Friday, December 9, 2016 – Abattoir, Director Darren Lynn Bousman

abattoir-film-poster 

Download MP3 Podcast

An investigative reporter works to solve the mystery behind a mysterious man who has been buying houses where tragedies have occurred. Set in a world where it always feels like night, even in daylight hours, real estate reporter Julia Talben’s (Jessica Lowndes) life is turned upside down when her family is brutally murdered. It is believed to be an open and close case, but Julia quickly realizes there is much more to this story when she returns to the crime scene to find the murder room deconstructed and physically removed from her sister’s home. This ignites an investigative pursuit that eventually leads her and ex-lover Detective Declan Grady (Joe Anderson) to the town of New English where they find the enigmatic Jebediah Crone and the Abattoir – a monstrous house stitched together with unending rooms of death and the damned. Julia comes to realize that her sister’s soul is trapped inside, but the Abattoir isn’t just a house – it’s a door to something more evil than anyone could have ever imagined. Julia and Grady are ultimately faced with the question: How do you build a haunted house? One room at a time. Director Darren Lynn Bousman (Repo! The Genetic Opera, Saw II, Saw III) joins us to talk about this sophisticated and complex cross genre story.

For News and updates go to: abattoir.info

“an unwieldy property, coming with its assembly work exposed, but “what a magnificent structure” it turns out to be. Prepare to get lost in its multi-levelled madness, & to have your familiarity with horror’s ever-revenant tropes deconstructed.” – Little White Lies

“Bousman might not quite pull off the ‘Howard Hawks meets The Wicker Man’ vibe he’s going for, but Abattoir is horror for grown-ups” – Cinevue

“While Bousman’s climax is a not terribly original effects-laden haunted house, the house’s builder, and his motives, have enough of their own flavor to please a hardened horror fan.” – Hollywood Reporter

Demon, Producer Olga Szymanska, widow of DEMON director Marcin Wrona

demon-film-posterNewly arrived from England to marry his fiancée Zaneta (Agnieszk Zulewska, Chemo), Peter (Israeli actor Itay Tiran, Lebanon) has been given a gift of her family’s ramshackle country house in rural Poland.  It’s a total fixer-upper, and while inspecting the premises on the eve of the wedding, he falls into a pile of human remains.  The ceremony proceeds, but strange things begin to happen…During the wild reception, Peter begins to come undone, and a dybbuk, the iconic ancient figure from Jewish folklore, takes a toehold in this present-day celebration-for a very particular reason, as it turns out.  Based on noted Polish writer Piotr Rowicki’s play Adherence, DEMON is the final work by Marcin Wrona, who died just as DEMON was set to premiere in Poland, is part absurdist comedy, part love story-that scares, amuses, and charms in equal measure.  Acclaimed at several festivals including New Directors/New Films, the Toronto Film Festival, and Austin Fantastic Fest where it won the Award for Best Horror Feature. Producer Olga Szymanska, widow of DEMON director Marcin Wrona joins us for a conversation on this hauntingly beautiful film.

For news and updates go to: demon.film

Winner: Austin Fantastic Fest, Best Horror Feature, 2015

Winner: Haifa Film Festival, Tobias Spencer Award, 2015

“Wrona keeps everything creepily ambiguous right up to the end, when the foggy dawn breaks and what we have witnessed becomes like a dream within a dream.” – Peter Rainer, Christian Science Monitor

“..a unique take on the Jewish legend of the Dybbuk that feels both deeply rooted in cultural nightmares and refreshingly new…“Demon” is stylish and clever from its concept..but it’s the execution that really matters.  There’s a great energy to the piece, from the framing of the visual compositions, to the eerie atmosphere created by the lights hanging from the ceiling of what looks like a barn.  There’s fantastic costume design as well as a lead performance that engages on every level.” — Brian Tallerico, Rogerebert.com

“Crackling, spookily atmospheric, intelligent, sometimes funny ghost story. It builds on family secrets to take on wider social and historical resonance for Poles and Jews.” – Nora Lee Mandel, Film Forward

“A darkly humorous reworking of “The Dybbuk,” with a deftly realized switch that turns that familiar tale of love from beyond the grave into a parable of Polish anti-Semitism in the post-war era….  a black comedy in the vein of “The Exterminating Angel.” — George Robinson, The Jewish Week

Sun Choke, Director Ben Cresciman

sun-choke-film-posterAs Janie recovers from a violent psychotic break, she’s subjected each day to a bizarre holistic health and wellness regimen designed, and enforced, by her lifelong nanny and caretaker. But when she develops an obsession with a stranger, Janie’s buried demons begin to surface.

In the words of Director Ben Cresciman Sun Choke is a study of the magical and terrifying things that can happen at the furthest margins of a personality. Watching a character work desperately inward from these margins can be among the tensest, and ultimately most cathartic experiences we can have in a movie theater. It creates a sense of disorientation and terror that elevates our fear beyond knee jerk reactions and into the realm of emotional identification. True terror is loneliness and confusion. It’s a psychological state of pure dread, not a simple mechanism to elicit scares. My goal with Sun Choke was to create a world where the beautiful and the terrifying, fantasy and reality, are inseparable from one another. It’s an exercise in holistic horror, in which the breakdown of the mind is inexorably tied to the destruction of the body. Employing abstraction and obstruction in equal measure to unspeakable violence and terror, what results is a hallucinatory meditation on loneliness wrapped inside a psychological horror film that strikes at the most fundamental fears in our collective unconscious.” Director Ben Cresciman stops by to talk about his thrilling, disorienting and challenging new film.

For news and updates go to: sun-choke

“This slow-burn thriller offers intense psychological drama, but its deliberate coolness and ambiguity may frustrate genre audiences looking for a more conventional payoff.” – Maitland McDonagh, Film Journal International

“Ben Cresciman’s intense psychological horror film, Sun Choke, is the story of a woman staring into the abyss of nothingness and liking what she sees: absolute nothing, a retreat from the chaos of the light.” – Martyn Conterio, CineVue

“A wonderfully-twisted blend of psycho-drama, suspense and body horror.” – Garry McConnachie, Daily Record

“Sun Choke is, in keeping with a protagonist who comes in more than one ‘version’, a disorienting, dissociative affair, reminiscent in parts of Yorgos Lanthimos’ Dogtooth (2009) – and all beautiful, tense, hallucinatory and deeply disturbing.” – Anton Bitel, Sight and Sound

“Style and substance come together perfectly in this unique psychological thriller.” – Betty Jo Tucker, Reel talk Movie Reviews

Indian Film Festival of Los Angeles, Director of Programming Mike Dougherty

Indian Film Festival LA poster 

Download MP3 Podcast

The Indian Film Festival of Los Angeles (IFFLA) is devoted to a greater appreciation of Indian cinema and culture by showcasing films, supporting emerging filmmakers, recognizing the leadership of entertainment industry performers and business executives, and promoting the diverse perspectives of the Indian diaspora. Each year the festival is held at ArcLight Hollywood and features a rich mix of film programs designed to build and support the growing interest in the Indian entertainment industry. This includes programming that cultivates an audience for Indian films while supporting filmmakers of Indian descent in career development as they navigate the larger studio system in Hollywood. IFFLA’s creative and business programs include the the One-on-One Michael Doughteryprogram where industry professionals from major and independent production and distribution companies are invited to participate in meetings with the IFFLA filmmakers; and panel discussions with speakers from the film industry. The 14th Annual Indian Film Festival of Los Angeles (IFFLA) will take place April 6-10, 2016 at ArcLight Hollywood, the elegant, state-of-the-art facility at Sunset and Vine in Hollywood, and the festival’s home since its inception. Director of Programming Mike Dougherty join us to talk about the wide ranging films that will be showcase at this year’s festival.

For the latest news and updates go to: indianfilmfestival.org

IFFLA film guide: indianfilmfestival.org/film-guide-2016

2016 Academy Award Nominated Short Program, Carter Pilcher

2016 OSCAR SHORT POSTER 

Download MP3 Podcast

Since founding Shorts International in 2000, Carter Pilcher has worked to make his company the world’s leading short movie entertainment company. Shorts International has become the first choice distributor, broadcaster and producer for hundreds of films. Carter has extensive experience in short movie production and short movie entertainment. He is a voting member of the British Academy of Film and Television Arts and a member of the Short Film and Feature Animation Branch of The US Academy of Motion Pictures, Arts and Sciences (AMPAS) – the guys who pick the Oscars. Carter talks to us about the fifteen wonderful films nominated for the Live Action, Documentary and Animated Short Film 2016 Academy Awards.

Spotlight on the Los Angeles Film Fest June 11 – 19

LA Film Fest 2014 II posterNow in its 20th year, running from June 11-19, the Los Angeles Film Festival, presented by Film Independent, showcases diversity, innovation and uniqueness of vision in new American and international cinema, and provides the movie loving public with one-of-a-kind events featuring critically acclaimed filmmakers, film industry professionals, and emerging talent from around the world. The Festival’s signature programs include the Filmmaker Retreat, Music in Film at The GRAMMY Museum®, Celebrating Women Filmmakers, Master Classes, Spirit of Independence Award, LA Muse and more. Over 200 features, shorts, and music videos, representing more than 40 countries, make up the main body of the Festival.

Billy Mize and the Bakersfield Sound – Director William (Joe) Saunders

 

Download MP3 Podcast

Billy Mize pioneered a musical revolution that became known as The Bakersfield Sound, which enjoyed enormous popularity in the sixties, producing such talented artists as Merle Haggard and Buck Owens. During the height of Bakersfield’s popularity, Nashville snubbed Billy Mize Film Postertheir loud, electric twang in an attempted to distance itself from rock ‘n’ roll artists, like Elvis Presley, and move to a smoother, acoustic sound. While Billy Mize and the Bakersfield Sound follows Mize’s personal story, it also defines and explains the Bakersfield Sound. The film explores how Mize made it to the brink of super-stardom, turned it down to be a father, befell horrible tragedy, and climbed his way back into the spotlight. In the prime of his career, just after being nominated for Single Record of the Year (his competition included Elvis Presley, Johnny Cash, Merle Haggard, and Glen Campbell), Mize and his wife, Martha, are beset with horrific personal tragedy.  Director, producer, editor and Mize’s own grandson, William (Joe) Saunders talks about the professional and personal journey that making Billy Mize and the Bakersfield Sound has been for him and his family.

For news and updates on Billy Mize and the Bakersfield Sound go to: http://www.billymizemovie.com/

Sound of Redemption: The Frank Morgan Story – Director NC Heiken

 

Download MP3 Podcast

 Sound of Redemption: The Frank Morgan Story tells the story of a prodigal alto sax player who, like so many of his fellow musicians of the era, saw his career plagued by drug Sound of Redemption film posteraddiction. What sets Frank apart is not just his exceptionally beautiful, classic alto playing, but also the amazing fact that he survived 30 years of revolving door incarceration and drug abuse and went on to a much heralded comeback career in the last 22 years of his life. His story is one of brilliant promise in his youth, a journey through the depths of hell, and redemption through his art. Sound of Redemption tells the story of his life and transformation through interviews with fellow musicians and people who were close to him, intercut with footage of Frank, and tracks of his very emotional music. Director NC Heikin joins us for a conversation on the tragedy and triumphs that is Frank Morgan’s story.

For news and Updates on Sound of Redemption: The Frank Morgan Story go to: http://www.thefrankmorganproject.com/index.html

Banshee Chapter, director Blair Erickson

The Banshee Chapter poster 

Download MP3 Podcast

BANSHEE CHAPTER follows investigative journalist, ANNA, researching a missing friend who ingested an undocumented research chemical once tested on civilians by CIA MK-Ultra experiments. The labyrinthine trail of evidence leads her into the disturbing world of black ops chemical tests, unexplained radio transmissions and disfigured entities in the blackness of night. Anna will do anything to uncover what lies behind her friend’s disappearance but to her horror the entities are coming after her. Suspense-thriller based on true events shot in stereoscopic 3D starring Katia Winter and Ted Levine. Director and writer Blair Erickson joins us to talk about the challenges of successfully mixing history and horror into a convincing and frightening film.

Banshee Chapter website

Banshee Chapter on Facebook

Banshee Chapter on Twitter

Blair Erickson’s The Banshee Chapter is a relentless bit of horror that mixes governmental conspiracies and psychedelic drugs for one hell of a traumatizing trip. – Matt Donato, We Got This Covered

It works as a gonzo exposé of some of the 20th century’s madder moments – but perhaps more importantly, this psychotropic remapping of history never forgets to be proper jump-out-of-your-seat scary. Think of it as Fear and Loathing in Chamber 5… – Anton Bitel, Grolsch Film Works

“The Banshee Chapter is one worth killing the lights, turning off the cell and letting it build to its effective, nerve-fraying crescendo, which is exactly what horror films set out to do, but few seldom reach.” – Influx Magazine