After marrying a successful Parisian writer known commonly as “Willy” (Dominic West), Sidonie-Gabrielle Colette (Keira Knightley) is transplanted from her childhood home in rural France to the intellectual and artistic splendor of Paris. Soon after, Willy convinces Colette to ghostwrite for him. She pens a semi-autobiographical novel about a witty and brazen country girl named Claudine, sparking a bestseller and a cultural sensation. After its success, Colette and Willy become the talk of Paris and their adventures inspire additional Claudine novels. Colette’s fight over creative ownership and gender roles drives her to overcome societal constraints, revolutionizing literature, fashion and sexual expression. Director and screenwriter Wash Westmoreland stops by to talk about the story behind a remarkable trailblazing feminist, writer, performer and cultural icon whose influence has inspired artists for the last 100 years.
“Knightley is exceedingly well-equipped to carry this magnificent film on her own — an Oscar-nominated performance for sure.” – Jeanne Kaplan, Kaplan vs. Kaplan
“A witty, spirited portrait of the great French writer and libertine during the early Belle Époque years of her career.” – Justin Chang, Los Angeles Times
“This timely and gorgeously shot account of a beloved French writer foregrounds Colette’s remarkable freedom from conventional norms as she finds her artistic voice.” – Erica Abeel, Film Journal International
“At first presenting itself as a tightly corseted Big Eyes set during the Belle Époque, Colette erupts into a fun, frothy, and unmistakably feminist biopic.” – David Ehrlich, IndieWire
“The film has a towering performance from Keira Knightley, who plays Colette with such warmth and fiery feminism, that it would be hard not to make woman’s past run parallel with today’s world.” – Jordan Ruimy, The Playlist
America has the most technologically advanced health care system in the world, yet preventable medical harm has become one of the leading causes of death, and the overwhelming majority of high-risk implanted devices never require a single clinical trial. In THE BLEEDING EDGE, Academy Award nominated filmmakers Kirby Dick and Amy Ziering (THE INVISIBLE WAR, THE HUNTING GROUND) turn their sights on the $400 billion medical device industry, examining lax regulations, corporate cover-ups, and profit driven incentives that put patients at risk daily.Weaving emotionally powerful stories of people whose lives have been irrevocably harmed, the film asks: what life-saving technologies may actually be killing us? Director Kirby Dick and Producer Amy Ziering join us for a conversation on the lack of integrity in the medical device industry, lax regulatory oversight by the Federal Food and Drug Administration and the potentially deadly combination that it can become.
Forty-five years after it revolutionized abortion law in America, the landmark 1973 US Supreme Court case Roe v. Wade is once again at a crossroads. In their timely new documentary REVERSING ROE, filmmakers Ricki Stern and Annie Sundberg (THE DEVIL CAME ON HORSEBACK, MARATHON: THE PATRIOT’S DAY BOMBING) present a deeply illuminating look of the state of abortion and women’s rights in America. The film offers candid and riveting interviews with key figures from both sides of the divide, among them doctors Colleen McNicholas and Curtis Boyd; feminist icon Gloria Steinem; Operation Rescue president Troy Newman; and National Right to Life president Carol Tobias.Intense and unflinching in its commitment to telling the whole story, REVERSING ROE provides a gripping look at what’s happening on the ground in 2018. Drawing from a wealth of historical footage, it charts the period leading up to the Roe decision-and documents the opposition that has followed ever since.Regardless of where you stand on the issue of abortion, REVERSING ROE is essential viewing to understand how the country got here-and where it may be going. Co-directors Ricki Stern and Annie Sundberg join us for an informed conversation on the long history and politics swirling around one of the country’s most divisive issues.
“As contentiousness turned into real-world consequences, “Reversing Roe” reminds us that the more women get involved regarding their rights, the more likely we’re to see a fair, principled fight.” – Robert Abele, Los Times
“Nothing new here but a good primer for those who never thought that politics has anything to do with their lives.” – Harvey S. Karten, Big Apple Reviews
“Solid and valuable but familiar.” – Caryn James, Hollywood Reporter
“Provides a clear and accessible overview of more than 50 years of the social and legal history of the issue in the United States.” – Ben Kenigsberg, New York Times
Although Hal Ashby directed a remarkable string of acclaimed, widely admired classics throughout the 1970s—HAROLD AND MAUDE, THE LAST DETAIL, SHAMPOO, COMING HOME, BEING THERE—he is often overlooked amid the crowd of luminaries from his generation. Amy Scott’s HAL is an exuberant portrait that explores that curious oversight, using rare archival materials, interviews, personal letters, and audio recordings to reveal a passionate, obsessive artist. Ashby was a Hollywood director who constantly clashed with Hollywood, but also a unique soul with an unprecedented insight into the human condition and an unmatched capacity for good. His films were an elusive blend of honesty, irreverence, humor, and humanity. Through the heartrending and inspiring HAL, you feel buoyed by Ashby’s love of people and of cinema, a little like walking on water. On camera interviews his many collaborators, including Oscar®-winning actors Lee Grant, Jane Fonda, Jon Voight, Louis Gossett Jr, Jeff Bridges and more recall how they were empowered by Ashby and granted them artistic freedom. Contemporary directors include Alexander Payne, Judd Apatow, Lisa Cholodenko, and David O. Russell attest to the quiet but powerful influence Ashby has had on their own filmmaking. Behind the camera colleagues Norman Jewison, Robert Towne, Haskell Wexler, and Pablo Ferro stand witness to Ashby’s brilliance as a filmmaker and the forces that led to his undoing. Director Amy Scott joins us to talk about her artistic connection to Hal Ashby, as editor and director, and her desire to correct many of the lingering misperceptions of Ashby through her riveting and loving film about a true maverick.
“If there’s still the sense that Ashby isn’t as sanctified as American New Wave stalwarts Coppola or Scorsese, Amy Scott’s breezy tribute of a documentary is out to correct that oversight.” – Robert Abele, TheWrap
“A vivid portrait of artistic integrity and complete commitment to the art of filmmaking.” – J.R. Kinnard
“Hal is a loving tribute to a filmmaker who rarely gets the attention he deserves.” – Brian Thompson, Film Threat
“Just before the documentary slips into hero worship, Amy Scott pries beneath the calm surface of her bearded and bespectacled subject to reveal the silent rage that fueled his work.” – A.J. Serrano, Slant Magazine
In her latest project,SNAPSHOTS, legendary actor Piper Laurie plays family matriarch Rose.. The story will resonate with every person who has lived through the complexity of family relationships, It reminds us that if we are loved no secret is too difficult to hear and accept. Or is it? Rose (Gran) is the matriarch. She has lived in this house for over fifty years. She and her deceased husband Joe raised their daughter Patty in this home. Patty, now a widow in her early 50’s, lives in St. Louis. Each year Patty and her newly married daughter Allison spend a laughter filled girl’s weekend with Gran. This year will be different. Piper Laurie joins us for a conversation on the making of her latest project (Snapshots) in a legendary film career that includes three Academy Award nominated performances (The Hustler, Carrie, Children of a Lesser God) and an Emmy nomination for David Lynch’s groundbreaking television serial (Twin Peaks).
“Performances all around are strong, with Piper Laurie’s Rose taking the lead and directing us through the story’s narrative. We are invited to soak in the retro atmosphere as the story unfolds at a leisurely pace.” – Paul Parcellin, Film Threat
Scotty and the Secret History of Hollywood is the deliciously scandalous story of Scotty Bowers, a handsome ex-Marine who landed in Hollywood after World War II and became confidante, aide de camp and lover to many of Hollywood’s greatest male — and female — stars. In the 1940s and ’50s, Scotty ran a gas station in the shadow of the studio lots where he would connect his friends with actors and actresses who had to hide their true sexual identities for fear of police raids at gay bars, societal shunning and career suicide. An unsung Hollywood legend, Bowers would cater to the sexual appetites of celebrities – straight and gay – for decades. In 2012, he finally spilled his secrets in the New York Times bestselling memoir “Full Service,” which revealed a dramatic, pre-Stonewall alternate history of Hollywood. While the studio PR machine were promoting their stars as wholesome and monogamous,Bowers was fulfilling the true desires of many of them. This cinema-vérité documentary tells his story, as well as presents eye-opening takes on icons from the Hollywood Golden Age including Cary Grant, Katharine Hepburn, Spencer Tracy, Lana Turner, Ava Gardner and many more. Director Matt Tyrnauer (Studio 54, Citizen Jane: Battle for the City, Valentino: The Last Emperor) joins us for spirited conversation on the days when the Hollywood PR machine mattered more than the lives of the artist who made it successful and the role Scotty Bowers played in breaking that stranglehold on them.
“Scotty” is more than just a portrait of the man, also serving as a history lesson on how the film industry once tried to project a repressive, clean-cut image to satisfy moral watchdogs” – Tim Grierson, Screen International
“A nicely filled-out look at different eras, one secrecy-ridden and dedicated to the preservation of illusion, the other wide open and blasé about personal predilections.” – Todd McCarthy, Hollywood Reporter
“There’s plenty of gossip to be found here, but there’s also no shortage of humanity.” – Alonso Duralde, The Wrap
“The present-day footage is more compelling than any of the gossipy bits, which turn out to be the hook that pulls the film into more fraught and complex directions.” – Kevin Ritchie, NOW Toronto
“’Scotty and the Secret History’ is a fascinating portrait that neither lionizes nor judges its subject. It merely lets you take him for what he is.” – Jason Bailey, Flavorwire
For the past 25 years acclaimed photographer and filmmaker Lauren Greenfield has travelled the world, documenting with ethnographic precision and an artist’s sensitivity a vast range of cultural movements and moments. Yet, after so much seeking and searching, she realized that much of her work pointed at one uniting phenomenon: wealth culture. With her new film, Generation Wealth, she puts the pieces of her life’s work together for in an incendiary investigation into the pathologies that have created the richest society the world has ever seen. Spanning consumerism, beauty, gender, body commodification, aging and more, Greenfield has created a comprehensive cautionary tale about a culture heading straight for the cliff’s edge. Generation Wealth, simultaneously a deeply personal journey, rigorous historical essay, and raucously entertaining expose, bears witness to the global boom-bust economy, the corrupted American Dream and the human costs of capitalism, narcissism and greed. Emmy-award-winning photographer / filmmaker, Lauren Greenfield’s expansive artistry includes her monographs (Girl Culture, Fast Forward, THIN, Generation Wealth), and documentaries (THIN, kids+money, The Queen of Versailles). The Queen of Versailleswon her the 2012 Best Documentary Director Award at Sundance Film Festival. Director Lauren Greenfield joins us to talk about her sweeping film and the damning indictment of a profligate world of depraved indifference, hell-bent on stockpiling pointless possessions.
“Through her dedication to other people’s lives, and with such open-book storytelling of her own, Greenfield is able to make a stunningly deeply resonant documentary about notions as seemingly obvious as the value of love over wealth itself.” – Nick Allen, RogerEbert.com
“Greenfield makes a compelling argument for a society on the brink of precipitous decline, choosing to interpret the runaway vanity and rampant materialism observed in her own work as harbingers of our imminent destruction.” – Peter DeBruge, Variety
“This personal approach gives the film a sharp intimacy, and from here Greenfield pulls out to reveal how similar patterns are reshaping lives and families the world over.” – Nikki Baughan, Screen International
Forty years after the death of Elvis Presley,two-time Sundance Grand Jury winner Eugene Jarecki’s new film takes the King’s 1963 Rolls-Royce on a musical road trip across America. From Memphis to New York, Las Vegas, and beyond, the journey traces the rise and fall of Elvis as a metaphor for the country he left behind. In this groundbreaking film, Jareckipaints a visionary portrait of the state of the American dream and a penetrating look at how the hell we got here. A diverse cast of Americans, both famous and not, join the journey, including Alec Baldwin, Rosanne Cash, Chuck D, Emmylou Harris, Ethan Hawke, Van Jones, Mike Myers, and Dan Rather, among many others. To investigate these questions, THE KING traces Elvis’ rise and fall from the Deep South to New York, Las Vegas, and countless points between. Alongside this, the film examines America in parallel, from her auspicious founding to her own struggles with excess power up to the acute challenges of today. This was always Jarecki’s intent, but he could never have anticipated the election of Donald Trump, which happened in mid-production and sent a shock wave through the filmmaking process.
“It’s hard to pinpoint exactly when Eugene Jarecki’s one-of-a-kind doc on the rise and fall of Elvis turns into a metaphor for Trump’s America, but when it happens – kapow!” – Peter Travers, Rolling Stone
“Perceptive, probing and ultimately devastating, The King is for anyone who cares about where this country has been and where it’s headed.” – Stephanie Zachary, Time Magazine
“The journey is the destination in a movie that gives you plenty to think about and argue with, as it racks up the miles and people clamber in and out of both the Rolls and the movie.” – Manohla Dargis, New York Times
“The overall merging of the two stories offers deeper insight into the fall of both the King and the country as a whole.” – Gwen Ihnat, A/V Club
“Sprawling and brilliant.” – David Ehrlich, IndieWire
HALF THE PICTURE celebrates the groundbreaking work of female film directors and investigates the systemic discrimination that has, for decades, denied opportunities to far too many talented women in Hollywood. The film consists of interviews with high profile women directors including Ava DuVernay, Jill Soloway, Lena Dunham, Catherine Hardwicke and Miranda July, among many others, who discuss their early careers, how they transitioned to studio films or television, how they balance having a demanding directing career with family, as well as challenges and joys along the way. HALF THE PICTURE also includes interviews with experts about gender inequality in Hollywood including the ACLU’s Melissa Goodman, Sundance Institute’s Caroline Libresco, Vanity Fair’s Rebecca Keegan, USC’s Dr. Stacy Smith and San Diego State University’s Dr. Martha Lauzen, who establish the magnitude of this employment discrimination issue as women are shut out, across the board, of an industry that systemically denies their expression and point of view. HALF THE PICTUREDirector / Producer Amy Adrion joins us to talk about a unique time in the film industry where systemic change seems possible and whether, unlike previous efforts to address gender inequality in Hollywood, will this time be different?
“Half the Picture is a vital, comprehensive documentary on a subject that’s so fundamental to the industry it’s about, you have to wonder why dozens of movies on this scale or bigger haven’t already been made.” – Leslie Felperin
“Half The Picture is an inspiring, important documentary that should be seen by as many people as possible, particularly those who aren’t aware of the problems women face in Hollywood.” – Manon de Reeper, Film Inquiry
“Half the Picture, Amy Adrion’s no-frills documentary, offers a diligent, straightforward overview of the innumerable obstacles facing today’s female directors, both aspiring and accomplished.” – Natalia Winkelman, Film Threat
“A platform for those who want to hear about the reality of being a woman in Hollywood from dozens of women who have lived it, it’s an invaluable resource.” – Rebecca Pahle, Film Journal International
“It’s experiential revelation as advocacy filmmaking, an incisive and inviting example of the personal as political.” – Serena Donadoni, Village Voice
Street Food Cinema is the ultimate outdoor movie experience! Founded in 2012 by the dynamic husband and wife team of Steve Allison & Heather Hope-Allison, Street Food Cinema has developed a strong community of entertainment and food enthusiasts across Los Angeles. Every Saturday throughout the summer, Street Food Cinema features beloved cult classic movies on a huge 50 foot screen alongside LA’s favorite food trucks like Cousins Maine Lobster, Street Kitchen LA and Churro Stix as well as emerging music artists such as Alex G., Past Action Heroes and The Urban Renewal Project: punctuated with themed audience games hosted by professional comedians to complete the interactive experience. Their Season 6 opener in 2017 was the worlds biggest La La Land screening AND the biggest Street Food Cinema to date at over 5,000 attendees. With their visionary idea to take the outdoor movie experience to fully inclusive night out –they incorporated a variety of fascinating food trucks, pre-movie live entertainment and cool interactive experiences to massive audience appeal in three major markets: Los Angeles, San Diego and Phoenix. Their 7th season offers so many exciting titles, beginning with the incredible 2018 Oscar nominees“Get Out” and “I, Tonya” on May 5th,“The Greatest Showman” on June 16th, “Lady Bird” on July 21st and “Coco” on October 27th. As well as anniversary screenings for beloved fan favorites “Dazed & Confused” starting our season on April 28th, “The Land Before Time” on May 19th, “The Big Lebowski” on June 9th, “Mrs. Doubtfire” on June 16th, “Stand and Deliver” on June 23rd, “The Sandlot” on June 30th, “Grease” on July 21st, “Mamma Mia!” on August 4th, “Casablanca” on August 25th, “The Wedding Singer” on September 1st, “Nick & Nora’s Infinite Playlist” on September 8th, “Practical Magic” and “The Nightmare Before Christmas” on September 29th and “Twilight” and the original cult classic “Halloween” on October 13th. We’ll also debut our first double-feature PJ party“The Craft” & “Teen Witch” on September 15th and many more great films. Co-founder of Street Food Cinema Heather Hope-Allison (Steven Allison) joins us to run down the upcoming films, where they will be screening and all of the family-friendly options available to film lovers in Southern California.
When UCLA Film & Television Archive launched its annual UCLA Celebration of Iranian Cinema in 1990, it was the first showcase for new Iranian films in the U.S. It has been a platform for exciting new voices in cinema as well as a dialogue to foster cultural understanding—and in that time Iranian filmmakers have moved to the forefront of the cinematic world. It has also been a barometer of global politics. In partnership with Farhang Foundation, this year’s UCLA Celebration of Iranian Cinema offers Los Angeles the chance to see a stellar lineup of new Iranian films that includes four Los Angeles premieres and three U.S. premieres, along with the revival of a modern classic. From fraught intimate relationships to big social issues, these expertly crafted films reveal the complexities – and universalities – of contemporary Iran. The annual celebration, now entering its 28th year, showcases the best in contemporary Iranian Cinema. Paul Malcolm is the film programmer for UCLA Film & Television Archive where he began in 2007. He was an associate programmer of feature and short films for the Los Angeles Film Festival 2006-2010. As adjunct faculty at Chapman University, he has taught classes on the history and aesthetics of 3D cinema and film reviewing at Chapman University. He was also assistant film editor and film critic for the LA Weekly from 1998-2006. Malcolm graduated from USC with a BA in journalism and he received his MA in Film Studies from UCLA. He is a Sundance Institute Arts Writing Fellow (2001).
Presenting Michelle Pfeiffer in one of the most acclaimed performances of her storied career, Andrew Dosunmu’s WHERE IS KYRA? tells the story of Kyra Johnson, a middle-aged divorcee who moves into her elderly mother’s Brooklyn apartment while she looks for work and tries to get back on her feet. When her mother suddenly dies, Kyra is left without any support, both emotional and financial, and finds herself with very few options–none of them good. Despite a blossoming affair with a sympathetic neighbor (Kiefer Sutherland) with struggles of his own, Kyra can’t accept that her once-tidy life has fallen apart, and she resorts to increasingly desperate measures to hold onto what little she has left. Another unique and evocative portrait of life in contemporary New York City, WHERE IS KYRA? is Dosunmu’s follow-up to his award-winning feature, Mother of George, widely considered one of the best independent films of recent years. Re-teaming with writer Darci Picoult, cinematographer Bradford Young (Academy Award-nominated for Arrival, Selma), and composer Philip Young, Dosunmu brilliantly conveys the plight of a strong-willed, capable woman who nonetheless finds herself slipping through society’s cracks, and toppling from a stable, secure life to the very edge of ruin. Director Andrew Dosunmu joins us to talk about take on the “invisible” people living at the margins of our major urban centers, a collective loss of empathy, and the impact his photo-journalism work had on the making of this starkly beautiful film.
“This woman may be lost to the world, but in Dosunmu’s quietly shattering vision, she is also unexpectedly, triumphantly found.” – Justin Chang, Los Angeles Times
“It’s a performance of such nuance and vulnerability, so quietly catastrophic in communicating this woman’s accumulation of loss.” – David Fear, Rolling Stone
“Where Is Kyra? finally allows [Pfeiffer] to explore the darker, unvarnished side of her talent and gives her the opportunity to do perhaps the best work of her lengthy, eclectic career.” – Christy Lemire, RogerEbert.com
“A shattering portrait of a luckless woman unable to pull out of the tailspin that is her life, “Where Is Kyra?” is a powerfully moody character study anchored by a remarkable performance from Michelle Pfeiffer.” – Tim Grierson, Screen International
“Rarely on film has the sheer debilitating exhaustion of poverty been so clearly conveyed.” – Bilge Ebiri, Village Voice
King in the Wilderness chronicles the final chapters of Dr. Martin Luther King Jr.’s life, revealing a conflicted leader who faced an onslaught of criticism from both sides of the political spectrum. While the Black Power movement saw his nonviolence as weakness, and President Lyndon B. Johnson saw his anti-Vietnam War speeches as irresponsible, Dr. King’s unyielding belief in peaceful protest became a testing point for a nation on the brink of chaos. Dr. King’s leadership during the bus boycotts, the sit-ins and the historic Selma to Montgomery marches is now legendary, but much of what happened afterward – during the last three years of his life – is rarely discussed. It’s a time when Dr. King said his dream “turned into a nightmare.” From the passage of the Voting Rights Act in 1965 to his assassination in 1968, King remained unshakably committed to nonviolence in the face of an increasingly unstable country. The documentary debuted at the 2018 Sundance Film Festival andis directed by Peter Kunhardt (HBO’s Emmy-winning Jim: The James Foley Story). Drawing on conversations with those who knew Dr. King well, including many fellow members of the Southern Christian Leadership Conference (SCLC), King in the Wilderness reveals stirring new perspectives on Dr. King’s character, his radical doctrine of nonviolence and his internal philosophical struggles prior to his assassination in 1968. The documentary also features interviews with Andrew Young and Jesse Jackson, archival footage, behind-the-scenes video of Dr. King’s private moments, intimate archival photographs and phone conversations recorded by President Johnson, who were both ally and adversary in King’s fight for civil rights. Director Peter Kunhardt talks about his moving, insightful and illuminating film about an extraordinary human being.
Barbara Thorson (Madison Wolfe) is your new hero. A quick-witted, sharp- tongued middle-schooler who isn’t afraid of anything. As the only girl in school carrying an ancient Norse warhammer in her purse and killing giants for a living, why wouldn’t she be? I Kill Giants is the sweeping, bittersweet story of a young girl struggling to conquer monsters both real and imagined as her world crumbles at the feet of giants bigger than any one child can handle.Based on the best-selling graphic novel by Joe Kelly. I Kill Giants features terrific performances from Zoe Saldana and Imogen Poots. Academy Award winning director Anders Walter joins us to talk about his clever, creative and emotionally resonant feature film debut.
“This intimate story about a troubled 12-year-old who’s on a mission to save her town is virtually tone perfect.” – Jeanette Catsoulis, New York Times
“A sweetly imaginative, tenderly played coming of age drama.” – Allan Hunter, Screen International
“The vivid cinematography, affecting performance by Wolfe, and lack of saccharine allow the film to resonate not only with the teen target demographic but older viewers as well.” – James Beradinelli, ReelReviews
“I Kill Giants is a dark piece of work for children, which is far from a bad thing.” – Ann Storm, Film Journal International
“Like its heroine, I Kill Giants isn’t afraid to tackle the darkness or rage of little girls, or their fear and pain.” – Katie Walsh, Los Angeles Times
In the Land of Pomegranates is a suspenseful, multi-layered documentary about a group of young people who were born into a violent and insidious ongoing war. They are young Palestinians and Israelis invited to Germany to join a retreat called ‘Vacation From War’ where they live under the same roof and face each other every day. In these highly charged encounters they confront the entrenched myths and grievances that each side has for the other. As they try to gain insight into the seemingly irreconcilable narratives, the paradoxes and contradictions born of legend and history along with passionately held ideals and the daily fight for survival surface. Interwoven into this intense footage, adding context, the film also follows other embattled lives in the Occupied Territories and Israel: a mother and her four children living in the shadow of the wall abutting Gaza; an imprisoned Palestinian and the subsequent path he’s taken; an Israeli survivor of a suicide bombing; and a daring Palestinian mother whose son’s life is saved by an Israeli doctor. They are all caught in the duality of the pomegranate: will they embrace rebirth and each other’s humanity, or will they pull the pin on the grenade? We are joined by the Director Hava Kohav Beller (The Restless Conscience: Resistance to Hitler within Germany 1933-1945) for a conversation on what, if any, options may be available to break the cycle of violence and mistrust for people living in a place where hatred and retribution have been normalized.
“The state of affairs in the Middle East may actually be thornier than it seems from afar: that is the position this brave, intimate perspective on the Israeli-Palestinian conflict seems to take.” – MaryAnn Johanson, Flick Philosopher
“Amidst tense airings of grievances, context is set against beautiful images of the disputed homeland, archival footage, and personal testimonials of clashes and cooperation” – Nora Lee Mandel, Film-Forward
“Sobering. A tough and clear-eyed look at how things are, rather than how we want them to be.” – Ken Jaworowski, The New York Times
“Hava Kohav Beller’s beautifully shot documentary gives an urgent and very modern new face to the Israeli-Palestinian conflict.” – New York Magazine
At the age of 26, Karl Marx (August Diehl; INGLOURIOUS BASTERDS, THE COUNTERFEITERS) embarks with his wife Jenny (Vicky Krieps; PHANTOM THREAD) on the road to exile. In 1844 Paris they meet young Friedrich Engels (Stefan Konarske), son of a factory owner and an astute student of the English proletariat class. Engels brings Marx the missing piece to the puzzle that composes his new vision of the world. Together, between censorship and police raids, riots and political upheavals, they will preside over the birth of the labor movement, which until then had been mostly makeshift and unorganized. This will grow into the most complete theoretical and political transformation of the world since the Renaissance – driven, against all expectations, by two brilliant, insolent and sharp-witted young men. In his first film since the Oscar®-nominated documentary I AM NOT YOUR NEGRO, celebrated Haitian filmmaker Raoul Peck (LUMUMBA) paints a vivid portrait of another of history’s most influential thinkers with THE YOUNG KARL MARX. A fervently intelligent chronicling of the blood, sweat and debate that went into the creation of a manifesto and a movement, the film premiered at the 2017 Berlin International Film Festival. Director Raoul Peck joins us for a lively conversation on capturing the essence of a young Marx and Engels relationship, the relevance of Marxism today and the critical reaction to his film.
Carter Pilcher founded Shorts International in 2000. Coming from a background in both investment banking and law, Carter has made Shorts International the world’s leading short movie Entertainment Company, functioning as distributor, broadcaster and producer. Carter has extensive experience in short movie production and short movie entertainment. He is a voting member of the British Academy of Film and Television Arts and a member of the Short Film and Feature Animation Branch of The US Academy of Motion Pictures, Arts and Sciences (AMPAS) – the guys who pick the Oscars. Carter, originally from Terre Haute, Indiana, received a B.S. from the U.S. Air Force Academy, a J.D. from Georgetown University, is a member of the New York Bar and attended the London Business School Corporate Finance Evening Program. Carter Pilcher has been and continues to be the highlight of Oscar season here on Film School. His insight, commitment and love of films and filmmaking always makes for a lively and informative conversation on some of the best films you will see all year.
On November 28th, 1953, mild-mannered military scientist Frank Olson plunged from the window of his 13th-floor New York hotel room and died. His cause of death was described as a “fall or jump” and though many questions remained about the exact circumstances, the case was left unsolved, and Olson’s wife and three young children attempted to move on. Over two decades later, in June of 1975, the Rockefeller Commission issued a comprehensive, high-profile report on myriad illegal CIA activities that featured a passing mention of a 1953 incident in which an army scientist was purposefully drugged with LSD without his knowledge and died from a fall a few days later. This revelation sends the Olson family, led by oldest son Eric, on a decades-long hunt for answers that takes them to the highest corridors of power in the U.S. government and close to some of its darkest secrets. Acclaimed storyteller Errol Morris weaves this mystery into a six-part story exploring the limits of our knowledge about the past and the lengths we’ll go in the search for the truth.Wormwood is the saga of one man’s obsessive, sixty-year quest to identify the real circumstances about his father’s death that tells a hidden history of key events of the second half of the 20th Century. Was Frank’s death an accident? Did he commit suicide after a bad drug trip? Or was he murdered for knowing too much? In Wormwood, Morris connects Frank’s story to the Korean War, mind control experiments, illegal germ warfare, brainwashing, Manchurian candidates, Dick Cheney, Donald Rumsfeld and more.
“Wormwood is more concerned with its intellectual and philosophical musings on the intangibility everything about this case represents, but it comes at the cost of an emotional impact that’s always just beneath the surface.” – Kevin Jagernauth, The Playlist
“With “Wormwood,” Morris reclaims the approach he popularized by employing accomplished performers such as Molly Parker, Tim Blake Nelson, Peter Sarsgaard and Bob Balaban to bridge the gap between fact, presumption and fantasy.” – Lorraine Ali, Los Angeles Times
“Redefining what a documentary can do and be, Morris’ epic proves a tragedy of systemic corruption, personal mania, and the inability to grasp that which one knows exists, but remains just out of reach.” – Nick Schager, The Daily Beast
“heir testimonies unfolds alongside a series of dramatic reenactments that may or may not illustrate the precise nature of the events being described. The result is a documentary-fiction combination like nothing seen before.” – Eric Kohn, IndieWire
“It has an eerie, something-is-happening-here-but-you-don’t-know-what-it-is-do-you-Mr.-Jones vibe that evokes mid-century American cold war paranoia” – Jordan Hoffman, Vanity Fair
FINDING OSCAR is the feature-length documentary about the search for justice in the case of the Dos Erres massacre in Guatemala in 1982. That search leads to the trail of two little boys, Oscar and Ramiro, who were abducted during the slaughter and raised by some of the very soldiers who had murdered their families. These boys offer the only living evidence that ties the Guatemalan government to the massacre. FINDING OSCAR follows the men and women who have spent nearly two decades looking for answers—from the human-rights worker who first heard the story to the forensic anthropologists trying to identify victims and contact families. The film profiles the young Guatemalan prosecutor who took on her own government, and the U.S. immigration agents who began rounding up war criminals found living in the States. In a country built on impunity, it will take this dedicated team to find justice more than thirty years later, and uncover a truth more significant than anyone could have imagined. Filmmaker Ryan Suffern is producer and director of FINDING OSCAR, with Frank Marshall as producer and Steven Spielberg as Executive Producer.Director Ryan Suffern joins us to talk about the victims, the families, the impact that these massacres continue to have on the people of Guatemala and the continuing search of justice.
“A twisty, protracted fight for justice is deftly traced in “Finding Oscar,” an absorbing, if grim, documentary …” – Gary Goldstein, LA Times
“The barbarity described in “Finding Oscar” is stomach-turning, but moments of courage still shine through in this unsettling yet vital documentary.” – Ken Jaworoski, New York Times
“Suffern strikes a respectful, not entirely hopeless tone throughout, allowing those affected by the civil war in general and the Dos Erres massacre in particular to speak at length about their experiences.” – Michael Nordine, Village Voice
“An absorbing documentary about an unlikely survival story.” – Todd McCarthy, Hollywood Reporter
The time is 1939. The place is Poland, homeland of Antonina (two-time Academy Award nominee Jessica Chastain) and her husband, Dr. Jan Żabiński (Johan Heldenbergh). Devoted to each other, the couple thrive as personal and professional partners; the Warsaw Zoo flourishes until the entrance is slammed shut and the zoo is crippled in an attack as the entire country is invaded by the Germans. The couple is forced to report to the Reich’s newly appointed chief zoologist, Lutz Heck (Daniel Brühl, Captain America: Civil War). Heck envisions a new, selective breeding program for the zoo. Antonina and Jan fight back on their own terms, and covertly begin working with the Resistance – realizing that their zoo’s abandoned animal cages and underground tunnels, originally designed to safeguard animal life, can now secretly safeguard human life. As the couple puts into action plans to save lives out of what has become the Warsaw Ghetto, Antonina places herself and even her children at great risk. Director Niki Caro (Whale Rider, North Country) directs the movie from a screenplay by Angela Workman, adapted from Diane Ackerman’s nonfiction book of the same name and based on Antonina’s diaries. Director Niki Caro joins us for a conversation on her beautiful and moving historic drama.
“A fundamental sense of empathy may not be especially cinematic, but that’s no reason to ignore it (and Chastain, who strikes a wonderful balance with Heldenbergh, is masterful at expressing stoicism without ever tipping into sanctimony).” – David Ehrlich, IndieWire
“Subtle yet striking, this is a film that is filled with the power of exquisitely executed storytelling.” – Chelsey Grasso, The Film Stage
“”The Zookeeper’s Wife” may have appeal to history buffs of that turbulent time but the story has a more universal appeal about love and compassion for all animals, even us humans.” – Robin Clifford, Reeling Reviews
“It imbues a pessimistic view of the seemingly bottomless depths of human cruelty with sorrowful tragic force.” – Kenji Fujishima, Slant Magazine
God Knows Where I Am is the story of Linda Bishop, a well-educated New Hampshire mother who suffered from severe bipolar disorder with psychosis, who was intermittently incarcerated and homeless, inevitably being committed for three years to a state psychiatric facility. Successfully fighting her sister’s protective attempts to be named her legal guardian, Linda was able to refuse treatment and medication, and eventually procured an early, unconditional release, despite the lack of post release planning. Upon her release, she wandered ten miles down the road from the hospital, broke into an abandoned farmhouse and lived off of rainwater and apples picked from a nearby orchard for the next four months, through one of the coldest winters on record. For nearly four months, Linda Bishop, a prisoner of her own mind, survived on apples and rain water, waiting for God to save her, during one of the coldest winters on record. Unable to leave the house, she became its prisoner, and remained there, a prisoner of her own mind, eventually starving to death. Her body was discovered several months later and with it a diary that Linda kept documenting her journey. The diary, given voice by actress Lori Singer, is poignant, beautiful, funny, spiritual, and deeply disturbing. As her story unfolds from different perspectives, including her own, we learn about our systemic failure to protect those who cannot protect themselves. Over the last 16 years co-directors Jedd and Todd Wider have produced many of the most critically and commercially successful feature documentary films including, King’s Point (2012) nominated for an Academy Award for Best Documentary Short, the multiple Primetime Emmy and Peabody Award winning Mea Maxima Culpa: Silence in the House of God (2012) directed by Alex Gibney, the Emmy Award nominated Semper Fi: Always Faithful (2011) directed by Rachel Libert and Tony Hardmon, the multiple Emmy Award nominated Client 9: The Rise and Fall of Eliot Spitzer (2010) directed by Alex Gibney Peabody Award and 2008 Academy Award Winner for Best Documentary and 2009 Emmy Award Winner for Best Documentary, Taxi to the Dark Side (2007) also directed by Alex Gibney, and many more. In 2011, Todd Wider and Jedd Wider were each nominated by the Producers Guild of America for Outstanding Producer of Documentary Theatrical Motion Pictures. Co-director Jedd and Todd Wider join us to talk about their haunting new documentary.
“A film of great beauty and tenderness that gradually reveals a confounding mental illness, this film is a human story at its heart. Ultimately, it illuminates a hidden problem of vast proportion with an epic yet intimate cinematic vision.” – Jury, Hot Docs
“MUST SEE AT HOT DOCS: God Knows Where I Am will break your heart but also empower you to question, be helpful and provide encouragement to the vulnerable in our lives. God Knows Where I Am is wonderfully shot and captures the isolation, desperation and human condition at its essence.” – Thirty-Four Flavours
“Throughout the beautiful, evocative, and ultimately heartbreaking tale of Linda Bishop, the Widers use a variety of cameras and film formats to grant the movie an almost dreamlike feel, and they’re aided immeasurably by Bishop’s meticulous daily journal, which is read with tenderness and humanity by Lori Singer, bringing Bishop elegantly to life as the chronicler of her own story.” – Christopher Orr, The Atlantic
“I’ve seen God Know Where I Am three times. It’s not only rich and layered enough to hold up on every viewing, but on an emotional level, I wept profusely – again and again and yet again. This is great cinema and certainly a contender for one of the best documentaries of the new millennium. It captures profound poetic truths about homelessness, mental illness and loneliness which are rendered with such artistry and sensitivity that this is a film for the ages. 5 out of 5 stars.” – The Film Corner
This thrilling investigation uncovers the high-level corruption behind California’s long-standing water crisis. Sweeping cinematography of California’s harsh, dry landscape asks us to visualize a fight for water in what feels like a modern day Chinatown. Emmy award-winningfilmmaker Marina Zenovich (“Roman Polanski: Wanted and Desired”) peels back the layers of California’s convoluted water structure—wealthy water barons show their guilty hand in exploiting the state’s resource, while small farmers and neighboring towns endure debilitating drought. We see luxury crops, like almonds, on the rise and groundwater contamination increasing tenfold, pitting backroom business dealings against human and environmental costs. Water & Power: A California Heist, is a National Geographic documentary film executive produced by Academy Award winner Alex Gibney and produced by Jigsaw Productions. California has the sixth-largest economy in the world. It is home to the global entertainment and technology capitals, one of the most productive farm belts mankind has ever known and nearly 39 million residents. But the state’s continued survival is dependent on a consistent supply of fresh water, a dwindling public resource with a long history of mismanagement.Water & Power: A California Heist dives deep into the past, present and future of California’s endangered lifeblood. This natural resource is only growing more valuable as the new war for water is already upon us. This daring and extremely timely documentary asks us to question who has control of our access to our water. Director Marina Zenovich(Roman Polanski: Wanted and Desired) joins us to talk about the “how and why” of the looming disaster that awaits California residents.
“Guided by the work of a handful of burr-like journalists, this dense and disturbing documentary dives into the regulatory quagmire of California water rights with more courage than hope.” – Jeannette Catsoulis, New York Times
“While the approach taken by filmmaker Marina Zenovich, who directed 2008’s “Roman Polanski: Wanted and Desired,” relies heavily on talking heads – Gov. Jerry Brown among them – she admittedly paints a compelling picture of timeless greed.” – Michael Rechtshaffen, Los Angeles Times
“The history of California is written in water, and in the shady deals that allow a few to control it, director Marina Zenovich shows in her fact-packed documentary Water & Power: A California Heist.” – Sean P. Means, Salt Lake Tribune
Joe’s Violin – During a drive to donate musical instruments to public schools, 91-year-old Holocaust survivor Joseph Feingold offers his beloved violin, which he has played for more than 70 years. The instrument goes to the Bronx Global Learning Institute for Girls, where young musician Brianna Perez is inspired to become friends with her benefactor. Joining us will be Director Kahane Cooperman to talk about this beautifully told story about survival, and the ties that bind us together. 2017 Academy Award nomination for Best Documentary Short Film.
Pear Cider and Cigarettes – Hard-living Techno Stypes has been Robert’s best friend since childhood, and over the years, Robert has been amazed by Techno’s ability to sabotage himself. When Techno is hospitalized in China and needs a liver transplant, Robert goes on a wild ride to get him home to Vancouver. Director(s) Robert Valley and Cara Speller stop to discuss the creative process and determination behind their visually striking vision of friendship and heartbreak. 2017 Academy Award nomination for Best Animated Short Film.
SHORTSHD™TO RELEASE OSCAR® NOMINATED SHORT FILMS 2017 IN THEATRES NATIONALLY BEGINNING ON FRIDAY FEBRUARY 10
World’s Only Short Movie Channel To Showcase Oscar Shorts Release with Theatrical Premieres of Live Action Short, Animated Short and Documentary Short Categories
This marks the 12th consecutive year of the Oscar® nominated short films theatrical experience and is the only opportunity for audiences to watch the nominated short films prior to the 89th Academy Awards® ceremony on Sunday, February 26, 2017.“This year’s Oscar Nominated Shorts are formidable storytelling at its best,” said Carter Pilcher, CEO of ShortsHD, the TV network behind the annual theatrical compilations.“Short films are exploding in popularity around the globe, and these Oscar® noms are the pinnacle—and ShortsHD’s theatrical release is the only way to see this year’s Live Action, Animation and Documentary shorts nominees on the big screen, a delight for movie fans the world over.”ShortsHD™ is the first high definition channel dedicated to short movies and is available on DIRECTV (Channel 573), and AT&T U-Verse (Channel 1789), CenturyLink Prism TV (1789), Verizon Fios TV, Frontier Communications (Channel 1789), Google Fiber. ShortsHD™ is operated by Shorts International, the world’s leading short movie entertainment company with the world’s largest movie catalogue dedicated to short movies. Shorts™ is the short movie on-demand service available on iTunes movie stores in 54 countries across the globe and Amazon Instant Video. The company is headquartered in London, England with an additional office in Los Angeles and is led by Carter Pilcher, Chief Executive. Find them on Facebook: facebook.com/shortshd and twitter: twitter.com/shortshd.For a sneak peak at The Oscar® Nominated Short Films 2017 program, please visit: http://shorts.tv/theoscarshorts/
In the late 1930s China is in dire straits. The country will collapse under Japan’s military juggernaut if it doesn’t get outside help. Chinese American firebrand Li Ling-Ai jolts Americans into action with a new medium — 16mm Kodachrome color film. She hires photo-journalist Rey Scott to travel to China and capture a citizen’s perspective of the war-torn country, including the massive bombing of the wartime capital Chungking (now Chongqing). Their landmark film KUKAN screens for President Franklin Roosevelt at the White House, is called “awesome” by the New York Times, and receives one of the first Academy Awards for a feature documentary in 1942. Why have we never heard of Li Ling-Ai? And why have all copies of KUKAN disappeared? FINDING KUKAN uses rare and unseen archival footage to create an unforgettable portrait of a female filmmaking pioneer, and sheds light on the long history of racial and gender discrimination behind the camera, which continues to reverberate in Hollywood today. Director / Producer Robin Lung stops by to talk about the 7-year quest to find the answers to a multitude of questions.
Starring Nicolas Cage and Willian DaFoe, Dog Eat Dog is the story of when three desperate ex cons are offered a job by a Mexican mob boss, they know they should refuse, but the payoff’s too rich to turn down. It’s enough to buy their way out of the Life and start over. All they have to do is kidnap the kid of a colleague who’s ripping the mob boss off. But the abduction goes awry when the kidnappers are forced to kill an unexpected intruder who turns out to be the child’s father — the very man the mob boss intended to extort. Now unwelcome in the underworld and on the run for murder, the ex cons find themselves as the most wanted fugitives in the City of Angels. And each vows that none of them will ever go back to prison. No matter what the cost. Director, screenwriter Paul Schrader (Taxi Driver, Raging Bull, Cat People, Mishima: A Life in Four Chapters, Auto Focus, Light Sleeper) joins us totally about his latest film as well as his remarkable career in filmmaking.
“Dog Eat Dog occasionally positions itself as social commentary, but it’s mainly a bloody, trippy, bare-fanged pulp thriller featuring terrifically entertaining performances from old dogs Cage and Dafoe.” Richard Roeper, Chicago Sun Times
“Schrader thrusts the amoral ugliness onto the screen in puckishly cold compositions suffused with screechingly acidulous colors.” – Richard Brody, New Yorker
“A giant middle finger to anyone who’s ever forced Paul Schrader to compromise.” – David Ehrlich, Indiewire