It is one of the most iconic images of our time: two African-American medal winners at the 1968 Olympics standing in silent protest with heads bowed and fists raised as “The Star Spangled Banner” is played. Fifty years later, that singular event remains deeply inspiring, controversial and even misunderstood as one of the most overtly political statement in the annals of sport. The Stand: How One Gesture Shook the World is a revealing exploration into the circumstances that led runners Tommie Smith and John Carlos to that historic moment at the Mexico City Games, mining the great personal risks they took and the subsequent fallout they endured. Through intimate interviews with the participants and witnesses involved in that moment, along with compelling images and archive, the film explores the 1968 Olympics human rights stand in the context of a critically important and volatile time for the U.S. Civil Rights Movement. While The Stand: How One Gesture Shook the World documents this lasting moment in American history, The Stand also remains faithful to what was, for athletes and millions of Olympic fans around the world, a riveting 200-meter footrace between the fastest runners of the day, young people in their athletic prime striving to be the best on one October day in Mexico City. The Stand: How One Gesture Shook the World also features high jumper Ralph Boston, sprinter Mel Pender, crew member Paul Hoffman, silver medalist Peter Norman and Professor Harry Edwards. Filmmakers Tom Ratcliffe and Becky Paige (Bannister: Everest on the Track) join us to talk about the story behind a legendary act that echoes to this day.
Few people ever experience the momentum that Leader, Texas star football player Greg Kelley had going into his senior year of high school. That all changed in the summer of 2013, when Kelley was shockingly convicted of sexually assaulting a 4-year-old boy, and sentenced to 25 years in prison with no possibility for parole. OUTCRY is a searing examination of the criminal case that sent Kelley to prison and left his family and supporters searching for answers. Emmy® Award-winning filmmaker Pat Kondelis captures a community torn asunder and follows the principal participants on both sides of the appeals process as they work in pursuit of opposing truths. Over the course of three years, the series unfolds as Kelley’s fate hangs in the balance and new evidence emerges amid mounting criticism of the Williamson County justice system. SHOWTIME’s five-part investigative documentary series OUTCRY, follows the gripping scandal surrounding Kelley and the quest for truth and justice that followed in the wake of his sentencing. The series captures a divided community, as a groundswell of support emerges for Kelley, calling into question the investigation, the prosecution’s tactics and ultimately, the validity of the conviction, as both sides of the appeal process work in pursuit of opposing truths. OUTCRY director Pat Kondelis joins us to talk about the multiple twists and turns that Kelley saga takes and how no one knew where it would end up.
OUTCRY premieres Sunday, July 5 at 10 p.m. ET/PT on SHOWTIME. New OUTCRY episodes will debut every Sunday through August 2, while the entire series will release for on-demand streaming or download on the SHOWTIME and SHOWTIME ANYTIME® apps and partner on-demand platforms July 5.
About the filmmaker: Pat Kondelis is an Emmy award-winning director and producer. His previous work includes the Emmy-nominated CNN documentary series ‘High Profits’ (2015), the Emmy-winning Showtime documentary film ‘Disgraced’ (2017), the CNN documentary series ‘The Radical Story of Patty Hearst’ (2018), the HBO documentary film ‘The Scheme’ (2020), and the Showtime documentary series ‘Outcry’ (2020). Kondelis is the Creative Director at Austin based Bat Bridge Entertainment.
In December 2018, alpinists Ari Novak and Karsten Delap set out for India to explore one of the most remote valleys in the Indian Himalaya with local climber Karn Kowshik. Their goal was to meet with the indigenous population of the Spiti Valley and try to support local ice climbing. What they found was perhaps the biggest treasure trove of unclimbed ice in all the Himalaya. HIMALAYAN ICE (Adventures in India’s Most Remote Valley) tells the history-making story of their journey to put up nine first ascents and start an ice climbing movement by the local population. From their journey to the valley along the most treacherous road on earth to walking amongst Snow Leopards, the expedition was anything but expected. Co-directors Austin Schmitz and Ari Novak join us to talk the challenges of getting to India’s Spiti Valley, connecting with the people, climbers and non-climbers, and the life lessons learned during their remarkable journey.
Supporting Himalayan Ice: Himalayan Ice is presented by La Sportiva to raise money and awareness for impoverished and indigenous populations to enable these native people to climb in their own mountains. By empowering native populations through climbing for conservation we hope to establish and protect safe climbing areas for native populations in the worlds great mountain ranges. Himalayan Ice has partnered with Project Conservation a 501c3 non profit to enable our efforts. Ticket proceeds will directly go to support this non profit effort.
It all began when a group of cheerful, subversive filmmakers weren’t accepted into the Sundance Film Festival. Unwilling to take “no” for an answer, they instead started their own event – Slamdance: Anarchy in Utah. 26 years later, Slamdance has become a year-round organization fostering the development of unique and innovative filmmakers. The organization now consists of the Film Festival, Screenplay Competition and Slamdance Studios. It has also created Slamdance On The Road, a traveling theatrical showcase that brings popular Slamdance films to audiences that otherwise would not have the opportunity to see them. Dan Mirvish, Jon Fitzgerald, Shane Kuhn and Peter Baxter are the founding forefathers who, along with co-conspirator Paul Rachman, fought for truly independent filmmakers by giving them a voice in 1995 at the very first Slamdance Film Festival. Since then, the festival takes place every January in the breathtakingly stunning, snow-capped mountains of Park City, Utah at the exact same time as the Sundance Film Festival, to provide a more authentic representation of independent filmmaking. Up-and-coming writers, directors and producers, alongside seasoned veterans and film lovers, converge for the weeklong celebration of independent cinema, realizing that Slamdance is a great place to find those next, great, visionary films. Slamdance lives and bleeds by its mantra By Filmmakers For Filmmakers. No other film festival in the world is entirely run and organized by the creative force that can only be found in filmmakers. Slamdance adamantly supports self-governance amongst independents, and exists to deliver what filmmakers go to festivals for – a chance to show their work and a platform to launch their careers. The festival has earned a solid reputation for premiering films by first-time writers and directors working within the creative confines of limited budgets. Co-founder and President Peter Baxter joins us to talk about this year’s Slamdance, the groundbreaking films and the innovative new distribution and digital initiatives being launched by Slamdance.
THE ALL-AMERICANS takes us into the home to the nation’s largest Latino immigrant population, East Los Angeles, a community that sits squarely in the crossfire of debate about American identity. Yet every November, this community comes together for a distinctly American event, drawing 25,000 proud locals to one of the country’s fiercest high school football rivalry games: The East L.A. Classic. THE ALL-AMERICANS follows four students seeking glory on the field, while grappling with personal obstacles and striving to make sense of their community’s place in today’s America. Director / Producer / Editor / Writer Billy McMillin (Iraq in Fragments, West of Memphis, Mike Wallace is Here) joins us to talk about his feature documentary debut, THE ALL-AMERICANS, and it’s intimate, unvarnished look at young men, often living on the margins, in their dogged pursuit of the American dream.
About the filmmaker: Billy McMillin – Director, Producer, Writer, Editor has spent over a decade as a writer and editor crafting a diverse mix of stories—from war-torn life in Academy Award Nominee Iraq in Fragments, to an epic search for justice in West of Memphis, to a quest for greatness amongst the world’s best 7-year-old golfers in The Short Game. He edited Hulu’s original documentaries Becoming Bond and Too Funny To Fail, and led a team of editors on History & Viceland’s docuseries Hunting ISIS and SundanceTV’s true crime series No One Saw a Thing. Most recently, he edited the all-archival feature documentary Mike Wallace Is Here, which premiered in competition at the 2019 Sundance Film Festival and was released theatrically by Magnolia Pictures this summer. The All-Americans is his feature directorial debut.
Tags: #TheAllAmericans, #eastla, #eastlosangeles, #eastlaclassic, #eastlaclassic2019
In this brilliant followup to his award-winning documentaries (SENNA, AMY) DIEGO MARADONA captures the athletic brilliance and maddening duality of a soccer player widely considered to be best player in the world from the moment he burst onto the scene in his native Argentina. And yet success proved elusive. He failed at Barcelona. He was considered a problem player, too interested in partying. Meanwhile, having never won a major tournament, the ailing Italian football giant SSC Napoli were perennial underachievers. Their fanatical support was unequalled in both passion and size. But how they ached for success… On 5th July 1984, Diego Maradona arrived in Naples for a world-record fee and for seven years all hell broke loose. The world’s most celebrated football genius and the most passionate but dangerous city in Europe were a perfect match for each other. Diego Maradona was blessed on the field and treated like a God off it; the charismatic Argentine loved a fight against the odds and led Naples to their first-ever League title. It was the stuff of dreams. But there was a price… Diego could do as he pleased while performing miracles on the pitch, but as time passed, darker days closed in. Italy turned on him. The third film from the Academy Award-winning & multi-BAFTA-winning team behind SENNA and AMY (director Asif Kapadia, producer James Gay-Rees, editor Chris King, composer Antonio Pinto), and also Paul Martin, DIEGO MARADONA was constructed from over 500 hours of never-before-seen footage from Maradona’s personal archive. DIEGO MARADONA is crafted in the style of SENNA and AMY. It is the definitive feature documentary on the charismatic enigma that is Maradona. In a city where even the devil would need bodyguards, Diego Maradona became a god. Maradona in Naples is the story of his life, the wild and unforgettable story of an unrivalled talent. He was a rebel, cheat, hero and god. This is a story of glory, despair and betrayal, a tale of corruption and, ultimately, of redemption. Director / Producer Asif Kapadia joins us to talk about the enigma of “Diego” and “Maradona.”
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“MESMERIZING… one of the most colorful and fascinating personalities in all of sports, with a life story bordering on the mythic. You may know outlines of the soccer legend’s life, but there’s no way you won’t learn something from DIEGO MARADONA, Asif Kapadia’s absorbing and exhaustive new film.” – Jocelyn Noveck, Associated Press
“a fame-technique movie, measured in crowd roars, off-field revelry, media run-ins, and fan scrums as dizzying accoutrements to success, but also – when Maradona succumbed to scandals surrounding women, an unclaimed son from an affair, cocaine, loyalty, and powerful mob friends – in how those same trappings can suddenly turn vicious, and a hero’s fall can go shockingly unsupported.” – Robert Abele, Los Angeles Times
“[Kapadia] has edited cruddy video footage (some of which appears barely more than camcorder-grade) and photographs into a movie so fluid that it moves like a Hollywood production. He also dispenses with much of the filler common to documentaries… It is exhausting and exhilarating, cheap looking and slick, a documentary for Maradona fans but also for many others besides.” – Ben Kenigsberg, The New York Times
“Asif Kapadia has put together an extraordinarily intimate account of [Diego Maradona’s] rise and fall, enriched by grainy but graphic footage recording every phase of his life.” – Sandra Hall, Sydney Morning Herald
The riveting new documentary BLINK OF AN EYE chronicles the star-crossed relationship between Michael Waltrip, a perennial underdog, and Dale Earnhardt, the most feared & iconic driver in NASCAR history. On the fateful running of the Daytona 500 at the inception of the 2001 season, Michael Waltrip broke his 462-race losing streak in epic, but heart-breaking fashion, in what is considered the Super Bowl of motorsports. Triumph becomes tragedy, as Michael’s best friend and team owner, Dale Earnhardt, crashes in the final lap – creating a shocking debt that is paid back in spectacular and dramatic fashion on Waltrip’s emotionally- charged return to Daytona, and a race to the finish with Dale’s son, Dale Earnhardt Jr. Director /Producer / Writer Paul Taublieb stops by to talk about a story that runs the gamut of unrivaled success, enduring friendship, frustration, perseverance, exhilarating triumph and unbelievable tragedy.
Filmmaker Statement – Great stories are a gift, and this one has all the elements – the dramatic intersection of triumph, tragedy, the unexpected, and amazing characters. It’s a story that transcends sports, much like Free Solo (2018) or The Endless Summer (1966), bringing a human quality that anyone can relate and be engaged to, whether you are a sports fan or not. My film resonates with themes of perseverance, grit, determination and above all, the redemptive transformation of friendship, even in tragedy. – Director Paul Taublieb
In the late 1980s, the Detroit Red Wings hockey team was a laughing stock, often called the “Dead Wings.” After a wealthy pizza magnate bought the failing franchise, he appointed an unorthodox General Manager to build a championship team. Throwing off conventional wisdom, the new GM looked to America’s mortal enemy in the Cold War, the Soviet Union itself. Through a plot that sounds like a spy novel, the Red Wings organization brought on one Russian after another, sneaking them out under cover of night and whisking them to the Motor City, only to find that the new players faced another problem: Integration. THE RUSSIAN FIVE follows the stories of the five Russian players that emigrated to America, took root in Detroit, Michigan, and struggled to fit in, all while training day and night to become Stanley Cup champions. The new immigrants had to learn to communicate with their teammates, assimilate into the culture, and become Americans. THE RUSSIAN FIVE is the true story of immigrants that became American heroes, teammates that became family, and a scrappy, resilient city that became Stanley Cup Champions, twice. It’s a story about hopes and dreams becoming reality, and the harsh reality of dreaming big. The names Fedorov, Larionov, Fetisov, Kozlov, and Konstantinov are legend now in the Motor City and their influence is still felt throughout the National Hockey League today. Director Joshua Riehl stops by to talk about the long and winding journey of five gifted athletes who changed the course of North American hockey.
100% on Rotten Tomatoes
“One of the most dramatic and emotional of sports stories gets the expert film it deserves in “The Russian Five,” a documentary that is moving in ways you won’t see coming.” – Kenneth Turan, Los Angeles Times
“It’s a story fans already know well, but “The Russian Five” lays it out in a compelling, easily digestible fashion. And it shows how without a major assist from Russia, Detroit would have never become Hockeytown.” – Adam Graham, Detroit News
“I know a good story when I see one and … this new passionately-realized debut feature from director Joshua Riehl got me involved in its sport, its personalities and its man-made mythos.” – Glenn Dunks, The FIlm Experience
“Timely, insightful, well-structured and thoughtful…” – Michael Ward, Should I See It
WRESTLE takes us inside the lives of four members of the high school wrestling team at Huntsville’s J.O. Johnson High School, a longstanding entry on Alabama’s list of failing schools. Teammates Jailen, Jamario, Teague, and Jaquan face challenges far beyond a shot at the state championship: splintered families, drug use, teenage pregnancy, mental health struggles, and run-ins with the law threaten to derail their athletic success and lock doors that might open their future. Their tough-love coach Chris Scribner isn’t off the hook, either; he must come to terms with his own past while unwittingly wading into the complexities of race, class and privilege. Director Suzannah Herbert and co-director Lauren Belfer captured over 650 hours of footage during the team’s final season to create this closely observed, deeply affecting depiction of growing up disadvantaged in America. Wrestle premieres on Independent Lens Monday, May 20, 10:00-11:30 PM ET (check local listings) on PBS and will also be available simultaneously for online streaming at pbs.org.
About the Filmmakers:
Suzannah Herbert (Director/Writer/Producer), originally from Memphis, Tennessee, is a documentary filmmaker. Her NYU Tisch senior thesis, Home Game, premiered at DOC NYC. Herbert was the associate producer on Free Angela & All Political Prisoners, directed by Shola Lynch, and has since worked as an assistant editor on Michael Moore’s Where to Invade Next and Fahrenheit 11/9, and Martin Scorsese’s upcoming documentary, Rolling Thunder Revue, about Bob Dylan’s pivotal 1975 tour. Herbert made her feature directorial debut with Wrestle, which won 11 awards on the 2018 festival circuit, and was distributed theatrically by Oscilloscope in 2019.
Lauren Belfer (Co-Director/Writer/Lead Producer) is a producer and filmmaker based in Brooklyn. Most recently she was the line and field producer on Martin Scorsese’s Rolling Thunder Revue: A Bob Dylan Story (Netflix 2019), and she has frequently collaborated with Michael Moore, having worked on Fahrenheit 11/9, Trumpland, and the Oscar-shortlisted Where to Invade Next. Belfer produced the narrative feature After Louie (BFI 2017), starring Alan Cumming, and the documentary Hotline (Hot Docs 2014). Belfer’s directorial debut, Wrestle, garnered 11 awards on the festival circuit, including two audience awards and the Maysles Brothers Award for Best Documentary Film.
“Profiling four members of an underdog high-school wrestling team in Huntsville, Alabama, “Wrestle” constructs an empathetic portrait of a mat that’s anything but level.” – Jeannette Catsoulis, New York Times
“Wrestle will completely suck you in from beginning to end. It’s is a heartbreaking, yet honest look at the more poverty-torn cities in our country.” – Dante Jones, Film Threat
“Sometimes hopeful, other times heartbreaking, Wrestle is an honest portrait of disadvantaged American youth that will inspire empathy and leave viewers with lots to ponder.” Kieran Fisher, Nonfics
“One reason “Wrestle” is so effective is that director Herbert and cinematographer Sinisa Kukic made the decision to move to Huntsville for the duration of the shoot.” – Kenneth Turan, Los Angeles Times
For the last 20 years the Newport Beach Film Festival has brought the best of classic and contemporary filmmaking from around the world to Orange County. Under the direction of CEO and Co-founder Gregg Schwenk and the festival’s staff have been committed to entertaining and enlightening the public with a first-class international film program as well as providing a forum for cultural understanding and enriching educational opportunities, the Festival focuses on showcasing a diverse collection of both studio and independent films. The Festival supports the creation and advancement of innovative and artistic cinematic works from both emerging and seasoned filmmakers and proudly embraces the passion, vision and independent spirit of these talented artists. With the integration of the local community and educational institutions, the Festival stimulates an interest in the study and appreciation of film and encourages people of all ages and backgrounds to participate. The Community Outreach Program was created with the idea that film offers new perspectives and possibilities for a changing world. Each year, the Festival partners with over 40 non-profit organizations and pairs each philanthropic organization with a film that aligns with their mission. The Festival gives non-profit organizations a forum to voice their message to large audiences and spread awareness of their organization and mission through the medium of film. Areas of focus include the arts, health and human services, the environment, education, children’s causes, seniors’ and veterans’ programs, and alumni clubs. CEO and Co-founder Gregg Schwenk joins us to talk about a remarkable festival line-up of comedies, dramas, short films, action sports, classics, documentaries, musicals and foreign film excellence.
The most awarded “dream team” of documentary talent in decades CRADLE OF CHAMPIONS captures the epic story of three young people fighting for their lives in the oldest, biggest, most important amateur boxing tournament in the world: New York’s Daily News Golden Gloves. CRADLE OF CHAMPIONS follows three extraordinary, inspiring individuals—James Wilkins, Nisa Rodriguez, and Titus Williams—on an urban odyssey through a ten-week tournament, founded in 1927, that has produced more professional world champions than the Olympic Games. Telling a compelling story of dreams, heartbreak, and redemption, the result is a unique work of art. CRADLE OF CHAMPIONS is edge-of-the-seat drama with the polish of a Hollywood feature film and the intimacy of a gritty cinéma vérité classic.CRADLE OF CHAMPIONS Director Bartle Bull is a noted author and journalist who has written for the New York Times, Washington Post, Wall Street Journal, and Financial Times. He joins us for a conversation on his desire to document an iconic sporting event that is teetering on the edge of extinction and the community that continues to support it.
Cradle of Champions Dream Team:
Director of Photography, TOM HURWITZ ASC, – (Valentino: The Last Emperor, Queen of Versailles)
KIRSTEN JOHNSON – (Citizenfour, Cameraperson)
MATT PORWOLL – (Cartel Land )
WOLFGANG WELD – (Escape Fire: The Fight to Save American Health Care, Carrier)
NADIA HELLGREN – (Trapped, Searching for Sugarman, Fahrenheit 11/9)
Editor MICHAEL LEVINE – (Restrepo, Central Park Five, Billy the Kid)
Producer MAIKEN BAIRD – (Icarus, City of Ghosts, Client 9: The Trial of Eliot Spitzer)
Executive Producer DONALD ROSENFELD – (Tree of Life, Jodorowsky’s Dune)
“A new standard for character-driven narrative documentary… the excitement, the powerful story arc, and the unforgettable characters one expects from a first rate fiction film.” – Santa Barbara Independent