Barb and Star go to Vista del Mar – Director Josh Greenbaum

Take a trip and break out of your shell with Barb and Star. From the gals who brought you Bridesmaids (co-stars and co-writers Kristen Wiig and Annie Mumolo) comes BARB & STAR GO TO VISTA DEL MAR. Lifelong friends Barb and Star embark on the adventure of a lifetime when they decide to leave their small Midwestern town for the first time…ever. Romance, friendship and a villain’s evil plot…Hold onto your culottes, BARB & STAR is streaming now! Director Josh Greenbaum (Too Funny to Fail, Behind the  Mask, Becoming Bond) joins us for a lively conversation on he became part of  the Trish-a-licious inspired Kristen Wiig and Annie Mumulo’s project, and finding just the right amount of kitsch, color and culottes to make the funniest magical turtle comedy in the history of cinema.

 For news, updates and screening go to: barbandstar.movie

About the filmmaker – Josh Greenbaum is a Director, Writer and Producer in both film and television. He has won an Emmy Award, an MTV Award, and a CINE Golden Eagle Award. His first feature documentary THE SHORT GAME won the Audience Award at the SXSW Film Festival and was acquired by Netflix to launch their Originals film division. His second film BECOMING BOND also won the Audience Award at the SXSW Film Festival and was acquired by Hulu as one of their first Original films. His latest film called TOO FUNNY TO FAIL is a Hulu Original Documentary about The Dana Carvey Show, which was the launching ground for then unknowns Steve Carell, Stephen Colbert, Louis CK, and Charlie Kaufman among others and currently has a 100% fresh rating on Rotten Tomatoes. In television, Greenbaum is the creator, Executive Producer, and Director of the Emmy- nominated Hulu Original series BEHIND THE MASK now in its second season, and Executive Producer and Director of the Netflix Original Series THE PLAYBOOK. In addition, Greenbaum has written and directed projects for ABC, CBS, Fox, Comedy Central and the CW, including THE NEW GIRL for Fox, as well as dozens of short films, including one for the Clinton Foundation and Funny or Die starring Matt Damon, Ben Stiller, Kevin Spacey, Sean Penn, Jack Black, Bill Clinton, Kristen Wiig and others. Greenbaum has also directed award-winning commercials for brands such as Dove, Coke, AT&T, ESPN, Burger King, Old Navy, Carhartt, and has directed top name talent such as Daniel Craig, Ben Affleck, Kristen Bell, Matt Damon, including a commercial starring Arnold Schwarzenegger that garnered 20 million hits in less than two days and was awarded the Youtube Ad of the Year. He also recently won a Cannes Lion Award for a campaign he directed for Burger King. Greenbaum is a graduate of Cornell and Oxford Universities and received his MFA in film from the graduate program at USC’s School of Cinematic Arts. 

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“To call it a trip is an understatement. Barb and Star Go to Vista Del Mar is a tumble down a piña-colada-fuelled rabbit hole. Once through the looking glass, it’s an uncanny but thoroughly enjoyable time.” – Gabriella Geisinger, Digital Spy

“’Barb & Star Go to Vista Del Mar’ is one of the silliest and most ridiculous films I’ve seen in some time…and I loved every damn moment of it.” – Doug Jamieson, The Jam Report

“Barb & Star is what happens when you let two genius women do whatever they want and what they want happens to be an action comedy set in tourist Florida with two middle-aged women who love culottes at the center.” – Esther Zuckerman, Thrillist

“Brimming with incredible energy and non-stop laughter, Barb and Star Go to Vista Del Mar is the movie the entire world needs right now.” – Maxance Vincent, Cultured Vultures

“A tropical blue beacon of absurd joy that has nothing profound to say, and is all the better for it.” – Abby Olcese, Crooked Marquee

A Glitch in the Matrix – Director Rodney Ascher

A GLITCH IN THE MATRIX ask the question, what if we are living in a simulation, and the world as we know it is not real? To tackle this mind-bending idea, acclaimed filmmaker Rodney Ascher (ROOM 237, THE NIGHTMARE) uses a noted speech from Philip K. Dick to dive down the rabbit hole of science, philosophy, and conspiracy theory. Leaving no stone unturned in exploring the unprovable, the film uses contemporary cultural touchstones like THE MATRIX, interviews with real people shrouded in digital avatars, and a wide array of voices, expert and amateur alike. If simulation theory is not science fiction but fact, and life is a video game being played by some unknowable entity, then who are we, really? A GLITCH IN THE MATRIX attempts to find out. The film introduces us to a handful of real-world testifiers who are certain that their bodies and minds are being operated by some external game-player. Ascher, as ever an inviting, curious questioner (never one who mocks), brings a wealth of cultural and intellectual context to his latest exploration, from the videotaped musings of paranoid sci-fi giant Philip K. Dick to clips of Keanu Reeves in The Matrix and a host of bespoke animated re-creations that give eerie credence to the most outré of notions. Director Rodney Ascher joins us to talk about his paranoia-inducing, exhilarating and definitive introduction to a subject that, subscribe to it or not, involves us all.

 

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For news and updates go to: aglitchinthematrixfilm.com

About the filmmaker – RODNEY ASCHER (Director, Editor, and Executive Producer) RODNEY ASCHER is a filmmaker known for creating documentaries that explore the subjective experience, freely appropriating the vocabularies of genre, experimental, and found-footage films along the way. His first feature, 2012’s ROOM 237 looked at The Shining through the eyes of five very different people. He visualized their wildly different interpretations of Kubrick’s classic by juxtaposing excerpts of the film with everything from Murnau’s Faust to the cover of the January 1978 issue of Playgirl magazine creating a trip down the rabbit hole. His follow up, THE NIGHTMARE was called “The Scariest Movie of the decade.” Creatively, the film completely changed tactics from Room 237’s archival-driven montage. To visualize real people’s seemingly supernatural experiences during bouts of ‘sleep paralysis’ his team filmed interviews at night in the subjects’ own bedrooms and created stylized re-enactments inspired by the interviewees’ drawings and his own personal memories of a visitation by a ‘shadowman.’ Like Room 237, it premiered at Sundance before traveling around the world including an Imax screening in Moscow. A GLITCH IN THE MATRIX is his most ambitious film yet, using multiple styles of 3D animation to illustrate the experiences and philosophies of people who suspect the world itself is not quite real.

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“A Glitch in the Matrix becomes not about whether we’re living in a simulation but about the many understandable reasons someone may think this. In effect, it winds up being about the mysteries of the human experience.” – Bilge Ebiri, New York Magazine/Vulture

“’A Glitch in the Matrix’ goes for the head by way of the heart, or maybe vice versa. Superb and startling, breathtaking and compassionate.” – Bill Arceneaux, Of Those Who

“A compellingly out-there look at the possibility that we’re all avatars in a game we can’t comprehend.” – Nick Schager, The Daily Beast

“Ascher’s appropriately discombobulating stew of queasiness, comedy, and terror seems well-cued to the subject matter, even while missing a certain editorial sharpness that might have brought some of its notions into greater clarity.” – Chris Barsanti, The Playlist

“While Ascher casts a wide net, “A Glitch in the Matrix” works quite well as an overview of the various epistemological questions it raises.” – Eric Kohn, indieWire

Windup – Director Yibing Jiang and Artistic Director Glenn Keane

The animated short film based on her own childhood experience in Wuhan China, WINDUP, tells the story of a father trying to stay connected with his unconscious daughter through music. He plays a windup music box and hopes she can hear it while fighting with his own emotions to stay strong. Meanwhile, his daughter follows the melody in her dreams and looks for a way back. WINDUP is a nine-minute animated short written and directed by an emerging female Chinese filmmaker Yibing Jiang, and Animation Director Jason Keane. Keane has a long family legacy in animation, which includes, his grandfather Bill Keane (Family Circus comics) and his uncles Jeff Keane; and Glenn Keane, (The Little Mermaid, Beauty and the Beast, Aladdin, Pocahontas, Tarzan, and Tangled). WINDUP was also a collaboration with artists working remotely from around the world, created in real-time with Unity. At a time when we are feeling isolated, craving connection and preoccupied with the health and well-being of loved ones, the theme of the film is an uplifting and universal one that highlights the fragile nature of life, love, resiliency and the healing power of music, told through the eyes of a father and the special bond he shares with his ailing young daughter. Director Yibing Jiang and Artistic Director Jason Keane stop by to talk about their work and vision for this heartwarming and beautiful animated film.

 

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To find out more or to watch go to: unity.com/demos/windup

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The Wanting Mare – Director Nicholas Ashe Bateman

In the world of Anmaere, north of the city of Whithren, wild horses run through the moorlands and up the coast. These horses are the city’s most valuable export and, as a result, are hunted, trapped, sold, and shipped across the sea once a year. For those in Whithren, this trade passage creates lucrative and exciting possibilities: the chance to escape their constantly sweltering city and escape to the Western continent of Levithen, or simply to begin again. Nothing can prepare audiences for the secrets, seduction, and sights of THE WANTING MARE, an intimate, dramatic fantasy epic written and directed by renowned digital artist Nicholas Ashe Bateman (visual effects supervisor of David Lowery’s upcoming The Green Knight). A technical marvel of digital world-building and independent ambition, the sprawling vistas, fantastical sights, and otherworldly tableaus of THE WANTING MARE were lensed almost entirely inside a warehouse in Paterson, New Jersey. Director, writer, and editor Nicholas Ashe Bateman joins us to talk about the five year journey of making THE WANTING MARE, the defining connection humans and horses share, the support he received from a dedicated group of friends and filmmakers, and the importance of Carl Jung.

 

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For news, updates and screenings go to: anmaerepictures.com/thewantingmare

THE WANTING MARE was written and directed by Nicholas Ashe Bateman, Executive Produced by Lawrence Inglee, and stars Jordan Monaghan, Yasmin Keshtkar, Edmond Cofie, Nicholas Ashe Bateman, Josh Clark, and Christine Kellogg-Darrin.

THE WANTING MARE opens nationwide on Friday, February 5th, 2021, and will be accompanied by a half-hour making-of documentary available online.

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Film Maudit 2.0 – Executive Director Leo Garcia and Artistic Director Patrick Kennelly

January 12-24 2021, Highways, the legendary Los Angeles Performance Space and Gallery presents its Second Annual Film Maudit 2.0 festival showcasing and celebrating new outré, unusual and startling films. The festival will feature over 125 works of cinema from 25 countries including films rarely if ever, seen in festivals: works addressing socio-political issues and taboo subject matter that challenges conventional artistic assumptions and sexual mores.Virtual, online screenings of 18 feature films, 21 shorts programs, specially commissioned programs, and new film scored performed by artists who reflect the diversity of Los Angeles. Included are a range of narrative, documentary and experimental films that are deliberately bold, extreme, confrontational and unusual. Film Maudit 2.0 highlights this year include the U.S. premieres of Feature Films: Mathius Marvellous Shop, a Spanish/German surrealistic satire; Kriya, a magical Indian thriller, and the Los Angeles premieres of Woman of the Photographs; a powerful Japanese film about image and reality for a beautiful model; The Columnist, a darkly comic horror film from The Netherlands; A Dark, Dark Man, the Kazakhstan/France thriller just long-listed for the Golden Globes; and Darkness (Buio) the first feature film by Donatello Award-winning director Emanuela Rossi. Other special programs include a special fundraising screening of erotic art pioneers Annie Sprinkle and Beth Stephens’ Water Makes Us Wet, featuring a live stream Q&A with both; new, original music scores performed live to silent films, and multiple Feature and Shorts Programs that showcase works from 25 countries in 16 uniquely curated categories from ‘Ms. Fear’ to ‘Shattering Form’ – with animated documentaries to experimental works handmade on film; extreme horror to comic surrealism. There is a special focus on works in Film Maudit’s BEHOLD section, which includes NSFW! curated by Planet Queer, Hi Kicks Entrails, curated by performance artist Ironstone, and QLX: the Performance of Queer Latinx.

 

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For news, screenings and updates go to: filmmaudit.org

All films at the festival are free and available online January 12 through 24. Reservations are required and can be made for each program via Film Maudit 2.0’s Screening Portal: filmmaudit.org/filmmaudit

Film Maudit 2.0 festival is inspired by French avant-garde filmmaker and writer Jean Cocteau who created the original Festival du Film Maudit (literally “cursed films”) in 1949 aiming to celebrate overlooked, shocking and experimental films. Film Maudit 2.0, in its 2nd year, showcases a counter-cinema will blend of narrative, documentary and experimental films that in their style and/or subject matter, are deliberately bold, extreme, confrontational, troubling, shocking and/or unusual. The festival is funded in part by the California Arts Council, Los Angeles County Department of Cultural Affairs and the City of Santa Monica Cultural Affairs CAP Program.

About HIGHWAYS – Film Maudit 2.0 is co-presented by and takes place at Southern California’s boldest center for new performance and media arts, Highways Performance Space & Gallery in Santa Monica, CA. In its 31st year, Highways continues to be an important alternative cultural center in Los Angeles that encourages radical artists from diverse communities to develop and present innovative new works. Described by the Los Angeles Times as “a hub of experimental theater, dance, solo drama and other multimedia performance,” Highways promotes the development of contemporary socially involved artists and art forms. Under the helm of Executive Director, Leo Garcia, Highways has received funding and support from organizations such as the The James Irvine Foundation, Metabolic Studio, California Community Foundation, Liberty Hill Foundation, The Warhol Foundation, National Endowment for the Arts, and The Roy Cockrum Foundation. Leo Garcia is an award-winning playwright, filmmaker, visual artist and actor who has produced over 800 performance works as Artistic Director-turned-Executive Director of Highways since 2003. highwaysperformance.org

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Tandem Pictures, Founder Julie Christeas and COO Jonathan Blitstein

Tandem Pictures is a leader in conceiving and implementing eco-sustainable filmmaking practices in the indie film space, with all of their productions following Environmental Media Association standards and the Producers Guild’s Green Best Practices. They’re also an advocate for how these practices – from using hybrid vehicles on set, to having the sound and camera teams use rechargeable batteries, to composting and using metal straws – can and should be adopted industry-wide. Female owned and operated, it is Tandem’s mission is to bring female talent and narratives to the forefront. They embrace female-centric storytelling, and pride themselves on the fact that the casts and crews of their films are composed of underserved and underrepresented minority groups, LGBTQIA, and women.  tandempictures.com

 

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ABOUT TANDEM PICTURES Since 2010, TANDEM PICTURES has elevated and given a platform to misrepresented and underrepresented ideas. We are filmmakers, driven by justice and representation for both people and the planet. We strive to not only tell stories, but to share learnings with the industry in order to grow positive filming practices across our community.  Past films include acclaimed festival films THE SURROGATE, BLOODSTRIPE, THE EYES OF MY MOTHER, THE SLEEPWALKER, WILDLIKE, GHOST TEAM and more.  tandempictures.com

JULIE CHRISTEAS – Tandem Pictures – Founder, Chief Executive Officer        Julie’s recent films include BLACK BEAR (Sundance 2020) starring Aubrey Plaza, Christopher Abbott and Sarah Gadon which will be released later this year by eOne/Momentum and THE SURROGATE (SXSW 2020/Monument Releasing) . She also executive produced the cult horror favorite THE EYES OF MY MOTHER (Sundance 2016/Magnet Releasing), MONOGAMY (Best NY Narrative, Tribeca Film Festival 2010), the feature doc DUKALE’S DREAM starring Hugh Jackman, and GHOST TEAM starring Jon Heder, David Krumholtz, Justin Long, Amy Sedaris and Melonie Diaz. Previously she produced BLOOD STRIPE (Jury Prize for Best Narrative Film, LA Film Festival 2016), WILDLIKE starring Bruce Greenwood and Brian Geraghty (HIFF), and THE SLEEPWALKER starring Christopher Abbott and Brady Corbet (Sundance 2014/IFC). 

JONATHAN BLITSTEIN – Tandem Pictures – Co-owner, Chief Operating Officer Jonathan’s most recently produced the acclaimed films THE SURROGATE, and BLACK BEAR (SUNDANCE, EOne/Universal release) starring Aubrey Plaza. Prior to Tandem he worked in production and branded entertainment for Vudu, Sony and Disney, supporting Fortune 500 Brands such as Walmart, Sprint and Covergirl. At Oracle (formerly CrowdTwist), he initiated the creation of Marvel Studios’ first nationwide fan loyalty program Marvel Insider. In his early career, he made two micro-budget feature films LET THEM CHIRP AWHILE and ANOTHER KIND which both premiered at the Woodstock Film Festival which were distributed on Netflix and VOD. Early career roles include marketing arthouse films such as Park Chan Wook’s OLD BOY, and Noah Baumbach’s SQUID AND THE WHALE. 

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Koko-Di Koko-Da, Director Johannes Nyholm

In his follow-up to the acclaimed debut feature film, The Giant, Johannes Nyholm’s Koko-Di Koko-Da recounts the story of Elin and Tobias, a happily married couple who regularly vacation with their young daughter. The family is on a dreamy holiday when an innocuous case of food poisoning derails their plans and forever alters the course of their lives.Three years later, the once loving couple is on the road again to go camping, looking for one last chance to go back to the way things used to be. But what once was is lost, and our characters instead find themselves having to relive the same nightmarish events, as that day and the horrors it brings repeat themselves infinitely. Together, they must overcome their trauma, reconcile with their past and fight for their lives. Over, and over, and over again. Discerned through a dreamlike fabric, a story emerges about relationships in general, grief and reconciliation in particular, and love as a healing force. Director Johannes Nyholm stops by to talk about the mind-bending, Federico Fellini meets Rod Sterling mise-en-scène inhabiting this profoundly passive-aggressive tale of trauma, loss and truly terrible camping strategies.

 

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To watch the film on-line go to: laemmle.com/film/koko-di-koko-da

Director’s Statement – The setting is those wee hours of the morning when dreams are at their most relentlessly untamed. This is also when the seed for many of my films comes to me. I’m sweating, struggling to go back to sleep and plagued by scattered thoughts. Suddenly they come together, leading me into a fairy tale. I write it down and then I can sleep. “Koko-di Koko-da” was both written and takes place during such a time – this nightmarish landscape between wakefulness and sleep. The film is deeply personal and a means to confront my own worst fears, much like the way the characters in the film are forced to confront theirs. It’s a universal narrative about a relationship that is falling apart. The main reason for making this film is that I’m fascinated by the everyday situations and power struggles lurking beneath the surface in relationships; what is not said, what is embedded between the lines. The love and happiness they once shared has evaporated, and so has the care they used to show for each other. Over and over again, we see them pushed yet again onto the same stage, the open glen in the woods, and into the airless tent. We observe them from above, like gladiators clashing repeatedly, without any opportunity to escape – be it from their tormenters or from each other. They are forced to confront each other, to display emotions, to be pushed around, humiliated, spat upon, tormented; in short – to be together. Any attempts to get away inevitably lead back to the same claustrophobic scenario. Made up of dreams, this story is also structurally constructed like a dream – or more specifically, a nightmare. Taking us through a labyrinth in time, like a dark grinding thought, never letting go, stuck on repeat. Presenting minor variations, but always with the same horrific outcome. – Johannes Nyholm

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“Johannes Nyholm follows up his masterful debut, 2016’s The Giant, with this often inexplicable yet increasingly captivating endeavor…” – David Nusair, Reel Film Reviews

“Though at times tasteless and barely coherent, the story is oddly affecting, the very strangeness of Nyholm’s folkloric vision and its unnerving execution pulling you in.” – Jeannette Catsoulis, New York Times

“It works as a parable for what happens to grief when it is left un-exorcised and unexpressed.” – Peter Bradshaw, Guardian

“Writer-director Johannes Nyholm (The Giant, 2016) takes all the grief, loss and bitter recriminations of this Swedish couple and drops them into the realm of myth, dream and folklore.” – Anton Bitel, Sight and Sound

Our Time Machine, Co-director S. Leo Chiang (Yang Sun)

The emotionally gripping documentary, OUR TIME MACHINE, focuses on 43-year-old Maleonn, one of China’s most influential conceptual artists, and his father, Ma Ke, former artistic director of the Shanghai Chinese Opera Theater. After being humiliated and forbidden from working for a decade during the Cultural Revolution, Ma Ke immersed himself in theater. The mysterious excitement of Ma Ke’s creative world inspired the young Maleonn, but his father’s absences stoked early feelings of resentment. When Ma Ke is diagnosed with Alzheimer’s, Maleonn pours everything into an ambitious new theater project: “Papa’s Time Machine,” a visually stunning time-travel adventure told with human-sized puppets. At the play’s heart are autobiographical scenes inspired by Maleonn’s memories with his father. He hopes this will bring them together artistically and personally. Facing his father’s painful decline, Maleonn becomes more aware of life’s complexities. There are no effortless masterpieces or simple solutions. And there’s no traveling back in time to retrieve what has been lost. OUR TIME MACHINE probes the complex relationships of a family in transition, generation to generation, filtered through the lens through art, theatre and puppeteering. Co-director S. Leo Chiang joins us to talk about his collaboration with co-director Yang Sun and subject Maleonn as well as unpack the multi-layered questions concerning memory, dreams, love, and family.

 

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For news, screenings and updates go to: timemachinefilm.com

Directors’ Statement Those who grew up in post-Cultural Revolution China lived through a kind of socio-economic transformation that would have taken another country 100 years to bring about. In the span of 20 years, cities emerged from towns, the economy generated unprecedented wealth for some while leaving others behind, and new roads and digital networks connected China to the world. These migrations within our country and its rapid digitization have fundamentally changed the way people communicate and relate to one another. So, when we came across Maleonn and his ageing father, both artists, but who came of age on opposite sides of the Cultural Revolution in China, we made immediate personal connections. We see a story that could be our own in the not-so-distant future. For us and for Maleonn, the struggle to express affection towards one’s family goes hand in hand with defining and sharing the meaning behind devoting one’s life to art. Our intentions in crafting our film are to move others the way it has profoundly moved us. This is an evergreen story, relevant for past and future generations and across cultural divides, so long as there is love between children and their parents. Our story provides a needed addition to highlight the similarities between people in the West and in China during a time where the political language can be hostile and divisive.We hope this film celebrates the process in which two men reconcile their past feelings and create something together that repairs a distressed part of the fabric of Chinese society. – S. Leo Chiang and Yang Sun

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100% on RottenTomatoes

“The issues of aging and familial relationships and the appealing nature of this family would make “Our Time Machine” worthy of a look in any case, but what puts it over the top is Maleonn’s fascinating visual creations.” – G. Allen Johnson, San Francisco Chronicle

“S. Leo Chiang and Yang Sun’s vibrant documentary about this labor of love proves to be a multi-layered metaphor of the interplay of art, memory, loss, and reconciliation, as well as a study of a touching and fraught father-son relationship.” – Peter Keough, Boston Globe

“Even though Our Time Machine is about a big, ambitious stage production with some visually stunning puppets, the documentary’s smaller, quieter moments with Maleonn and his family are where the movie is at its best.” – Carla Hay, Culture Mix

“Maleonn’s wondrous creations are enough of an attraction on their own, but the film… has many more layers to reveal about the legacy of Cultural Revolution, familial relationships, the agonies of love and loss and the circle of life.” – Scott Tobias, Variety

Feels Good Man, Director Arthur Jones and Giorgio Angelini

In November 2016, a nasty election cycle had exposed a seismic cultural rift, and the country suddenly felt like a much different place. For underground cartoonist Matt Furie, that sensation was even more surreal. Furie’s comic creation Pepe the Frog, conceived more than a decade earlier as a laid-back humanoid amphibian, had unwittingly become a grotesque political pawn. FEELS GOOD MAN is a Frankenstein-meets-Alice-in-Wonderland journey of an artist battling to regain control of his creation, while confronting a disturbing cast of characters who have their own peculiar attachments to Pepe. Now, as Pepe continues to morph around the world – FEELS GOOD MAN offers a vivid, moving portrait of one man, one frog, and the very strange reality we’ve all found ourselves living in. Director Arthur Jones and Producer Giorgio Angelini stop by to talk about their mind-blowing journey into an internet / social media / 4Chan rabbit hole where a hippy-dippy cartoon character becomes an avatar and unfathomable messenger of hatred and bigoted propaganda.

 

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For news, updates and screenings go to: feelsgoodmanfilm.com

To watch Feels Good Man go to: feelsgoodman.watch

For more on Pepe the Frog creator mattfurie.com

About the filmmakers: Arthur Jones – Director / Animator / Writer FEELS GOOD MAN is Jones’s directorial debut, but he’s uniquely suited to tell the story. He’s a cartoonist who came up in the same indie comics scene as the film’s subject, Matt Furie. Jones published a book of his illustrations in 2011: Post-it Note Diaries (Penguin/Plume Paperbacks). Over his career, he’s art directed animation and motion graphics for journalists and documentary filmmakers, working with companies including The New York Times, VICE, The Center for Investigative Reporting and The International Consortium of Journalists. Recently he’s been a part of several documentary features: Seed Money: The Chuck Holmes Story (2015), BUNKER 77 (Amazon Studios, 2017), Owned, A Tale of Two Americas (2018) and Hal (Oscilloscope Films, 2018). Jones is a graduate of the Rhode Island School of Design. For more on the work of Arthur Jones go to: futuresmells.com

Giorgio Angelini: Producer / Writer / Cinematographer came into film from a longer, multi-faceted career in the creative arts. After touring in bands like The Rosebuds and Bishop Allen for much of his 20s, Giorgio enrolled in the Masters of Architecture program at Rice University during the depths of the 2008 real estate collapse. It was during this tumultuous time that the seeds for Giorgio’s directorial debut, OWNED: A Tale of Two Americas began to take shape. Following graduate school, Angelini began working with the boutique architecture firm, Schaum Shieh Architects, where he designed the White Oak Music Hall in Houston, Texas, as well as the headquarters for The Transart Foundation for Art and Anthropology, which won the Architect’s Newspaper’s “Design of the Year” award in 2018. 

WINNER – U.S. Documentary Special Jury Award for Emerging Filmmaker – 2020 Sundance Film Festival
WINNER – Best Feature Documentary – 2020 Lighthouse International Film Festival
Official Selection – 2020 True/False Film Festival
Official Selection – 2020 Big Sky Documentary Festival
Official Selection – Festival Favorites – 2020 SXSW Film Festival

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94% on Rotten Tomatoes

“You’ve just got to see it. It is chilling, hopeful, terrible, and wonderful—and made with care, gorgeous animation, and perfect pacing.”Allen Salkin, Los Angeles Magazine

“An expansive forensic look at the life cycle of an idea, a warp-speed analysis of internet sociology, and a harrowingly modern fable about innocence lost.“ – David Ehrlich, IndieWire

“It’s mesmerizing and kind of trippy, but also makes the film feel like a one-of-a-kind creation in the greater context of the Pepe the Frog legacy…an outstanding documentary.” 9/10 – Alex Billington, FirstShowing

“The most urgent and poignant political documentary of the year.” – Matt Patches, Polygon

Get Duked!, Director Ninian Doff

GET DUKED! follows teenage pals from Glasgow Dean, Duncan and DJ Beatroot as they embark on the character-building camping trip — based on a real-life program — known as the Duke of Edinburgh’s Award, where foraging, teamwork and orienteering are the order of the day. Eager to cut loose and smoke weed in the Scottish Highlands, the trio find themselves paired with strait-laced Ian, a fellow camper determined to play by the rules. After veering off-path into remote farmland that’s worlds away from their urban comfort zone, the boys find themselves hunted down by a shadowy force hell-bent on extinguishing their futures. From writer-director Ninian Doff — making his feature debut after a slew of award-winning music videos and short films for artists including Run the Jewels, The Chemical Brothers, Miike Snow, Migos, and Mykki Blanco — comes an anarchic satire of generational politics, hip-hop-loving farmers and hallucinogenic rabbit droppings that pits the youth of tomorrow against the status quo of yesterday. GET DUKED! stars Eddie Izzard, Kate Dickie, Georgie Glen, James Cosmo and a breakout young cast featuring Samuel Bottomley, Viraj Juneja, Rian Gordon, and Lewis Gribben. Creator and director Ninian Doff joins us for a raucous conversation on the brilliance of Eddie Izzard, getting a chance to bring his music video chops to a feature film and why the Brits are so attuned to the power of satire.

 

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Watch Get Duked! at amazon.com/Get-Duked!

About the filmmaker: Ninian Doff is a robot built by the military as an advanced ruthless killing machine. Unfortunately when they booted him up he showed no interest in murder and to their dismay started making films instead. He is considered the greatest military failure in history. Nominated for 9 British Arrows 2020 (Sainsburys and Veg Power), Grammy 2020 Best Music Video Nominated (Chem Brothers), Campaign’s Top 10 Directors 2019, Winner Shots Awards “Television Commercial of the Year – Up to and including 60 second” (Veg Power), BIFA Best Debut Director Nominated (Boyz In the Wood/ Get Duked!), Winner Just Film Grand Prix Talin Black Night Festival (Boyz In the Wood/ Get Duked!), Winner The Siren Award for Best Feature Film 2019 Lund Fantastik Film Festival (Boyz In the Wood/ Get Duked!), Winner Music video of the year Ars Independent Festival (Chemical Brothers), Nominated Best Dance Video UKMVA 2019 (Chemical Brothers), Winner SXSW Audience Award Midnighters (Boyz In The Wood), Winner of Best Director at UKMVA 2016. Winner Best Urban Video, Best Pop Video UKMVA 2016. D&AD Director Pencil 2016. Gold in FilmCraft at Europebest 2015. UKMVA 2015 Best Director Nominee. UKMVA 2104 “Best Director” Nominee. Winner UKMVA 2014 “Best Choreography”. Winner of UKMVA 2013 “Best Indie Video”. Jury and Audience award at ‘Depict13 at Brief Encounters Film Festival 2013. Nominee at UKMVA’s in last 3 years running including “Best New Director”. Selected for Saatchi and Saatchi’s New Director’s Showcase at Cannes 2012 and One Dot Zero’s “New British Talent 11”. Work has been screened at over A BILLION festivals around the world including SXSW, LA Film Festival, London Short Film Festival, Las Vegas Film Festival, Montreal Museum of Modern Art, The V&A London. For more on the filmmaker fo to: niniandoff.com

Social media
twitter.com/NinianDoff
instagram.com/niniandoff
@NinianDoff
@procrastibot

“Fabulously funny and subversive.” – Anne Brodie, What She Said

“Serves as a distinctive calling card for a gifted yet twisted comedian, one without the slightest qualms about turning a bucolic countryside jaunt into a bloody “The Hills Have Eyes”-style hunting party.” – Peter Debruge, Variety

“A rambunctious film shot through with daft humour and an endearing, toxic masculinity-smashing sweet streak.” – Jamie Dunn, The Skinny

“An anarchic, pitch black, generation gap horror comedy that’s also one of the funniest films in a year where we are desperately in need of a laugh.” – James Croot, Stuff.co.nz

The rePRO Film Festival and mama.film Co-founders Lela Meadow-Conner, Mallory Martin and Debby Samples

The rePRO Film Festival begins its inaugural run this August 12-16. The virtual film festival is dedicated to exploring women’s reproductive healthcare, awareness, advocacy and bodily integrity in America. The lineup of films includes documentaries and narratives dealing with women’s rights, endometriosis, illegal sterilization, access to abortion, and reproductive justice for women of color, among other topics. rePRO Film Festival, will host five days of features, short films and themed-conversations focused on a range of topics including healthcare access, fertility, pregnancy, sexual education, abortion, and issues related to the gender spectrum. In-festival moderated conversations will include call-to-action messaging on how people can get involved in a corresponding initiative or topic. The conversations, designed to spotlight the creators who dare to tell stories about women’s reproductive rights, and to showcase courageous advocators, will be available online for free globally. All feature films playing the rePRO Film Festival are directed by women, and all filmmakers, including shorts filmmakers, are being paid to screen their films. The pay-what-you-can film ticket proceeds for films at the festival will be converted to donations to be split evenly among five beneficiary non-profit organizations – SisterSong, Endometriosis Foundation of America, Center for Reproductive Rights, URGE and Trust Women. Tickets are on sale online at repromamafilm.org. Tickets are all pay-what-you-can ($5, $10 or $15) with a limited number of complimentary vouchers available upon request to ensure access for all. rePro Film Festival and festival sponsor mama.film founders Lela Meadow-Conner, Mallory Martin and Debby Samples join us to talk about the launch of their deep dive into the issues, challenges and stories that face 49% of the world’s population and the people who love them.

 

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For news, screenings and updates go to: repromamafilm.org

About MAMA.FILM – Through the power of cinema, mama.film (link), a 501c(3) non-profit organization, unites nurturers of all kinds to ignite conversation and to reflect upon our shared human experience. Founded in 2019, in a pop-up microcinema in a shipping container in Wichita, Kansas, mama.film has since been awarded expanded programming to Cleveland, and to a virtual platform. Film selections include stories and topics that amplify and explore the evolving realities of the human condition and that spark dialogue and reflection. mamafilm is committed to representing the realities and complexities of a diverse range of nurturers, across race, class, geography, sexual preference, ability and generation.An emphasis is placed on independent and foreign films that are grounded in authentic storytelling. mamafilm is committed to supporting the work of creators who are  nurturers and caregivers. Initial support for rePRO by mama.film was generously provided by a grant from the George R. Tiller, M.D., Memorial Fund for the Advancement of Women’s Health at the Wichita Community Foundation. Follow @mamafilm1 on Instagram or Twitter for updates, or follow rePRO by mama.film on Facebook for more updates.

Social Media
facebook.com/mamafilm1
twitter.com/MamaFilm1
instagram.com/mamafilm1

Spinster, Director Andrea Dorfman

SPINSTER drops us into the life of Gaby (Chelsea Peretti). Gaby wants desperately to find real love. Recently dumped and on the brink of forty, she feels she doesn’t matter to anyone. Her best friend is pre-occupied with her kids, her family doesn’t get her, and running her own catering business, mostly weddings, serves as a constant reminder of the love that has eluded her. Gaby’s greatest fear, that she’ll end up a lonely and pathetic spinster, seems to be her destiny. After a frenzy of dating leaves her exhausted and demoralized, she admits she might never find love and must create a Plan B. Gaby begins  to build a meaningful and connected life. But when a chance romantic encounter with Mr. Right threatens to uproot her, she realizes the value of her life, even if it doesn’t involve romance. Written by Jennifer Deyell and anchored by a beautifully nuanced performance from Chelsea Peretti (Brooklyn Nine-Nine), SPINSTER Director Andrea Dorfman joins us to talk about her witty, beguiling comedy about being honest with oneself and embracing life.

For news and updates go to: /andreadorfman.com/spinster

SPINSTER will released August 7 through Vertical Entertainment on VOD and Digital platforms including iTunes, Amazon, Apple TV, Google Play, Fandango Now and all major cable/satellite platforms.

About the filmmaker: Andrea Dorfman is a filmmaker, animator and artist. She directed the feature films Parsley Days (2000), a TIFF top ten film, the critically acclaimed Love That Boy (2003) featuring a young Ellen Page, the musical drama, Heartbeat (2014), and the soon-to-be released comedy, Spinster, starring Chelsea Peretti. The short film, There’s A Flower in my Pedal (2005), was runner up to Best Short at TIFF and her documentary, Sluts (2006), won Best Documentary at the Atlantic Film Festival. Dorfman also made several animated films including two with the National Film Board of Canada – the Emmy nominated, Flawed (2010) and Big Mouth (2012). She recently shot and directed the feature doc, also produced by the NFB, The Girls of Meru (2018) and it’s currently screening at film festivals around the world. Her short live action-animation video collaboration with poet-musician, Tanya Davis, How to Be Alone  (2010), has garnered over 8 million YouTube hits and was adapted to a book, illustrated by Dorfman and published by HarperCollins. She also adapted and illustrated  Flawed,  released as a YA graphic memoir by Firefly Canada in 2018. Dorfman occasionally teaches at the Nova Scotia College of Art and Design and was the co-creator of Blowhard, a thematic storytelling series that ran for 7 years in Halifax, Nova Scotia. 

Daughter (Dcera), Director Daria Kashcheeva

In a hospital room, the Daughter recalls a childhood moment when as a little girl she tried to share her experience with an injured bird with her Father. A moment of misunderstanding and a lost embrace has stretched into many years all the way to this hospital room, until the moment when a window pane breaks under the impact of a little bird.

Director’s Biography:  studies animated film at FaMU in Prague. her student films featured at many international festivals. Daria’s original to accept won the Nespresso talents 2017 film competition in Cannes. in DAUGHTER, her Bachelor’s puppet animation, Daria experiments with camera motion and explores the topic of father-daughter relationships.

 

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Awards:

Winner – Rome Independent Film Festival 2019 – Winner Student Academy Awards 2019
The 46th Student Academy Award – Gold Medal in International Animation film category
Annecy International Animated Film Festival (France) 2019 Cristal for the Best Student Film – Young Jury Award for the best Student film

Melbourne International Film Festival (Australia) 2019 – City Post Award for Best Animation Short Film
Fantoche International Animation Film Festival (Switzerland) 2019 – Best film of Fantoche
World Festival of Animated Film Varna (Bulgaria) 2019 – Best student film
Tirana International Film Festival (Albania) 2019 – Best Student film
Sweaty Eyeballs Animation Festival (USA) 2019 – Best Student Animation Award
Balkanima (Serbia) 2019 – Best Student film
Taichun International Animation Festival TIAF (Taiwan) 2019 – Grand Prix for the best Student Film
Animafilm (Azerbaijan) 2019 – Best Short Animated Film
Whistler Film Festival (USA) 2019 International – ShortWork Award and many more…

Kitbull, Director Rosana Sullivan and Producer Kathryn Hendrickson

KITBULL,’ directed by Rosana Sullivan and produced by Kathryn Hendrickson, reveals an unlikely connection that sparks between two creatures: a fiercely independent stray kitten and a pit bull. together, they experience friendship for the first time.

Director’s Biography: Rosana Sullivan joined pixar animation Studios in April 2011. She worked as a story artist on THE GOOD DINOSAUR, and the academy award®-winning feature film COCO. Sullivan also directed the SparkShorts film KITBULL that debuted in February 2019. As a story artist, Sullivan provides visual storytelling to a project’s script pages, utilizing compositional staging, environment, and character blocking. Each story board aims to maximize drama and entertainment, while making the story point clear as possible. Story artists have to draw characters acting, camera moves, and very limited effects animation to sell an idea or emotion.prior to Pixar, Sullivan attended the University of San Francisco before earning an internship with Pixar University. She later attended Academy of Art University, and worked for Kabam gaming studio in San Francisco. Born in Charleston, SC, Sullivan grew up in Texas and San Francisco.

 

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Awards:

Humanitas Award (Nominee)

Hair Love, Co-directors, Matthew A. Cherry, Everette Downing Jr. and Bruce W. Smith

Tender and empowering, HAIR LOVE is an ode to loving your natural hair – and a celebration of daddies and daughters everywhere. It’s when it’s up to Daddy to give his daughter an extra-special hair style in this story of self-confidence and the love between fathers and daughters. Zuri knows her hair is beautiful, but it has a mind of its own. It kinks, coils, and curls every which way. Mum always does Zuri’s hair just the way she likes it – so when Daddy steps in to style it for an extra special occasion, he has a lot to learn. But he LOVES his Zuri, and he’ll do anything to make her – and her hair – happy.

 

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For news and updates go to: sonypicturesanimation Hair_Love

Directors Biographies:

MATTHEW A. CHERRY – in 2007, after retiring from the NFL, Matthew a. cherry moved to los angeles, and switched gears to begin work as a production assistant. after working on over forty commercials, he developed his skills as a director, transitioning from music videos to his first feature film (2012’s THE LAST FALL). in 2017, he launched a kickstarter campaign for an animated short about a black father’s struggle to learn how to style his young daughter’s hair. it became the most highly-funded short film campaign in the platform’s history, and was later released in theaters nationwide. Matthew was an executive at Jordan peele’s production company Monkeypaw productions, he served as an Executive producer on the Spike lee film BLACKKKLANSMAN, and has most recently directed on the aBc hit show BLACK•ISH.

EVERETT DOWNING JR. – is an animator, story artist and director living in the greater los angeles area. Everett began his career as a story artist at Big idea productions before making his break into feature film, animating at Blue Sky Studios on the original ICE AGE. he worked as an animator and story artist on 3 more features there (including ROBOTS, ICE AGE 2 and EPIC) before taking a position as an animator at pixar animation Studios. after animating on several award-winning feature films (every feature from RATATOUILLE to MONSTER’S UNIVERSITY), he transitioned back into story where he boarded on THE TOY STORY THAT TIME FORGOT and CARS 3. currently he’s working at Netflix animation where he just finished storyboarding on Jorge Gutierrez’s animated mini-series, MAYA AND THE THREE.

BRUCE W. SMITH – is a feature film director, animator and television producer. he is best known as the creator and executive producer of the Disney channel hit show THE PROUD FAMILY and for supervising the animation of the evil villain Dr. Facilier in the Walt Disney animated film THE PRINCESS AND THE FROG. Smith studied animation at California institute of the arts and later joined the Walt Disney Studios as an animator on WHO FRAMED ROGER RABBIT. Smith went on to direct the paramount pictures film BEBE’S KIDS and co-directed on the Warner Bros. live action/animated movie SPACE JAM before returning to Disney to supervise animation on TARZAN and THE EMPEROR’S NEW GROOVE. Smith’s knack for unique character design led him into the visual development of other projects at the studio such as WRECK-IT RALPH and FROZEN. Smith is currently signed to an overall deal at Disney television animation.

Awards:

92nd Oscars – 2020 Nominated Best Animated Short Film

Black Reel Award Nomination – Outstanding Short Film

Festivals/Screenings:

American Black Film Festival
LightBox Animation Expo
Ottawa International Animation Festival Spark Animation Festival
Animation is Film Festival
Infinity Festival
Black Filmmaker Foundation Summit World Animation and VFX Summit
CTN Animation eXpo

Slamdance Film Festival, Co-founder and President Peter Baxter

It all began when a group of cheerful, subversive filmmakers weren’t accepted into the Sundance Film Festival. Unwilling to take “no” for an answer, they instead started their own event – Slamdance: Anarchy in Utah. 26 years later, Slamdance has become a year-round organization fostering the development of unique and innovative filmmakers. The organization now consists of the Film Festival, Screenplay Competition and Slamdance Studios. It has also created Slamdance On The Road, a traveling theatrical showcase that brings popular Slamdance films to audiences that otherwise would not have the opportunity to see them. Dan Mirvish, Jon Fitzgerald, Shane Kuhn and Peter Baxter are the founding forefathers who, along with co-conspirator Paul Rachman, fought for truly independent filmmakers by giving them a voice in 1995 at the very first Slamdance Film Festival. Since then, the festival takes place every January in the breathtakingly stunning, snow-capped mountains of Park City, Utah at the exact same time as the Sundance Film Festival, to provide a more authentic representation of independent filmmaking. Up-and-coming writers, directors and producers, alongside seasoned veterans and film lovers, converge for the weeklong celebration of independent cinema, realizing that Slamdance is a great place to find those next, great, visionary films. Slamdance lives and bleeds by its mantra By Filmmakers For Filmmakers. No other film festival in the world is entirely run and organized by the creative force that can only be found in filmmakers. Slamdance adamantly supports self-governance amongst independents, and exists to deliver what filmmakers go to festivals for – a chance to show their work and a platform to launch their careers. The festival has earned a solid reputation for premiering films by first-time writers and directors working within the creative confines of limited budgets. Co-founder and President Peter Baxter joins us to talk about this year’s Slamdance, the groundbreaking films and the innovative new distribution and digital initiatives being launched by Slamdance.

 

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For news and updates go to: slamdance.com
Check out the film schedule at slamdance 2020 schedule

 

Slamdance Film Festival – January 24-30 at the Treasure Mountain Hotel in Park City, Utah

 

Social Media:
facebook.com/SlamdanceFilmFestival
twitter.com/Slamdance
instagram.com/slamogram

 

Fantastic Fungi, Director Louie Schwartzberg

Fantastic Fungi, the engaging and informative documentary directed by Louie Schwartzberg, is a consciousness-shifting film that takes us on an immersive journey through time and scale into the magical earth beneath our feet, an underground network that can heal and save our planet.  Through the eyes of renowned scientists and mycologists like Paul Stamets, best-selling authors Michael Pollan, Eugenia Bone, Andrew Weil and others, we become aware of the beauty, intelligence and solutions the fungi kingdom offer us in response to some of our most pressing medical, therapeutic, and environmental challenges. When so many are struggling for connection, inspiration and hope, Fantastic Fungi brings us together as interconnected creators of our world. Directed by the pioneer of time-lapse photography, Louie Schwartzberg (Netflix’s “Moving Art”, Wings of Life for Disneynature, and Mysteries of the Unseen Worlds 3D Imax for Nat Geo still playing in theaters) Narrated by Academy Award-Winner Brie Larson.  Director Louie Schwartzberg joins us to talk about the amazing world of fungus and the burgeoning field of scientific research into the thousands of positive, possibly planet saving benefits that can be realized from the magical spores.

 

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For news, updates and screenings go to: fantasticfungi.com

FANTASTIC FUNGI Q&A’s with director Louie Schwartzberg following the 7:40 pm show on Friday, 10/25 and Saturday, 10/26 at the Monica Film Center.

Social Media:

facebook.com/FungiFilm

twitter.com/FantasticFungi

instagram.com/fantasticfungi

100% on Rotten Tomatoes

“Fantastic Fungi makes the case that the answers to disease, anxiety, depression and global warming might be found underfoot. And they’re tasty to boot.” – Michael J. Casey, Boulder Weekly

“Louie and his team have accomplished an amazing task – with beautiful imagery, celebrating the quality of nature we have now. Fantastic Fungi is a film that serves to be a bridge of understanding to connect these ideas. By investing in these fungal networks we invest in the webs of life. Time is short. We need to bring this knowledge to the forefront of public consciousness.” – PAUL STAMETS

“One of the year’s most mind-blowing, soul-cleansing and yes, immensely entertaining triumphs.” – Matt Fagerholm, RogerEbert.com

“Louie Schwartzberg’s lightly informative, delightfully kooky documentary, “Fantastic Fungi,” offers nothing less than a model for planetary survival.” – Jeannette Catsoulis, New York Times

Moonlight Sonata: Deafness in Three Movements, Director Irene Taylor Brodsky

Director Irene Taylor Brodsky once again turns the camera on her deaf parents and, now, her 11-year-old deaf son Jonas, who has cochlear implants and is discovering a profound world of hearing—and music in this deeply personal story, Moonlight Sonata: Deafness in Three Movements.  As Jonas learns the first movement of Beethoven’s iconic sonata on the piano, his grandparents, deaf for nearly 80 years, watch with deepening awe what time and technology have bestowed their grandson. But when Jonas struggles with the sound of his mistakes, Beethoven’s own musical journey comes to life in an animated world of watercolor and haunting soundscapes.  As the great composer loses the sense that brought him so much music and fame, Jonas’s grandfather Paul loses his grasp on his mind. Their lives weave a sonata over three centuries, about all we can discover once we push beyond what has been lost. Director Irene Taylor Brodsky joins us to talks about this very personal and deeply affecting tale of three threads that run through her family and the most celebrated deaf musician of all time, Ludwig von Beethoven. Director / Producer / Editor /Cinematographer talks about the personal and professional challenges of focusing on members of her family and how the power of music has resonated brought hope and healing.

DIRECTOR’S STATEMENT: I can hear, but deafness consumes me. I am a daughter of deafness and, now, a mother too. After I discovered my son, Jonas, was going deaf as a toddler, my sound designer told me we could reproduce his gradual disconnect from hearing. As a filmmaker, that enthralled me. As a mother, it frightened me. I’ve been down this road before. My first feature documentary, Hear and Now, about my deaf parents’ problematic journey into the world of sound, showed me how much film can be a catalyst for empathy. So when my son told me he wanted to learn the Moonlight Sonata, composed by Beethoven as he went deaf, I was cautious but resolute, and began filming. Then, my father developed dementia, and soon their three storylines revealed an eerie parallel. Paul’s loss of mind was a clue to what Beethoven might have felt losing something so precious to him. As Jonas learned to play the sonata, I read Beethoven’s letters and listened to his canon over and over again. I felt assured that my son could find his own true expression, shaped by deafness, just like Beethoven did. In Moonlight Sonata: Deafness in Three Movements we portray sound and memory through animation, and we use vast archives of home movies, vérité footage, immersive soundscape and original score to craft a rich mosaic of what it means to find vital expression in the midst of loss.   Director Irene Taylor Brodsky

 

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For news, screening and updates go to: moonlightsonatadoc.com

Social Media:

facebook.com/moonlightsonatadoc

twitter.com/VermilionFilms

instagram.com/moonlightsonatadoc

“A powerful film about parents and children, though told with enough restraint that its more affecting moments might sneak up on you.” – Matt Zoller Seitz, RogerEbert.com

“It is a very moving film by veteran documentarian Irene Taylor Brodsky about deafness, music, raising children and your parents getting old.” – John Anderson, Wall Street Journal

“The film is refreshing in its willingness to countenance multiple viewpoints and look at what’s right for individuals rather than taking sides in one of the more heated debates within the Deaf community.” – Jennie Kermode, Eye for Film

“Like Beethoven’s sonata, it’s beautiful chords resonate long afterwards.” – Christopher Llewellyn Reed, Film Festival Today

The Great Hack, Co-directors Jehane Noujaim and Karim Amer

Big Data has surpassed oil as the world’s most valuable asset. It’s being weaponized to wage cultural and political warfare. People everywhere are in a battle for control of our most intimate personal details. From award-winning filmmakers Karim Amer and Jehane Noujaim, THE GREAT HACK uncovers the dark world of data exploitation with astounding access to the personal journeys of key players on different sides of the explosive Cambridge Analytica/Facebook data scandal. Academy-Award nominees Amer and Noujaim (The Square, Control Room, Startup .com) continue their tradition of exploring the seismic ripples of social media with this riveting, complex film. THE GREAT HACK forces us to question the origin of the information we consume daily. What do we give up when we tap that phone or keyboard and share ourselves in the digital age? THE GREAT HACK is co-directed by Karim Amer and Jehane Noujaim, with a production team led by Geralyn Dreyfous, Judy Korin and Pedro Kos. Karim Amer and Jehane Noujaim join us to talk about Big Data, the expectation of privacy and where we go from here.

 

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For news and updates go to: thegreathack.com

Social Media:

twitter.com/jehanenoujaim

twitter.com/Karim_Amer33

87% on Rotten Tomatoes

“You leave with a clear sense of how one company [sold] democracy down the river, not to mention having your fingernails chewed down to the quick.” – David Fear, Rolling Stone

“A thrilling yarn of political espionage and fascinating characters… However, this isn’t hollow entertainment. The film insists upon the gravity of the situation, toggling effortlessly between the micro and the macro lens on this tale.” – Katie Walsh, Tribune News Service

“[A] gripping, challenging documentary by Karim Amer and Jehane Noujaim, about the biggest scandal of our time: the gigantic question mark over the legality of the Brexit vote.” – Peter Bradshaw, Guardian

“Pondering individual data rights and the sinister side of widespread connectivity, co-directors Jehane Noujaim and Karim Amer diligently inspect how our innocent likes and shares became the building blocks of Brexit and Trump.” – Tomris Laffly, Time Out

BlackStar Film Festival, Founder Maori Karmael Holmes

The BlackStar Film Festival (BlackStar) returns August 1-4, 2019 with a stellar slate of black, brown and indigenous films from around the globe. The BlackStar Film Festival is an annual celebration of the visual and storytelling traditions of the African diaspora and of global communities of color, showcasing films by black, brown and indigenous people from around the world. Continuing its legacy of discovery and excellence, audiences can expect must-see film premieres, poignant artist discussions, and discover new cinematic favorites from this year’s class of emerging filmmakers. Founded in 2012 by Maori Karmael Holmes, BlackStar has become the hottest event on the film festival calendar. With a program unlike any other, BlackStar is the destination to discover new artists voices from Black and global indigenous filmmakers. Artists including Terence Nance (An Oversimplification of Her Beauty; HBO’s Random Acts of Flyness), and Matthew A. Cherry (9 RIdes; ABC’s Whiskey Cavalier), and Nijla Baseema Mu’min (Jinn) have shared their work at the festival and from BlackStar cultivated a fanbase that has grown with their careers.  

 

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For news and updates go to blackstarfest.org

BlackStar Festival Film Highlights:

This year’s festival features sneak preview of Hip-Hop: The Songs That Shook America, a new documentary series directed by directed Erik Parker and One9.

From Executive Producers Ahmir “Questlove” Thompson, Tariq “Black Thought” Trotter, Shawn Gee, and Alex Gibney, Fear No Gumbo, a documentary feature directed by Kimberly Rivers Roberts, about the 13 years since the deadly Category 5 Hurricane Katrina that made landfall on Florida and Louisiana and the corruption and systemic racism that still victimizes the residents that returned after Katrina. 

A new documentary from Emmy Award-winning director and  Macarthur “genius” fellow Stanley Nelson (The Black Panthers: Vanguard of the Revolution). Boss which explores over 150 years of African American entrepreneurship, from bondage to billion dollar moguls.

Academy Award-winning  director, Roger Ross Williams (Music By Prudence, God Loves Uganda) will be on-hand for the debut of his latest documentary The Apollo chronicling the unique history and contemporary legacy of New York City’s landmark Apollo Theater.

Panels and Awards:

BlackStar will present the Luminary Award to Marcia Smith, President of Firelight Media

To commemorate the 30th anniversary of Do The Right Thing, filmmaker Spike Lee and activist Tarana Burke will discuss the possibilities of using radical storytelling to center social justice and foster narrative change. 

For news and updates go to blackstarfest.org

20th Anniversary of Newport Beach Film Festival, CEO and Co-founder Gregg Schwenk

For the last 20 years the Newport Beach Film Festival has brought the best of classic and contemporary filmmaking from around the world to Orange County. Under the direction of CEO and Co-founder Gregg Schwenk and the festival’s staff have been committed to entertaining and enlightening the public with a first-class international film program as well as providing a forum for cultural understanding and enriching educational opportunities, the Festival focuses on showcasing a diverse collection of both studio and independent films. The Festival supports the creation and advancement of innovative and artistic cinematic works from both emerging and seasoned filmmakers and proudly embraces the passion, vision and independent spirit of these talented artists. With the integration of the local community and educational institutions, the Festival stimulates an interest in the study and appreciation of film and encourages people of all ages and backgrounds to participate. The Community Outreach Program was created with the idea that film offers new perspectives and possibilities for a changing world. Each year, the Festival partners with over 40 non-profit organizations and pairs each philanthropic organization with a film that aligns with their mission. The Festival gives non-profit organizations a forum to voice their message to large audiences and spread awareness of their organization and mission through the medium of film. Areas of focus include the arts, health and human services, the environment, education, children’s causes, seniors’ and veterans’ programs, and alumni clubs. CEO and Co-founder Gregg Schwenk joins us to talk about a remarkable festival line-up of comedies, dramas, short films, action sports, classics, documentaries, musicals and foreign film excellence.

For news, updates and film schedules go to: newportbeachfilmfest.com

For more on the OC FIlm Society go to: newportbeachfilmfest.com/ocfs

Hail Satan?, Director Penny Lane and Subject Lucien Greaves

Hail Satan? chronicles the extraordinary rise of one of the most colorful and controversial religious movements in American history, Hail Satan? is an inspiring and entertaining new feature documentary from acclaimed director Penny Lane. When media-savvy members of the Satanic Temple organize a series of public actions designed to advocate for religious freedom and challenge corrupt authority, they prove that with little more than a clever idea, a mischievous sense of humor, and a few rebellious friends, you can speak truth to power in some truly profound ways. As charming and funny as it is thought-provoking, Hail Satan? offers a timely look at a group of often misunderstood outsiders whose unwavering commitment to social and political justice has empowered thousands of people around the world. But with their numbers swelling and dozens of new chapters forming in cities across the globe, increased threats of violence against Satanists and disagreements within the group’s own ranks complicate the Temple’s work. As a complex and costly legal battle erupts over a similar Ten Commandments monument in Arkansas, Greaves, Blackmore, and their fellow Temple members struggle to adjust to the movement’s explosive popularity while maintaining the integrity of their core beliefs. Director Penny Lane (Nuts!, Our Nixon) once again joins us for a lively discussion on Satanic beliefs, Lucien Greaves, Jex Blackmore and the creative and subversive strategies for preserving many deeply held patriotic ideals.

 

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For news and updates go to: hailsatanfilm.com

For more on the filmmaker go to: pennylaneismyrealname.com

Social Media:

facebook.com/hailsatanfilm

twitter.com/hailsatanfilm

instagram.com/hailsatanfilm

“Lane sets out to subvert American history with intelligence and wit. Here, she asks us to question why certain religions are deemed “normal,” even though, notes one Temple member, Catholic mass is all about the symbolic drinking of blood.” – Amy Nicholson, Variety

“Provocative, hilarious, and latently enraging documentary about The Satanic Temple.” – David Ehrlich, IndieWire

“”Hail Satan?” finds that simply presenting reason and historical precedent proves to be audacious and Lane follows the lead of her subjects in showing that it can be done with enormous amounts of fun.” – Stephen Saito, Movable Feast

“Wickedly funny, fascinating and niftily made, this crowd-pleaser will reign at festivals and prove, yet again, that the devil always has the best tunes.” – Leslie Felperin, Hollywood Reporter

Be Natural: The Untold Story of Alice Guy-Blaché, Director Pamela B. Green

Be Natural: The Untold Story of Alice Guy-Blaché, is a documentary about the first female filmmaker, Alice Guy-Blaché, which explores the heights of fame and financial success she achieved before she was shut out from the very industry she helped create. Over the span of her career, she wrote, produced or directed 1,000 films, including 150 with synchronized sound during the ‘silent’ era. Her work includes comedies, westerns and dramas, as well as films with groundbreaking subject matter such as child abuse, immigration, Planned Parenthood, and female empowerment. She also etched a place in history by making the earliest known surviving narrative film with an all-African American cast. Pamela B. Green has dedicated more than eight years of research in order to discover the real story of Alice Guy-Blaché (1873-1968) – not only highlighting her pioneering contributions to the birth of cinema but also her acclaim as a creative force and entrepreneur in the earliest years of movie-making. Green discovered rare footage of televised interviews and long archived audio interviews which can be heard for the first time in Be Natural: The Untold Story of Alice Guy-Blaché, which affords Alice Guy-Blaché to tell her own story. Director Pamela B. Green joins us for a conversation on the winding journey of discovery and the exhilaration that comes from showcasing a visionary artist, producer, studio head, entrepreneur, feminist, and groundbreaking filmmaker.

 

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 For news and updates go to: Benaturalthemovie.com

Be Natural: The Untold Story of Alice Guy-Blaché is distributed by Zeitgeist Films

For more about the filmmaker go to: pamelabgreen.com

Social Media:

facebook.com/BeNaturalMovie

twitter.com/BeNaturalMovie

instagram.com/benaturalthemovie

“What starts as a biography turns into a detective thriller as Green crisscrosses the globe, searching for clues as to why Guy-Blaché has been forgotten.” – katie Walsh, Los Angeles Times

“A scrupulously well-researched documentary about one of early cinema’s greatest pioneers and the world’s first woman filmmaker.” – Leslie Felperin, Hollywood Reporter

“The Untold Story of Alice Guy-Blaché is essential viewing for those who want a complete perspective on the history of film.” – Lorry Kikta, Film Threat

“In her passionate debut film, Green achieves a feat of making a two-level research project informative and entertaining. Exciting and essential documentary for film history!” – Nora Lee Mandel, Maven’s Nest

OVID.tv, Co-founder of OVID.tv and Director of Icarus Films Jonathan Miller

In a media environment dominated by increasingly concentrated corporate interests, eight distribution companies who have long championed the best in independent features, documentaries, and social issue films, have joined forces to help launch a new subscription streaming service, OVID.tv. Starting today, OVID.tv offers more than 350 quality documentaries and art-house films from the collections of its founding content partners: Bullfrog Films, The dGenerate Films Collection, Distrib Films US, First Run Features, Grasshopper Film, Icarus Films, KimStim, and Women Make Movies. Most of the films on OVID.tv are not available on any other streaming platform, and OVID.tv will be adding even more films every two weeks–14 fiction feature films and one 10-part documentary series are already scheduled for release. Despite the odds and with little capital, Icarus Films, Docuseek, and our partners have decided that the time has come to step forward and build a new, independent space, dedicated to the films that we believe in and care about, and that we believe you care about, and value as well. OVID.tv co-founder Jonathan Miller joins us to talk about an affordable option for film lovers looking for the highest quality cinema experience presented by people who share your passion.

 

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For news and updates go to:ovid.tv

You can read more about OVID on the International Documentary Association website, click here.

For now OVID.tv is only available in the U.S.

“A cornucopia of international movies and documentaries… recent ones as well as classics. It’s far better for recent movies than FilmStruck ever was, and its spectrum of new movies is far more substantial than that of Netflix, wider-ranging than that of Amazon.”  Richard Brody, The New Yorker, March 22, 2019