Welcome to Chechnya, Director David France

In this searing documentary, WELCOME TO CHECHNYA, Academy Award –nominated director David France (How To Survive A Plague) brings us a terrifying real-life thriller that shadows a group of brave activists risking their lives to confront the ongoing anti-LGBTQ persecution in the repressive and closed Russian republic of Chechnya. In recent years, tens of thousands of LGBTQ people in the republic have suffered detention, torture and sometimes death at the hands of the authorities. But a small network of queer activists have mobilized into action, smuggling people in need out of their communities, securing visas and sheltering them in safe houses. Shot with astonishing access, largely with hidden cameras that keep rolling throughout every moment of escape, and employing a revolutionary face-swapping technique to protect the anonymity of its endangered subjects, WELCOME TO CHECHNYA exposes these under-reported atrocities, while highlighting an extraordinary group of heroic people confronting a brutal system. Director David France joins us for a conversation on the remarkably effective facial technology used by France to protect the identity of the film subjects and on the Russian republic’s pogrom against defenseless people being tortured and killed because of their sexual identity.

 

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For news and updates go to: welcometochechnya.com

Welcome to Chechnya premieres on HBO June 30

Director’s Statement: In my work as a journalist and author over many years, I have focused closely on the stories of outsiders and people who society has pushed to its margins – the disregarded, the ignored, the hated. When I turned to documentary filmmaking, I chose outsider activism as my subject. My first film, HOW TO SURVIVE A PLAGUE, documented the work of early AIDS activists, ordinary people with no training who marshalled the intricate details of virology to change the course of the epidemic. Next, I opened up the story of early gender radicals in THE DEATH AND LIFE OF MARSHA P. JOHNSON, which chronicled not only the founding of the modern LGBTQ movement but also the founding of the first transgender rights organization in 1970. WELCOME TO CHECHNYA completes this trilogy. It follows a group of ordinary humans who have done something extraordinary, and asks the question that has long preoccupied me: What makes a person assume enormous risk and responsibility when others might turn the other way?  What does it take, in other words, to be a hero?When I left their underground pipeline for the last time, knowing I could never go back once it became known I was reporting on their work, I wept with gratitude for the work they are doing. And for the opportunity they gave me to witness bravery of the most unvarnished kind: selfless, humane, and entirely queer. – David France

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100% on Rotten Tomatoes

“No one has ever found such a deep and humanitarian use of a ‘deep fake’.” – Zep Armentano, El Cinefil

“David France has created a true masterwork of LGBT empathy, working both as a devastating portrait of hate as well as a rallying cry to arms. This is one of the best documentaries of the year.” – Redmond Bacon, Culture Vultures

“Undoubtedly a magnum opus of sorts on human rights documentation” – Jessica Pena, Jumpcut

“Gripping, essential viewing” – Matthew Jacobs, HuffPost

“Welcome to Chechnya is as fearless as its subjects, unafraid to show the violence and emotional torture of these people.” – Brian Tallerico, RogerEbert.com

Disclosure, Director Sam Feder

DISCLOSURE (formerly titled Disclosure: Trans Lives on Screen) is an unprecedented, eye-opening look at transgender depictions in film and television, revealing how Hollywood simultaneously reflects and manufactures our deepest anxieties about gender. Leading trans thinkers and creatives, including Laverne Cox, Lilly Wachowski, Yance Ford, Jen Richards, Mj Rodriguez, Jamie Clayton, and Chaz Bono, share their reactions and resistance to some of Hollywood’s most beloved moments. Grappling with films like A Florida Enchantment (1914), Dog Day Afternoon, The Crying Game, and Boys Don’t Cry, and with shows like The Jeffersons, The L-Word, and Pose, they trace a history that is at once dehumanizing, yet also evolving, complex, and sometimes humorous. What emerges is a fascinating story of dynamic interplay between trans representation on screen, society’s beliefs, and the reality of trans lives. Reframing familiar scenes and iconic characters in a new light, director Sam Feder (Kate Bornstein is a Queer and Pleasant Danger) invites viewers to confront unexamined assumptions, and shows how what once captured the American imagination now elicit new feelings. DISCLOSURE provokes a startling revolution in how we see and understand trans people. Director Sam Feder joins us for a conversation on the prejudice and crippling stereotypes being pushed out by film and television as well as barrier breaking stories being told by filmmakers, writers and artists

 

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For news and updates go to: disclosurethemovie.com 

Watch: Disclosure premieres June 19 on Netflix

Statement from the filmmakers: DISCLOSURE shows audiences that decades-old stereotypes, memes, and tropes in the media both form and reflect our understanding of trans issues. They have shaped the cultural narrative about transgender people, and inform everything from dating and domestic violence, to school policy and national legislation. Since 80% of the population have never met a transgender person, all they know is rooted in media depictions, which are predominantly problematic and have rarely included participation by actual trans people. Disclosure is aimed at that 80%. 

Social Media
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instagram.com/disclosuredoc
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“A thoughtfully crafted film that puts underheard voices first.” – Beandrea July, Hollywood Reporter

“Crafted with obvious love, Feder beautifully guides the audience through the many pitfalls transgender people have faced along the road to representation.” – Ian Thomas Malone, FanSided

“(Disclosure) not only leaves us with the hope that things will improve, but it also shows us how much better the industry is when everyone is included, represented, and respected.” – Norman Gidney, Film Threat

“In making the film, Feder and Cox are rewriting the very history they set out to tell, adding one more title to “positive representation” list. That alone is worth coming out for.” – Jude Dry, indieWire

Selah and the Spades, Director Tayarisha Poe

SELAH AND THE SPADES tells the beautifully complex story of an insulated world at an elite Pennsylvania boarding school, Haldwell, where the student body is run by five factions. Seventeen-year-old Selah Summers (Lovie Simone) runs the most dominant group, the Spades, with unshakable poise, as they cater to the most classic of vices and supply students with coveted, illegal alcohol and pills. Tensions between the factions escalate, and when Selah’s best friend/right hand Maxxie (MOONLIGHT’s Jharrel Jerome) becomes distracted by a new love, Selah takes on a protégée, enamored sophomore Paloma (Celeste O’Connor), to whom she imparts her wisdom onruling the school. But with graduation looming and Paloma proving an impressively quick study, Selah’s fears turn sinister as she grapples with losing the control by which she defines herself. In her feature debut, writer/director Tayarisha Poe immerses us in a heightened depiction of teenage politics. This searing character study encapsulates just how intoxicating power can be for a teenage girl who acutely feels the threat of being denied it. Exciting newcomer Lovie Simone’s performance beautifully embodies both Selah’s publicly impeccable command and the internal fears and uncertainty that drive it. Director and writer Tayarisha Poe joins us for a lively conversation on her own high school experience, The Godfather, the importance of showcasing powerful young women and the remarkably talented actors who make Selah and the Spades so riveting.

 

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Selah and the Spades premieres April 17 on Amazon Prime

About the filmmaker: Director / writer Tayarisha Poe is a storyteller from West Philadelphia who believes that all stories are inherently multi-sensory and multi-dimensional, and thus should be told that way. She was chosen as one of the 25 New Faces by Filmmaker Magazine in 2015, and in 2016 she received the Sundance Institute’s Knight Foundation Fellowship. In 2017 she was selected for the Sundance Screenwriters and Directors Labs. Her first feature film, SELAH AND THE SPADES, premiered at the 2019 Sundance Film Festival.

For more about Tayarisha Poe go to: tayarishapoe.com

Social Media
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twitter.com/jointhespades
instagram.com/tayarisha
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#jointhespades

 

100% on Rotten Tomatoes

“Selah and the Spades shows a great deal of promise for writer/director Tayarisha Poe, who demands your attention with style and story in her directorial debut.” – Nick Allen, RogerEbert.com

“Quietly confident in its unconventional yet clear point of view, Selah and the Spades signals a bright future for a promising young filmmaker.” – Beandrea July, Hollywood Reporter

“The level of craft in Poe’s feature debut exceeds that of directors with more experience and portends a long career with more wonderful art to come.” – Bradley Gibson, Film Threat

“More than the sheer delight of watching a powerful Black girl, Selah and the Spades is an earnest celebration of youth and power -something long-reserved for white teens while excluding young people of color.” – Aramide Tinubu, Shadow and Act

Crip Camp, Co-directors Nicole Newnham and Jim LeBrecht

CRIP CAMP explores the revolution that blossomed in a ramshackle, unorthodox summer camp for teenagers with disabilities in the early 1970s, transforming their lives and igniting a landmark movement. This joyous and exuberant documentary, co-directed by Emmy®-winning filmmaker Nicole Newnham and sound mixer (and former camper) James LeBrecht, draws from a jaw-dropping store of archival footage to show how the campers’ bonds endured as they migrated West to Berkeley, California — a promised land for a growing and diverse disability community — where they realized that by working together they might secure life-changing accessibility for millions. CRIP CAMP arrives the same year as the 30th anniversary of the Americans with Disabilities Act, at a time when the country’s largest minority group still battles daily for the freedom to exist. Co-directors Nicole Newnham and Jim LeBrecht join us for a lively conversation on the personal and professional journey behind the making of CRIP CAMP and the remarkable people who fought and those who continue to fight for human rights.

 

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For news and updates go to: cripcamp.com

Watch Crip Camp on Netflix right now!

About the filmmakers: Jim LeBrecht is the founder of Berkeley Sound Artists (BSA), an audio postproduction house. Films that he has mixed have screened at film festivals including Sundance, Tribeca, SXSW, Telluride and Berlin. Credits include Unrest, The Force, Audrie and Daisy, The Waiting Room, The Devil and Daniel Johnston and We Were Here. LeBrecht started his career in the theater as the resident sound designer at the Berkeley Repertory Theatre for 10 years. He’s also designed sound for the American Conservatory Theatre, The Public Theater in NY, La Jolla Playhouse and the Old Globe Theatre in San Diego. Jim co-authored (with Deena Kaye) the book Sound and Music for the Theatre: the art and technique of design. Now in its 4th edition, the book is used all over the world as a textbook. Jim’s work as a disabled rights advocate began in his teens as a member of Disabled in Action, a pioneering disability rights group. While at UC, San Diego, he helped found the Disabled Students Union. Jim is currently a board member at the Disability Rights Education & Defense Fund, a leading organization working for the rights of the disabled through education, legislation and litigation.

Nicole Newnham is a documentary producer and director, Sundance Film Festival alumnus and four time Emmy-nominee. She recently produced the breakthrough virtual reality experience, Collisions, directed by artist Lynette Wallworth. Among her films are The Revolutionary Optimists, winner of the Sundance Hilton Sustainability Award, and Sentenced Home. Both films aired on PBS’ series Independent Lens. Nicole instigated, co-produced and directed the acclaimed documentary The Rape of Europa, about the Nazi war on European culture, which was nominated for a WGA award and shortlisted for the Academy Award. She is known for working to achieve concrete impact from the power of the stories she tells, and co-founded a story and data-mapping platform for youth – linked to The Revolutionary Optimists, own communities, called Map Your World (www.mapyourworld.org).

 

Social Media
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facebook.com/JimLeBrecht
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instagram.com/cripcampfilm

 

100% on Rotten Tomatoes

“The riveting tale of a decades-long radical revolution that changed the world forever.” – Katie WalshTribune News Service

“The spirit of revolution – righteously angry yet full of bonhomie, demanding but generous in its reach – is alive and well in the film. As, one hopes, it is everywhere else.” – Richard Lawson, Vanity Fair

“Using a treasure trove of archived footage and colorful contemporary interviews, Lebrecht and Newnham weave together a punchy, straightforward and inspiring documentary that is greater than the sum of its parts.” – Ashlie D. Stevens, Salon.com

“”Crip Camp” is thus a moving and passionate tribute to the herculean efforts it took… to bring about ramps, curb cuts and other essential accessibility provisions.” – Justin Chang, Los Angeles Times

Cooked: Survival by Zip Code, Director Judith Helfand

Twenty-five years after the 1995 Chicago heat wave, COOKED: Survival by Zip Code examines the events that led to the deaths of 739 people, mostly Black and in the poorest neighborhoods of the city. The film arrives at a time of growing calls across the country to declare racism a public health crisis and to reinvest in communities ravaged by the long-term impact of structural racism. A recent NYU study found life expectancy differentials as wide as 20-30 years linked to racial and ethnic segregation between neighborhoods in American cities. Adapted from Eric Klinenberg’s ground-breaking book ‘HEAT WAVE: A Social Autopsy of Disaster in Chicago,’ the film is directed and produced by Peabody Award-winning director Judith Helfand (Blue Vinyl, A Healthy Baby Girl, Everything’s Cool), produced by Fenell Doremus (co-producer of Academy Award-nominated Abacus: Small Enough to Jail), and Kartemquin Films, the award-winning Chicago documentary production house behind Minding the Gap and Hoop Dreams. In COOKED, Helfand challenges herself, and ultimately all of us, to respond to the man-made disasters taking place in towns and cities across the country before the next unprecedented “natural” disaster hits. Director Judith Helfand joins us to talk about the systemic racism that makes the neighborhoods of the poorest the most likely location for

Independent Lens: COOKED: Survival by Zip Code will have its national television debut on the PBS television series Independent Lens on Monday, February 3 at 10:00 pm (check local listings), preceding coverage of the Iowa Caucuses. The film will also be available to stream at PBS.org and on the free PBS Video App throughout Black History Month.

 

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For news and updates go to: pbs.org/independentlens

For news, screenings and updates go to: cookedthefilm.com

For more information about Cooked: Survival by Zip Code go to: independentlens/cooked

About Independent Lens – Award-Winning Series
Each week this award-winning series bring you an original documentary film made by one of the best independent filmmakers working today. Independent Lens films have won 19 Emmy Awards16 Peabody Awardsfive duPont-Columbia University Awards, and have received 10 Academy Award nominationsIndependent Lens won the 2013, 2014, 2015 and 2017 International Documentary Association (IDA) Award for Best Continuing Series.

 

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Walk Run Cha Cha, Director Laura Nix

WALK RUN CHA-CHA has been nominated for Documentary Short Subject at the 92nd Academy Awards®. Directed by Laura Nix, the film follows Paul and Millie Cao, who lost their youth to the aftermath of the Vietnam War. Forty years later, they have become successful professionals in Southern California-and are rediscovering themselves on the dance floor. WALK RUN CHA CHA is now streaming on New York Times Op-Docs.

About the Filmmaker: Director Laura Nix Laura Nix is an award-winning fiction and nonfiction filmmaker based in Los Angeles. WALK RUN CHA-CHA is adapted from a feature-length documentary in progress. It was produced by Concordia Studio for The New York Times Op-Docs and premiered at the 2019 Tribeca Film Festival. Laura’s work also includes  other work includes her feature documentary INVENTING TOMORROW, about teenagers from around the globe tackling environmental issues through science,  THE YES MEN ARE REVOLTING, a comedy about activism and climate change, the documentary THE LIGHT IN HER EYES, about a Syrian Qur’an school for women and she was a writer on the Emmy-nominated documentary CALIFORNIA STATE OF MIND: THE LEGACY OF PAT BROWN. In 2001, Nix co-founded the production company Automat Pictures, where she produced and/or directed over 100 presentations, including the feature documentary WHETHER YOU LIKE IT OR NOT: THE STORY OF HEDWIG, which played in over a dozen film festivals in the U.S. and worldwide. Previously she was a member of Oscar-winning filmmakers Rob Epstein and Jeffrey Friedman’s production company Telling Pictures, where she was Associate Producer on THE CELLULOID CLOSET.

 

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For news and updates go to: feltfilms.com

Walk Run Cha Cha is now available at nytimes.com/Op-Docs

 

*** 2020 Oscar nomination for Best Documentary (Short) *** 

 

Official Selection – Tribeca Film Festival 2019

Winner – Grand Jury Trống Đồng Award for Best Short – Viet Film Fest 2019

Official Selection – SFFILM Doc Stories 2019

 

Social Media

twitter.com/feltfilms

https://twitter.com/WalkRunChaCha

@feltfilms

 

“Laura Nix’s WALK RUN CHA-CHA is a moving, poignant portrait of two aging refugees who have endured a great deal, and who now face one of life’s biggest challenges: figuring out how to stay in love. Through them, Nix also evokes the textures, tastes, and sounds of Vietnamese refugee life, and mixes them in with everything that is good about the United States. Ultimately, WALK RUN CHA-CHA is an optimistic film about both love and hope—the hope that our country will continue to believe in welcoming strangers from other lands, who in the end are not that strange at all.” – Viet Thanh Nguyen, Pulitzer Prize-winning author of The Sympathizer

 

The Neighbors’ Window, Director Marshall Curry

THE NEIGHBORS’ WINDOW tells the story of Alli (Maria Dizzia), a mother of young children who has grown frustrated with her daily routine and husband (Greg eller). But her life is shaken up when two free-spirited twenty-somethings move in across the street and she discovers that she can see into their apartment. Inspired by a true story, the film was written and directed by three-time Oscar-nominated documentary filmmaker, Marshall curry. Starring tony-nominated Maria Dizzia (Orange is the New Black, 13 Reasons Why, White We’re Young); Greg Keller (Law and Order); and Juliana Canfield (Succession).

About the filmmaker: Marshall Curry is a three-time academy award nominated documentary director, cinematographer, and editor. his films cover a wide range of interests and include STREET FIGHT, about Cory Booker’s first run for mayor of Newark, N.J.; RACING DREAMS, which tells the story of two boys and a girl who dream of becoming NASAR drivers; IF A TREE FALLS: A STORY OF THE EARTH LIBERATION FRONT, which chronicles a radical environmental group; POINT AND SHOOT, about an American who leaves home to join the Libyan revolution; and A NIGHT AT THE GARDEN, about a Nazi rally that filled Madison Square Garden in 1939. his films have won top honors at Sundance and Tribeca, played in theaters and on television around the world, and earned two Emmy nominations and two Writers Guild of America nominations. curry also Executive produced and helped to edit MISTAKEN FOR STRANGERS, a comedy documentary about the indie rock band, the National.

 

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For news and updates go to: theneighborswindow.com

For more about the work of Marshall Curry go to: marshallcurry.com

Watch: The Neighbors’ Window

Social Media

twitter.com/marshallcurry

twitter.com/neighbrswindow


Awards: (Partial List)
Palm Springs Shorts Fest – Audience Award, Best Live Action Short 
Traverse City Film Festival – Audience Award, Best Fiction Short
Rhode Island Film Festival – First Prize, Best Live Action Short
Woodstock Film Festival – Best Short Film
Port Townsend Film Festival – Jury Award, Best Narrative Short
Port Townsend Film Festival – Audience Award, Best Narrative Short
Santa Fe Film Festival – Audience Award, Best Narrative Short
Washington West Film Festival – Best Narrative Short
Washington West Film Festival – Best Short Film Director
Kinematic Shorts – Audience Award
Coronado Film Festival – Audience Award
Short Shorts Film Festival – Best International Actress, Maria Dizzia
Sulmona International Film Festival – Best Editing
Atlanta Shortsfest – Best Cinematography, Wolfgang Held

December 27 – Dawson City: Frozen Time, Director Bill Morrison

A hallucinatory cinematic fever dream, Dawson City: Frozen Time tells the bizarre true story of some 533 silent film reels, dating from the 1910s and 20s, that accumulated at the end of a film distribution line in northwestern Canada and which were miraculously discovered some 50 years later, in 1978, buried in a sub-arctic swimming pool, deep in the Yukon permafrost. Filmmaker Bill Morrison (Decasia, The Miners’ Hymns, The Great Flood) deftly combines excerpts from this remarkable collection with historical footage, photographs, and original interviews, to explore the complicated history of Dawson City, a Canadian Gold Rush town founded across the river from a First Nation hunting camp, and then traces how the development of that town both reflected and influenced the evolution of modern Cinema. Combined with a powerful, evocative score by Alex Somers ( Captain Fantastic; Hale County This Morning, This Evening; Honey Boy), orchestrated and arranged by Ricardo Romaneiro, Dawson City: Frozen Time is a triumphant work of art that spins the life cycle of a singular film collection into a breath-taking history of the 20th century. Director, writer and editor Bill Morrison joins us to talk about his amazing re-creation of a time and place that existed in the parallel universes of a nascent film industry and crushing avarice of a gold rush that still resonates today.

About the filmmaker: Bill Morrison has premiered films at the New York, Rotterdam, Sundance, and Venice film festivals, and multi-media work at major performance venues around the globe such as BAM, the Barbican, Carnegie, and Walt Disney Concert Hall. Morrison’s films typically source rare archival footage in which long-forgotten, and sometimes deteriorated, imagery is reframed as part of a collective mythology. His work has been recognized with the Alpert Award, Creative Capital, the Foundation for Contemporary Art, a Guggenheim fellowship, and a mid-career retrospective at MoMA. His found footage opus Decasia (2002) was the first film of the 21st century to be selected to the Library of Congress’ National Film Registry. The Great Flood (2013) was awarded the Smithsonian Ingenuity Award of 2014 for historical scholarship. Dawson City: Frozen Time (2016) won a Critics’ Choice Award for the most innovative documentary of the year, and was named the best documentary of 2017 by the Boston Society of Film Critics.

 

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billmorrisonfilm.com/dawson-city-frozen-time

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twitter.com/decasia

“an instantaneously recognizable masterpiece” – Glenn Kenny, New York Times

“Bill Morrison, whose extraordinary documentary Decasia turned decomposing film stock into the stuff of avante-garde reverie, returns with another staggering journey into the past.” – J. R. Jones, Chicago Reader

“The thrilling documentary “Dawson City: Frozen Time” is indescribable not because it’s ambiguous (it’s totally straightforward) but because it does so many things so beautifully it is hard to know where to begin.” – Kenneth Turan, Los Angeles Times

“The rise and fall of Dawson City, intimately tied to the vagaries of climate and man’s greed, is heartbreakingly rendered.” – Peter Rainer, Christian Science Monitor

** Midnight Family, Director Luke Lorentzen

** Update – MIDNIGHT FAMILY is a shortlisted nominee for the 2020 ACADEMY AWARD FOR BEST DOCUMENTARY

MIDNIGHT FAMILY has won more than 25 national and international awards, played in 135 film festivals around the world. MIDNIGHT FAMILY is set in Mexico City, where the government operates fewer than 45 emergency ambulances for a population of 9 million. This has spawned an underground industry of for-profit ambulances often run by people with little or no training or certification. An exception in this ethically fraught, cutthroat industry, the Ochoa family struggles to keep their financial needs from jeopardizing the people in their care. When a crackdown by corrupt police pushes the family into greater hardship, they face increasing moral dilemmas even as they continue providing essential emergency medical services. MIDNIGHT FAMILY is an enthralling. harrowing, and intimate look at a family business of dedicated professionals who often fo more than simple transport the helping the people who end up in their ambulance. Director, Producer, Cinematographer, Editor Luke Lorentzen joins us to talk about his mesmerizing film and the challenges of capturing all the different facets of the Ochoa family.

About the filmmaker: Director, Producer, Cinematographer, Editor Luke Lorentzen is a graduate of Stanford University’s department of Art and Art History. His first film, Santa Cruz del Islote (2014) – a short documentary about a small and densely populated fishing community in Colombia – won awards at over ten international film festivals including the San Francisco International, Full Frame Documentary, Camden International, and Chicago International. Midnight Family (2019) – Luke’s first feature documentary out of school – tells the story of a family-run ambulance business in Mexico City. Midnight Family has played at over 130 film festivals around the world and has won over 25 awards including a Special Jury Award for Cinematography at the Sundance Film Festival and the Grand Jury Award at Sheffield Doc/Fest. Midnight Family will be released theatrically around the world in December of 2019. Luke is also a director and producer on the Netflix documentary series, Last Chance U. His work explores elements of everyday life, often through rigorous formal means, questioning and experimenting with the ways in which non-fiction stories are told. Originally from Connecticut, Luke currently lives in San Francisco.

 

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For news, screenings and updates go to: midnightfamilyfilm.com

Midnight Family opening at the Laemmle Royal in Los Angeles on Friday Decemebr 13 with a Q&A with director Luke Lorentzen at the 7:50 PM screening on Friday night

Social Media
facebook.com/MidnightFamilyFilm
twitter.com/MidnightFamFilm
instagram.com/midnightfamilyfilm
#midnightfamilyfilm

 

AWARDS:
Special Jury Award for Cinematography, U.S. Documentary, Sundance Film Festival
IDA Documentary Awards, Winner, Best Editing
IDA Documentary Awards, Nominee, Best Feature
IDA Documentary Awards, Nominee, Best Cinematography
Cinema Eye Honors, Best Film Nominee
Cinema Eye Honors, Best Cinematography Nominee
Cinema Eye Honors, Best Production Nominee
Cinema Eye Honors, Unforgettables Award, Juan Ochoa, Nominee
Golden Frog for Best Documentary, EnergaCAMERIMAGE
Best Documentary, Films from the South, Oslo
Maysles Brothers Award, Special Jury Mention, Denver Film Festival
Best Film, WatchDocs IFF, Warsaw
FIPRESCI Rellumes Award for Best Director, Gijón Film Festival

 

100% on Rotten Tomatoes

“10 Best Movies of Sundance 2019″

“Fantastically shot by the director Luke Lorentzen, the documentary develops an urgency that suits the life-or-death stakes onscreen. By turns terrifying and exhilarating, “Midnight Family” unfolds with such velocity that it may take a while for your ethical doubts to catch up to what’s happening. When they do, they leave you gasping.” – Manohla Dargis, New York Times

“Arguably the most exhilarating documentary to come out of Sundance this year, Midnight Family follows the Ochoa family—the gruff but compassionate Fer and his two underage sons, Juan and Josué—at intensely close range on these Sisyphean missions of mercy.” – Museum of Modern Art and Film Society of Lincoln Center

“A deft mix of big-picture doc-making and intimate moments… not to mention a wild — and remarkably eye-opening — ride.” – David Fear, Rolling Stone

“An intimate verite documentary… the Ochoas emerge as fascinating embodiments of a country working overtime to correct its shortcomings and keep the lights on. This bracing U.S. competition documentary is poised to provide a personal window into the fast-paced mayhem of Mexico after dark.” – Eric Kohn, Indiewire

December 13 – What She Said: The Art of Pauline Kael, Director Rob Garver

The highly entertaining new documentary What She Said: The Art of Pauline Kael is an unvarnished portrait of a pioneer who was both admired and resented for what she said about art in an era of great moviemaking. New Yorker film critic Pauline Kael battled to make her mark — fueled by brilliance, unshakable self-confidence, a complicated past, and a deep love of the arts. In a field that has historically embraced few women film critics, Kael was charismatic, controversial, witty, and discerning. Her decades-long berth at The New Yorker energized her fans (“Paulettes”) and infuriated her detractors on a weekly basis. Her turbo-charged prose famously championed the New Hollywood Cinema of the late 1960s and ‘70s (BONNIE AND CLYDE, NASHVILLE, CARRIE, TAXI DRIVER) and the work of major European directors (François Truffaut, Bernardo Bertolucci), while mercilessly panning some of the biggest studio hits (THE SOUND OF MUSIC, MIDNIGHT COWBOY, DIRTY HARRY). Her creepy battle with Andrew Sarris and his auteur theory was legendary, and her stint in Hollywood, trying her hand at producing, was a disaster. What She Said: The Art of Pauline Kael includes over 35 new interviews and never-before seen archival material. Sarah Jessica Parker reads from Kael’s reviews; filmmakers Quentin Tarantino, Paul Schrader, and Francis Ford Coppola and critics Camille Paglia, Molly Haskell, Greil Marcus, and David Edelstein speak to her enormous gifts and influence. Director, editor and producer Rob Garver joins us for a conversation on the life and impact of an iconoclastic, gifted, generous, vindictive writer and fierce champion of film and filmmakers.

“The most powerful, loved, and hated film critic of her time.” – Roger Ebert on Pauline Kael

For news, sreenings and updates go to: whatshesaidmovie.com

For more on the film go to: paulinekaelmovie.com

Social Media
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twitter.com/WhatSheSaid_Doc
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“Garver’s film blossoms into something more comprehensive than complimentary, a film that doesn’t balk at the trickier aspects of Kael’s career, even as it never fully engages with the tensions that informed her.” – Kate Erbland, indieWire

“Garver’s film also works as a great overview of the sweeping changes in both filmmaking and film culture over the course of her career from the perspective of someone in and yet not of the industry.” – Glenn Dunks, The Film Experience

“An exquisitely crafted documentary about the woman who was arguably the greatest movie critic who ever lived…” – Owen Gleiberman, Variety

“Garver’s film is above all a celebration of the pleasure of intellectual and emotional response to art… and a picture of a style of thinking that might be seen as distinctively but non-stereotypically female.” – Jonathan Romney, Screen International

The Kingmaker, Director Lauren Greenfield

Centered on the indomitable character of former first-lady Imelda Marcos, THE KINGMAKER examines, with intimate access, the Marcos family’s improbable return to power in the Philippines. THE KINGMAKER explores the disturbing legacy of the Marcos regime and chronicles Imelda’s present-day push to help her son, Bongbong, win the vice presidency. To this end, Imelda confidently rewrites her family’s history of corruption, replacing it with a narrative of a matriarch’s extravagant love for her country. In an age when fake news manipulates elections, Imelda’s comeback story serves as a dark fairy tale. Director Lauren Greenfield (Generation Wealth, The Queen of Versailles, Thin) joins us to talk about a powerful political family, led by a single-minded matriarch, determined to return to re-capture the corrupted glory of  her family’s discredited regime.

 

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About the filmmaker, Lauren Greenfield Named by the New York Times as “America’s foremost visual chronicler of the plutocracy,” Emmy Award–winning filmmaker/photographer Lauren Greenfield has produced groundbreaking work on consumerism, youth culture and gender for the last 25 years. Her films Generation Wealth, The Queen of Versailles and Thin and photography books Generation Wealth, Fast Forward and Girl Culture have provoked international dialogue about some of the most important issues of our time. The Queen of Versailles was the opening night film of the 2012 Sundance Film Festival, where it won the Best Documentary Director Award and was named by Vogue as  one  of  the  top  documentaries  of  all time. Her record-breaking Super Bowl ad #LikeAGirl (250+ million views) earned her 14 Cannes Lions and the Most Awarded Director by Ad Age, making her the first woman to top this list. Generation Wealth (Amazon Studios) opened the 2018 Sundance Film Festival, screened at Berlinale and received a Writers Guild nomination. The companion exhibition received The Paris Photography prize, has traveled around the world and opens at the Louisiana Museum of Modern Art (Copenhagen) in Fall 2019. In 2019, Greenfield launched Girl Culture Films to address the lack of diversity of directors in the advertising industry.

For news, theatre screening and updates go to: thekingmakerfilm.com

Social Media:
facebook.com/laurengreenfield
twitter.com/lgreen66
instagram.com/greenfield_lauren

 

OFFICIAL SELECTION – Venice International Film Festival
OFFICIAL SELECTION – Telluride Film Festival
OFFICIAL SELECTION – Toronto International Film Festival

 

“Jaw dropping. Lauren Greenfield proves the perfect person to infiltrate Imelda Marcos’ psyche.”- Peter Debruge, Variety

 “An enraging portrait of entitlement, opulence and corruption. Greenfield shows a knack for illuminating the oddly hypnotic allure of obscene, tacky wealth.” – Tim Grierson, Screen International

 “Eye opening. Lauren Greenfield transforms an absorbing look at the life and legacy of Imelda Marcos into a fascinating documentary about the Marcos family’s troubled history – and the disturbing ways that it’s making a comeback today.” – Eric Kohn, IndieWire

:Marcos innately understands the importance of image, but she seems to have underestimated her inquisitor, who uses well-chosen historic footage and powerfully-edited interviews with other Filipinos to gradually expand the canvas.” – Elizabeth Weitzman, TheWrap

Queen of Hearts, Director May el-Toukhy

QUEEN OF HEARTS tells the story of Anne, a brilliant and dedicated lawyer specializing in children and young adults, living what appears to be the picture perfect life with her doctor-husband, Peter, and their twin daughters. When her estranged teenage stepson, Gustav, moves in with them, Anne’s escalating desire leads her down a dangerous rabbit hole which, once exposed, unleashes a sequence of events that threatens to destroy her world. Denmark’s official entry for the 2019 Academy Award for Best Foreign Film, QUEEN OF HEARTS explores the making of a tragic family secret step by step, as the consequences of hubris, lust and lies conspire to create an unimaginable dilemma. With bold and astonishing vision, co-writer/director May el-Toukhy masterfully builds Anne’s world, seducing the viewer into complicity before maneuvering her protagonist onto an unsettling and shocking path. Trine Dyrholm, one of Denmark’s finest dramatic actresses, skillfully inhabits the complicated Anne. In a finely calibrated performance, Dyrholm humanizes Anne’s contradictions and unpredictable behavior, creating an even more disconcerting character. A riveting and provocative film, QUEEN OF HEARTS is a portrait of a woman who manages to lose everything and nothing at the same time. Director and co-screenwriter May el-Toukhy joins us for a lively conversation on her shattering tale of power, family and self-preservation.

 

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For news, screenings and updates go to: bgpics.com/movies/queen-of-hearts

Social Media:
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facebook.com/queenofhearts
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twitter.com/hashtag/mayeltoukhy

 

“Shot in icy blues and whites and among the hard edges of a modernist home, there’s nothing very comfortable about this environment; el-Toukhy doesn’t want us to get cosy.” – Alex Heeney, Seventh Row

“Queen of Hearts is certainly not a comfortable watch, let alone a pleasant one. But it is a fearless, important film whose impact explodes primarily out of the core collaboration between its masterful director and her main actor.” – Alexandra Heller-Nicholas, AWFJ Women on Film

“A challenging sit, especially when Anne’s actions shift from ethically bankrupt to outright despicable, making her one of the most complicated female villains of recent memory.” – Tomris Laffly, RogerEbert.com

“Dyrholm, who remains one of Denmark’s most accomplished contemporary performers, adds another signature performance to her filmography as Anne, a good person who, like everyone, has the capability of doing terrible things.” – Nicholas Bell, IONCINEMA.com

Independent Lens, Executive Producer Lois Vossen

The acclaimed PBS documentary series Independent Lens, recently honored with two Peabody Awards, a Primetime Emmy nomination and 12 News & Documentary Emmy nominations, returns for a new season on Monday, October 28.This year’s premiere is Made in Boise, an engrossing look at the complex and controversial world of gestational surrogacy told through the stories of four women carrying babies for gay men and infertile couples in the conservative heartland of Idaho — the unofficial “surrogacy capital” of the United States. Also on the fall schedule is Decade of Fire, which travels back to the 1970s when the South Bronx was burning, to showcase the dedicated citizens who outlasted the flames and saved their community; The Interpreters, a moving look at the Afghan and Iraqi interpreters who risked their lives aiding American troops and who now struggle to find safety and security for themselves and their families; Conscience Point, which unearths the deep clash of values between the Native American Shinnecock of Long Island and their affluent Hamptons neighbors; and Attla, the rousing story of Alaska Native George Attla, who with one good leg and a determined mindset went on to become a champion dogsled racer. Other highlights of the Winter/Spring 2020 slate include Always in Season, a harrowing look at the history of lynching and the 2014 case of Lennon Lacy, a North Carolina teen who died under unexplained circumstances; Bedlam, a psychiatrist’s chronicle of what mental illness means in the U.S. today, interwoven with the story of how the system tragically failed his own sister; and Rewind, a devastating, autobiographical documentary about the far-reaching consequences of multigenerational child sexual abuse. Independent Lens Executive Producer Lois Vossen joins us to talk about the fundamental principles to support filmmakers telling stories about their communities and commitment to showcase thought-provoking documentaries about the issues that divide us and the ideals and beliefs that bind us together.

 

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For news, updates and screenings go to: pbs.org/independentlens

Social Media:
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instagram.com/independentlens

 

Independent Lens upcoming schedule:

Made in Boise by Beth Aala (Monday, October 28) Go inside the lives of four surrogates and the intended parents whose children they carry. As the number of surrogate births surge across the country, a surprising epicenter of the movement is Boise, Idaho, where hundreds of women are choosing to be surrogates. For gay couples, single men, and those who struggle with infertility, this booming industry is often the last resort to biological parenthood. The film follows the four women as they navigate the rigors of pregnancy and the mixed feelings of their own families, who struggle to understand their choice to risk the physical and emotional complications of carrying babies for someone else.

Decade of Fire by Vivian Vázquez Irizarry, Gretchen Hildebran and Julia Steele Allen (Monday, November 4) In the 1970s, the Bronx was on fire and close to a quarter-million people were displaced when their close-knit, multiethnic neighborhood burned. While the abandonment of landlords and dwindling support from government officials led to the devastation, Black and Puerto Rican residents were blamed. Now, Bronx-born Vivian Vázquez Irizarry explores the truth about the borough’s untold history and reveals how her community chose to resist, remain and rebuild.

The Interpreters by Andrés Caballero and Sofian Khan (Monday, November 11) More than 50,000 local interpreters helped protect U.S. troops on the ground in Iraq and Afghanistan, enabling soldiers to communicate with the local population. But those who took the job were often considered traitors. In the aftermath of war, some have been able to leave their home countries and reach safety, while others still languish in hiding and fear for their lives.

Conscience Point by Treva Wurmfeld (Monday, November 18) In Long Island’s Hamptons, one of the wealthiest areas in the nation and an epicenter of the luxury property boom, a clash of values is taking place. The original inhabitants of the beautiful peninsula — the Shinnecock Indian Nation — find themselves squeezed onto a tiny, impoverished reservation. Over hundreds of years they have seen their ancient burial grounds plowed up for the widening of roads, mega-mansions, and ultra-exclusive golf courses like the Shinnecock Hills Golf Club. Now Shinnecock activists and long-standing residents, including farmers and fishing communities, are taking a stand against a never-ending tide of wealthy transplants, overdevelopment, pollution, congested highways and skyrocketing property taxes.

Attla by Catharine Axley (Monday, December 16) The inspiring but little-known story of legendary Alaska Native dogsled champion George Attla, who — with one good leg and fierce determination — rose to international fame. In the final chapter of his life, Attla emerges from retirement to mentor his 20-year-old grandnephew. With their sights set on reviving proud cultural traditions, the pair embark on a journey to compete in the world’s largest dogsled sprint race, one that has seen a steep decline in Native competitors.

Made in Boise, Director Beth Aala

The latest documentary film from Peabody Award-winning director Beth Aala, Made in Boise, looks at the world of modern day surrogacy. In the idyllic city of Boise, nurses, nail technicians, and stay-at-home mothers are choosing to become paid surrogates for people from around the world. Made in Boise offers a rare glimpse into this mysterious world by intimately following the lives of four surrogates, as they build relationships with the intended parents, prepare for the rigors of pregnancy, and navigate the mixed feelings of their own families, who struggle to understand their choice to risk the physical and emotional complications of carrying babies for someone else. Legal in some states and illegal in others, a number of states, including Idaho, have no laws governing surrogacy on their books at all. As the number of surrogate births surge across the country, Boise has become an epicenter of the movement, with a large population of healthy women of reproductive age and a significant number of Mormon and Catholic communities who value large families. In this “City of Trees” with a population of a little over 200,000, it is estimated that one in 15 mothers will carry a baby for a stranger at some point in her life. For couples who struggle with infertility, for gay couples, and single men, this industry — outlawed in many countries around the world — is often the last resort to biological parenthood. Director Beth Aala (Supermensch: The Legend of Shep Gordon, Rancher, Farmer, Fisherman ) joins us to talk about challenges and rewards of surrogacy for the the women who bear the children and the intended parents.

 

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About the filmmaker: Beth Aala (Director) is a three-time Emmy Award-winning producer and recipient of a Peabody Award for her documentary work at HBO. Beth’s most recent feature documentary, Rancher, Farmer, Fisherman (Sundance, 2017), which she co-directed and produced, is a film about unlikely conservationists based on New York Times  best-selling author Miriam Horn’s book of the same name. Beth also directed and produced Supermensch: The Legend of Shep Gordon (Toronto, 2014) with comedian Mike Myers for A&E IndieFilms. The documentary is an intimate and entertaining portrait of talent manager Shep Gordon, the most famous man you’ve never heardhttps://www.facebook.com/madeinboise/ of. It won a Hollywood Film Award and garnered a 2015 News and Documentary Emmy Awards nomination. Her directorial debut, Pool Party, is the untold story of McCarren Pool-turned-music venue in Williamsburg, Brooklyn, featuring music and performances by the Beastie Boys, the Breeders, M.I.A, Sharon Jones, Yeah Yeah Yeahs, Sonic Youth and Yo La Tengo. It played in festivals around the world.

For more on Made in Boise screening on Independent Lens go to: pbs.org/made-in-boise

For more on the work of Director Beth Aala go to: pinaypictures.org

Additional resources for Made in Boise:

itvs.org/films/made-in-boise

Social Media:

facebook.com/madeinboise

Diego Maradona, Director Asif Kapadia

In this brilliant followup to his award-winning documentaries (SENNA, AMY) DIEGO MARADONA captures the athletic brilliance and maddening duality of a soccer player widely considered to be best player in the world from the moment he burst onto the scene in his native Argentina. And yet success proved elusive. He failed at Barcelona. He was considered a problem player, too interested in partying. Meanwhile, having never won a major tournament, the ailing Italian football giant SSC Napoli were perennial underachievers. Their fanatical support was unequalled in both passion and size. But how they ached for success… On 5th July 1984, Diego Maradona arrived in Naples for a world-record fee and for seven years all hell broke loose. The world’s most celebrated football genius and the most passionate but dangerous city in Europe were a perfect match for each other. Diego Maradona was blessed on the field and treated like a God off it; the charismatic Argentine loved a fight against the odds and led Naples to their first-ever League title. It was the stuff of dreams. But there was a price… Diego could do as he pleased while performing miracles on the pitch, but as time passed, darker days closed in. Italy turned on him. The third film from the Academy Award-winning & multi-BAFTA-winning team behind SENNA and AMY (director Asif Kapadia, producer James Gay-Rees, editor Chris King, composer Antonio Pinto), and also Paul Martin, DIEGO MARADONA was constructed from over 500 hours of never-before-seen footage from Maradona’s personal archive. DIEGO MARADONA is crafted in the style of SENNA and AMY. It is the definitive feature documentary on the charismatic enigma that is Maradona. In a city where even the devil would need bodyguards, Diego Maradona became a god. Maradona in Naples is the story of his life, the wild and unforgettable story of an unrivalled talent. He was a rebel, cheat, hero and god. This is a story of glory, despair and betrayal, a tale of corruption and, ultimately, of redemption. Director / Producer Asif Kapadia joins us to talk about the enigma of “Diego” and “Maradona.”

 

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For news, updates and screenings go to:hbo.com/documentaries/diego-maradona

For news, updates and screenings go to: diegomaradona.movie

Social Media and tags:

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#HBO

#HBODocs

#DiegoMaradona

#HBOSports

Asif Kapadia:

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twitter.com/MaradonaMovie

instagram.com/diegomaradonamovie

website: diegomaradona.movie

“MESMERIZING… one of the most colorful and fascinating personalities in all of sports, with a life story bordering on the mythic. You may know outlines of the soccer legend’s life, but there’s no way you won’t learn something from DIEGO MARADONA, Asif Kapadia’s absorbing and exhaustive new film.” – Jocelyn Noveck, Associated Press

“a fame-technique movie, measured in crowd roars, off-field revelry, media run-ins, and fan scrums as dizzying accoutrements to success, but also – when Maradona succumbed to scandals surrounding women, an unclaimed son from an affair, cocaine, loyalty, and powerful mob friends – in how those same trappings can suddenly turn vicious, and a hero’s fall can go shockingly unsupported.” – Robert Abele, Los Angeles Times

“[Kapadia] has edited cruddy video footage (some of which appears barely more than camcorder-grade) and photographs into a movie so fluid that it moves like a Hollywood production. He also dispenses with much of the filler common to documentaries… It is exhausting and exhilarating, cheap looking and slick, a documentary for Maradona fans but also for many others besides.” – Ben Kenigsberg, The New York Times

“Asif Kapadia has put together an extraordinarily intimate account of [Diego Maradona’s] rise and fall, enriched by grainy but graphic footage recording every phase of his life.” – Sandra Hall, Sydney Morning Herald

The Cave, Director Feras Fayyad

Oscar nominee Feras Fayyad (“Last Men in Aleppo”) delivers an unflinching story of the Syrian war with his powerful new documentary, THE CAVE. For besieged civilians, hope and safety lie underground inside the subterranean hospital known as the Cave, where pediatrician and managing physician Dr. Amani Ballor and her colleagues Samaher and Dr. Alaa have claimed their right to work as equals alongside their male counterparts, doing their jobs in a way that would be unthinkable in the oppressively patriarchal culture that exists above. Following the women as they contend with daily bombardments, chronic supply shortages and the ever-present threat of chemical attacks, THE CAVE paints a stirring portrait of courage, resilience and female solidarity. Director and writer Feras Fayyad stops by to talk about the unbelievable courage of the hospital staff led by Dr. Amani Ballor, and the volunteers as they keep an otherwise harrowing day-to-day nightmare from devolving into soul-destroying chaos.

 

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For news, updates and screenings go to: nationalgeographic.com/films/the-cave

The Cave opens on October 18 at the Laemmle Royal Theatre in Los Angeles

SocialMedia:

facebook.com/natgeodocs

twitter.com/NatGeoDocs

instagram.com/explore/tags/thecavedocumentary

**WINNER – Audience Award – Toronto International Film Festival 2019

**WINNER – Audience Award – Camden International Film Festival 2019

**SPECIAL JURY MENTION – Camden International Film Festival 2019

“Miraculous. A standout. Feras Fayyad’s powerful portrait audaciously puts women’s imperative contribution to survival front and center.” – Tomris Laffly, Variety

“Look no further than The Cave for a portrait of true heroism. Provides astonishingly immediate and gripping footage of the collective effort to survive. The Cave ranks among the best of films to portray the tragedy of the Civil War in Syria and the resilience of the everyday people who keep the spirit of the nation alive.” – Pat Mullen, POV

“Emotionally Moving. Both intensely real and a carefully wrought work of cinema.” – Caryn James, The Hollywood Reporter

“Gripping. Unprecedented. A real-time thriller. Fayyad excels at finding small moments that take on poetic resonance.” – Eric Kohn, IndieWire

Anthropocene: The Human Epoch, Co-directors Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky

A stunning sensory experience and cinematic meditation on humanity’s massive reengineering of the planet, ANTHROPOCENE: THE HUMAN EPOCH is a years-in-the-making feature documentary from the award-winning team behind Manufactured Landscapes (2006) and Watermark (2013) and narrated by Alicia Vikander. The film follows the research of an international body of scientists, the Anthropocene Working Group who, after nearly 10 years of research, argue that the Holocene Epoch gave way to the Anthropocene Epoch in the mid-twentieth century as a result of profound and lasting human changes to the Earth. From concrete seawalls in China that now cover 60% of the mainland coast, to the biggest terrestrial machines ever built in Germany, to psychedelic potash mines in Russia’s Ural Mountains, to metal festivals in the closed city of Norilsk, to the devastated Great Barrier Reef in Australia and massive marble quarries in Carrara, the filmmakers have traversed the globe using state of the art camera techniques to document the evidence and experience of human planetary domination. At the intersection of art and science, ANTHROPOCENE: THE HUMAN EPOCH witnesses a critical moment in our geological history. Co-directors  Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky bring a provocative and unforgettable experience of our species’s ever-expanding breadth and devastating impact. 

 

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For news, screenings and updates go to: kinolorber.com/Anthropocene: The Human Epoch

For more information on Anthropocene and filmmakers go to: theanthropocene.org/

For additional information on Jennifer Baichwal at mercuryfilms.ca

Social Media:

facebook.com/mercuryfilmsinc

twitter.com/mercuryfilms

instagram.com/mercuryfilmsinc

“Astonishment. Pure, lurid, ravishing, genuine astonishment. That is Anthropocene: The Human Epoch.” – Luke Hicks, Nonfics

“The [team’s] latest film is the culmination of a major body of work and it’s as visually stunning and intellectually invigorating as the previous two films are.” – Pat Mullen, POV Magazine

“To say that there are no easy answers to planetary woes is to state the obvious. But the film seeks to reveal rather than lecture, in the hope that our eyes will convince our brains to act before it’s too late.” – Peter Howell, the Toronto Star

“Its cinematography and passion for our planet make a strong case for your attention.” – Nick Allen, RogerEbert.com

“The luminous, terrifying and beautiful documentary “Anthropocene: The Human Epoch” feels like the culmination of the life’s work of its three directors… because it chronicles what could be the end of human life on Earth.” – Sean P. Means, The Movie Cricket

Monos, Director Alejandro Landes

MONOS, Alejandro Landes’ awe-inspiring third feature, is a breathtaking survivalist saga set on a remote mountain in Latin America. The film tracks a young group of soldiers and rebels — bearing names like Rambo, Smurf, Bigfoot, Wolf and Boom-Boom — who keep watch over an American hostage, Doctora (Julianne Nicholson). The teenage commandos perform military training exercises by day and indulge in youthful hedonism by night, an unconventional family bound together under a shadowy force known only as The Organization. After an ambush drives the squadron into the jungle, both the mission and the intricate bonds between the group begin to disintegrate. Order descends into chaos and within MONOS the strong begin to prey on the weak in this vivid, cautionary fever- dream. With a rapturous score by Mica Levi (only her third, after UNDER THE SKIN and JACKIE), director Alejandro Landes examines the chaos and absurdity of war from the unique perspective of adolescence, recalling LORD OF THE FLIES and BEAU TRAVAIL in a way that feels wholly original. Landes brings together a diverse young cast of both seasoned professionals (including Hannah Montana’s Moisés Arias) and untrained neophytes and thrusts them into an unforgiving, irrational and often surreal environment where anything can happen — even peace. Director Alejandro Landes talks about the grueling production challenges of shooting in a jungle, working with a young cast and how his collaboration with screenwriter Alexis Dos Santos and composer Mica Levi helped to create an intense, high-wire cinematic journey.

 

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For news, screenings and updates go to: monos-film.com

Social Media:

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#Monos

SUNDANCE FILM FESTIVAL – Special Jury Award
CARTAGENA INTERNATIONAL FILM FESTIVAL – Audience Award
BUENOS AIRES FILM FESTIVAL – Best Original Score
SLOVAKIA ART FILM FEST – Blue Angel – Best Film
NEWPORT BEACH FILM FESTIVAL  Best Director, Best Cinematography, Best Actress
MONTCLAIR FILM FESTIVAL – Best Fiction Feature
TRANSILVANIA INTERNATIONAL FILM FESTIVAL – Transilvania Trophy Best Film
ODESA INTERNATIONAL FILM FESTIVAL – Best Director

 

“A wild, anarchic film, which rips civilization apart at the seams to examine the messy darkness inside.” – Katie Walsh, Tribune News Service

“Something between Apocalypse Now, Lord of the Flies and Embrace of the Serpent.” – Peter Bradshaw, Guardian

“There’s a bicep-flexing quality to Landes’s direction, with its bursts of colour and chaos, its conjuration of a surreal experience out of tactile reality. You tumble out of it bruised, bewildered, mesmerised.” – Tim Robey, Daily Telegraph (UK)

“Though “Monos” feels very contemporary aesthetically, its subjects are timeless.” – Joe Blessing, The Playlist

“A monumentally cinematic experience of lush wilderness and raw emotions.” – Tomris Laffly, RogerEbert.com

Raise Hell: The Life and Times of Molly Ivins, Director Janice Engel

RAISE HELL: THE LIFE & TIMES OF MOLLY IVINS tells the story of media firebrand Molly Ivins, six feet of Texas trouble who took on the Good Old Boy corruption wherever she found it. Her razor sharp wit left both sides of the aisle laughing, and craving ink in her columns. She knew the Bill of Rights was in peril, and said “Polarizing people is a good way to win an election and a good way to wreck a country.” Molly’s words have proved prescient. Now it’s up to us to raise hell! Director Janice Engel (Ted Hawkins Amazing Grace, Jackson Browne: Going Home, Addicted and What We Carry) joins us for a lively conversation on a journalist who did not shy away from confronting and shaming the most powerful institutions, political interests and the people who protected them from her righteous anger and lacerating wit.

About Molly Ivins: Molly Ivins was a nationally-syndicated political columnist and author, who remained cheerful despite the state of politics in this country and her own physical trials. She emphasized the more hilarious aspects of both state and national government, and consequently never had to write fiction. Ivins was from Houston, Texas, graduated from Smith College in 1966, then from Columbia University’s School of Journalism with a Masters in 1967. Ivins won many awards too numerous to list for her writing, courage, and truth telling. Her freelance work appeared in The Nation, The Progressive, Mother Jones, Esquire, Harper’s, Atlantic, and Playboy. She was also known for her essays on National Public Radio as well as media appearances around the world. Ivins wrote seven books, several of which were best-sellers including; BUSHWHACKED: Life in George W. Bush’s America with Lou Dubose in 2003 and WHO LET THE DOGS IN? Incredible Political Animals I Have Known in 2004. Molly was President of the Board of the Texas Democracy Foundation publisher of the venerable Texas Observer, which was her spiritual home and love. She found her voice at the Observer and helped sustain them and lead countless other young writers in seeking out the “good” stories and bring them to the public.

“The best way to get the sons of bitches is to make people laugh at them.” Molly Ivins

 

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For news, screenings and updates go to: mollyivinsfilm.com

Social Media:

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instagram.com/mollyivinsfilm

Engel gives “Raise Hell” such momentum – it’s a whoosh of a movie – that you are quickly swept up in its sights and sounds. There’s a lot to take in.” – Manohla Dargis, New York Times

“There was never anybody like Molly Ivins before, and never will be again, and this documentary does a fine job of capturing what made her special.” – Matt Zoller Seitz, RogerEbert.com

“Smart and entertaining, just like its subject.” – Caryn James, Hollywood Reporter

“It’s a rare documentary indeed that so expertly captures the singular essence of its subject, and [Molly] Ivins is restored to vivid and vital life, if not in the flesh than in the mind and spirit.” – Marc Savlov, Austin Chronicle

Linda Ronstadt: The Sound of My Voice, Co-directors Rob Epstein and Jeffrey Friedman

Linda Ronstadt: The Sound of My Voice is a love song to one of the most memorably stunning voices that has ever hit the airwaves, Linda Ronstadt. She burst onto the 1960s folk rock music scene in her early twenties as the lead singer of the Stone Poneys, Ronstadt eventually branched out to begin her decades long career as a solo artist, touring the world selling out stadiums and, at one point, setting the record as the highest paid female artist in rock. Most remarkable to this day is her interest in and willingness to jump into new and challenging styles of music, including opera, jazz, and Mexican folk, excelling fantastically with each. Ronstadt has also been an outspoken political advocate for causes such as same-sex marriage and the inhumane treatment of undocumented immigrants, never shying away from fighting for what she believes both on and off the stage. Oscar-winning directors Rob Epstein and Jeffrey Friedman (The Times of Harvey Milk, The Celluloid Closet, Common Threads: Stories from the Quilt, Howl, Lovelace and End Game) use deep-cut archival footage, and Ronstadt’s own astute recollections, to celebrate an artist whose desire to do justice to the songs that touched her soul made generations of fans fall in love with her – and with the sound of her voice. Co-directors Rob Epstein and Jeffrey Friedman join us to talk about a remarkable singer /artist and an even better person.

 

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For news, screenings and updates go to: lindaronstadtmovie.com

For more on the films of Rob Epstein and Jeffrey Friedman go to: tellingpictures.com

Social Media:

facebook.com/RonstadtMovie

twitter.com/RonstadtMovie

instagram.com/RonstadtMovie

“She shows herself to be one of its indispensable interpreters, as a vocalist and also as a thinker – covering a sprawling landscape with elegance, passion and insight.” – A.O. Scott, New York Times

“It captures the life and career of a rock ‘n’ roll star who never looked back, never apologized, never compromised.” – Owen Gleiberman, Variety

“Astutely chronicling an amazing musical career that ended prematurely due to Parkinson’s disease, Linda Ronstadt: The Sound of My Voice will delight the singer’s old fans and likely make her many new ones as well.” – Frank Scheck, Hollywood Reporter

“An excellent retrospective and celebration of Ronstadt’s trailblazing career.” – Sophia Stewart, Nonfics

Give Me Liberty, Director Kirill Mikhanovsky

GIVE ME LIBERTY is based on his personal experience as a medical transport driver and an immigrant, director Kirill Mikhanovsky, with writer Alice Austen, create a raw feature film about the comedy and  heartbreak of people in the underprivileged communities living in a struggling American city. Medical transport driver Vic (newcomer Chis Galust) is running late, but it’s not his fault. Roads are closed for a protest, and no one else can shuttle his Russian grandfather and his emigre friends to a funeral. The new route uproots his scheduled clients, particularly Tracy (Lauren “Lolo” Spencer in a breakout performance), a vibrant young woman with ALS. As the day goes from hectic to off-the-rails, their collective ride becomes a hilarious, compassionate and intersectional portrait of American dreams and disenchantment. The characters in GIVE ME LIBERTY are drawn from the people of Milwaukee – they’re magnificently diverse and their struggle to survive is desperate, contradictory, funny and moving. Director Kirill Mahanovsky joins us for a spirited conversation on working with a cast of mostly non-professional actors, drawing upon his own work history for the story behind the film and the importance of making Give Me Liberty in his adopted hometown of Milwaukee. 

 

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For news, screenings and updates go to: givemelibertyproductions.com

About the filmmaker: Russian-born Kirill Mikhanovsky grew up in Moscow where his early passion for cinema compelled him to skip school and go to the movie theatre across the street from his home where, often as the only person in the house, he watched countless films. After the Soviet Union collapsed, Mikhanovsky immigrated to Milwaukee, where he had a series of odd jobs, including driving medical transport for people with disabilities, and began making films. After graduating from NYU Film School, Mikhanovsky went on to make films in the US, Brazil, Russia, and South America. A Sundance Alum, his first feature SONHOS DE PEIXE won the Critics Week at the Cannes Film Festival.

Social Media:

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“Completely, delightfully unpredictable from scene to scene, ‘Give Me Liberty’ draws you in with its moving performances and blasts of broad comedy.” – Manohla Dargis, THE NEW YORK TIMES

“A wonderfully anarchic dark comedy, which deftly welds its frenetically farcical structure to a humanistic portrait of marginalized communities thrown together.” – David Rooney, THE HOLLYWOOD REPORTER

“Lyrical and touching. It’s a journey worth taking.” – Tim Grierson, SCREEN INTERNATIONAL

“Establishes writer-director Kirill Mikhanovsky as a major talent.” – Eric Kohn, INDIEWIRE

Miles Davis: Birth of the Cool, Director Stanley Nelson

Acclaimed filmmaker and recipient of the MacArthur Program Fellow Fellowship  Stanley Nelson takes us on a journey through the life of a musical giant in his latest documentary film MILES DAVIS: BIRTH OF THE COOL. Miles Davis was many things including a horn player, bandleader, innovator. He was elegant, intellectual, vain, callous, conflicted, controversial, and mercurial. Miles Davis was also embodiment of cool. The man with a sound so beautiful it could break your heart. The central theme of Miles Davis’s life was his restless determination to break boundaries and live life on his own terms. It made him a star. For the people who loved him most, it also made him incredibly difficult to live with. Again and again, in music and in life, Miles broke with convention—and when he thought his work came to represent a new convention, he changed it again. Miles’s bold disregard for tradition, his clarity of vision, his relentless drive, and constant thirst for new experiences made him an inspiring collaborator to fellow musicians and a cultural icon to generations of listeners. It made him an innovator in music—from bebop to “cool jazz,” modern quintets, orchestral music, jazz fusion, rock ’n’ roll, and even hip-hop. Featuring never-before-seen archival footage, studio outtakes, and rare photos, MILES DAVIS: BIRTH OF THE COOL tells the story of a truly singular talent and unpacks the man behind the horn. Director and producer Stanley Nelson joins us to talk about the life and times of a music genius and the uncompromising life he led.

 

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For news, screenings and updates go to: milesdavismovie.com

Miles Davis: Birth of the Cool –  Landmark Theatre on Pico Blvd with a Q&A featuring Director Stanley Nelson, Friday 8/30 and Saturday 8/31 – 7:10 PM screening and Sunday 9/1 – 4:10 PM screening

Social Media:

facebook.com/MilesDavisMovie

twitter.com/milesdavisfilm

instagram.com/milesdavismovie

Stanley Nelson:

twitter.com/StanleyNelson1

twitter.com/firelightmedia

twitter.com/panthersdoc

twitter.com/slavetradefilm

twitter.com/hbcurising

92% on Rotten Tomatoes

“You’ll want to listen to Miles’ music after watching the film and, when you do, you might feel it a little deeper.” – Glenn Whipp, Los Angeles Times

“Miles Davis – The Birth of Cool is a must see for anyone, anywhere in any lane of life that has an infinite love of music. Especially jazz. Stanley Nelson’s best work to date pulling back the curtain on an underrated musical Picasso – Miles Davis” – Carla Renata, The Curvy Film Critic

“While previous books and films made Miles Davis look like a magical character, Nelson’s ‘Miles Davis: Birth of the Cool’ depicts the musician as what he was – a man who was driven by his art and chained by the racist society he was born into.” –  Jonita Davis, Black Girl Nerds

“If you’re a Miles Davis fanatic from way back and think you already know everything about him, the movie, with its sharply edited interviews and stunning archival reach, fills in nuances of the man that feel fresh and new.“ – Owen Gleiberman, Variety

Cold Case Hammarskjold, Director Mads Brügger

In 1961, United Nations secretary-general Dag Hammarskjöld’s plane mysteriously crashed, leaving no known survivors. It’s understood that because Hammarskjöld was advocating for Congo’s independence (against the wishes of European mining companies and other powerful entities), the “crash” was an assassination. With the case still unsolved 50-plus years later, Danish journalist, filmmaker, and provocateur Mads Brügger (The Red Chapel, The Ambassador) leads us down an investigative rabbit hole to unearth the truth. Brugger, his Swedish private-investigator sidekick, Goran Bjorkdahl, and a host of co-conspirators tirelessly pursue a winding trail of clues, but they turn up more mysteries than revelations. Scores of false starts, dead ends, and elusive interviews later, they begin to sniff out something more monumental than anything they’d initially imagined. In his signature agitprop style, Brügger becomes both filmmaker and subject, challenging the very nature of truth by “performing” the role of truth-seeker. As Brügger uncovers a critical secret that could send shockwaves around the world, we realize that sometimes absurdity and irony are the emboldening ingredients needed to confront what’s truly sinister. Director Mads Brugger joins us for a spirited conversation on his fantastic and fantastical, hell-raising cinematic shot across the colonialist bow.

For news, screenings and updates go to: coldcasehammarskjold.com

 

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About Mads Brügger:  Brügger is a Danish journalist, television host, author, and filmmaker. He has written several books, worked for magazines and newspapers, produced award-winning radio programs, and hosted the critically acclaimed late-night television show The 11th Hour, as well as the daily news program Deadline. Brügger also created the satirical docu-series Danes for Bush and the feature documentaries The Red Chapel (World Cinema Documentary Jury Prize, 2010 Sundance Film Festival) and The Ambassador (2012 Sundance Film Festival).

Social Media:

facebook.com/ColdCaseHammarskjold

facebook.com/ColdCaseFilm

instagram.com/ColdCaseHammarskjold

Mads Brugger:

twitter.com/MBrgger

instagram.com/madsbrugger

“Dag Hammarskjold was on the point of getting something done when they killed him. Notice that I said, `when they killed him’.” Harry S. Truman, former U.S. President.

“A slow-building documentary mystery that sucks you in like a vortex. It offers several intertwined conspiracy theories, at least one of which, by the sternest reckoning, appears to be grounded in reality. Does that mean everything in the film is true? Maybe not. Yes ‘Cold Case Hammarskjöld’ is a singular experience that counts as one of the most honestly disturbing and provocative nonfiction films in years.” – Owen Gleiberman, Variety
 
“Either a stunning piece of investigative reporting that builds to a revelatory climax or a wily trickster’s dark critique of the audience’s desperate need for answers. Brügger is a journalist and a fabulist, a provocateur and a comedian.” – Daniel Fienberg, The Hollywood Reporter
 
“Brügger’s most rewarding film. The suspense grows so intense that – if a projector malfunctions at a certain moment towards the end of the movie – audiences may actually be incapable of returning to their regular lives without knowing what comes next. The truth is often stranger than fiction, but when the truth is a convoluted story of parapsychology, death cults, and mercenaries with mysterious code names like ‘Congo Red,’ perhaps it takes a strange angle to see it clearly.” – David Ehrlich, IndieWire

One Child Nation, Co-director Nanfu Wang (Jialing Zhang)

China’s One Child Policy, the extreme population control measure that made it illegal for couples to have more than one child, may have ended in 2015, but the process of dealing with the trauma of its brutal enforcement is only just beginning. From award-winning documentarian Nanfu Wang (HOOLIGAN SPARROW, I AM ANOTHER YOU) and Jialing Zhang, the sweeping ONE CHILD NATION explores the ripple effect of this devastating social experiment, uncovering one shocking human rights violation after another – from abandoned newborns, to forced sterilizations and abortions, and government abductions. Wang digs fearlessly into her own personal life, weaving her experience as a new mother and the firsthand accounts of her family members into archival propaganda material and testimony from victims and perpetrators alike, yielding a revelatory and essential record of this chilling, unprecedented moment in human civilization. ONE CHILD NATION is a stunning, nuanced indictment of the mindset that prioritizes national agenda over human life, and serves as a first-of-its-kind oral history of this collective tragedy – bearing witness to the truth as China has already begun to erase the horrors of its “population war” from public record and memory. Director Nanfu Wang joins us to talk about her own journey and how it illuminates a greater, more universal truth about family secrets.

For news, screenings and updates go to: onechildnation.com

ONE CHILD NATION director Nanfu Wang will participate in a Q&A moderated by Alissa Wilkinson following the 7:30 pm show on Friday, 8/9 at the Royal. 

Social Media:

facebook.com/OneChildNation

twitter.com/OneChildNation

instagram.com/onechildnation

#OneChildNation

**WINNER – Grand Jury Prize, U.S. Documentary – Sundance FF 2019**

**WINNER – Grand Jury Prize – Full Frame Doc Festival 2019**

**OFFICIAL SELECTION – Tribeca Film Festival 2019**

“SHATTERING. Informative yet always grounded in deep personal investment and clear-eyed compassion, this is a powerful indictment of a traumatic social experiment.” – David Rooney, The Hollywood Reporter

“PROVOCATIVE AND PERSONAL. Undoubtedly one of the year’s most important documentaries.” – Peter Debruge, Variety

“A thoroughly gripping and ceaselessly unnerving investigation into the policy that shaped and devastated China for a generation. Intimate, thought-provoking and well-crafted…gives voice to so many families whose agency was stolen from them. – Gary Garrison, The Playlist

Marianne & Leonard: Words of Love, Director Nick Broomfield

Marianne & Leonard: Words of Love is renowned filmmaker Nick Broomfield’s most personal and romantic film of his career. The Marianne & Leonard: Words of Love starts on the Greek island of Hydra in 1960, where Leonard Cohen, then a struggling and unknown fiction writer, and Marianne Ihlen, a single mother with a young son, became part of community of expat artists, writers and musicians. Never-before-seen footage shot by Broomfield and legendary documentarian D.A. Pennebaker make for a unique portrait of an idyllic 1960’s bohemia.  The time on Hydra left a lasting imprint on both Marianne and Leonard, whose friendship would last another fifty years before their deaths in 2016. It was on Hydra in 1968 that director Broomfield, then aged 20, first himself met Marianne. She introduced him to Cohen’s music and encouraged Nick to make his first film.   As she was with so many artists, Marianne was an enormous influence on Broomfield, who went on to direct award-winning documentaries, many about iconic music legends including Whitney Houston, (Whitney Houston: Can I Be Me) Tupac Shakur and Biggie Smalls, (Tupac and Biggie) Kurt Cobain and Courtney Love (Kurt & Courtney). Director Nick Broomfield joins us to talk about his relationship with Marianne, the undeniable talent and charisma of Cohen, and the profound impact his time on Hydra had on his personal and professional life.

 

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For news and updates go to: marianneandleonardwordsoflove.com

Social Media for Marianne and Leonard:

facebook.com/marianneandleonardwordsoflove

Social Media for Nick Broomfield:

twitter.com/nickbroomfield1

“Love stories are like Tolstoy’s unhappy families: no two of them are alike. But even given that, the relationship chronicled in “Marianne & Leonard: Words of Love” has a quality very much its own.” – Kenneth Turan, Los Angeles Times

“An impossibly heartfelt portrait of this woman, and her impossible relationship with a brilliant man.” – Katie Walsh, Tribune News Service

“Broomfield’s personal engagement and his embrace of the complexities of life and love elevate this film, which travels across decades and continents to show the lasting power of one connection.” – Joe BlessingThe Playlist

“Unmissable.” – Rolling Stone