Mr. Jones, Director Agnieszka Holland

Oscar nominated filmmaker Agnieszka Holland’s thriller, MR. JONES, set on the eve of WWII, sees Hitler’s rise to power and Stalin’s Soviet propaganda machine pushing their “utopia” to the Western world. Meanwhile an ambitious young journalist, Gareth Jones (James Norton) becomes famous after publishing an article about his ride on an airplane with the new Chancellor of Germany – Adolph Hitler. Jones uses his political position in the British government as a foreign affairs advisor to David Lloyd George to get privileged access to the Soviet Union. Once there he searches for his next big story, scrutinizing the political and economic situation in Russia. Jones soon learns of government-induced hunger program, known as Holodomor, imposed on the Ukrainian people. The Soviets, with the help of the British and American governments, keep the starvation of 4 to 5 million people mostly secret. Jones efforts to uncover the truth behind the propaganda and expose an international conspiracy could cost him and his informant their lives. Jones goes on a life-or-death journey to uncover the truth behind the façade that would later inspire George Orwell’s seminal book Animal Farm. Director Agnieszka Holland joins us for a lively conversation on the little known story of mass slaughter prior to the onset one World War II and the craven rationale by the Western Powers willing to look the other way as millions of innocent people perished.

 

Download MP3 Podcast | Open Player in New Window

For news, updates and screenings go to: samuelgoldwynfilms.com/mr-jones

Watch on Apple TV, Amazon Prime, Google Play, Vudu and Fandango Now

Writer’s Statement: “It was for my grandfather, Olexji, and the countless others who suffered under the Soviet regime that I wrote and produced this film. The idea first came to me in my final year of university and followed me to Ukraine after college and to a road trip through Wales shortly before my wedding, and many research trips for several years after. I wanted to tell a story that would honor the millions of victims of Stalin, who has been resurrected under Putinism as a great hero, and expose how Kremlin propaganda works – sometimes with the help of corrupt Western journalists and political leaders. Fifteen years ago, I never imagined this film would be relevant. It was always my intention to unearth buried history not hold up a mirror to our own times. As surreal as this journey has been against the backdrop of growing authoritarianism around the world, I have been heartened by how our story has brought together so many talented, fearless people determined to fight for the truth. Agnieszka, who survived prison under Soviet occupation and lost loved ones to the regime, put so much of herself into this masterpiece. Never could I have written in detail the rich wonderland that she created on screen, poetically guiding the audience through an adventure, while giving greater context to the challenges the world faces today. It has been a testament of faith that this film came together with these brave artists, and the timing for its release could not be more urgent.” – Writer Andrea Chalupa

Social Media
facebook.com/samuelgoldwynfilms
twitter.com/goldwynfilms
instagram.com/goldwynfilms
 
Hashtags:
#mrjones #spy #thriller #movie #newrelease
 

Welcome to Chechnya, Director David France

In this searing documentary, WELCOME TO CHECHNYA, Academy Award –nominated director David France (How To Survive A Plague) brings us a terrifying real-life thriller that shadows a group of brave activists risking their lives to confront the ongoing anti-LGBTQ persecution in the repressive and closed Russian republic of Chechnya. In recent years, tens of thousands of LGBTQ people in the republic have suffered detention, torture and sometimes death at the hands of the authorities. But a small network of queer activists have mobilized into action, smuggling people in need out of their communities, securing visas and sheltering them in safe houses. Shot with astonishing access, largely with hidden cameras that keep rolling throughout every moment of escape, and employing a revolutionary face-swapping technique to protect the anonymity of its endangered subjects, WELCOME TO CHECHNYA exposes these under-reported atrocities, while highlighting an extraordinary group of heroic people confronting a brutal system. Director David France joins us for a conversation on the remarkably effective facial technology used by France to protect the identity of the film subjects and on the Russian republic’s pogrom against defenseless people being tortured and killed because of their sexual identity.

 

Download MP3 Podcast | Open Player in New Window

For news and updates go to: welcometochechnya.com

Welcome to Chechnya premieres on HBO June 30

Director’s Statement: In my work as a journalist and author over many years, I have focused closely on the stories of outsiders and people who society has pushed to its margins – the disregarded, the ignored, the hated. When I turned to documentary filmmaking, I chose outsider activism as my subject. My first film, HOW TO SURVIVE A PLAGUE, documented the work of early AIDS activists, ordinary people with no training who marshalled the intricate details of virology to change the course of the epidemic. Next, I opened up the story of early gender radicals in THE DEATH AND LIFE OF MARSHA P. JOHNSON, which chronicled not only the founding of the modern LGBTQ movement but also the founding of the first transgender rights organization in 1970. WELCOME TO CHECHNYA completes this trilogy. It follows a group of ordinary humans who have done something extraordinary, and asks the question that has long preoccupied me: What makes a person assume enormous risk and responsibility when others might turn the other way?  What does it take, in other words, to be a hero?When I left their underground pipeline for the last time, knowing I could never go back once it became known I was reporting on their work, I wept with gratitude for the work they are doing. And for the opportunity they gave me to witness bravery of the most unvarnished kind: selfless, humane, and entirely queer. – David France

Social Media
facebook.com/welcometochechnya
twitter.com/welcomechechnya
instagram.com/welcometochechnya
#ImaWitness

100% on Rotten Tomatoes

“No one has ever found such a deep and humanitarian use of a ‘deep fake’.” – Zep Armentano, El Cinefil

“David France has created a true masterwork of LGBT empathy, working both as a devastating portrait of hate as well as a rallying cry to arms. This is one of the best documentaries of the year.” – Redmond Bacon, Culture Vultures

“Undoubtedly a magnum opus of sorts on human rights documentation” – Jessica Pena, Jumpcut

“Gripping, essential viewing” – Matthew Jacobs, HuffPost

“Welcome to Chechnya is as fearless as its subjects, unafraid to show the violence and emotional torture of these people.” – Brian Tallerico, RogerEbert.com

Seahorse, The Dad Who Gave Birth, Director Jeanie Finlay

This warm-hearted documentary SEAHORSE follows Freddy, a 30 year-old gay transgender man who yearns to start a family. However for Freddy this ordinary desire comes with unique challenges. Deciding to carry his own baby took years of soul searching, but nothing could prepare him for the reality of pregnancy, as both a physical experience and one that challenges society’s fundamental understanding of gender, parenthood and family. He quickly realizes that what to him feels pragmatic, to others feels deeply confusing and confronting; this was not part of his plan. Against a backdrop of increasing hostility towards trans people the world over, Freddy is forced to confront his own naivety, mine unknown depths of courage and lean on every friend and family member who will stand by him. Made with unprecedented access and collaboration over three years, the film follows Freddy from preparing to conceive right through to birth. It is an intimate, audacious and lyrical story for the cinema about conception, pregnancy, birth and what makes us who we are. SEAHORSE is directed by acclaimed filmmaker Jeanie Finlay (Game of Thrones, The Last Watch, Orion: The Man Who Would Be King). Jeanie Finlay joins us for a conversation on one trans man’s pioneering quest to fulfil an age-old desire: to start his own family.

 

Download MP3 Podcast | Open Player in New Window

For news, screenings and updates go to: seahorsefilm.com

About the Director: Director / Producer / Writer Jeanie Finlay is one of Britain’s most distinctive documentary makers. She creates award-winning work for cinema and television, telling intimate stories to international audiences. She has made films for HBO, IFC, BBC as well as four commissions for the acclaimed BBC Storyville strand, including BIFA nominated The Great Hip Hop Hoax and  BIFA Award-winning Orion:The Man Who Would Be King Whether inviting audience behind the scenes of Teesside’s last record shop in her home town (SOUND IT OUT), or to share the extraordinary journey of a British transgender man, pregnant with his child (BIFA nominated Seahorse) or onto the set of the world’s biggest television show (Emmy nominated Game Of Thrones: The Last Watch), all of Jeanie’s films are all made with the same steel and heart, sharing an empathetic approach to bringing overlooked and untold stories to the screen. She set up Glimmer Films in 2008 to develop and deliver ambitious, engaging documentary works, made in the region for an international audience. Glimmer Films aim to: Creatively challenge the form of documentary. Celebrate untold, intimate stories. Further explore “wraparound filmmaking”; continuing a groundbreaking practice of engaging with audiences in innovative and meaningful ways throughout production and distribution. For more on Jeanie and her work go to: jeaniefinlay.com

Social Media
facebook.com/seahorsefilm
twitter.com/theseahorsefilm
instagram.com/seahorsefilm
facebook.com/jeaniefinlay
twitter.com/JeanieFinlay
instagram.com/jeaniefinlay

100% on Rotten Tomatoes

★★★★ ”A tender – and rather wonderful – documentary about love, family, raging hormones and the complexities of identity.” – The Guardian

★★★★ ”A fascinating, vital story told with heart and tenderness” – Little White Lies

“An engaging, empathetic and affecting film from master-documentarian Jeanie Finlay” TOP 5 FILMS TO SEE IN CINEMAS THIS WEEK – Mark Kermode

★★★★ ”An astonishing, unmissable story” – Financial Times
“One of the most moving things I have ever witnessed. I am forever changed. – Portland Observer

Unsettled, Director Tom Shepard

UNSETTLED is a feature-length documentary revealing the untold stories of LGBTQ refugees and asylum seekers who have fled intense persecution from their home countries and who are resettling in the U.S. UNSETTLED follows four new arrivals, each of whom have escaped potential peril in their native countries for being different. They’ve landed in the purported “gay mecca” of San Francisco, yet even there, building a new life in an adopted nation is a precarious undertaking. As new  leadership in America continues to restrict immigrants and drastically cut the flow of refugees and asylum seekers, UNSETTLED sheds light on a group about which few people know. What are the costs persecuted immigrants pay for seeking refuge? And how are everyday Americans stepping forward to help those most in need? Director and Producer Tom Shepard joins us for a conversation on the world wide danger faced by gay and transgender people, illegal in 70 countries and punishable by death in four countries, and the daunting challenges facing refugees and asylum seekers in the land of the free. 

 

Download MP3 Podcast | Open Player in New Window

For news, screenings and updates go to unsettled.film

Broadcast premiere June 28 on worldchannel.org and pbs.org thru July 12, 2020

About the filmmaker: Tom Shepard, or the last 20 years has produced, directed, edited, and distributed documentary films. Four of his feature projects – SCOUT’S HONOR, KNOCKING, WHIZ KIDS and THE GROVE – have aired nationally on PBS (including POV, Independent Lens and PBS Plus). Coverage of his work has been featured prominently in the U.S. and foreign press, including reviews of three of his films in The New York Times, The Los Angeles Times, Washington Post, and Boston Globe among others. Shepard’s films have played in hundreds of film festivals worldwide – including Full Frame, Silver Docs and the Sundance Film Festival (where he won two top awards for SCOUT’S HONOR in 2001.) Shepard has raised two million dollars for production of his own work and has received funding from the Independent Television Service (ITVS) four times previously. He is the former Chairman of New Day Films and in 2013, founded the Youth Documentary Academy in Colorado where he teaches regularly. He graduated from Stanford University where he studied human biology and film.

Social Media
facebook.com/unsettledfilmUS
instagram.com/unsettled.film
facebook.com/WORLDChannel/
twitter.com/worldchannel
facebook.com/pbs
twitter.com/PBS
instagram.com/pbs

“It does provide engrossing studies in human interest, as well as an empathetic look at the particular struggles of U.S. immigration in the new millennium.” – Dennis Harvey, Variety

“It also lets Americans understand how horrible things are for others…” – Lapacazo Sandoval, Los Angeles Sentinel

Sometimes Always Never, Director Carl Hunter

In the latest collaboration between director Carl Hunter and writer Frank Cottrell-Boyce SOMETIMES ALWAYS NEVER follows a stylish tailor and wayward father, Alan, (Bill Nighy) who is has spent a big chunk of his adult life playing the word game Scrabble. At the expense of his other relationships Alan has spent years searching tirelessly for his missing son, Michael, who stormed out over a game of Scrabble. With a body to identify and his family torn apart, Alan must repair the relationship with his youngest son, Jack (Sam Riley) and identify an online player who he thinks could be Michael, so he can finally move on and reunite his family. A quirky mystery / comedy starring the BAFTA winner Bill Nighy (Love Actually, Shaun of the Dead), SOMETIMES ALWAYS NEVER is a story about redemption, family, and finding the right words. Director Carl Hunter joins us to talk about his on-going work with screenwriter working with Cottrell-Boyce, and the photo that convinced lead actor Bill Nighy to join the project and striking the right visual look for his thoughtful, wryly funny film.

 

Download MP3 Podcast | Open Player in New Window

For news, virtual screenings and updates goto: sometimes-always-never.com

About the filmmaker: Carl Hunter is a director, screenwriter and also the bass player for Liverpool band, The Farm, who had a number 1 LP, Spartacus in 1991, 3 top 10 singles and spent a total of 50 weeks in the official top 40s for both LPs and singles. He has been making films, producing and directing, since the late 1990s and in 2019 he directed his first feature film, Sometimes, Always, Never, starring Bill Nighy and produced by Hurricane Films. In 2007, Carl produced and co-wrote the feature film, ‘Grow Your Own.’ He’s currently developing his next ideas with writer Frank Cottrell-Boyce.

Social Media
twitter.com/thefarm_carl
twitter.com/Sometimesmovie
twitter.com/frankcottrell_b

 

“…charming, elegant, whimsical and unexpectedly moving gem.” – Chris Hunneysett, Daily Mirror (UK)

“It’s universally well acted and it’s directed with an inventive, original visual style that matches the audacity of basing a film on Scrabble, by TV director Carl Hunter. The end result is unusual, intriguing and endearing.” – Alexa Dalby, Dog and Wolf

“It’s Nighy who will have you enthralled. He delivers a subtle, nuanced performance that allows the actor to shine while in full support of his costars.” – Kevin Crust, Los Angeles Times

“Screenwriter Frank Cottrell Boyce, who adapted the film from his own short story, has crafted a joy of a script, which seeds its themes as elegantly as Nighy’s character, Alan, a Scrabble-obsessed tailor, wears his suits. – Wendy Ide, Observer (UK)

The Grey Fox, Producer Peter O’Brian

Francis Ford Coppola protégé Phillip Borsos directs The Grey Fox, an elegiac, low-key tale about real-life bandit Bill Miner that has become a classic of Canadian cinema. Having been released from jail in 1901 following a 33-year prison sentence for robbing stagecoaches, Bill Miner (Richard Farnsworth) finds himself living in a society that has completely changed from the one of his youth. He tries to put his life of crime behind him and settle down in Washington state with his sister, but the quiet life does not suit him. He feels restless but uncertain as to how to proceed next. The answer comes to him when he sees Edward S. Porter’s The Great Train Robbery. Soon, Miner has slipped over the border into Canada and, along with his new partner, Shorty (Wayne Robson), robs the Canadian Pacific Railway Trans-continental Express. Later, while laying low after the crime in a remote corner of British Columbia, he meets the beautiful, strong-willed photographer Kate Flynn (Jackie Burroughs). In writing this script, Borsos reportedly made heavy use of contemporary court documents and testimonies. Producer Peter O’Brian stops by to talk about his collaboration with director Phillip Boros and Richard Farnsworth and The Grey Fox 4K Restoration is being released through Kino Marquee.

 

Download MP3 Podcast | Open Player in New Window

Watch The Grey Fox and support local theatres – kinomarquee.com/the-grey-fox

Kino Marquee is a new initiative that creates “virtual cinemas” for temporarily closed independent theaters. Local audiences support their community’s theater in these uncertain times by buying a virtual “ticket” to watch the film. Their ticket purchases directly support their local art house as all revenue is being shared between distributor and exhibitor, just as if they bought their ticket at the theater’s box office. Kino Marquee currently works with over 350 art house theaters across the nation.

Farnsworth is a superb camera subject, with a lulling sexual presence. [Director Phillip] Borsos is an inspired image-maker.” – Pauline Kael, The New Yorker

 “One of the loveliest adventures of the year…director Phillip Borsos is able to make this a human story and still keep it exciting as an action picture.” – Roger Ebert, Chicago Sun-Times

 “Terrific. Richard Farnsworth is a delight…remarkably appealing with a face the camera adores.” – Vincent Canby, The New York Times

“Fits beautifully between McCabe and Mrs. Miller and Unforgiven, each of them stories about characters coming to term with changing times. There are even echoes of The Irishman, and the newly-refreshed film is ripe for reconsideration.”  – Jason Gorber, Slashfilm

Runner, Director Bill Gallagher

When he was only eight, Guor Mading Maker (formally known as Guor Marial) ran from captivity in war-torn Sudan to eventually seek safety in the US. In his new life, Maker began running again, participating in high school track and field and eventually becoming a sensation and qualifying for the 2012 Olympics. But because the newly formed South Sudan was not recognized by the International Olympic Committee, Maker had to fight to compete independently, refusing to run for Sudan and taking a stand against its oppression. RUNNER depicts Maker’s difficult and triumphant journey from refugee to a world-renowned athlete, told in intimate interviews with gorgeously animated flashbacks of Guor’s upbringing, and culminating in a heart-wrenching reunion with his parents after a 20-year separation. His story is a distinctly inspirational one in which the indomitable human spirit emerges against all odds. Director Bill Gallagher joins us to talk about the indomitable spirit of Guor Mading Maker and how the hope he has for “the world’s newest” country and love of his family have fueled his determination for finish his race.

 

Download MP3 Podcast | Open Player in New Window

For news, screenings and updates go to: runnerdoc.com

About the filmmaker: BILL GALLAGHER is the director and producer of the award-winning documentary RUNNER that is currently playing at festivals around the world. He was the line producer for the Academy Award nominated documentary IF A TREE FALLS (Sundance), and Production Manager on the documentary RACING DREAMS (Tribeca – Best Documentary). Both films were in theaters and broadcasted on BBC and PBS. Originally from outside of Boston in the United States, he is now living in Madrid, Spain. He studied Documentary Media at The New School and has lectured on documentary production at the University of Navarra in Spain. RUNNER is his first film as director.

Social Media
facebook.com/RunnerDoc
twitter.com/therunnerdoc
instagram.com/runner_documentary
Hashtag #WhyIRun

Crystal Swan, Director Darya Zhuk

CRYSTAL SWAN is set in Belarus a few years after gaining independence in 1990. This vibrant debut feature film by director Darya Zhuk follows the path of young Velya (Alina Nasibullina), who dreams of moving to Chicago where she hopes to pursue her passion for house music.  However, obtaining a U.S. visa proves daunting. After purchasing blank letterhead and forging proof of employment, Velya realizes the American consulate plans to call the fake phone number on her application to confirm her employment. Velya’s only solution is to go to the small factory town and convince the family connected to the phone number to help her. She locates the cramped Soviet apartment on the other end of the line, overrun by a family preparing for the wedding of their son. But Velya’s presence soon upends both the family’s and the town’s order, with potentially disastrous consequences for all. Director Darya Zhuk joins us to talk about where the story behind Crystal Swan came from, casting Velya and how her debut feature film reflects a story about a woman and her country, where feelings of self and belonging are yet to be defined.

 

Download MP3 Podcast | Open Player in New Window

For news and updates go to: loco-films.com/crystal-swan

Crystal Swan is available to watch on MUBI

Director’s statement – I’m a Belarus-born film director living in New York. I spent most of my young adult life straddling two worlds: the world of my freshly independent home-country, just starting to define its identity after the split from the Soviet Union, and my new home in America where I stayed after finishing an undergraduate degree at Harvard. Most of this straddling, I spent standing in long cues to the US Embassy in Minsk. I visited my parents a lot, and the visa requirements were quite brutal. It’s in this long line to the embassy that I first thought of Crystal Swan. People waiting on the permission to go to America were like prisoners waiting for the verdict, – they were so stressed out that they often shared their whole life stories with strangers next to them. I wanted to explore what this process of like. My protagonist Velya is a DJ dreaming to go to Chicago to visit the birthplace of house music. We meet her in one of these cues to the embassy. She is young and full of illusions, she still feels like she is the center of her world. She is an archetypal American character placed in the post-Soviet mess. Freedom she seeks is not available, and in the reality where she lives, the individualism doesn’t always win. Her beliefs and approach to life are constantly challenged with every step of her journey. Can she be a free agent in an unfree world? The unfreedom of people around is what stops my main character from reaching her goal. The history, the trauma of the previous history, catches up with her through the abusive actions of the people who surround her. – Darya Zhuk, Director, Co-screenwriter

Social Media
twitter.com/Atlantidarya
twitter.com/crystalswanfilm
instagram.com/beatlezhuk
 
Official Oscar Entry for Foreign Language Film – Belarus 
Best Director – Bridge of Arts Film Festival
Best Actress – Bridge of Arts Film Festival
Best Actress – Cineuropa Film Festival
Best Film – Bratislava Film Festival (Fipresci Jury)
Best Debut of 2018 – Russian Critics Guild
Best Picture – Tbilisi Film Festival

 

100% on Rotten Tomatoes

“Crystal Swan feels like a poison-tipped letter from the filmmaker to her home country that is also an engrossing work of social criticism.” – Phil Guie, Film-Forward.com

“If something stands out above all it’s the excellent performance of Alina Nasibullina, an actress with a lot of presence that dominates the screen at all times.” – Jaime Fa de Lucas, Culturamas

“While some nuances may go over the heads of international audiences, its core social and economic frustrations are universal ones, driven by Velya’s fundamentally sympathetic wanderlust.” – Guy Lodge, Variety

“[Crystal Swan] is so effective at capturing the hopefulness of someone who’s seized by the promise of a better life, and the desperation she feels when that promise starts to slip through her fingers.” – David Ehrlich, indieWire

2040, Director Damon Gameau

Award-winning Director Damon Gameau (That Sugar Film) embarks on a journey to explore what the future could look like by the year 2040 if we simply embraced the best solutions already available to us to improve our planet and shifted them rapidly into the mainstream. Structured as a visual letter to his 4-year-old daughter, Damon blends traditional documentary with dramatized sequences and high-end visual effects to create a vision board of how these solutions could regenerate the world for future generations. Director Damon Gameau joins us to talk about the how current, scalable technologies are available that can mitigate the damage being done by the scourge of climate damage and move us toward a cleaner, sustainable life for the planet and humanity.

 

Download MP3 Podcast | Open Player in New Window

For news and updates go to: madmanfilms.com.au/2040film

For news and updates go to: whatsyour2040.com

Watch 2040 at togetherfilms.org/2040-screenings

Get Involved 

“We have partnered with the curriculum experts at Cool Australia to build a comprehensive package of units of work for upper primary and secondary. These free lesson plans are learning recipes for teachers that utilise short clips from the film to support classroom learning, providing step-by-step instructions, student workshops and engaging content. We interviewed over 100 children from around the world for 2040 and asked them what their hopes and dreams were for the future. It is a world they will be inheriting from us so we have to show them that solutions exist, that there are people who care deeply about their future, and that wonderful careers await with genuine purpose and meaning.” – Damon Gameau 

Visit the “Resources for Teachers” page and sign-up to our Schools Mailing list to learn more about opportunities for schools and to receive updates on when localized curriculum resources will be available in your country.

Social Media
facebook.com/2040Film
twitter.com/2040Film
instagram.com/2040film

 

“2040 might just shift your world for the better.” – Liam Maguren, Flicks.co.nz

“Gameau pulls away from the apocalyptic doomsaying hard-wired into so much of the enviro-debate…Wisely, his speculations are restricted by the self-imposed discipline that they all need to be rooted in practices that already exist. A very smart move.” – Jim Schembri, 3AW

“None of the ideas explored here are purely theoretical or pie in the sky. Whether technological or systems-based solutions, they all exist now and could be massively expanded to huge global benefit.” –Lynden Barber, Limelight

“Gameau defaults to the position of inspiring people rather than alarming or overwhelming them. You leave the film wanting more, not less, of these sorts of productions.” – Luke Buckmaster, Guardian

“You can’t please everyone. Gameau is at least doing what he can to talk about some big problems, in an entertaining and accessible way.” – Paul Byrnes, Sydney Morning Herald

Ursula von Rydingsvard: Into Her Own, Director Daniel Traub

In URSULA VON RYDINGSVARD: INTO HER OWN filmmaker Daniel Traub nimbly illuminates the fascinating journey of Ursula von Rydingsvard – from her difficult early life in a family of nine emigrating to the US after five years in post-WWII German Displaced Persons camps, a traumatic first marriage, her arrival in 1970s New York to establish herself as an artist, and the staggering, triumphant body of work she subsequently produced. Von Rydingsvard is one of the few women in the world working in monumental sculpture. Von Rydingsvard’s work has been featured in the Venice Biennale and is held in the collections of some of the world’s great museums, including New York’s =Museum of Modern Art, the Art Institute of Chicago, and the San Francisco Museum of Modern Art. But she may be best-known for the stunning “Scientia” at M.I.T. which evokes the power of nature and the firing of brain synapses. imposing pieces painstakingly crafted with complex surfaces. URSULA VON RYDINGSVARD: INTO HER OWN, goes behind the scenes with von Rydingsvard, as she and her collaborators – cutters, metalsmiths, and others – produce new work, including challenging commissions in copper and bronze. But the film also delves into the artist’s personal life, and how it has shaped her work. In conversations with curators, patrons, family, and fellow artists, we come to know von Rydingsvard as a driven but compassionate sculptor with a deep commitment to her art and the world around her.  Director Daniel Traub joins us to talk about von Rydingsvard’s creative process and how the materials she uses to create her complex and challenging sculptures influence her artistic approach.

 

Download MP3 Podcast | Open Player in New Window

For news and updates go to: intoherownfilm.com

About the filmmaker: DANIEL TRAUB  Director / Producer / Cinematographer is a New York-based filmmaker and photographer. He lived in China from 1998 to 2007, working as cinematographer on documentary films for various networks and production companies, including PBS, German television ZDF and Arte. More recently, Traub directed the feature-length Barefoot Artist about Lily Yeh and her collaborative artworks in war-torn communities and Xu Bing: Phoenix about the condition of Chinese migrant laborers. Traub’s photographs have been exhibited internationally, including solo exhibitions at the Catherine Edelman Gallery in Chicago, Slought Foundation in Philadelphia and the Lianzhou Foto Festival in China. His work can be found in public and private collections, such as The Margulies Collection at the Warehouse and San Francisco Museum of Modern Art.

Social Media
twitter.com/icarusfilms

 

“A welcome cinematic account of her work.” – Glenn Kenny, The New York Times

“This compelling documentary portrait is a quiet ode to a woman whose approach to form and material are unmatched in the art world.” – Vancouver Int’l Film Festival

“While director Daniel Traub has little time to dive too deeply, the documentary serves as a fascinating glimpse into an artist’s work, inspirations and process.” – Kevin Crust, Los Angeles Times

“A fascinating and streamlined look at the renowned sculptor as we get a behind the scenes look at her creative process.” – Joe Friar, The Victoria Advocate

The Infiltrators, Co-directors Cristina Ibarra and Alex Rivera

THE INFILTRATORS is a docu-thriller that tells the true story of young immigrants who are detained by Border Patrol and thrown into a shadowy for-profit detention center— on purpose. Marco and Viri are members of the National Immigrant Youth Alliance, a group of radical DREAMers who are on a mission to stop unjust deportations. And the best place to stop deportations, they believe, is in detention. However, when Marco and Viri attempt a daring reverse ‘prison break,’ things don’t go according to plan. By weaving together documentary footage of the real infiltrators with re-enactments of the events inside the detention center, THE INFILTRATORS tells an incredible and thrilling true story in a genre-defying new cinematic language. Co-directors Cristina Ibarra and Alex Rivera joins for a conversation on dire conditions that await detainees, the cruelty of a for-profit system designed to frustrate people with legitimate reasons for remaining in the United States and their respect for the people who willingly put their lives and futures on the line for the sake of others.

 

Download MP3 Podcast | Open Player in New Window

For news and updates go to: theinfiltrators.oscilloscope.net or infiltratorsfilm.com

About the filmmakers:

Alex Rivera is an award-winning filmmaker who tells visually adventurous stories. His first feature film, Sleep Dealer, won the screenwriting award at the 2008 Sundance Film Festival, was screened at the Museum of Modern Art, and had a commercial release around the world. In 2015 Alex was awarded support from the Surdna Foundation and the Ford Foundation for The Infiltrators.

Cristina Ibarra has been making award-winning films that explore the U.S.-Mexico border for the past seventeen years. The New York Times calls her documentary Las Marthas “a striking alternative portrait of border-town life.” Her PBS documentary collaboration, The Last Conquistador, had a national broadcast on POV. In 2015 she became part of Women at Sundance.

Social Media
facebook.com/oscopelabs
twitter.com/Oscilloscope
instagram.com/oscopelabs

“THE INFILTRATORS manages to personalize the undocumented struggle by transforming it into an unlikely blend of activism and suspense that makes a compelling case for the abolishment of ICE.” – Eric Kohn, INDIEWIRE

“A doc mixing interviews, real-time action and reenactment in exciting ways, Alex Rivera and Cristina Ibarra’s THE INFILTRATORS tells a true story so inspiring it’s a wonder it isn’t better known.’ – John DeFore, THE HOLLYWOOD REPORTER

“Chronicling the audacious acts of a group of organized undocumented youth prior to the Obama-implemented, temporary relief known as DACA (Deferred Action for Childhood Arrivals), THE INFILTRATORS, from Latinx directors Alex Rivera and Cristina Ibarra, is a vital piece of hybrid cinema that shines light into the obscure realm of privately-operated immigration detention facilities.” – Carlos Aguilar, THE WRAP

Shadows of Freedom, Co-directors Amos Carlen and Aline Robichaud

SHADOWS OF FREEDOM recounts the untold story of the Jewish & French resistance of 1942 in Algiers, which helped change the course of WWII, yet remains largely forgotten. These 388 resistors – mostly young and inexperienced – almost haplessly ended up supporting the Allies in North Africa. In the process they paved the way for a successful invasion of Algiers by the U.S., but also helped to save the lives of over 500,000 Jews in North Africa, targeted by Hitler’s Final Solution. This was all part of OPERATION  TORCH the joint American/U.K. mission that was to be the Allies’ first successful strike against the Nazis. This largely forgotten military operation remains to this day as the longest invasion in the history of conflict. Co-directors and co-producers Amos Carlen and Aline Robichaud join us to talk about a little known but critically important chapter of French resistance, American and British military strategy and the courageous contributions made by Jewish resistance fighters. 

 

Download MP3 Podcast | Open Player in New Window

For news and updates go to: shadowsfreedom.com/home

 
Social Media
facebook.com/shadowsofreedom 

 

* OPERATION TORCH was the 1942 Anglo-American invasion of North Africa (Algeria and Morocco). It was the 1st joint operation of the U.S. and the U.K., the 1st Allied success against the Nazis and, until D-Day, the largest military operation ever undertaken. It was a hugely significant turning point in the war – aided greatly by the resistance in Algiers – yet remains largely forgotten. SHDOWS OF FREEDOM unveils the importance of Operation Torch in the hopes of highlighting this historical moment that stands as a remarkable achievement by America and Great Britain. This powerful alliance made victory a certainty.

Stray, Director Dustin Feneley

Winner of numerous international film awards STRAY, director Dustin Feneley’s feature film debut, takes place in a cold and remote landscape, two strangers, Jack (Kieran Charnock) and Grace (Arta Dobroshi) struggle to repair their broken pasts. A young man is on parole after serving time for attempting to murder the man who killed his girlfriend in a hit and run. A woman is released from a psychiatric facility far from her homeland. These two damaged strangers cross paths in the mountains in winter and fall into a complex intimate relationship, putting to the test their capacity to trust and heal. A stark, complex story of people confronting their past while struggling to find their own resolve to forge a better future. Director / Producer / Writer Dustin Feneley joins us for a conversation on his own journey getting Stray financed and completed  as well as crafting a beautifully rendered tale of two lost, psychologically exhausted souls. 

 

Download MP3 Podcast | Open Player in New Window

For news, screenings and updates go to: strayfilm.com

 
Social Media
facebook.com/strayfeaturefilm
instagram.com/strayfeaturefilm

 

Winner – Silver Saint George Award – Best Actor –  Moscow International Film Festival 2018
Winner – Grand Prix – Best Cinematography – Golden Eye Festival 2018 
Winner – Best Feature Film – Rivne International Film Festival 2018
Winner – Best Production Design – Rivne International Film Festival 2018                       Winner – Best Actress – Festival des Antipodes 2018
Winner – Best Direction in a Feature Film – Australian Directors Guild Awards 2019         Winner – Best New Director – Brooklyn Film Festival 2019
Winner – Best Feature Film – Portoviejo Film Festival 2019
Winner – Best Actor – Balneario Camboriu International Film Festival 2019
Winner – Best Cinematography – Balneario Camboriu International Film Festival 2019

 

100% on Rotten Tomatoes

“Stray is simply contemplative and resoundingly lyrical in representing two kinds of nature set against one another: pained human nature and the Great Outdoors joined at the emotional hip” – Frank Ochieng, Flick Feast

“Stray is a quiet and internalised film that will demand your attention and compassion to really appreciate. A resolution – of sorts – when it arrives, is conveyed in a single, wordless shot.” – Graeme Tuckett, Stuff.co.nz

“While not an apolitical film…Feneley never lets social commentary overpower his narrative, constantly returning to the internal struggle, and never romanticising the damage his protagonists suffer from.” – Doug Dillaman, 4:3

“It is an iceberg of a film – what appears above the surface barely scratches at the behemoth of emotion lurking within.” – Tom Augustine, New Zealand Herald

Himalayan Ice, Co-director Austin Schmitz and Ari Novak

In December 2018, alpinists Ari Novak and Karsten Delap set out for India to explore one of the most remote valleys in the Indian Himalaya with local climber Karn Kowshik. Their goal was to meet with the indigenous population of the Spiti Valley and try to support local ice climbing. What they found was perhaps the biggest treasure trove of unclimbed ice in all the Himalaya. HIMALAYAN ICE (Adventures in India’s Most Remote Valley) tells the history-making story of their journey to put up nine first ascents and start an ice climbing movement by the local population. From their journey to the valley along the most treacherous road on earth to walking amongst Snow Leopards, the expedition was anything but expected. Co-directors Austin Schmitz and Ari Novak join us to talk the challenges of getting to India’s Spiti Valley, connecting with the people, climbers and non-climbers, and the life lessons learned during their remarkable journey.

 

Download MP3 Podcast | Open Player in New Window

For news and updates go to: himalayanicefilm.com

Social Media
twitter.com/lasportivatwitt
twitter.com/hashtag/himalayanice

 

Supporting Himalayan Ice: Himalayan Ice is presented by La Sportiva to raise money and awareness for impoverished and indigenous populations to enable these native people to climb in their own mountains. By empowering native populations through climbing for conservation we hope to establish and protect safe climbing areas for native populations in the worlds great mountain ranges. Himalayan Ice has partnered with Project Conservation a 501c3 non profit to enable our efforts. Ticket proceeds will directly go to support this non profit effort.

Beyond the Visible, Hilma af Klint, Director Halina Dyrschka

Hilma af Klint was an abstract artist before the term existed, a visionary, trailblazing figure who, inspired by spiritualism, modern science, and the riches of the natural world around her, began in 1906 to reel out a series of huge, colorful, sensual, strange works without precedent in painting. The subject of a recent smash retrospective at the Guggenheim Museum, af Klint was for years an all-but-forgotten figure in art historical discourse, before her long-delayed rediscovery. Halina Dryschka’s dazzling, course correcting documentary describes not only the life and craft of af Klint, but also the process of her mischaracterization and her erasure by both a patriarchal narrative of artistic progress and capitalistic determination of artistic value. Director Halina Dyrschka joins us to talk about her own journey in making this compelling and powerful film and the importance of shattering the art world narrative of marginalizing woman artists.

 

Download MP3 Podcast | Open Player in New Window

About the filmmaker – Director Halina Dyrschka was born in Berlin, Germany and is active as a director and producer. After studying acting, classical singing and film production she founded the company AMBROSIA FILM in Berlin. Her first film as a director the short film “9andahalf’s Goodbye” was shown at over 40 film festivals worldwide and has won several awards. BEYOND THE VISIBLE – HILMA AF KLINT marks her directorial feature documentary debut and is the first and only film on the Swedish artist Hilma af Klint.

For news, screenings and updates go to: zeitgeistfilms.com/film/beyondthevisiblehilmaafklint

Social Media
facebook.com/HilmaafKlintOfficial
twitter.com/hilma_af_klint
instagram.com/hilmaafklint_thefilm

 

100% on Rotten Tomatoes

“One needn’t have a B.F.A. to see the striking resemblances between Klint’s works, painted years earlier, and those of vastly more lauded male artists who came later.” – Kenneth R. Morefield, 1More Film Blog

“Beyond the Visible should reach the general public as a needed and welcome corrective, shining a light on yet another dynamic, trailblazing woman denied her rightful place in history, until now.” – Loren King, AWFJ Women on Film

“Beyond the Visible: Hilma af Klint reminds us that just because we do not yet know them, does not mean that there are not more than enough women artists to entirely populate their own club of geniuses – and that in itself makes the film worthwhile.” – Lee Jutton, Film Inquiry

The Rescue List – Co-directors Alyssa Fedele and Zachary Fink

THE RESCUE LIST focuses on a hidden safe-house in the Ghanaian forest, where social workers help two children recover from a childhood enslaved to fishermen on Lake Volta – the largest man-made lake on Earth. But their story takes an unexpected turn when their rescuer embarks on another rescue mission and asks the children for help. THE RESCUE LIST charts the unfolding drama of these rescue operations alongside a stirring portrait of the boys’ recoveries as they prepare to return to their families. The film depicts a moving story of friendship and courage that transcends the trope of victimhood, exploring what it means to love and to survive. Co-directors Alyssa Fedele and Zachary Fink join us for an in-depth conversation on the ground truth about human trafficking in sub-Sahara Africa, gaining the access and the trust of all the people in the film and their own reflections on how witnessing these people’s stories has impacted them.

 

Download MP3 Podcast | Open Player in New Window

To watch The Rescue List on PBS POV go to: therescuelist.com

About the filmmakers:

ALYSSA FEDELE – PRODUCER  //  DIRECTOR  //  EDITOR – Alyssa Fedele is a documentary filmmaker and anthropologist based in San Francisco.  In 2016, She produced and edited The Ride of Their Lives, directed by Steve James, about youth rodeo bull riding. It premiered at Sundance and is distributed by Amazon Studios in the series The New Yorker Presents. Her work has appeared on National Geographic Channel, Amazon Studios, and PBS, and screened at IDFA, SFFILM, and Big Sky Film Festival. Alyssa directed, produced, and edited The Rescue List, which screened at Full Frame and DOC NYC and won awards at BendFilm and Heartland International Film Festival.Alyssa is a former resident at SFFILM’s FilmHouse and she is a recipient of the SFFILM Documentary Film Fund. She has a master’s degree in visual anthropology from the University of Manchester.

ZACHARY FINK – PRODUCER // DIRECTOR // CINEMATOGRAPHER – Zachary Fink is a documentary filmmaker and cinematographer. His immersive observational approach to storytelling is deeply influenced by his academic roots in cultural anthropology and visual ethnography. He recently lensed Rob Epstein and Jeffrey Friedman’s SXSW opening night premiere, State Of Pride, which takes an unflinching look at the diverse expression of Pride 50 years after Stonewall. Last year he spent a month at McMurdo Station in Antarctica where he field directed and shot a forthcoming PBS NOVA series about how science is conducted on the harshest continent. In 2016, Zachary produced  and filmed The Ride Of Their Lives, a short directed by Steve James about youth rodeo bull riding. It premiered at Sundance as part of the Amazon Studios series, The New Yorker Presents. His work has appeared on PBS, HBO, National Geographic Channel, and Discovery Channel, and he has produced and directed projects for Facebook, Apple, Google, and for the Harvard Film Study Center. Zachary has a master’s degree in cultural anthropology and an MFA in film production from California Institute of the Arts. Together with Alyssa Fedele, he runs the production company Collective Hunch.

 

Social Media
facebook.com/therescuelist
instagram.com/therescuelist
twitter.com/hashtag/therescuelist
twitter.com/hashtag/rescuelistpbs
#TheRescueList

 

“The Rescue List isn’t an exposé on the subject in the strictest terms, but by sticking close to those who’ve lived through such nightmares, Fedele and Fink tell the viewer all they need to know about the dangers involved.” – Andrew Parker, The Gate

“Stirring tale of children rescued from modern-day slavery.” – Stephen Farber, Hollywood Reporter

“Saving defenseless kids from the cruelty of Lake Volta must be some of the most challenging work imaginable, but The Rescue List ultimately resonates because of how little it can take to show them their own strength.” – David Ehrlich, indieWire

“Focusing on a rescue-and-rehabilitation organization and several youths it plucks from servitude, this is an involving indictment with enough individual human-interest elements to avoid being too much of a grim screed.” – Dennis Harvey, Variety

Viral: Antisemitism in Four Mutations, Director Andrew Goldberg

By virtually every yardstick, antisemitism in the US and Europe is rising and worsening in ways not seen since the 1930s. It comes in the forms of vandalism, social media abuse, assault and murder. Like a virus, it mutates and evolves across cultures, borders and ideologies, making it all but impossible to stop. Filmmaker Andrew Goldberg explores its infectious behavior in his film VIRAL: ANTISEMITISM IN FOUR MUTATIONS as he travels through four countries to speak firsthand with victims, witnesses, antisemites, and interviewees including Bill Clinton, Tony Blair, Fareed Zakaria, George Will and Deborah Lipstadt. VIRAL: ANTISEMITISM IN FOUR MUTATIONS examines how some on the American far right have incited such acts as the mass shooting at the Tree of Life Synagogue in Pittsburgh, PA. In Hungary, we see how the Prime Minister has launched a massive campaign against Jewish Holocaust survivor and billionaire George Soros that’s reminiscent of Nazi propaganda. Moving to the far left in England, we see members of the traditionally anti-racist Labour party conflating Israel and Jews, causing tremendous pain for the Jewish community. And in France, the film illuminates the seemingly endless wave of violence against Jews by Islamists and radicals. The increasing bigotry, and at times violence, within each of these four countries paints a terrifying portrait of how global hatred disseminates and harms. As activist Maajid Nawaz says in the film, “If we don’t draw a red line in the sand when it comes to antisemitism, Muslims will be next, gays will be next and everyone else who is deemed a minority will be next.” Director Andrew Goldberg joins us to talk about this particularly virulent strain of racism going back hundreds of years, continues to threaten the lives of Jews in Europe and the United States.

 

Download MP3 Podcast | Open Player in New Window

For news, screenings and updates go to: viralthefilm.com

Social Media
facebook.com/viralthedoc
twitter.com/viralthedoc
instagram.com/viralthedoc

 

“As a topic of tremendous ongoing importance with roots that desperately need exploration, anti-Semitism deserves, and needs, a look into its global impact and perpetuation that makes a deeper dive than this documentary provides.” – Todd Gilchrist, TheWrap

“A terrifying, and sadly necessary, warning.” – Frank Scheck, Hollywood Reporter

“Brutal, yet vital, the movie is must-see viewing in our current age of rising global hatred against not only Jews, but ethnic minorities everywhere.” – Christopher Llewellyn Reed, Hammer to Nail

“Viral: Antisemitism in Four Mutation is timely and it is vital, and it is a documentary that not only a community needs, but all of us do.” – Stephanie Archer, Film Inquiry

Extra Ordinary, Co-directors Mike Ahern and Enda Loughman

Rose, a sweet, lonely driving instructor in rural Ireland, is gifted with supernatural abilities. Rose has a love/hate relationship with her ‘talents’ & tries to ignore the constant spirit related requests from locals – to exorcise possessed rubbish bins or haunted gravel. But! Christian Winter, a washed up, one-hit-wonder rock star, has made a pact with the devil for a return to greatness! He puts a spell on a local teenager- making her levitate. Her terrified father, Martin Martin, asks Rose to help save his daughter. Rose has to overcome the fear of her supernatural gift & work with Martin to save the girl, get the guy and be home in time for a light snack…maybe a yogurt or something… Co-directors Mike Ahern and Enda Loughman join us for a conversation on the making of their oddly endearing, winning comedy about everyday apparitions, Rose, Martin Martin and Christian and reconnecting with their Talents. 

 

Download MP3 Podcast | Open Player in New Window

For news, screenings and updates go to: crankedupfilms.com/extraordinary

Social Media
facebook.com/crankedupfilms
twitter.com/ExtraOrdFilm
twitter.com/CrankedUpFilms
instagram.com/crankedupfilms

 

“A near-perfect balance of outrageousness and subtlety. It’s a special film with a large imagination.” – Brian Orndorf, Blu-ray.com

“A fun, heart-warming and genuinely funny film, prepare for belly laughs and warm fuzzy feelings. Buoyed by great comedic, chameleon-like performances, and a rich fictional world, Extra Ordinary is extraordinarily charming.” – Kat Hughes, THN

“Extra Ordinary, writing-directing duo Mike Ahern and Enda Loughman’s feature film debut, is a remarkable achievement – a wholly unique cinematic experience that is grounded with a lot of heart.” – Sarah McIntyre, RTÉ (Ireland)

“A cracking debut feature from Irish writer-directors Mike Ahern and Enda Loughman.” – Peter Bradshaw, Guardian

Sorry We Missed You, Director Ken Loach

Ken Loach, the two-time Palme d’Or-winning, 83-year-old director trains his incisive lens on the human cost of our shopping habits and changing workforce. After losing their home in a financial crisis, Ricky and Abby trade the car she uses as a visiting nurse for a van, so Ricky can work as a delivery driver. The advantages of being self-employed come with the constant pressure of meeting impossible deadlines with no margin for error, sickness, or family emergency. Loach’s compassionate, hard-hitting drama will make you rethink your expectations the next time you enjoy the convenience of overnight delivery. Director Ken Loach (KES, THE WIND THAT SHAKES THE BARLEY, I, DANIEL BLAKE) joins us for a conversation on the explosion of the “gig-economy” and the insidious impact its having on work schedules, worker safety, worker health and on the emotional toll it’s taking on raising a family.

 

Download MP3 Podcast | Open Player in New Window

For news, screenings and updates go to: zeitgeistfilms.com/film/sorrywemissedyou

 

Social Media
facebook.com/SorryWeMissedYou
twitter.com/2019Missed
facebook.com/ZeitgeistFilms
twitter.com/zeitgeistfilms

 

“FIVE STARS! Ken Loach raises his game yet further with this gut-wrenching tale of a delivery worker driven to the brink… It’s fierce, open and angry, unironised and unadorned..This brilliant film will focus minds. ” – Peter Bradshaw, THE GUARDIAN

“Ken Loach has done it again. His new film is another intimate and powerful drama about what’s going on in people’s everyday lives—not just in England, but all over the world.”  – Owen Gleiberman, VARIETY

“At age 82, [Ken Loach is] doing some of his strongest work in Sorry We Missed You, a drama of such searing human empathy and quotidian heartbreak that its powerful climactic scenes actually impede your breathing… This is an expertly judged and profoundly humane movie…. You’d have to be made of stone not to be moved to your core by it.” – David Rooney, THE HOLLYWOOD REPORTER

The Woman Who Loves Giraffes, Director Alison Reid

In 1956, four years before Jane Goodall ventured into the world of chimpanzees and seven years before Dian Fossey left to work with mountain gorillas, 23-year-old biologist Anne Innis Dagg made an unprecedented solo journey to South Africa to study giraffes in the wild.  In THE WOMAN WHO LOVES GIRAFFES Anne (now 86) retraces her steps, and with letters and stunning, original 16mm film footage offers an intimate window into her life as a young woman, juxtaposed with a first hand look at the devastating reality that giraffes are facing today. Both the world’s first ‘giraffologist’, whose research findings ultimately became the foundation for many scientists following in her footsteps, and the species she loves have each experienced triumphs as well as setbacks. In THE WOMAN WHO LOVES GIRAFFES Anne takes us on her first expedition back to Africa to retrace where her trail-blazing journey began more than half a century ago. By retracing her original steps, and with letters and stunning, original 16mm film footage, Anne offers an intimate window into her life as a young woman, juxtaposed with a first hand look at the devastating reality that giraffes are facing today. Both the world’s first ‘giraffologist’, whose research findings ultimately became the foundation for many scientists following in her footsteps, and the species she loves have each experienced triumphs as well as nasty battle scars. THE WOMAN WHO LOVES GIRAFFES gives us a moving perspective on both. Director Alison Reid joins us for a conversation on meeting Anne Innis Dagg and learning how this gentle soul is more than a pioneer in understanding these magnificent creatures, but just as importantly an advocate for women and science.

About the filmmaker: Alison Reid (Director, Writer, Producer) is an award-winning director who began her career as a stunt coordinator and second unit director. After accumulating 300 credits, she formed Free Spirit Films to produce projects diverse in genre but similar in their exploration of the human spirit. Reid received the 2007 Crystal Award for Emerging Director from DGC/WIFT. Her independent feature, The Baby Formula (2009), sold internationally, won the Audience Award at the Inside Out LGBT Film Festival, ‘Best LGBT Film’ at Nashville Film Festival and was nominated for the Golden Zenith at the Montreal World Film Festival. Her television directing credits include Saving HopeHeartland and Murdoch Mysteries.

 

Download MP3 Podcast | Open Player in New Window

For news and updates go to: zeitgeistfilms.com/film/thewomanwholovesgiraffes

To see The Woman Who Loves Giraffes in Los Angeles go to: Laemmle.com

Social Media
facebook.com/ZeitgeistFilms
twitter.com/zeitgeistfilms
instagram.com/thewomanwholovesgiraffes
@AnneDaggMovie
#documentary

 

100% on Rotten Tomatoes

“This warm documentary uses one woman’s singular passion to fuel a tale of zoological discovery, blatant sexism and environmental alarm.” – Jeannette Catsoulis, THE NEW YORK TIMES

“INSPIRING… A bright spot in the middle of this dark month, Alison Reid’s unabashedly sincere documentary offers gentle comfort even when it brushes up against tough subjects.” – Elizabeth Weitzman, THE WRAP

“Her research was groundbreaking, and the 16 millimeter color footage she shot at the time, amply displayed in the documentary, is breathtaking.” – Peter Rainer, THE CHRISTIAN SCIENCE MONITOR

“Alison Reid’s loving documentary affectionately celebrates little-known giraffologist Dr. Anne Innis Dagg’s groundbreaking scientific work and generous contributions to women’s equality.” – Tomris Laffly, VARIETY

“An inspiring documentary that should be at the top of everyone’s list of must-see films.” – , THE ALLIANCE OF WOMEN FILM JOURNALISTS

You Go To My Head, Director Dimitri de Clercq

In a desolate stretch of the Sahara, a mysterious car accident leaves a young woman (Delfine Bafort) lost and alone. Jake, (Svetozar Cvetkovic) a reclusive architect, finds her unconscious. He drives her to the nearest doctor, to discover that she’s suffering from post-traumatic amnesia. Intoxicated by the woman’s beauty, Jake claims to be her husband. He names her Kitty and takes her to his remote desert home to recuperate. As Kitty struggles to come to grips with who she is, Jake invents an elaborate life they can share – the life he has always yearned for. Little by little, Kitty begins to fall in love with him. But when shreds of her past begin to surface, Jake increasingly fears losing the love of his life. Director Dimitri de Clercq joins us to talk about the twisted story of love, perception, illusion and identity that is You Go To My Head.

About the filmmaker: Dimitri de Clercq, (Director, Producer, Screenwriter) Producer turned filmmaker, Dimitri de Clercq began his producing career working with directors Mathieu Kassovitz (Café au Lait), Alain Robbe-Grillet (The Blue Villa) and Raúl Ruiz (The Golden Boat, Time Regained and Savage Souls). In 1993, he won an International Emmy Award for producing Ray Müller’s controversial documentary The Wonderful, Horrible Life of Leni Riefenstahl. A native Belgian, de Clercq grew up in the Middle East before majoring in film direction and production at New York University’s Tisch School of the Arts. In 2002, he started his own production company, CRM-114, named in homage to maverick filmmaker Stanley Kubrick. De Clercq’s fascination with the desert led him to produce several award-winning films set in desolate environments, including Afghan writer-director Atiq Rahimi’s Earth and Ashes (2005) and Iraqi director Mohamed Al-Daradji’s Son of Babylon (2009). The sepia-hued, parched wilderness of the desert was also a key inspiration for You Go To My Head, de Clercq’s feature film directorial debut.

 

Download MP3 Podcast | Open Player in New Window

For news and updates go to: You Go To My Head.com

For the best in independent feature films go to: firstrunfeatures.com

See You Go to My Head at the Laemmle Glendale starting Friday, February 21

 

Social Media
facebook.com/yougotomyheadthemovie

 

“A stylishly suspenseful drama gains emotional resonance from impressive lead performances by Delfine Bafort and Svetozar Cvetkovic.” – Joe Leydon, Variety

“The movie is clamoring to erupt into melodrama, but de Clercq, content to wallow in teasingly luscious and enigmatically staged images, happily isn’t listening.” – Jeannette Catsoulis, New York Times

“A new, involving twist on the old theme of amnesia.” – Harvey S. Karten, Shockya.com

“You Go to My Head is a warped and lush tale of obsession, deception, and romance that’ll certainly go to your head. It’ll just take some time.” – Andrew Stover, Film Threat

Ordinary Love, Co-directors Lisa Barros D’sa and Glenn Leyburn

Joan and Tom (Academy Award® nominee Lesley Manville and Liam Neeson) have been married for many years. An everyday couple with a remarkable love, there is an ease to their relationship which only comes from spending a lifetime together. When Joan is unexpectedly diagnosed with breast cancer, the course of her treatment shines a light on their relationship as they are faced with the challenges that lie ahead and the prospect of what might happen if something were to happen to her. Co-directors Lisa Barros D’sa (Good Vibration) and Glenn Leyburn (Cherrybomb) join us to talk about their collaboration with two top tier actors, striking a balance in the tone and look for their extraordinarily empathetic look at two people who truly care about each other.

 

Download MP3 Podcast | Open Player in New Window

For news and updates go to: bleeckerstreetmedia.com/ordinary-love-film

Social Media
facebook.com/ordinarylovemov
twitter.com/ordinarylovemov
instagram.com/ordinarylovemov
twitter.com/lisabarrosdsa
twitter.com/Leyburn
@lisabarrosdsa
@bleeckerstfilms
@FocusFeatures
@ooofilms
#lesleymanville
#liamneeson

 

95% on Rotten Tomatoes

“A beautifully understated look at intimacy and devotion in the face of potentially devastating loss; stars Leslie Manville and Liam Neeson tap effortlessly into the relatable routines, rhythms and nuances of a lived-in, long term relationship.” – Todd Gilchrist, TheWrap

“Armed with an incandescent screenplay and unforgettable performances, Ordinary Love is affecting in its own quiet way, as it showcases a deeply moving portrait of a marriage tested under strain after a cancer diagnosis.” – Laura Delaney, RTÉ (Ireland)

“An achingly intimate portrait of a marriage weathering a storm, the third feature from directing team Lisa Barros D’Sa and Glenn Leyburn (Good Vibrations) is anything but ordinary.” – Wendy Ide, Screen International

“Everything is completely believable, the relationship and the home clearly lived in, and it’s this that gives Ordinary Love its quiet, but sometimes overwhelming, power.” – Jack Blackwell, One Room With A View

And Then We Danced, Levan Akin

AND THEN WE DANCED is a passionate tale of love and liberation set amidst the ultraconservative confines of modern Georgian society, AND THEN WE DANCED follows Merab, a devoted dancer who has been training for years with his partner Mary for a spot in the National Georgian Ensemble. The arrival of another male dancer, Irakli—gifted with perfect form and equipped with a rebellious streak—throws Merab off balance, sparking both an intense rivalry and romantic desire that may cause him to risk his future in dance as well as his relationships with Mary and his family. Director, writer and editor Levan Akin joins us to talk about is sensitive and moving account of finding love, no matter the cost and the way his film has opened a hopeful dialog in his beloved Georgia.

Director’s Statement: In Georgia there are three things that are upheld as the paragon of Georgian Tradition and National Identity: the Church, the traditional polyphonic singing, and the traditional national dance. The lead person I follow in the film actually shares the same name as me, his name is Levan and he is a dancer, I too used to dance when I was younger and I imagined being him in an alternate reality. I interviewed a lot of dancers and they all told me stories of how gender conservative and strict the Georgian Dance scene was. So I decided to set the story in this setting. The Georgian Dance would represent the “old” and the burgeoning love between two of the dancers would represent the new. With this film I find myself really going back to my roots as a filmmaker, working in an organic way, where the real lives of the people in the film and what’s going on in Georgia now affects the story. It is ever evolving. Telling the story of young LGBT+ people and their struggles on a smaller scale but also showing the history and situation of Georgia today on a larger scale. This film will not only be a very interesting look into a part of the world not so many people are familiar with but also a heartfelt movie about the importance of being free. – Levan Akin

 

Download MP3 Podcast | Open Player in New Window

For news and updates go to: musicboxfilms.com/film/and-then-we-danced

Social Media
facebook.com/musicboxfilms
twitter.com/musicboxfilms
instagram.com/musicboxfilms/
facebook.com/andthenwedanced/
twitter.com/atwdfilm
instagram.com/andthenwedanced/

 

Island of the Hungry Ghosts, Director Gabrielle Brady

ISLAND OF THE HUNGRY GHOSTS takes place off the coast of Indonesia, in the Australian territory of Christmas Island, inhabited by migratory crabs traveling in their millions from the jungle towards the ocean, in a movement that has been provoked by the full moon for hundreds of thousands of years. Poh Lin Lee is a “trauma therapist” who lives with her family in this seemingly idyllic paradise. Every day, she talks with the asylum seekers held indefinitely in a high-security detention centre hidden in the island’s core, attempting to support them in a situation that is as unbearable as its outcome is uncertain. As Poh Lin and her family explore the island’s beautiful yet threatening landscape, the local islanders carry out their “hungry ghost” rituals for the spirits of those who died on the island without a burial. They make offerings to appease the lost souls who are said to be wandering the jungles at night looking for home. ISLAND OF THE HUNGRY GHOSTS is a hybrid documentary that moves between the natural migration and the chaotic and tragic migration of the humans, which is in constant metamorphoses by the unseen decision-making structures. Director Gabrielle Brady joins us to talk about her beautiful and quietly powerful tale of desperate people trapped in a place of pervasive uncertainty and a woman trying to help them cope.

 

Download MP3 Podcast | Open Player in New Window

For news, screenings and updates go to: christmasislandfilm.com

** 2020 Spirit Award nominee for Best Documentary **

Tribeca Film FestivalAward for best documentary film

Mumbai International Film Festival Grand Jury Prize for best film

IDFAHuman rights award

Adelaide international Film Festival Winner best documentary film

 

Social Media

facebook.com/filmchristmasisland

twitter.com/hashtag/islandofthehungryghosts

instagram.com/islandofthehungryghosts

#islandofthehungryghosts

facebook.com/filmindependent

twitter.com/filmindependent

instagram.com/filmindependent

#spiritawards

 

“ Island of the Hungry Ghosts is one of the year’s most impressively made documentaries, a film that’s as occasionally surreal as it is persistently moving. Island of the Hungry Ghosts is a true discovery.” – JOSHUA BRUNSTING, CRITERION CAST

“A documentary overflowing with empathy, poetry, and elemental power.”  – HUBERT VIGILLA, FLIXIST

“Hauntingly beautiful Island of the Hungry Ghosts combines multiple narratives…into one glorious whole… A mesmerizing work of visual wonder, the breathtaking images forming an evocative setting for a vital discussion of human rights… A stunning, visceral first feature, announcing the director as a major talent to watch”  – CHRISTOPHER LLEWELLYN REED, FILM FESTIVAL TODAY

“The best documentary award goes to a film that demonstrates extraordinary mastery of the full symphonic range of cinematic tools: cinematography, editing, score, sound design and, perhaps greatest of all, an exquisite use of metaphor. To a film that moved us deeply, impressed us immensely and made us feel we were witnessing nothing less than the emergence, fully formed, of a major new cinematic talent” – TRIBECA JURY