April 21, 2017 – Karl Marx City, Co-directors Petra Epperlein and Michael Tucker

 

Download MP3 Podcast

In this chilling, intimate and evocative documentary, KARL MARX CITY filmmaker Petra Epperlein returns to the proletarian Oz of her childhood, twenty-five years after the collapse of the German Democratic Republic (GDR), to find the truth about her late father’s suicide and his rumored Stasi past. The Stasi, the GDR’s Ministry for State Security, was the “shield and sword” of a ruling party that was well aware of the illegitimate nature of its power. This was, after all, a country living on one side of a wall erected—officially—not to keep the people in, but to keep the fascists out. Under the guise of combating reactionary forces, the apparatus implemented a policy of total surveillance. Much like her GDR hometown, Karl Marx City, which was redacted from public memory after German reunification, Petra Epperlein’s father erased himself. Right after the new year in 1999, he cleaned his car, burned all of his photographs and letters, and then took his own life near the house where she was raised. Had he been an informant for the secret police? Was her childhood an elaborate fiction? As she looks for answers in the Stasi’s extensive archives, she pulls back the curtain of her own ostalgia and enters the parallel world of the security state, seeing her former life through the lens of the oppressor. KARL MARX CITY Reconstructs everyday GDR life through declassified Stasi surveillance footage, the past plays like dystopian science fiction, providing a chilling backdrop to interrogate the apparatus of control and the meaning of truth in a society where every action and thought was suspect. Co-directors Petra Epperlein and Michael Tucker (Gunner Palace, The Prisoner Or How I Planned to Kill Tony Blair) join us for a conversation on going home, what it means to live in a surveillance state and facing down a complex crosscurrent of family history. 

For news and updates go to: karlmarxcity.com

“… a shrewd personal inquiry into the mass psychology of fear and oppression … a film that ingeniously subverts the weaponry of Cold War-era surveillance, employing the tools of the Stasi’s intelligence-gathering operation toward a far more principled end. Whereas the secret police sought to root out and destroy even the slightest hint of subversive activity among a terrified populace, Epperlein and Tucker sift through these illicit materials — and forge their own fresh images and interviews — with an eye toward illuminating the truth and possibly even vindicating the innocent. … Shot in evocative black and white, Karl Marx City is a sleek, absorbing detective story, a fascinating primer on mass surveillance in the pre-Snowden era, and a roving memoir of East German life.” – Justin Chang, LA Times 

New York Times Critic’s Pick: “… a smart, highly personal addition to the growing syllabus of distressingly relevant cautionary political tales. … The mystery of her (Epperlein’s) father’s life and death provides Karl Marx City with suspense, and with a concrete sense of profound moral and emotional stakes. Repressive regimes excel at creating ambiguity, at making complicity easier than resistance and at blurring the lines between heroes and villains. Ms. Epperlein and Mr. Tucker, shooting in black and white and making judicious use of historical footage, brilliantly evoke a landscape of gray areas. They also uncover glimmers of decency, loyalty and solidarity — the tiny cracks in the totalitarian edifice that foretold its eventual and inevitable collapse.” – A.O.Scott, The New York Times

“[A] must-see… An essayistic, quietly moving look at another lost world… The movie draws you in quickly with its intelligence, its restrained emotions and its jaw-dropping period material, which includes some wildly creepy Stasi surveillance imagery.” – Manohla Dargis, The New York Times

April 21, 2017 – Finding Oscar, Director Ryan Suffern

 

Download MP3 Podcast

FINDING OSCAR is the feature-length documentary about the search for justice in the case of the Dos Erres massacre in Guatemala in 1982. That search leads to the trail of two little boys, Oscar and Ramiro, who were abducted during the slaughter and raised by some of the very soldiers who had murdered their families. These boys offer the only living evidence that ties the Guatemalan government to the massacre. FINDING OSCAR follows the men and women who have spent nearly two decades looking for answers—from the human-rights worker who first heard the story to the forensic anthropologists trying to identify victims and contact families. The film profiles the young Guatemalan prosecutor who took on her own government, and the U.S. immigration agents who began rounding up war criminals found living in the States. In a country built on impunity, it will take this dedicated team to find justice more than thirty years later, and uncover a truth more significant than anyone could have imagined. Filmmaker Ryan Suffern is producer and director of FINDING OSCAR, with Frank Marshall as producer and Steven Spielberg as Executive Producer. Director Ryan Suffern joins us to talk about the victims, the families, the impact that these massacres continue to have on the people of Guatemala and the continuing search of justice.

For news and updates go to: filmrise.com/finding-oscar

“A twisty, protracted fight for justice is deftly traced in “Finding Oscar,” an absorbing, if grim, documentary …” – Gary Goldstein, LA Times

“The barbarity described in “Finding Oscar” is stomach-turning, but moments of courage still shine through in this unsettling yet vital documentary.” – Ken Jaworoski, New York Times

“Suffern strikes a respectful, not entirely hopeless tone throughout, allowing those affected by the civil war in general and the Dos Erres massacre in particular to speak at length about their experiences.” – Michael Nordine, Village Voice

“An absorbing documentary about an unlikely survival story.” – Todd McCarthy, Hollywood Reporter

April 20, 2017 – Take My Nose Please…A Joan Kron Film, Director Joan Kron

 

Download MP3 Podcast

TAKE MY NOSE PLEASE is a seriously funny and wickedly subversive look at the role comedy has played in exposing the pressures on women to be attractive and society’s desire/shame relationship with plastic surgery. More than 15 million cosmetic procedures were performed in the US in 2014.  And 90% of them on were done on women. Yet, for those who elect to tinker with Mother Nature, especially for high-profile women, plastic surgery is still a very dark secret.  Funny women, though, are the exception.  From Phyllis Diller and Joan Rivers to Roseanne Barr and Kathy Griffin, comedians have been unashamed to talk about their perceived flaws, and the steps taken to remedy them. TAKE MY NOSE PLEASE follows two comedians as they deliberate about going under the knife. Emily Askin, an up-and coming improv performer, has always wanted her nose refined. Jackie Hoffman, a seasoned headliner on Broadway and on TV, considers herself ugly and regrets not having the nose job offered in her teens. And maybe she’d like a face-lift, as well. As we follow their surprisingly emotional stories, we meet other who have taken the leap – or held out. Putting it all in perspective are psychologists, sociologists, the medical community and cultural critics. And for comic relief and the profundity only comedians can supply.  The film includes commentary from Roseanne Barr, Phyllis Diller, the late Joan Rivers,Judy Gold, Julie Halston, Lisa Lampanelli, Giulia Rozzi, Bill Scheft, and Adrianne Tolsch. Director Joan Kroc joins us to talk her engaging. lively, funny and enlightening debut film.

For news and updates go to: takemynoseplease.com

See “Take My Nose Please” next Thursday evening (5:15 PM) at Big Newport Theatre in Fashion Island for the Newport Beach Film Festival

Check out a recent article from the Wall Street Journal on Take My Nose Please

April 16, 2017 – The Green Fog – A San Francisco Fantasia, Composer Jacob Garchik


 

Download MP3 Podcast

Jacob Garchik, multi-instrumentalist and composer, was born in San Francisco and lived in New York since 1994. At home in a wide variety of styles and musical roles, he is a vital part of the Downtown and Brooklyn scene, playing trombone with the Lee Konitz Nonet, Ohad Talmor/Steve Swallow Sextet, Mary Halvorson Octet, and the John Hollenbeck Large Ensemble. He has released 4 albums as a leader including “The Heavens: the Atheist Gospel Trombone Album”. He co-leads Brooklyn’s premiere Mexican brass band, Banda de los Muertos. Since 2006 Jacob has contributed dozens of arrangements and transcriptions for Kronos Quartet of music from all over the world. He composed the score for Kronos for the documentary “The Campaign” (2013), and “The Green Fog” (2017) directed by Guy Maddin. He has created arrangements for vocalists Anne Sofie von Otter, Angelique Kidjo, Laurie Anderson, Rhiannon Giddens, kd lang, Natalie Merchant, Tanya Tagaq, and Alim Qasimov. Garchik returns to San Francisco Sunday, April 16 for a live performance during the 60th San Francisco International Film Festival’s closing night screening of The Green Fog – A San Francisco Fantasia. Commissioned by the San Francisco Film Society, that reimagines one of the most iconic San Francisco films of all time, Vertigo, as a visual collage by award-winning filmmaker and cultural iconoclast Guy Maddin. The Green Fog will screen at the historic Castro Theatre on Sunday, April 16 at 7:00 pm, followed by the Closing Night Party at Mezzanine. Jacob Garchik joins us for a conversation on collaborating with director Guy Maddin and his own musical journey.

 For news and updates go to: jacobgarchik.com

For news and updates on the 2017 San Francisco International Film Festival go to: sffilm.org/festival

April 21, 2017 – Chasing Trane: The John Coltrane Documentary, Director John Scheinfeld

 

Download MP3 Podcast

CHASING TRANE: THE JOHN COLTRANE DOCUMENTARY is a thought-provoking, uplifting, powerful and passionate film about an outside-the-box thinker whose boundary-shattering music continues to impact and influence people around the world. This rich, textured and compelling portrait of a remarkable artist reveals the critical events, passions, experiences and challenges that shaped the life of John Coltrane and his revolutionary sounds. It is a story of demons and darkness, of persistence and redemption. But, above all else, it is the incredible journey of a spiritual warrior who found himself, found God, and in the process, created an extraordinary body of work that transcends all barriers of race, religion, age and geography. It is a film for anyone who appreciates the power of music to entertain, inspire and transform. The beauty, poignancy, energy, pain, joy and inspiration heard in nearly 50 Coltrane recordings from throughout his career brings alive the artist and the times in which he lived. Even those familiar with his music will be able to hear and appreciate the music of John Coltrane in a new and exciting way. Although Coltrane never participated in any television interviews (and only a handful for radio) during his lifetime, he has an active and vibrant presence in the film through his print interviews. These words — spoken by Academy Award winner Denzel Washington – illuminate what John Coltrane was thinking and feeling at critical moments throughout his life and career. CHASING TRANE: THE JOHN COLTRANE DOCUMENTARY was written and directed by critically-acclaimed documentary filmmaker John Scheinfeld (The U.S. vs. John Lennon and Who Is Harry Nilsson…?). He joins us to talk about his moving, insightful portrait of a music icon whose music and philosophy continues to inspire.

For news and updates go to: coltranefilm.com

For screenings: coltranefilm.com/screenings

“Chasing Trane: The John Coltrane Documentary unfolds the life of the galactic saxophonist whose soulful approach to music incessantly spread light, peace, and love into the world.” – Felipe Freitas, Film Threat

“Scheinfeld’s film does the hardest thing for a bio-doc to do: it gets what’s great about the artist, and moves you in the same ways their art does.” – Jason Bailey, Flavorwire

“Director John Scheinfeld’s doc is a comprehensive, engrossing and, it’s tempting to say, worshipful account of the life of the music titan.” – Todd McCarthy, Hollywood Reporter

April 14, 2017 – Daughters of the Dust, Director Julie Dash

 

Download MP3 Podcast

Set in the legendary Sea Islands off the South Carolina/Georgia coast in 1902, Julie Dash’s DAUGHTERS OF THE DUST (1991) follows a Gullah family (descendants of West African slaves) on the eve of its migration to the North. Led by a group of women who carry with them ancient African traditions, the extended family readies itself to leave behind friends, loved ones and their insulated way of life. Can these women hold fast to their sacred religious beliefs and customs, or will their world be swept away in the course of a new century? This richly costumed drama, structured in tableaux to reflect the art and icons of African tradition, testifies movingly to the secret celebrations and packed-away sorrows of African-American women. These vital images were introduced to a new generation on a massive scale earlier this year, when the film was heavily referenced in Beyoncé’s visual album, Lemonade. DAUGHTERS OF THE DUST became the first film by an African-American woman ever to receive widespread theatrical release. Enriched by John Barnes’s eclectic score and Arthur Jafa’s Sundance Film Festival-prize-winning cinematography, listed in the National Film Registry DAUGHTERS OF THE DUST was hailed as one of the most visually and sonically ravishing in American independent cinema. Director Julie Dash joins us for a conversation on her sweeping, absorbing and poetic homage to African culture.

For news and updates go to: daughters-of-the-dust

“Every image, every moment is a full creation. Dash is one of the heroines of the modern cinema.” – Richard Brody, The New Yorker

“A film of spellbinding visual beauty. Julie Dash emerges as a strikingly original filmmaker.” – Stephen Holden, The New York Times

“Daughters of the Dust abounds with stunning motifs and tableaux, the iconography seemingly sourced from dreams as much as from history and folklore.” – Melissa Anderson, Village Voice

“Its examination of a bygone way of life is so patient and evocative, so beholden to its own storytelling conventions and rhythms, that watching it is a bit like submitting to a form of time travel” – Justin Chang, Los Angeles Times

April 14, 2017 – Little Boxes, Director Rob Meyer

 

Download MP3 Podcast

It’s the summer before 6th grade, and Clark (Armani Jackson) is the new biracial kid in a very white town. Discovering that to be cool he needs to act ‘more black’, he fumbles to meet expectations. Meanwhile, his urban intellectual parents Mack (Nelsan Ellis) and Gina (Melanie Lynskey) try to adjust to small-town living. Accustomed to life in New York, the tight-knit family is ill-prepared for the drastically different set of obstacles that their new community presents. They soon find themselves struggling to understand themselves and each other in this new context. Based on a true story, LITTLE BOXES is a poignant comedy about understanding identity, featuring a cast that also includes, Oona Laurence, Janeane Garofalo and Christine Taylor. Director Rob Meyer joins us to talk about his funny, insightful and complex film.

“Even as some of the supporting players and subplots veer toward caricature, the family dynamics at the film’s center remain entirely relatable.“ – Geoff Berkshire, Variety

“Writer Annie J. Howell and director Rob Meyer stack up their woes without making them feel contrived, so when the breakdown comes, it’s real, and it’s heartbreaking.” – Jason Bailey, Flavorwire

“Jackson, Lynskey and Ellis all deliver effortless performances that further illuminate an essential narrative.” – Reel Talk Online

“Countless movies have examined what happens when a country mouse goes to the city; this one shows that leaving a gentrified urban oasis for a small-town world can be just as jolting.“ – Neil Genzlinger

April 7, 2017 – Tickling Giants, Subject Bassem Youssef

 

Download MP3 Podcast

TICKLING GIANTS is a great story about the power of political satire in the face of oppression. In the midst of the Egyptian Arab Spring, Bassem Youssef makes a decision that’s every mother’s worst nightmare… He leaves his job as a heart surgeon to become a full-time comedian. Dubbed, “The Egyptian Jon Stewart,” Bassem creates the satirical show, Al Bernameg. The weekly program quickly becomes the most viewed television program in the Middle East, with 30 million viewers per episode. The Daily Show with Jon Stewart averaged two million viewers. In a country where free speech is not settled law, Bassem’s show becomes as controversial as it popular. He and his staff must endure physical threats, protests, and legal action, all because of jokes. As Bassem attempts to remain on the air, keep his staff safe, and not get arrested, he continues to let those in power know they’re being held accountable. Despite increasing danger, the team at Al Bernameg employ comedy, not violence, to comment on hypocrisy in media, politics, and religion. Directed by Sara Taksler TICKLING GIANTS follows the team of Al Bernameg as they discover democracy is not easily won. The young women and men working on Bassem’s show are fearless revolutionaries, who just happen to be really, really funny. The subject of Tickling Giants, Bassem Youssef joins us for a conversation on the cost and consequences of speaking out.

For news and updates go to: ticklinggiants.com

“Tickling Giants surprises us on several levels. It reveals Egypt’s familiar Arab Spring experience through a lens, that of satiric comedy, which is very different from the way we usually see it. And it has the personal element of Youssef’s involving story.” – Kenneth Turan, Los Angeles Times

“Mostly, the movie makes you understand how every society – and ours more than ever – needs people like Bassem Youssef to demonstrate that laughter will always be one of the essential ways to keep power in check.” – Owen Gleiberman, Variety

“There’s a lot to laugh at, and to learn from, in “Tickling Giants,” a documentary that starts off by telling the story of one man and ends up speaking volumes about satire, freedom of expression and political pressure.” – Ken Jaworoski, New York Times

“Media are their own giant, they shape beliefs and create community, instill hope and fear. Perhaps it’s a lesson that will be taken seriously by viewers in the US.” – Cynthia Fuchs, PopMatters

March 31, 2017 – I Called Him Morgan, Director Kasper Collin

 

Download MP3 Podcast

On a snowy night in February 1972, legendary jazz trumpeter Lee Morgan was shot dead by his common-law wife, Helen, during a gig at a club in New York City. The murder sent shockwaves through the jazz community, and the memory of the event still haunts the people who knew the Morgans. Helen served time for the crime and, following her release, retreated into obscurity. Over 20 years later, a chance encounter led her to give a remarkable interview. Helen’s revealing audio “testimony” acts as a refrain throughout the film, which draws together a wealth of archival photographs and footage, interviews with friends and bandmates and incredible jazz music to tell the ill-fated pair’s story. Part true crime tale, part love story, and an all-out musical treat, I CALLED HIM MORGAN is a chronicle of the dramatic destinies of two unique personalities and the music that brought them together. Swedish filmmaker Kasper Collin’s I CALLED HIM MORGAN is also a love letter to two unique personalities and the music that brought them together. A film about love, jazz and America with cinematography by Bradford Young (DOP, Selma).

For news and updates go to: icalledhimmorgan.com

Los Angeles Area: Laemmle’s Monica Film Center in Santa Monica and Laemmle’s Playhouse 7 in Pasadena. 

“Layering experiences and impressions, music and image, Kasper Collin’s remarkable film is less concerned with history than with effects, influences that stretch across time, ideas that shape art.” – Cynthia Fuchs, PopMatters

“The interview-“an amazing document,” Collin says-enriches the documentary and transforms it into a story within the story.” – Michael J. Agovino, Village Voice

“This is not a lurid true-crime tale of jealousy and drug addiction, but a delicate human drama about love, ambition and the glories of music.” – A.o. Scott, New York Times

“Collin’s film brings out these stories with a wealth of details energized by the experiences and the insights of his interview subjects as well as an engaging range of archival images and clips.” – Richard Brody, New Yorker

“Quite simply, the greatest film about a jazz musician ever. Do not miss this story of a career cut short by a “Frankie and Johnny” tragedy.” – Louis Proyect, CounterPunch

March 31, 2017 – Zookeeper’s Wife, Director Nikki Caro

 

Download MP3 Podcast

The time is 1939. The place is Poland, homeland of Antonina (two-time Academy Award nominee Jessica Chastain) and her husband, Dr. Jan Żabiński (Johan Heldenbergh). Devoted to each other, the couple thrive as personal and professional partners; the Warsaw Zoo flourishes until the entrance is slammed shut and the zoo is crippled in an attack as the entire country is invaded by the Germans. The couple is forced to report to the Reich’s newly appointed chief zoologist, Lutz Heck (Daniel Brühl, Captain America: Civil War). Heck envisions a new, selective breeding program for the zoo. Antonina and Jan fight back on their own terms, and covertly begin working with the Resistance – realizing that their zoo’s abandoned animal cages and underground tunnels, originally designed to safeguard animal life, can now secretly safeguard human life. As the couple puts into action plans to save lives out of what has become the Warsaw Ghetto, Antonina places herself and even her children at great risk. Director Niki Caro (Whale Rider, North Country) directs the movie from a screenplay by Angela Workman, adapted from Diane Ackerman’s nonfiction book of the same name and based on Antonina’s diaries. Director Niki Caro joins us for a conversation on her beautiful and moving historic drama.

For news and updates go to: focusfeatures.com/thezookeeperswife

Facebook:/TheZookeepersWife

Twitter: @Zookeepers – #TheZookeepersWife

Instagram: @TheZookeepersWife

“A fundamental sense of empathy may not be especially cinematic, but that’s no reason to ignore it (and Chastain, who strikes a wonderful balance with Heldenbergh, is masterful at expressing stoicism without ever tipping into sanctimony).” – David Ehrlich, IndieWire

“Subtle yet striking, this is a film that is filled with the power of exquisitely executed storytelling.” – Chelsey Grasso, The Film Stage

“”The Zookeeper’s Wife” may have appeal to history buffs of that turbulent time but the story has a more universal appeal about love and compassion for all animals, even us humans.” – Robin Clifford, Reeling Reviews

“It imbues a pessimistic view of the seemingly bottomless depths of human cruelty with sorrowful tragic force.” – Kenji Fujishima, Slant Magazine

March 31, 2017 – God Knows Where I Am, Co-director Jedd and Todd Wider

 

Download MP3 Podcast

God Knows Where I Am is the story of Linda Bishop, a well-educated New Hampshire mother who suffered from severe bipolar disorder with psychosis, who was intermittently incarcerated and homeless, inevitably being committed for three years to a state psychiatric facility. Successfully fighting her sister’s protective attempts to be named her legal guardian, Linda was able to refuse treatment and medication, and eventually procured an early, unconditional release, despite the lack of post release planning. Upon her release, she wandered ten miles down the road from the hospital, broke into an abandoned farmhouse and lived off of rainwater and apples picked from a nearby orchard for the next four months, through one of the coldest winters on record. For nearly four months, Linda Bishop, a prisoner of her own mind, survived on apples and rain water, waiting for God to save her, during one of the coldest winters on record. Unable to leave the house, she became its prisoner, and remained there, a prisoner of her own mind, eventually starving to death. Her body was discovered several months later and with it a diary that Linda kept documenting her journey. The diary, given voice by actress Lori Singer, is poignant, beautiful, funny, spiritual, and deeply disturbing. As her story unfolds from different perspectives, including her own, we learn about our systemic failure to protect those who cannot protect themselves. Over the last 16 years co-directors Jedd and Todd Wider have produced many of the most critically and commercially successful feature documentary films including, King’s Point (2012) nominated for an Academy Award for Best Documentary Short, the multiple Primetime Emmy and Peabody Award winning Mea Maxima Culpa: Silence in the House of God (2012) directed by Alex Gibney, the Emmy Award nominated Semper Fi: Always Faithful (2011) directed by Rachel Libert and Tony Hardmon, the multiple Emmy Award nominated Client 9: The Rise and Fall of Eliot Spitzer (2010) directed by Alex Gibney Peabody Award and 2008 Academy Award Winner for Best Documentary and 2009 Emmy Award Winner for Best Documentary, Taxi to the Dark Side (2007) also directed by Alex Gibney, and many more. In 2011, Todd Wider and Jedd Wider were each nominated by the Producers Guild of America for Outstanding Producer of Documentary Theatrical Motion Pictures. Co-director Jedd and Todd Wider join us to talk about their haunting new documentary.

For news and updates go to: godknowswhereiam.com

facebook.com/godknowswhereiamfilm

twitter.com/god_knows_where

“A film of great beauty and tenderness that gradually reveals a confounding mental illness, this film is a human story at its heart. Ultimately, it illuminates a hidden problem of vast proportion with an epic yet intimate cinematic vision.” – Jury, Hot Docs

“MUST SEE AT HOT DOCS: God Knows Where I Am will break your heart but also empower you to question, be helpful and provide encouragement to the vulnerable in our lives. God Knows Where I Am is wonderfully shot and captures the isolation, desperation and human condition at its essence.” – Thirty-Four Flavours

“Throughout the beautiful, evocative, and ultimately heartbreaking tale of Linda Bishop, the Widers use a variety of cameras and film formats to grant the movie an almost dreamlike feel, and they’re aided immeasurably by Bishop’s meticulous daily journal, which is read with tenderness and humanity by Lori Singer, bringing Bishop elegantly to life as the chronicler of her own story.” – Christopher Orr, The Atlantic

“I’ve seen God Know Where I Am three times. It’s not only rich and layered enough to hold up on every viewing, but on an emotional level, I wept profusely – again and again and yet again. This is great cinema and certainly a contender for one of the best documentaries of the new millennium. It captures profound poetic truths about homelessness, mental illness and loneliness which are rendered with such artistry and sensitivity that this is a film for the ages. 5 out of 5 stars.” – The Film Corner

March 17, 2017 – HyperNormalisation, Director Adam Curtis

 

Download MP3 Podcast

In Adam Curtis’s acclaimed BBC documentary, HyperNormalisation, he employs masterfully edited found footage to investigate how, at a time of confusing and inexplicable world events, politicians and other power brokers construct new, slippery realities. Curtis tells a story that begins in 1975 in New York and Damascus, and ends with today’s world.          

Adam Curtis on his work and HyperNormalisation: ”Those in power in society – the politicians, the journalists, the experts – maintain their power by telling us stories about the world. Those stories tell us what is true and what is false, what is right and wrong, and what is real – and what is illusion. But there come times when these stories begin to break down. And people start to distrust those in power – and their definition of what is real and what is fake. At that point you enter the Zone. The film Hypernormalisation tells the story of how we got to this place. It is also about the new systems of power that we cannot see – because we are trapped inside the Zone.”

Adam Curtis is an award-winning widely influential documentary filmmaker and journalist. He works for BBC television in London. His acclaimed films include The Century of the Self (2002), The Power of Nightmares  (2004), All Watched Over by Machines of Loving Grace (2011), Bitter Lake (2015) – and most recently HyperNormalisation..  His films go back into the recent past to tell dramatic stories that lead the viewer to look again at the present day – and help them make sense of it. They try to show how power really flows in today’s complex society, not just through politics – but through science, public relations and advertising, psychology, computer networks and finance. Curtis has also done live shows with the immersive theatre group Punchdrunk and the band Massive Attack. His films have been shown at the Cannes film festival and have won awards – including 6 BAFTAs. Curtis joins us to talk about power, journalism, the world as is understood today and his work.

For news and updates go to: bbc.co.uk/blogs/adamcurtis

“I want to be Adam Curtis when I grow up.” – Oscar-winning filmmaker Errol Morris

“Hypernormalisation” feels like a greatest hits compilation of familiar Curtis themes — the decline of political power in a corporate age, the rise of global terrorism, America’s tortuous secret history in the Middle East, the hollow narcissism of cyberspace. But this also is a dazzling and thought-provoking film that blurs the line between op-ed journalism and mesmerizing audio-visual art.” – Hollywood Reporter

“‘HyperNormalisation’ is a searching and essential document of our times, a movie that leaves us, as in its opening shot, groping through a pitch-black forest with only a flashlight, wondering what lies in all that terrifying darkness that no one has found a way through.” – The New Yorker

Water & Power A California Heist, Director Marina Zenovich

 

Download MP3 Podcast

This thrilling investigation uncovers the high-level corruption behind California’s long-standing water crisis. Sweeping cinematography of California’s harsh, dry landscape asks us to visualize a fight for water in what feels like a modern day Chinatown. Emmy award-winning  filmmaker Marina Zenovich (“Roman Polanski: Wanted and Desired”) peels back the layers of California’s convoluted water structure—wealthy water barons show their guilty hand in exploiting the state’s resource, while small farmers and neighboring towns endure debilitating drought. We see luxury crops, like almonds, on the rise and groundwater contamination increasing tenfold, pitting backroom business dealings against human and environmental costs. Water & Power: A California Heist, is a National Geographic documentary film executive produced by Academy Award winner Alex Gibney and produced by Jigsaw Productions. California has the sixth-largest economy in the world. It is home to the global entertainment and technology capitals, one of the most productive farm belts mankind has ever known and nearly 39 million residents. But the state’s continued survival is dependent on a consistent supply of fresh water, a dwindling public resource with a long history of mismanagement. Water & Power: A California Heist dives deep into the past, present and future of California’s endangered lifeblood. This natural resource is only growing more valuable as the new war for water is already upon us. This daring and extremely timely documentary asks us to question who has control of our access to our water. Director Marina Zenovich (Roman Polanski: Wanted and Desired) joins us to talk about the “how and why” of the looming disaster that awaits California residents.

For news and updates go to: nationalgeographic.com

“Guided by the work of a handful of burr-like journalists, this dense and disturbing documentary dives into the regulatory quagmire of California water rights with more courage than hope.” – Jeannette Catsoulis, New York Times

“While the approach taken by filmmaker Marina Zenovich, who directed 2008’s “Roman Polanski: Wanted and Desired,” relies heavily on talking heads – Gov. Jerry Brown among them – she admittedly paints a compelling picture of timeless greed.” – Michael Rechtshaffen, Los Angeles Times

“The history of California is written in water, and in the shady deals that allow a few to control it, director Marina Zenovich shows in her fact-packed documentary Water & Power: A California Heist.” – Sean P. Means, Salt Lake Tribune

Film / Notfilm, Director, Producer, Narrator Ross Lipman

 

Download MP3 Podcast

In 1964 author Samuel Beckett set out on one of the strangest ventures in cinematic history:  his embattled collaboration with silent era genius Buster Keaton on the production of a short, titleless avant-garde film.  Beckett was nearing the peak of his fame, which would culminate in his receiving a Nobel Prize five years later. Keaton, in his waning years, never lived to see Beckett’s canonization. The film they made along with director Alan Schneider, renegade publisher Barney Rosset, and Academy Award-winning cinematographer Boris Kaufman, has been the subject of praise, condemnation, and controversy for decades. Yet the eclectic participants are just one part of a story that stretches to the very birth of cinema, and spreads out to our understanding of human consciousness itself. NOTFILM is the feature-length movie on FILM’s production and its philosophical implications, utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements. Director, writer, producer and narrator Ross Lipman stops by to talk about his exhilarating and illuminating film showcasing two disparate geniuses at opposite ends of their remarkable and storied lives.

For news and updates go to: milestonefilms.com/notfilm

“NOTFILM testifies to an almost inexhaustible fascination with the pleasures and paradoxes of cinema…. Notfilm finds a hitherto uncharted dimension of human and cinematic experience.” – A.O. Scott, New York Times

“Completely fascinating! … A thoughtful, incisive meditation on its decades-old events, Notfilm is gossipy and philosophical by turn, joining microscopic analysis of the filmmakers’ lofty intentions with juicy morsels of information about exactly what happened when theory met practice on the steamy summer streets of New York City where Film was shot…For moviegoers who care about film not just as a title, Notfilm can be unreservedly recommended.” – Kenneth Turan, Los Angeles Times

“(Notfilm) finds in Film genuine insights about Beckett’s work as a whole, and even about the nature of the movies.” – Siddhartha Mahanta, The New Yorker

VILLAGE VOICE CRITICS’ PICK! “Ross Lipman’s studious, rigorous, and surprisingly tender documentary…gives us access to Beckett at work” – Alan Scherstuhl, Village Voice

“The credits for Notfilm list Lipman as writer, photographer, editor, and narrator, but not as director. Does this imply that a director is merely the sum of the other skills? Or is it an attempt at modesty? If the latter, it is belied by the ambition, scope, research, and exhilarating sweep of his project…” – Tony Pipolo, Artforum

As You Are, Director Miles Joris-Peyrafitte


 

Download MP3 Podcast

Jack (Owen Campbell) is a high school student who lives with his single mother Karen (Mary Stuart Masterson) in a nondescript suburban town. Considered a social outcast and loner, Jack is friendless until Karen’s new boyfriend Tom (Scott Cohen) moves in and brings his son Mark (Charlie Heaton) into their lives. The two outsiders quickly bond and form a tight friendship and, after a chance encounter at a diner, bring fellow student Sarah (Amandla Stenberg) into their group. The three teens become each other’s saving grace until changing relationships and emerging secrets force them to look at themselves and see how far they are willing to go live the lives they choose.

Director Miles Joris-Peyrafitte:  “I love movies, but I’ve always struggled with the “coming of age” genre. I think there is something inherently condescending about it. Obviously this doesn’t span across the whole genre; but I think a lot of times when these stories are told by “adults,” there can be this sort of romanticization of youth which misses the things I think are so important about that age, namely the intensity and stakes that every action carries. There isn’t nostalgia in youth, it is immediate and hard. That was really why I wanted to tell this story now, I wanted to make this kind of film while I was still young enough to not miss it.”

For news and updates go to: asyouare.movie

U.S. Dramatic Special Jury Award Winner – Sundance Film Festival 2016

Official Selection – San Sebastian Film Festival 2016

“Joris-Peyrafitte shows confidence and talent beyond his years, with an artful eye for imagery and a truthful ear for dialogue.” – Christy Lemire, RogerEbert.com

“The setup is common enough, but though you can check off the usual ingredients in what follows – sex, drugs, a glance at Kurt Cobain – this is the furthest thing from a social-issue teen drama.” – Ella Taylor, NPR

“Captures the dreamy intimacy of those teenage relationships where boundaries between friendship and love prove porous.” – Serena Donadoni, Village Voice

“A promising and impressively self-assured debut for 23-year-old filmmaker Miles Joris-Peyrafitte, “As You Are” is crafted with the confidence and skill of a veteran, but also the youthful eye of someone not far removed from his protagonists.” – Geoff Berkshire, Variety

Kiki, Director Sara Jordenö


KIKI, a dynamic coming of age story about agency, resilience and the transformative artform
that is voguing. KIKI offers riveting and complex insight into the daily lives of a group of LGBTQ youth-of-color who comprise the “Kiki” scene, a vibrant, safe space for performance created and governed by these activists. In this film collaboration between Kiki gatekeeper, Twiggy Pucci Garçon, and Swedish filmmaker Sara Jordenö, viewers are granted exclusive access into this high-stakes world, where fierce Ballroom competitions serve as a gateway into conversations surrounding Black- and Trans- Lives Matter movements.  This new generation of Ballroom youth use the motto, “Not About Us Without Us,” and KIKI in kind has been made with extensive support and trust from the community, including an exhilarating score by renowned Ballroom and Voguing Producer Collective Qween Beat. Twiggy and Sara’s insider-outsider approach to their stories breathes fresh life into the representation of a marginalized community who demand visibility and real political power. Following its festival debuts, including a World Premiere at Sundance, KIKI will open in U.S theaters and on VOD starting February 24, 2017 in Los Angeles and in New York on March 1, 2017. Director Sara Jordenö joins us to talk about her vibrant, intimate and liberating new film.

For news and updates got to: kikimovie.com

Director Sara Jordenö and stars will participate in Q&A’s after the 7:10 shows and introduce the 9:55 shows at the Monica Film Center on Friday and Saturday, February 24 and 25.

KIKI screens starting Friday February 24th at the Laemmle Monica Film Center, visit laemmle.com for more information

“Exhilarating – a must-see” – Manhola Dargis, NY Times

“Joyous, genuinely inspiring” – Richard Lawson, Vanity Fair

“Wonderfully alive and emotional” – Kenneth Turan, LA Times

“Sad, proud, loud, funny, energetic and affecting” – Fionnuala Halligan, Screen Daily

“It’s an ultimately uplifting film and one that doesn’t patronize or placate” – Lanri Bakare, The Guardian

“KIKI never fails to pay homage to the past historical context of the scene while looking towards its future” – Katie Walsh, The Playlist

Dark Night, Director Tim Sutton


 

Download MP3 Podcast

A haunting, artfully understated critique of American gun culture, Tim Sutton’s third feature is loosely based around the 2012 massacre in Aurora, Colorado that took place during a multiplex screening of “The Dark Knight Rises.” Employing a documentary-style technique and a cast of non- professional actors, DARK NIGHT follows the activities of six strangers over the course of one day, the shooter among them. Shot by veteran French DP Helene Louvart (PINA), DARK NIGHT is essential viewing, not only for art-house filmgoers, but for anyone invested in the debate over gun violence in America as well.  Helene Louvart has served as cinematographer on more than 65 feature films, 50 short feature films, documentaries, and television projects, including French director Agnès Varda “The Beaches of Agnès (French: Les plages d’Agnès) She won The César Award for Best Documentary Film in 2009. Also, she worked with Alice Rohrwacher, and shot the italian drama “The Wonders” (Italian: Le meraviglie) It was selected to compete for the Palme d’Or in the main competition section at the 2014 Cannes Film Festival, where it was awarded with the Grand Prix. “Dark Night” was her first collaboration with Tim Sutton. Tim Sutton is the writer and director of two critically acclaimed feature films. PAVILION was a New York Times Critic’s Pick in 2013 and MEMPHIS was the winner of the inaugural Ven- ice Biennale College-Cinema grant in 2013, had its world premiere at the 70th Venice Film Festival, and international premiere at the 2014 Sundance Film Festival. MEMPHIS was also selected as one of The New Yorker Magazine’s Top 10 Films of 2014. Director Tim Sutton joins us to talk about his hauntingly poignant meditation on American gun culture and the vulnerability of life.

For news and updates go to: cineliciouspics.com/dark-night

“Haunting” – Eric Kohn, IndieWire

“A mysterious elegy of a film, pregnant with both the beauty of the everyday and the menace of impending violence.” – A.A. Dowd, A.V. Club

“A thought provoking requiem” – Rodrigo Perez, The Playlist

“Sundance at its best” – Manohla Dargis, The New York Times

“Chilling” – Variety

Mr. Gaga: A True Story of Love and Dance – Director Tomer Heymann

Tomer Heymann’s MR. GAGA: A True Story of Love and Dance is a unique documentary experience that tells the story of the internationally acclaimed choreographer Ohad Naharin, who created the daring form of dance and “movement language” Gaga. When he was 22, he was invited to perform with the prestigious Martha Graham dance company, and attended Juilliard and the School of American Ballet simultaneously. But Ohad would not be happy until he could do exactly what he wanted. Moving back to Israel, Naharin became the Artistic Director of the Batsheva Dance Company, developing gaga within his own ensemble. Even after achieving worldwide acclaim, Naharin continues to fight every day, sometimes with his own dancers, once even with the president of Israel, to make his vision come to life. Mr. Gaga tells Naharin’s personal story of a controversial, political, and always entertaining figure, and his constant battle for artistic perfection. Eight years in the making, Mr. Gaga traces Ohad Naharin’s artistic roots using personal family footage, intimate rehearsal footage, extensive unseen archive material and stunning dance sequences. Heymann weaves a marvelous tale of what it takes to be a genius, the exhausting toll dance can take on its performers, and finally, the beauty that art can bring to this world. Director Tomer Heymann joins us for a conversation on the trials and triumphs of surpassing creativity and finding the sometimes difficult ways of expressing it.

For news and updates go to:mrgagathefilm.com

“When someone can talk as well as they create, the rewards are considerable, as the documentary “Mr. Gaga: A True Story of Love and Dance” convincingly demonstrates.” – Kenneth Turan, LA Times

“Interweaves archival film with contemporary material to masterfully portray one of the most vital dance artists of the past half-century.” – Elizabeth Zimmer, Village Voice

“Leading Israeli choreographer Ohad Naharin is profiled in Mr. Gaga, possibly the most exciting documentary for fans of edgier modern dance since Pina.” – Dennis Harvey, Variety

“Director Tomer Heymann captures both the intimate authority of Naharin at work and then the beautiful range of movement conveyed on stage by his dancers.” – Craig Mathieson, Sunday Age

Oscar Nominated Short Filmmakers – Joe’s Violin, Director Kahane Cooperman — Pear Cider and Cigarettes, Director Robert Valley

Joe’s Violin – During a drive to donate musical instruments to public schools, 91-year-old Holocaust survivor Joseph Feingold offers his beloved violin, which he has played for more than 70 years. The instrument goes to the Bronx Global Learning Institute for Girls, where young musician Brianna Perez is inspired to become friends with her benefactor. Joining us will be Director Kahane Cooperman to talk about this beautifully told story about survival, and the ties that bind us together. 2017 Academy Award nomination for Best Documentary Short Film. 

For news and updates go to: joesviolin.com/

Pear Cider and Cigarettes – Hard-living Techno Stypes has been Robert’s best friend since childhood, and over the years, Robert has been amazed by Techno’s ability to sabotage himself. When Techno is hospitalized in China and needs a liver transplant, Robert goes on a wild ride to get him home to Vancouver. Director(s) Robert Valley and Cara Speller stop to discuss the creative process and determination behind their visually striking vision of friendship and heartbreak. 2017 Academy Award nomination for Best Animated Short Film. 

For news and updates go to: pearciderandcigarettes.com

SHORTSHD™TO RELEASE OSCAR® NOMINATED SHORT FILMS 2017 IN THEATRES NATIONALLY BEGINNING ON FRIDAY FEBRUARY 10

 World’s Only Short Movie Channel To Showcase Oscar Shorts Release with Theatrical Premieres of Live Action Short, Animated Short and Documentary Short Categories

This marks the 12th consecutive year of the Oscar® nominated short films theatrical experience and is the only opportunity for audiences to watch the nominated short films prior to the 89th Academy Awards® ceremony on Sunday, February 26, 2017. “This year’s Oscar Nominated Shorts are formidable storytelling at its best,” said Carter Pilcher, CEO of ShortsHD, the TV network behind the annual theatrical compilations.  “Short films are exploding in popularity around the globe, and these Oscar® noms are the pinnacle—and ShortsHD’s theatrical release is the only way to see this year’s Live Action, Animation and Documentary shorts nominees on the big screen, a delight for movie fans the world over.”  ShortsHD™ is the first high definition channel dedicated to short movies and is available on DIRECTV (Channel 573), and AT&T U-Verse (Channel 1789), CenturyLink Prism TV (1789), Verizon Fios TV, Frontier Communications (Channel 1789), Google Fiber.  ShortsHD™ is operated by Shorts International, the world’s leading short movie entertainment company with the world’s largest movie catalogue dedicated to short movies. Shorts™ is the short movie on-demand service available on iTunes movie stores in 54 countries across the globe and Amazon Instant Video. The company is headquartered in London, England with an additional office in Los Angeles and is led by Carter Pilcher, Chief Executive. Find them on Facebook: facebook.com/shortshd and twitter: twitter.com/shortshd.For a sneak peak at The Oscar® Nominated Short Films 2017 program, please visit: http://shorts.tv/theoscarshorts/

Nasser’s Republic, The Making of Modern Egypt – Director Michal Goldman

In 1952, a then-unknown young Egyptian colonel led a coup that became a revolution. Over the next 18 years, Gamal Abdel Nasser challenged Western hegemony abroad and confronted Islamism at home, and faced deep divisions among the Arabs. He emerged as a titanic figure, a champion of Arab progress and African liberation, but he could not offer democracy. Instead, Nasser established the region’s first authoritarian military regime. A man of enormous charisma and ambition, Nasser became caught in the coils of his own power, dying at the age of 52 with dreams unrealized. The Arab Spring and its aftermath are his legacy: a period of turmoil when Egyptians argued passionately about their history as a way to see what course to follow in the future. It is their voices—peasants and professors, secularists and Islamists—that drive Goldman’s essential documentary. Nasser’s Republic, The Making of Modern Egypt Director Michal Goldman’s previous film, Umm Kulthum, A Voice Like Egypt (1996), a vibrant portrait of a superstar singer, was an official selection of the New York Film Festival, winner of the Golden Plaque for Documentary at the Chicago International Film Festival, and winner of the Promoting Tolerance Award from the American-Arab Anti-Discrimination Committee. Goldman joins us to talk about the historic significance of Nasser’s enormous influence on Egypt , the course of the Cold War and modern day Middle East.

For news and updates go to: nassersrepublic.com

Director Michal Goldman organizes a vast amount of information to pose as many questions as answers in this immersive documentary. Narration by Palestinian actress Hiam Abbass rivets us to history and its contradictions, an ongoing story witnessed by millions.” —Judy Bloch, for the Washington, DC International Film Festival (aka FilmFest DC)

“Goldman’s [documentary] accomplishes something that most media covering events in the Middle East don’t even attempt: She provides an historical context.” —Peter Keough, The Boston Globe

“I thought we had buried him. It turns out he’s still alive.” —Khaled Fahmy, Egyptian historian, in NASSER’S REPUBLIC

“What’s impressive is how many of the necessary narrative angles are treated, raising compelling questions that resonate today. At the film’s center is an officer turned politician who is photogenic, charismatic, shrewd and sometimes reckless. The storyline is crisp, the archival footage is gripping, and the witnesses—whose passions drive the story—are compelling. From a teacher’s perspective, this film is a godsend.” —Joel Gordon, Professor of History & Director of the King Fahd Center for Middle East Studies, University of Arkansas