Friday, September 6 – Linda Ronstadt: The Sound of My Voice, Co-directors Rob Epstein and Jeffrey Friedman

Linda Ronstadt: The Sound of My Voice is a love song to one of the most memorably stunning voices that has ever hit the airwaves, Linda Ronstadt. She burst onto the 1960s folk rock music scene in her early twenties as the lead singer of the Stone Poneys, Ronstadt eventually branched out to begin her decades long career as a solo artist, touring the world selling out stadiums and, at one point, setting the record as the highest paid female artist in rock. Most remarkable to this day is her interest in and willingness to jump into new and challenging styles of music, including opera, jazz, and Mexican folk, excelling fantastically with each. Ronstadt has also been an outspoken political advocate for causes such as same-sex marriage and the inhumane treatment of undocumented immigrants, never shying away from fighting for what she believes both on and off the stage. Oscar-winning directors Rob Epstein and Jeffrey Friedman (The Times of Harvey Milk, The Celluloid Closet, Common Threads: Stories from the Quilt, Howl, Lovelace and End Game) use deep-cut archival footage, and Ronstadt’s own astute recollections, to celebrate an artist whose desire to do justice to the songs that touched her soul made generations of fans fall in love with her – and with the sound of her voice. Co-directors Rob Epstein and Jeffrey Friedman join us to talk about a remarkable singer /artist and an even better person.

 

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For news, screenings and updates go to: lindaronstadtmovie.com

For more on the films of Rob Epstein and Jeffrey Friedman go to: tellingpictures.com

Social Media:

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“She shows herself to be one of its indispensable interpreters, as a vocalist and also as a thinker – covering a sprawling landscape with elegance, passion and insight.” – A.O. Scott, New York Times

“It captures the life and career of a rock ‘n’ roll star who never looked back, never apologized, never compromised.” – Owen Gleiberman, Variety

“Astutely chronicling an amazing musical career that ended prematurely due to Parkinson’s disease, Linda Ronstadt: The Sound of My Voice will delight the singer’s old fans and likely make her many new ones as well.” – Frank Scheck, Hollywood Reporter

“An excellent retrospective and celebration of Ronstadt’s trailblazing career.” – Sophia Stewart, Nonfics

Miles Davis: Birth of the Cool, Director Stanley Nelson

Acclaimed filmmaker and recipient of the MacArthur Program Fellow Fellowship  Stanley Nelson takes us on a journey through the life of a musical giant in his latest documentary film MILES DAVIS: BIRTH OF THE COOL. Miles Davis was many things including a horn player, bandleader, innovator. He was elegant, intellectual, vain, callous, conflicted, controversial, and mercurial. Miles Davis was also embodiment of cool. The man with a sound so beautiful it could break your heart. The central theme of Miles Davis’s life was his restless determination to break boundaries and live life on his own terms. It made him a star. For the people who loved him most, it also made him incredibly difficult to live with. Again and again, in music and in life, Miles broke with convention—and when he thought his work came to represent a new convention, he changed it again. Miles’s bold disregard for tradition, his clarity of vision, his relentless drive, and constant thirst for new experiences made him an inspiring collaborator to fellow musicians and a cultural icon to generations of listeners. It made him an innovator in music—from bebop to “cool jazz,” modern quintets, orchestral music, jazz fusion, rock ’n’ roll, and even hip-hop. Featuring never-before-seen archival footage, studio outtakes, and rare photos, MILES DAVIS: BIRTH OF THE COOL tells the story of a truly singular talent and unpacks the man behind the horn. Director and producer Stanley Nelson joins us to talk about the life and times of a music genius and the uncompromising life he led.

 

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For news, screenings and updates go to: milesdavismovie.com

Miles Davis: Birth of the Cool –  Landmark Theatre on Pico Blvd with a Q&A featuring Director Stanley Nelson, Friday 8/30 and Saturday 8/31 – 7:10 PM screening and Sunday 9/1 – 4:10 PM screening

Social Media:

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Stanley Nelson:

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92% on Rotten Tomatoes

“You’ll want to listen to Miles’ music after watching the film and, when you do, you might feel it a little deeper.” – Glenn Whipp, Los Angeles Times

“Miles Davis – The Birth of Cool is a must see for anyone, anywhere in any lane of life that has an infinite love of music. Especially jazz. Stanley Nelson’s best work to date pulling back the curtain on an underrated musical Picasso – Miles Davis” – Carla Renata, The Curvy Film Critic

“While previous books and films made Miles Davis look like a magical character, Nelson’s ‘Miles Davis: Birth of the Cool’ depicts the musician as what he was – a man who was driven by his art and chained by the racist society he was born into.” –  Jonita Davis, Black Girl Nerds

“If you’re a Miles Davis fanatic from way back and think you already know everything about him, the movie, with its sharply edited interviews and stunning archival reach, fills in nuances of the man that feel fresh and new.“ – Owen Gleiberman, Variety

Unmasking Jihadi John: Anatomy of a Terrorist, Director Anthony Wonke and Journalist Richard Kerjab

Mohammed Emwazi was a grade school student in London with a promising future ahead of him in 1995. By 2014, he had become known as “Jihadi John,” a masked ISIS terrorist in Syria who internationalized his notoriety by broadcasting his beheadings of Western hostages on the internet. UNMASKING JIHADI JOHN: ANATOMY OF A TERRORIST includes rare footage of Emwazi as a young boy in London and interviews with his schoolteachers who reveal that he lived a relatively comfortable and normal childhood. His behavior grew more disconcerting in his teenage years. Emwazi’s brutality is illustrated through harrowing, first-hand accounts from his surviving hostages, and the collaboration between the world’s leading intelligence agencies, including the CIA and Britain’s intelligence agents, who ultimately tracked him down and ended his life.  UNMASKING JIHADI JOHN: ANATOMY OF A TERRORIST examines what propelled Emwazi’s journey down a violent path despite US and British authorities being aware of his extremism. It also highlights the self-declared operational failures by counter-terrorism officials as Emwazi became ISIS’s chief executioner and propagandist.  Joining us on Film School Radio will be Oscar®-nominated, BAFTA and Emmy®-winning director Anthony Wonke (HBO’s “The Battle for Marjah”), and BAFTA-winning producer and investigative journalist Richard Kerbaj for a conversation on the how and why a schoolboy and promising soccer player morphs into a sadistic killer.

UNMASKING JIHADI JOHN: ANATOMY OF A TERRORIST debuts WEDNESDAY, JULY 31 (8:00-9:40 p.m. ET/PT), exclusively on HBO.

 

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For news and updates go to: hbo.com/documentaries

For more HBO / Cinemax programming go to: hbo-cinemax

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“This is a superior doc, just know when to briefly look away.” – Anne Brodie, What She Said

“Part high-tech manhunt and part brutal captivity narrative, “Unmasking Jihadi John: The Anatomy of a Terrorist” is one documentary unlikely to leave anyone in its viewing audience bored.” – David Zurawik, Baltimore Sun

“This is a film that spends much of its time on observation and analysis of the known facts… This makes it feel rather dry in places but avoids any glamorisation of its subject.” – Jennie Kermode, Eye for Film

“In terms of cinematography and editing, Jihadi John: Anatomy of a Terrorist is well-executed, and it’s certainly informative.” – Amy Glynn, Paste Magazine

Mike Wallace is Here, Director Avi Belkin

Never before has journalism in America been so hotly debated. At a time when it seems like the hard-hitting question is fighting for its right to be asked, MIKE WALLACE IS HERE turns the tough question loose on its inventor to understand how we got here and what’s really at stake. Legendary newsman Mike Wallace unflinchingly interrogated the 20th century’s biggest figures in over fifty years on the air, and his aggressive reporting style and showmanship redefined what America came to expect from broadcasters. Unearthing decades of never-before-seen footage from the 60 Minutes vault, this documentary portrait explores what drove and plagued this restless reporter, whose storied career was entwined with the evolution of journalism itself. MIKE WALLACE IS HERE is told exclusively through archival footage, without one talking-head commentary or backward-looking interview diluting the immediacy and power of Wallace’s work. The film traces his career on the air from his invention of the “tough question” in his 1950s interview show Night Beat to his news specials of the ’60s and his extraordinary four decades on CBS’ 60 Minutes, examining how his genre-defining work changed the standards of broadcast journalism for good and for ill, while unpacking the personal qualities that made Mike tick. Director Avi Belkin takes us behind the mask of the fearless inquisitor to reveal a driven man fraught with doubt and insecurities.

 

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For news and updates go to: mikewallaceishere.com

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100% on Rotten Tomatoes

“A compulsively engrossing account of a career notable for its gutsy, confrontational attitude toward the power brokers in business and politics.” – Todd McCarthy, Hollywood Reporter

“A no holds barred, sobering look at one our most acerbic, in your face, troubled award winning journalist – Mike Wallace. CBS unlocked their vaults with exclusive archival footage, interviews and words from Wallace himself.” – Carla Renata, The Curvy Film Critic

“As Belkin’s brisk and compelling documentary fades to black, the director seems to hope that the Wallace quotation audiences cling to isn’t one of his fanged questions, but his optimism for the profession to which he dedicated his life” – Amy Nicholson, Variety

The Great Hack, Co-directors Jehane Noujaim and Karim Amer

Big Data has surpassed oil as the world’s most valuable asset. It’s being weaponized to wage cultural and political warfare. People everywhere are in a battle for control of our most intimate personal details. From award-winning filmmakers Karim Amer and Jehane Noujaim, THE GREAT HACK uncovers the dark world of data exploitation with astounding access to the personal journeys of key players on different sides of the explosive Cambridge Analytica/Facebook data scandal. Academy-Award nominees Amer and Noujaim (The Square, Control Room, Startup .com) continue their tradition of exploring the seismic ripples of social media with this riveting, complex film. THE GREAT HACK forces us to question the origin of the information we consume daily. What do we give up when we tap that phone or keyboard and share ourselves in the digital age? THE GREAT HACK is co-directed by Karim Amer and Jehane Noujaim, with a production team led by Geralyn Dreyfous, Judy Korin and Pedro Kos. Karim Amer and Jehane Noujaim join us to talk about Big Data, the expectation of privacy and where we go from here.

 

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For news and updates go to: thegreathack.com

Social Media:

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87% on Rotten Tomatoes

“You leave with a clear sense of how one company [sold] democracy down the river, not to mention having your fingernails chewed down to the quick.” – David Fear, Rolling Stone

“A thrilling yarn of political espionage and fascinating characters… However, this isn’t hollow entertainment. The film insists upon the gravity of the situation, toggling effortlessly between the micro and the macro lens on this tale.” – Katie Walsh, Tribune News Service

“[A] gripping, challenging documentary by Karim Amer and Jehane Noujaim, about the biggest scandal of our time: the gigantic question mark over the legality of the Brexit vote.” – Peter Bradshaw, Guardian

“Pondering individual data rights and the sinister side of widespread connectivity, co-directors Jehane Noujaim and Karim Amer diligently inspect how our innocent likes and shares became the building blocks of Brexit and Trump.” – Tomris Laffly, Time Out

BlackStar Film Festival, Founder Maori Karmael Holmes

The BlackStar Film Festival (BlackStar) returns August 1-4, 2019 with a stellar slate of black, brown and indigenous films from around the globe. The BlackStar Film Festival is an annual celebration of the visual and storytelling traditions of the African diaspora and of global communities of color, showcasing films by black, brown and indigenous people from around the world. Continuing its legacy of discovery and excellence, audiences can expect must-see film premieres, poignant artist discussions, and discover new cinematic favorites from this year’s class of emerging filmmakers. Founded in 2012 by Maori Karmael Holmes, BlackStar has become the hottest event on the film festival calendar. With a program unlike any other, BlackStar is the destination to discover new artists voices from Black and global indigenous filmmakers. Artists including Terence Nance (An Oversimplification of Her Beauty; HBO’s Random Acts of Flyness), and Matthew A. Cherry (9 RIdes; ABC’s Whiskey Cavalier), and Nijla Baseema Mu’min (Jinn) have shared their work at the festival and from BlackStar cultivated a fanbase that has grown with their careers.  

 

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For news and updates go to blackstarfest.org

BlackStar Festival Film Highlights:

This year’s festival features sneak preview of Hip-Hop: The Songs That Shook America, a new documentary series directed by directed Erik Parker and One9.

From Executive Producers Ahmir “Questlove” Thompson, Tariq “Black Thought” Trotter, Shawn Gee, and Alex Gibney, Fear No Gumbo, a documentary feature directed by Kimberly Rivers Roberts, about the 13 years since the deadly Category 5 Hurricane Katrina that made landfall on Florida and Louisiana and the corruption and systemic racism that still victimizes the residents that returned after Katrina. 

A new documentary from Emmy Award-winning director and  Macarthur “genius” fellow Stanley Nelson (The Black Panthers: Vanguard of the Revolution). Boss which explores over 150 years of African American entrepreneurship, from bondage to billion dollar moguls.

Academy Award-winning  director, Roger Ross Williams (Music By Prudence, God Loves Uganda) will be on-hand for the debut of his latest documentary The Apollo chronicling the unique history and contemporary legacy of New York City’s landmark Apollo Theater.

Panels and Awards:

BlackStar will present the Luminary Award to Marcia Smith, President of Firelight Media

To commemorate the 30th anniversary of Do The Right Thing, filmmaker Spike Lee and activist Tarana Burke will discuss the possibilities of using radical storytelling to center social justice and foster narrative change. 

For news and updates go to blackstarfest.org

Who Killed Garrett Phillips?, Director Liz Garbus

On Oct. 24, 2011, 12-year-old Garrett Phillips was murdered in his home in Potsdam, a small town in upstate New York. Police quickly zeroed in on a suspect in this unthinkable crime: Oral “Nick” Hillary, a black man in the mostly white community, who was a soccer coach at Clarkson University and the ex-boyfriend of Garrett’s mother, Tandy Cyrus. WHO KILLED GARRETT PHILLIPS? chronicles the five years following the murder, as Garrett’s family and community relentlessly seek justice for Garrett, and as Nick, who maintains his innocence, fights to clear his name and take back control of his life while raising five children. Through interviews with local police investigators, District Attorneys, defense lawyers, Phillips’ family members, friends of Tandy Cyrus as well as Nick Hillary and his children, along with extensive police audio and video recordings, and courtroom footage, the film is a gripping, eye-opening look at how justice is delivered and delayed. WHO KILLED GARRETT PHILLIPS? seeks to uncover the truth behind both the tragic murder of a young boy that traumatized a town, as well as the vilification of a black man who was swept up in a quest for justice, and the enduring mysteries that remain. Directed by two-time Academy Award® nominee and Emmy® winner Liz Garbus (HBO’s A Dangerous Son and Nothing Left Unsaid: Gloria Vanderbilt & Anderson Cooper, and What Happened, Miss Simone?), the captivating two-part documentary WHO KILLED GARRETT PHILLIPS? looks at the case from the initial investigation through the arrest and numerous legal twists and turns that culminated in Hillary’s trial for murder five years after the crime. Director Liz Garbus joins us to talk about how this case raises troubling questions of racial bias and issues surrounding policing and the criminal justice system.

 

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For news and updates go to: hbo.com/documentaries/who-killed-garrett-phillips

WHO KILLED GARRETT PHILLIPS? debuts TUESDAY, JULY 23 and WEDNESDAY, JULY 24 (8:00 pm ET/PST), exclusively on HBO. The film will also be available on HBO On Demand, HBO NOW, HBO GO and partners’ streaming platforms.

For news and updates go to: moxiefirecracker.com

Social Media:

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The Art of Self-Defense, Director Riley Stearns

After he’s attacked on the street at night by a roving motorcycle gang, timid bookkeeper Casey (Jesse Eisenberg) joins a neighborhood karate studio to learn how to protect himself. Under the watchful eye of a charismatic instructor, Sensei (Alessandro Nivola), and hardcore brown belt Anna (Imogen Poots), Casey gains a newfound sense of confidence for the first time in his life. But when he attends Sensei’s mysterious night classes, he discovers a sinister world of fraternity, brutality and hyper-masculinity, presenting a journey that places him squarely in the sights of his enigmatic new mentor. Audacious and offbeat, The Art of Self-Defense is an original dark comedy that takes toxic masculinity to absurd extremes. Director Riley Stearns joins us for a lively conversation on this wildly inventive, surreal black comedy.

 

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For news and updates go to: bleeckerstreetmedia.com/theartofselfdefense

For screening info go to: theartofselfdefense-tickets.com

Social Media:

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“The Art of Self-Defense manages to clarify the filmmaker’s intriguing vision by stuffing it into a remarkably unnerving character study.” – Eric Kohn, indieWire

“”The Art of Self-Defense” may be presented as an absurdist satire, but like the best American comedies… it doubles as a keen critique of our national character.” – Peter Debruge, Variety

“’Fight Club’ by way of Yorgos Lanthimos, Riley Stearns’ screed on “might is right” toxic masculinity is a giggly black comedy that cowers down a twisty-turny rabbit hole.” – Matt Oakes, Silver Screen Riot

“It emerges as a strong early contender for best film of the year.” – Bobby LePire, Film Threat

“The Art of Self-Defense is not only a must-see, it’s an easy contender for the best film of the year so far.” – Kevin L. Lee, Film Inquiry

Marianne & Leonard: Words of Love, Director Nick Broomfield

Marianne & Leonard: Words of Love is renowned filmmaker Nick Broomfield’s most personal and romantic film of his career. The Marianne & Leonard: Words of Love starts on the Greek island of Hydra in 1960, where Leonard Cohen, then a struggling and unknown fiction writer, and Marianne Ihlen, a single mother with a young son, became part of community of expat artists, writers and musicians. Never-before-seen footage shot by Broomfield and legendary documentarian D.A. Pennebaker make for a unique portrait of an idyllic 1960’s bohemia.  The time on Hydra left a lasting imprint on both Marianne and Leonard, whose friendship would last another fifty years before their deaths in 2016. It was on Hydra in 1968 that director Broomfield, then aged 20, first himself met Marianne. She introduced him to Cohen’s music and encouraged Nick to make his first film.   As she was with so many artists, Marianne was an enormous influence on Broomfield, who went on to direct award-winning documentaries, many about iconic music legends including Whitney Houston, (Whitney Houston: Can I Be Me) Tupac Shakur and Biggie Smalls, (Tupac and Biggie) Kurt Cobain and Courtney Love (Kurt & Courtney). Director Nick Broomfield joins us to talk about his relationship with Marianne, the undeniable talent and charisma of Cohen, and the profound impact his time on Hydra had on his personal and professional life.

 

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For news and updates go to: marianneandleonardwordsoflove.com

Social Media for Marianne and Leonard:

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Social Media for Nick Broomfield:

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“Love stories are like Tolstoy’s unhappy families: no two of them are alike. But even given that, the relationship chronicled in “Marianne & Leonard: Words of Love” has a quality very much its own.” – Kenneth Turan, Los Angeles Times

“An impossibly heartfelt portrait of this woman, and her impossible relationship with a brilliant man.” – Katie Walsh, Tribune News Service

“Broomfield’s personal engagement and his embrace of the complexities of life and love elevate this film, which travels across decades and continents to show the lasting power of one connection.” – Joe BlessingThe Playlist

“Unmissable.” – Rolling Stone

Phil, Director Greg Kinnear

Directed by Academy Award nominated actor Greg Kinnear (As Good as It Gets, Little Miss Sunshine, The Matador) with an outstanding cast that includes; Emily Mortimer (Mary Poppins Returns), Luke Wilson (Bottle Rocket, Meadowland), Bradley Whitford (Get Out, West Wing), Jay Duplass (Beatriz at Dinner, Landline), Robert Forster (Jackie Brown, The Descendants), and Kurt Fuller (Midnight in Paris, Auto Focus). PHIL is the story of a depressed dentist whose life is falling apart. Phil is shocked when one of his patients, Michael Fisk (Bradley Whitford),  a man who seemed to have the perfect life, kills himself. Determined to find out what would drive a man who had everything to end his life, Phil pretends to be a handyman and integrates himself in to the dead man’s life, befriending his wife (Emily Mortimer) and daughter. How long can Phil keep up this double life when he is determined to end his normal one? Director and lead actor Greg Kinnear joins us to talk about the challenges and rewards of a first-time director, finding the humanity in a story of personal tragedy and working with an incredibly talented group of artists.

 

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For news and updates go to: bronstudios.com/productions/phil

PHIL screens in Los Angeles July 5 – 11 at the Arena Cinelounge.

Social Media:

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“Greg Kinnear combines acting with directing in a role that exudes nice-guy-ness that few other performers can duplicate as well.” – Shockya.com

Charlie Says, Director Mary Harron

CHARLIE SAYS, follows three women whose names have become synonymous with the murders of that shocked a nation and the man who ordered them on their deadly spree, Charles Manson. The women – Leslie Van Houten (Hannah Murray), Patricia Krenwinkel (Sosie Bacon), and Susan Atkins (Marianne Rendón) – remained under the spell of the infamous cult leader (Matt Smith) for years. Confined to an isolated cellblock in a California penitentiary, the trio seem destined to live out the rest of their lives under the delusion that their crimes were part of a cosmic plan, until empathetic graduate student Karlene Faith (Merritt Wever) is enlisted to rehabilitate them. Convinced the prisoners are not the inhuman monsters the world believes them to be, Karlene begins the arduous process of breaking down the psychological barriers erected by Manson. But are the women ready to confront the horror of what they did? In CHARLIE SAYS, boundary pushing auteur Mary Harron (American Psycho, I Shot Andy Warhol) presents a provocative new perspective on one of the most notorious crimes of the 20th century.  Director Mary Harron joins us to talk about how these seemingly sane, likable young woman could have committed such hideous crimes and why it drove her to tell their stories.

 

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For news and updates go to: charliesaysmovie.com

“This is a stunning piece of American cinema that draws on the events in California to talk about the death of an era, to foreshadow a nation’s loss of hope.” – Jennie Kermode, Eye for Film

“What makes Charlie Says so original is its perspective and its willingness to depict the banality and absurdity of life with Manson rather than simply to portray him as the quintessence of evil.” – Geoffrey Macnab, Independent

“Charlie Says is absorbing if only intermittently effective, but it has the distinction of bringing a female gaze to arguably the most notorious crime spree in American history.” – David Rooney, Hollywood Reporter

Los Angeles Asian Pacific Film Festival, Executive Director Francis Cullado

** Spotlight on the Los Angeles Asian Pacific Film Festival

Visual Communications, the nation’s premier Asian Pacific American media arts center, announced its outstanding program of films and events for the upcoming 35th edition of the Los Angeles Asian Pacific Film Festival (LAAPFF) running MAY 2 – MAY 10, 2018. The all encompassing annual film celebration is presented across Los Angeles in West Hollywood, Downtown LA, Little Tokyo, Koreatown, and Hollywood. Visual Communications proudly celebrates the Film Festival’s 34 years as Southern California’s largest and most prestigious film festival of its kind.  LAAPFF launches the celebration of Asian Pacific Heritage Month through this year’s slate of over 100 films from both Asian Pacific American and Asian international artists. For over three decades, the Festival has presented nearly 5,000 films by Asian Pacific American and Asian International talent. This year’s festival  will feature over 130 short films during the nine day fest from May 2 – May 10. These cinema gems from around the globe featuring stories about love, family, heartbreak, friendships, and self acceptance are all part of the exciting line up. The Festival opens May 2nd with the World Premiere of YELLOW ROSE directed by Diane Paragas and starring Broadway legend Lea Salonga and emerging star Eva Noblezada. Two acclaimed festival favorites will screen as the Centerpiece Films at the Festival; GO BACK TO CHINA directed by Emily Ting and MS. PURPLE directed by Justin Chon. The closing night film is the world premiere of EMPTY BY DESIGN directed by Andrea A. Walter premiering on Friday, May 10.  LAAPFF Executive Director Francis Cullado of Visual Communications stops by to talk about the ever expanding interest in Asian filmmakers and the trailblazing artistry being done by them.

 

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 For news and updates go to: festival.vcmedia.org/2019

LEARN MORE ABOUT LAAPFF and VISUAL COMMUNICATIONS:

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Hesburgh, Director Patrick Creadon

In Patrick Creadon’s illuminating new documentary, HESBURGH, shines a bright light on a unique public figure whom came to light during one of the country’s most divisive political and social storm. His name is Reverend Theodore Hesburgh, C.S.C, president of the University of Notre Dame for more than 35 years. This revered figure worked his entire adult life to advance of peace and equal rights for all people. As the most dynamic member of the U.S. government’s Civil Rights Commission Hesburgh pushed Presidents Dwight Eisenhower and Lyndon Johnson to enact legislation that culminated in the landmark 1964 Civil Rights Act. HESBURGH offers a unique glimpse at more than fifty years of American history. Educator, civil rights champion, advisor to presidents, envoy to popes, theologian and activist, Hesburgh was called on by countless world leaders to tackle the most challenging issues of the day. He built a reputation as a savvy political operator with a penchant for bridging the divide between bitter enemies. Through it all, he remained a man armed with a fierce intelligence, a quick wit and an unyielding moral compass — a timeless example of bipartisan leadership that would serve us in today’s increasingly polarized times. Director Patrick Creadon (Wordplay, If You Build It , Ski Bum: The Warren Miller Story), joins us for a conversation on a man who’s life’s work harkens back to a time when compromise and cooperation were the political norms and not the exception.

 

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For news and updates go to: hesburghfilm.com

To find a theatre near you go to: hesburghfilm.com/tickets

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“[A] thoroughly engaging documentary chronicle of the life and turbulent times of longtime Notre Dame president Father Theodore M. Hesburgh, whose tenure coincided with a particularly pivotal stretch of American history.” – Micheal Rechtshaffen, Los Angeles Times

“This moving, illuminating slice of American life and social history serves as a stirring example that we should all do much better. And we can start right now.” – Ann Hornaday, Washington Post

“A portrait of a man who can be seen as not merely blameless, but genuinely heroic.” – GlennKenny, New York Times

“As described by many of those who, in the movie, talk about Hesburgh, he comes across as a man of conscience and conviction, who was willing to walk his own path no matter whom he rankled or angered.” – Bob Bloom, Journal and Courier

20th Anniversary of Newport Beach Film Festival, CEO and Co-founder Gregg Schwenk

For the last 20 years the Newport Beach Film Festival has brought the best of classic and contemporary filmmaking from around the world to Orange County. Under the direction of CEO and Co-founder Gregg Schwenk and the festival’s staff have been committed to entertaining and enlightening the public with a first-class international film program as well as providing a forum for cultural understanding and enriching educational opportunities, the Festival focuses on showcasing a diverse collection of both studio and independent films. The Festival supports the creation and advancement of innovative and artistic cinematic works from both emerging and seasoned filmmakers and proudly embraces the passion, vision and independent spirit of these talented artists. With the integration of the local community and educational institutions, the Festival stimulates an interest in the study and appreciation of film and encourages people of all ages and backgrounds to participate. The Community Outreach Program was created with the idea that film offers new perspectives and possibilities for a changing world. Each year, the Festival partners with over 40 non-profit organizations and pairs each philanthropic organization with a film that aligns with their mission. The Festival gives non-profit organizations a forum to voice their message to large audiences and spread awareness of their organization and mission through the medium of film. Areas of focus include the arts, health and human services, the environment, education, children’s causes, seniors’ and veterans’ programs, and alumni clubs. CEO and Co-founder Gregg Schwenk joins us to talk about a remarkable festival line-up of comedies, dramas, short films, action sports, classics, documentaries, musicals and foreign film excellence.

For news, updates and film schedules go to: newportbeachfilmfest.com

For more on the OC FIlm Society go to: newportbeachfilmfest.com/ocfs

Little Woods – Director Nia DaCosta

Ollie (Tessa Thompson) is barely getting by in Little Woods, an economically depressed fracking boomtown in North Dakota. She has left her days of illegally running prescription pills over the Canadian border behind, eyeing a potential new job that would finally break her out of the small town. But when her mother dies, she is reunited with her estranged sister Deb (Lily James), who faces a mounting crisis: the combined effect of an unplanned pregnancy and a deadbeat ex (James Badge Dale). The two find they have one week to settle the mortgage on their mother’s house or face foreclosure. As both bills and pressure mount, Ollie faces a choice: whether to return to a way of life she thought she’d left behind for just one more score, or to leave it all behind. Writer-director Nia DaCosta’s debut is an emotionally charged small-town thriller that weaves themes of economic downturn and the opioid crisis into its intimate story of two sisters trying to get by. An unvarnished film anchored by an authentically drawn sibling bond, LITTLE WOODS speaks to both the biggest and smallest elements of the working-class struggle in rural America. Director and writer Nia DaCosta joins us for a conversation on her debut feature film and the crushing burden of a life without options or access to opportunity or education and the toll it takes on well intentioned people.

 

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For news and updates go to: littlewoodsmovie.com/home

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Tribeca Film Festival – Nominated, Best Narrative Feature – Nia DaCosta

Heartland Film – Winner, Truly Moving Picture Award – Nia DaCosta

Fargo Film Festival – Winner Best Narrative Feature – Nia DaCosta

97% on Rotten Tomatoes

“DaCosta has made a suspense film in which we root for the heroes to break the law, and then she sends us home to ponder all the reasons they need to.” – Ty Burr, Boston Globe

“The film smartly never goes the direction one might assume, embracing full-blown character study that shines a scorching light on many prevailing problems within the underclass of American society” – Robert Kojder, Flickering Myth

“Nia DaCosta’s absorbing debut is laced with urgent dread, experienced by characters you care deeply about.” – Sam Weisberb, pillage Voice

“Little Woods is a story we don’t often see told from a black woman’s lens, especially not in this particular setting. It’s a story of sisters who band together and fight against every complication.” – Aramide Tinubu, Shadow and Act

Her Smell, Director Alex Ross Perry

Fueled by an incendiary performance by Elisabeth Moss, HER SMELL follows Becky Something (Moss) is a ’90s punk rock superstar who once filled arenas with her grungy all-female trio Something She. Now she plays smaller venues while grappling with motherhood, exhausted band mates, nervous record company executives, and a new generation of rising talent eager to usurp her stardom. When Becky’s chaos and excesses derail a recording session and national tour, she finds herself shunned, isolated and alone. Forced to get sober, temper her demons, and reckon with the past, she retreats from the spotlight and tries to recapture the creative inspiration that led her band to success. Anchored by a towering, unflinching performance from Golden Globe and Emmy winner Moss, and supported by a stellar ensemble cast, HER SMELL examines the grit, grace and gravitas of an unforgettable fictional rock star crashing down to earth into the harsh realities of mid-life. With his deeply humane sixth feature, writer- director Alex Ross Perry (Listen Up Philip, Golden Exits) pumps up the volume and shines a light on the terrifying moment when superstardom wanes — and quiet becomes the new loud. Alex Ross Perry joins us for a lively conversation on the film’s fascinating shooting schedule, collaborating with cinematographer Sean Price Williams and working with a remarkable cast of actors.

 

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For news and updates go to hersmellmovie.com

“Elisabeth Moss turns in a five-alarm blaze of a performance as a frontwoman who makes Courtney Love look like Mother Teresa.” – Peter Travers, Rolling Stone

“Moss varies the volume and the tempo of her performance, calling forth cascades of profane invention and rills of whispery poetry, but she always stays in the same key, the key of Becky.” – A.O. Scott, New York Times

“Formally audacious and ferociously intelligent, Her Smell is Perry’s greatest achievement yet, a wild saga of prestige and madness that is ultimately rooted in the female bonds keeping women sane.” – Natalia Winkelman, The Daily Beast

“Over and above the furious-and ultimately painfully tender-drama, Perry achieves something of a new, grand version of his own cinematic music.” – Richard Brody, New Yorker

Be Natural: The Untold Story of Alice Guy-Blaché, Director Pamela B. Green

Be Natural: The Untold Story of Alice Guy-Blaché, is a documentary about the first female filmmaker, Alice Guy-Blaché, which explores the heights of fame and financial success she achieved before she was shut out from the very industry she helped create. Over the span of her career, she wrote, produced or directed 1,000 films, including 150 with synchronized sound during the ‘silent’ era. Her work includes comedies, westerns and dramas, as well as films with groundbreaking subject matter such as child abuse, immigration, Planned Parenthood, and female empowerment. She also etched a place in history by making the earliest known surviving narrative film with an all-African American cast. Pamela B. Green has dedicated more than eight years of research in order to discover the real story of Alice Guy-Blaché (1873-1968) – not only highlighting her pioneering contributions to the birth of cinema but also her acclaim as a creative force and entrepreneur in the earliest years of movie-making. Green discovered rare footage of televised interviews and long archived audio interviews which can be heard for the first time in Be Natural: The Untold Story of Alice Guy-Blaché, which affords Alice Guy-Blaché to tell her own story. Director Pamela B. Green joins us for a conversation on the winding journey of discovery and the exhilaration that comes from showcasing a visionary artist, producer, studio head, entrepreneur, feminist, and groundbreaking filmmaker.

 

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 For news and updates go to: Benaturalthemovie.com

Be Natural: The Untold Story of Alice Guy-Blaché is distributed by Zeitgeist Films

For more about the filmmaker go to: pamelabgreen.com

Social Media:

facebook.com/BeNaturalMovie

twitter.com/BeNaturalMovie

instagram.com/benaturalthemovie

“What starts as a biography turns into a detective thriller as Green crisscrosses the globe, searching for clues as to why Guy-Blaché has been forgotten.” – katie Walsh, Los Angeles Times

“A scrupulously well-researched documentary about one of early cinema’s greatest pioneers and the world’s first woman filmmaker.” – Leslie Felperin, Hollywood Reporter

“The Untold Story of Alice Guy-Blaché is essential viewing for those who want a complete perspective on the history of film.” – Lorry Kikta, Film Threat

“In her passionate debut film, Green achieves a feat of making a two-level research project informative and entertaining. Exciting and essential documentary for film history!” – Nora Lee Mandel, Maven’s Nest

OVID.tv, Co-founder of OVID.tv and Director of Icarus Films Jonathan Miller

In a media environment dominated by increasingly concentrated corporate interests, eight distribution companies who have long championed the best in independent features, documentaries, and social issue films, have joined forces to help launch a new subscription streaming service, OVID.tv. Starting today, OVID.tv offers more than 350 quality documentaries and art-house films from the collections of its founding content partners: Bullfrog Films, The dGenerate Films Collection, Distrib Films US, First Run Features, Grasshopper Film, Icarus Films, KimStim, and Women Make Movies. Most of the films on OVID.tv are not available on any other streaming platform, and OVID.tv will be adding even more films every two weeks–14 fiction feature films and one 10-part documentary series are already scheduled for release. Despite the odds and with little capital, Icarus Films, Docuseek, and our partners have decided that the time has come to step forward and build a new, independent space, dedicated to the films that we believe in and care about, and that we believe you care about, and value as well. OVID.tv co-founder Jonathan Miller joins us to talk about an affordable option for film lovers looking for the highest quality cinema experience presented by people who share your passion.

 

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For news and updates go to:ovid.tv

You can read more about OVID on the International Documentary Association website, click here.

For now OVID.tv is only available in the U.S.

“A cornucopia of international movies and documentaries… recent ones as well as classics. It’s far better for recent movies than FilmStruck ever was, and its spectrum of new movies is far more substantial than that of Netflix, wider-ranging than that of Amazon.”  Richard Brody, The New Yorker, March 22, 2019

Amazing Grace, Producer Alan Elliot

The highly anticipated documentary AMAZING GRACE, captures the live recording of Aretha Franklin’s album “Amazing Grace” at The New Bethel Baptist Church in Watts, Los Angeles in January 1972. Producer Alan Elliot joins us to talk about the “making of” and the resurrection of this remarkable display of raw talent and consuming passion, the 47-year long path that Amazing Grace has taken and how its arrival in theaters fulfills Aretha Franklin’s dying wish.

The Amazing Grace backstory

In 1972 Director Sydney Pollack (Tootsie, 3 Days of the Condor, Out of Africa) was inexperienced in shooting music documentary and shot without clapper boards snapping shut at the beginning of each take to help synchronize sound and picture in post-production. As a result of this mistake, even after months of work by experts, the 20 hours of footage couldn’t be synchronized with the audio tracks. The choir director from the Watts recordings was brought in to try to lip-read the reels, but after months of work, only about 150 minutes of footage had been matched with sound, none of it adding up to a complete, useable song. Deadlines passed as the “Amazing Grace” album came out in June 1972, selling millions with no synergy. In August, Warner Bros. officially wrote off and shelved the movie. Pollack never gave up on the project, but constantly had other commitments. In 2007, dying of cancer, Pollack finally handed the documentary project over to producer and music enthusiast Producer Alan Elliott.

 

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For news and updates go to: amazing-grace-movie.com

100% on Rotten Tomatoes

CRITIC’S PICK: “Nonetheless, from a distance, this is obviously one of the great music films, less epic in scope than, say, “The Last Waltz” but as glorious in communal feeling and South Los Angeles zeal as “Wattstax” (the natural partner for a double feature) and as musically imaginative as “Stop Making Sense.” What distinguishes “Amazing Grace,” what lifts it to the penthouse, is a mix of energy and moment…You get both the most lovely gaze a professional camera’s ever laid upon Aretha Franklin and some of the mightiest singing she’s ever laid on you. The woman practically eulogizes herself. Don’t bother with tissues. Bring a towel.” – Wesley Morris, NEW YORK TIMES

 “The two nights of filmed performances find Franklin-accompanied by the Reverend James Cleveland and the Southern California Community Choir-in spectacular voice and prolific imagination. Her rapturous power and intense concentration are revealed in long, urgent closeups that seem to reflect even the cinematographers’ awed astonishment. The film is a triumph of timeless artistry over transitory obstacles; its very existence is a secular miracle.” – Richard Brody, NEW YORKER

 ” … A captivating artifact, the rare making-of documentary that doesn’t just comment on but completely merges with its subject. The lift-you-to-the-rafters intensity of Franklin’s voice remains so pure and galvanic that “Amazing Grace” is one of the few movies you could watch with your eyes closed, though you would hardly want to.” – Justin Chang, Los Angeles Times

Birds of Passage, Co-directors Ciro Guerra and Cristina Gallego

From the Oscar nominated team behind the genre-defying Embrace of the Serpent, comes an equally audacious saga centered on the Wayúu indigenous people during a crucial period in recent Colombian history. Torn between his desire to become a powerful man and his duty to uphold his culture’s values, Rapayet (José Acosta) enters the drug trafficking business in the 1970s and finds quick success despite his tribe’s matriarch Ursula’s (Carmiña Martínez) disapproval. Ignoring ancient omens, Rapayet and his family get caught up in a conflict where honor is the highest currency and debts are paid with blood. A sprawling epic about the erosion of tradition in pursuit of material wealth, Birds of Passage is a visually striking exploration of loyalty, greed, and the voracious nature of change. Co-directors Ciro Guerra and Cristina Gallego join us for a conversation on their beautifully crafted mix of drug-trade epic and intimate family saga.

 

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For news and updates go to: birdsofpassage

2019 Sundance Film Festival Selection – Spotlight Program

OSCAR® SHORTLIST – Best Foreign Language Film – Colombia

Social Media:

facebook.com/birdsofpassagemovie

twitter.com/birdspassage

instagram.com/birdsofpassagemovie

Reviews: 93% on Rotten Tomatoes

“Harrowing in its repetitive violence, but never less than fascinating as a piece of ethnology, with magic-realist dimensions, that amounts to an origin story of the Latin American drug trade. It’s an extraordinarily accomplished piece of filmmaking.” – Joe Morgenstern, Wall Street Journal

“Imagine “The Godfather” made by dazzling Latin American directors who combine bravura filmmaking with political awareness and a probing social conscience.” – Kenneth Turan, Los Angeles Times

“Three viewings in, I’m still flabbergasted by the scope and detail of this movie … and in awe of the way its unique cover version of a crime-doesn’t-pay story totally pays off.” – David Fear, Rolling Stone

“The ease and charisma of the performers, trained and nonprofessional actors alike, heighten the emotional impact.” – A.O.Scott, New York Times

2019 Oscar Nominated Short Films, with ShortsTV Chief Executive, Carter Pilcher

For over a decade, ShortsTV has proudly brought the Oscar© Nominated Short Films to audiences across the globe. This exclusive release features the year’s most spectacular short films and for a limited time is available to watch on the big screen. Each nominee is released in one of three distinct feature-length compilations according to their category of nomination: Live Action, Animation or Documentary. The films go into theaters around the world shortly after nominations are announced and are not released anywhere else until a few days before the Oscars©, when they are also made available via on demand platforms, including iTunes, Amazon Instant Video, Google Play and Vimeo on Demand. The release ensures the greatest number of viewers can see all the nominees before the ceremony, while providing short filmmakers with an unprecedented opportunity to commercialize their movies. Carter Pilcher founded Shorts International in 2000. Coming from a background in both investment banking and law, Carter has made Shorts International the world’s leading short movie Entertainment Company, functioning as distributor, broadcaster and producer. Carter has extensive experience in short movie production and short movie entertainment. He is a voting member of the British Academy of Film and Television Arts and a member of the Short Film and Feature Animation Branch of The US Academy of Motion Pictures, Arts and Sciences (AMPAS) – the guys who pick the Oscars. For the last five years Carter Pilcher has been the highlight of Oscar season here on Film School. His insight, commitment and love of the short film format and the dedicated people who create them insures a lively and informative conversation on some of the best films you will see all year.

 

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For news and updates on the Oscar Shorts go to: shortstv – theoscarshorts

For screening information go to: theoscarshorts/theatrical release

Live Action (Short)    

Detainment 

Madre

Fauve    

Skin    

Marguerite 

 

Documentary (Short)

Black Sheep

Night at the Garden

End Game

Period. End of Sentence

Lifeboat

Animation (Short)

Animal Behavior

One Small Step

Bao

Weekends

Late Afternoon

 

January 11 – Buffalo Boys, Director Mike Wiluan

In 19th Century Java, a brutal massacre and the murder of Sultan Hamza by Captain Van Trach and his Dutch soldiers force Arana, Jamar and Suwo – the sultan’s brother and infant sons – to flee the country, bringing them halfway around the world to the American Wild West. After working the railroads and learning the cowboy way of life, Arana tells the boys it’s time to return to their homeland and avenge their father’s death. Back on Indonesian soil, the hunt for their father’s killer begins. Along the way, they meet some villagers including Kiona, the rebellious and beautiful headman’s daughter who Suwo falls for, and soon find out that the treacherous Van Trach still rules the area. Their presence puts the village in danger, quickly turning their quest for revenge into a fight for freedom. With the odds stacked against them, Arana, Jamar and Suwo use the skills they learned from the wilds of America to face Van Trach and his army in a showdown for justice. Director Mike Wiluan joins us to talk about the universal themes that play out in the Western related genre and the expanding scope of Indonesian filmmaking.

 

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samuelgoldwynfilms.com/buffalo-boys

“Energetic and well-shot with winning performances, producer turned director Mike Wiluan’s martial arts western is anything but boring.” – Jonathan W. Hickman, Daily Film Fix

“…the talent behind it is obvious, from its Indonesian and Singaporean producers down to the character players fighting for women’s rights while riding water buffaloes and firing shotguns.” – Kelly Vance, East Bay Express

“As expected, good wins over evil and the charismatic and capable brothers ride off into the sunset…but, is that the end of their adventures?” – Robin Clifford, Reeling Reviews

“[Reinout] Bussemaker’s work aside, the film as it its most impressive during the action sequences and, thankfully, it doesn’t skimp on these.” – Jennie Kermode, Eye for Film

 

Capernaum, Director Nadine Labaki

Winner of the Grand Jury Prize at the 2018 Cannes Film Festival, Nadine Labaki’s CAPERNAUM (“Chaos”) tells the story of Zain (Zain al Rafeea), a Lebanese boy who sues his parents for the “crime” of giving him life. CAPERNAUM follows Zain, a gutsy streetwise child as he flees his negligent parents, survives through his wits on the streets, takes care of Ethiopian refugee Rahil (Yordanos Shiferaw) and her baby son, Yonas (Boluwatife Treasure Bankole), being jailed for a crime, and finally, seeks justice in a courtroom. CAPERNAUM was made with a cast of non-professionals playing characters whose lives closely parallel their own. Following her script, Labaki placed her performers in scenes and asked them to react spontaneously with their own words and gestures. When the non-actors’s instincts diverged from the written script, Labaki adapted the screenplay to follow them. While steeped in the quiet routines of ordinary people, CAPERNAUM is a film with an expansive palette: without warning it can ignite with emotional intensity, surprise with unexpected tenderness, and inspire with flashes of poetic imagery. Although it is set in the depths of a society’s systematic inhumanity, CAPERNAUM is ultimately a hopeful film that stirs the heart as deeply as it cries out for action. Director and writer Nadine Labaki joins us for a conversation on her impassioned new film and how CAPERNAUM changed her and many of the cast and crew from this multi-award winning film.

 

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For news and updates go to: sonyclassics.com/capernaum

2018 Cannes Film Festival

Winner, Grand Jury Prize

Winner, Prix de la citoyenneté

Winner, Prize of the Ecumenical Jury

Nominated, Palme d’Or

Social Media for Capernaum

facebook.com/capernaummovie

twitter.com/SonyClassics

Instagram.com/SonyClassics

“It’s a scathing commentary on the effects of poverty, the failure to properly respond to refugee crises, and simple human decency populated by those struggling just as much as the next yet have also crossed a line they cannot return from.” – Jared Mobarak, Film Stage

“It’s a deeply assured piece of direction, and though it only plays a few emotional notes, they are ones that won’t soon leave your memory. Prepare to be blown-away.” – Emily Yoshida, New York Magazine / Vulture

“A social-realist blockbuster – fired by furious compassion and teeming with sorrow, yet strewn with diamond-shards of beauty, wit and hope.” – Robbie Collins, Daily Telegraph

“Can favorably be compared to everyone from De Sica to Truffaut to ‘Slumdog Millionaire.’ A stunning piece of cinema.” – Pete Hammond, Deadline

’63 Boycott, Director Gordon Quinn

’63 Boycott is the award-winning film directed by Gordon Quinn, the co-founder of Kartemquin Films, and produced by Rachel Dickson and Tracye A. Matthews. ’63 Boycott revisits October 22, 1963, when more than 250,000 students boycotted the Chicago Public Schools to protest racial segregation. Many marched through the city calling for the resignation of School Superintendent Benjamin Willis, who placed trailers, dubbed ‘Willis Wagons,’ on playgrounds and parking lots of overcrowded black schools rather than let them enroll in nearby white schools. Blending unseen 16mm footage of the march shot by Gordon Quinn when he was just 21 years old with the participants’ reflections today, 63 Boycott connects the forgotten story of one of the largest northern civil rights demonstrations to contemporary issues around race, education, school closings, and youth activism. Director Gordon Quinn joins us for a conversation on his lacerating look at the historic non-violent campaign to win access to educational parity and basic human rights.  ’63 Boycott is an overview of how much Chicago has changed and how much remains the same.

For news and updates go to: kartemquin.com/films/63-boycott

For more about ’63 Boycott and the catalog Kartemquin films

‘63 Boycott

Winner – Best Short Documentary Award at the 2018 Nashville Film Festival

Winner – Audience Award at the 2018 Pan African African Film Festival.

Winner – Best Short Documentary at the Berlin Black International Cinema Exhibition

Winner – Best Short Documentary Roxbury International Film Festival

Winner – Best Short Documentary Adrian International Film Festival

Winner – Best Short Documentary Montreal International Black Film Festival

Winner – Jury Citation Award at the Black Maria Film Festival.

 ** ‘63 Boycott is one of 10 short documentaries to advance as a contender for Best Documentary Short at the 2019 Academy Awards.

The Distant Barking of Dogs, Director Simon Lereng Wilmont and Producer Monica Hellström

THE DISTANT BARKING OF DOGS is set in Eastern Ukraine on the frontline of the war. The film follows the life of 10-year-old Ukrainian boy Oleg throughout a year, witnessing the gradual erosion of his innocence beneath the pressures of war.  Oleg lives with his beloved grandmother, Alexandra, in the small village of Hnutove. Having no other place to go, Oleg and Alexandra stay and watch as others leave the village. Life becomes increasingly difficult with each passing day, and the war offers no end in sight. In this now half-deserted village where Oleg and Alexandra are the only true constants in each other’s lives, the film shows just how fragile, but crucial, close relationships are for survival.  Through Oleg’s perspective, the film examines what it means to grow up in a warzone. It portrays how a child’s universal struggle to discover what the world is about grows interlaced with all the dangers and challenges the war presents. THE DISTANT BARKING OF DOGS unveils the consequences of war bearing down on the children in Eastern Ukraine, and by natural extension, the scars and self- taught life lessons this generation will carry with them into the future. Director Simon Lereng Wilmont and Producer Monica Hellström stop by to talk about this harrowing, intimate and loving look at Oleg and Alexandra’s claustrophobic life on the frontlines of an undeclared war.

 

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For news and updates go to: Distant Barking of Dogs

**Spotlight Award Nominee – Cinema Eye Honors 2019

**Honorable Mention – Pare Lorentz Award – 2018 IDA Awards

**Winner – First Appearance Award – IDFA 2017

**Winner – Best Nordic Documentary – Göteborg Film Festival 2018

**Winner – Golden Gate Award – SFFILM 2018

**Winner – Fipresci Award – Thessaloniki Documentary Film Festival 2018

**Winner – Best International Film – DocAviv Film Festival 2018

**Nominee – Best European Documentary – European Film Awards 2018

“Finds beauty and horror on the bleeding edge of war” – The Hollywood Reporter

“Moving and effective” – Screen Daily

“Resembles classic Terence Malick” – Point of View Magazine

“A beautiful, poetic observational documentary” – Cineuropa

“An intimate, stirring portrayal of life during wartime” – Film Pulse