Preparations to Be Together For an Unknown Period of Time – Director Lili Horvát

Lili Horvát’s PREPARATIONS TO BE TOGETHER FOR AN UNKNOWN PERIOD OF TIME is a mesmerizing psychological romance about a woman who upends her whole life to return to her home city of Budapest for a romantic rendezvous with a fellow surgeon, who then claims the two have never met. Márta Vizy (Natasa Stork) is a 39-year-old Hungarian neurosurgeon. After 20 years in the United States, she returns to Budapest for a romantic rendezvous at the Liberty Bridge with János (Viktor Bodó), a fellow doctor she met at a conference in New Jersey. Márta waits in vain, while the love of her life is nowhere to be seen. When she finally tracks him down, the bewildered man claims the two have never met. It’s unclear whether Márta’s wits are clouded by love or if other neurological factors are at play. Determined to solve the enigma, she takes a position at a hospital where she is treated as an outsider and must endure real and perceived slights, while also navigating a no man’s land separating love from madness. For her second feature, following 2015’s The Wednesday Child, writer-director Lili Horvát spins a delicate web of contrasts and silent explosions that shift the viewer’s understanding. Shot with impeccable symmetry on entrancing 35mm, it is an Orphic tale reminding us that, while the heart is an abstruse trickster, the human brain — ruling us with over 80 billion interconnected neurons — is our most complex organ. Director Lili Horvát joins us for a conversation on her Hitchcockian tale of a woman who’s certainty drives this compelling cinematic “love” story.

 

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Independent Spirit Award – Nomination for Best International Film

** Hungry’s Official submission for for 2021 Academy Award – Best International Feature Film **

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89% on Rotten Tomatoes

“ A beautiful and acute rendering of what could be if some of the most implausible lies we tell ourselves were in fact true.” – Carlos Aguilar, RogerEbert.com

“Preparations” manifests its protagonist’s uncertainty through fluttering reflections and slinky shadows, and images that conceal and obscure the full picture.” – Beatrice Loayza, New York Times

“Lili Horvát’s film delights in wallowing in ambiguity, contradiction, and doubt.” – Diego Semerene, Slant Magazine

“What sets this film apart is its fusing of the impassioned and the grimly palpable.” – Anthony Lane, New Yorker

“ [A] state of existential crisis, one that director Lili Horvat teases with curiosity and ambiguity, as if Krzysztof Kieslowski were alive and well and making movies in Budapest.” – Barry Hertz, Globe and Mail

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