Heartworn Highways – Producer Graham Leader (Director James Szalapski

In the mid-‘70s, filmmaker James Szalapski traveled to Texas and Tennessee to capture the radical country artists reclaiming the genre through an appreciation for its heritage in folk and bluegrass and a rejection of the mainstream Nashville machine. The hard living – and hard partying – lifestyles of outlaw country’s figureheads are played out on screen in trailer homes, prisons and even a liquor-fueled Christmas gathering. It borrowed from rock, folk and bluegrass, with an edge that was missing from mainstream Nashville country. This newly-restored document, HEARTWORN HIGHWAY, includes rarely-captured performances of musicians as they perfected this then-new style and helped change the course of country music history by artists that include Townes Van Zandt, Guy Clark, Rodney Crowell, Steve Young, David Allan Coe, and a 19-year-old Steve Earle and many others appear and perform. Musical highlights include Clark’s brilliant “Desperados Waiting For A Train”, Young’s stirring “Alabama Highways” and Van Zandt’s emotional “Waiting Around To Die.” The hard living – and hard partying – lifestyles of outlaw country’s figureheads are played out on screen as we visit Van Zandt’s Austin trailer, see Coe play in Tennessee State Prison, join the gang in Nashville’s notorious Wig Wam Tavern and witness a liquor-fueled Christmas at Clark’s house. No wonder the film’s original tagline read: “The best music and the best whiskey come from the same part of the country”. Outside of a couple festival screenings, the movie remained unreleased for five years after its completion, finally hitting screens in 1981 and finding a cult audience ever since.” Heartworn Highways Producer Graham Leader joins us to talk about the groundbreaking artists he and director / writer / cinematographer  James Szalapski were able to wrangle into participating as well as the long and winding road this fabled film has taken over the last 44 years.

 

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For news and updates go to: kinolorber.com/film/heartworn-highways

For more about the films of Graham Leader go to: sealionfilms.com

About the filmmaker – Graham Leader grew up in England, studied art history at the Victoria & Albert Museum and worked as a dealer in twentieth century art before becoming a producer. Founded by Leader in 2014, SEALIONFILMS is currently developing a broad slate of character-driven scripts and documentary projects aimed at the international market. His films include: HEARTWORN HIGHWAYS (1976), SHUTTLECOCK (1990), IN THE BEDROOM (1991), THE SAFFRON LIMITED (2005), CHILDLESS (2008), HEARTWORN HIGHWAYS REVISITED (2012 – 2014), and SINS OF A FATHER (2014).

About the music – “Musically, it’s almost impossible to pick highlights but Guy Clark’s “That Old Time Feeling” is a husky delight and when Seymour Washington, a friend of Van Zandt’s (born 1896!) hears him sing “Waitin’ ‘Round To Die” he can’t prevent teardrops from rolling down his cheeks; neither will you.” – Record Collector

“The only thing flawed about “Heartworn Highways” is the people, and they’re so likable you’ll quickly look past their less desirable qualities or notions.” – Michael J. Casey, Michael J. Cinema

“Heartworn Highways refuses that historicizing assessment, even resists it. The film would certainly not have become the canonical documentary it has without the subsequent success of its subjects, but their names are never the emphasis here.” – Doug Freeman, Austin Chronicle

“Shot in 1975 but not released until 1981, this documentary by James Szalapski captures the nascent stages of a poetic country music played by Texas outsiders like Guy Clark, Steve Young, Townes Van Zandt, and a young Steve Earle.” – Peter Margasak, Chicago Reader


Rock Camp -The Movie – Creator David Fishof

After producing the comeback tour of The Monkees in 1986, promoter and talent agent David Fishof founded Rock’ n’ Roll Fantasy Camp, which has been making dream comes true for more than 25 years. Summer camp meets Spinal Tap, Rock’ n’ Roll Fantasy Camp brings together musicians from all walks of life for an unforgettable experience with legendary rock stars. These musicians teach, inspire, and jam with the campers over four days, concluding with a life performance at a famed venue. The experience takes music lovers from spectator to the stage, sharing the limelight with their musical heroes. Rock Camp, The Movie follows four campers (and their families) trough their journeys to shred with their heroes and see how they overcome their fears and transform their lives. Rock Camp – The Movie boasts a jaw-dropping array of rock star “counselors” that include Roger DaltreyAlice CooperPaul Stanley and Gene Simmons,  Nancy WilsonJoe PerryJeff BeckSlash, and countless other rock legends. Directed and produced by Doug Blush, co-directed and edited by Renee Barron, and produced by Jeff Rowe. Rock’ n’ Roll Fantasy Camp founder David Fishof joins us to talk about his life as a promoter, the amazing array of talented artists he has gotten to know and the endless joy that his “Fantasy Camp” and now the “The Movie” has brought him over these many years.

 

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For news and updates go to: rockcampthemovie.com

About the founder – David Fishof began his career as a sports agency and eventually an entertainment executive and music producer more than four decades ago. Through the Rock’ n’ Roll Fantasy Camp, he has been making dream comes true for more than 25 years. Whether he’s producing a tour, assembling an All-Starr band with Ringo Starr, or writing a best-selling book, there’s one thing David Fishof is always doing: dreaming. Hailed as one of the most creative and innovative entertainment producers in the world, David has been responsible for some of the most original, successful, and exciting live shows ever brought to the stage. But of all the shows he’s put on over his 40-plus year career, there’s one production that stands out from all the rest: Rock ‘n’ Roll Fantasy Camp. After years of good fortune working with veteran rockers like Roger Daltrey, Ringo Starr, The Monkees, Levon Helm, Joe Walsh, Jack Bruce and Peter Frampton, David decided it was time to share his experiences with rock fans around the world. And so, in 1997, he debuted the rock camp—a place where regular people can reconnect with their passion for music alongside the most famous names in the business. For more information go to: rockcamp.com

About the filmmaker – Doug Blush is an award-winning director, producer, editor, and cinematographer. His credits include, as editor, the Oscar and ACE Eddie Award winning 20 Feet from Stardom (2013), as executive producer, the Oscar winning Period. End of Sentence. (2018) and, as consulting producer and editor, the Oscar winning Icarus (2017).

SOCIAL MEDIA
facebook.com/RockFantasyCamp
twitter.com/RockFantasyCamp

Rock Camp is an eye-opening treat. Entertaining and surprising.” – Michael O’Sullivan, The Washington Post

“I love this film. it really has a grid heart to it.” – Richard Roeper, ABC Chicago – Windy City LIVE

“Touching.” “Pure entertainment.” Provides the pure pleasure of seeing people having fun simply by making music.” – Loren King, Newport This Week

“Wildly entertaining.” – Mike McGranaghan, The Aisle Seat

Yellow Rose – Director Diane Paragas

YELLOW ROSE features Eva Noblezada, who is joined by fellow Miss Saigon alum and Tony Award winner Lea Salonga. The film follows Rose Garcia, a 17-year-old Filipina American in Texas. When her mom is arrested by Immigration and Customs Enforcement, Rose undertakes a musical journey while facing deportation back to the Philippines. Inspired by the music of country musicians like Patsy Cline, Loretta Lynn, and Willie Nelson, the original composition accompanied by Noblezada’s captivating voice becomes the soundtrack of Rose’s wanderings akin to American westerns. YELLOW ROSE Director Diane Paragas joins us to talk about her warm-hearted tale of a young woman’s determination to fight back against the cruelty of a heartless immigration system while pursuing her own version of the American Dream deep in the heart of Texas with Austin’s music icon, Dale Watson at her side.

 

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For news, screenings and updates go to: yellowrosefilm.com

Yellow Rose is available on Digital now and on Blu-ray and DVD January 5

About the filmmaker – Diane Paragas is an award-winning director, editor, cinematographer and producer of commercials, narrative features and documentaries. IN 2012, Paragas co-directed Brooklyn Boheme, a feature length documentary about an African American arts movement, with writer and critic Nelson George.  The film featuring Spike Lee, Chris Rock and Rosie Perez to name a few. The film was acquired by Showtime and won a Black Reel Award for Best Documentary. In 2019, Paragas wrote and directed her debut narrative feature, Yellow Rose, about an undocumented Filipino-American teen pursuing a dream to become a country music singer. The film won over a dozen Grand Jury Prizes during its festival run and will be released by Sony Pictures in 2020. She is also in pre-production for a bold feature documentary about a wrongfully convicted undocumented immigrant called “The Three Lives of David Wong” that uses puppetry to tell its story. The film was is supported by The Sundance Institute,  The Bertha Foundation Grant and CAAM. Ms Paragas is a 2020 recipient of the prestigious Creative Capital Award  and was named as A100’s Most Impactful Asians of 2020 alongside directors Bong Joon Ho, Taika Waititi and Lulu Wang. 

Social Media
facebook.com/YellowRoseFilm
twitter.com/YellowRoseFilm
twitter.com/dianeparagas
twitter.com/EvaNoblezada
twitter.com/TheDalewatson
twitter.com/salonga_updates
instagram.com/yellowrosefilm
instagram.com/paragasdiane
instagram.com/livevamaria
@dianeparagas
@YellowRoseFilm
@EvaNoblezada
@salonga_updates
@TheDalewatson

“The film beautifully captures the struggles of a young woman to find her voice and a sense of belonging in an often hostile world as it celebrates the joy of making music and its power to provide hope.” – Loren King, AWFJ Women on Film

“Diane Paragas’ film finds fresh ground to explore the price and the power of the American dream, bolstered by country crooning and heartbreaking (and very real) legal worries.” – Kate Erbland, indieWire

“Writer-director Diane Paragas spins a story that is both politically timely and personal.” – Kristen Yoonsoo Kim, New York Times

“An affecting portrayal of a young woman finding her footing against all odds, and claiming her home in a nation that makes it unduly challenging.” – Katie Walsh, Tribune News Service

“The lean screenplay and [Diane] Paragas’ focused creative vision makes for a singular directorial feature debut that feels like nothing else happening in film right now.” – Beth Sullivan, Austin Chronicle

Tandem Pictures, Founder Julie Christeas and COO Jonathan Blitstein

Tandem Pictures is a leader in conceiving and implementing eco-sustainable filmmaking practices in the indie film space, with all of their productions following Environmental Media Association standards and the Producers Guild’s Green Best Practices. They’re also an advocate for how these practices – from using hybrid vehicles on set, to having the sound and camera teams use rechargeable batteries, to composting and using metal straws – can and should be adopted industry-wide. Female owned and operated, it is Tandem’s mission is to bring female talent and narratives to the forefront. They embrace female-centric storytelling, and pride themselves on the fact that the casts and crews of their films are composed of underserved and underrepresented minority groups, LGBTQIA, and women.  tandempictures.com

 

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ABOUT TANDEM PICTURES Since 2010, TANDEM PICTURES has elevated and given a platform to misrepresented and underrepresented ideas. We are filmmakers, driven by justice and representation for both people and the planet. We strive to not only tell stories, but to share learnings with the industry in order to grow positive filming practices across our community.  Past films include acclaimed festival films THE SURROGATE, BLOODSTRIPE, THE EYES OF MY MOTHER, THE SLEEPWALKER, WILDLIKE, GHOST TEAM and more.  tandempictures.com

JULIE CHRISTEAS – Tandem Pictures – Founder, Chief Executive Officer        Julie’s recent films include BLACK BEAR (Sundance 2020) starring Aubrey Plaza, Christopher Abbott and Sarah Gadon which will be released later this year by eOne/Momentum and THE SURROGATE (SXSW 2020/Monument Releasing) . She also executive produced the cult horror favorite THE EYES OF MY MOTHER (Sundance 2016/Magnet Releasing), MONOGAMY (Best NY Narrative, Tribeca Film Festival 2010), the feature doc DUKALE’S DREAM starring Hugh Jackman, and GHOST TEAM starring Jon Heder, David Krumholtz, Justin Long, Amy Sedaris and Melonie Diaz. Previously she produced BLOOD STRIPE (Jury Prize for Best Narrative Film, LA Film Festival 2016), WILDLIKE starring Bruce Greenwood and Brian Geraghty (HIFF), and THE SLEEPWALKER starring Christopher Abbott and Brady Corbet (Sundance 2014/IFC). 

JONATHAN BLITSTEIN – Tandem Pictures – Co-owner, Chief Operating Officer Jonathan’s most recently produced the acclaimed films THE SURROGATE, and BLACK BEAR (SUNDANCE, EOne/Universal release) starring Aubrey Plaza. Prior to Tandem he worked in production and branded entertainment for Vudu, Sony and Disney, supporting Fortune 500 Brands such as Walmart, Sprint and Covergirl. At Oracle (formerly CrowdTwist), he initiated the creation of Marvel Studios’ first nationwide fan loyalty program Marvel Insider. In his early career, he made two micro-budget feature films LET THEM CHIRP AWHILE and ANOTHER KIND which both premiered at the Woodstock Film Festival which were distributed on Netflix and VOD. Early career roles include marketing arthouse films such as Park Chan Wook’s OLD BOY, and Noah Baumbach’s SQUID AND THE WHALE. 

Social Media
facebook.com/tandempictures
twitter.com/tandempicture
twitter.com/JChristeas
instagram.com/tandempictures
instagram.com/juliechristeas
@TandemPictures
@tandempictures

Gay Chorus Deep South, Director David Charles Rodrigues

UPDATE: MTV Documentary Films’ Gay Chorus Deep South directed by David Charles Rodrigues premieres Sunday, December 20 at 9:00PM ET/PT on Pop, Logo and Pluto

The documentary Gay Chorus Deep South chronicles one community’s response to a wave of discriminatory anti-LGBTQ laws in Southern states and the divisive 2016 election. The San Francisco Gay Men’s Chorus embarks on a tour of the American Deep South. Led by Gay Chorus conductor Dr. Tim Seelig and joined by The Oakland Interfaith Gospel Choir, the tour brings a message of music, love, and acceptance to communities and individuals confronting intolerance. Over 300 singers travelled from Mississippi to Tennessee through the Carolinas and over the bridge in Selma. They  performed in churches, community centers, and concert halls in hopes of uniting us in a time of difference. The journey also challenges Tim and other Chorus members who fled the South to confront their own fears, pain, and prejudices on a journey towards reconciliation. The conversations and connections that emerge offer a glimpse of a less divided America, where the things that divide us – faith, politics, sexual identity – are set aside by the soaring power of music and humanity. Director David Charles Rodrigues joins us to talk about the expectations and realities that comes with traveling to communities with the hope of changing hearts and minds.

 

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For news, screenings and updates go to: gaychorusdeepsouth.com

Social Media:
facebook.com/gaychorusdeepsouth
twitter.com/gcds_film
instagram.com/gaychorusdeepsouth

WINNER AUDIENCE AWARD – BEST DOCUMENTARY – 2019 TRIBECA FILM FESTIVAL

WINNER AUDIENCE AWARD – BERKSHIRE INTERNATIONAL FILM FESTIVAL

WINNER AUDIENCE AWARD – TOP 5 NONFICTION FAVORITES – 2019 TRAVERSE CITY FILM FESTIVAL

“Successfully harnessing the power of both music and message, documentary Gay Chorus Deep South draws its strength not only from its subject, but also the effective way in which it it presents its arguments.” – Nikki Baughan, Screen International

“What makes the film especially compelling, though, are the all-too-human narratives involving those who were at one time badly victimized because of their sexual orientation; they want to forgive, but may never be able to.” – Phil Guie, Film-Forward.com

“There’s a lesson here that applies to more than just LGBT political causes: To heal the country and move on, we must reach across the divide and listen to one another.” – Peter Debruge, Variety

“With good folks like this, from both sides of the aisle, there is hope for humanity yet.” – Christopher Llewellyn Reed, Hammer to Nail

Music Got Me Here – Director Susan Koch

From award-winning director Susan Koch’s comes new feature documentary, MUSIC GOT ME HERE. The film follows the against-all-odds, true-life journey of Forrest Allen – a story of the power of music to heal and transform lives, often in miraculous ways. A snowboard accident leaves Forrest Allen, age 18, trapped inside himself, unable to speak or walk for almost two years. Tom Sweitzer, an eccentric music therapist with a troubled childhood who credits music with saving his own life, is determined to help Forrest find his voice. He dresses up in costumes and makes up silly songs.  For months, Forrest doesn’t even acknowledge him. Then, one day Forrest painstakingly types with one finger on his Dynavox: “Please help me find my voice”. Tom begins by teaching Forrest to breathe…then hum. After many months of painstaking practice, the hums turn into Forrest’s first two words. Director and writer Susan Koch joins us to talk about her uplifting tale of overcoming hardship, physical, spiritual and psychological as well as underscoring the pre-cognitive connective that humans share and with it our brains can be rewired to overcome trauma.

 

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For news, screenings and updates go to: musicgotmehere.com

Winner of the Best Social Impact Award at the Greenwich International Film Festival,MUSIC GOT ME HERE was filmed over the course of five years and features interviews with renowned soprano and music therapy advocate Renee Fleming and National Institutes of Health Director Dr. Francis Collins. MUSIC GOT ME HERE, is currently screening at Laemmle Virtual Cinema.

About the Director – Emmy and Peabody award-winning filmmaker Susan Koch’s films and non-fiction television shows have appeared on ABC, NBC, PBS, HBO, Showtime, MTV, ESPN, The Discovery Channel, National Geographic, CNN, and American Movie Classics. Koch’s documentary Kicking It, about homeless soccer players who compete in an international tournament, premiered at the Sundance and Tribeca Film Festivals and was broadcast on ESPN. Koch’s other films include the award-winning documentaries Reel Models:  First Women of Film (AMC), Mario’s Story (Showtime), City at Peace (HBO) and The Other City (Showtime). Koch is the Executive Director of the Middleburg Film Festival, located in Middleburg, Virginia, outside Washington, D.C.

Social Media
facebook.com/MusicGotMeHereMovie
twitter.com/MGMHMovie
#traumaticbraininjury
#musictherapy

Crock of Gold, A Few Rounds with Shane MacGowan – Director Julien Temple

If future generations look back at what it was truly like to be both human and alive in the late 20th century, they will be hard put to find a more powerful and enlightening testament than the songs of Shane McGowan. In a world where music has become increasingly sanitized and unable to venture beneath the surface clichés of human emotion, Shane’s songs stand out in ever greater relief. A cinematic exploration of Shane MacGowan’s story, Julien Temple’s film CROCK OF GOLD details Shane’s explosive existence, from his salad days, growing up in Ireland, to time spent on the mean streets of London and embracing the punk scene. To forming the Pogues and the conquering the known universe, we discover MacGowan’s passions, his humor and deep knowledge of music, history, spirituality & popular culture. For this is Shane’s story. A vision of the world through the eyes of the great punk poet himself and an intimate cast of close friends and family members, all channeled through  director Julien Temple’s inimitable and eternally vibrant lens. Director Julien Temple joins us for an enlightening conversation on MacGowan’s unusual childhood living on a farm without electricity, his collaboration with Johnny Depp and his respect and admiration for an artist that has stay faithful to his love of music and his country, no matter the cost.

 

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For news, screenings and updates go to: crockofgoldfilm.com

Director’s Statement – In a world where music has become increasingly sanitized and unable to venture beneath the surface clichés of human emotion, none has bared their soul like Shane McGowan. His unique ability to plumb the dark recesses of the human soul, while in the very same breath celebrating its capacity to find healing transcendence, in both love and the sublime mysteries of existence, goes a long way to making sense of who we actually are. His work is raw, unflinching and unashamed, reflecting all the many places Shane inhabits – the invisible world, hedonism, alcoholism, God, redemption and romance, in all their respective grit and glory. And so, here, via the inventions of the Pogues and the Popes, via the hits, the flops, the fallouts of fame. Via the triumphs and the disasters. Via the love, the hate. Via the bodily abuse and miraculous survival against the odds. And above all else, via the songs… Shane’s incomparable songs, we join Shane, in this film, in his never-ending search for that elusive ‘Crock of Gold’… – Julien Temple

About the filmmaker – Julien Temple became established as one of the early pioneers of music videos, directing such diverse talents as; Rolling Stones, Sex Pistols, David Bowie, Kinks, Neil Young, Tom Petty, Janet Jackson, Jimi Hendrix, Pete Doherty and many more. He has directed feature films including the musicals ‘Absolute Beginners’ and ‘Earth Girls Are Easy’. Other directing credits ‘Pandaemonium’, selected as the Gala film at the Toronto Film Festival 2000 and winner of the Evening Standard best British actor award for Linus Roache. Temple’s feature documentary about the Sex Pistols ‘The Filth & The Fury’ screened in official selection at both the Sundance and Berlin Film Festivals 2001. In 2005 he directed ‘Glastonbury’, a vivid chronicle of the past thirty years of the music festival. ‘The Future Is Unwritten’, a film to celebrate the life of Joe Strummer, premiered at Sundance in 2007. His recent films include ‘Oil City Confidential’ a documentary about the forgotten precursors of punk, Dr. Feelgood, which won the main prize at the 2009 Turin Film Festival, ‘Imaginary Man’ a film about songwriter Ray Davies for BBC One Imagine and ‘Kinkdom Come’ about his brother Day Davies. Temple’s feature documentary ‘Requiem For Detroit’ won a Grierson Award for Best Historical Documentary 2010. He is currently working with producer Jeremy Thomas to develop ‘You Really Got Me – The Kinks’, the story of Ray and Dave Davies, the brilliant love hate sibling creative force behind the legendary band.

Social Media
twitter.com/CrockofGoldFilm
twitter.com/JulienTemple
instagram.com/crockofgoldfilm
instagram.com/magnoliapics
instagram.com/johnnydepp
facebook.com/crockofgoldfilm
#CrockofGoldFilm
@CrockofGoldFilm

 

95% on Rotten Tomatoes

“Crock of Gold” isn’t intended as a lament for an artist derailed by his worst impulses, though. Instead, it’s a celebration of what MacGowan accomplished at his peak, as well as an explanation of the experiences that informed his music. – Noel Murray, Los Angeles Times

“Temple has always used archive material playfully; here, it’s particularly riotous, like a chaotic patchwork quilt tacked together by one of Shane’s drunk aunties. – Wendy Ide, Observer (UK)

“Bold and crass, insightful and fascinating. Director Julien Temple makes clear that this is a complex artist, with a multi-faceted personality, who has changed greatly over the years.” – Deirdre Molumby, entertainment.ie

“The director Julien Temple – who has excellent documentaries on the Sex Pistols, Joe Strummer and other galvanic musicians under his belt – is very good at this sort of thing.” – Glenn Kenny, New York Times

Ronnie’s, Director Oliver Murray

RONNIE’S is a love letter to saxophonist Ronnie Scott and the indispensable night club  he and partner Peter King established in 1959. For more than 60 years music giants have walked through the door of a small basement club in London’s Soho. From the beginning of the burgeoning British modern jazz movement, he and King dreamt of opening a club modeled after the swinging jazz scene of New York’s 52nd Street. From its humble beginnings sixty years ago, Ronnie Scott’s would become the cornerstone of the UK jazz scene and one of the most famous jazz clubs in the world. Ronnie Scott was beloved by many, from the great and famous who frequented his club, to the many hard up musicians who were often helped by his warmth and generous spirit. However, Ronnie was as complex and colourful as the music played on his stage. In private Ronnie battled with depression and when his untimely death occurred in 1996 it left the jazz community bereft of a respected and favorite leader. Funny and moving, Ronnie’s features performances by some of greatest musicians of the 20th Century including…Oscar Peterson, Dizzie Gillespie, Roland Kirk, Cleo Lane and John Danforth, Buddy Rich, Sarah Vaughn, Sonny Rollins, Miles Davis, Jimi Hendrix, Ella Fitzgerald, Mary Lou Williams, Van Morrison and Chet Baker, Nina Simone and Ben Webster.

 

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For news and updates go to: olliemurray.com/portfolio/ronnies

Or go to: orofenafilms.com/Ronnies

About the filmmaker – Oliver Murray was born in Oxford, United Kingdom in 1985. He is a writer and director. He studied Fine Art at The Glasgow School of Art and Film & Animation at The Pratt Institute in New York City. His feature film debut ‘The Quiet One’ was released in 2019. His second feature film ‘Ronnie’s’ is scheduled for release in 2020.

Social Media
facebook.com/oliver.murray.39
#ronniescott

“Such a joyous, visually stunning film – It’s a beautiful piece of work.” – Phil Williams, Times Radio

“An exemplary doc. The founding myths are lively and fascinating. But it’s the study of Ronnie himself, with his depressions and doubts, that provides the depth and soul.” – Jason Solomons

“A subtle portrait of a complicated man, Murray has made an exemplary documentary worthy of its subject.”- Richard Williams, Uncut Magazine, 9/10

“An incredibly important film, It’s beautifully, sensitively and perfectly presented…” – Stephen Fry

“This journey back in time makes for an exhilarating and nostalgic ride.” – The Reviews Hub, 5/5

“It’s a ripping yarn, enlivened by fascinating footage.” – The Wire

“This documentary about the beloved London music venue brings us sterling performers, atmospheric footage, and a sad heart” – The Guardian, 4/5

Herb Alpert Is… Director John Scheinfeld

With his trumpet he turned the Tijuana Brass into gold, earning 15 gold and 14 platinum records; He has won nine Grammys Awards between 1966 and 2014, and received the National Medal of Arts from President Barack Obama in 2012. Herb co-founded the indie label, A & M Records with his business partner, Jerry Moss, which recorded artists as varied as Carole King, Cat Stevens, The Carpenters, Janet Jackson, Peter Frampton, Joe Cocker, Quincy Jones, Sergio Mendes, and The Police. A&M would go on to become one of the most successful independent labels in history. He has shown his striking work as an abstract painter and sculptor, worldwide. And through the Herb Alpert Foundation, he has given significant philanthropic support of educational programs in the arts nationwide, from the Harlem School of the Arts and Los Angeles City College to CalArts and UCLA. John Scheinfeld’s documentary Herb Alpert is… profiles the artist, now 85, mostly from the perspective of colleagues like Questlove, Paul Williams, Sting, and Bill Moyers. In their words, the shy, unassuming trumpeter is a musical, artistic and philanthropic heavyweight. Director John Scheinfeld stops by to talk about many facets of Alpert’s personal and public life that make him the compelling and warm-hearted person he is.

 

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For news, screenings and updates go to: herbalpertis.com

For more on the work and latest news go to: herbalpert.com

About the filmmaker – John Scheinfeld – From pop culture to politics, sports to world religions, Venice and Toronto film festivals to PBS, Emmy®, Grammy® and Writers Guild Award nominee John Scheinfeld is a critically acclaimed documentary filmmaker with a broad range of subjects and productions to his credit. In addition to directing, writing and producing Herb Alpert Is…, Scheinfeld is in post-production on a primetime documentary special about comedy legend Garry Marshall that will air on ABC in the Spring of 2020. Another Scheinfeld feature documentary, Sergio Mendes: In The Key of Joy, had its World Premiere at the Santa Barbara International Film Festival in January 2020 and will be released worldwide on multiple media platforms later in the year. Previously, his feature documentary, Chasing Trane: The John Coltrane Documentary, was an official selection of the Telluride Film Festival and the Toronto International Film Festival before playing on 175 theater screens worldwide during the spring of 2017. In November 2017 it was the season premiere of Independent Lens, the largest showcase for independent documentary film on television. Scheinfeld is best known for two widely acclaimed feature documentaries: The U.S. vs. John Lennon, which tells the true story of the US government’s attempt to silence the beloved musician and iconic advocate for peace and Who Is Harry Nilsson (And Why Is Everybody Talkin’ About Him)?, a compelling yet wildly entertaining documentary about one of the most talented and uncompromising singer-songwriters in pop music history. For more on the work of John Scheinfeld go to: crewneckproductions.com

Social Media
facebook.com/HerbAlpertPresents
twitter.com/HerbAlpert
instagram.com/officialherbalpert
instagram.com/officialherbalpert
facebook.com/JScheinfeld
@HerbAlpert

 

“The story of Herb Alpert is a lot more than a snappy greatest hits collection; it’s a deep dive into the agonies and ecstasies that drive profoundly creative people.” – Bill Newcott, The Saturday Evening Post

“This movie will likely go down as the definitive documentary about Alpert and, as such, it’s not a bad way to be remembered.” – James Berardinelli, ReelViews

“This documentary is a joyous celebration of Herb Alpert’s life and career as it examines his roots not only as a musician but as a painter, sculptor, businessman and philanthropist.” – Charles Koplinski, Reel Talk with Chuck and Pam

“You’ll probably come away from Herb Alpert Is… not only admiring the man but wishing you were him.” – Frank Scheck, Hollywood Reporter

Get Duked!, Director Ninian Doff

GET DUKED! follows teenage pals from Glasgow Dean, Duncan and DJ Beatroot as they embark on the character-building camping trip — based on a real-life program — known as the Duke of Edinburgh’s Award, where foraging, teamwork and orienteering are the order of the day. Eager to cut loose and smoke weed in the Scottish Highlands, the trio find themselves paired with strait-laced Ian, a fellow camper determined to play by the rules. After veering off-path into remote farmland that’s worlds away from their urban comfort zone, the boys find themselves hunted down by a shadowy force hell-bent on extinguishing their futures. From writer-director Ninian Doff — making his feature debut after a slew of award-winning music videos and short films for artists including Run the Jewels, The Chemical Brothers, Miike Snow, Migos, and Mykki Blanco — comes an anarchic satire of generational politics, hip-hop-loving farmers and hallucinogenic rabbit droppings that pits the youth of tomorrow against the status quo of yesterday. GET DUKED! stars Eddie Izzard, Kate Dickie, Georgie Glen, James Cosmo and a breakout young cast featuring Samuel Bottomley, Viraj Juneja, Rian Gordon, and Lewis Gribben. Creator and director Ninian Doff joins us for a raucous conversation on the brilliance of Eddie Izzard, getting a chance to bring his music video chops to a feature film and why the Brits are so attuned to the power of satire.

 

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Watch Get Duked! at amazon.com/Get-Duked!

About the filmmaker: Ninian Doff is a robot built by the military as an advanced ruthless killing machine. Unfortunately when they booted him up he showed no interest in murder and to their dismay started making films instead. He is considered the greatest military failure in history. Nominated for 9 British Arrows 2020 (Sainsburys and Veg Power), Grammy 2020 Best Music Video Nominated (Chem Brothers), Campaign’s Top 10 Directors 2019, Winner Shots Awards “Television Commercial of the Year – Up to and including 60 second” (Veg Power), BIFA Best Debut Director Nominated (Boyz In the Wood/ Get Duked!), Winner Just Film Grand Prix Talin Black Night Festival (Boyz In the Wood/ Get Duked!), Winner The Siren Award for Best Feature Film 2019 Lund Fantastik Film Festival (Boyz In the Wood/ Get Duked!), Winner Music video of the year Ars Independent Festival (Chemical Brothers), Nominated Best Dance Video UKMVA 2019 (Chemical Brothers), Winner SXSW Audience Award Midnighters (Boyz In The Wood), Winner of Best Director at UKMVA 2016. Winner Best Urban Video, Best Pop Video UKMVA 2016. D&AD Director Pencil 2016. Gold in FilmCraft at Europebest 2015. UKMVA 2015 Best Director Nominee. UKMVA 2104 “Best Director” Nominee. Winner UKMVA 2014 “Best Choreography”. Winner of UKMVA 2013 “Best Indie Video”. Jury and Audience award at ‘Depict13 at Brief Encounters Film Festival 2013. Nominee at UKMVA’s in last 3 years running including “Best New Director”. Selected for Saatchi and Saatchi’s New Director’s Showcase at Cannes 2012 and One Dot Zero’s “New British Talent 11”. Work has been screened at over A BILLION festivals around the world including SXSW, LA Film Festival, London Short Film Festival, Las Vegas Film Festival, Montreal Museum of Modern Art, The V&A London. For more on the filmmaker fo to: niniandoff.com

Social media
twitter.com/NinianDoff
instagram.com/niniandoff
@NinianDoff
@procrastibot

“Fabulously funny and subversive.” – Anne Brodie, What She Said

“Serves as a distinctive calling card for a gifted yet twisted comedian, one without the slightest qualms about turning a bucolic countryside jaunt into a bloody “The Hills Have Eyes”-style hunting party.” – Peter Debruge, Variety

“A rambunctious film shot through with daft humour and an endearing, toxic masculinity-smashing sweet streak.” – Jamie Dunn, The Skinny

“An anarchic, pitch black, generation gap horror comedy that’s also one of the funniest films in a year where we are desperately in need of a laugh.” – James Croot, Stuff.co.nz

Nena Erb, Editor, Emmy®-nominated (HBO’s Insecure)

Nena Erb, an ACE and Emmy®-winning editor, for her work can be seen on HBO’s Emmy®  nominated and Peabody award-winning series  INSECURE, episode Lowkey Trying directed by Kerry Washington. As both an Asian American and person of color, she is committed to advancing the stories of others. She is thrilled to be a continuing part of the team showing the reality of life for modern women of color in America.  Her work can also be seen on Apple TV’s groundbreaking Little America series. As an immigrant herself, she’s excited to help shape standout episodes for this series this season including The Son, tackling a gay man’s struggle for safety and love as he attempts a harrowing immigration to the United States and The Silence, which charts love among immigrants in a situation where sound/speaking is forbidden. Emmy nominated editor Nena Erb joins us to talk about the career decision that brought her to the editing suite and why mentoring others is her way of helping others “get into the room” where they can have a positive impact on the stories being told.

 

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For the latest on the work of Nena Erb go to: nenaerb.com

To find out more go to: hbo.com/insecure

About the filmmaker: Nena Erb, a gifted ACE and Emmy®-winning editor born in Taipei, Taiwan and based in Los Angeles. Her family immigrated to the US in the late 70’s to live in a democracy and have the right to vote. Raised in an Asian American immigrant family, Nena’s father wanted her to be a doctor and her mother wanted her to be a pianist with the LA Philharmonic.  Nena wanted to be Andy Warhol. After graduating with an art degree, a friend brought her into the entertainment industry and she started working in various capacities in production. It was her stint as an associate producer that gave her the opportunity to work closely with editors. This proved to be a defining moment for her interest in post-production. Since then, Nena has been the editor on productions for HBO, Universal, CBS, Apple, and others.  She is experienced in multiple genres from drama series to feature films, documentaries and comedy.  In 2016, she received an Emmy® award for her work on HBO’s documentary series Project Greenlight.In addition, she has received two ACE Eddie nominations for her work, one for HBO’s Peabody award-winning series INSECURE and the other for CW’s acclaimed seriesCrazy Ex-Girlfriend. Currently, she is editing Little America, an anthology series on America’s immigrants, produced by Kumail Najiani, Emily V. Gordon, Alan Yang, and Lee Eisenberg

The rePRO Film Festival and mama.film Co-founders Lela Meadow-Conner, Mallory Martin and Debby Samples

The rePRO Film Festival begins its inaugural run this August 12-16. The virtual film festival is dedicated to exploring women’s reproductive healthcare, awareness, advocacy and bodily integrity in America. The lineup of films includes documentaries and narratives dealing with women’s rights, endometriosis, illegal sterilization, access to abortion, and reproductive justice for women of color, among other topics. rePRO Film Festival, will host five days of features, short films and themed-conversations focused on a range of topics including healthcare access, fertility, pregnancy, sexual education, abortion, and issues related to the gender spectrum. In-festival moderated conversations will include call-to-action messaging on how people can get involved in a corresponding initiative or topic. The conversations, designed to spotlight the creators who dare to tell stories about women’s reproductive rights, and to showcase courageous advocators, will be available online for free globally. All feature films playing the rePRO Film Festival are directed by women, and all filmmakers, including shorts filmmakers, are being paid to screen their films. The pay-what-you-can film ticket proceeds for films at the festival will be converted to donations to be split evenly among five beneficiary non-profit organizations – SisterSong, Endometriosis Foundation of America, Center for Reproductive Rights, URGE and Trust Women. Tickets are on sale online at repromamafilm.org. Tickets are all pay-what-you-can ($5, $10 or $15) with a limited number of complimentary vouchers available upon request to ensure access for all. rePro Film Festival and festival sponsor mama.film founders Lela Meadow-Conner, Mallory Martin and Debby Samples join us to talk about the launch of their deep dive into the issues, challenges and stories that face 49% of the world’s population and the people who love them.

 

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For news, screenings and updates go to: repromamafilm.org

About MAMA.FILM – Through the power of cinema, mama.film (link), a 501c(3) non-profit organization, unites nurturers of all kinds to ignite conversation and to reflect upon our shared human experience. Founded in 2019, in a pop-up microcinema in a shipping container in Wichita, Kansas, mama.film has since been awarded expanded programming to Cleveland, and to a virtual platform. Film selections include stories and topics that amplify and explore the evolving realities of the human condition and that spark dialogue and reflection. mamafilm is committed to representing the realities and complexities of a diverse range of nurturers, across race, class, geography, sexual preference, ability and generation.An emphasis is placed on independent and foreign films that are grounded in authentic storytelling. mamafilm is committed to supporting the work of creators who are  nurturers and caregivers. Initial support for rePRO by mama.film was generously provided by a grant from the George R. Tiller, M.D., Memorial Fund for the Advancement of Women’s Health at the Wichita Community Foundation. Follow @mamafilm1 on Instagram or Twitter for updates, or follow rePRO by mama.film on Facebook for more updates.

Social Media
facebook.com/mamafilm1
twitter.com/MamaFilm1
instagram.com/mamafilm1

Dirty John: The Betty Broderick Story, Co-Executive Producer and Director Maggie Kiley

Maggie Kiley is the Executive Producer and one of the series directors for the second season of USA Network’s high profile series, DIRTY JOHN: THE BETTY BRODERICK STORY. This season is special for the fact that all eight episodes were directed by women. Kiley directed four out of the eight episodes, including the season premiere and finale. DIRTY JOHN: THE BETTY BRODERICK STORY follows the tumultuous relationship of Betty and Dan Broderick, played by Amanda Peet and Christian Slater, as their marriage turns into what was called one of “America’s messiest divorces” even before it ended in double homicide. DIRTY JOHN: THE BETTY BRODERICK STORY follows a high society woman, mother of four, driven to the edge by her husband’s lies, manipulation, and psychological abuse, that slowly escalates as his extra-marital affair is revealed, a bitter divorce ensues, and blood is shed. This is a warts-and-all depiction of the extremes of erratic behavior provoked under pressure. The creative juggernaut known as Maggie Kiley takes time out of her very busy life to talk with us about her love for storytelling, mentoring other artists and working with her beloved actors.

 

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For news and updates go to: maggiekiley.com

About the filmmaker: Award-winning filmmaker Maggie Kiley, is an alumnae of AFI’s Directing Workshop for Women, both a Fox and Film Independent Directing Fellow. She was recently as the first director chosen for Ryan Murphy’s Half Initiative, which has led to gigs helming episodes of American Horror Story: CultScream Queens, and 9-1-1. Her credits reflect her diversity, since she has made contributions to CW’s Katy Keene, Riverdale, Marvel’s The Gifted, Netflix’s What/If and Syfy’s George R. R. Martin’s  Nighflyers, to name just a few. Kiley recently signed a major  exclusive, multi-year overall deal at Warner Bros TV. Under the pact, she will render director and executive producer services for the studio, in addition to developing new TV projects for broadcast, cable and streaming services. She was the first woman in 30 years to have a TV deal at WBTV like this. Maggie Kiley began her career as an actor with the Atlantic Theatre Company in New York City before making the transition from acting to directing with her award winning short film, Some Boys Don’t Leave. The film stars Jesse Eisenberg and Eloise Mumford and played over 50 festivals, garnering top honors at Tribeca and Palm Springs. Kiley received the Panavision New Filmmaker Grant for her debut feature, Brightest Star which starred Chris Lowell and Allison Janney. Her second feature, Dial a Prayer, released in 2015 starred Brittany Snow and William H. Macy. Her third feature was a thriller with Anna Camp, titled Caught marking the last of three features films in three years.

Social Media
twitter.com/kileygal
instagram.com/maggiekiley.director

You Don’t Nomi, Director Jeffrey McHale

In YOU DON’T NOMI, a chorus of film critics and fervent devotees explore the complicated afterlife of 1995’s biggest film flop, Paul Verhoeven’s salacious SHOWGIRLS from disastrous release to cult adoration and extraordinary redemption 25 years later. Showgirls was met by critics and audiences with near universal derision. YOU DON’T NOMI traces the film’s redemptive journey from notorious flop to cult classic, and maybe even masterpiece.The film features Adam Nayman (Vice Guide to Film), April Kidwell (I, Nomi) and Peaches Christ (Milk) as well as archive interview footage with the cast and crew of Showgirls. While SHOWGIRLS is the main subject of YOU DON’T NOMI, the documentary is also a retrospective of Verhoeven’s directing career from RoboCop, Total Recall, Basic Instinct, Starship Troopers and Elle, among others. It explores the themes that unite his films, while showcasing Verhoeven as a genius and as a controversial figure all at the same time. Director Jeffrey McHale joins us to talk about his own Showgirls odyssey and how he came to document the subculture that celebrates a film that cinephiles often vilify and embrace at the same time.

 

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For news, screenings and updates goto: youdontnomifilm.com

Available Tuesday, June 9 on Amazon Prime Video, iTunes, Google Play & Fandango NOW

About the filmmaker Jeffrey McHale, Director / Producer / Editor, is a documentary filmmaker based in Los Angeles. His feature film debut, YOU DON’T NOMI, is the zenith of what he calls his “Showgirls adventure.” While McHale’s inspiration for You Don’t Nomi originated with the unexpected viral success of his 2010 trailer mashup of Paul Verhoeven’s  Showgirls and Darren Aronofsky’s Black SwanNomi also synthesizes recurring themes in McHale’s work, including the examination of queer subcultures and the exploration of how identities are articulated. As a television editor, McHale’s work includes acclaimed technology and science news series TechKnow for Al Jazeera English and most recently the groundbreaking World Cup docuseries Phenoms for Fox. Earlier projects, including documentary shorts and music videos, have screened at NewFest, Frameline, Austin Gay & Lesbian International Film Festival, and the Melbourne Queer Film Festival. A native of Michigan, McHale began his career at WGN America after studying film at Columbia College Chicago.

Social Media
twitter.com/youdontnomifilm
instagram.com/youdontnomifilm

89% on Rotten Tomatoes

“You Don’t Nomi makes a compelling case that the much-maligned pop-culture landmark can be judged as either tawdry rubbish or subversive comic triumph.” – David Rooney, Hollywood Reporter

“This is the most thoughtful deconstruction of a film imaginable, as well as an ideal festival choice for those who used to buy DVDs just for the commentaries.” – Kent Turner, Film-Forward.com

“While far from a straightforward documentary about a widely marginalized film, You Don’t Nomi reminds us that it’s okay to like things with rough edges, that streamlined perfection is overrated…” – Chuck Foster, Film Threat

“Nomi leaves it up to audiences to decide if Showgirls is trash, a masterpiece, or a “masterpiece of trash,” but one thing is certain: no matter how good or how bad one considers the film’s objective quality, one can enjoy Showgirls all the same.” – Pat Mullen, POV Magazine

Kate Nash: Underestimate the Girl, Director Amy Goldstein

Amy Goldstein’s wildly entertaining documentary, KATE NASH: UNDERESTIMATE THE GIRL, chronicles the meteoric rise and years-long struggle of musician / artist Kate Nash to re-establish a thriving career on her own terms. At 18, Nash reached the stratosphere of pop music, vaulting from a working-class family in North London into worldwide tours, a platinum record, and a season dominating the music charts. Fast forward to ten years later: Kate is breaking down, nearly homeless. Defrauded by her manager, she is forced to take odd jobs–like hosting a QVC show in a comic bookstore–and must sell off her clothes. After hitting bottom, she rises out of the darkness by crowd-funding her third album, using the uplifting power of online culture and her own authentic voice. From pop wonder, to riot grrrl, to TV wrestling queen, Kate’s journey is an inspiring call to the creative heart in all of us: be fearless. Blending performance footage with verité style sequences, KATE NASH: UNDERESTIMATE THE GIRLis both a no-punches-pulled look at an artist in flux who manages to come out on top, and at an industry that proves its own gender bias at every opportunity. The film is structured around songs and lyrics, as they are written and performed by Kate Nash, to tell its unfolding story. Director Amy Goldstein joins us to talk about Kate Nash, her work ethic, determination, sense of humor and how that has served her over the many years of struggle.

 

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For news and updates go to: thehoopinglife.com/kate-nash-underestimate-the-girl

KATE NASH: UNDERESTIMATE THE GIRL will be released nationally on Friday May 22 via the groundbreaking virtual cinema platform ALAMO ON DEMAND. Following the Saturday, May 23 6:00 PST / 9:00 EST there will be an interactive performance and Q&A with Kate Nash.The exclusive release will then hit a limited traditional theatrical rollout in August. Watch tonight: On Demand.drafthouse.com/film/kate-nash-underestimate-the-girl

 

About the filmmaker: Amy Goldstein, Director/Producer/Cinematographer Amy Goldstein graduated from Hampshire College with a BA in semiotics and from NYU Film School. She was a Louis B. Mayer fellow at NYU film school. Her short, “Commercial for Murder” (1990), screened at the Berlin Film Festival and was distributed theatrically in a collection of shorts. Her thesis film, Because the Dawn, was presented as the American Independents at the Toronto Film Festival with Todd Haynes‘ Superstar: The Karen Carpenter Story. After school, Amy directed music videos for artists from around the world, including Rod Stewart‘s “Downtown Train”. She directed the feature film The Silencer, which she co-wrote with Scott Kraft, and they went on to develop pilots for HBO, CBS, Fox, Showtime, and MTV, and the hip-hop musical Check Under the Hood for Jersey Films/Polygram. She directed the award-winning feature film East of A, an edgy comedy about an alternative family facing the challenges of raising a child with HIV. Amy directed “The Hooping Life” (1999), a chronicle of a worldwide subculture of “hoopers” who transcend their personal toil and the world’s fears through hula-hooping. Her most recent project is the documentary about the career of pop star Kate Nash, Kate Nash: Underestimate the Girl. Amy Goldstein and Anouchka van Riel, Producer head up Span Productions

Social Media
facebook.com/katenashfilm
instagram/katenashfilm
facebook.com/TheHoopingLife
twitter.com/katenashfilm
twitter.com/katenash

 

“What emerges is a comprehensive, thoroughly engaging portrait of a woman who has made it on her own terms and is back for more.” – Christopher Llewellyn Reed, Hammer to Nail

“If you want a reminder that misogyny is alive and well, this is the documentary for you. It actually ends on a bright note, but the road there is brutal” – Lindsay Pugh, Woman in Revolt

“While not quite as saddening as the recent Avicii documentary, Kate Nash: Underestimate the Girl is another indictment of the music business and its tendency to chew up young talent.” – Suzi Feay, Financial Times

Walk Run Cha Cha, Director Laura Nix

WALK RUN CHA-CHA has been nominated for Documentary Short Subject at the 92nd Academy Awards®. Directed by Laura Nix, the film follows Paul and Millie Cao, who lost their youth to the aftermath of the Vietnam War. Forty years later, they have become successful professionals in Southern California-and are rediscovering themselves on the dance floor. WALK RUN CHA CHA is now streaming on New York Times Op-Docs.

About the Filmmaker: Director Laura Nix Laura Nix is an award-winning fiction and nonfiction filmmaker based in Los Angeles. WALK RUN CHA-CHA is adapted from a feature-length documentary in progress. It was produced by Concordia Studio for The New York Times Op-Docs and premiered at the 2019 Tribeca Film Festival. Laura’s work also includes  other work includes her feature documentary INVENTING TOMORROW, about teenagers from around the globe tackling environmental issues through science,  THE YES MEN ARE REVOLTING, a comedy about activism and climate change, the documentary THE LIGHT IN HER EYES, about a Syrian Qur’an school for women and she was a writer on the Emmy-nominated documentary CALIFORNIA STATE OF MIND: THE LEGACY OF PAT BROWN. In 2001, Nix co-founded the production company Automat Pictures, where she produced and/or directed over 100 presentations, including the feature documentary WHETHER YOU LIKE IT OR NOT: THE STORY OF HEDWIG, which played in over a dozen film festivals in the U.S. and worldwide. Previously she was a member of Oscar-winning filmmakers Rob Epstein and Jeffrey Friedman’s production company Telling Pictures, where she was Associate Producer on THE CELLULOID CLOSET.

 

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For news and updates go to: feltfilms.com

Walk Run Cha Cha is now available at nytimes.com/Op-Docs

 

*** 2020 Oscar nomination for Best Documentary (Short) *** 

 

Official Selection – Tribeca Film Festival 2019

Winner – Grand Jury Trống Đồng Award for Best Short – Viet Film Fest 2019

Official Selection – SFFILM Doc Stories 2019

 

Social Media

twitter.com/feltfilms

https://twitter.com/WalkRunChaCha

@feltfilms

 

“Laura Nix’s WALK RUN CHA-CHA is a moving, poignant portrait of two aging refugees who have endured a great deal, and who now face one of life’s biggest challenges: figuring out how to stay in love. Through them, Nix also evokes the textures, tastes, and sounds of Vietnamese refugee life, and mixes them in with everything that is good about the United States. Ultimately, WALK RUN CHA-CHA is an optimistic film about both love and hope—the hope that our country will continue to believe in welcoming strangers from other lands, who in the end are not that strange at all.” – Viet Thanh Nguyen, Pulitzer Prize-winning author of The Sympathizer

 

Slamdance Film Festival, Co-founder and President Peter Baxter

It all began when a group of cheerful, subversive filmmakers weren’t accepted into the Sundance Film Festival. Unwilling to take “no” for an answer, they instead started their own event – Slamdance: Anarchy in Utah. 26 years later, Slamdance has become a year-round organization fostering the development of unique and innovative filmmakers. The organization now consists of the Film Festival, Screenplay Competition and Slamdance Studios. It has also created Slamdance On The Road, a traveling theatrical showcase that brings popular Slamdance films to audiences that otherwise would not have the opportunity to see them. Dan Mirvish, Jon Fitzgerald, Shane Kuhn and Peter Baxter are the founding forefathers who, along with co-conspirator Paul Rachman, fought for truly independent filmmakers by giving them a voice in 1995 at the very first Slamdance Film Festival. Since then, the festival takes place every January in the breathtakingly stunning, snow-capped mountains of Park City, Utah at the exact same time as the Sundance Film Festival, to provide a more authentic representation of independent filmmaking. Up-and-coming writers, directors and producers, alongside seasoned veterans and film lovers, converge for the weeklong celebration of independent cinema, realizing that Slamdance is a great place to find those next, great, visionary films. Slamdance lives and bleeds by its mantra By Filmmakers For Filmmakers. No other film festival in the world is entirely run and organized by the creative force that can only be found in filmmakers. Slamdance adamantly supports self-governance amongst independents, and exists to deliver what filmmakers go to festivals for – a chance to show their work and a platform to launch their careers. The festival has earned a solid reputation for premiering films by first-time writers and directors working within the creative confines of limited budgets. Co-founder and President Peter Baxter joins us to talk about this year’s Slamdance, the groundbreaking films and the innovative new distribution and digital initiatives being launched by Slamdance.

 

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For news and updates go to: slamdance.com
Check out the film schedule at slamdance 2020 schedule

 

Slamdance Film Festival – January 24-30 at the Treasure Mountain Hotel in Park City, Utah

 

Social Media:
facebook.com/SlamdanceFilmFestival
twitter.com/Slamdance
instagram.com/slamogram

 

Knives and Skin, Director Jennifer Reeder

What happened to Carolyn Harper? Part suburban nightmare, part neon-soaked teenage fever dream, this tantalizing mystery traces the wave of fear and distrust that spreads across a small Midwestern town in the wake of a high school girl’s mysterious disappearance. As the loneliness and darkness lurking beneath the veneer of everyday life gradually comes to light, a collective awakening seems to overcome the town’s teenage girls—gathering in force until it can no longer be contained. Unfolding in a hallucinatory haze of lushly surreal images, Knives and Skin is a one-of-a-kind coming-of-age noir that haunts like a half-remembered dream. Director / writer Jennifer Reeder joins us for a lively conversation on her heady melange of a film that bends multiple genres to its razor sharp will.

Director’s Statement: I tell stories about unruly women and the landscapes they transform. This is a story by a woman that proposes girlhood as a place of transcendence and transgression. I am committed to this voice and to producing unexpected narratives. I write scripts from actual experience and observation and my films are specific in mood and perspective. I am influenced by Ohio, where I grew up—all that sky and flatness. And even more so by the Midwestern people and their kind of everyday destructiveness and determination to cope. This awkward emotionality is evident in my films as scenes unfold like sticky flypaper and characters make one small mistake after another. – Jennifer Reeder

 

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For news and updates go to: chicagofilmproject.com/knives-and-skin

Social Media

facebook.com/knivesandskin

twitter.com/knivesandskin

“It may be the most anarchic and refreshing take on the American teen’s existential malaise since Heathers.” – Demetrios Matheou, Screen International

“An effervescent suburban noir rich with tragedy, rough around the edges, but sharp like the dagger when it counts.” – Matt Donato, Dread Central

“The film’s approach to narrative structure is both messy and strangely confident and alluring, poising Knives and Skin as a bold and complicated cross-genre anomaly, much like the women Reeder lovingly depicts.” – Chloe Leeson, Screen Queens

“At times fraught with anxiety, haunting in quiet horror, blackly comedic, and aching with with sorrow and love, Knives and Skin is many things and also defies easy categorization, as it puts forth a perspective that is multiple and complicated.” – Shelagh Rowan-Legg, ScreenAnarchy

Jim Allison: Breakthrough, Director Bill Haney

JIM ALLISON: BREAKTHROUGH is the astounding, true story of one warm- hearted, stubborn man’s visionary quest to find a cure for cancer. The film traces Allison’s remarkable life from his school-boy days in Friday Night Lights, Creationist Texas all the way to Stockholm where, in December of 2018, he accepted the Nobel Prize in Medicine. Director Bill Haney is an award-winning documentarian, serial inventor and entrepreneur, who has founded more than a dozen companies, two of which develop drugs to cure cancer and neurological diseases. Meeting Allison in the labs of MD Anderson, Haney was immediately captivated by Jim’s empathy and pathos as much by his scientific accomplishments. Today, Jim Allison is a name to be reckoned with throughout the scientific world — a 2018 Nobel Prize winner for discovering the immune system’s role in defeating cancer but for decades he waged a lonely struggle against the skepticism of the medical establishment and the resistance of Big Pharma. Using intimate interviews with Allison and a set of scientific leaders, paired with the use of graphics and archival material, JIM ALLISON: BREAKTHROUGH takes us into the inspiring and dramatic world of cutting-edge medicine, and into the heart of a true American pioneer, in a film that is both emotionally compelling and deeply entertaining. Director Bill Haney (The Price of Sugar, The Last Mountain, A Life Among the Whales) stops by to talk about this highly entertaining, informative story about an innovator, free-thinker, honky-tonk musician and a true iconoclast.

 

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For news and updates go to: breakthroughdoc.com

For Jim Allison: Breakthrough screenings go to: breakthroughdoc.com/screenings

Jim Allson: Breakthrough opens in LA on Friday 9/27 at the Laemmle Monica Film Center

Social Media:

facebook.com/CancerCureDoc

twitter.com/CancerCureDoc

instagram.com/CancerCureDoc

“Breakthrough remains loyal to its academic source material in a way that’s clear enough for any viewer to follow… [and] Haney seems to have made all the right filmmaking choices, from balancing the science and sentimental to picking his subject at the perfect time…” ~ Nathan Mattise, Ars Technica

“In a time when cynicism and skeptics run rampant, Breakthrough looks to offer a moment of comfort and hope via the story of Jim Allison.” ~ Dino-Ray Ramos, Deadline Hollywood

“In a field you’d never think of as having rock stars, Allison is a rock star of immunology. The filmmaker, Bill Haney, is a rock star among documentarians for bringing us this wonderful, hopeful film about a man and a Breakthrough achievement.” ~ Bradley Gibson, Film Threat

“Breakthrough demonstrates that the treatment is not a miracle, but the result of some wild but meticulous thinking by a true medical hero.” ~ Caryn James, The Hollywood Reporter

“Breakthrough is an engaging and entertaining film because Allison is a fascinating subject. He’s blunt and honest and colorful.” ~ Sophie Novack, Texas Observer

Don’t Be Nice, Producer Nikhil Melnechuk

The high-energy documentary DON’T BE NICE, chronicles the upstart Bowery Slam Poetry Team, made up of five African-American, Afro-Hispanic and queer poets in their 20s, preparing for the national championships. Coach Lauren Whitehead pushes them past personal boundaries to write from a painfully honest place with the credo “Don’t Be Nice.” She explains that to “be nice” is to stay on the surface of things, is to perpetuate the status quo, and is, for black people, to be what White culture demands. Her team of poets breaks down, breaks through, and ultimately writes their masterpiece—a celebration of black joy. Timely and difficult, their spoken word slays—but will their soul-searching pieces about police violence and the whitewashing of Black culture be able to compete against choreographed crowd-pleasers for the national title? Will opting to make a statement instead of a show spell their defeat?  An emotional and inspiring film that gives insightful commentary on race, gender, identity and sexual politics in America today, DON’T BE NICE is both an exciting competition film and a deep dive into the wildly-popular Slam Poetry subculture, that proves once and for all that winning hearts and minds is the ultimate prize. Producer Nikhil Melnechuk joins us to talk about the phenomenally talented group of poets / writers / advocates that make up the Bowery Team and these from the heart, high-wire performances chronicled in this emotionally charged documentary.

 

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For news, screening and updates go to: dontbenicemovie.com

Social Media:

facebook.com/dontbenicemovie

twitter.com/dontbenicemovie

instagram.com/dontbenicemovie

“[T]he poets slam truth to power and demand audiences to wake up…this film will take you to places you never expected.” – Pat Mullen, POV Magazine

“[F]ull of ideas, riffs on current events and so much tension you’ll occasionally be holding your breath.” – Norman Wilner, NOW Toronto, ***** Top Ten Film of the Year

“Captures the revitalization of the artist in a world filled with doom, which makes it remarkably resonant.” – Candice Frederick, The Wrap

“Don’t Be Nice is as entertaining as it is revelatory, an important film for the times.” – Sean Boelman, Popaxiom

“This is Shakespeare on steroids, a poetic banquet of color, action, rhythm and sound that transcends expectations.” – Bev Questad, It’s Just Movies

Moonlight Sonata: Deafness in Three Movements, Director Irene Taylor Brodsky

Director Irene Taylor Brodsky once again turns the camera on her deaf parents and, now, her 11-year-old deaf son Jonas, who has cochlear implants and is discovering a profound world of hearing—and music in this deeply personal story, Moonlight Sonata: Deafness in Three Movements.  As Jonas learns the first movement of Beethoven’s iconic sonata on the piano, his grandparents, deaf for nearly 80 years, watch with deepening awe what time and technology have bestowed their grandson. But when Jonas struggles with the sound of his mistakes, Beethoven’s own musical journey comes to life in an animated world of watercolor and haunting soundscapes.  As the great composer loses the sense that brought him so much music and fame, Jonas’s grandfather Paul loses his grasp on his mind. Their lives weave a sonata over three centuries, about all we can discover once we push beyond what has been lost. Director Irene Taylor Brodsky joins us to talks about this very personal and deeply affecting tale of three threads that run through her family and the most celebrated deaf musician of all time, Ludwig von Beethoven. Director / Producer / Editor /Cinematographer talks about the personal and professional challenges of focusing on members of her family and how the power of music has resonated brought hope and healing.

DIRECTOR’S STATEMENT: I can hear, but deafness consumes me. I am a daughter of deafness and, now, a mother too. After I discovered my son, Jonas, was going deaf as a toddler, my sound designer told me we could reproduce his gradual disconnect from hearing. As a filmmaker, that enthralled me. As a mother, it frightened me. I’ve been down this road before. My first feature documentary, Hear and Now, about my deaf parents’ problematic journey into the world of sound, showed me how much film can be a catalyst for empathy. So when my son told me he wanted to learn the Moonlight Sonata, composed by Beethoven as he went deaf, I was cautious but resolute, and began filming. Then, my father developed dementia, and soon their three storylines revealed an eerie parallel. Paul’s loss of mind was a clue to what Beethoven might have felt losing something so precious to him. As Jonas learned to play the sonata, I read Beethoven’s letters and listened to his canon over and over again. I felt assured that my son could find his own true expression, shaped by deafness, just like Beethoven did. In Moonlight Sonata: Deafness in Three Movements we portray sound and memory through animation, and we use vast archives of home movies, vérité footage, immersive soundscape and original score to craft a rich mosaic of what it means to find vital expression in the midst of loss.   Director Irene Taylor Brodsky

 

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For news, screening and updates go to: moonlightsonatadoc.com

Social Media:

facebook.com/moonlightsonatadoc

twitter.com/VermilionFilms

instagram.com/moonlightsonatadoc

“A powerful film about parents and children, though told with enough restraint that its more affecting moments might sneak up on you.” – Matt Zoller Seitz, RogerEbert.com

“It is a very moving film by veteran documentarian Irene Taylor Brodsky about deafness, music, raising children and your parents getting old.” – John Anderson, Wall Street Journal

“The film is refreshing in its willingness to countenance multiple viewpoints and look at what’s right for individuals rather than taking sides in one of the more heated debates within the Deaf community.” – Jennie Kermode, Eye for Film

“Like Beethoven’s sonata, it’s beautiful chords resonate long afterwards.” – Christopher Llewellyn Reed, Film Festival Today

Miles Davis: Birth of the Cool, Director Stanley Nelson

Acclaimed filmmaker and recipient of the MacArthur Program Fellow Fellowship  Stanley Nelson takes us on a journey through the life of a musical giant in his latest documentary film MILES DAVIS: BIRTH OF THE COOL. Miles Davis was many things including a horn player, bandleader, innovator. He was elegant, intellectual, vain, callous, conflicted, controversial, and mercurial. Miles Davis was also embodiment of cool. The man with a sound so beautiful it could break your heart. The central theme of Miles Davis’s life was his restless determination to break boundaries and live life on his own terms. It made him a star. For the people who loved him most, it also made him incredibly difficult to live with. Again and again, in music and in life, Miles broke with convention—and when he thought his work came to represent a new convention, he changed it again. Miles’s bold disregard for tradition, his clarity of vision, his relentless drive, and constant thirst for new experiences made him an inspiring collaborator to fellow musicians and a cultural icon to generations of listeners. It made him an innovator in music—from bebop to “cool jazz,” modern quintets, orchestral music, jazz fusion, rock ’n’ roll, and even hip-hop. Featuring never-before-seen archival footage, studio outtakes, and rare photos, MILES DAVIS: BIRTH OF THE COOL tells the story of a truly singular talent and unpacks the man behind the horn. Director and producer Stanley Nelson joins us to talk about the life and times of a music genius and the uncompromising life he led.

 

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For news, screenings and updates go to: milesdavismovie.com

Miles Davis: Birth of the Cool –  Landmark Theatre on Pico Blvd with a Q&A featuring Director Stanley Nelson, Friday 8/30 and Saturday 8/31 – 7:10 PM screening and Sunday 9/1 – 4:10 PM screening

Social Media:

facebook.com/MilesDavisMovie

twitter.com/milesdavisfilm

instagram.com/milesdavismovie

Stanley Nelson:

twitter.com/StanleyNelson1

twitter.com/firelightmedia

twitter.com/panthersdoc

twitter.com/slavetradefilm

twitter.com/hbcurising

92% on Rotten Tomatoes

“You’ll want to listen to Miles’ music after watching the film and, when you do, you might feel it a little deeper.” – Glenn Whipp, Los Angeles Times

“Miles Davis – The Birth of Cool is a must see for anyone, anywhere in any lane of life that has an infinite love of music. Especially jazz. Stanley Nelson’s best work to date pulling back the curtain on an underrated musical Picasso – Miles Davis” – Carla Renata, The Curvy Film Critic

“While previous books and films made Miles Davis look like a magical character, Nelson’s ‘Miles Davis: Birth of the Cool’ depicts the musician as what he was – a man who was driven by his art and chained by the racist society he was born into.” –  Jonita Davis, Black Girl Nerds

“If you’re a Miles Davis fanatic from way back and think you already know everything about him, the movie, with its sharply edited interviews and stunning archival reach, fills in nuances of the man that feel fresh and new.“ – Owen Gleiberman, Variety

BlackStar Film Festival, Founder Maori Karmael Holmes

The BlackStar Film Festival (BlackStar) returns August 1-4, 2019 with a stellar slate of black, brown and indigenous films from around the globe. The BlackStar Film Festival is an annual celebration of the visual and storytelling traditions of the African diaspora and of global communities of color, showcasing films by black, brown and indigenous people from around the world. Continuing its legacy of discovery and excellence, audiences can expect must-see film premieres, poignant artist discussions, and discover new cinematic favorites from this year’s class of emerging filmmakers. Founded in 2012 by Maori Karmael Holmes, BlackStar has become the hottest event on the film festival calendar. With a program unlike any other, BlackStar is the destination to discover new artists voices from Black and global indigenous filmmakers. Artists including Terence Nance (An Oversimplification of Her Beauty; HBO’s Random Acts of Flyness), and Matthew A. Cherry (9 RIdes; ABC’s Whiskey Cavalier), and Nijla Baseema Mu’min (Jinn) have shared their work at the festival and from BlackStar cultivated a fanbase that has grown with their careers.  

 

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For news and updates go to blackstarfest.org

BlackStar Festival Film Highlights:

This year’s festival features sneak preview of Hip-Hop: The Songs That Shook America, a new documentary series directed by directed Erik Parker and One9.

From Executive Producers Ahmir “Questlove” Thompson, Tariq “Black Thought” Trotter, Shawn Gee, and Alex Gibney, Fear No Gumbo, a documentary feature directed by Kimberly Rivers Roberts, about the 13 years since the deadly Category 5 Hurricane Katrina that made landfall on Florida and Louisiana and the corruption and systemic racism that still victimizes the residents that returned after Katrina. 

A new documentary from Emmy Award-winning director and  Macarthur “genius” fellow Stanley Nelson (The Black Panthers: Vanguard of the Revolution). Boss which explores over 150 years of African American entrepreneurship, from bondage to billion dollar moguls.

Academy Award-winning  director, Roger Ross Williams (Music By Prudence, God Loves Uganda) will be on-hand for the debut of his latest documentary The Apollo chronicling the unique history and contemporary legacy of New York City’s landmark Apollo Theater.

Panels and Awards:

BlackStar will present the Luminary Award to Marcia Smith, President of Firelight Media

To commemorate the 30th anniversary of Do The Right Thing, filmmaker Spike Lee and activist Tarana Burke will discuss the possibilities of using radical storytelling to center social justice and foster narrative change. 

For news and updates go to blackstarfest.org

Marianne & Leonard: Words of Love, Director Nick Broomfield

Marianne & Leonard: Words of Love is renowned filmmaker Nick Broomfield’s most personal and romantic film of his career. The Marianne & Leonard: Words of Love starts on the Greek island of Hydra in 1960, where Leonard Cohen, then a struggling and unknown fiction writer, and Marianne Ihlen, a single mother with a young son, became part of community of expat artists, writers and musicians. Never-before-seen footage shot by Broomfield and legendary documentarian D.A. Pennebaker make for a unique portrait of an idyllic 1960’s bohemia.  The time on Hydra left a lasting imprint on both Marianne and Leonard, whose friendship would last another fifty years before their deaths in 2016. It was on Hydra in 1968 that director Broomfield, then aged 20, first himself met Marianne. She introduced him to Cohen’s music and encouraged Nick to make his first film.   As she was with so many artists, Marianne was an enormous influence on Broomfield, who went on to direct award-winning documentaries, many about iconic music legends including Whitney Houston, (Whitney Houston: Can I Be Me) Tupac Shakur and Biggie Smalls, (Tupac and Biggie) Kurt Cobain and Courtney Love (Kurt & Courtney). Director Nick Broomfield joins us to talk about his relationship with Marianne, the undeniable talent and charisma of Cohen, and the profound impact his time on Hydra had on his personal and professional life.

 

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For news and updates go to: marianneandleonardwordsoflove.com

Social Media for Marianne and Leonard:

facebook.com/marianneandleonardwordsoflove

Social Media for Nick Broomfield:

twitter.com/nickbroomfield1

“Love stories are like Tolstoy’s unhappy families: no two of them are alike. But even given that, the relationship chronicled in “Marianne & Leonard: Words of Love” has a quality very much its own.” – Kenneth Turan, Los Angeles Times

“An impossibly heartfelt portrait of this woman, and her impossible relationship with a brilliant man.” – Katie Walsh, Tribune News Service

“Broomfield’s personal engagement and his embrace of the complexities of life and love elevate this film, which travels across decades and continents to show the lasting power of one connection.” – Joe BlessingThe Playlist

“Unmissable.” – Rolling Stone