In the 2021 OSCAR® Shortlisted for Best International Feature Film, NIGHT OF THE KINGS a young man is sent to LA MACA, a prison in the middle of the Ivorian forest ruled by its inmates. As tradition goes with the rising of the red moon, he is designated by the Boss to be the new “Roman” and must tell a story to the other prisoners. Learning what fate awaits him, he begins to narrate the mystical life of the legendary outlaw named Zama King and has no choice but to make his story last until dawn. Director Philippe Lacôte (Chronicles of War in the Ivory Coast, Run) joins us to talk about his searingly dramatic film that feels like part documentary, part narrative as it tracks a story of survival, deception, mythology and the power of storytelling.
About the filmmaker – Writer and Director Philippe Lacote grew up in Abidjan near a movie theater – the “Magic”. His work as a director has taken on several forms, before focusing in 2002 on the recent history of his country with CHRONICLES OF WAR IN THE IVORY COAST, a film on the edge between a documentary and a diary. It is followed by the feature film RUN, the story of a wandering madman, selected in Cannes Un Certain Regard 2014. This selection confirmed his talent as a filmmaker and revealed a new voice from the African continent. NIGHT OF THE KINGS (original title “La Nuit Des Rois”), his second feature, is a dive into the largest prison in West Africa, during a night of red moon.
Nominee – Best International Feature Films – Film Independent Spirit Awards 2021
One of the Top Five Best International Feature Films – NATIONAL BOARD OF REVIEW
Winner– Amplify Voices Award – Toronto International Film Festival 2020
96% on Rotten Tomatoes
“A power struggle and a ritual practiced by the collective within a microcosm of society housed under the oppression of the state, and a powerful demonstration of the transporting, and liberating, power of narrative.” – Katie Walsh, Tribune News Service
“An assured, energetic piece of epic filmmaking, one that celebrates how storytelling, oration, and folklore teach us about our past so we might change our present.” – Robert DanielsRogerEbert.com
“Philippe Lacôte’s restless film – a rare United States release from Ivory Coast – braids together its struggles for survival to suggest an entire country fighting to emerge.” – Nicolas Rapold, New York Times
“This captivating hybrid of a movie mixes fairy-tale and storytelling elements with a vividly drawn backdrop of heightened realism… and relies on images and sounds as much as the human voice to tell its multiple stories.” – Boyd van Hoeij, Hollywood Reporter
Filmed from inside two of the most active therapeutic feeding centers in Yemen, HUNGER WARD documents two female health care workers fighting to thwart the spread of starvation against the backdrop of a forgotten war. HUNGER WARD provides an unflinching portrait of Dr. Aida Al Sadeeq and Nurse Mekkia Mahdi as they try to save the lives of hunger-stricken children within a population on the brink of famine. HUNGER WARD is the third installment of Director Skye Fitzgerald’s Humanitarian Trilogy, focused on the global refugee crisis. The first film, 50 FEET FROM SYRIA focused on doctors working on the Syrian border and was Oscar® shortlisted. The second, LIFEBOAT documents search and rescue operations off the coast of Libya and was nominated for an Academy Award® and national Emmy®. Director Skye Fitzgerald (Lifeboat, 50 Feet from Syria, Finding Face) joins us for a conversation on the making of his 2021 Oscar® Shortlisted Hunger Ward documentary, how little American mass media has talked about the ongoing genocidal war against a defenseless civilian population – done with diplomatic,political backing by the Trump Administration, as well as, intelligence and logistical support from the US military – and what we can do to stop it.
2021 Oscar® shortlist – Best Documentary (Short form)
About the filmmaker – Member of the Academy of Motion Picture Arts and Sciences (Documentary Branch). Oscar/Emmy/IDA-Nominated Director Skye Fitzgerald is directing The Humanitarian Trilogy: HUNGER WARD (2020) documents the impact of the war and famine in Yemen on children, families, and health care workers. LIFEBOAT (2018) highlights search and rescue operations off the coast of Libya and was nominated for an Academy Award® and national Emmy® award. 50 FEET FROM SYRIA (2015) focuses on doctors working on the Syrian border and was voted onto the Oscar® shortlist. Fitzgerald was also inducted as an honorary member into SAMS (Syrian American Medical Society) for his work with Syrian refugees and named a Distinguished Alumnus at his alma mater EOU for documentary work. As a Fulbright Research Scholar Fitzgerald directed the film Bombhunters and has since worked with the Sundance Institute, the U.S. Institute of Peace, the State Department, the Paul Robeson Fund and Mountainfilm. As a Director of Photography, Fitzgerald lenses work for major clients including Dateline, VICE, Mercy Corps, CNN, the Discovery, Travel, History and Animal Planet Channels. For more on Skye Fitzgerald go to: spinfilm.org
“…a rare look inside the human impact of the war in Yemen” – Jane Ferguson – PBS NewsHour
“Once you see it, you won’t forget it.” – Sarah Larson – THE NEW YORKER
“Fitzgerald has sought to harness this art-form to draw attention those who are struggling to obtain their most basic, fundamental human freedoms. LIFEBOAT…is vitally important.” – US HUMAN RIGHTS COMMISSION
“…deftly addresses the most critical humanitarian issue of our time and those who are doing something about it.” – Michael Brody – Programmer Crested Butte FF
At the Philadelphia abortion helpline, counselors arrive each morning to the nonstop ring of calls from women and teens who are seeking to end a pregnancy but can’t afford to. In this short documentary we learn how economic stigma and cruel legislation determines who in America has access to abortion.Abortion Helpline, This is Lisa gives voice to women and teensaffected by discriminatory policies like the Hyde Amendment. At the abortion helpline in Philadelphia, phone counselors—all called Lisa—arrive each morning to the nonstop ring of calls from people who are seeking to end a pregnancy . . . and can’t afford to. Abortion Helpline, This is Lisa shares the stories of the callers for whom getting through to the helpline in time can literally be life-changing—for them and their families. Co-directors Barbara Attie, Janet Goldwater, and Mike Attie join us for a conversation on the continuing assault on the Constitutionally guaranteed right of women to seek and receive access to safe and legally appropriate health services and how important these privately funded community helplines are to women and their families.
Oscar Shortlisted 2021 Best Documentary (Short Program)
WINNER – Grand Jury Prize, Shorts – AFI DOCS 2020
NOMINEE – Best Short – IDA Awards 2020
SHORTLIST – Shorts – Cinema Eye Honors 2020
FINALIST – ShortList Film Festival 2020
The Hyde Amendment – What is the Hyde Amendment and why has its repeal become a litmus test for progressive politicians? In 1976, only three years after Roe v. Wade became the law of the land, the Hyde Amendment was enacted with the explicit intention of denying poor individuals—those receiving Medicaid—access to abortion. To learn more about the Hyde Amendment read this or watch this short video.
DEAR COMRADES! is based on a true story surrounding a strike by factory workers on June 1st and 2nd, 1962 in the city of Novocherkassk. The raising of food prices and the lowering of wages at the local factory led to a spontaneous uprising by thousands of area residents that eventually leading to violent reaction by local and federal officials. The events of those two days was kept secret until the nineties. DEAR COMRADES! focuses on the life and family of Lyudmila (Julia Vysotskaya) is a Party executive and devout communist who had fought in WWII for Stalin’s ideology. Certain that her work will create a communist society, the woman detests any anti-Soviet sentiment. During a strike at the local electromotive factory, Lyudmila witnesses a laborers’ piquet gunned down under orders from the government that seeks to cover up mass labor strikes in USSR. After the bloodbath, when survivors flee from the square, Lyudmila realizes her daughter has disappeared. A gaping rift opens in her worldview. Despite the blockade of the city, mass arrests, and the authorities’ attempts to cover up the massacre, Lyudmila searches for her daughter. We don’t know how the search will end, but realize that the woman’s life won’t ever be the same. Director Andrei Konchalovsky (Uncle Vanya, Siberiade, Runaway Train, The Inner Circle) and lead actor Julia Vysotskaya join us for a conversation on the importance of telling an unknown story, the role of art and storytelling and how Lyuda’s saga reflexes a broader perspective on Soviet-era repression.
Russia’s official submission to the 2021 Academy Awards® for Best International Film
Director’s Statement – The process of making films about the 1960s is increasingly becoming the process of restoring the historical authenticity of the era, a fairly difficult task all in itself. Recently we’ve been seeing plenty of films where the 60s-70s-80s of the 20th century look fake and contrived, without any resemblance to the Soviet films made at the time, like “The Great Cranes Are Flying” or “Ballad of a Soldier”. So, my goal was to scrupulously and in great detail reproduce the era of the USSR’s 1960s. I think that the Soviet people of post-war time, the ones who fought in the WWII until victory, deserve to have a movie that pays tribute to their purity and the tragic dissonance that followed the realization of how different the communist ideals were from the reality around them. – Andrei Konchalovsky
100% on Rotten Tomatoes
“KONCHALOVSKY’S MASTERPIECE. The artistry is calm, controlled, persuasively detailed… Catch it if you can. Beautiful and damning, DEAR COMRADES! is also an act of remembrance.” – Anthony Lane, The New Yorker
“A scintillating, surgical exposé of Khrushchev-era oppression… A 1962 massacre in the Soviet Union is reclaimed from its historical cover-up by Andrei Konchalovsky’s pristine, extraordinary drama… Perversely beautiful and coldly furious… meticulous and majestic, epic in scope and tattoo-needle intimate in effect.” – Jessica Kiang, Variety
“Now in his 80s, Andrei Konchalovsky, the veteran Russian director… has made one of his most Russian, and most accomplished, latter-day films… Carried off with evocative precision and a cannily underplayed emotional tug. The drama keeps a well-calibrated balance between political horror, the matter-of-fact texture of everyday life, and the rhetoric that keeps the Soviet machinery oiled – and that Lyuda is struggling to see through. The film’s magnetic centre is a strong performance from Vysotskaya, working from a base line of initial testiness to rising anxiety and terror in face of the oppression that she realizes she has been enabling.” – Jonathan Romney, Screen Daily
“Although at first sight this dramatization of a 1962 strike at a factory in the U.S.S.R. may seem a long way from the interests of contemporary audiences, it is surprising how much resonance the film has with the political struggles of our own time. much credit due to Julia Vysotskaya and her uncommonly gripping perf in the main role.” – Deborah Young, – The Hollywood Reporter
ACASA, MY HOME is set in the wilderness of the Bucharest Delta, an abandoned water reservoir just outside the bustling metropolis, Radu Ciorniciuc’a striking debut feature documentary follows the Enache family.The Enache’s have lived in perfect harmony with nature for two decades, sleeping in a hut on the lakeshore, catching fish barehanded, and following the rhythm of the seasons. When this area is transformed into a public national park, they are forced to leave behind their unconventional life and move to the city, where fishing rods are replaced by smartphones and idle afternoons are now spent in classrooms. As the family struggles to conform to modern civilization and maintain their connection to each other and themselves, they each begin to question their place in the world and what their future might be. With their roots in the wilderness, the nine children and their parents struggle to find a way to keep their family united in the concrete jungle. With an empathetic and cinematic eye, ACASA, MY HOME filmmakerRadu Ciorniciuc offers viewers, in his feature debut, a compelling tale of an impoverished family living on the fringes of society in Romania, fighting for acceptance and their own version of freedom. Director Radu Ciorniciuc stops by to talk about his profoundly personal exploration into the insulated and untamed lives of the Enache family as they navigate the grinding reality of an urban existence that threatens to tear them apart.
About the filmmaker – In 2012, Radu Ciorniciuc co-founded the first independent media organization in Romania – Casa Jurnalistului, a community of reporters specialized in in-depth, long-form and multimedia reporting. Since then, he has been working as a long-form writer and undercover investigative reporter. His researches are focused on human rights, animal welfare and environmental issues across the globe. His investigative and reporting work was published on most of the major international media organizations in the world – Channel 4 News, The Guardian, Al Jazeera, etc. – and received national and international awards. His journalistic work was acknowledged by Royal Television Society UK (2014), Amnesty International UK (2014), Harold Wincott Awards for Business, Economic and Financial Journalism (2016), and by other international and national prestigious institutions.
WINNER – Special Jury Prize for Cinematography Sundance Film Festival
WINNER – Phoenix Prize Best Documentary Cologne Film Festival
WINNER – Main Competition – Dok.Fest Munchen
WINNER – Olden Horn Award – Krakow Film Festival
WINNER – Best Moral Approach – 2020 Makedox
WINNER – Human Rights Award – Sarajevo Film Festival
WINNER – Special Jury Prize– Thessaloniki Documentary Film Festival
WINNER – ZagrebDox– FIPRECI Award | Big Stamp Award | Little Stamp Award
Pensioners Nina (Barbara Sukowa) and Madeleine (Martine Chevallier) have hidden their deep and passionate love for many decades. From the point of view of those surrounding them, including Madeleine’s meddling daughter (Léa Drucker), they are simply two neighbors sharing a hallway during their sunset years. In reality, this landing is a bridge between two worlds: one belonging to a widowed, doting grandmother, the other to a free-spirited woman who longs to spend her life with the person she loves. Clandestinely, Nina and Madeleine share a tender life, moving freely between their apartments until an unexpected event closes the portal. But their secret cannot remain hidden if they are to stay together – and their unconditional love is put to the test. Director Filippo Meneghetti joins us for a conversation on this beautifully rendered film that’s a loving tribute to passion, fidelity and a fierce determination to hold on to the people who matter most.
** France’s entry for 2021 Best International Film – Academy Awards
About the filmmaker – Director, screenwriter Filippo Meneghetti – Originally from Padova, Italy, Filippo’s earliest work experience was on New York’s indie film circuit. After film school and an Anthropology degree in Rome, he co-wrote the feature Imago Mortis (2009). He worked as a first assistant for several years before starting to direct his own short films, Undici (2011, codirected by Piero Tomaselli) and L’intruso (2012), which screened and garnered prizes at festivals in Italy and abroad. In 2018, Filippo moved to France where he made his next short, The Beast, which screened in competition at SXSW 2019 and can now be seen at international festivals. Two Of Us is Filippo’s first feature.
“The film’s brevity means some ideas are under-developed. But what we’re left with is a sublime and sublimely simple portrait of a love that’s been lived in and the devotion it will take to ensure that endures.” – Roger MooreMovie Nation
“Two of Us is absolutely beautiful … and [it’s] refreshing to see two older women as sexual beings in all their yearning.” – Sara Clements, AwardsWatch
“This is a smart movie that starts from a relatively simple yet captivating premise and then steadily gains in complexity as it develops.” – David Rooney, Hollywood Reporter
“Perhaps most importantly, what Two of Us captures is something which so much of mainstream media would rather ignore: the desire, passion and sexuality of people above a certain age.” – Becky Kukla, Film Inquiry
Lili Horvát’s PREPARATIONS TO BE TOGETHER FOR AN UNKNOWN PERIOD OF TIME is a mesmerizing psychological romance about a woman who upends her whole life to return to her home city of Budapest for a romantic rendezvous with a fellow surgeon, who then claims the two have never met. Márta Vizy (Natasa Stork) is a 39-year-old Hungarian neurosurgeon. After 20 years in the United States, she returns to Budapest for a romantic rendezvous at the Liberty Bridge with János (Viktor Bodó), a fellow doctor she met at a conference in New Jersey. Márta waits in vain, while the love of her life is nowhere to be seen. When she finally tracks him down, the bewildered man claims the two have never met. It’s unclear whether Márta’s wits are clouded by love or if other neurological factors are at play. Determined to solve the enigma, she takes a position at a hospital where she is treated as an outsider and must endure real and perceived slights, while also navigating a no man’s land separating love from madness. For her second feature, following 2015’s The Wednesday Child, writer-director Lili Horvát spins a delicate web of contrasts and silent explosions that shift the viewer’s understanding. Shot with impeccable symmetry on entrancing 35mm, it is an Orphic tale reminding us that, while the heart is an abstruse trickster, the human brain — ruling us with over 80 billion interconnected neurons — is our most complex organ. Director Lili Horvát joins us for a conversation on her Hitchcockian tale of a woman who’s certainty drives this compelling cinematic “love” story.
“What sets this film apart is its fusing of the impassioned and the grimly palpable.” – Anthony Lane, New Yorker
“ [A] state of existential crisis, one that director Lili Horvat teases with curiosity and ambiguity, as if Krzysztof Kieslowski were alive and well and making movies in Budapest.” – Barry Hertz, Globe and Mail
Long before COVID-19, another pandemic was raging across the American landscape, penetrating all age groups, races and socio-economic classes. The cause: opioids. The culprit: Purdue Pharmaceutical and the company’s deceitful approach to lure in and hook patients. COMING CLEAN, Ondi Timoner’s new documentary, examines opioid addiction through the eyes of those affected and political leaders, as they come together to bring the profiteers to justice. Timoner deeply engages us by weaving in personal stories of addicts and their families struggling to overcome this painful addiction, sometimes with success but often with devastating and heart-wrenching consequences. COMING CLEAN presents a clear case against the perpetrators, including how they incentivized physicians to overprescribe opioids. In a hopeful turn, we witness the alliances built between addicts in recovery and policymakers as they work to remove the stigmas surrounding this addiction and impact laws and industries to bring necessary change in communities. A thought-provoking film on the state of our country and the current political landscape. Director Ondi Timoner (DIG!, We Live in Public, JUNGLETOWN) joins us to talk about the corrosive impact of the opioid crisis, the devastating impact it has had on families, communities and our vital institutions and who has been most responsible for this scourge.
About the filmmaker- Ondi Timoner has the rare distinction of winning the Grand Jury Prize at the Sundance Film Festival twice, for DIG! (2004) and WE LIVE IN PUBLIC (2009). Other award-winning features include: THE NATURE OF THE BEAST (1994), JOIN US (2007), COOL IT (2010), BRAND: A SECOND COMING (2015), and MAPPLETHORPE (2018), a scripted film she wrote and directed, starring Matt Smith. She also created and produced the critically acclaimed 10-hour nonfiction series JUNGLETOWN (2017). Ondi Timoner is a member of the Academy of Motion Picture Arts & Sciences, the DGA, the PGA, the International Documentary Association, and Film Fatales. Timoner has produced & hosted BYOD (Bring Your Own Doc) for thelip.tv, creating 300 episodes with the top documentary filmmakers over five years. She is also the Founder & CEA of A TOTAL DISRUPTION, an online network dedicated to telling the stories of entrepreneurs & artists who use technology to innovate the way we live. For more on Ondi Timoner films: interloperfilms.com
“COMING CLEAN takes one of the most important issues of our time — declining life expectancy, largely due to the opioid crisis — and unpacks it through a humanistic lens, with emphasis on real people and leaders on the ground who are providing solutions and, most importantly, hope. As thought-provoking as it is moving — and you find yourself rooting for these heroes and thinking about what they’ve taught you long after the film credits roll. The stigma-shattering message of this film will make a difference.” – Beth Macy, bestselling author of Dopesick & writer/producer of coming Hulu series Dopesick
“Coming Clean is an indictment of capitalism run rampant and once again profit taking precedence over human life. Hats off to the frontline warriors taking on this cause.” – Bradley Gibson, Film Threat
MLK/FBI is the first film to uncover the extent of the FBI’s surveillance and harassment of Dr. Martin Luther King, Jr. Based on newly discovered and declassified files, utilizing a trove of documents obtained through the Freedom of Information Act and unsealed by the National Archives, as well as revelatory restored footage, the documentary explores the government’s history of targeting Black activists, and the contested meaning behind some of our most cherished ideals. MLK/FBI is an essential expose of the surveillance and harassment of Dr. Martin Luther King, Jr. (labeled by the FBI as the “most dangerous” Black person in America),undertaken by J. Edgar Hoover and the U.S. government. Featuring interviews with key cultural figures including former FBI Director James Comey, MLK/FBI tells this astonishing and tragic story with searing relevance to our current moment. Directed by Emmy® Award-winner and Oscar®-nominee Sam Pollard, MLK/FBI recounts a tragic story with searing relevance to our current moment. Sam Pollard joins us for a conversation on how incredibly important Dr. King work and influence continues to illuminate every aspect of race relations, criminal justice, housing, wealth inequality, education access and political leadership.
Sam Pollard is an Emmy Award-winning and Oscar-nominated director and producer. His films for HBO, PBS, and the Discovery Channel include the documentaries Four Little Girls, When the Levees Broke: A Requiem in Four Acts, Slavery by Another Name, Sammy Davis, Jr.: I Gotta Be Me, ACORN and the Firestorm, Why We Hate, and Atlanta’s Missing and Murdered: The Lost Children. Pollard also directed two episodes of the groundbreaking series Eyes on the Prize. Since 1994 Pollard has served on the faculty of New York University’s Tisch School of the Arts. He is a member of the Academy of Motion Picture Arts and Sciences and lives in New York City.
NOMINEE – Best Feature – IDA Documentary Awards 2021
NOMINEE – Best Director – IDA Documentary Awards 2021
OFFICIAL SELECTION – Double Exposure Investigative FF 2020 OFFICIAL SELECTION – Masters – DOC NYC 2020
100% on Rotten Tomatoes
“RIVETING. A timely reminder that King’s struggle for racial justice wasn’t straightforward, nor is it close to complete.” – THE ATLANTIC, David Sims
“A blunt fable of state power and a nuanced essay on the fallibility of heroes and the ethics of historical inquiry. Rigorously focused on the facts of the past, the movie is also as timely as an alarm clock.” – THE NEW YORK TIMES, A.O. Scott
“SEARING. Serves as a chilling reminder that white supremacy is not solely a partisan problem; it’s a cruelty baked into the fabric of our political system, poisoning it at every level. Change comes when we allow ourselves to challenge the stories we have been told about our history.”– THE HOLLYWOOD REPORTER, Jourdain Searles
“It’s an argument for the humanity of our revolutionaries, flaws and all, a humanity that has been either systematically denied, or weaponized against them.” – Katie Walsh, Tribune News Service
What Would Sophia Loren Do? is a documentary short film that follows Vincenza “Nancy” Kulik, an Italian-American mother and grandmother living in Fort Lee, New Jersey. Nancy has seen her share of tragedy, but she has always been able to stay positive, inspired in part by another Italian mother, the movie star Sophia Loren. Nancy uses the question “What Would Sophia Loren Do?” as a guide to questions big and small. For example, “Would Sophia Loren eat whole wheat pasta?” Nancy thinks not. This phrase can also provide comfort and a source of strength in times of crisis. In 2016, Vincenza’s 51-year-old son died suddenly while undergoing a routine operation. Vincenza was devastated. She would seek solace in the love of her friends and family. But as she describes it, Vincenza also used the example of Sophia’s grace to help her get through the days and find the strength to persevere. For Vincenza, the words “What would Sophia Loren do?” have truly helped her to heal during some of the most difficult times of her life. Through the experiences of these two women we come to understand what it means to face life’s challenges with resilience and to age with courage, grit, and humor. The film debuts on Netflix on January 15 and is already heavily buzzed for the Oscar in the shorts category. There’s particular attention on Sophia this year, given her other Oscar-buzzed performance in The Life Ahead, directed by her son, Eduardo Ponti. Academy Award winning director Ross Kauffman (Born into Brothels, Tigerland) joins us to talk about the connection he shares with Vincenza, professionally and personally, and how her indomitable presence permeates this wonderfully alive story.
Directed, produced, and written by Jeff Kaufman and produced by Marcia S. Ross(Terrence McNally: Every Act of Life)NASRIN is an immersive portrait of one of the world’s most courageous human rights activists and an outspoken leader of Iran’s remarkably resilient women’s rights movement. She is currently in the fifth week of a hunger strike and serving a long sentence in Iran’s notorious Evin Prison. Millions of people from over 200 nations have called for Nasrin’s release including President-elect Joe Biden; journalist Christiane Amanpour; journalist/activist Gloria Steinem; author Margaret Atwood; Canadian Prime Minister Justin Trudeau, former US Secretary of State Hillary Clinton, New York Times columnist Nicholas Kristof, and many others. Secretly filmed in Iran by men and women who risked arrest, NASRIN features interviews with acclaimed filmmaker Jafar Panahi, Nobel Peace laureate Shirin Ebadi, journalist Ann Curry, and Nasrin’s husband and fellow-activist Reza Khandan. NASRIN is narrated by Oscar® winning actress Olivia Colman and also features an original song by Tony Award®-winning composers Lynn Ahrens and Stephen Flaherty and performed by 4-time Grammy® winner Angélique Kidjo. In addition, Washington Post columnist and former political prisoner Jason Rezaian serves as one of the film’s Executive Producers. Director Jeff Kaufman and Producer Marcia S. Ross join us to talk about one of the world’s most courageous woman and about the daily challenges she and other civil and women’s rights activist face in one of the world’s most repressive regimes.
Update on Nasrin: As of today, Nasrin Sotoudeh has been ordered back to prison in Iran. Earlier last month, she was released from prison due to health reasons and the corona -19 virus. Then, she had just ended her 40+ day hunger strike at the end of October in Iran’s notorious Evin Prison. Please join us in telling her story and amplifying her voice for her freedom. Nasrin hashtag #StandUp4NASRIN continues to grow daily.
About the filmmaker – Jeff Kaufman produced, directed, and wrote the documentaries Every Act Of Life (2018 Tribeca premiere, aired June 2019 on American Masters), The State of Marriage, Father Joseph, The Savoy King: Chick Webb and the Music That Changed America, Brush With Life: The Art of Being Edward Biberman, and Education Under Fire, plus a number of short films for Amnesty International, and programs for The Discovery Channel, and The History Channel. He also edited/designed a book based on the film Every Act Of Life, contributed cartoons to The New Yorker, and illustrations to The Los Angeles Times and The New York Times, wrote/illustrated several children’s books, and hosted daily radio shows in Vermont and Los Angeles.
About the filmmaker – Marcia Ross produced the documentaries Every Act Of Life, The State of Marriage, Father Joseph, and The Savoy King. Additionally she has an over 3-decade career as an independent casting director and casting executive, serving 16 years as EVP for Casting at Walt Disney Motion Pictures, and 5 years as VP for Casting and Talent Development at Warner Brothers TV. Some of her film and television credits include Clueless, Cujo, thirtysomething, Murder in Mississippi, 10 Things I Hate About You, The Princess Diaries, Romy and Michele’s High School Reunion, The Lookout, Enchanted, Oblivion, and Parental Guidance. She has received career achievement awards from the Casting Society of America and the Hollywood Film Festival.
HERSELFtells the story of Sandra (Clare Dunne) a single mom looking to escape her abusive partner with her two young children, only to find herself trapped in temporary accommodation. After months of struggling, she draws inspiration from one of her daughter’s bedtime stories and hits upon the idea of self-building an affordable home. She finds an architect who provides her with plans and is offered land by Peggy (Harriet Walter), a woman she cleans for. Aido (Conleth Hill), a building contractor, appears willing to help, too. In order to do so, she must escape the grip of a possessive ex-partner, circumnavigate a broken housing system, and bring together a community of friends who can support her and lend a helping hand. But as her past rears its head in the form of Gary (Ian Lloyd Anderson), her possessive ex, and as bureaucrats fight back against her independent spirit, will Sandra be able to rebuild her life from the ground up? Director Phyllida Lloyd (The Iron Lady, Mama Mia!) joins us to talk about her beautifully rendered story about a young woman who refuses to give up on her girls, her her life and her dreams.
About the filmmaker – Director Phyllida Lloyd studied English and drama at Birmingham University and is now widely known for her award-winning work in theatre, opera and film. Her opera credits include La Bohème, Albert Herring, Carmen and Peter Grimes for Opera North, The Carmelites for English National Opera and Welsh National Opera, The Handmaid’s Tale for Royal Danish Opera and ENO, the Ring cycle and a staged production of Verdi’s Requiem for ENO, Macbeth for Paris Opéra and an award-winning film of Gloriana for BBC2. Her theatre and musical credits include Josephine and I (Bush Theatre/Public Theatre, New York), Mary Stuart (Donmar Warehouse, West End and Broadway; winner of a 2006 South Bank Show Theatre Award), Six Degrees of Separation and Wild East (Royal Court), Henry IV and Julius Caesar (Donmar Warehouse/St Ann’s Warehouse), Pericles, The Duchess of Malfi, What the Butler Saw, The Way of the World and The Prime of Miss Jean Brodie (National Theatre), The Virtuoso and Artists and Admirers (Royal Shakespeare Company) and the global musical hit Mamma Mia!. Lloyd directed the film of Mamma Mia! in 2008, which went on to make over $600 million worldwide. She also directed The Iron Lady in 2011, which went on to win a Best Actress Oscar for its star, Meryl Streep, as well as grossing over $100 million at the box office.
“A stunning, taut performance from actor and co-writer Dunne cuts through a flurry of clumsy good intentions to convince. The film is at its most powerful when it rests on her traumatised face.” – Fionnuala Halligan, Screen International
“With her elegant, restrained and quietly devastating performance as a headstrong yet financially struggling single-mother of two young girls, Clare Dunne is a revelation [in Herself].” – Tomris Laffly, RogerEbert.com
“If there is a lot of “happy coincidence” driving the plot, Dunne gets away with it by constructing this tale of female resilience and community from the ground up, through well-observed moments between mother and daughters.” – Amber Wilkinson, Times (UK)
Heaven’s Gate: The Cult of Cults is a thorough examination of the infamous UFO cult through the eyes of its former members and loved ones. What started in 1975 with the disappearance of 20 people from a small town in Oregon, ended in 1997 with the largest suicide on US soil and changed the face of modern New Age religion forever. This HBO Max four-part docu-series uses never-before-seen footage and first-person accounts to explore the infamous UFO cult that shocked the nation with their out-of-this-world beliefs. Director and Producer Clay Tweel joins us for a rollicking conversation on one of the most sensational and compelling collection of intelligent, engaging, and spiritually inspired people to ever embrace a collection of beliefs, brought to them by former minister and natal nurse, that eventually led them to hitch a ride on an undetectable space ship heading for parts unknown.
In the beginning… The son of a Presbyterian minister and a former soldier, Marshall Applewhite began his foray into biblical prophecy in the early 1970s. After being fired from the University of St. Thomas in Houston, Texas over an alleged relationship with one of his male students, he met Bonnie Nettles, a 44-year-old married nurse with an interest in theosophy and biblical prophecy, in March 1972. According to Applewhite’s writings, the two met in a hospital where she worked while he was visiting a sick friend there. It has been rumored that it was a psychiatric hospital, but Nettles was substituting for another nurse working with premature babies in the nursery. Applewhite later recalled that he felt as though he had known Nettles for a long time and concluded that they had met in a past life. She told him their meeting had been foretold to her by extraterrestrials, persuading him that he had a divine assignment. – (from Wikipedia)
About the filmmaker – Clay Tweel is a native Virginian living in Los Angeles, California. Clay is a documentary director/producer/editor with a passion for telling great character based stories. His works include Make Believe, Print the Legend,Finders Keepers, Out of Omaha and Gleason – the last of which was shortlisted for an Academy Award and named one of the 5 best documentaries of 2016 by the National Board of Review. His features have been distributed by Showtime, Netflix, and Amazon Studios while working closely with companies that include Open Road, The Orchard and Exhibit A. Most recently, Clay executive produced and directed all six episodes of The Innocent Man, a true crime doc series for Netflix based on John Grisham’s only non fiction book. He is currently directing a feature documentary and producing numerous projects under his banner Parkside Films.claytweel.com
About the filmmaker – Shannon Riggs is a producer with a diverse background in film spanning multiple genres and scales. Alongside award winning director Clay Tweel, she produced the Netflix 6 part docu-series, The Innocent Man, and the Academy Award shortlisted documentary Gleason. Recently Shannon produced The Smartest Kids In the World based on Amanda Ripley’s New York Times bestseller, which premiered at DOC NYC in 2018 and was directed by Sundance Grand Jury Prize winner, Tracy Droz Tragos. Shannon was a Sundance Fellow and participant in their 2015 Female Filmmaker Initiative. She is also honored to be a member of Women in Film and actively mentors young filmmakers through various industry programs. She is currently producing a feature documentary and numerous projects under her banner Parkside Films with co-founder and director Clay Tweel.
86% on Rotten Tomatoes
“Heaven’s Gate: Cult of Cults is a thoughtful assessment of the mechanisms of how otherwise smart, savvy people are attracted to fringe beliefs. It takes a story that is larger than life and brings it solidly back to earth.” – Ashlie D. Stevens, Salon.com
“What The Cult Of Cults does very effectively is tell the story of the organization, showing why it attracted members and held onto them for so long.” – Joel Keller, Decider
“Viewers may bob in and out during the first few episodes, though it’s worth sticking out for the grand finale, as sickening as it is oddly poignant.” – Ryan Lattanzio, indieWire
“The human toll isn’t lost among the kooky, UFO-centric beliefs of Ti and Do’s followers.” – Beau North, The Spool
ASSASSINSdocuments the bizarre, international plot, ripped from the headlines story ofKim Jong-nam—the half-brother of North Korea’s leader Kim Jong-un assassination in the bustling departures hub of Malaysia’s international airport. The spectacularly brazen murder happened in broad daylight, filmed entirely by security cameras. Footage showed two young women approaching Jong-nam from behind, covering his eyes with their hands, and pressing VX—the most lethal nerve gas on earth—into his eyes. He stumbled away and was dead within an hour. But if the murder was extreme, the story behind what came next was even more bizarre: The two women who killed Jong-nam claimed they had simply been hired to pull a video prank and had no idea what they were really doing. The Malaysian government scoffed, arrested and imprisoned the women and put them on trial for murder, facing execution. But was their outlandish story actually the truth? And would anyone believe them? ASSASSINS the latest film from director Ryan White (Ask Dr. Ruth, The Case Against 8), travels from the sanctums of Pyongyang to the rice fields of Indonesia and Vietnam to the courtrooms of Kuala Lumpur to tell an extraordinary tale of manipulation and subterfuge in the age of social media. A masterful investigation that offers an unprecedented look at the real story of Kim Jong-nam’s murder,ASSASSINSDirector Ryan White stops by to discuss the wildly improbable tale of a calculating dictator, a nefarious plot, a very public murder, and two women fighting for their lives.
“Ryan White’s fascinating documentary chronicles plays like a political thriller with tragic consequences for the two women at its center.” – Matt Goldberg, Collider
“It’s a Kafka-esque and sometimes darkly comic tale of deception and exploitation that makes for a smartly assembled and eminently topical film that arrives at a crucial juncture in world affairs…” – Justin Lowe, Hollywood Reporter
“As you watch the movie, I promise that there are moments when your jaw will drop.” – Owen Gleiberman, Variety
“Director Ryan White masterfully breaks down the complex mechanics of North Korean politics and the Malaysian justice system in a fascinating thriller.” – Ian Thomas Malone
Tandem Pictures is a leader in conceiving and implementing eco-sustainable filmmaking practices in the indie film space,with all of their productions following Environmental Media Association standards and the Producers Guild’s Green Best Practices. They’re also an advocate for how these practices – from using hybrid vehicles on set, to having the sound and camera teams use rechargeable batteries, to composting and using metal straws – can and should be adopted industry-wide. Female owned and operated, it is Tandem’s mission is to bring female talent and narratives to the forefront. They embrace female-centric storytelling, and pride themselves on the fact that the casts and crews of their films are composed of underserved and underrepresented minority groups, LGBTQIA, and women.tandempictures.com
JULIE CHRISTEAS – Tandem Pictures – Founder, Chief Executive Officer Julie’s recent films include BLACK BEAR (Sundance 2020) starring Aubrey Plaza, Christopher Abbott and Sarah Gadon which will be released later this year by eOne/Momentum and THE SURROGATE (SXSW 2020/Monument Releasing) . She also executive produced the cult horror favorite THE EYES OF MY MOTHER (Sundance 2016/Magnet Releasing), MONOGAMY (Best NY Narrative, Tribeca Film Festival 2010), the feature doc DUKALE’S DREAM starring Hugh Jackman, and GHOST TEAM starring Jon Heder, David Krumholtz, Justin Long, Amy Sedaris and Melonie Diaz. Previously she produced BLOOD STRIPE (Jury Prize for Best Narrative Film, LA Film Festival 2016), WILDLIKE starring Bruce Greenwood and Brian Geraghty (HIFF), and THE SLEEPWALKER starring Christopher Abbott and Brady Corbet (Sundance 2014/IFC).
JONATHAN BLITSTEIN – Tandem Pictures – Co-owner, Chief Operating Officer Jonathan’s most recently produced the acclaimed films THE SURROGATE, and BLACK BEAR (SUNDANCE, EOne/Universal release) starring Aubrey Plaza. Prior to Tandem he worked in production and branded entertainment for Vudu, Sony and Disney, supporting Fortune 500 Brands such as Walmart, Sprint and Covergirl. At Oracle (formerly CrowdTwist), he initiated the creation of Marvel Studios’ first nationwide fan loyalty program Marvel Insider. In his early career, he made two micro-budget feature films LET THEM CHIRP AWHILE and ANOTHER KIND which both premiered at the Woodstock Film Festival which were distributed on Netflix and VOD. Early career roles include marketing arthouse films such as Park Chan Wook’s OLD BOY, and Noah Baumbach’s SQUID AND THE WHALE.
If future generations look back at what it was truly like to be both human and alive in the late 20th century, they will be hard put to find a more powerful and enlightening testament than the songs of Shane McGowan. In a world where music has become increasingly sanitized and unable to venture beneath the surface clichés of human emotion, Shane’s songs stand out in ever greater relief. A cinematic exploration of Shane MacGowan’s story, Julien Temple’s film CROCK OF GOLD details Shane’s explosive existence, from his salad days, growing up in Ireland, to time spent on the mean streets of London and embracing the punk scene. To forming the Pogues and the conquering the known universe, we discover MacGowan’s passions, his humor and deep knowledge of music, history, spirituality & popular culture. For this is Shane’s story. A vision of the world through the eyes of the great punk poet himself and an intimate cast of close friends and family members, all channeled throughdirector Julien Temple’s inimitable and eternally vibrant lens. Director Julien Temple joins us for an enlightening conversation on MacGowan’s unusual childhood living on a farm without electricity, his collaboration with Johnny Depp and his respect and admiration for an artist that has stay faithful to his love of music and his country, no matter the cost.
Director’s Statement – In a world where music has become increasingly sanitized and unable to venture beneath the surface clichés of human emotion, none has bared their soul like Shane McGowan. His unique ability to plumb the dark recesses of the human soul, while in the very same breath celebrating its capacity to find healing transcendence, in both love and the sublime mysteries of existence, goes a long way to making sense of who we actually are. His work is raw, unflinching and unashamed, reflecting all the many places Shane inhabits – the invisible world, hedonism, alcoholism, God, redemption and romance, in all their respective grit and glory. And so, here, via the inventions of the Pogues and the Popes, via the hits, the flops, the fallouts of fame. Via the triumphs and the disasters. Via the love, the hate. Via the bodily abuse and miraculous survival against the odds. And above all else, via the songs… Shane’s incomparable songs, we join Shane, in this film, in his never-ending search for that elusive ‘Crock of Gold’… – Julien Temple
About the filmmaker – Julien Temple became established as one of the early pioneers of music videos, directing such diverse talents as; Rolling Stones, Sex Pistols, David Bowie, Kinks, Neil Young, Tom Petty, Janet Jackson, Jimi Hendrix, Pete Doherty and many more. He has directed feature films including the musicals ‘Absolute Beginners’ and ‘Earth Girls Are Easy’. Other directing credits ‘Pandaemonium’, selected as the Gala film at the Toronto Film Festival 2000 and winner of the Evening Standard best British actor award for Linus Roache. Temple’s feature documentary about the Sex Pistols ‘The Filth & The Fury’ screened in official selection at both the Sundance and Berlin Film Festivals 2001. In 2005 he directed ‘Glastonbury’, a vivid chronicle of the past thirty years of the music festival. ‘The Future Is Unwritten’, a film to celebrate the life of Joe Strummer, premiered at Sundance in 2007. His recent films include ‘Oil City Confidential’ a documentary about the forgotten precursors of punk, Dr. Feelgood, which won the main prize at the 2009 Turin Film Festival, ‘Imaginary Man’ a film about songwriter Ray Davies for BBC One Imagine and ‘Kinkdom Come’ about his brother Day Davies. Temple’s feature documentary ‘Requiem For Detroit’ won a Grierson Award for Best Historical Documentary 2010. He is currently working with producer Jeremy Thomas to develop ‘You Really Got Me – The Kinks’, the story of Ray and Dave Davies, the brilliant love hate sibling creative force behind the legendary band.
“Crock of Gold” isn’t intended as a lament for an artist derailed by his worst impulses, though. Instead, it’s a celebration of what MacGowan accomplished at his peak, as well as an explanation of the experiences that informed his music. – Noel Murray, Los Angeles Times
“Temple has always used archive material playfully; here, it’s particularly riotous, like a chaotic patchwork quilt tacked together by one of Shane’s drunk aunties. – Wendy Ide, Observer (UK)
“Bold and crass, insightful and fascinating. Director Julien Temple makes clear that this is a complex artist, with a multi-faceted personality, who has changed greatly over the years.” – Deirdre Molumby, entertainment.ie
“The director Julien Temple – who has excellent documentaries on the Sex Pistols, Joe Strummer and other galvanic musicians under his belt – is very good at this sort of thing.” – Glenn Kenny, New York Times
A CRIME ON THE BAYOU is the third film in director Nancy Buirski’s trilogy profiling brave individuals who fought for justice in and around the Civil Rights era, following The Loving Story and The Rape of Recy Taylor. The story begins in 1966 in Plaquemines Parish, a swampy strip of land south of New Orleans. After months of clashes, the public schools have been integrated by court order. But we are in the land of the white separatist despot, Leander Perez, who rules Plaquemines like his fiefdom, making sure that segregation sticks regardless of federal laws desegregating schools and mandating voting rights. A 19-year old Black fisherman, Gary Duncan, tries to break up a fight between white and Black teenagers outside a newly integrated school. He lays his hand on a white boy’s arm and the boy recoils, as if bitten by snake. That night, police arrest Gary Duncan for assault on a minor. With the help of a young attorney, Richard Sobol, Duncan bravely stands up to Perez. Systemic racism and pervasive anti-Semitism meet their match in decisive courtroom battles, including the U.S. Supreme Court; hate is vanquished by a powerful friendship that will last a lifetime. With the rise of white nationalism in the U.S. and abroad, there is no more important story to tell today. The roots and the mechanics of hate groups are in full display in this dramatic story of a crime on the bayou. Together this trilogy demonstrates that regular people standing up for their values are the root of human progress. Mildred Loving, Recy Taylor and Gary Duncan did not set out to change history. But they remind us that anyone can. A CRIME ON THE BAYOU Executive Producer is John Legend. Director Nancy Buirski joins us to talk about the her searing indictment of the systemic racism that is responsible for the hideously unjust incarceration of Gary Duncan and thousands of others as well as how it continues to this day.
“You must also study and learn the lessons of history because humanity has been involved in this soul-wrenching, existential struggle for a very long time.” – Civil Rights leader and colleague of Martin Luther King Jr., friend John Lewis
About the filmmakers – Nancy Buirski is Director/Producer/Writer of THE RAPE OF RECY TAYLOR (2017); World Premiere, Venice Film Festival; North American Premiere, New York Film Festival. Awarded the prestigious Human Rights Nights Special Prize for Human Rights at the 74° Venice Biennale. Nominated for the NAACP Image Award and Peabody Award. TV broadcast on STARZ/HULU. Buirski is Director/Producer/Writer of BY SIDNEY LUMET (2015; American Masters); World Premiere at Cannes Film Festival. She is Director/Producer/Writer of AFTERNOON OF A FAUN (2013; American Masters); World Premiere, New York Film Festival, International Premiere, 64th Berlinale, record-breaking U.S Theatrical release with Kino Lorber. She is Director/Producer/Writer of the Oscar shortlisted, Peabody and Emmy Award-winning THE LOVING STORY (2011; HBO) and a Producer of LOVING by Jeff Nichols. Buirski will direct TANNY, a narrative version of AFTERNOON OF A FAUN and ENDANGERED, an animated feature based on award-winning novel of the same name by Eliot Schrefer.
Octogenarian artist Audrey Flack has always been a trailblazer.QUEEN OF HEARTS: AUDREY FLACK, a documentary from Oscar® and Emmy® Award-winning directorDeborah Shaffer (The Wobblies, To Be Heard) and co-director/editor Rachel Reichman (Hitchcock/Truffaut, A Letter to Elia), is an intimate portrait of her life and work, as she returns to her canvas for the first time in decades, revealing her longtime struggles as an artist and mother to find her rightful place in the art world. At 88 years-old, Audrey Flack holds a unique place in the history of contemporary art in America. Feminist, rebel, mother, painter, sculptor and teacher, Audrey’s often controversial 40-year career evolved from abstract expressionism in the 1950s to photorealism in the 1970s. One of the first women ever included in the famed Janson’s History of Art, Audrey continues to create, explore, and inspire with her unique style and indomitable spirit. QUEEN OF HEARTS follows Flack as she takes her work in a brand new direction and reveals her long-term struggles as the mother of a child with autism. Flack has something deep and genuine to communicate to the world. Director Deborah Shaffer joins us for a conversation on getting to know her endlessly fascinating, multi-talented subject who is still testing, still experimenting, still searching.
About the filmmaker – Academy Award winning filmmaker Deborah Shaffer began making social issue documentaries as a member of the Newsreel collective the ‘70’s. She co-founded Pandora Films, one of the first women’s film companies, which produced several shorts. Her first feature documentary, The Wobblies, premiered at the New York Film Festival in 1979. During the 80’s Shaffer focused on human rights in Central America and Latin America, directing many films including Witness to War: Dr. Charlie Clements which won the Academy Award for Short Documentary in 1985, and Fire From the Mountain and Dance of Hope which both played at the Sundance Film Festival. Shaffer directed one of the first post-September 11 films, From the Ashes: 10 Artists followed by From the Ashes: Epilogue, which premiered at the Sundance and Tribeca Film Festivals. She is also the Executive Producer of the Academy Award-nominated short Asylum, and has directed numerous acclaimed public television programs on women and the arts. She directed and produced To Be Heard, which won awards at numerous festivals and aired nationwide on PBS. She has been awarded a Guggenheim Fellowship, and the Irene Diamond Lifetime Achievement Award by the Human Rights Watch Film Festival.
“a thoroughly engaging documentary portrait of an artist…[and] the perfect introduction to its subject, comprehensive in its detail and captivating in its approach.” – Christopher Reed, Hammer to Nail
“…what’s refreshing about Deborah Shaffer and Rachel Reichman’s look is how intimate and personal it feels, grounding a remarkable woman in a very personable and extraordinary light.”-Tynan Yanaga, Film Inquiry
“…she has been an incredible photorealist, armed with a convincing spray brush. Now, the artist finally gets her due in this documentary about her life.” – Nadja Sayej, Forbes
Oscar winning Director Ron Howard’s gripping new documentary. Rebuilding Paradise, movingly recounts and expands on the devastating events of Nov. 8, 2018. A tragedy that began with a spark from a transmission line in Northern California, coupled with climate-impacted conditions, quickly grew into a devastating firestorm that engulfed the picturesque city of Paradise, California. By the time the Camp Fire was extinguished, it had killed 85 people, displaced 50,000 residents and destroyed 95% of local structures. It was the deadliest U.S. fire in 100 years — and the worst ever in California’s history. As residents faced the damage to their lives, to their homes and to more than 150,000 acres in and around their 141-year-old town, they did something amazing: They worked together to heal. The community members went on to forge a bond stronger than what they had before the catastrophe, even as their hope and spirit were challenged by continued adversity: relocations, financial crises, government hurdles, water poisoning, grief and PTSD. From the moment the crisis began, The Camp Fire and its overwhelming aftermath became a de facto lesson in what we all must do: protect our environment, help our neighbors, plan for future dangers and remember to preserve the traditions that unite us — just as these resilient citizens did when they began the important task of REBUILDING PARADISE. Producer Sara Bernstein joins us for a conversation on how the production team, led by Oscar-winning director Ron Howard gained the confidence and trust of families scarred by one of the most devastating fires in California as well as documenting the resiliency and character of the people rebuilding Paradise.
About the filmmaker – Sara Bernstein is an award-winning producer and Executive Vice President at Imagine Documentaries the newly launched documentary division of Ron Howard and Brian Grazer’s, Imagine Entertainment. Recent feature films she has executive produced include Once Were Brothers: Robbie Robertson and the Band (2019) and Dads (2019) which premiered at the Toronto International Film Festival. The Ron Howard-directed documentary film, Rebuilding Paradise (2020), for National Geographic Films, D.Wade: Life Unexpected (2020) for ESPN Films and the documentary feature film on legendary chef Julia Child, Julia (2021) directed by Academy Award nominees Julie Cohen and Betsy West. Prior to joining Imagine, Bernstein was Senior Vice President, HBO Documentary Films over seeing nonfiction development and production for HBO. Credits include Academy Award-winner Citizenfour (2014), Academy Award-winner Music by Prudence (2010), Academy Award nominees Burma VJ: Reporting from a Closed Country (2008), Iraq In Fragments (2006), The Children of Leningradsky (2005), Poster Girl (2010). Emmy-nominated The Inventor: Out for Blood in Silicon Valley (2019), Emmy-nominated The Case Against Adnan Syed (2019), Judd Apatow’s Emmy-winning The Zen Diaries of Garry Shandling (2018), Emmy winners Going Clear: Scientology and the Prison of Belief (2015), White Light, Black Rain: The Destruction of Hiroshima and Nagasaki (2007) and Mea Maxima Culpa: Silence in the House of God (2012). Emmy-nominated The Case Against 8 (2014), Mapplethorpe: Look At The Pictures (2016), Chris Hegedus & D.A. Pennebaker’s Emmy-nominated Unlocking The Cage (2016); Beware the Slenderman (2016), I Love You Now Die (2019) and Mommy Dead and Dearest (2017). Bernstein has garnered 10 Emmy wins, 29 Emmy nominations and 11 Peabody Awards. Documentaries she has supervised have garnered 2 Oscars and 13 Oscar nominations.
“Rebuilding Paradise might easily have blazed with righteous fury, but its conclusions are quieter and bleaker.” – Ellen E Jones, Guardian
“Filmmaker Howard admittedly does a superb job of immediately drawing the viewer into the briskly-paced proceedings…” David Nusair, Reel Film Reviews
“Howard’s documentary is not so much about the fire as it takes a looks at the resilience members of the community showed. It is both painful and inspirational.” – Rick Bentley,Tribune News Service
“Mr. Howard wants us to know that greater challenges lie ahead… Yet his documentary also dramatizes the resilience and resourcefulness we can bring to bear in meeting them. Calamity, the film says, isn’t destiny.” – Joe Morgenstern, Wall Street Journal
From Kim A. Snyder, director of the Peabody Award-winning documentary Newtown, comes Us Kids, an insightful, rousing coming-of-age story of a generation of youth leaders determined to take the reins and fight for justice at a most critical time in our nation’s history. Sparked by the plague of gun violence ravaging their schools, Us Kids, chronicles the March For Our Lives movement from the point of view of Emma González, David Hogg, Samantha Fuentes and the expansive coalition of teenage activists involved over the course of several years as they pull off the largest youth protest in American history and set out across the country to build an inclusive and unprecedented youth movement that addresses racial justice, a growing public health crisis, and shocks a political system into change. Director Kim A. Snyder joins us for a conversation on the historic progress made by the reluctant activists who dramatically change the perception that young people should “wait there turn” in terms of affecting the course of politics in America and the world.
Get Involved – US KIDS is kicking off its launch with the just-announced Vote With Us Virtual Rally, a national GOTV campaign with the focus to educate, motivate & mobilize young people and communities of color to vote early. The event will take place on Saturday, October 24, at 3 p.m. ET/Noon PT, streaming at www.votewith.us and simulcast across YouTube and more. Ahead of its theatrical release on October 30, never-before-seen clips from the film will be shown throughout the rally, alongside performances, appearances and support by the film’s subjects, Lisa Bonet, Sherry Cola, Common, Andra Day, Candice Dupree, Emma González, David Hogg, Vic Mensa, Renee Montgomery, Mark Ruffalo, and Bria Smith.
About the filmmaker – Kim Snyder’s most recent feature documentary, Us Kids premiered in the U.S. Documentary Competition at the 2020 Sundance competition. Prior, she directed the Peabody award-winning documentary Newtown, which premiered in the US Competition at the 2016 Sundance Film Festival. Newtown screened at premiere festivals worldwide and was theatrically released followed by a national broadcast on PBS’s Independent Lens and Netflix. Her most recent short, Lessons from a School Shooting: Notes from Dunblane, premiered at the 2018 Tribeca Film Festival and was awarded Best Documentary Short followed by the DocDispatch Award at the 2018 Sheffield DocFest and a Grierson Award nomination. Lessons… is a Netflix Original and is streaming in 196 countries. Snyder’s prior works include the feature documentary, Welcome to Shelbyville, nationally broadcast on PBS’s Independent Lens in 2011, and over a dozen short documentaries. Kim’s award-winning directorial debut feature documentary, I Remember Me was theatrically distributed by Zeitgeist Films. In 1994, she associate-produced the Academy Award-winning short film Trevor. Kim graduated with a Masters in International Affairs from the Johns Hopkins School of Advanced International Studies and resides in New York City.
Fox Rich is a fighter. The entrepreneur, abolitionist and mother of six boys has spent the last two decades campaigning for the release of her husband, Rob G. Rich, who is serving a 60-year sentence for a robbery they both committed in the early 90’s in a moment of desperation. Combining the video diaries Fox has recorded for Rob over the years with intimate glimpses of her present-day life, TIMEdirector Garrett Bradley paints a mesmerizing portrait of the resilience and radical love necessary to prevail over the endless separations of the country’s prison-industrial complex. Bradley won the U.S. Documentary Directing Award at this year’s Sundance Film Festival, and is the first Black woman to be awarded the prize with TIME, her documentary feature debut. Director and producer Garrett Bradley joins us to talk about her beautifully rendered look into the most intimate moments of a determined matriarch and a family grappling with a life lived under the relentless cloud of uncertainty.
TIME will open in select theaters on October 9 ahead of its global launch on Amazon Prime Video on October 16.
About the filmmaker – Garrett Bradley works across narrative, documentary, and experimental modes of filmmaking to address themes such as race, class, familial relationships, social justice, southern culture, and the history of film in the United States. Bradley has received numerous prizes which include the 2019 Prix de Rome, and the 2017 Sundance Jury Prize for the short film “Alone,” which was released by The New York Times OpDocs And became an Oscar Contender for short nonfiction filmmaking, included in Academy Shortlist. Bradleys work can be seen across a variety of spaces including her Second Unit Directing work on Ava DuVernays “When They See Us” and the 2019 Whitney Biennial. In December of this 2019, Bradley’s first solo exhibition opened at The Contemporary Arts Museum Houston (CAMH), curated by Rebecca Matalon. In January of 2020, Bradley became the first Black American woman to receive Best Director at the 2020 Sundance Film festival for her first feature length documentary, “Time.” For more go to: garrettabradley.com
Sundance 2020 – Directing Award: U.S. Documentary
The Center for Documentary Studies Filmmaker Award
Full Frame Documentary Film Festival 2020 – The Charles E. Guggenheim Emerging Artist Award
“A vibrant cubist portrait, alive with shadings of Rich’s vulnerability and the psychic bruises from dealing with an indifferent correctional system, expensive lawyers and unresponsive courts.” – Sheri Linden, Hollywood Reporter
“It’s an enormous achievement to crystallize two decades of both fighting and loving in 81 minutes, as Bradley never takes Rich’s voice away to patronize or preach to the viewer about what we should care about.” – Ella Kemp, WeLoveCinema
BELLY OF THE BEAST shines a white hot spotlight on the pastoral farmlands surrounding the Central California Women’s Facility (CCWF), the world’s largest women’s prison. For decades CCWF concealed the reproductive and human rights violations transpiring inside its walls. A courageous woman, Kelli Dillon, who was involuntarily sterilized at the CCWF, teams up with a radical lawyer, Cynthia Chandler, to stop these violations. Together they spearhead investigations that uncover a series of statewide crimes, primarily targeting women of color, from inadequate access to healthcare to sexual assault to illegal sterilization. With a team of tenacious heroines, both in and out of prison, they take to the courtroom to fight for reparations. But no one believes them. As additional damning evidence is uncovered by the Center for Investigative Reporting, a media frenzy and series of hearings provide hope for some semblance of justice. Yet, doctors and prison officials contend that the procedures were in each person’s best interest and of an overall social benefit. Invoking the weight of the historic stain and legacy of eugenics, BELLY OF THE BEASTpresents a decade long, infuriating contemporary legal drama. Director Erika Cohn (The Judge, When the Voices Fade) joins us for a conversation about her incredible tale that chronicles the rampant abuse of incarcerated women, being coerced by a prison-based culture of medical personnel actively subverting their basic human rights.
About the filmmaker – Director Erika Cohn is a Peabody and Emmy Award-winning director/producer who Variety recognized as one of 2017’s top documentary filmmakers to watch and was featured in DOC NYC’s 2019 “40 Under 40.” Most recently, Erika completed The Judge, a Peabody Award-winning and Emmy-nominated film about the first woman judge appointed to the Middle East’s Shari’a courts, which premiered at the 2017 Toronto International Film Festival and was broadcast on PBS’ 2018 Independent Lens series. Erika co-directed/produced, In Football We Trust, an Emmy award-winning, feature documentary about young Pacific Islander men pursuing their dreams of playing professional football, which premiered at the 2015 Sundance Film Festival and was broadcast on PBS’ 2016 “Independent Lens” series. She has received numerous accolades for her work, including a Director’s Guild of America award for her fiction short film, When the Voices Fade. Erika grew up attending the Sundance Film Festival as a native Utahn, where she first began her career and later studied at Chapman University (California) and Hebrew University (Jerusalem) where she received degrees in Film Production, Middle East Studies, and Acting Performance. In 2013, Erika founded Idle Wild Films, Inc., which has released three feature documentaries and produced numerous branded content and commercial spots, including Gatorade’s “Win from Within” series, for which she received a 2016 Webby award nomination. Belly of the Beast is her third feature-length documentary. For more about Erika Cohn go to: idlewildfilmsinc.com
DRIVING WHILE BLACK: RACE, SPACE AND MOBILITY IN AMERICA is a ground-breaking, two-hour documentary film by acclaimed historian Dr. Gretchen Sorin and Emmy–winning director Ric Burns. Chronicling the riveting history and personal experiences – at once liberating and challenging, harrowing and inspiring, deeply revealing and profoundly transforming – of African Americans on the road from the advent of the automobile through the seismic changes of the 1960s and beyond – DRIVING WHILE BLACK explores the deep background of a recent phrase rooted in realities that have been an indelible part of the African American experience for hundreds of years – told in large part through the stories of the men, women and children who lived through it. The documentary draws upon the wealth of recent scholarship – and based on and inspired in large part by Gretchen Sorin’s recently published study of the way the automobile and highways transformed African American life across the 20th century – the film examines the history of African Americans on the road from the depths of the Depression to the height of the Civil Rights movement and beyond, exploring along the way the deeply embedded dynamics of race, space and mobility in America during one of the most turbulent and transformative periods in American history. Co-directors Gretchen Sorin and Ric Burns join us to talk about the crippling impact of systemic racism and the continuing stain of America’s original sin.
About the filmmaker – Gretchen Sullivan Sorin, Project Director & Senior Historical Advisor Dr. Gretchen Sullivan Sorin is Distinguished Professor and Director of the Cooperstown Graduate Program. Her dissertation and upcoming book form the basis of the scholarship for this project. Her research explores the role that the automobile played in the lives of African Americans during the Jim Crow era, the way that African Americans expressed middle class American values through car ownership, and how cars helped change deeply entrenched racial etiquette. Sorin received her Ph.D. in history from the University at Albany in 2009. For more on the work of Dr. Gretchen Sorin go to gpmuseumstudies.org
About the filmmaker – Ric Burns is an internationally recognized documentary filmmaker and writer, best known for his eight-part, seventeen and a half hour series, New York: A Documentary Film, which premiered nationally on PBS to wide public and critical acclaim when broadcast in November 1999, September 2001, and September 2003. Burns has been writing, directing and producing historical documentaries for over 25 years, since his collaboration on the PBS series The Civil War, (1990), which he produced with his brother Ken and co-wrote with Geoffrey C. Ward. Since founding Steeplechase Films in 1989, he has directed some of the most distinguished programs for PBS including Coney Island (1991), The Donner Party (1992), The Way West (1995), Ansel Adams (2002), Eugene O’Neill, Andy Warhol (2006), We Shall Remain: Tecumseh’s Vision (2009),Into the Deep: America, Whaling & the World (2010), Death and the Civil War (2012), American Ballet Theatre (2015), Debt of Honor (2015), The Pilgrims (2015), VA: The Human Cost of War (2017), and The Chinese Exclusion Act (2018). His work has won numerous film and television awards including six Emmy Awards, two George Foster Peabody Awards, two Alfred I. DuPont-Columbia University Awards, three Writer’s Guild of America Awards for Outstanding Individual Achievement in a Craft: Writing; the Eric Barnouw Award of the Organization of American Historians, and the D.W. Griffith Award of the National Board of Review. Find out more about Ric Burns and Steeple Chaase Films at: ricburns.comAnd dwbfilm.com
With his trumpet he turned the Tijuana Brass into gold, earning 15 gold and 14 platinum records; He has won nine Grammys Awards between 1966 and 2014, and received the National Medal of Arts from President Barack Obama in 2012. Herb co-founded the indie label, A & M Records with his business partner, Jerry Moss, which recorded artists as varied as Carole King, Cat Stevens, The Carpenters, Janet Jackson, Peter Frampton, Joe Cocker, Quincy Jones, Sergio Mendes, and The Police. A&M would go on to become one of the most successful independent labels in history. He has shown his striking work as an abstract painter and sculptor, worldwide. And through the Herb Alpert Foundation, he has given significant philanthropic support of educational programs in the arts nationwide, from the Harlem School of the Arts and Los Angeles City College to CalArts and UCLA. John Scheinfeld’s documentary Herb Alpert is… profiles the artist, now 85, mostly from the perspective of colleagues like Questlove, Paul Williams, Sting, and Bill Moyers. In their words, the shy, unassuming trumpeter is a musical, artistic and philanthropic heavyweight. Director John Scheinfeld stops by to talk about many facets of Alpert’s personal and public life that make him the compelling and warm-hearted person he is.
About the filmmaker – John Scheinfeld – From pop culture to politics, sports to world religions, Venice and Toronto film festivals to PBS, Emmy®, Grammy® and Writers Guild Award nominee John Scheinfeld is a critically acclaimed documentary filmmaker with a broad range of subjects and productions to his credit. In addition to directing, writing and producing Herb Alpert Is…, Scheinfeld is in post-production on a primetime documentary special about comedy legend Garry Marshall that will air on ABC in the Spring of 2020. Another Scheinfeld feature documentary, Sergio Mendes: In The Key of Joy, had its World Premiere at the Santa Barbara International Film Festival in January 2020 and will be released worldwide on multiple media platforms later in the year. Previously, his feature documentary, Chasing Trane: The John Coltrane Documentary, was an official selection of the Telluride Film Festival and the Toronto International Film Festival before playing on 175 theater screens worldwide during the spring of 2017. In November 2017 it was the season premiere of Independent Lens, the largest showcase for independent documentary film on television. Scheinfeld is best known for two widely acclaimed feature documentaries: The U.S. vs. John Lennon, which tells the true story of the US government’s attempt to silence the beloved musician and iconic advocate for peace and Who Is Harry Nilsson (And Why Is Everybody Talkin’ About Him)?, a compelling yet wildly entertaining documentary about one of the most talented and uncompromising singer-songwriters in pop music history. For more on the work of John Scheinfeld go to: crewneckproductions.com
“The story of Herb Alpert is a lot more than a snappy greatest hits collection; it’s a deep dive into the agonies and ecstasies that drive profoundly creative people.” – Bill Newcott, The Saturday Evening Post
“This movie will likely go down as the definitive documentary about Alpert and, as such, it’s not a bad way to be remembered.” – James Berardinelli, ReelViews
“This documentary is a joyous celebration of Herb Alpert’s life and career as it examines his roots not only as a musician but as a painter, sculptor, businessman and philanthropist.” – Charles Koplinski, Reel Talk with Chuck and Pam
In Central America, a caravan of migrants seeking a better life heads north to the United States, as narco-traffickers — part of the cause for the caravan — move drugs and money back and forth across the same border. From Academy Award-nominated director Sebastian Junger and Emmy-winning producer Nick Quested, BLOOD ON THE WALL explores the depths of corruption plaguing Mexico and Central America and the policies of the past that have made it impossible for everyday people to find justice.Filmed in 2018 and 2019, just as the caravans made international news, BLOOD ON THE WALL is both intimate and wide-ranging as it follows a 17-year-old journeying from Honduras, a mother and daughter and their family trying to make the life-threatening trek easier for their kids, and smugglers and traffickers who reveal what set them on their own path. Using the same on-the-ground journalism and granular point of view that co-directors Sebastian Junger and Nick Quested used in Hell on Earth: The Fall of Syria and the Rise of ISIS, Korengal, and the Oscar-nominated Restrepo,BLOOD ON THE WALL brings the humanity of the migrants to the forefront and untangles how politics, the drug trade, violence, and the desire for safety result in unbelievable anguish happening in plain sight. Co-director Nick Quested joins us to talk about the extraordinarily violent and unstable circumstance these immigrants navigate and the palpable sense of cynical betrayal that the US and Mexico deploy against them.
About the filmmaker – Co-director Nick Quested is executive director and owner of Goldcrest Films, where he has built one of the premiere documentary brands in the world, winning two Emmys for his work. Quested has served as a producer on over 35 films, including Sebastian Junger’s The Last Patrol, Korengal, and the PGA- and twice Emmy-nominated Which Way Is the Front Line From Here?; the Oscar-nominated Restrepo; and National Geographic Doc Films’ duPont Award-winning Hell on Earth: The Fall of Syria and the Rise of ISIS. Quested is also an award-winning music video director, working with such artists as Dr. Dre, Nas, Puffy, Sting, Master P, Cash Money, and Trick Daddy. His credits include “Stretch and Bobbito: Radio That Changed Lives,” “Rubble Kings,” “Pussy Riot: A Punk Prayer,” “Smash and Grab: The Story of the Pink Panthers,” “Stolen Seas,” “The List,” “Tell Spring Not to Come This Year,” and “Doin’ It in the Park: Pick-Up Basketball, NYC.”