September 21 – America to Me, Executive Producer Steve James

Chicago’s Oak Park and River Forest High School’s (OPRF) student population encompasses a racial, economic and cultural mix that reflects the nation as a whole. Located in a mostly affluent, progressive suburb, the school attracts families of all races and means, many of whom make great sacrifices to secure their children a place there. But even in this diverse and liberal community, ensuring an educational experience that equally benefits all students poses challenges for the school’s dedicated and well-meaning teachers, administrators and parents. In the multipart unscripted documentary series AMERICA TO ME, Academy Award-nominated filmmaker Steve James (Hoop Dreams, The Interupters, Life Itself, Abacus: Small Enough to Jail) and his team follow a diverse selection of the school’s 3,400 students, including artists, athletes, scholars, underachievers and iconoclasts, to present an indelible account of their dreams, fears, triumphs and aspirations. Posing complex and controversial questions, the film wrestles with crucial issues, including the effects of race and privilege on education as seen through the eyes of young Americans on the precipice of adulthood. Candid and relatable portraits of 12 students who are just beginning to come into their own provide moving insights into the teenage search for personal identity in today’s world. Director Steve James joins us with his impressions on the state of secondary education, how best to facilitate better outcomes for students and the role race place in achieving success.

For news and update go to: kartemquin.com/films/america-to-me

100% on Rotten Tomatoes

“The 10-part documentary series from Steve James (Hoop Dreams) is profound and thoughtful, taking a detailed look at inequality in America through the lens of a storied high school in Chicago.” – Sophie Gilbert, The Atlantic

“[America to Me] is an invaluable look at where inequity begins, as well as the difficulty of getting to the place where it ends.” – James Poniewozik

“Even in a series this expansive, you keep wishing you could spend more time with more people, but its scope allows James and his team to show both victories and defeats fade into the past, how fragile and yet how resilient its protagonists can be.” – Sam Adams, Slate

“[James] captures the specific moments that are hard to explain without being there – like a young black girl who feels uncomfortable with a white teacher’s constant attempts to relate to her – and the larger systemic issues that are harder to upend.” – Ben Travers, IndieWire

https://youtu.be/-uNhmWJ4l5k

September 21 – Socrates, Director Alex Moratto

In the days following his mother’s sudden death, Socrates (Christian Malheiros), a 15-year-old living on São Paulo’s margins, faces the difficulties of surviving on his own and coming to terms with his grief. SOCRATES was produced with a crew of 16-20 year-olds from the Querô Institute, a UNICEF-supported project that provides social inclusion through filmmaking to underprivileged youths in the Baixada Santista region of São Paulo, Brazil. SOCRATES was also written by Thayná Mantesso a 20 year-old Brazilian screenwriter and graduate of the Querô Institute.  SOCRATES was filmed with a micro-budget of under $20,000. Alex Moratto’s award-winning short films NOWHERE TO BE FOUND, THE PARTING and THE OTHER SIDE have screened at international film festivals. SOCRATES is Alex Moratto’s debut feature film. The film was produced by Ramin Bahrani (99 HOMES) and stars Christian Malheiros and Tales Ordakji. Director Alex Moratto joins us for a conversation on working with a young non-professionals, UNICEF and producing his debut feature film.

For news and updates go to: socratesfilm.com

September 21 – Science Fair, Co-directors Cristina Costantini and Darren Foster

Hailed by critics as “immensely likeable,” “brilliant and quirky” and an “ode to the teenage science geeks on whom our future depends,” and winner of the audience award at Sundance and SXSW, National Geographic Documentary Films’ SCIENCE FAIR follows nine high school students from around the globe as they navigate rivalries, setbacks and, of course, hormones, on their journey to compete at The International Science and Engineering Fair. As 1,700 of the smartest, quirkiest teens from 78 different countries face off, only one will be named Best in Fair. The film, from Fusion and Muck Media and directed by the DuPont Award-winning and Emmy-nominated documentary filmmaking team Cristina Costantini and Darren Foster, offers a front seat to the victories, defeats and motivations of an incredible group of young men and women who are on a path to change their lives, and the world, through science. Co-directors Cristina Costantini and Darren Foster join us to talk about their entertaining, enlightening and heart-warming film.

For news and updates go to: sciencefairfilm.com

Opens in Los Angeles on Friday, September 21 at:
LA Live 14 – 
Laemmle’s Music Hall in Beverly Hills – Arclight in Sherman Oaks


Social Media:
Facebook: www.facebook.com/sciencefairfilm

Twitter: @sciencefairfilm

Instagram: @sciencefairfilm

 100% 0n Rotten Tomatoes

“Endlessly delightful.” – David Edelstein, New York Magazine

“A work of profound cinematic joy, Science Fair is a winner.” – Christopher Llewellyn Reed, Hammer to Nail

“INSPIRATIONAL AND INVIGORATING.” – Kenneth Turan, Los Angeles Times

“It’s as irresistibly entertaining, inspirational and emotionally engrossing as Spellbound. You don’t have to be into science to be entertained, moved or enlightened by Science Fair. It’s one of the best documentaries of the year.” – Avi Offer, The NYC Movie Guru

“The ultimate crowd-pleaser.” – DeAnna Janes, Harper’s Bazaar

“Unfailingly charming.” – Teo Bugbee, The New York Times

September 21 – Bleeding Edge, Director Kirby Dick and Producer Amy Ziering

America has the most technologically advanced health care system in the world, yet preventable medical harm has become one of the leading causes of death, and the overwhelming majority of high-risk implanted devices never require a single clinical trial. In THE BLEEDING EDGE, Academy Award nominated filmmakers Kirby Dick and Amy Ziering (THE INVISIBLE WAR, THE HUNTING GROUND) turn their sights on the $400 billion medical device industry, examining lax regulations, corporate cover-ups, and profit driven incentives that put patients at risk daily.  Weaving emotionally powerful stories of people whose lives have been irrevocably harmed, the film asks: what life-saving technologies may actually be killing us? Director Kirby Dick and Producer Amy Ziering join us for a conversation on the lack of integrity in the medical device industry, lax regulatory oversight by the Federal Food and Drug Administration and the potentially deadly combination that it can become.  

For news and updates go to: bleedingedgedoc.com/

See Bleeding Edge in a theatre

Get involved at: bleedingedgedoc.com/act

Find out more at: bleedingedgedoc.com/resources

Also available at: netflix.com/thebleedingedge

Social Media

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facebook.com/bleedingedgedoc

instagram.com/BleedingEdgeDoc

100% on Rotten Tomatoes

“A terrifying eye-opener… Exposes the massive health problems caused by the $400 billion medical device industry. – The Hollywood Reporter

“You’ll wish [these interviews] were heard by every government official.” – The New York Times

“Enlightening… A shocking expose of the medical device industry… [with] unnerving immediacy.” – Indiewire

“Equally infuriating and enlightening… I yelled, ‘Oh, my God!’ multiple times while watching.” – Village Voice

September 21 – Letter from Masanjia, Director Leon Lee

Written and directed by internationally acclaimed filmmaker and Peabody Award winner, Leon Lee, LETTER FROM MASANJIA is an astonishing & riveting documentary follows the true story of an Oregon woman who finds a desperate SOS letter penned by a political prisoner in her Halloween decorations and the nail-biting chain of events that it sparks when she takes the letter public, exposing appalling flagrant human rights violations – that leads to sweeping labor reform in China. The impact of what those two unlikely heroes have accomplished is even more profound in today’s rapidly boiling over political climate, not just in China but around the rest of the world. LETTER FROM MASANJIA is a devastating tale of human rights violations in current day China with corporate giants across the globe receiving prisoner labor efforts for Halloween decorations, asking no questions in a price for pennies on the dollar. This is the tale of one political prisoners desperate plea to alert the world to horrors most of society sweeps under the carpet. Director and writer Leon Lee stops by to talk about the hundreds of thousands of people currently incarcerated in labor camps, and the millions more living in fear as well as the people resisting a totalitarian regime.

 

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For news and updates goto: letterfrommasanjia.com

100% on Rotten Tomatoes

“Sun Yi’s stoicism is admirable and moving, but it’s his ex-wife Fu Ning’s tearful recollection of their separation that cements the story in your mind.” – Adam Keller, Film Threat

“‘Letter From Masanjia’ is a bracing reminder of our sometimes blindered approach to globalization and the effects of simple actions.” Kevin Crust, Los Angeles Times

“It’s an important story, made more intense by its tight focus.” – Ken Jaworowski, New York Times

“A disquieting exposé of China’s human-rights abuses… The perseverance on show should leave viewers inspired to learn more.” – Lucy Liu, Georgia Straight

September 14 – Reversing Roe, Co-directors Ricki Stern and Annie Sundberg

Forty-five years after it revolutionized abortion law in America, the landmark 1973 US Supreme Court case Roe v. Wade is once again at a crossroads. In their timely new documentary REVERSING ROE, filmmakers Ricki Stern and Annie Sundberg (THE DEVIL CAME ON HORSEBACK, MARATHON: THE PATRIOT’S DAY BOMBING) present a deeply illuminating look of the state of abortion and women’s rights in America. The film offers candid and riveting interviews with key figures from both sides of the divide, among them doctors Colleen McNicholas and Curtis Boyd; feminist icon Gloria Steinem; Operation Rescue president Troy Newman; and National Right to Life president Carol Tobias. Intense and unflinching in its commitment to telling the whole story, REVERSING ROE provides a gripping look at what’s happening on the ground in 2018. Drawing from a wealth of historical footage, it charts the period leading up to the Roe decision-and documents the opposition that has followed ever since. Regardless of where you stand on the issue of abortion, REVERSING ROE is essential viewing to understand how the country got here-and where it may be going. Co-directors Ricki Stern and Annie Sundberg join us for an informed conversation on the long history and politics swirling around one of the country’s most divisive issues.

 

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Netflix

Laemmle Music Hall Theater

9036 Wilshire Blvd, Beverly Hills

Times:12:00, 2:30, 5:00, 7:30, 10:00pm

80% on Rotten Tomatoes

“As contentiousness turned into real-world consequences, “Reversing Roe” reminds us that the more women get involved regarding their rights, the more likely we’re to see a fair, principled fight.” – Robert Abele, Los Times

“Nothing new here but a good primer for those who never thought that politics has anything to do with their lives.” – Harvey S. Karten, Big Apple Reviews

“Solid and valuable but familiar.” – Caryn James, Hollywood Reporter

“Provides a clear and accessible overview of more than 50 years of the social and legal history of the issue in the United States.” – Ben Kenigsberg, New York Times

September 14 – Rodents of Unusual Size, Co-Director Jeff Springer, (Quinn Costello, Chris Metzler)

Hard headed Louisiana fisherman Thomas Gonzales doesn’t know what will hit him next. After decades of hurricanes and oil spills he faces a new threat – hordes of monstrous 20 pound swamp rats. Known as “nutria”, these invasive South American rodents breed faster than the roving squads of hunters can control them. And with their orange teeth and voracious appetite they are eating up the coastal wetlands that protects Thomas and his town of Delacroix Island from hurricanes. But the people who have lived here for generations are not the type of folks who will give up without a fight. Thomas and a pack of lively bounty hunters are hellbent on saving Louisiana before it dissolves beneath their feet. It is man vs. rodent. May the best mammal win. Rodents of Unusual Size is a documentary by Quinn Costello, Chris Metzler and Jeff Springer (Everyday Sunshine,The Story of Fishbone). Co-director Jeff Springer join us to talk about the other ‘beast of the Southern wild.”

 

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For news and updates go to: rodentsofunusualsize.tv

Rodents is opening in Los Angeles on September 14th through September 19th @ 1:10pm, 3:20pm, 5:30pm, 8:00pm, & 10:10pm at the Laemmle’s Monica Film Center, 1332 2nd Street, Santa Monica

  • Opening night Q&A with filmmakers Chris Metzler, Quinn Costello, and animation director Mike Blum

BEST OF FESTIVAL AWARDWild and Scenic Environmental Film Festival

BEST DOCUMENTARY AWARDUNA George Lindsey Film Festival

BEST DOCUMENTARY AWARDTupelo Film Festival

SPECIAL JURY AWARD FOR FILMS FOR OUR FUTUREMendocino Film Festival

EXCELLENCE IN AMERICAN PROFILES AWARDSF Docfest

JURY AWARD FOR BEST DOCUMENTARYOceanside International Film Festival

92% on Rotten Tomatoes

“Rodents of Unusual Size is also a look at how human folly can contribute to environmental disaster, but awareness and ingenuity can help bail us out.” – Peter Keough, Boston Globe

“Depicting the resilience of both the nutria and the Louisianans who’ve endured their presence for many years, Rodents of Unusual Size proves enjoyably quirky and informative.” – Frank Scheck, Hollywood Reporter

“… a squirmy, funny, fascinating documentary that mixes history, zoology and social and cultural anthropology to examine the relationship of the giant rat to the bayou Louisianans who hunt, skin and sometimes even eat the dagger-incisored critters.” – John Beifuss, Commercial Appeal

“A bizarre and fascinating documentary that’ll make your jaw drop.” Randy Myers, San Jose Mercury News

September 7 – HAL, Director Amy Scott

Although Hal Ashby directed a remarkable string of acclaimed, widely admired classics throughout the 1970s—HAROLD AND MAUDE, THE LAST DETAIL, SHAMPOO, COMING HOME, BEING THERE—he is often overlooked amid the crowd of luminaries from his generation. Amy Scott’s HAL is an exuberant portrait that explores that curious oversight, using rare archival materials, interviews, personal letters, and audio recordings to reveal a passionate, obsessive artist. Ashby was a Hollywood director who constantly clashed with Hollywood, but also a unique soul with an unprecedented insight into the human condition and an unmatched capacity for good. His films were an elusive blend of honesty, irreverence, humor, and humanity. Through the heartrending and inspiring HAL, you feel buoyed by Ashby’s love of people and of cinema, a little like walking on water. On camera interviews his many collaborators, including Oscar®-winning actors Lee Grant, Jane Fonda, Jon Voight, Louis Gossett Jr, Jeff Bridges and more recall how they were empowered by Ashby and granted them artistic freedom. Contemporary directors include Alexander Payne, Judd Apatow, Lisa Cholodenko, and David O. Russell attest to the quiet but powerful influence Ashby has had on their own filmmaking. Behind the camera colleagues Norman Jewison, Robert Towne, Haskell Wexler, and Pablo Ferro stand witness to Ashby’s brilliance as a filmmaker and the forces that led to his undoing.  Director Amy Scott joins us to talk about her artistic connection to Hal Ashby, as editor and director, and her desire to correct many of the lingering misperceptions of Ashby through her riveting and loving film about a true maverick.

 

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For news and updates go to: hal.oscilloscope.net

“If there’s still the sense that Ashby isn’t as sanctified as American New Wave stalwarts Coppola or Scorsese, Amy Scott’s breezy tribute of a documentary is out to correct that oversight.” – Robert Abele, TheWrap

“A vivid portrait of artistic integrity and complete commitment to the art of filmmaking.” – J.R. Kinnard

“Hal is a loving tribute to a filmmaker who rarely gets the attention he deserves.” – Brian Thompson, Film Threat

“Just before the documentary slips into hero worship, Amy Scott pries beneath the calm surface of her bearded and bespectacled subject to reveal the silent rage that fueled his work.” – A.J. Serrano, Slant Magazine

September 7 – City of Joy, Director Madeleine Gavin

City of Joy follows the first class of students at a remarkable leadership center in the Eastern Democratic Republic of Congo, a region often referred to as “the worst place in the world to be a woman.” These women have been through unspeakable violence spurred on by a 20 year war driven by colonialism and greed. In the film, they band together with the three founders of this center: Dr. Denis Mukwege (2016 Nominee for the Nobel Peace Prize), radical playwright and activist Eve Ensler (“The Vagina Monolgoues”) and human rights activist, Christine Schuler-Deschryver, to find a way to create meaning in their lives even when all that was meaningful to them has long been stripped away. In this ultimately uplifting film, we witness the tremendous resilience as these women transform their devastation into powerful forms of leadership for their beloved country. Director, writer and editor Madeleine Gavin stops by to talk about this beautifully told story of unspeakable cruelty, remarkable resilience and unconditional love in a desperately poor country in a region of the world renown for violence.

 

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For news and updates go to: netflix.com/City of Joy

“City Of Joy is, in as far as it goes, a powerful film, reminding viewers that survival itself is something to be proud of and consigning the notion that a raped woman is ruined forever to the dustbin of history.” – Jennie Kermode, Eye for Film

August 31 – Active Measures, Director Jack Bryan

ACTIVE MEASURES chronicles the most successful espionage operation in Russian history, the American presidential election of 2016. Filmmaker Jack Bryan exposes a 30-year history of covert political warfare devised by Vladmir Putin to disrupt, and ultimately control world events. In the process, the filmmakers follow a trail of money, real estate, mob connections, and on the record confessions to expose an insidious plot that leads directly back to The White House. With democracy hanging in the balance, ACTIVE MEASURES is essential viewing. Unraveling the true depth and scope of “the Russia story” as we have come to know it, this film a jarring reminder that some conspiracies hide in plain sight. Director / Producer / Writer stops by to talk about his comprehensive, searing indictment of a vast, corrupting totalitarian political system determined to destroy any vestige of self-governance and democratic institutions.

 

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For news and updates go to: activemeasures.com

Check for a theatre near you – activemeasures.com/tickets

Host your own an Active Measures screening

“[A] thorough, chilling rabbit-hole inquiry …” – Robert Abele, Los Angeles Times

“It’s a lot to take in, as names and numbers zip by, yet missing some of its points may be healthy. To explore every moment is to risk overdosing on outrage.” – Ken Jaworowski, New York Times

“‘Active Measures’ names the names and fills in the flowchart of Trump’s corruption with gripping authority.” – Owen Gleiberman, Variety

“Well researched and truly frightening.” – Frank Scheck, Hollywood Reporter

August 31 – The Man Who Loves to Hurt Himself, Director Anthony Short

“The Man Who Loves To Hurt Himself,” follows the turbulent musical journey of Today is the Day enigmatic legendary frontman and founder, Steve Austin. Ride along as Austin’s first person account brings balance to these opposing forces, reckoning and stretching himself from the drive to create his musical vision, engaging and performing intense shows around the world, to being home with his wife and children. How one near-death experience led him to connect with the love of his life and begin the transition, fulfilling his destiny as a loving family man while completing his mission to bring relief his followers and overcome being the man who loves to hurt himself. “The Man Who Loves to Hurt Himself” is a loose but subdued methodic subtlety of the movie stands in sharp contrast to an artist known in the worldwide underground of extreme music for abrasive, loud, chaotic spectacle neo-violent imagery a slow, brooding and emotional 93-minutes that covers a year of conversations and ride-a-longs with the casual aesthetic of natural conversation supported by raw grainy fan shot footage, old pictures, personal home videos, career spanning amulets, in a self examination of the psyche of a modern-day “madman” and “master.” Director Anthony Short joins us for a conversation on connecting with a singular music savant / philosopher / survivor.

For news and updates go to: tmwlthh.com

Follow The Man Who Loves to Hurt Himself on Social Media

facebook.com/tmwlthh/

Twitter:@tmwlthh

To follow the bands journey:

facebook.com/todayisthedayofficial/

Twitter:@todayistheday66

August 31 – Do You Trust This Computer? Director Chris Paine

Directed by Chris Paine and executive produced by Paine and Tiffany Asakawa, Do You Trust This Computer? examines the promises and perils of this developing era. Science fiction has long anticipated the rise of machine intelligence. Today, a new generation of self-learning computers has begun to reshape every aspect of our lives. Incomprehensible amounts of data are being created, interpreted, and fed back to us in a tsunami of apps, personal assistants, smart devices, and targeted advertisements. Virtually every industry on earth is experiencing this transformation, from job automation, to medical diagnostics, even military operations. Do You Trust This Computer? explores the promises and perils of our new era. Will A.I. usher in an age of unprecedented potential, or prove to be our final invention? Featuring influential minds, including but not limited to: former Google Brain co-founder & director Andrew Ng, co-founder and CEO of Affectiva Rana el Kaliouby, Osaka University robotic engineer Hiroshi Ishiguro, engineer & entrepreneur Elon Musk, OpenAI director Shivon Zilis, and co- showrunner of HBO’s Westworld, Jonathan Nolan. Director Chris Paine ((Who Killed The Electric Car?, Revenge of the Electric Car) joins us for a lively conversation on where we are and where we are heading with Artificial Intelligence.

 

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For news and updates go to: doyoutrustthiscomputer.org

For information on other Chris Paine films go to: papercutfilms.com

Social Media

facebook.com/doyoutrustthiscomputer

twitter.com/doyoutrust

75% on Rotten Tomatoes

“‘Do You Trust This Computer?’ covers the major talking points about the benefits and dangers of artificial intelligence, assembling them into something engaging and alarming – if not exactly in-depth.” – Noel Murray, Los Angeles Times

“A sleek and engaging watch.” – Ken Jaworowski, New York Times

“This documentary covers a wide array of examples of the potentially scary downside of artificial intelligence, none particularly in depth but with enough ingenuity to cause alarm.” – Jeffrey Anderson, Common Sense Media

“here’s a lot to cram into 78 minutes. Director Chris Paine doesn’t waste any time, so you’ll need to pay attention.” – Jennie Kermode. Eye for Film

August 31 – Calling All Earthlings, Director Jonathan Berman

One the 2018’s most provocative and wildly entertaining documentaries is Calling All Earthlings. Director Jonathan Berman’s new film explores the Integratron, a mid-century dome created by one-time Howard Hughes confidante, George Van Tassel. Van Tassel claimed to have combined extraterrestrial guidance with the work of inventor/physicist Nikola Tesla and other alternative scientists, to build an electromagnetic time machine he dubbed “The Integratron.” Was he deluded? Or could the dome actually break through the boundaries of space, time, and energy?  FBI agents try to halt the growing army of outliers who gather in the desert to create a threatening reality on the edge of the midcentury American Dream. An empathetic enquiry into an archetypical countercultural movement, the story is told by relatives, neighbors, skeptics, believers, scientists, healers, artists, and historians, including Dr. Kevin Starr, the preeminent historian of California; Eric Burdon, musician and area resident, and futurists JJ and Desiree Hurtak. Berman’s film My Friend Paul (2000), about his relationship with his bipolar best friend. He is director and producer of  The  Shvitz  (1994), a film about the last traditional steam baths in New York. Berman also co-wrote the story for the independent comedy On The Run, and was the American producer on Claudia  Heuermann’s Sabbath in Paradise, which featured Harvey Pekar and John Zorn. Director Jonathan Berman’s documentaries explore third places, those beyond home or work. Berman joins us for a lively conversation on his endlessly fascinating film that never fails to educate, enlighten and entertain.

For news and updates go to: Callingallearthlingsmovie.com

Social Media

facebook.com/callingallearthlings

“Laugh if you want – or, conversely, give credence to the ufologists and time travelers – but to most of the people profiled this is serious stuff.” – Christoher Llewellyn, Hammer to Nail

“Most appealing is the film’s mixture of California post-War history, cults and a tinge of science fiction – an intriguing combination of elements that make it a winner.” – Paul Parcellin, Film Threat

“Flakey, non-judgmental fun with UFOlogists and their late guru.” – Roger Moore, Movie Nation

August 24 – Crime + Punishment, Director Stephen Maing

Meet the NYPD12: a group of minority whistleblower officers who risk everything to expose racially discriminatory policing practices in the NYPD and smash the blue wall of silence. Using stunning cinematography and intimate, character-drive access, CRIME + PUNISHMENT captures the story of these brave individuals right from the beginning, as several officers meet up to talk about the New York Police Department’s outlawed practices of quota-driven policing and officer retaliation — and find themselves starting a class-action suit against the city. Using secret recordings between officers and commanders, firsthand accounts, and emotional testimony, the NYPD12 detail the explosive truth when no one else will listen. In the meantime, Manuel Gomez, an ex-cop turned private investigator, collects testimony from young minorities who have been affected by these policies and targeted by officers in the name of fighting crime. Told from the rarely heard perspective of active whistleblower officers and the young men and women of color they police, CRIME + PUNISHMENT is a once-in-a-generation film that considers the complexities of police work when faced with the unjust systemic and institutional practices fueling social justice movements across America. Director / Producer / Cinematographer / Editor Stephen Maing joins us for conversation on how he came to know the brave men and women who stepped forward, and why this is not just a New York City issue.

 

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For news and updates go to: crimeandpunishmentdoc.com

Social Media

facebook.com/CrimeandPunishmentDoc

twitter.com/CrimePunishDoc

instagram.com/crimeandpunishmentdoc

Los Angeles, CA – Royal Theater  Opens August 24, 2018

U.S. Documentary Special Jury Award for Social Impact Filmmaking at the 2018 Sundance Film Festival

94% on Rotten Tomatoes

“A triumph of documentary filmmaking.” – Tim Wu, THE NEW YORKER

“Amazing. An awesome film.” – Eugene Hernandez, FILM COMMENT

“It’s a real achievement, this film. Gorgeously composed…Vital, necessary and groundbreaking. It’s a significant work of investigative journalism.” – Nic Rapold and Eric Hynes, FILM COMMENT PODCAST

“Remarkable. Maing becomes so embedded with his subjects, we get to see them up close and personal. We need to recognize that the way racism functions in our society is out in public, and we must stand with those who are brave enough to put their livelihoods on the line to change the system. Crime + Punishment makes that argument clearly, persuasively, and with immediacy.” – Matt Goldberg, COLLIDER

“Maing doesn’t seek to offer any solutions; instead, he does something that we often fail to do in our embattled society, he gives these particular officers and the people that they police their humanity back.” – Aramide A. Tinubu, SHADOW AND ACT

August 24 – A Whale of a Tale, Director Megumi Sasaki

In 2010, Taiji, a sleepy fishing town in Japan, suddenly found itself in the worldwide media spotlight. THE COVE, a documentary denouncing the town’s longstanding whale and dolphin hunting traditions, won an Academy Award and almost overnight, Taiji became the go-to destination and battleground for activists from around the world. Can a proud 400-year-old whaling tradition survive a tsunami of modern animal-rights activism and colliding forces of globalism vs. localism? A WHALE OF A TALE reveals the complex story behind the ongoing debate. Told through a wide range of characters including local fishermen, international activists and an American journalist (and long time Japanese resident), this powerful documentary unearths a deep divide in eastern and western thought about nature and wildlife and cultural sensitivity in the face of global activism. In 2008, Filmmaker Megumi Sasaki directed and produced her first feature-length documentary HERB & DOROTHY, about legendary New York art collectors Herb and Dorothy Vogel.  The film went on to win top honors at many international film festivals and was released theatrically nationwide and as a part of PBS’s Independent Lens series. In 2013, Megumi completed the highly anticipated follow-up HERB & DOROTHY 50X50, focusing on the next (and final) chapter in the lives of the beloved couple. Director Megumi Sasaki joins us for a frank and wide-open conversation on the why she felt that telling this story was important and critical to understanding another side of a complex issue that has implication far beyond the shores of Tajii.

 

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For news and updates go to: awhaleofatalefilm.com

A Whale of the Tale is playing this week at the Laemmle Music Hall in Los Angeles

Social Media

facebook.com/awhaleofatalefilm

twitter.com/awhaleofatale18

instagram.com/awhaleofatalefilm

“A Whale of a Tale is a corrective, countering The Cove‘s agitprop sensationalism with a measured and nuanced curiosity.” – The Village Voice

“A Whale of a Tale is a great spectacle that presents the other side of a matter that was too one-sided until now, and that is where its biggest value lies.”– Asian Film Vault

“A Whale of a Tale delivers a thoughtful riposte to The Cove“ – Hollywood Reporter

“An illuminating examination of the still-ongoing conflict.” – Film Journal International

August 17 – Minding the Gap, Director Bing Liu

First-time filmmaker Bing Liu’s documentary Minding the Gap is a coming-of-age saga of three skateboarding friends in their Rust Belt hometown hit hard by decades of recession. In his quest to understand why he and his friends all ran away from home when they were younger, Bing follows 23-year-old Zack as he becomes a father and 17-year-old Keire as he gets his first job. As the film unfolds, Bing is thrust into the middle of Zack’s tumultuous relationship with his girlfriend and Keire’s inner struggles with racial identity and his deceased father. While navigating a complex relationship between his camera and his friends, Bing explores the gap between fathers and sons, between discipline and domestic abuse, and ultimately that precarious chasm between childhood and becoming an adult. Director Bing Liu joins us for a lively conversation on masculinity, adulthood, the joy of skateboarding and the crippling legacy of domestic violence.

 

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For news and updates go to: mindingthegapfilm.com

100% on Rotten Tomatoes

“One of the year’s great, small treasures, Bing Liu’s extraordinary documentary “Minding the Gap” is like a deluxe skateboarding video, yet so much more.” – Jeffrey M. Anderson, San Francisco Examiner

“”Minding the Gap” is a personal documentary of the highest sort, in which the film’s necessity to the filmmaker-and its obstacles, its resistances, its emotional and moral demands on him-are part of its very existence.” – Richard Brody, New Yorker

“With infinite sensitivity, Mr. Liu delves into some of the most painful and intimate details of his friends’ lives and his own, and then layers his observations into a rich, devastating essay on race, class and manhood in 21st-century America.” – A.O. Scott, New York Times

“Even some of the best coming-of-age films cannot capture the beautiful and awful tangible qualities of real life that may only exist in documentaries, and Bing Liu has caught lightning in a bottle.” – Musanna Ahmed, Film Inquiry

August 10 – Scotty and the Secret Story of Hollywood, Director Matt Tyrnauer

Scotty and the Secret History of Hollywood  is the deliciously scandalous story of Scotty Bowers, a handsome ex-Marine who landed in Hollywood after World War II and became confidante, aide de camp and lover to many of Hollywood’s greatest male — and female — stars. In the 1940s and ’50s, Scotty ran a gas station in the shadow of the studio lots where he would connect his friends with actors and actresses who had to hide their true sexual identities for fear of police raids at gay bars, societal shunning and career suicide. An unsung Hollywood legend, Bowers would cater to the sexual appetites of celebrities – straight and gay – for decades. In 2012, he finally spilled his secrets in the New York Times bestselling memoir “Full Service,” which revealed a dramatic, pre-Stonewall alternate history of Hollywood. While the studio PR machine were promoting their stars as wholesome and monogamous, Bowers was fulfilling the true desires of many of them. This cinema-vérité documentary tells his story, as well as presents eye-opening takes on icons from the Hollywood Golden Age including Cary Grant, Katharine Hepburn, Spencer Tracy, Lana Turner, Ava Gardner and many more. Director Matt Tyrnauer (Studio 54, Citizen Jane: Battle for the City, Valentino: The Last Emperor) joins us for spirited conversation on the days when the Hollywood PR machine mattered more than the lives of the artist who made it successful and the role Scotty Bowers played in breaking that stranglehold on them.

 

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For news and updates go to: scottymovie.com

Scotty and the Secret History of Hollywood open July 27th at the Arclight Hollywood

“Scotty” rolls out across the country beginning August 3, find theatres near you.

Hashtag: #ScottyMovie

Twitter / Instagram: @ScottyTheMovie

Facebook: Facebook.com/ScottyTheMovie

92% on Rotten Tomatoes

“Scotty” is more than just a portrait of the man, also serving as a history lesson on how the film industry once tried to project a repressive, clean-cut image to satisfy moral watchdogs” – Tim Grierson, Screen International

“A nicely filled-out look at different eras, one secrecy-ridden and dedicated to the preservation of illusion, the other wide open and blasé about personal predilections.” – Todd McCarthy, Hollywood Reporter

“There’s plenty of gossip to be found here, but there’s also no shortage of humanity.” – Alonso Duralde, The Wrap

“The present-day footage is more compelling than any of the gossipy bits, which turn out to be the hook that pulls the film into more fraught and complex directions.” – Kevin Ritchie, NOW Toronto

“’Scotty and the Secret History’ is a fascinating portrait that neither lionizes nor judges its subject. It merely lets you take him for what he is.” – Jason Bailey, Flavorwire

40 Years in the Making: The Magic Music Movie, Director Lee Aronsohn

40 YEARS IN THE MAKING: THE MAGIC MUSIC MOVIE chronicles how one of their greatest fans, acclaimed director (and UC Boulder alumnus) Lee Aronsohn, tracked down the original band members four decades later to tell their story. More importantly, he makes a dream come true for himself, fellow fans, and the band, by bringing them all back to Boulder for a sold-out reunion concert that preserves their legacy for posterity. Magic Music is one of the most fondly remembered bands of the Boulder Revolution of the late 60s and early 70s. Living in a makeshift camp up in the mountains, they would delight local residents and university students with their original songs, acoustic instruments, and light harmonies; their growing popularity brought them to the brink of success more than once. Unfortunately, they never signed a record deal and eventually broke up in 1975. 40 YEARS IN THE MAKING: THE MAGIC MUSIC MOVIE opens in New York August 3, and in Los Angeles August 10, with a national release to follow. Director Lee Aronsohn talks about his endearing and poignant documentary on the music that became a living soundtrack for a community and the band of musicians who became life-long friends.

 

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For news and updates go to: magicmusicmovie.com

Opening on Friday, August 10 at the Laemmle Music Hall

Social Media:

facebook.com/MagicMusicMovie

twitter.com/MagicMusicMovie

instagram.com/magicmusicmovie

“Beyond celebrating the music, 40 Years in the Making: The Magic Music Movie has something to say about the compromises and reconciliations that are a part of aging, and it turns out to make for a stirring and healing reunion.” – Stephen Farber, Hollywood Reporter

“By the end of the film, I was singing along” – Ain’t It Cool News

“Good vibes…” – Variety

Dark Money, Director Kimberly Reed

DARK MONEY, a political thriller, examines one of the greatest present threats to American democracy: the influence of untraceable corporate money on our elections and elected officials. The film takes viewers to Montana—a frontline in the fight to preserve fair elections nationwide—to follow an intrepid local journalist working to expose the real-life impacts of the US Supreme Court’s Citizens United decision. For decades, Montana had arguably the cleanest campaign laws in the U.S., precisely in reaction to a long history of political corruption. Its small population and rich natural resources like copper, had made it particularly vulnerable to private-industry bribery and extortion. Through this gripping story, DARK MONEY uncovers the shocking and vital truth of how American elections are bought and sold. This Sundance award-winning documentary is directed/produced by Kimberly Reed (PRODIGAL SONS) and produced by Katy Chevigny (E-TEAM). Kimberly joins us for a conversation on where our increasingly fragile democracy is and the very troubling place where it may be headed if dramatic measures are not taken to stop the shadowy corporate money from overwhelming our electoral process.

 

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For news and updates go to: darkmoneyfilm.com

Social Media:

https://twitter.com/DarkMoneyFilm

https://www.facebook.com/DarkMoneyFilm

https://www.instagram.com/darkmoneyfilm/

Q & A’s with Kimberly Reed this weekend at screenings in Los Angeles, San Francisco, Berkeley and Marin

100% on Rotten Tomatoes

“Damning, clear-eyed, and as gripping as any John Grisham thriller.” – Leah Greenblatt, Entertainment Weekly

“There’s not a dull or dry moment in Reed’s briskly paced film about the secret assault on the American electoral and judicial process by corporations whose agenda is nothing less than the dismantling of government itself.” – Ella Taylor

“A densely packed documentary that earnestly and obsessively addresses campaign finance reform, its history and vital importance.” – Todd McCarthy, Hollywood Reporter

“An air-raid siren of a documentary about the pernicious influence of corporate cash in American politics.” – Chris Barsanti, Film Journal International

Generation Wealth, Director Lauren Greenfield

For the past 25 years acclaimed photographer and filmmaker Lauren Greenfield has travelled the world, documenting with ethnographic precision and an artist’s sensitivity a vast range of cultural movements and moments. Yet, after so much seeking and searching, she realized that much of her work pointed at one uniting phenomenon: wealth culture. With her new film, Generation Wealth, she puts the pieces of her life’s work together for in an incendiary investigation into the pathologies that have created the richest society the world has ever seen. Spanning consumerism, beauty, gender, body commodification, aging and more, Greenfield has created a comprehensive cautionary tale about a culture heading straight for the cliff’s edge. Generation Wealth, simultaneously a deeply personal journey, rigorous historical essay, and raucously entertaining expose, bears witness to the global boom-bust economy, the corrupted American Dream and the human costs of capitalism, narcissism and greed. Emmy-award-winning photographer / filmmaker, Lauren Greenfield’s expansive artistry includes her monographs (Girl Culture, Fast Forward, THIN, Generation Wealth), and documentaries (THIN, kids+money, The Queen of Versailles). The Queen of Versailles won her the 2012 Best Documentary Director Award at Sundance Film Festival. Director Lauren Greenfield joins us to talk about her sweeping film and the damning indictment of a profligate world of depraved indifference, hell-bent on stockpiling pointless possessions.

 

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For news and updates go to: generation-wealth.com

“[An] alarming film…” – Anthony Lane, New Yorker

“Through her dedication to other people’s lives, and with such open-book storytelling of her own, Greenfield is able to make a stunningly deeply resonant documentary about notions as seemingly obvious as the value of love over wealth itself.” – Nick Allen, RogerEbert.com

“Greenfield makes a compelling argument for a society on the brink of precipitous decline, choosing to interpret the runaway vanity and rampant materialism observed in her own work as harbingers of our imminent destruction.” – Peter DeBruge, Variety

“This personal approach gives the film a sharp intimacy, and from here Greenfield pulls out to reveal how similar patterns are reshaping lives and families the world over.” – Nikki Baughan, Screen International

McQueen, Co-director Peter Ettedgui (Ian Bonhote)

Born and raised in East London’s working-class Stratford neighborhood, nothing in the background of Lee Alexander McQueen hinted at his future. The youngest of six children, Lee  might have been expected to become a plumber, a bricklayer or perhaps a cab driver like his  father. Instead, McQueen’s fierce romanticism and punk poetry helped create 1990s-era “Cool  Britannia,” a celebration of youth culture in the U.K. For perhaps the first time since the  Swinging Sixties, a lad from the East End of London could — and  did — become one of the most  original and influential artists of his time. Filmmakers Ian Bonhôte and Peter Ettedgui capture the life and work of a unique creative talent in all his glorious anarchy in their new film, McQueen. They offer a thrilling portrait of McQueen’s life and complex persona, following him as he conquers the world of fashion with designs as ravishing as they are sinister. From his apprenticeship at an old-school Savile Row tailor and haberdasher, where he displayed a preternatural knack for pattern cutting and tailoring, to his death at only 40, the film breaks the rules of documentary storytelling with its mosaic of standalone fragments shot in different  styles, which accumulate and combine to create a groundbreaking, multi-faceted portrait. Through exclusive interviews with his closest friends and family, recovered archives, exquisite visuals and music, McQUEEN is an authentic celebration and thrilling portrait of an inspired yet tortured fashion visionary. Co-director and writer Peter Ettedgui (co-director Ian Bonhote) talks about the making of a personal and intimate look into the  extraordinary life career and artistry of one of the most influential fashion designers of our time.

 

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For news and updates go to: bleeckerstreetmedia.com/mcqueen

Social Media:

facebook.com/McQueenFilm

twitter.com/mcqueenfilm

youtube.com/bleeckerstfilms

100% on Rotten Tomatoes

“The intricacy of the pieces and stagings… makes McQueen the relatively rare documentary that demands to be seen on the big screen.” – Inkoo  Kang, Slate

“In the crowded field of fashion docs, this one stands tall.” – David Rooney, Hollywood Reporter

“This intelligent, honest documentary explores McQueen’s complex personality without getting tacky or tabloidy, or ignoring his dark side.” – Cath Clarke, Time Out

“There’s so much fresh air in this stunningly good biography that it feels like you’ve never encountered a rags-to-riches, tortured-artist story before. Not just for fashion lovers.” – MaryAnn Johanson, Flick Filosopher

Netflix’s Dark Tourist, Director David Farrier

Netflix newest series Dark Tourist is the latest project of New Zealand journalist / filmmaker David Farrier, (Tickled), the doc that uncovered an unbelievable tickle fetish empire. In the new NETFLIX series, Farrier travels around the world trying to find the most dangerous and scariest experiences available to tourists. In the show we see a wounded Farrier going into an eerie hospital, being at the center of a war zone, a man breaking a statue on his own head, a killer named Popeye holding the gun at someone, and a woman telling Farrier to stay back because she doesn’t want him to be “possessed.” In one Los Angeles based episode Farrier is warned that he’ll be hurt, drowned, and buried. And yet nothing seems to deter this intrepid thrill seeker. Dark Tourist Director and creator David Farrier joins us to talk about the where, why and WTF of his newest adventure.

 

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For news and updates go to: netflix.com

Ryuichi Sakamoto: Coda, Director Stephen Nomura Schible

One of the most important artists of our era, Ryuichi Sakamoto has had a prolific career spanning over four decades. From techno-pop stardom to Oscar-winning film composer, the evolution of his music has coincided with his life journeys. Following Fukushima, Sakamoto became an iconic figure in Japan’s social movement against nuclear power. As Sakamoto returns to music following a cancer diagnosis, his haunting awareness of life crises leads to a resounding new masterpiece. RYUICHI SAKAMOTO: CODA is an intimate portrait of both the artist and the man. Director and writer Stephen Nomura Schible joins us for a conversation on his own journey into the internal and external world of Ryuichi’s inspiring spiritual and musical journey.

 

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For news and updates go to: coda.mubi.com

96% on Rotten Tomatoes

“This is a documentary that rejects every behind-the-scenes cliché around, and stands as an immensely moving and inspiring piece of cinema in its own right.” – Robbie Collin, Daily Telegraph (UK)

“By the end of this documentary, you will feel as if you not only understand Mr. Sakamoto intellectually, but also share a sense of the excitement he feels when discovering just the right match of sounds.” – Ben Kenigsberg, New York Times

“Sakamoto is fascinating to watch. He’s a charming, lively presence, and it’s always a pleasure to watch his expressions of delight and surprise at the new sounds he’s discovering, his own or nature’s.” – Jonathan Romney, Film Comment Magazine

“Like Sakamoto himself, the documentary stretches boundaries, shifting forward and back through time, weaving archival clips and news footage with scenes of Sakamoto composing, rehearsing, experimenting and traveling.” – Daniel Eagan, Film Journal International

Path of Blood, Director Jonathan Hacker

PATH OF BLOOD depicts Islamist terrorism, as it has never been seen before. Drawn from a hoard of jihadi home-movie footage that was captured by Saudi security services, this is the story of Muslim terrorists targeting Muslim civilians and brought to justice by Muslim security agents. It is a stark reminder that all who are touched by terrorism are victimized by it. A powerful and sometimes shocking cinematic experience, PATH OF BLOOD reveals how brainwashed youths, fuelled by idealism and the misguided pursuit of adventure, can descend into madness and carnage. The raw, unvarnished footage, to which the filmmakers negotiated exclusive access, captures young thrill-seekers at a jihadi “boot camp” deep in the Saudi desert, having signed on to overthrow the Saudi government. They plot to detonate car bombs in downtown Riyadh, become embroiled in a game of cat-and-mouse with government forces and, as their plans unravel, resort to ever more brutal tactics. Adopting a strictly objective approach, the film doesn’t editorialize and contains no interviews or “talking heads” commentary. The home video footage was shot by the terrorists themselves, allowing viewers to see them in all their complexity, while compelling audiences to draw their own conclusions.  Director / Producer Jonathan Hacker  is a documentary producer and director with numerous awards under his belt including the prestigious BAFTA and RTS awards. He joins us for a conversation on his frightening look at operational level of terrorism and the people who commit these heinous crimes.

 

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http://www.pathofbloodfilm.com/

83% on Rotten Tomatoes

“It commands attention as an object lesson in the banality of evil.” – Ben Kenigsberg, New York Times

“Operates as a potent reminder of the randomness, and casual cruelty of modern terrorism, the way it leeches out the humanity of victims and perpetrators on both sides.” – Leslie Pelperin, Guardian

“The film is compiled from footage that was shot by the terrorists themselves… And the fact that the film offers no real sense of hope makes it that much more alarming.” – Rich Clines, Shadows on the Wall

“This is a dazzlingly revealing and upsetting film.” – Nigel Andrews, Financial Times

Film Challenge: A Blueprint for Better, AIA At-large Director, Peter Exley

The American Institute of Architects (AIA) launched its fourth annual film challenge on Monday, June 18. The challenge is a part of the AIA’s Blueprint for Better” campaign, an initiative that highlights the collaborative work of architects and civic leaders to solve some of the biggest issues facing cities today. The film challenge started in 2015 and every year participants have shot and submitted three to five-minute documentaries that shed a light on how civic leaders are working with architects to solve some of the most pressing issues of our time, such as infrastructure, urban issues, natural disasters and housing shortages. This year, the AIA will also be premiering its new short-documentary film alongside the film challenge titled “Caño Martin Peña: A Blueprint for Better”. The film depicts the rebuilding efforts of an architect and community leader in Puerto Rico following last year’s devastating Hurricane Maria that left more than three million people without power. Submissions for the film challenge—due by 8:59 p.m. EST on Monday, Aug. 27—will be subject to two rounds of judging. The first round of winners will be selected by a panel of jurors from the media, architecture and film industries. A second round will be open for public voting to choose the “People’s Choice Winner.” Last year’s competition garnered more than 268,000 votes. Participants will have the chance to win a $5,000 grand prize that includes distribution of the film through a multitude of channels, including screenings at the Architecture and Design Film Festival on Oct. 16 in New York in addition to travel and accommodations. The “People’s Choice Winner” will receive a screening at the Chicago Ideas Festival. Other finalists will be awarded a $500 prize. American Institute of Architects At-large Director Peter Exley stops by to talk about the great work being done around the country when there is collaboration between innovative government and a committed private sector.

For news and updates go to: aiafilmchallenge.org

 

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