My Darling Vivian, Director Matt Riddlehoover and Producer Dustin Tittle

MY DARLING VIVIAN is the the story of Vivian Liberto, Johnny Cash’s first wife and the mother of his four daughters. In 1951, Catholic schoolgirl Vivian Liberto meets handsome Air Force cadet Johnny Cash at her local San Antonio, Texas skating rink. Their whirlwind summer romance lays the foundation for a feverish three-year-long correspondence while Johnny is stationed in Germany. Thousands of letters later, the two marry upon his return in 1954. Within a year, a career blossoms and a family is started. By 1961, Johnny Cash is a household name, number one on the music charts, and perpetually on tour. Meanwhile, only two weeks postpartum, Vivian settles into their custom-built home in Casitas Springs, California with their four young daughters. Plagued by bobcats, rattlesnakes, all-hours visits from fans, and a growing resentment toward her husband’s absence, Vivian is pushed to a near breaking point when she and her daughters are targeted by hate groups over her perceived race. In MY DARLING VIVIAN, we meet the first Mrs. Cash as her daughters, Rosanne, Kathy, Cindy, and Tara, share with us first hand, for the first time, the entire story of love, isolation, fear, heartbreak, and survival. Director Matt Riddlehoover and Producer Dustin Tittle joins us to talk about an unacknowledged, but crucial part of the Cash legacy and the impact it has on the lives of those who loved him.

 

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For news, screenings and updates go to: mydarlingvivian.com 

Watch: ondemand.drafthouse.com/film/my-darling-vivian

DIRECTOR’S STATEMENT – Vivian Liberto’s story is one that has intrigued me for years. Dustin, my husband and producing partner, is the grandson of Vivian and Johnny Cash; I’d heard fragments of her experience from my mother-in-law, Kathy, and how grossly misrepresented she was in the 2005 film, Walk the Line. It wasn’t until a close friend suggested we make this film that I even considered it a possibility – it seemed too huge a responsibility.  Now that Vivian’s truth is being told at a time when our society is beginning to listen to its aggrieved women, maybe her joy and pain and reality can be fully accepted. Her life was romantic and bewildering, difficult and significant, and wholly filmic – more than a mere footnote in the biography of Johnny Cash. The marks that were left on our four interviewees as children are undeniable, and also worth noting. These women have held an important piece of hidden history that seems more relevant today than ever before. It’s time we sat down and spent an hour or so in their, and their mother’s, shoes. Over these past two and a half years, I’ve fallen madly in love with Vivian, and my hope is that others do, too.  – Matt Riddlehoover, Director 

“An engaging and revelatory film that’s also deeply affecting.” – Sheri Linden, Hollywood Reporter

“This is a long-overdue must-see that sets the record straight for a woman whose whole life was glossed over in favor of a more camera-ready tabloid romance. There is great value to be found in My Darling Vivian if you’re up to walk this line.” – Bradley Gibson, Film Threat

“Enriched by a treasure trove of family photos, home movies, and previously unheard recordings, “My Darling Vivian” defiantly upends the accepted Nashville and Hollywood narrative…” – Andrew Osborne, culturevulture.net

“My Darling Vivian is an unmistakably loving and sensitive portrait, an imperfect but impassioned attempt to makes the case that the easy Johnny Cash narrative is missing an important figure.” – Steve Pond, TheWrap

Kate Nash: Underestimate the Girl, Director Amy Goldstein

Amy Goldstein’s wildly entertaining documentary, KATE NASH: UNDERESTIMATE THE GIRL, chronicles the meteoric rise and years-long struggle of musician / artist Kate Nash to re-establish a thriving career on her own terms. At 18, Nash reached the stratosphere of pop music, vaulting from a working-class family in North London into worldwide tours, a platinum record, and a season dominating the music charts. Fast forward to ten years later: Kate is breaking down, nearly homeless. Defrauded by her manager, she is forced to take odd jobs–like hosting a QVC show in a comic bookstore–and must sell off her clothes. After hitting bottom, she rises out of the darkness by crowd-funding her third album, using the uplifting power of online culture and her own authentic voice. From pop wonder, to riot grrrl, to TV wrestling queen, Kate’s journey is an inspiring call to the creative heart in all of us: be fearless. Blending performance footage with verité style sequences, KATE NASH: UNDERESTIMATE THE GIRLis both a no-punches-pulled look at an artist in flux who manages to come out on top, and at an industry that proves its own gender bias at every opportunity. The film is structured around songs and lyrics, as they are written and performed by Kate Nash, to tell its unfolding story. Director Amy Goldstein joins us to talk about Kate Nash, her work ethic, determination, sense of humor and how that has served her over the many years of struggle.

 

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For news and updates go to: thehoopinglife.com/kate-nash-underestimate-the-girl

KATE NASH: UNDERESTIMATE THE GIRL will be released nationally on Friday May 22 via the groundbreaking virtual cinema platform ALAMO ON DEMAND. Following the Saturday, May 23 6:00 PST / 9:00 EST there will be an interactive performance and Q&A with Kate Nash.The exclusive release will then hit a limited traditional theatrical rollout in August. Watch tonight: On Demand.drafthouse.com/film/kate-nash-underestimate-the-girl

 

About the filmmaker: Amy Goldstein, Director/Producer/Cinematographer Amy Goldstein graduated from Hampshire College with a BA in semiotics and from NYU Film School. She was a Louis B. Mayer fellow at NYU film school. Her short, “Commercial for Murder” (1990), screened at the Berlin Film Festival and was distributed theatrically in a collection of shorts. Her thesis film, Because the Dawn, was presented as the American Independents at the Toronto Film Festival with Todd Haynes‘ Superstar: The Karen Carpenter Story. After school, Amy directed music videos for artists from around the world, including Rod Stewart‘s “Downtown Train”. She directed the feature film The Silencer, which she co-wrote with Scott Kraft, and they went on to develop pilots for HBO, CBS, Fox, Showtime, and MTV, and the hip-hop musical Check Under the Hood for Jersey Films/Polygram. She directed the award-winning feature film East of A, an edgy comedy about an alternative family facing the challenges of raising a child with HIV. Amy directed “The Hooping Life” (1999), a chronicle of a worldwide subculture of “hoopers” who transcend their personal toil and the world’s fears through hula-hooping. Her most recent project is the documentary about the career of pop star Kate Nash, Kate Nash: Underestimate the Girl. Amy Goldstein and Anouchka van Riel, Producer head up Span Productions

Social Media
facebook.com/katenashfilm
instagram/katenashfilm
facebook.com/TheHoopingLife
twitter.com/katenashfilm
twitter.com/katenash

 

“What emerges is a comprehensive, thoroughly engaging portrait of a woman who has made it on her own terms and is back for more.” – Christopher Llewellyn Reed, Hammer to Nail

“If you want a reminder that misogyny is alive and well, this is the documentary for you. It actually ends on a bright note, but the road there is brutal” – Lindsay Pugh, Woman in Revolt

“While not quite as saddening as the recent Avicii documentary, Kate Nash: Underestimate the Girl is another indictment of the music business and its tendency to chew up young talent.” – Suzi Feay, Financial Times

40 Years in the Making: The Magic Music Movie, Director Lee Aronsohn

40 YEARS IN THE MAKING: THE MAGIC MUSIC MOVIE chronicles how one of their greatest fans, acclaimed director (and UC Boulder alumnus) Lee Aronsohn, tracked down the original band members four decades later to tell their story. More importantly, he makes a dream come true for himself, fellow fans, and the band, by bringing them all back to Boulder for a sold-out reunion concert that preserves their legacy for posterity. Magic Music is one of the most fondly remembered bands of the Boulder Revolution of the late 60s and early 70s. Living in a makeshift camp up in the mountains, they would delight local residents and university students with their original songs, acoustic instruments, and light harmonies; their growing popularity brought them to the brink of success more than once. Unfortunately, they never signed a record deal and eventually broke up in 1975. 40 YEARS IN THE MAKING: THE MAGIC MUSIC MOVIE opens in New York August 3, and in Los Angeles August 10, with a national release to follow. Director Lee Aronsohn talks about his endearing and poignant documentary on the music that became a living soundtrack for a community and the band of musicians who became life-long friends.

 

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For news and updates go to: magicmusicmovie.com

Opening on Friday, August 10 at the Laemmle Music Hall

Social Media:

facebook.com/MagicMusicMovie

twitter.com/MagicMusicMovie

instagram.com/magicmusicmovie

“Beyond celebrating the music, 40 Years in the Making: The Magic Music Movie has something to say about the compromises and reconciliations that are a part of aging, and it turns out to make for a stirring and healing reunion.” – Stephen Farber, Hollywood Reporter

“By the end of the film, I was singing along” – Ain’t It Cool News

“Good vibes…” – Variety

The Icarus Line Must Die, Director Michael Grodner

Punk’s not dead in this cool AF drama riffing on actual events. THE ICARUS LINE MUST DIE is a dramatic narrative feature set against the backdrop of the current LA underground music scene. The film tracks Joe Cardamone, front man of notorious punk bad boys The Icarus Line as he navigates his way through the ups and downs of the modern music landscape. With a new record completed and a major label deal within sight, Joe fights to keep his band, his relationship and his life from completely falling apart. Ariel Pink, Keith Morris (Black Flag/Circle Jerks), Pearl Charles, Melissa Brooks (The Aquadolls), Justin Pearson (RETOX, The Locust), Rafael Reyes (Prayers) and Jerry Stahl (Permanent Midnight) are featured along with performances by Pink Mountaintops, Together Pangea, The Icarus Line, Retox, Obliterations and Annie Hardy of Giant Drag. The film was directed by Michael Grodner and written by Michael Grodner and Joe Cardamone. THE ICARUS LINE MUST DIE will open in LA on June 22 at the Laemmle Royal and will rollout theatrically over the summer by Dark Star Pictures.  The film will also be available on digital on 7/10 (iTunes, Amazon, Vudu, Google Play, Fandango Now, Xbox and local Cable Providers). Director Michael Grodner joins us to talk about his collaborator and star, Joe Cardamone, the blurred lines between narrative and documentaries, his take on the LA music scene, past and present and Dirty Laundry.

 

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Social media:

facebook.com/theicaruslinemustdie

facebook.com/pg/DirtyLaundryTV

The Icarus Line Must Die is now screening at the Laemmle Royal in Los Angeles

“What sets Grodner’s story apart is its intense focus on specific people in the scene who are emblematic of a way of living and surviving in Los Angeles that’s slowly dying.” – April Wolfe, The Wrap

“The movie’s only intermittently successful at blurring the lines between art and life. But it’s a sincerely felt experiment, and it has spirit. – Noel Murray, Los Angeles Times

“The Icarus Line Must Die should be celebrated as an example of a return to great independent filmmaking. Like its main character, The Icarus Line Must Die overcomes the challenges, simply because it must.” – Donna Balancia, California Rocker

American Folk, Director David Heinz and Cinematographer Devin Whetstone

AMERICAN FOLK tells the story of two strangers grounded on the morning of September 11, 2001. Elliott (Joe Purdy) and Joni (Amber Rubarth) are unexpectedly thrust together amidst the chaos of that historic day. With little in common but both needing to get to NYC urgently, they accept help from Joni’s family friend Scottie (Krisha Fairchild) who lends the duo a rusty old 1972 Chevy Van. The shock and stress of 9/11 quickly threatens to derail their cross country journey until the pair discover what they do have in common: a love for old folk songs. Armed with a pile of guitars left in the van from Scottie’s touring days, Elliott and Joni raise their voices together (and with those they meet on the road), re-discovering the healing nature of music and bearing witness to a nation of people who, even while mourning, manage to lift each other up in the wake of tragedy. With a refreshing gentleness and beauty, AMERICAN FOLK lovingly chronicles the spaces between the suffering and fear, where music has the power to connect. Musicians Joe Purdy and Amber Rubarth give nuanced and thoughtful performances, with voices that are uplifting and achingly gorgeous. Filmed over 3,500 miles in 14 states, AMERICAN FOLK serves as a love letter to the natural beauty of America, to the style of music that has shepherded us through historically tough times and to the kindness of all of the “folk” that make America what it is. Director David Heinz and Cinematographer Devin Whetstone talk about the challenges of filming in cramped quarters, capturing the spirit of a surprisingly united people coping with a disintegrating civic society.

https://www.americanfolkmovie.com/

 

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79% on Rotten Tomatoes

“The songs are lovely, and the first-time actors give performances that grow warmer as the film progresses.” – Katie Walsh, Los Angeles Times

“David Heinz’s excellent debut is an ardent plea for togetherness in a divided world. Aided by his leading actors, talented cinematographer, and ear-worm of a soundtrack, Joni and Elliott’s journey is a privilege to share.” – Chloe Walker, Film Inquiry

“A simple story, beautifully told, American Folk is a timely reminder of a dream not yet dead.” – Jennie Kermode, Eye for Film

“The actors are both accomplished folk musicians, so the music is amazing. The film is quiet and peaceful as they journey in a forced slow pace back to the epicenter.” – Bradley Gibson, Film Threat

The Man in the Camo Jacket, Director Russ Kendall

 

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MAN IN THE CAMO JACKET is the story of iconic musician Mike Peters of the Welsh rock band The Alarm. The film traces his rise to fame, battles with cancer, and inspiring climb back as he enlists some of the world’s top musicians to help save the lives of cancer patients around the globe. Ultimately though, the life he saves may be his own. Filmed over the course of eight years, the film documents Mike’s journeys to the summits of the world’s tallest mountains and to the depths of his regular chemotherapy treatments and features one-of-a-kind performances from legendary rock musicians. MAN IN THE CAMO JACKET won Best Music Documentary at the 2017 Arizona International Film Festival and the Audience Award for Best Music at the 2017 Newport Beach Film Festival. Mike Peters was honored with the Humanitarian Award at the 2017 American Documentary Film Festival. MAN IN THE CAMO JACKET features Mike Peters of The Alarm, Slim Jim Phantom of Stray Cats, Duff McKagan of Guns N’ Roses, Billy Bragg, Glenn Tilbrook of Squeeze, Billy Corgan of The Smashing Pumpkins, Richard Blade, Martha Quinn. Director Russ Kendall joins us to talk about his rousing, life-affirming new film.

For news and updates go to: maninthecamojacket.com

Wild Combination: A Portrait of Arthur Russell, Director Matt Wolf

Wild Combination, Portrait of Arthur Russell poster 

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Wild Combination is director Matt Wolf’s visually absorbing portrait of the seminal avant-garde composer, singer-songwriter, cellist, and disco producer Arthur Russell. Before his untimely death from AIDS in 1992, Arthur prolifically created music that spanned both pop and the transcendent possibilities of abstract art. Now, over fifteen years since his passing, Arthur’s work is finally finding its audience. Wolf incorporates rare archival footage and commentary from Arthur’s family, friends, and closest collaborators—including Philip Glass and Allen Ginsberg—to tell this poignant and important story. Matt joins us in a conversation about art, music and Arthur’s enduring legacy.

Available on iTunes/VOD next Tuesday, April 8, 2014

“A tender, fascinating documentary that will delight the Russell cult and instantly convert new members. – New York Times 

“A profoundly moving love story” – Time Out 

“Infinite and Intimate” – Village Voice

“Pungently evokes the petrie dish of the late-1970s, early-1980s downtown” – Variety                       

“Artful… Wolf plays visual accompanist to Russell’s remarkable compositions.” -Chicago Sun-Times

“The film itself plays out like music, retaining the languid, soothing, and dreamlike aesthetic of Russell. – V Magazine 

“This is one of the finest music documentaries of recent years.” -Sight & Sound