January 25 – Lois Vossen, Independent Lens Executive Producer

Lois Vossen is the Executive Producer of Independent Lens and has been with the show since its inception as a primetime series on PBS. Lois is responsible for commissioning new films, programming the series and working with filmmakers on editorial and broadcast issues. Independent Lens films have received 17 Emmy Awards, 16 George Foster Peabody Awards, five Alfred I. DuPont-Columbia Journalism Awards and eight Academy Award nominations. The series was honored in 2013, 2014, 2015  and 2017 with the International Documentary Association (IDA) Award for Best Series. Before joining ITVS, Lois was the Associate Managing Director of Sundance Film Festival and Sundance Labs. Lois is a member of the Television Academy Board of Governors, representing the documentary branch. She has served on the jury at  Shanghai Festival, Toronto International Film Festival, SXSW, DOC New Zealand and Palm Springs International Film Festival, among others. Under her leadership, films funded or co-produced by Independent Lens include I Am Not Your Negro, Always in Season, Bedlam, One Child Nation, Black Memorabilia, The King, People’s Republic of Desire, Won’t You Be My Neighbor, TOWER, Newtown, Best of Enemies, The Black Panthers: Vanguard of the Revolution, (T)ERROR, The House I Live In, The Invisible War, and The Trials of Muhammad Ali, among many others. Widely regarded as one of the most influential supporters of independent and documentary filmmaking, Lois Vossen joins us for a conversation on the role that Independent Lens /POV and Public Broadcasting has had in maintaining the highest standards for innovative storytelling in non-fiction cinema.

For news and updates go to: pbs.org/independentlens/films

Social Media:

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Slamdance Film Festival Co-founder Peter Baxter

It all began when a group of cheerful, subversive filmmakers weren’t accepted into the Sundance Film Festival. Unwilling to take “no” for an answer, they instead started their own event – Slamdance: Anarchy in Utah. 24 years later, Slamdance has become a year-round organization fostering the development of unique and innovative filmmakers. The organization now consists of the Film Festival, Screenplay Competition and Slamdance Studios. Dan Mirvish, Jon Fitzgerald, Shane Kuhn and Peter Baxter are the founding forefathers who, along with co-conspirator Paul Rachman, fought for truly independent filmmakers by giving them a voice in 1995 at the very first Slamdance Film Festival. Since then, the festival takes place every January in the breathtakingly stunning, snow-capped mountains of Park City, Utah at the exact same time as the Sundance Film Festival, toprovide a more authentic representation of independent filmmaking.  Up-and-coming writers, directors and producers, alongside seasoned veterans and film lovers, converge for the weeklong celebration of independent cinema, realizing that Slamdance is a great place to find those next, great, visionary films.  Slamdance lives and bleeds by its mantra By Filmmakers For Filmmakers. No other film festival in the world is entirely run and organized by the creative force that can only be found in filmmakers. Slamdance adamantly supports self-governance amongst independents, and exists to deliver what filmmakers go to festivals for – a chance to show their work and a platform to launch their careers. The festival has earned a solid reputation for premiering films by first-time writers and directors working within the creative confines of limited budgets. Co-founder and President Peter Baxter joins us to talk about this year’s Slamdance, the groundbreaking films and the innovative new distribution being launched by Slamdance.

 

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For news and updates go to: slamdance.com

Check out the film schedule at slamdance 2019 schedule

Slamdance Film Festival will take place January 25-31, 2019 in Park City, Utah

Social Media:

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twitter.com/Slamdance

instagram.com/slamogram

January 18 – Ashley Connor, Cinematographer, Independent Spirit Award Nominee (Madeline’s Madeline)

ASHLEY CONNOR is a New York based director of photography. Her work on Josephine Decker’s BUTTER ON THE LATCH and THOU WAST MILD AND LOVELY prompted New Yorker critic Richard Brody to name her, alongside Darius Khonji and Fabrice Aragno, as one of the year’s best cinematographers. Her breadth of style can be seen in work as diverse as Dustin Guy Defa’s PERSON TO PERSON (Sundance ’17) and Adam Leon’s TRAMPS (TIFF ’16), as well as in popular music videos for artists including Jenny Lewis, Angel Olsen and Maggie Rogers. She had two films premiere at the 2018 Sundance Film Festival, Josephine Decker’s MADELINE’S MADELINE and Desiree Akhavan’s Grand Jury Prize winning THE MISEDUCATION OF CAMERON POST starring Chloe Moretz and Sasha Lane. Most recently she shot two pilots for A24/Hulu and has three more films coming out in 2018: Olivia Newman’s FIRST MATCH (SXSW 2018 Audience Award Winner, Netflix produced), Alex O Eaton’s MOUNTAIN REST and an Untitled Daniel Scheinert film. Ashley Connor stops by for a conversation on her work on Josephine Decker’s Madeline’s Madeline’s Madeline and her Spirit Award nomination for her cinematography.

For news and updates go to: ashleyconnor.net

Social Media:

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January 11 – Stu Pollard, President of Lunacy Productions

Lunacy Productions helmed by prolific producer Stu Pollard is excited debut for you their latest film “Rust Creek,” which is being distributed theatrically by IFC Midnight beginning January 11th, 2019.  “Rust Creek” starring Hermione Corfield (“Mission: Impossible – Rogue Nation”), Jay Paulson (“Mad Me”), Sean O’Bryan (“Olympus Has Fallen”), Micah Hauptman (“Homeland”), Daniel R. Hills (“The Resident”), Jeremy Glazer (“Letters From Iwo Jima”), and John Marshall Jones (Con Air”); chronicles the presence of mind and skill an ordinary woman, utilizes while summoning extraordinary courage to survive a nightmare odyssey in this harrowing survival thriller. This  film takes the woman in jeopardy premise and turns it on its head with agility and smarts. This is the latest female driven (both in front of & behind the camera) film from Pollard & his team at Lunacy. Lunacy’s team are incredibly committed to supporting gender parity in filmmaking, producing several films featuring female protagonists (This Is Home, Rust Creek, Short History, Plus One) and working with female filmmakers like Jen McGowan (“Rust Creek”), Ani Simon Kennedy (“Short History of the Long Road”), and documentarian Alex Shiva (“This Is Home: A Refugee Story”) among others. Half of the department heads on “Rust Creek” are women and for many of the female crew, “Rust Creek” was their first feature film or their first opportunity in an elevated position (including DP Michelle Lawler, make-up artist Allie Shehorn, art director Priyanka Guterres, and postproduction supervisor Alex Jensen). Pollard has also directed two features: NICE GUYS SLEEP ALONE and KEEP YOUR DISTANCE. In his spare time he teaches at USC’s School of Cinematic Arts and Film Independent. He holds a degree in business from Georgetown and an MFA in film from USC, is a member of the DGA and PGA, and serves on the boards of the Louisville Film Society and GU’s Alumni Board of Governors. Director, producer and head of Lunacy Productions Stu Pollard joins us to talk about his company’s commitment to gender equity on both sides of the camera.

For news and updates go to: lunacyproductions.com

Vimeo: vimeo.com/lunacy

Social Media:

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facebook.com/LunacyProds

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Love, Gilda, Director Lisa D’Apolito

Gilda Radner puts a smile on the faces of people who remember watching her as one of the original cast members of Saturday Night Live, where she created and portrayed such now-classic comic characters as Roseanne Roseannadanna, Emily Litella and Lisa Loopner. LOVE, GILDA, directed by Lisa D’Apolito, is a true autobiography, told in Gilda’s words and in her own voice. Working with the Radner Estate, D’Apolito unearthed a collection of diaries and personal audio and videotapes documenting her childhood, her comedy career, her relationships and ultimately, her struggle with cancer. This never-before-seen footage and journal entries form the narrative spine of the documentary, allowing Gilda to tell her own story– through the laughter and sometimes the tears. Incredibly, she was able to find humor in even the darkest of times. Gilda’s spirit lives on in comedy as a female trailblazer who continues to inspire many present day comedic performers, including Bill Hader, Amy Poehler, Maya Rudolph, and Cecily Strong. Also interviewed are SNL original cast members– Chevy Chase, Laraine Newman and Paul Shaffer– as well as, Lorne Michaels (SNL creator and producer), Alan Zweibel (SNL writer), Stephen Schwartz (Broadway composer); Andrew Alexander (CEO of Second City) and long-time friend Martin Short. LOVE, GILDA Director Lisa D’Apolito talks about the unique window her loving film provides into the honest and whimsical world of a beloved performer whose greatest role was sharing her own story.

 

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For news and updates go to: lovegilda.com

LOVE, GILDA will air on CNN:

Tuesday, Jan. 1 at 9pm and 11pm Eastern (Tuesday, Jan. 1 at 6pm and 8pm Pacific)

Saturday, Jan. 5 at 9pm Eastern (Saturday, Jan. 5 at 6pm Pacific)

Sunday, Jan. 6 at 12am Eastern (Saturday, Jan. 5 at 9pm Pacific)

And available for playback via CNN on Demand.

Social Media:

facebook.com/LoveGildathefilm

twitter.com/LoveGildaFilm

instagram.com/LoveGildaTheFilm

“A splendid tribute to one of America’s comedy legends.” – J.R. Kinnard, Film Inquiry

“We come away with the portrait of someone who was never just going along for the ride, but who was always questioning and challenging herself, working toward professional excellence and hoping for an ideal romance.” – Mick LaSalle, San Francisco Chronicle

“‘Laughter – that’s what hugs me and holds me,’ she confides on those muddy cassettes. So does the warm, tender embrace of “Love, Gilda.” – Michael Rechtshaffen, Los Angeles Times

“All the laughs-as well as the tears-in the too-brief but shining life of a true comic genius are present and accounted for in this essential, intensely moving doc.” – David Noh, Film Journal International

Springsteen on Broadway, Director Tommy Zimny

SPRINGSTEEN ON BROADWAY is a solo acoustic performance written and performed by Tony Award, Academy Award, and 20-time Grammy Award winner Bruce Springsteen. Based on his worldwide best-selling autobiography Born to Run and nothing short of the theater event of the year, SPRINGSTEEN ON BROADWAY is a unique evening with Bruce, his guitar, a piano, and own stories—including a special appearance by Patti Scialfa. The intimate performance features personal anecdotes and songs including “Born to Run,” “Thunder Road” and “Brilliant Disguise.” SPRINGSTEEN ON BROADWAY was filmed live for Netflix at Jujamcyn’s Walter Kerr Theatre and directed and produced by Emmy Award-winner Thom Zimny (“Bruce Springsteen and the E Street Band: Live in New York City (2001)”). In addition to Zimny, the Netflix original special is produced by the same team that produced “Springsteen On Broadway,” including Springsteen manager Jon Landau, Springsteen tour director George Travis, and Landau Management partner Barbara Carr. Director Thom Zimny joins us for a conversation on his working relationship with one of the singular musical artist in recording history and the challenge of capturing the intimacy of a live, Broadway experience.

 

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Springsteen on Broadway on netflix.com

Social Media

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Facebook/brucespringsteen

“Springsteen has mastered the dynamics needed to keep a mostly talking, partly singing show riveting for a running time that’s epic by monologists’ standards, if not his own.” – Chris Willman, Variety

“For nearly three hours, Springsteen jokes, rails, wails, and yes, plays his heart out, providing an achingly raw, often disarmingly honest breakdown of his life.” – Chris Evangelista, Slashfilm

“Not only does “Springsteen on Broadway” work on its own as a Netflix special, it gives you all the same feels seeing the show live at the Walter Kerr Theater brought out.” – Joey Madison, AwarsCircuit.com

Avicii: True Stories, Director Levan Tsikurishvili

AVICII: TRUE STORIES, a compelling new documentary film by Levan Tsikurishvili, reveals the unvarnished truth behind the success of Grammy-nominated producer, songwriter and artist Avicii (A.K.A. Tim Bergling). One of the world’s highest grossing live music artists whose seemingly sudden decision last year to quit doing live shows came as a complete shock to his fans and the industry. The film traces the artist/DJ’s life from his beginnings, all the way to the joy of his success, from his chart-topping global radio hits and subsequent struggles with his physical and mental health. Tsikurishvili followed Bergling for over four years, and captured fly-on-the-wall footage of his experiences and thinking. Featuring appearances by colleagues such as Chris Martin, Nile Rodgers, David Guetta, Tiësto and Wyclef Jean, AVICII: TRUE STORIES is a cautionary tale that explores the taxing nature and intensity of fame from the artist’s point of view as much as it is a film for Avicii’s die-hard fans.

I wanted to do a brutally honest film about Tim as a person and not only about Avicii. Everybody knows Avicii but very few people know Tim. I think this documentary really shows Tim’s struggle and strength of character. Being a worldwide superstar artist is not as easy as it looks on Instagram. – Director Levan Tsikurishvili

 

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For news and updates go to: aviciitruestories.com

“Compelling and Cautionary Tale” – Variety

“Insight into the life of a special young artist” – Cine Magazine

“Truthful, thought provoking…compelling documentary – 5 stars” – one EDM

“An unusually sincere documentary that – unlike AMY – ends with a personal triumph.” – Alfred Bos, IndieBioscoo

United We Fan, Director Michael Sparaga

Fans, stars, creators and more come together to explore the history and evolution of TV’s save-our-show fan campaigns in Michael Sparaga’s (The Missing Ingredient) humorous and heartfelt feature documentary UNITED WE FAN. From the letter-writing and product mail-ins of yesterday to the social media and crowdfunding campaigns of today, UNITED WE FAN goes beyond the headlines to give viewers deeper insights into fandom, community and identity. For most viewers, it’s simply a disappointment when their favorite TV series is cancelled. But the fans of some series take the loss a lot harder. And they fight back. UNITED WE FAN chronicles the stories of those passionate individuals and their unique crusades to save their beloved shows. Declared “a joy to watch” by POV Magazine, UNITED WE FAN intertwines the remarkable stories of Kaily, Dorothy and the Trimbles while also taking time to delve into the inspiring campaigns to save Designing Women, Quantum Leap, Chuck, Longmire, Jericho, Veronica Mars, Roswell and the Rosetta Stone of rescued TV series Star Trek. “UNITED WE FAN is not a movie about television’s wackiest fans,” said director Michael Sparaga, “rather, it’s a love letter to the inspiring people who have formed communities and fought tirelessly against seemingly impossible odds to give viewers everywhere more seasons of some of television’s most iconic shows.” Director / Writer / Producer Michael Sparaga joins us to talk about the men and women whose embrace and affection for specific television series goes way beyond passive entertainment into the realm of a life affirming connections to the creators, performers and characters who have enriched their lives via episodic storytelling.

 

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Social Media

facebook.com/UnitedWeFanDoc  

twitter.com/unitedwefandoc

instagram.com/unitedwefandoc

UNITED WE FAN is available on multiple VOD platforms beginning December 4

100% on Rotten Tomatoes

“A cheery collage of anecdotes about how popular culture brings people together and inspires them to fight for the things they love.” – Norman Wilner, Toronto Now

“It’s a fun film to watch, but also one that makes us question how far we’re all willing to go to save our favourite series from extinction, and where the future of such fan campaigns might be going from here.” – Andrew Parker, The Gate

“United We Fan is a brisk, enjoyable look at the way TV fan culture has evolved since the days when Star Trek first flirted with cancellation.” – Jesse Schedeen, IGN Movies

“What United We Fan does very well is that the documentary offers a blueprint for the many television fans wanting to save their favorite series.” – Danielle Solzman, Solzy at the Movies

Lucha VaVoom, Director Ben Churchill

Lucha VaVOOM: Inside America’s Most Outrageous Show is the documentary that explores the fascinating cast of characters behind Lucha VaVOOM — an enthralling combination of high-octane Mexican wrestling, retro-style burlesque dancing, and witty commentary provided by Hollywood’s most celebrated comedians. Discover how this family of wildly creative and passionate performers from diverse backgrounds, ethnicities, and gender orientations come together to create a unique shared experience. As the costumes, alter egos, and flamboyant performances are put on display, these masked marvels reveal their truest selves, offering up stories of perseverance, equality, and self-acceptance. Lucha VaVOOM: Inside America’s Most Outrageous Show takes you onstage, backstage, and into the minds of the wrestlers, dancers, and producers who provide a show that is not only entertaining, but has the power to change people’s perspectives. Director Ben Churchill joins us totalk about capturing the on-stage energy of the performances and the bond between the performers and the audience.

 

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For news and updates go to: luchavavoomfilm.com

Social Media

facebook.com/LuchaVaVoomFilm

https://twitter.com/luchavavoomfilm

instagram.com/luchavavoomfilm

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“I love Lucha VaVoom. It’s seriously crackers and great fun.” – Eric Idle, Monty Python

“It’s enough to make even the most jaded Hollywood insider jump up and yell “Smackdown!” – Rolling Stone

“A madcap mix of Mexican wrestling, comedy, and vintage burlesque. I love, love, love it.” – Vanity Fair

Studio 54, Director Matt Tyrnauer

For 33 months, from 1978 to 1980, STUDIO 54 was the place to be seen in Manhattan. A haven of hedonism, tolerance, glitz and glamour, Studio was very hard to gain entrance to and impossible to ignore, with news of who was there filling the gossip columns daily. Steve Rubell and Ian Schrager, two college friends from Brooklyn, succeeded in creating the ultimate escapist fantasy in the heart of the theater district. Rubell was the outgoing bon vivant who wanted to be everybody’s friend and was photographed with every celebrity du jour who entered the club and Schrager was the behind-the-scenes creative mastermind who shunned the limelight. STUDIO 54 was an instant success and a cash cow, but the drug-and-sex-fueled dream soon imploded in financial scandal and the club’s demise. With unprecedented access to Schrager, who tells the whole unvarnished story for the first time, and a treasure-trove of rare footage, director Matt Tyrnauer (Valentino: The Last Emperor, Scotty and the Secret History of Hollywood, Citizen Jane) constructs a vivid, glorious portrait of a disco-era phenomenon, and tells the story of two friends who stuck together through an incredible series of highs and lows.  A favorite at the Sundance and Tribeca film festivals, STUDIO 54 Director Matt Tyrnauer joins us to talk about his fascinating documentary look at the rise and fall of the legendary ‘70s New York nightclub.

 

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For news and updates go to: zeitgeistfilms.com/film/studio54

For news and updates on the films of Matt Tyrnauer go to: altimeterfilms.com

91% on Rotten Tomatoes

“Studio 54 is resonant because it offers such a reasonable and poignant answer.” – David Ehrlich, IndieWire

“Matt Tyrnauer’s thrilling and definitive documentary captures the delirium – and the dark side – of the legendary New York disco.” – Owen Gleiberman, Variety

“It’s a cultural piece of history that paints a picture of an era of New York that had a significant effect on the world. And it goes without saying, changed the nightclub industry forever.” – Dante James, Film Threat

“A hugely entertaining exploration of the mythology of the legendary nightclub as something truly worth celebrating, and a towering Scorsese-esque drama of the men who invented it brought down by hubris.” – MaryAnn Johanson

Matangi / Maya / M.I.A. Director Steve Loveridge

Drawn from a cache of personal video recordings from the past 22 years, director Steve Loveridge’s Sundance award winning MATANGI / MAYA / M.I.A. is a startlingly personal profile of the critically acclaimed artist, chronicling her remarkable journey from refugee immigrant to pop star. She began as Matangi. Daughter of the founder of Sri Lanka’s armed Tamil resistance, she hid from the government in the face of a vicious and bloody civil war. When her family fled to the UK, she became Maya, a precocious and creative immigrant teenager in London. Finally, the world met her as M.I.A. when she emerged on the global stage, having created a mashup, cut-and-paste identity that pulled from every corner of her journey along the way; a sonic sketchbook that blended Tamil politics, art school punk, hip-hop beats and the unwavering, ultra-confident voice of a burgeoning multicultural youth. Never one to compromise on her vision, Maya kept her camera rolling throughout. MATANGI / MAYA / M.I.A. provides unparalleled, intimate access to the artist in her battles with the music industry and mainstream media as her success and fame explodes, becoming one of the most recognizable, outspoken and provocative voices in music today. Director Steve Loveridge joins us to talk about his long-time friendship with Mathangi Arulpragasam AKA Matangi / Maya / M.I.A. and how that friendship was tested during the making of this revelatory, illuminating window into her world.

 

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For news and updates go to: miadocumentary.com

Social Media

https://www.facebook.com/MIAdocumentary/

https://twitter.com/MIAdocumentary

https://www.instagram.com/miadocumentary/

89% on Rotten Tomatoes

“If there is one note that rings clear through all the xeroxed, glitchy, abrasive background noise, it is that of authenticity and sincerity.” – Jessica Kiang, Playlist

“Inspires deep respect for the fierce and independent artist she is.” – Katie Walsh, Los Angeles Times

“It is the synthesis of these contradictions, and how they’ve illuminated M.I.A.’s career path that makes up the spine of Loveridge’s fascinating portrait.” – Piotr Orlov, NPR

“Loveridge celebrates the mashup aesthetic that enabled the artist to find a voice, and reveals that reconciling contradictions… is key to both Arulpragasam’s music and the life she’s constructed with audacity and wit.” – Serena Donadoni, LA Weekly

The Man Who Loves to Hurt Himself, Director Anthony Short

“The Man Who Loves To Hurt Himself,” follows the turbulent musical journey of Today is the Day enigmatic legendary frontman and founder, Steve Austin. Ride along as Austin’s first person account brings balance to these opposing forces, reckoning and stretching himself from the drive to create his musical vision, engaging and performing intense shows around the world, to being home with his wife and children. How one near-death experience led him to connect with the love of his life and begin the transition, fulfilling his destiny as a loving family man while completing his mission to bring relief his followers and overcome being the man who loves to hurt himself. “The Man Who Loves to Hurt Himself” is a loose but subdued methodic subtlety of the movie stands in sharp contrast to an artist known in the worldwide underground of extreme music for abrasive, loud, chaotic spectacle neo-violent imagery a slow, brooding and emotional 93-minutes that covers a year of conversations and ride-a-longs with the casual aesthetic of natural conversation supported by raw grainy fan shot footage, old pictures, personal home videos, career spanning amulets, in a self examination of the psyche of a modern-day “madman” and “master.” Director Anthony Short joins us for a conversation on connecting with a singular music savant / philosopher / survivor.

 

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For news and updates go to: tmwlthh.com

Follow The Man Who Loves to Hurt Himself on Social Media

facebook.com/tmwlthh/

Twitter:@tmwlthh

To follow the bands journey:

facebook.com/todayisthedayofficial/

Twitter:@todayistheday66

Actor Piper Laurie (Snapshots)

In her latest project,SNAPSHOTS, legendary actor Piper Laurie plays family matriarch Rose.. The story will resonate with every person who has lived through the complexity of family relationships, It reminds us that if we are loved no secret is too difficult to hear and accept. Or is it? Rose (Gran) is the matriarch. She has lived in this house for over fifty years. She and her deceased husband Joe raised their daughter Patty in this home. Patty, now a widow in her early 50’s, lives in St. Louis. Each year Patty and her newly married daughter Allison spend a laughter filled girl’s weekend with Gran. This year will be different. Piper Laurie joins us for a conversation on the making of her latest project (Snapshots) in a legendary film career that includes three Academy Award nominated performances (The Hustler, Carrie, Children of a Lesser God) and an Emmy nomination for David Lynch’s groundbreaking television serial (Twin Peaks).

 

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For news and updates go to: snapshotsthefilm.com

Social Media:

Facebook:facebook.com/threewomeninabox

Twitter:@SNAPSHOTSmovie

Instagram: @Snapshotsthefilm

“Performances all around are strong, with Piper Laurie’s Rose taking the lead and directing us through the story’s narrative. We are invited to soak in the retro atmosphere as the story unfolds at a leisurely pace.” – Paul Parcellin, Film Threat

NICO, 1988, Director Susanna Nicchiarelli

NICO, 1988 features a tour de force performance from Trine Dyrholm’s as the aging Nico (aka Christa Päffgen), interpreting rather than impersonating the famed singer-songwriter as she approaches 50. Leading a solitary existence in Manchester Nico’s life and career are on the ropes, a far cry from her glamorous days as a Warhol superstar and celebrated vocalist for The Velvet Underground. Nico’s new manager Richard (John Gordon Sinclair) convinces her to hit the road again and tour Europe to promote her latest album. Struggling with her demons and the consequences of a muddled life, she longs to rebuild a relationship with the son Ari (Sandor Funtek) she lost custody of long ago. A brave and uncompromising musician, Nico’s is the story of an artist, a mother, and the woman behind the icon. Director Susanna Nicchiarelli joins us to talk about Trine Dyrholm’s raw performance and her own unvarnished look into the post-iconic world of NICO and into the tortuous journey that Christa Päffgen took, as an artist and mother, towards the person she knew she wanted to be.

 

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For news and updates go to: nico1988.com

100% on Rotten Tomatoes

“Writer/director Susanna Nicchiarelli and star Trine Dyrholm craft a late-career biopic that acts not only as a portrait of a complex figure, but recognises the considerable toll of daring not to conform.” – Sarah Ward, Screen International

“Nicchiarelli dives deeply into the life of a tragic but remarkable woman, memorably portrayed by Danish actress and singer Trine Dyrholm as an unpleasant, hurtful junkie plagued with memories and regrets.” – Deborah Young, Hollywood Reporter

“Nico, 1988 shows us how extraordinary the biopic can be when it is freed from unnecessary restrictions to embrace the idiosyncrasies of its subject.” – Lee Jutton, Film Inquiry

“Remarkably personal, with a bold, gritty edge that echoes the intensity of both Nico’s singing and Trine Dyrholm’s thunderous performance.” – Rich Cline, Shadows on the Wall

40 Years in the Making: The Magic Music Movie, Director Lee Aronsohn

40 YEARS IN THE MAKING: THE MAGIC MUSIC MOVIE chronicles how one of their greatest fans, acclaimed director (and UC Boulder alumnus) Lee Aronsohn, tracked down the original band members four decades later to tell their story. More importantly, he makes a dream come true for himself, fellow fans, and the band, by bringing them all back to Boulder for a sold-out reunion concert that preserves their legacy for posterity. Magic Music is one of the most fondly remembered bands of the Boulder Revolution of the late 60s and early 70s. Living in a makeshift camp up in the mountains, they would delight local residents and university students with their original songs, acoustic instruments, and light harmonies; their growing popularity brought them to the brink of success more than once. Unfortunately, they never signed a record deal and eventually broke up in 1975. 40 YEARS IN THE MAKING: THE MAGIC MUSIC MOVIE opens in New York August 3, and in Los Angeles August 10, with a national release to follow. Director Lee Aronsohn talks about his endearing and poignant documentary on the music that became a living soundtrack for a community and the band of musicians who became life-long friends.

 

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For news and updates go to: magicmusicmovie.com

Opening on Friday, August 10 at the Laemmle Music Hall

Social Media:

facebook.com/MagicMusicMovie

twitter.com/MagicMusicMovie

instagram.com/magicmusicmovie

“Beyond celebrating the music, 40 Years in the Making: The Magic Music Movie has something to say about the compromises and reconciliations that are a part of aging, and it turns out to make for a stirring and healing reunion.” – Stephen Farber, Hollywood Reporter

“By the end of the film, I was singing along” – Ain’t It Cool News

“Good vibes…” – Variety

Ryuichi Sakamoto: Coda, Director Stephen Nomura Schible

One of the most important artists of our era, Ryuichi Sakamoto has had a prolific career spanning over four decades. From techno-pop stardom to Oscar-winning film composer, the evolution of his music has coincided with his life journeys. Following Fukushima, Sakamoto became an iconic figure in Japan’s social movement against nuclear power. As Sakamoto returns to music following a cancer diagnosis, his haunting awareness of life crises leads to a resounding new masterpiece. RYUICHI SAKAMOTO: CODA is an intimate portrait of both the artist and the man. Director and writer Stephen Nomura Schible joins us for a conversation on his own journey into the internal and external world of Ryuichi’s inspiring spiritual and musical journey.

 

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For news and updates go to: coda.mubi.com

96% on Rotten Tomatoes

“This is a documentary that rejects every behind-the-scenes cliché around, and stands as an immensely moving and inspiring piece of cinema in its own right.” – Robbie Collin, Daily Telegraph (UK)

“By the end of this documentary, you will feel as if you not only understand Mr. Sakamoto intellectually, but also share a sense of the excitement he feels when discovering just the right match of sounds.” – Ben Kenigsberg, New York Times

“Sakamoto is fascinating to watch. He’s a charming, lively presence, and it’s always a pleasure to watch his expressions of delight and surprise at the new sounds he’s discovering, his own or nature’s.” – Jonathan Romney, Film Comment Magazine

“Like Sakamoto himself, the documentary stretches boundaries, shifting forward and back through time, weaving archival clips and news footage with scenes of Sakamoto composing, rehearsing, experimenting and traveling.” – Daniel Eagan, Film Journal International

The Icarus Line Must Die, Director Michael Grodner

Punk’s not dead in this cool AF drama riffing on actual events. THE ICARUS LINE MUST DIE is a dramatic narrative feature set against the backdrop of the current LA underground music scene. The film tracks Joe Cardamone, front man of notorious punk bad boys The Icarus Line as he navigates his way through the ups and downs of the modern music landscape. With a new record completed and a major label deal within sight, Joe fights to keep his band, his relationship and his life from completely falling apart. Ariel Pink, Keith Morris (Black Flag/Circle Jerks), Pearl Charles, Melissa Brooks (The Aquadolls), Justin Pearson (RETOX, The Locust), Rafael Reyes (Prayers) and Jerry Stahl (Permanent Midnight) are featured along with performances by Pink Mountaintops, Together Pangea, The Icarus Line, Retox, Obliterations and Annie Hardy of Giant Drag. The film was directed by Michael Grodner and written by Michael Grodner and Joe Cardamone. THE ICARUS LINE MUST DIE will open in LA on June 22 at the Laemmle Royal and will rollout theatrically over the summer by Dark Star Pictures.  The film will also be available on digital on 7/10 (iTunes, Amazon, Vudu, Google Play, Fandango Now, Xbox and local Cable Providers). Director Michael Grodner joins us to talk about his collaborator and star, Joe Cardamone, the blurred lines between narrative and documentaries, his take on the LA music scene, past and present and Dirty Laundry.

 

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The Icarus Line Must Die is now screening at the Laemmle Royal in Los Angeles

“What sets Grodner’s story apart is its intense focus on specific people in the scene who are emblematic of a way of living and surviving in Los Angeles that’s slowly dying.” – April Wolfe, The Wrap

“The movie’s only intermittently successful at blurring the lines between art and life. But it’s a sincerely felt experiment, and it has spirit. – Noel Murray, Los Angeles Times

“The Icarus Line Must Die should be celebrated as an example of a return to great independent filmmaking. Like its main character, The Icarus Line Must Die overcomes the challenges, simply because it must.” – Donna Balancia, California Rocker

Hearts Beat Loud, Director Brett Haley

In the hip Brooklyn neighborhood of Red Hook, single dad and record store owner Frank played by Nick Offerman (Parks and Rec) is preparing to send his hard-working daughter Sam played by Kiersey Clemons (Dope) off to college, while being forced to close his vintage shop. Hoping to stay connected through their shared musical passions, Frank urges Sam to turn their weekly “jam sesh” into a father-daughter live act. After their first song becomes an Internet breakout, the two embark on a journey of love, growing up and musical discovery. In addition to Offerman and Clemons, Hearts Beat Loud also stars Ted Danson (Cheers), Sasha Lane  (American Honey), with Blythe Danner (Meet the Parents) and Toni Collette (Little Miss Sunshine). Director Brett Haley sits down for a conversation on the power of music, the bond of a dad and daughter and his endearing, funny and touching film, Heart Beat Loud.

 

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For news and updates go to: Hearts Beat Loud

95% Rotten Tomates

“Hearts Beat Loud steals your heart, makes it beat faster and you’ll love this story out loud.” – Jamie Broadnax, Black Girl Nerds

“Both actors are capable of projecting nuclear levels of charisma, so it’s fun just to watch them share the screen.” – Jason Bailey, Crooked Marquee

“The real charm isn’t in the way the story unfolds, but in the human moments shared onscreen. Offerman and Clemons feel at first like an unlikely pair, but their chemistry is genuine.” – Neil Miller, Film School Rejects

“Kiersey Clemons proves she’s the real deal. As for the film around her, Haley’s 21-drum solo salute to the passage of time is, like Frank, merely fine.” – Amy Nicholson, Variety

“Hearts Beat Loud will put a spring in your step. The music is great, the story is heartwarming, plus Offerman and Clemons make a great father/daughter duo.” – Fred Topel, Monsters and Critics

Strangers on the Earth, Director Tristan Cook

With a title taken from the New Testament, Strangers on the Earth follows the extraordinary, almost foolishly ambitious mission of Cleveland Orchestra cellist Dane Johansen to traverse the storied paths of Europe’s famed pilgrimage trail, the Camino de Santiago. Johansen’s singular quest to walk the 600-mile trail carrying his cello on his back sets him apart from most other pilgrims. His goal: to perform and record Bach’s Cello Suites in 36 ancient churches along the way. As has likely occurred on every Camino pilgrimage since the Middle Ages, Johansen encounters a diverse array of characters: lovers whose entire relationship plays out in a matter of a few weeks; self-styled philosophers; wounded souls recovering from illness or mourning the loss of loved ones. All share the trials and tribulations of the journey along with their personal stories over goat-skins of wine. An experiential piece of filmmaking, Strangers on the Earth brings to audiences a musical artist’s personal journey set against a universal backdrop. The film reveals the shared experience of the pilgrims who walk the Camino, finding common patterns in both the multitude of bodies who move westward on the path each year (the physical) and the inner life of these same individuals who are often surrounded by other pilgrims – but are very much alone. We are joined by director Tristan Cook to talk about his thoughtful take on recognizing the importance of beauty, dreams, spirituality, art, music and humanity,

 

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For news and updates go to: sotefilm.com

Disributed by First Run Features.com

Social Media:

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83% on Rotten Tomatoes

“Opens a window onto a famous Catholic pilgrimage…giving some sense of the profundity of the experience.”  – The New York Times

“A soulful riff on the all-too-fleeting rhapsodies of travel. Beauty-dazed and rapt with a kind of giddy sadness.”  – Film Journal

“Europe’s most famous path. Take it, and this marvelous film, at your own pace.” – The Globe and Mail

“Ironically if you’re walking 700 km or 700 miles with other people, you cannot expect them to be strangers on the earth. An engaging doc about the centuries’ old pilgrimage to Santiago de Compostela” – Harvey S. Karten, Big Apple Reviews

Los Angeles Asian Pacific Film Festival, Festival Co-Director David Magdael

Visual Communications, the nation’s premier Asian Pacific American media arts center, announced its outstanding program of films and events for the upcoming 34th edition of the Los Angeles Asian Pacific Film Festival (LAAPFF) running MAY 3 – MAY 12, 2018. The all encompassing annual film celebration is presented across Los Angeles in West Hollywood, Downtown LA, Little Tokyo, Koreatown, and Hollywood. Visual Communications proudly celebrates the Film Festival’s 34 years as Southern California’s largest and most prestigious film festival of its kind.  LAAPFF launches the celebration of Asian Pacific Heritage Month through this year’s slate of over 100 films from both Asian Pacific American and Asian international artists.  For over three decades, the Festival has presented nearly 5,000 films by Asian Pacific American and Asian International talent. This year, 39 feature films and 79 shorts from the over 800 submissions will be showcased during the ten-day fest. The Festival opens with the Los Angeles premiere of Aneesh Chaganty’s feature debut  SEARCHING starring John Cho and Debra Messing giving audiences an early chance to see the movie that took the NEXT audience award and the Alfred P. Sloan award at the 2018 Sundance Film Festival. Other programs include  CENTERPIECE FILMS will feature two outstanding world premieres with IN THE LIFE OF MUSIC and FICTION & OTHER REALITIES. Centerpiece Films will be presented on Saturday, May 5th at the Aratani Theatre at the Japanese American Community and Cultural Center (JACCC) in Little Tokyo – Downtown Los Angeles.  The CLOSING NIGHT FILM will be the Los Angeles premiere of the acclaimed 2018 Sundance World Documentary Special Jury Award winner MATANGI/ MAYA/ M.I.A., directed by Stephen Loveridge.  Inspired by her roots, M.I.A. created a mashup, cut-and-paste identity that pulled from every corner of her journey; a sonic sketchbook that blended Tamil politics, art school punk, hip-hop beats and the voice of multicultural youth. Los Angeles Asian Pacific Film Festival Co-Director David Magdael will join us to talk about this years’s exciting festival line up.

 

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For news and updates on the Los Angeles Asian Pacific Film Festival go to: Festival.VConline.org/2018

Grace Jones: Bloodlight and Bami, Director Sophie Fiennes

Grace Jones: Bloodlight and Bami is an electrifying journey through the public and private worlds of pop culture mega-icon Grace Jones.  The documentary contrasts musical sequences with intimate personal footage, all the while brimming with Jones’s bold aesthetic. A larger-than-life entertainer, an androgynous glam-pop diva, an unpredictable media presence – Grace Jones is all these things and more. Sophie Fiennes’s documentary goes beyond the traditional music biography, offering a portrait as stylish and unconventional as its subject. Taking us home with her to Jamaica, into the studio with long-time collaborators Sly & Robbie, and backstage at gigs around the world, the film reveals Jones as lover, daughter, mother, and businesswoman. But the stage is the fixed point to which the film returns, with eye-popping performances of “Slave to the Rhythm,” “Pull Up to the Bumper,” “Love is the Drug,” and more. Jones herself has said watching the film “will be like seeing me almost naked” and, indeed, Fiennes’s treatment is every bit as definition-defying as its subject, untamed by either age or life itself. Director Sophie Fiennes (Pervert’s Guide to Ideology, Legend of Leigh Bowery) joins us to talk about the dynamic in-concert performances, her access to Grace and her startling candor concerning her public and private life and the critical recognition the film has garnered.

 

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For news and updates got to: kinolorber.com/film/gracejonesbloodlightandbami

Social Media:

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twitter.com/miss_gracejones?lang=en

instagram.com/gracejonesofficial

90% on Rotten Tomatoes

“Brilliantly and beautifully engaged in the present. A sparkling example of how to document our icons. Allows us to appreciate the reality of the artist in her most candid moments, in her own words, which is way more interesting than what we’d find in yet another standard biopic.” – Daisy Jones, VICE

“Pure energy, fierce, and empowering. If you want a rock-n- roll, sexy, feel good, empowering film, pull up to the theater in your most audacious outfit and get ready for the Grace Jones experience.” – The Huffington Post

“A celebration of art and life. Jones herself has promised the film ‘will be like seeing me almost naked.’” – Michael-Oliver Harding, Interview Magazine

“A sumptuous sensory treat.” – Stephen Dalton, The Hollywood Reporter

“A true testament to the power of style.” – Caitlin Agnew, The Globe and Mail

“The film feels as epic as the artist herself. A mix of concert doc and intimate verité, Fiennes has crafted a film that feels like Stop Making Sense via Frederick Wiseman. As an intimate look at Jones the film succeeds, as a powerful testament to her talent the film soars.” – Jason Gorber, BirthMoviesDeath

Indian Film Festival of Los Angeles, Mike Dougherty, Director of Programming

The Indian Film Festival of Los Angeles (IFFLA) is a nonprofit organization devoted to a greater appreciation of Indian cinema and culture by showcasing films, supporting emerging filmmakers, and promoting the diverse perspectives of the Indian diaspora. Each year the festival features a rich mix of film programs designed to build and support the growing interest in the Indian entertainment industry. This includes programming that cultivates an audience for Indian films while supporting filmmakers of Indian descent in career development as they navigate the larger studio system in Hollywood. The Indian Film Festival of Los Angeles, runs from Wednesday, April 11 – 15 at Regal Live in downtown Los Angeles, featuring programs that include One-on-One program where film industry professionals from major and independent production and distribution companies are invited to participate in meetings with the IFFLA filmmakers; and panel discussions with speakers from the film industry. We are joined by IFFLA’s Director of Programming Mike Dougherty to talk about the past, present and future of Indian cinema and the increasing acceptance among mainstream American film lovers.

 

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For news, updates and screening information go to: Indianfilmfestival.org

facebook.com/indianfilmfestival

The Green Fog, Director Guy Maddin

Guy Maddin and collaborators Galen and Evan Johnson made this ode to VERTIGO and the city of San Francisco for the closing night world premiere gala of the 2017 San Francisco International Film Festival. The iconoclastic Winnipeg-based filmmakers, working together since 2015’s THE FORBIDDEN ROOM, set themselves the challenge and constraint to remake VERTIGO, creating what they call a “parallel-universe version.” Using Bay Area-based footage from hundreds of sources—studio classics, ’50s noir, documentary and experimental films, and ’70s prime-time TV—and employing Maddin’s mastery of assemblage technique, seen in work like MY WINNIPEG and BRAND UPON THE BRAIN, the result exerts the inexorable pull of Hitchcock’s twisted tale of erotic obsession while paying tribute to the City by the Bay and the ways it looks and feels through the medium of cinema   Composed by Jacob Garchik and performed by Kronos Quartet, the film’s score nods to Bernard Hermann’s classic VERTIGO music as it collides and converses with Maddin and Johnsons’ irreverent and loving footage to create a distinctive musical extravaganza. Through 12 features and many shorts, adventurous artist Guy Maddin exhibits the rare ability to simultaneously subvert and honor the craft of  filmmaking. His credits include the Emmy Award-winning ballet film Dracula: Pages From A Virgin’s Diary (2002); The Saddest Music in the World (2003); My Winnepeg (2007) and US National Society of Film Critics Best Experimental Film Prize-winners Archangel  (1990) and The Heart of the World (2000). Guy Maddin talks about the “City by the Bay,” scriptwriting, storytelling and his favorite film, Vertigo.

 

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For news and updates go to: balconyfilm.com/the-green-fog

94% on Rotten Tomatoes!

“First and foremost, “The Green Fog” is a marvel of film scholarship that looks backward and forward from the Hitchcock masterpiece.” – Ben Kenigsberg, New York Times

“The Green Fog fairly closely follows the structure of Hitchcock’s film; achieving that in itself is some sort of accomplishment. However, it’s not so much an assemblage as it is a conjuring.” – Bilge Ebiri, Village Voice

“The film is a brilliant exercise in meta-narrative, which raises questions galore about reality and representation, time and space, genre and gender, individual and urban identity, cinematic suture and casting. Mainly, though, it’s just very, very funny.” – Geoff Andrew, Sight and Sound

“The work of a sensibility as impish as it is scholarly, animated by a mischievous sense of the medium’s possibilities” – Justin Change, Los Angeles Times

“It demonstrates the act of creation as a perpetually reconstructive effort…” – Lawrence Garcia, Cinema Scope

Friday, March 16, 2018 – Finding Your Feet, Director Richard Loncraine

When ‘Lady’ Sandra Abbott (Academy Award nominee Imelda Staunton, Maleficent, Vera Drake) discovers that her husband of forty years (John Sessions) is having an affair with her best friend (Josie Lawrence) she seeks refuge in London with her estranged, older sister Bif (Celia Imrie), The Best Exotic Marigold Hotel, Bridget Jones’ Baby). The two could not be more different – Sandra is a fish out of water next to her outspoken, serial dating, free-spirited sibling. But different is just what Sandra needs at the moment, and she reluctantly lets Bif drag her along to a community dance class, where gradually she starts finding her feet and romance as she meets her sister’s friends, Charlie (Timothy Spall), Jackie (Joanna Lumley) and Ted (David Hayman). Director Richard Loncraine talks about his endearing and touching film about seconds chances and finding love.

 

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For news and updates go to: findingyourfeetfilm.com/home

70% on Rotten Tomatoes!

“The cast lend charm to this feel good fairy tale and Celia Imrie is especially good as the inspiring Bif.” – Allan Hunter, Daily Express

“The cinematic equivalent of a pair of comfy slippers. This is a charming, oft-told tale of second chances in life and love, and it is filled with fine performances only let down occasionally by an indulgent run time and some stunted dialogue.” – Linda Maric, HeyUGuys

“It’s about real adults living ordinary, important and sometimes difficult lives. Finding Your Feet is rightly billed as comedy-drama; yet, although it’s full of rib-tickling dialogue, it’s the drama that cuts deep.” – Stephen Romei, The Australian

“Its love-in-later-life insights are well-worn, but with Staunton on song, Richard Loncraine’s film mines genuine feeling.” – James Mottram, Total Film