, stretching the limits of journalism and blurring the lines between truth and fiction. Magnolia Pictures’ SCANDALOUS: The Untold Story of the National Enquirer, charts the thrilling origin story and influence of (in)famous supermarket tabloid the National Enquirer. The paper that former editor-in-chief Steve Coz called “the most perfectly placed piece of propaganda in America.” SCANDALOUS is the sensational true story of the most infamous tabloid in US history, a wild, probing look at how one newspaper’s prescient grasp of its’ readers darkest curiosities led it to massive profits and influence. From its coverage of Elvis’s death, to Monica Lewinsky and the O.J. Simpson murder trial, the National Enquirer rattled the foundations of American culture and politics, sometimes allegedly using payoffs and blackmail to get its scoops. With rare archival footage and revelations as wild as National Enquirer headlines themselves, SCANDALOUS  examines our obsession with the rich, famous and powerful, and the tabloid that has fed those obsessions for generations of Americans. SCANDALOUS: The Untold Story of the National Enquirer will open in select theaters on November 15, and features interviews with former Enquirer reporters and editors, including Iain Calder and Steve Coz, as well as journalists Ken Auletta, Carl Bernstein, and Maggie Haberman. Director Mark Landsman joins us to talk about the history of the supermarket tabloid that made UFO’s and mayhem respectable and in the process changed the way we consume all forms of media.

 

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For news, screenings and updates go to: Scandalousfilm.com

SCANDALOUS: THE UNTOLD STORY OF THE NATIONAL ENQUIRER panel discussion on Friday (11/15) after the 7:10 pm show with director Mark Landsman and former National Enquirer reporters Tony Brenna, Judith Regan and Barbara Sternig. Q&A after the 7:10 pm show on Saturday (11/16) with producers Aengus James and Kristen Vaurio at the Royal.

Social Media:
scandalousfilm.com
twitter.com/scandalousfilm
instagram.com/scandalousfilm

Mark Landsman – twitter.com/markolands

“While watching this entertaining documentary, keep in mind the claim made by journalist Ronan Farrow: The National Enquirer has buried at least 60 super-sleazy stories about our… president.” – Charles Mudede, The Stranger

“The story of the National Enquirer comes to life in Scandalous, a vibrant true Hollywood story that pulls numerous twists and turns.” – Kristen Lopez, Culturess

“”Scandalous” doesn’t break a lot of new ground in style, but it is a fascinating and essential examination of the media we consume and what consumes us.” – Karen M. Peterson, AwardsCircuit.com

“A journalism expose that lives up, or down, to its hype.” – Roger Moore, Movie Nation

Saving Atlantis, Co-directors Justin Smith and David Baker

The problem: The decline of the world’s coral reefs

Coral reefs cover only 0.1 percent of the Earth’s surface, but they’re home to 25 percent of all marine species, and they’re being lost at an alarming rate. Pollution, overfishing and climate change are some of the human-influenced culprits in the dramatic decline of these magnificent natural structures. Coral reefs serve as a linchpin in the global food web. Their decline leads our entire planet in a perilous direction. But research from scientists around the world hints at bright spots where real strides can be made in preservation and protection of these habitats.

The film: SAVING ATLANTIS

Narrated by actor and activist Peter Coyote, SAVING ATLANTIS is a feature-length documentary film by Oregon State University that covers the dramatic decline of the world’s coral reefs and those who are fighting to save them. Following the Global Coral Microbiome Project, a National Science Foundation-funded effort to understand the underlying causes of coral disease, as well as other coral conservation efforts, SAVING ATLANTIS focuses on the plight of an endangered habitat and the people most dramatically impacted by its disappearance. It is an emotional exploration of some of our planet’s greatest natural wonders at a tipping point in their ecological history. Co-directors Justin Smith and David Baker join us to talk about the intense research being done to save this invaluable planetary resource.

 

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For news and updates go to: corals.oregonstate.edu/saving-atlantis

November 12 – The Bygone, Co-directors Graham Phillips and Parker Phillips

The inspiration for Parker Phillips and Graham Phillips debut feature film THE BYGONE was born from the grim effects of the recent oil boom in North Dakota. Beyond the environmental impact of the fracking itself, the boom brought a wave of lawlessness to a region not suited to respond to the flood of tens of thousands of predominantly male workers. Along with the drugs, violence and crime, this wave brought a heightened market for the sex trade, which disproportionately targeted and exploited young Native American women – our country’s most marginalized demographic, made vulnerable by centuries of disenfranchisement, discrimination and sexual victimization. It is compelling that natural resource extraction has once again led explicitly to the disruption of indigenous peoples and their culture, a narrative that echoes the gold rush and is as old as the foundations of America itself. The film explores the tension in this relationship within the modern western landscape, following a North Dakota cowboy and a Lakota girl as they attempt to survive in a land increasingly hostile to the Old West. In shedding light on the lawless shadows of our country, we learn how we have progressed as a Nation and what has remained unchanged, exploring the contemporary status of age-old relationships: East vs. West, Land vs. Industry, Cowboy vs. Indian, and ultimately the Future vs. the Bygone. The co-directors and screenwriters Parker Phillips and Graham Phillips stop by to talk about how their compelling feature film debut weaves together stories of sexual violence, human trafficking, fracking’s impact on America’s declining middle class and the historic abuse of Native Americans.

 

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For news, screenings and updates go to: phillipspictures.com/bygone

Social Media:
twitter.com/grahamphillips
instagram.com/grahamphillips

 

Cold Brook, Director William Fichtner

COLD BROOK follows two men who live in a small college town in upstate New York. They are best friends who work the night shift as museum guards and handymen. Their lives are simple and mostly satisfying, until they are confronted with a supernatural situation. The men are then faced with a dilemma that puts their jobs, marriages, and their futures on the line. COLD BROOK is the directorial debut of William Fichtner (Armageddon, Black Hawk Down, Mom), who co-wrote the film alongside Cain DeVore. Fichtner also stars in Kim Coates (The Client, Black Hawk Down, Sons of Anarchy), Harold Perrineau (Romeo + Juliet, 28 Weeks Later, Sons of Anarchy) Robin Weigart (Concussion, Deadwood) and Mary Lynn Rajskub (Safety Not Guaranteed, The Kings of Summer, Sunshine Cleaning). Director William Fichtner joins us to talk about making a heartwarming, genre bending film in his upstate New York hometown surrounded by many of his closest friends.

 

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For news, screenings and updates go to: vert-ent.com

Social Media:
facebook.com/VertEnt
facebook.com/officialwilliamfichtner
twitter.com/kimfcoates

 

“Cold Brook is an adult fairy tale that embraces its broad interpretations to remind its leading men about what truly matters most.” – Jared Mobarak, The Film Stage

“… Cold Brook succeeds in part by its fantastic cast, but mostly by its focus on simplicity. There’re no grand fights or superfluous moments, just a tale of love that transcends time and mortal existence.” – Douglas Davidson, Elements of Madness

“Are You Ready To Be Different: Part ghost tale, part Bartleby while at the same time a captivating slavery reparations fable, the film flirts with the supernatural even with its heart planted firmly in sobering class and race issues historically and now.” – Prairie Miller, WBAI Radio

“Hard to pin down, but moving nonetheless.” – Frank Scheck, Hollywood Reporter

The Kingmaker, Director Lauren Greenfield

Centered on the indomitable character of former first-lady Imelda Marcos, THE KINGMAKER examines, with intimate access, the Marcos family’s improbable return to power in the Philippines. THE KINGMAKER explores the disturbing legacy of the Marcos regime and chronicles Imelda’s present-day push to help her son, Bongbong, win the vice presidency. To this end, Imelda confidently rewrites her family’s history of corruption, replacing it with a narrative of a matriarch’s extravagant love for her country. In an age when fake news manipulates elections, Imelda’s comeback story serves as a dark fairy tale. Director Lauren Greenfield (Generation Wealth, The Queen of Versailles, Thin) joins us to talk about a powerful political family, led by a single-minded matriarch, determined to return to re-capture the corrupted glory of  her family’s discredited regime.

 

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About the filmmaker, Lauren Greenfield Named by the New York Times as “America’s foremost visual chronicler of the plutocracy,” Emmy Award–winning filmmaker/photographer Lauren Greenfield has produced groundbreaking work on consumerism, youth culture and gender for the last 25 years. Her films Generation Wealth, The Queen of Versailles and Thin and photography books Generation Wealth, Fast Forward and Girl Culture have provoked international dialogue about some of the most important issues of our time. The Queen of Versailles was the opening night film of the 2012 Sundance Film Festival, where it won the Best Documentary Director Award and was named by Vogue as  one  of  the  top  documentaries  of  all time. Her record-breaking Super Bowl ad #LikeAGirl (250+ million views) earned her 14 Cannes Lions and the Most Awarded Director by Ad Age, making her the first woman to top this list. Generation Wealth (Amazon Studios) opened the 2018 Sundance Film Festival, screened at Berlinale and received a Writers Guild nomination. The companion exhibition received The Paris Photography prize, has traveled around the world and opens at the Louisiana Museum of Modern Art (Copenhagen) in Fall 2019. In 2019, Greenfield launched Girl Culture Films to address the lack of diversity of directors in the advertising industry.

For news, theatre screening and updates go to: thekingmakerfilm.com

Social Media:
facebook.com/laurengreenfield
twitter.com/lgreen66
instagram.com/greenfield_lauren

 

OFFICIAL SELECTION – Venice International Film Festival
OFFICIAL SELECTION – Telluride Film Festival
OFFICIAL SELECTION – Toronto International Film Festival

 

“Jaw dropping. Lauren Greenfield proves the perfect person to infiltrate Imelda Marcos’ psyche.”- Peter Debruge, Variety

 “An enraging portrait of entitlement, opulence and corruption. Greenfield shows a knack for illuminating the oddly hypnotic allure of obscene, tacky wealth.” – Tim Grierson, Screen International

 “Eye opening. Lauren Greenfield transforms an absorbing look at the life and legacy of Imelda Marcos into a fascinating documentary about the Marcos family’s troubled history – and the disturbing ways that it’s making a comeback today.” – Eric Kohn, IndieWire

:Marcos innately understands the importance of image, but she seems to have underestimated her inquisitor, who uses well-chosen historic footage and powerfully-edited interviews with other Filipinos to gradually expand the canvas.” – Elizabeth Weitzman, TheWrap

Disco’d, Director Matthew Siretta and Producer Sam Mantell

Between 2015 and 2016, the number of homeless people in Los Angeles County rose 23% to nearly 58,000. DISCO’D is a character-driven portrait of individuals who were living on the street at the time of filming. This riveting, on-the-ground documentary film captures the moment-to-moment uncertainty and endless instability of life on the streets. Immersive and intimate, highlighting issues of displacement, affordable housing, addiction, consumerism, and sanitation, DISCO’D examines the nature and complexities of homelessness. Navigating through the streets with those who live there, DISCO’D tells a story of those affected by homelessness in Los Angeles. We have seen homeless communities sweep into all parts of the city in recent years. Director, / Producer / Editor  Matthew Siretta and Producer / Sound Engineer Sam Mantell join us to talk about his unsettling film that captures the chaos and sheer hopelessness of the men and woman with no where else to go.

Filmmaker(s) statement: “As filmmakers, we tried to explore human connections by examining interpersonal relationships, and self-reflection, while maintaining a firm look at the people who live within this uneasy margin of society. By facilitating a conversation about these individuals’ relationships with themselves, others, and the city that contains them, we can intimately recognize and connect with them in a very real way. From the beginning, our intention was to make a film that felt personal and experiential, with a narrative that emerged from the frame of human behavior. We wanted to focus on the visceral aspects of their stories, relating to them through feeling, expression, action, and reaction. For us, it was important to remain open to discovery, new connections, and interesting juxtapositions. As they share their lives with us, we come to understand what it means to feel “disco’d” on the streets of Los Angeles. We hope this film is a powerful portrayal that can positively impact the ideas and thoughts viewers may have around what it means to experience homelessness in Los Angeles. That said, we hope that you find the film consistent with our efforts, as we’ve attempted to create a meaningful portrait on homelessness in Los Angeles.” – Matthew Siretta and Sam Mantell

 

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For news, screenings and updates go to: discodmovie.com

Social Media:
facebook.com/DiscodMovie
twitter.com/discodmovie
instagram.com/discodmovie
Sam Mantell: twitter.com/slmantell
Matthew Siretta: twitter.com/MATTHEW_SIRETTA

 

“Important doc on LA homeless.” – Sean Baker, @Lilfilm

“Siretta meant to nab his hero Frederick Wiseman as his mentor and he succeeded, so maybe keep an eye peeled.” – Pamela Cohn,  Filmmaker Magazine

“Impressed with the film, particularly as a first-time feature. Raw, accomplished filmmaking. It’s very strong…and some of the characters are extraordinary.” – Jim Kolmar,  SXSW Film Festival

“…A deeply engrossing portrait of Los Angeles homeless life.” – Harry Vaughn,  Sundance Film Festival

“The film provides its subjects the agency to tell their own stories, without judgment or suggestion. The camerawork and editing are sharp and well-suited to the film’s narrative.” – David Wilson,  True/False Film Festival

All-Americans, Director Billy McMillin

THE ALL-AMERICANS takes us into the home to the nation’s largest Latino immigrant population, East Los Angeles, a community that sits squarely in the crossfire of debate about American identity. Yet every November, this community comes together for a distinctly American event, drawing 25,000 proud locals to one of the country’s fiercest high school football rivalry games: The East L.A. Classic. THE ALL-AMERICANS follows four students seeking glory on the field, while grappling with personal obstacles and striving to make sense of their community’s place in today’s America. Director / Producer / Editor / Writer Billy McMillin (Iraq in Fragments, West of Memphis, Mike Wallace is Here) joins us to talk about his feature documentary debut, THE ALL-AMERICANS, and it’s intimate, unvarnished look at young men, often living on the margins, in their dogged pursuit of the American dream.

About the filmmaker: Billy McMillin – Director, Producer, Writer, Editor has spent over a decade as a writer and editor crafting a diverse mix of stories—from war-torn life in Academy Award Nominee Iraq in Fragments, to an epic search for justice in West of Memphis, to a quest for greatness amongst the world’s best 7-year-old golfers in The Short Game. He edited Hulu’s original documentaries Becoming Bond and Too Funny To Fail, and led a team of editors on History & Viceland’s docuseries Hunting ISIS and SundanceTV’s true crime series No One Saw a Thing. Most recently, he edited the all-archival feature documentary Mike Wallace Is Here, which premiered in competition at the 2019 Sundance Film Festival and was released theatrically by Magnolia Pictures this summer. The All-Americans is his feature directorial debut.

 

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For news, screenings and updates go to: allamericansfilm.com

Social Media:

facebook.com/all-americansdoc

twitter.com/allamericansdoc

instagram.com/allamericansfilm

Tags: #TheAllAmericans, #eastla, #eastlosangeles, #eastlaclassic, #eastlaclassic2019

“A winning fly-on-the-wall portrait of Latino Americanness, as reflected in East LA’s greatest high school football rivarly.” – Roger Moore, Movie Nation

Queen of Hearts, Director May el-Toukhy

QUEEN OF HEARTS tells the story of Anne, a brilliant and dedicated lawyer specializing in children and young adults, living what appears to be the picture perfect life with her doctor-husband, Peter, and their twin daughters. When her estranged teenage stepson, Gustav, moves in with them, Anne’s escalating desire leads her down a dangerous rabbit hole which, once exposed, unleashes a sequence of events that threatens to destroy her world. Denmark’s official entry for the 2019 Academy Award for Best Foreign Film, QUEEN OF HEARTS explores the making of a tragic family secret step by step, as the consequences of hubris, lust and lies conspire to create an unimaginable dilemma. With bold and astonishing vision, co-writer/director May el-Toukhy masterfully builds Anne’s world, seducing the viewer into complicity before maneuvering her protagonist onto an unsettling and shocking path. Trine Dyrholm, one of Denmark’s finest dramatic actresses, skillfully inhabits the complicated Anne. In a finely calibrated performance, Dyrholm humanizes Anne’s contradictions and unpredictable behavior, creating an even more disconcerting character. A riveting and provocative film, QUEEN OF HEARTS is a portrait of a woman who manages to lose everything and nothing at the same time. Director and co-screenwriter May el-Toukhy joins us for a lively conversation on her shattering tale of power, family and self-preservation.

 

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For news, screenings and updates go to: bgpics.com/movies/queen-of-hearts

Social Media:
twitter.com/queenofhearts
facebook.com/queenofhearts
instagram.com/queenofhearts
twitter.com/hashtag/mayeltoukhy

 

“Shot in icy blues and whites and among the hard edges of a modernist home, there’s nothing very comfortable about this environment; el-Toukhy doesn’t want us to get cosy.” – Alex Heeney, Seventh Row

“Queen of Hearts is certainly not a comfortable watch, let alone a pleasant one. But it is a fearless, important film whose impact explodes primarily out of the core collaboration between its masterful director and her main actor.” – Alexandra Heller-Nicholas, AWFJ Women on Film

“A challenging sit, especially when Anne’s actions shift from ethically bankrupt to outright despicable, making her one of the most complicated female villains of recent memory.” – Tomris Laffly, RogerEbert.com

“Dyrholm, who remains one of Denmark’s most accomplished contemporary performers, adds another signature performance to her filmography as Anne, a good person who, like everyone, has the capability of doing terrible things.” – Nicholas Bell, IONCINEMA.com

St. Louis Superman, Director Smriti Mundhra and Sami Khan

Bruce Franks Jr. is a 34-year-old battle rapper, Ferguson activist and state representative from St. Louis, Missouri. Known as Superman to his constituents, he is a political figure the likes of which you’ve never seen – full of contradictions and deep insights, who has overcome unspeakable loss to become one of the most exciting and unapologetic young leaders in the country. This short verité documentary follows Bruce at a critical juncture in his life, when he is forced to deal with the mental trauma he’s been carrying for the nearly 30 years since his 9-year-old brother was shot and killed in front of him, in order to find peace and truly fulfill his destiny as a leader for his community.  Co- director Smriti Mundhra  (Sami Khan) join us to talk about how a dynamic and charismatic man from a traumatized community took tragedy and turned into action.

About the filmmakers: Smriti Mundhras A SUITABLE GIRL  premiered at Tribeca in 2017 and won the Albert Maysles Award for Best New Documentary Director. KHOYASami Khan’s feature debut, was selected for the Tribeca Film Institute’s Tribeca All Access® fellowship.

 

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Social Media:
twitter.com/smritimundhra
facebook.com/smriti.mundhra
facebook.com/SamiKhan
twitter.com/samikhanfilm

 

Awards Shortlists:

Cinema Eye Honors – Short Listed – Best Short

DOC NYC – Best Shorts Short List

WINNER AUDIENCE AWARD – BEST SHORT DOC  – 2019 HOT DOCS FILM FESTIVAL – 2019 AFI DOCS FILM FESTIVAL – 2019 TRAVERSE CITY FILM FESTIVAL

WINNER – SPECIAL JURY AWARD  – 2019 TRIBECA FILM FESTIVAL

WINNER – BEST SHORT DOC  – 2019 BIG SKY DOCUMENTARY FILM FESTIVAL

WINNER – BEST DOCUMENTARY – HEARTLAND FILM’S 2019 INDYSHORTS FILM FESTIVAL

“Thank you Mr. Mundhra. The film is powerful and simple.” – Lapacazo Sandoval, Los Angeles Sentinel

Gay Chorus Deep South, Director David Charles Rodrigues

The documentary Gay Chorus Deep South chronicles one community’s response to a wave of discriminatory anti-LGBTQ laws in Southern states and the divisive 2016 election. The San Francisco Gay Men’s Chorus embarks on a tour of the American Deep South. Led by Gay Chorus conductor Dr. Tim Seelig and joined by The Oakland Interfaith Gospel Choir, the tour brings a message of music, love, and acceptance to communities and individuals confronting intolerance. Over 300 singers travelled from Mississippi to Tennessee through the Carolinas and over the bridge in Selma. They  performed in churches, community centers, and concert halls in hopes of uniting us in a time of difference. The journey also challenges Tim and other Chorus members who fled the South to confront their own fears, pain, and prejudices on a journey towards reconciliation. The conversations and connections that emerge offer a glimpse of a less divided America, where the things that divide us – faith, politics, sexual identity – are set aside by the soaring power of music and humanity. Director David Charles Rodrigues joins us to talk about the expectations and realities that comes with traveling to communities with the hope of changing hearts and minds.

 

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For news, screenings and updates go to: gaychorusdeepsouth.com

Social Media:

facebook.com/gaychorusdeepsouth

twitter.com/gcds_film

instagram.com/gaychorusdeepsouth

WINNER AUDIENCE AWARD – BEST DOCUMENTARY – 2019 TRIBECA FILM FESTIVAL

WINNER AUDIENCE AWARD – BERKSHIRE INTERNATIONAL FILM FESTIVAL

WINNER AUDIENCE AWARD – TOP 5 NONFICTION FAVORITES – 2019 TRAVERSE CITY FILM FESTIVAL

“Successfully harnessing the power of both music and message, documentary Gay Chorus Deep South draws its strength not only from its subject, but also the effective way in which it it presents its arguments.” – Nikki Baughan, Screen International

“What makes the film especially compelling, though, are the all-too-human narratives involving those who were at one time badly victimized because of their sexual orientation; they want to forgive, but may never be able to.” – Phil Guie, Film-Forward.com

“There’s a lesson here that applies to more than just LGBT political causes: To heal the country and move on, we must reach across the divide and listen to one another.” – Peter Debruge, Variety

“With good folks like this, from both sides of the aisle, there is hope for humanity yet.” – Christopher Llewellyn Reed, Hammer to Nail

Making Waves: The Art of Cinematic Sound, Director Midge Costin

Making Waves: The Art of Cinematic Sound reveals the hidden power of sound in cinema . . . and our lives. Few have “ears to hear” or comprehend the emotional storytelling impact sound plays in so-called visual media. Francis Ford Coppola and George Lucas have both declared  “sound is 50% of the movie,” with Steven Spielberg noting, “Our ears lead our eyes to where the story lives.” Through film clips, interviews and archival footage–an enlightening and nostalgic look at many of Hollywood’s biggest box office hits–the film captures the history, impact and unique creative process of this overlooked art form and the artists behind it. Filled with insights from legendary directors–including George Lucas, Steven Spielberg, Barbra Streisand, Robert Redford, David Lynch, Ang Lee, Sofia Coppola and Ryan Coogler, among others–who share revealing stories about the award-winning work their sound collaborators help to create. In Making Waves, we witness the wild creativity of some of the industry’s most-respected key sound designers–including Oscar winners Walter Murch (Apocalypse Now), Ben Burtt (Star Wars), Gary Rydstrom (Saving Private Ryan) and Lora Hirschberg (Inception); and Oscar-nominees Cece Hall (Top Gun), Anna Behlmer (Braveheart) and Bobbi Banks (Selma)–who, in pursuing their art and desire to push the medium, are the very people who will go down in the history of cinema as developing sound into the immersive storytelling force it is today. Audiences will discover many unsung collaborators for the key creative artists they are, in a domain that has for too long been characterized as “technical.” Director Midge Costin joins us to evangelize on the power and glory of sound and the visionaries who have pioneered a new frontier in cinema.

 

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For news, screenings and updates go to: MakingWavesMovie.com

Social Media:

facebook.com/makingwavesmovie

twitter.com/makingwavesmov

instagram.com/makingwavesmov

100% on Rotten Tomatoes

“Accessible, illuminating and entertaining, it’s a documentary of huge value, something that will enhance not just your understanding but your future experience of film.” – Emma Simmonds, The List

“A practically perfect primer for anyone interested in the history and craft of filmmaking, answering most of the pertinent, baseline questions while leaving plenty of room for supplemental research.” – William Bibbiani, TheWrap

“Provides an exhaustive history of the medium right before our ears and eyes, jumping quickly from decade to decade and bringing it all together as a comprehensive cinematic dissertation of aural complexity.” – John Fink, The Film Stage

“Making Waves will likely inspire viewers to seek out their favorite films and experience them with fresh ears.” – John DeFore, Hollywood Reporter