For the last 20 years the Newport Beach Film Festival has brought the best of classic and contemporary filmmaking from around the world to Orange County. Under the direction of CEO and Co-founder Gregg Schwenk and the festival’s staff have been committed to entertaining and enlightening the public with a first-class international film program as well as providing a forum for cultural understanding and enriching educational opportunities, the Festival focuses on showcasing a diverse collection of both studio and independent films. The Festival supports the creation and advancement of innovative and artistic cinematic works from both emerging and seasoned filmmakers and proudly embraces the passion, vision and independent spirit of these talented artists. With the integration of the local community and educational institutions, the Festival stimulates an interest in the study and appreciation of film and encourages people of all ages and backgrounds to participate. The Community Outreach Program was created with the idea that film offers new perspectives and possibilities for a changing world. Each year, the Festival partners with over 40 non-profit organizations and pairs each philanthropic organization with a film that aligns with their mission. The Festival gives non-profit organizations a forum to voice their message to large audiences and spread awareness of their organization and mission through the medium of film. Areas of focus include the arts, health and human services, the environment, education, children’s causes, seniors’ and veterans’ programs, and alumni clubs. CEO and Co-founder Gregg Schwenk joins us to talk about a remarkable festival line-up of comedies, dramas, short films, action sports, classics, documentaries, musicals and foreign film excellence.
BODY AT BRIGHTON ROCK is a psychological thriller about a part time summer employee, Wendy, (Karina Fontes) at a mountainous state park, takes on a rough trail assignment at the end of the season, trying to prove to her friends that she’s capable enough to do the job. When she takes a wrong turn and ends up deep in the backcountry, she stumbles upon what might be a potential crime scene. Stuck with no communication after losing her radio and with orders to guard the site, Wendy must fight the urge to run and do the harder job of staying put — spending the night deep in the wilderness, facing down her worst fears and proving to everyone – including herself – that she’s made of stronger stuff than they think she is. Director and writer Roxanne Benjamin made her directorial debut in the anthology SOUTHBOUND, which world premiered at the Toronto International Film Festival. She was last in the director’s chair for “Don’t Fall”, part of Magnolia Pictures’ all-women-helmed horror anthology XX, which premiered at Sundance in the Midnight section last year. Director Roxanne Benjamin stops by to talk about her slow-burn thriller and the challenges of a wilderness shoot.
“Deftly employing the power of suggestion and an emotionally potent sound design, “Body at Brighton Rock” is a well-crafted thriller with some crafty tricks up its sleeve.” – Joe Leydon, Variety
“Body at Brighton Rock shifts from being a fun and colorful throwback to something a little darker and deeper.” – Meredith Borders, Slashfilm
“Relating to Wendy, and to her terror, is easy, and immediate, and lets the movie hook its claws into the viewer with jolting urgency.” – Andy Crump, Paste Magazine
“Anchored by a star-making lead turn and sporting superb sound design, Body At Brighton Rock is a bloody good time.” – Alan Ng, Film Threat