A Thousand Cuts, Director Ramona S. Diaz

Award-wining filmmaker Ramona S. Diaz’s latest documentary, A THOUSAND CUTS, is a blistering indictment of a free press and democracy are under attack in the Philippines. In the face of journalist Maria Ressa and founder of the on-line news site Rappler is holding the line and fighting back against President Rodrigo Duterte’s escalating threats of assignation and death. Duterte smear tactics and threats against Ressa (discredit journalists/media, spread misinformation, attacks on social media) are similar to what other authoritarian leaders are now using against the press. Duterte’s war on truth and journalism has become a blueprint for other authoritarian regimes around the world. A THOUSAND CUTS spotlights Ressa’s fight for justice in the country is ongoing as she was found guilty of cyber libel last month in a blatant attempt to silence one of the most outspoken critics of the Philippine President. The alarming result is not only an attack on Democracy in the Philippines, but also a warning shot to the rest of the world. Ressa’s lawyer Amal Clooney (also featured in the film) recently penned this Op-Ed  last month underscoring the implications of this trial. Director, Producer, Writer and Co-editor Ramona S. Diaz (Motherland, Imelda) joins us to talk about the suffocating pressure being brought to bear on journalists, her admiration for those who remain committed to a free press and the hope she has for her beloved homeland. 

 

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For news and updates go to: athousandcuts.film

For screenings go to: athousandcuts.film/watch-screenings

Produced by Concordia Studio and Motto Pictures, A THOUSAND CUTS will release nationwide in virtual cinemas on August 7th via PBS Distribution / Frontline PBS.

About the filmmaker Ramona S. Diaz is an award-winning Asian American filmmaker whose films have screened at Sundance, the Berlinale, Tribeca, the Viennale, IDFA, and many other top-tier film festivals. All of Ramona’s feature-length films—Imelda (2004), The Learning (2011), Don’t Stop Believin’: Everyman’s Journey (2012) and, Motherland (2017)—have been broadcast on PBS, on either the POV or Independent Lens series. Motherland won an award at the 2017 Sundance Film Festival and had its international premiere at the 67th Berlin International Film Festival. It was nominated for an Independent Spirit Award for best Documentary, a Peabody Award, and a Gaward Urian Award from the Filipino Film Critics. She has received funding from ITVS, Sundance, CAAM, Tribeca, Catapult Film Fund, Chicken & Egg, MacArthur Foundation, the IDA, Cinereach and Creative Capital, among others. For the past four years, Ramona has been a film envoy for the American Film Showcase, a joint program of the U.S. Department of State and the USC School of Cinematic Arts that brings American films to audiences worldwide. She has conducted master classes and production workshops all over the world. Ramona was awarded a prestigious Guggenheim Fellowship and was inducted into the Academy of Motion Picture Arts & Sciences (AMPAS) in 2016, and in 2017 received a Women at Sundance Fellowship and a Chicken & Egg Pictures Breakthrough Filmmaker Award. She is a current recipient of a United States Artist Fellowship. Ramona is a graduate of Emerson College and holds an MA from Stanford University.

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Winner – Best Documentary – DocEdge 2020

“[This] engrossing, galvanizing film feels more like a political thriller than an off-the-cuff investigation into embattled journalism in the Philippines, but Ressa’s seemingly boundless energy, good humor, and intelligence make her basically a power plant for the manufacture of inspiration in embattled times.” – Jessica Kiang, Variety

“A Thousand Cuts provides an expansive, revealing look at the current Filipino political situation, and it doesn’t feel like it’s warning viewers about what will happen in America, so much as telling us what’s coming next.”- Nick Allen, RogerEbert.com

“Diaz creates a rousing paean to the bravery of Ressa and her colleagues, and a clarion call to action that we should all heed.” – Christopher Llewellyn Reed, Hammer to Nail

“A Thousand Cuts is a must see for those who care about freedom of the press, democracy, and the future of one particular country-our own.” – Max Weiss, Baltimore Magazine

The Stand: How One Gesture Shook the World, Co-directors Becky Paige and Tom Ratcliffe

It is one of the most iconic images of our time: two African-American medal winners at the 1968 Olympics standing in silent protest with heads bowed and fists raised as “The Star Spangled Banner” is played.  Fifty years later, that singular event remains deeply inspiring, controversial and even misunderstood as one of the most overtly political statement in the annals of sport. The Stand: How One Gesture Shook the World is a revealing exploration into the circumstances that led runners Tommie Smith and John Carlos to that historic moment at the Mexico City Games, mining the great personal risks they took and the subsequent fallout they endured. Through intimate interviews with the participants and witnesses involved in that moment, along with compelling images and archive, the film explores the 1968 Olympics human rights stand in the context of a critically important and volatile time for the U.S. Civil Rights Movement. While The Stand: How One Gesture Shook the World documents this lasting moment in American history, The Stand also remains faithful to what was, for athletes and millions of Olympic fans around the world, a riveting 200-meter footrace between the fastest runners of the day, young people in their athletic prime striving to be the best on one October day in Mexico City. The Stand: How One Gesture Shook the World also features high jumper Ralph Boston, sprinter Mel Pender, crew member Paul Hoffman, silver medalist Peter Norman and Professor Harry Edwards. Filmmakers Tom Ratcliffe and Becky Paige (Bannister: Everest on the Track) join us to talk about the story behind a legendary act that echoes to this day.

 

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For news and updates go to: junofilms.com/the-stand

The Fight, Co-director Eli Despres (Elyse Steinberg and Josh Kriegman)

From the team that directed the jaw-dropping, award winning documentary on the life and mayoral campaign of former congressman Anthony Wiener (Weiner) comes THE FIGHT. Only days after the 2017 inauguration of Donald Trump, furious Americans gathered at airports across the country in protest of the Muslim ban. But it was the efforts of the American Civil Liberties Union, waging the fight in federal court, that turned the tide, staying the executive order on grounds of unconstitutionality. The ACLU has never granted access to its offices, even as its battles—on the fronts of abortion rights, immigration rights, LGBT rights and voting rights —have become more timely and momentous than ever. Rousing, inspiring and slyly humorous, their THE FIGHT follows four seismically important cases and a handful of magnetic attorneys. These lawyers may not know how to charge a cell phone or operate a stand-up desk but have persuaded Supreme Court Justices, beating back serious encroachments upon our freedoms. An antidote to endless news cycles filled with tweet tantrums, THE FIGHT inspires with the story of front-line warriors in the battle for the American soul. Co-director Eli Despres (Elyse Steinberg and Josh Kriegman) joins us to talk about this entertaining, fast-paced, and highly engaging peek behind the curtain of the self-effacing attorneys and their support team as they scramble to maintain and bolster many of the most substantive constitutional protections under constant assault.

 

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For news and updates go to: fightthefilm.com

The Fight is available for viewing at: fightthefilm.com/watch-at-home

The Fight is available for viewing at: fightthefilm.com/watch-at-home

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WINNER – U.S. Documentary Special Jury Award forSocial Impact Filmmaking – Sundance 2020

“Inspiring, infuriating, and unbounded. Filled with raw emotion and real world immediacy.”Kate Erbland, IndieWire

“A celebration of the lawyers on the front lines in the Trump age. Captures the intense emotion of the moment.”Beandrea July, The Hollywood Reporter

“A powerful, necessary, and illuminating look at the ACLU as it tries to navigate the age of Trump’s presidency” – Jason Gorber, POV Magazine

“In a moment divided into heroes and villains, there’s an urge for the film to go deeper into how, exactly, these lawyers use the Constitution as a cape.” – Amy Nicholson, Variety

“A gorgeous, enraging, and uplifting film.”Chris Hayes, MSNBC

We Are The Radical Monarchs, Director Linda Goldstein Knowlton

Set in Oakland, a city with a deep history of social justice movements, WE ARE THE RADICAL MONARCHS documents the Radical Monarchs – an alternative to the Scout movement for girls of color, aged 8-13. Its members earn badges for completing units on social justice including being an LGBTQ ally, the environment, and disability justice. The group was started by two, fierce, queer women of color, Anayvette Martinez and Marilyn Hollinquest as a way to address and center her daughter’s experience as a young brown girl. Their work is anchored in the belief that adolescent girls of color need dedicated spaces and that the foundation for this innovative work must also be rooted in fierce inter-dependent sisterhood, self-love, and hope. WE ARE THE RADICAL MONARCHS follows the first troop of Radical Monarchs for over three years, until they graduate, and documents the Co-founders struggle to respond to the needs of communities across the US and grow the organization after the viral explosion of interest in the troop’s mission to create and inspire a new generation of social justice activists. Director / Producer Linda Goldstein Knowlton (Somewhere Between, Dream,Girl, Whale Rider, The Shipping News) joins us to talk about the positive role-modeling, the sense of community connection and empowerment that the Radical Monarchs has brought into the lives of these young women of color.

 

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For news and updates go to: wearetheradicalmonarchsmovie.com

We Are the Radical Monarchs airs Monday, July 20 at 9 PM – PBS series POV

About the filmmaker Linda Goldstein Knowlton (Producer/Director) is an Emmy-nominated filmmaker, working in documentary and scripted feature films, as well as television.  In 2016, she Executive Produced the documentary DREAM,GIRL, which premiered at The White House.  The film showcases the stories of inspiring and ambitious female entrepreneurs. Goldstein Knowlton directed and produced one of the six, Emmy-nominated documentaries for the PBS MAKERS: Women Who Make America series.  The film, WOMEN AND HOLLYWOOD, aired in October, 2014 and includes interviews with  Jane Fonda, Shonda Rhimes, Lena Dunham, Ava Duvernay, Glenn Close, Julia Louis-Dreyfus, Alfre Woodard, Hunger Games producer Nina Jacobson, among many other notable women. Prior to that, she produced CODE BLACK, Best Documentary winner at LA Film Festival and the Hamptons International Film Festival, and the basis for the CBS one-hour drama of the same name. Previously she directed and produced SOMEWHERE BETWEEN, which won the Sundance Channel Audience Award at the Hot Docs Film Festival, and was released theatrically in over 80 cities across the US. For her directorial debut, she co-directed THE WORLD ACCORDING TO SESAME STREET, which debuted at the 2006 Sundance Film Festival in competition and aired nationally on PBS. Linda started her career producing feature films, including the award-winning WHALE RIDER and THE SHIPPING NEWS.

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Flannery, Co-directors Elizabeth Coffman and Mark Bosco

Winner of the first-ever Library of Congress Lavine/Ken Burns Prize for Film, Elizabeth Coffman and Mark Bosco’s documentary FLANNERY is the lyrical, intimate exploration of the life and work of author Flannery O’Connor, whose distinctive style influenced a generation of artists. A devout Catholic who collected peacocks and walked with crutches (due to a diagnosis of lupus that would take her life before the age of 40), O’Connor’s provocative, award-winning fiction about Southern prophets, girls with wooden legs, and intersex “freaks” was unlike anything published before (or since). Over the course of her short-lived but prolific writing career (two novels, 32 short stories and numerous essays and lectures), O’Connor never shied away from examining timely themes of racism, religion, socio-economic disparity, and more with her characteristic wit and irony. Including conversations with those who knew her and those inspired by her (Mary Karr, Hilton Als, Tommy Lee Jones, Lucinda Williams, and more), FLANNERY employs never-before-seen archival footage, newly discovered personal letters and her own published words (read by Mary Steenburgen) alongside original animations and music to examine the life and legacy of an American literary icon. Co-director Elizabeth Coffman and Mark Bosco join us to talk about the life and work of a writer and cartoonist who’s trenchant worldview and powers of observation provided her stories with a window into the soul of subjects that resonates to this day.

 

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For news, screenings and updates go to: flanneryfilm.com

*Flannery O’Connor was recently the subject of a provocative article by Paul Elie in The New Yorker, in which he quotes personal letters, and other writings, to question her attitudes on race. This is certainly a contentious and timely issue. We also note that earlier this month, The New York Times critic Wesley Morris named her 1965 short story, “Everything That Rises Must Converge,” as an example of “Art That Confronts and Challenges Racism.”

The Modern Consciousness: A FLANNERY Discussion Series, a four-part weekly series of virtual panel discussions on O’Connor’s legacy, will be presented concurrent with the run, with a new discussion every Monday from July 20 – August 10. Each part will cover a different topic (race, faith, disability, and craft). More details TBA.

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“‘Flannery’ is an extraordinary documentary that allows us to follow the creative process of one of our country’s greatest writers.” — Ken Burns, Oscar-nominated Documentarian

“A lively and insightful documentary that explores the troubled life and unblinking writing of Flannery O’Connor.” – Christopher Lloyd, The Film Yap

“If the mission of the filmmakers was to get people interested in reading her works again, they’ve done admirable work.” – Steven Prokopy, Third Coast Review

“Despite having a certain squareness that puts it slightly at odds with its subject, “Flannery” does succeed in its ultimate objective — after watching it, you will want to instantly get a hold of and read as much of Flannery O’Connor’s work as you can.” – Peter Sobczynski, eFilmCritic.com

Bloody Nose, Empty Pockets – Co-directors Bill Ross IV and Turner Ross

In the shadows of the bright lights of Las Vegas, its last call for a beloved dive bar known as the Roaring 20s. That’s the premise, at least; the reality is as unreal as the world the regulars are escaping from. BLOODY NOSE, EMPTY POCKETS is a mosaic of disparate lives, teetering between dignity and debauchery, reckoning with the past as they face an uncertain future, and singing as their ship goes down. Filmmaking duo Bill and Turner Ross return with an elegiac portrait of a tiny world fading away but still warm and beating with the comfort of community. Their beguiling approach to nonfiction storytelling makes for a foggy memory of experience lost in empty shot glasses and puffs of smoke. Bill Ross IV and Turner Ross (45365, Tchoupitoulas, Western, Contemporary Color) join us for a lively conversation on the fiction and non-fiction filmmaking expectations, the logistical and post-production challenges of making this film and the cinematic inspirations that inform Bloody Nose, Empty Pockets. 

 

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For news and updates go to: departmentofmotionpictures.com             

Renting Bloody Nose, Empty Pockets includes Director Introduction, the Feature Film and Post-Film Q&A with Cast/Crew. Order for July 8th in celebration of National Dive Bar Day! 10% of rental proceeds and 100% of all ‘GIVE’ donations benefit the US Bar Guild Foundation’s Bartender Emergency Assistance Program COVID-19 Relief Fund.

About the filmmakers: Bill Ross IV and Turner Ross are an American filmmaking team whose credits include the award-winning films 45365 (2009), TCHOUPITOULAS (2012), WESTERN (2015), and CONTEMPORARY COLOR (2017). Born and raised in Sidney, Ohio, and both graduates of the Savannah College of Art and Design, Bill and Turner Ross began work in the film industry in Los Angeles, with Bill as an editor and filmmaking teacher, and Turner in art departments on studio features. But they soon decided to eschew the day jobs of Hollywood and continue the creative partnership they began as kids by making their own films. In the years since, their films have brought them renown as some of the most innovative and interesting documentary filmmakers working today, with a style all their own and always evolving — pushing the art of presenting uninhibited portraits of and journeys through places, with all the complicated, humanistic, and lyrical truth that that entails. Their work has been supported by the Sundance Institute, the Rooftop Filmmaker’s Fund, Cinereach, the San Francisco Film Society and a generous grant from the late Roger Ebert. They were honored as Ambassadors for the American Film Showcase and as Sundance Documentary Institute Fellows. They were named Decade Filmmakers by Cinema Eye Honors, and in 2018 they became members of the Academy of Motion Pictures Arts & Sciences. When not making their own films, they collaborate with friends and fellow filmmakers such as Benh Zeitlin (BEASTS OF THE SOUTHERN WILD, WENDY), David Lowery (AIN’T THEM BODIES SAINTS, A GHOST STORY), A.J. Schnack (CAUCUS), Robert Greene (BISBEE ’17), Raoul Peck (I AM NOT YOUR NEGRO), and David Byrne. They live and work in New Orleans. According to Metacritic, Bill and Turner Ross are the 6th best reviewed filmmakers of the 21st century. For more go to: rossbros.net

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‘”Bloody Nose, Empty Pockets” may not be the straight-faced documentary it looks like, but it’s a sober-eyed document of our times nonetheless.’ (A-) – Eric Kohn, indieWire

“Blurs the boundary between documentary and feature filmmaking, making for a playful, compelling sui generis work.” – Leslie Felperin, Hollywood Reporter

“…a tragic piece about the homes away from home that provide comfort, as well as just how fleeting that comfort can feel in the bright light of day.” (A-) – Chris Barsanti, The Playlist

“Reaches for something just as truthful as either pure doc or pure fiction, finding a hybrid place in the middle that makes it no less powerful.” – Brian Tallerico, RogerEbert.com

The Medicine, Director Farzin Toussi

Can an ancient Amazonian plant medicine help heal mankind? Farzin Toussi’s documentary THE MEDICINE reveals the hidden mysteries of one of nature’s most powerful and controversial healing remedies: Ayahuasca. Increasingly popular in the West, Ayahuasca is both a tradition in Amazonian shamanism and a promising new focus of mental health research. THE MEDICINE introduces spiritual leader Taita Juanito Guillermo Chindoy Chindoy, both a teacher and student of the sacred plant in the Colombian Amazon, where Ayahuasca is known as Yagé. Former NFL safety Kerry Rhodes and actor AnnaLynne McCord, each facing personal struggles, are introduced to Ayahuasca by Taita Juanito, guided through a true ceremonial practice, and emerge with new insights. THE MEDICINE also features leading scholars and authors exploring the cultural and scientific significance of Ayahuasca. Humanity faces an unprecedented rise in addiction, depression, and disease – can an ancient indigenous plant medicine help heal mankind? Perhaps the cure lies within the arms of Mother Nature. Director Farzin Toussi joins us to talk about his professional and personal journey into the spirit world, ancient cultures and a root and plant that has changed lives and sustained a way of life for thousands of years.

 

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For news and updates go to: themedicinedocumentary.com

Watch The Medicine now at: Amazon, iTunes, Google Play, Fandago, Vudu

For an extended look at The Medicine click here

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Outcry, Director Pat Kondelis

Few people ever experience the momentum that Leader, Texas star football player Greg Kelley had going into his senior year of high school. That all changed in the summer of 2013, when Kelley was shockingly convicted of sexually assaulting a 4-year-old boy, and sentenced to 25 years in prison with no possibility for parole. OUTCRY is a searing examination of the criminal case that sent Kelley to prison and left his family and supporters searching for answers. Emmy® Award-winning filmmaker Pat Kondelis captures a community torn asunder and follows the principal participants on both sides of the appeals process as they work in pursuit of opposing truths. Over the course of three years, the series unfolds as Kelley’s fate hangs in the balance and new evidence emerges amid mounting criticism of the Williamson County justice system. SHOWTIMEs five-part investigative documentary series OUTCRY, follows the gripping scandal surrounding Kelley and the quest for truth and justice that followed in the wake of his sentencing. The series captures a divided community, as a groundswell of support emerges for Kelley, calling into question the investigation, the prosecution’s tactics and ultimately, the validity of the conviction, as both sides of the appeal process work in pursuit of opposing truths. OUTCRY director Pat Kondelis joins us to talk about the multiple twists and turns that Kelley saga takes and how no one knew where it would end up. 

 

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For news, updates and screenings go to: sho.com/outcry

OUTCRY premieres Sunday, July 5 at 10 p.m. ET/PT on SHOWTIME. New OUTCRY episodes will debut every Sunday through August 2, while the entire series will release for on-demand streaming or download on the SHOWTIME and SHOWTIME ANYTIME® apps and partner on-demand platforms July 5. 

About the filmmaker: Pat Kondelis is an Emmy award-winning director and producer. His previous work includes the Emmy-nominated CNN documentary series ‘High Profits’ (2015), the Emmy-winning Showtime documentary film ‘Disgraced’ (2017), the CNN documentary series ‘The Radical Story of Patty Hearst’ (2018), the HBO documentary film ‘The Scheme’ (2020), and the Showtime documentary series ‘Outcry’ (2020). Kondelis is the Creative Director at Austin based Bat Bridge Entertainment.

 
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Blood Rider, Director Jon Kasbe

In the riveting new short format documentary film, BLOOD RIDERS, from director Jon Kasbe (When Lambs Become Lions, Nascent, Mipso in Japan), focuses on the crippling blood shortage crisis and standstill traffic that plagues most hours of the day in Nigeria. On far too many days it can take over 24 hours to transport blood to patients in critical need. Joseph, one of the city’s motorcycle “blood riders,” can deliver blood to hospitals in under an hour. For mothers in labor, particularly in the case of Deborah dealing with a difficult delivery, this is often the difference between life and death.  Director Kasbe gives us an incredible sense of intimacy with his characters. BLOOD RIDERS puts us  there on the motorcycle and in the delivery room with Deborah and her husband. It boggles the mind. Director Jon Kasbe joins us for a conversation about the dire situation facing the people of Nigeria, a country of inadequate infrastructure, substandard health care capacity and systemic corruption, where a few dedicated people are determined to come to the aid of the most vulnerable among them.

 

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For news and updates go  to: jonkasbe.com/#/blood-rider

About the filmmaker: Jon Kasbe is an Emmy Award-winning Australian-Indian director and cinematographer. His debut feature, “When Lambs Become Lions,” was a 2017 Sundance Documentary Fund recipient, won Best Editing at the 2018 Tribeca Film Festival, and was nominated for two 2019 IDA Awards in Best Cinematography and Best Editing. The film was released theatrically across the United States by Oscilloscope Laboratories and is now available on Apple TV and Amazon. His short films have screened at festivals worldwide and been recognized by SXSW, Hot Docs, Webbys, Vimeo Staff Picks, Camerimage Film Festival, Sheffield Film Festival, and National Geographic. In 2018 he was selected for DOC NYC’s inaugural 40 Under 40 list. He is currently developing a new film in Concordia Studios Artist-in-Residence.  For more about his filmology go to: jonkasbe.com

Welcome to Chechnya, Director David France

In this searing documentary, WELCOME TO CHECHNYA, Academy Award –nominated director David France (How To Survive A Plague) brings us a terrifying real-life thriller that shadows a group of brave activists risking their lives to confront the ongoing anti-LGBTQ persecution in the repressive and closed Russian republic of Chechnya. In recent years, tens of thousands of LGBTQ people in the republic have suffered detention, torture and sometimes death at the hands of the authorities. But a small network of queer activists have mobilized into action, smuggling people in need out of their communities, securing visas and sheltering them in safe houses. Shot with astonishing access, largely with hidden cameras that keep rolling throughout every moment of escape, and employing a revolutionary face-swapping technique to protect the anonymity of its endangered subjects, WELCOME TO CHECHNYA exposes these under-reported atrocities, while highlighting an extraordinary group of heroic people confronting a brutal system. Director David France joins us for a conversation on the remarkably effective facial technology used by France to protect the identity of the film subjects and on the Russian republic’s pogrom against defenseless people being tortured and killed because of their sexual identity.

 

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For news and updates go to: welcometochechnya.com

Welcome to Chechnya premieres on HBO June 30

Director’s Statement: In my work as a journalist and author over many years, I have focused closely on the stories of outsiders and people who society has pushed to its margins – the disregarded, the ignored, the hated. When I turned to documentary filmmaking, I chose outsider activism as my subject. My first film, HOW TO SURVIVE A PLAGUE, documented the work of early AIDS activists, ordinary people with no training who marshalled the intricate details of virology to change the course of the epidemic. Next, I opened up the story of early gender radicals in THE DEATH AND LIFE OF MARSHA P. JOHNSON, which chronicled not only the founding of the modern LGBTQ movement but also the founding of the first transgender rights organization in 1970. WELCOME TO CHECHNYA completes this trilogy. It follows a group of ordinary humans who have done something extraordinary, and asks the question that has long preoccupied me: What makes a person assume enormous risk and responsibility when others might turn the other way?  What does it take, in other words, to be a hero?When I left their underground pipeline for the last time, knowing I could never go back once it became known I was reporting on their work, I wept with gratitude for the work they are doing. And for the opportunity they gave me to witness bravery of the most unvarnished kind: selfless, humane, and entirely queer. – David France

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100% on Rotten Tomatoes

“No one has ever found such a deep and humanitarian use of a ‘deep fake’.” – Zep Armentano, El Cinefil

“David France has created a true masterwork of LGBT empathy, working both as a devastating portrait of hate as well as a rallying cry to arms. This is one of the best documentaries of the year.” – Redmond Bacon, Culture Vultures

“Undoubtedly a magnum opus of sorts on human rights documentation” – Jessica Pena, Jumpcut

“Gripping, essential viewing” – Matthew Jacobs, HuffPost

“Welcome to Chechnya is as fearless as its subjects, unafraid to show the violence and emotional torture of these people.” – Brian Tallerico, RogerEbert.com

Seahorse, The Dad Who Gave Birth, Director Jeanie Finlay

This warm-hearted documentary SEAHORSE follows Freddy, a 30 year-old gay transgender man who yearns to start a family. However for Freddy this ordinary desire comes with unique challenges. Deciding to carry his own baby took years of soul searching, but nothing could prepare him for the reality of pregnancy, as both a physical experience and one that challenges society’s fundamental understanding of gender, parenthood and family. He quickly realizes that what to him feels pragmatic, to others feels deeply confusing and confronting; this was not part of his plan. Against a backdrop of increasing hostility towards trans people the world over, Freddy is forced to confront his own naivety, mine unknown depths of courage and lean on every friend and family member who will stand by him. Made with unprecedented access and collaboration over three years, the film follows Freddy from preparing to conceive right through to birth. It is an intimate, audacious and lyrical story for the cinema about conception, pregnancy, birth and what makes us who we are. SEAHORSE is directed by acclaimed filmmaker Jeanie Finlay (Game of Thrones, The Last Watch, Orion: The Man Who Would Be King). Jeanie Finlay joins us for a conversation on one trans man’s pioneering quest to fulfil an age-old desire: to start his own family.

 

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For news, screenings and updates go to: seahorsefilm.com

About the Director: Director / Producer / Writer Jeanie Finlay is one of Britain’s most distinctive documentary makers. She creates award-winning work for cinema and television, telling intimate stories to international audiences. She has made films for HBO, IFC, BBC as well as four commissions for the acclaimed BBC Storyville strand, including BIFA nominated The Great Hip Hop Hoax and  BIFA Award-winning Orion:The Man Who Would Be King Whether inviting audience behind the scenes of Teesside’s last record shop in her home town (SOUND IT OUT), or to share the extraordinary journey of a British transgender man, pregnant with his child (BIFA nominated Seahorse) or onto the set of the world’s biggest television show (Emmy nominated Game Of Thrones: The Last Watch), all of Jeanie’s films are all made with the same steel and heart, sharing an empathetic approach to bringing overlooked and untold stories to the screen. She set up Glimmer Films in 2008 to develop and deliver ambitious, engaging documentary works, made in the region for an international audience. Glimmer Films aim to: Creatively challenge the form of documentary. Celebrate untold, intimate stories. Further explore “wraparound filmmaking”; continuing a groundbreaking practice of engaging with audiences in innovative and meaningful ways throughout production and distribution. For more on Jeanie and her work go to: jeaniefinlay.com

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100% on Rotten Tomatoes

★★★★ ”A tender – and rather wonderful – documentary about love, family, raging hormones and the complexities of identity.” – The Guardian

★★★★ ”A fascinating, vital story told with heart and tenderness” – Little White Lies

“An engaging, empathetic and affecting film from master-documentarian Jeanie Finlay” TOP 5 FILMS TO SEE IN CINEMAS THIS WEEK – Mark Kermode

★★★★ ”An astonishing, unmissable story” – Financial Times
“One of the most moving things I have ever witnessed. I am forever changed. – Portland Observer

Unsettled, Director Tom Shepard

UNSETTLED is a feature-length documentary revealing the untold stories of LGBTQ refugees and asylum seekers who have fled intense persecution from their home countries and who are resettling in the U.S. UNSETTLED follows four new arrivals, each of whom have escaped potential peril in their native countries for being different. They’ve landed in the purported “gay mecca” of San Francisco, yet even there, building a new life in an adopted nation is a precarious undertaking. As new  leadership in America continues to restrict immigrants and drastically cut the flow of refugees and asylum seekers, UNSETTLED sheds light on a group about which few people know. What are the costs persecuted immigrants pay for seeking refuge? And how are everyday Americans stepping forward to help those most in need? Director and Producer Tom Shepard joins us for a conversation on the world wide danger faced by gay and transgender people, illegal in 70 countries and punishable by death in four countries, and the daunting challenges facing refugees and asylum seekers in the land of the free. 

 

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For news, screenings and updates go to unsettled.film

Broadcast premiere June 28 on worldchannel.org and pbs.org thru July 12, 2020

About the filmmaker: Tom Shepard, or the last 20 years has produced, directed, edited, and distributed documentary films. Four of his feature projects – SCOUT’S HONOR, KNOCKING, WHIZ KIDS and THE GROVE – have aired nationally on PBS (including POV, Independent Lens and PBS Plus). Coverage of his work has been featured prominently in the U.S. and foreign press, including reviews of three of his films in The New York Times, The Los Angeles Times, Washington Post, and Boston Globe among others. Shepard’s films have played in hundreds of film festivals worldwide – including Full Frame, Silver Docs and the Sundance Film Festival (where he won two top awards for SCOUT’S HONOR in 2001.) Shepard has raised two million dollars for production of his own work and has received funding from the Independent Television Service (ITVS) four times previously. He is the former Chairman of New Day Films and in 2013, founded the Youth Documentary Academy in Colorado where he teaches regularly. He graduated from Stanford University where he studied human biology and film.

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“It does provide engrossing studies in human interest, as well as an empathetic look at the particular struggles of U.S. immigration in the new millennium.” – Dennis Harvey, Variety

“It also lets Americans understand how horrible things are for others…” – Lapacazo Sandoval, Los Angeles Sentinel

Street Fighting Men, Director Andrew James

In a rapidly changing America where mass inequality and dwindling opportunity have devastated the black working class, three Detroit men must fight to build something lasting for themselves and future generations. STREET FIGHTING MEN takes a deep, observational dive into the lives of retired cop Jack Rabbit, who continues to patrol his own neighborhood as a citizen; Deris, who wants to further his education and serve as a role model for his baby daughter; and Luke, who labors mightily to rehab a dilapidated house while pulling together a meager living. Shot over three years in the neighborhoods of Detroit, STREET FIGHTING MEN is a story of hard work, faith and manhood in a community that never settles for defeat. STREET FIGHTING MEN takes place in the neighborhoods, where the real fight over Detroit’s future is being waged every day. For the people who live here, Detroit is not a blank slate, it is their home — where they have invested their lives, families, and memories. Director Andrew James joins us to talk about the grinding reality for people determined to do the right thing, get an education, provide for their families, promote a safe neighborhood, buy a home, but are faced with a crippling lack of resources or the opportunities to accomplish anything of last value.

 

For news and updates go to: streetfightingmen.com

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Watch Street Fighting Men at: ovid.tv/videos/street-fighting-men

Watch Street Fighting Men at: vimeo.com/ondemand/streetfightingmen

Director’s Statement – I became interested in making a film in Detroit after reading a Metro Times article about James “Jack Rabbit” Jackson. The article featured a picture of Jack Rabbit standing on a street corner at night with his partner, Keith, close behind him. The two men, Jack Rabbit in particular, had taken it upon themselves to be the neighborhood watch after the local police station shut down, and their story of resistance resonated with me. Jack Rabbit’s story and the struggle of his largely black working-class neighborhood is the story of our times. It has become increasingly hard to ignore how the US system is leaving behind poor, working-class and even middle-class people, many of whom are people of color, in favor of global economic interests. I wanted to create something personal and experiential, with an emphasis on the day-to-day, that could speak to this systemic decay of opportunity. I contacted Jack Rabbit and asked if we could meet. He was enthusiastic about the idea and excited to tell his story, and eager to help me understand the ups and downs of his neighborhood. After spending some time in Detroit and getting to know Jack Rabbit, we began shooting with Deris and Luke as well. It was then that I decided to move to Detroit – to capture their stories in real time. I felt that a longitudinal, fly on the wall style would allow me time to get to know the community better and find the story in collaboration with the subjects. This extended time allowed me to form close bonds with the three men, as well as others in the community, and it gave me a unique opportunity to tell their story in a very personal way. – Andrew James, Director/Editor/Cinematographer

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“Stories of the death and rebirth of [Detroit] are familiar, but Andrew James’s documentary conveys the experience of living there. From the beginning there’s an undercurrent of weariness, of the wear and tear of living in a place to which the rest of the world — or rather, the movie strongly implies, the white world, the money world — has grown indifferent.” – Glenn Kenny, The New York Times

“A painful but honest depiction of black life in urban Detroit, featuring multifaceted men striving against the odds. A portrait of black resilience and perseverance — without sentimentality — that stands in stark contrast to the one-dimensional stories of transformation, but still offers a way out of the dark.” – April Wolfe, Film Critic & Writer

“An incisive, intimate and enlightening cinematic gaze on Detroit, Street Fighting Men triumphs as an authentic story of resilience in a neighborhood that will never settle for defeat.” – Les Roka, The Utah Review

“For those curious about Detroit, this is one of the essential docs.” – Inney Prakash, Cinema Programmer, Maysles Documentary Center

Ask No Questions, Director Jason Loftus

In ASK NO QUESTIONS Chinese State TV blames his faith for a fiery public suicide, Chen Ruichang is detained in a Clockwork Orange-style brainwashing facility and forced to accept the government’s account. But Chen, a former insider of the state TV himself, believes it was all a government plot. A CNN reporter smuggled out footage of the event that day, but was then muzzled by Beijing. Now, her eyewitness testimony helps untangle an intricate conspiracy, as Chinese authorities begin pressuring the filmmaker’s family and business associates. The terrifying danger of a government nefariously crafting the narrative & imprisoning its citizens who practice Falun Gong in China in the gripping feature documentary ASK NO QUESTIONS from filmmakers Jason  Loftus (The Bleeding Edge, Human Harvest) and Eric Pedicelli (Black Code, Tin City Voices), which world premieres on Saturday, January 25th. In the vein of a journalistic true crime documentary, painting the scope of the crime, and the depths of the investigation. The story leads into allegations of criminal conduct at a governmental scale. Evidence is credibly presented, shocking, and thorough. Director Jason Loftus stops by for a conversation on the terrifying reach of a totalitarian state power structure and the impact it can have on those who dare challenge it.

 

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For news and updates go to: asknoquestionsfilm.com

About the filmmakers: Director and Producer Jason Loftus is a Peabody Award-winning film producer and four-time Canadian Screen Award nominee. His work spans documentary, docuseries, virtual reality, narrative games, and animation. He is CEO of the Toronto-based Lofty Sky Entertainment and Lofty Sky Pictures. Ask No Questions is Jason’s directorial debut in a documentary feature.

Director and Editor Eric Pedicelli – Eric’s films have highlighted women’s right to education in Ivory Coast, surveillance of activists in Rio de Janeiro, and internet censorship in Iran. He edited Black Code (directed by Nick de Pencier), examining perils faced by activists in the digital age. It premiered at TIFF and earned Eric a Canadian Screen Award nomination for Best Editing. Ask No Questions is his feature documentary directorial debut.

 
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“A few cunningly-placed cameras, a couple of threats, and some psychologically unstable recruits – and voila! – a whole new reality may be formed (in that sense, it’s like a real-life version of Barry Levinson’s satire Wag the Dog)” – Alex Saveliev, Film Threat

““Dissects a dramatic event with clear arguments and reasonable analysis–it is very well done. Darkness must be exposed, and Ask No Questions can play a valuable role.” – Ai Weiwei

“The film is particularly relevant now… a cautionary tale about how hard it can be to come to the truth.” – SF Weekly

“It shows the terrifying height of ‘fake news’ and presents a lot of difficult but timely questions about media, governmental authority, censorship, and freedom of the press.” – rocketminer.com

“A wicked trip down the rabbit hole… Without a doubt, Ask No Questions is a must see.” – Unseen Films

“Like an ice bath with each revealed truth being another shred of ice raising the hairs on the back of your neck.” – Slug Magazine

Bully, Coward. Victim. The Story of Roy Cohn, Director Ivy Meeropol

BULLY. COWARD. VICTIM. THE STORY OF ROY COHN takes an unflinching look at the life and death of infamous attorney Roy Cohn. Cohn first gained prominence by prosecuting Julius and Ethel Rosenberg in what came to be known as the “atomic spies” case. The documentary draws on extensive, newly unearthed archival material to present the most revealing examination of Roy Cohn to date. Director Ivy Meeropol (“Indian Point,” HBO’s “Heir to an Execution”) brings a unique perspective as the granddaughter of Julius and Ethel Rosenberg, having  spent much of her life feeling both repelled and fascinated by the man who prosecuted her grandparents, obtained their convictions in federal court, and then insisted on their executions. The documentary is a riveting profile chronicles Cohn’s life from the late 1950s as chief counsel to Senator Joseph McCarthy, when he first began wielding political power, through the 1980s, when he became a darling of the Reagan White House, a rabid anti-homosexuality activist and political mentor to Donald J. Trump before meeting his death from AIDS in 1986.  BULLY. COWARD. VICTIM. THE STORY OF ROY COHN includes numerous interviews, including John Waters, Cindy Adams, Alan Dershowitz, Nathan Lane and Tony Kushner, whose 2018 Pulitzer Prize and Tony-winning revival of “Angels in America” featured Lane as Cohn. Lane offers insight into how devastatingly dangerous the actual Roy Cohn was and how he wielded power through invective and innuendo.Director Ivy Meeropol joins us to talk about one of the most renowned and reviled political figures of the last 60 years as well as the lasting impact he had on her own life, family and the country.

 

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BULLY. COWARD. VICTIM. THE STORY OF ROY COHN debuts on HBO Thursday, June 18 at 9 PM (ET) and will also be available to stream on HBO GO, HBO NOW, and on HBO via HBO Max and other partners’ platforms. June 19 marks the 67th Anniversary of the execution of Meeropol’s grandparents, Julius and Ethel Rosenberg.

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“In its loosely anecdotal way it may bring us a notch or two closer to who Roy Cohn was.” – Owen Gleiberman, Variety

“The film might complicate who Cohn was, but it does not try to humanize his actions-and some aspects of his life, his choices, and what he might’ve been thinking still remain shrouded in mystery to this day.” – Michelle Jaworski, The Daily Dot

Disclosure, Director Sam Feder

DISCLOSURE (formerly titled Disclosure: Trans Lives on Screen) is an unprecedented, eye-opening look at transgender depictions in film and television, revealing how Hollywood simultaneously reflects and manufactures our deepest anxieties about gender. Leading trans thinkers and creatives, including Laverne Cox, Lilly Wachowski, Yance Ford, Jen Richards, Mj Rodriguez, Jamie Clayton, and Chaz Bono, share their reactions and resistance to some of Hollywood’s most beloved moments. Grappling with films like A Florida Enchantment (1914), Dog Day Afternoon, The Crying Game, and Boys Don’t Cry, and with shows like The Jeffersons, The L-Word, and Pose, they trace a history that is at once dehumanizing, yet also evolving, complex, and sometimes humorous. What emerges is a fascinating story of dynamic interplay between trans representation on screen, society’s beliefs, and the reality of trans lives. Reframing familiar scenes and iconic characters in a new light, director Sam Feder (Kate Bornstein is a Queer and Pleasant Danger) invites viewers to confront unexamined assumptions, and shows how what once captured the American imagination now elicit new feelings. DISCLOSURE provokes a startling revolution in how we see and understand trans people. Director Sam Feder joins us for a conversation on the prejudice and crippling stereotypes being pushed out by film and television as well as barrier breaking stories being told by filmmakers, writers and artists

 

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For news and updates go to: disclosurethemovie.com 

Watch: Disclosure premieres June 19 on Netflix

Statement from the filmmakers: DISCLOSURE shows audiences that decades-old stereotypes, memes, and tropes in the media both form and reflect our understanding of trans issues. They have shaped the cultural narrative about transgender people, and inform everything from dating and domestic violence, to school policy and national legislation. Since 80% of the population have never met a transgender person, all they know is rooted in media depictions, which are predominantly problematic and have rarely included participation by actual trans people. Disclosure is aimed at that 80%. 

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“A thoughtfully crafted film that puts underheard voices first.” – Beandrea July, Hollywood Reporter

“Crafted with obvious love, Feder beautifully guides the audience through the many pitfalls transgender people have faced along the road to representation.” – Ian Thomas Malone, FanSided

“(Disclosure) not only leaves us with the hope that things will improve, but it also shows us how much better the industry is when everyone is included, represented, and respected.” – Norman Gidney, Film Threat

“In making the film, Feder and Cox are rewriting the very history they set out to tell, adding one more title to “positive representation” list. That alone is worth coming out for.” – Jude Dry, indieWire

My Darling Vivian, Director Matt Riddlehoover and Producer Dustin Tittle

MY DARLING VIVIAN is the the story of Vivian Liberto, Johnny Cash’s first wife and the mother of his four daughters. In 1951, Catholic schoolgirl Vivian Liberto meets handsome Air Force cadet Johnny Cash at her local San Antonio, Texas skating rink. Their whirlwind summer romance lays the foundation for a feverish three-year-long correspondence while Johnny is stationed in Germany. Thousands of letters later, the two marry upon his return in 1954. Within a year, a career blossoms and a family is started. By 1961, Johnny Cash is a household name, number one on the music charts, and perpetually on tour. Meanwhile, only two weeks postpartum, Vivian settles into their custom-built home in Casitas Springs, California with their four young daughters. Plagued by bobcats, rattlesnakes, all-hours visits from fans, and a growing resentment toward her husband’s absence, Vivian is pushed to a near breaking point when she and her daughters are targeted by hate groups over her perceived race. In MY DARLING VIVIAN, we meet the first Mrs. Cash as her daughters, Rosanne, Kathy, Cindy, and Tara, share with us first hand, for the first time, the entire story of love, isolation, fear, heartbreak, and survival. Director Matt Riddlehoover and Producer Dustin Tittle joins us to talk about an unacknowledged, but crucial part of the Cash legacy and the impact it has on the lives of those who loved him.

 

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For news, screenings and updates go to: mydarlingvivian.com 

Watch: ondemand.drafthouse.com/film/my-darling-vivian

DIRECTOR’S STATEMENT – Vivian Liberto’s story is one that has intrigued me for years. Dustin, my husband and producing partner, is the grandson of Vivian and Johnny Cash; I’d heard fragments of her experience from my mother-in-law, Kathy, and how grossly misrepresented she was in the 2005 film, Walk the Line. It wasn’t until a close friend suggested we make this film that I even considered it a possibility – it seemed too huge a responsibility.  Now that Vivian’s truth is being told at a time when our society is beginning to listen to its aggrieved women, maybe her joy and pain and reality can be fully accepted. Her life was romantic and bewildering, difficult and significant, and wholly filmic – more than a mere footnote in the biography of Johnny Cash. The marks that were left on our four interviewees as children are undeniable, and also worth noting. These women have held an important piece of hidden history that seems more relevant today than ever before. It’s time we sat down and spent an hour or so in their, and their mother’s, shoes. Over these past two and a half years, I’ve fallen madly in love with Vivian, and my hope is that others do, too.  – Matt Riddlehoover, Director 

“An engaging and revelatory film that’s also deeply affecting.” – Sheri Linden, Hollywood Reporter

“This is a long-overdue must-see that sets the record straight for a woman whose whole life was glossed over in favor of a more camera-ready tabloid romance. There is great value to be found in My Darling Vivian if you’re up to walk this line.” – Bradley Gibson, Film Threat

“Enriched by a treasure trove of family photos, home movies, and previously unheard recordings, “My Darling Vivian” defiantly upends the accepted Nashville and Hollywood narrative…” – Andrew Osborne, culturevulture.net

“My Darling Vivian is an unmistakably loving and sensitive portrait, an imperfect but impassioned attempt to makes the case that the easy Johnny Cash narrative is missing an important figure.” – Steve Pond, TheWrap

Runner, Director Bill Gallagher

When he was only eight, Guor Mading Maker (formally known as Guor Marial) ran from captivity in war-torn Sudan to eventually seek safety in the US. In his new life, Maker began running again, participating in high school track and field and eventually becoming a sensation and qualifying for the 2012 Olympics. But because the newly formed South Sudan was not recognized by the International Olympic Committee, Maker had to fight to compete independently, refusing to run for Sudan and taking a stand against its oppression. RUNNER depicts Maker’s difficult and triumphant journey from refugee to a world-renowned athlete, told in intimate interviews with gorgeously animated flashbacks of Guor’s upbringing, and culminating in a heart-wrenching reunion with his parents after a 20-year separation. His story is a distinctly inspirational one in which the indomitable human spirit emerges against all odds. Director Bill Gallagher joins us to talk about the indomitable spirit of Guor Mading Maker and how the hope he has for “the world’s newest” country and love of his family have fueled his determination for finish his race.

 

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For news, screenings and updates go to: runnerdoc.com

About the filmmaker: BILL GALLAGHER is the director and producer of the award-winning documentary RUNNER that is currently playing at festivals around the world. He was the line producer for the Academy Award nominated documentary IF A TREE FALLS (Sundance), and Production Manager on the documentary RACING DREAMS (Tribeca – Best Documentary). Both films were in theaters and broadcasted on BBC and PBS. Originally from outside of Boston in the United States, he is now living in Madrid, Spain. He studied Documentary Media at The New School and has lectured on documentary production at the University of Navarra in Spain. RUNNER is his first film as director.

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2040, Director Damon Gameau

Award-winning Director Damon Gameau (That Sugar Film) embarks on a journey to explore what the future could look like by the year 2040 if we simply embraced the best solutions already available to us to improve our planet and shifted them rapidly into the mainstream. Structured as a visual letter to his 4-year-old daughter, Damon blends traditional documentary with dramatized sequences and high-end visual effects to create a vision board of how these solutions could regenerate the world for future generations. Director Damon Gameau joins us to talk about the how current, scalable technologies are available that can mitigate the damage being done by the scourge of climate damage and move us toward a cleaner, sustainable life for the planet and humanity.

 

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For news and updates go to: madmanfilms.com.au/2040film

For news and updates go to: whatsyour2040.com

Watch 2040 at togetherfilms.org/2040-screenings

Get Involved 

“We have partnered with the curriculum experts at Cool Australia to build a comprehensive package of units of work for upper primary and secondary. These free lesson plans are learning recipes for teachers that utilise short clips from the film to support classroom learning, providing step-by-step instructions, student workshops and engaging content. We interviewed over 100 children from around the world for 2040 and asked them what their hopes and dreams were for the future. It is a world they will be inheriting from us so we have to show them that solutions exist, that there are people who care deeply about their future, and that wonderful careers await with genuine purpose and meaning.” – Damon Gameau 

Visit the “Resources for Teachers” page and sign-up to our Schools Mailing list to learn more about opportunities for schools and to receive updates on when localized curriculum resources will be available in your country.

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“2040 might just shift your world for the better.” – Liam Maguren, Flicks.co.nz

“Gameau pulls away from the apocalyptic doomsaying hard-wired into so much of the enviro-debate…Wisely, his speculations are restricted by the self-imposed discipline that they all need to be rooted in practices that already exist. A very smart move.” – Jim Schembri, 3AW

“None of the ideas explored here are purely theoretical or pie in the sky. Whether technological or systems-based solutions, they all exist now and could be massively expanded to huge global benefit.” –Lynden Barber, Limelight

“Gameau defaults to the position of inspiring people rather than alarming or overwhelming them. You leave the film wanting more, not less, of these sorts of productions.” – Luke Buckmaster, Guardian

“You can’t please everyone. Gameau is at least doing what he can to talk about some big problems, in an entertaining and accessible way.” – Paul Byrnes, Sydney Morning Herald

Ursula von Rydingsvard: Into Her Own, Director Daniel Traub

In URSULA VON RYDINGSVARD: INTO HER OWN filmmaker Daniel Traub nimbly illuminates the fascinating journey of Ursula von Rydingsvard – from her difficult early life in a family of nine emigrating to the US after five years in post-WWII German Displaced Persons camps, a traumatic first marriage, her arrival in 1970s New York to establish herself as an artist, and the staggering, triumphant body of work she subsequently produced. Von Rydingsvard is one of the few women in the world working in monumental sculpture. Von Rydingsvard’s work has been featured in the Venice Biennale and is held in the collections of some of the world’s great museums, including New York’s =Museum of Modern Art, the Art Institute of Chicago, and the San Francisco Museum of Modern Art. But she may be best-known for the stunning “Scientia” at M.I.T. which evokes the power of nature and the firing of brain synapses. imposing pieces painstakingly crafted with complex surfaces. URSULA VON RYDINGSVARD: INTO HER OWN, goes behind the scenes with von Rydingsvard, as she and her collaborators – cutters, metalsmiths, and others – produce new work, including challenging commissions in copper and bronze. But the film also delves into the artist’s personal life, and how it has shaped her work. In conversations with curators, patrons, family, and fellow artists, we come to know von Rydingsvard as a driven but compassionate sculptor with a deep commitment to her art and the world around her.  Director Daniel Traub joins us to talk about von Rydingsvard’s creative process and how the materials she uses to create her complex and challenging sculptures influence her artistic approach.

 

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For news and updates go to: intoherownfilm.com

About the filmmaker: DANIEL TRAUB  Director / Producer / Cinematographer is a New York-based filmmaker and photographer. He lived in China from 1998 to 2007, working as cinematographer on documentary films for various networks and production companies, including PBS, German television ZDF and Arte. More recently, Traub directed the feature-length Barefoot Artist about Lily Yeh and her collaborative artworks in war-torn communities and Xu Bing: Phoenix about the condition of Chinese migrant laborers. Traub’s photographs have been exhibited internationally, including solo exhibitions at the Catherine Edelman Gallery in Chicago, Slought Foundation in Philadelphia and the Lianzhou Foto Festival in China. His work can be found in public and private collections, such as The Margulies Collection at the Warehouse and San Francisco Museum of Modern Art.

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“A welcome cinematic account of her work.” – Glenn Kenny, The New York Times

“This compelling documentary portrait is a quiet ode to a woman whose approach to form and material are unmatched in the art world.” – Vancouver Int’l Film Festival

“While director Daniel Traub has little time to dive too deeply, the documentary serves as a fascinating glimpse into an artist’s work, inspirations and process.” – Kevin Crust, Los Angeles Times

“A fascinating and streamlined look at the renowned sculptor as we get a behind the scenes look at her creative process.” – Joe Friar, The Victoria Advocate

Terrence McNally, Every Act Of Life, Director Jeff Kaufman and Producer Marcia Ross


Terrence McNally, Every Act Of Life, tells the story of the groundbreaking life and work of 5-time Tony-winning playwright Terrence McNally: a personal journey through 6-decades of the American theatre, the struggle for LGBT rights, triumph over addiction, the power of the arts to shape society, and finding love and inspiration at all ages. F. Murray Abraham, Audra McDonald, Christine Baranski, Edie Falco, Nathan Lane, Angela Lansbury, Rita Moreno and others weigh in on the pioneering playwright’s influential career, and speak frankly of his struggles as well as his monumental successes. The voices of Dan Bucatinsky, Bryan Cranston and Meryl Streep are also featured. Intimate conversations with the late McNally complete this essential portrait of the four-time Tony winner and 2019 recipient of the Special Tony Award for Lifetime Achievement in the Theatre. Playwright, librettist, scriptwriter and outspoken LGBTQ activist Terrence McNally died of coronavirus complications in April 2020 at age 81. American Masters and the filmmaking team explored McNally’s six-decade career through the intimate and revealing documentary. Director Jeff Kaufman and Producer Marcia Ross join us for a look back at one of the greatest playwrights  in American theatre history.

 

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For news and updates go to: everyactoflife.com

Terrence McNally, Every Act Of Life, will be returning to PBS Streaming on June 1st. 

About the filmmakers: Jeff Kaufman produced, directed, and wrote the documentaries Every Act Of Life (2018 Tribeca premiere, aired June 2019 on American Masters), The State of Marriage, Father Joseph, The Savoy King: Chick Webb and the Music That Changed America, Brush With Life: The Art of Being Edward Biberman, and Education Under Fire, plus a number of short films for Amnesty International, and programs for The Discovery Channel, and The History Channel. He also edited/designed a book based on the film Every Act Of Life, contributed cartoons to The New Yorker, and illustrations to The Los Angeles Times and The New York Times, wrote/illustrated several children’s books, and hosted daily radio shows in Vermont and Los Angeles.

Marcia S. Ross produced the documentaries Every Act Of Life, The State of Marriage, Father Joseph, and The Savoy King. Additionally she has an over 3-decade career as an independent casting director and casting executive, serving 16 years as EVP for Casting at Walt Disney Motion Pictures, and 5 years as VP for Casting and Talent Development at Warner Brothers TV. Some of her film and television credits include Clueless, Cujo, thirtysomething, Murder in Mississippi, 10 Things I Hate About You, The Princess Diaries, Romy and Michele’s High School Reunion, The Lookout, Enchanted, Oblivion, and Parental Guidance. She has received career achievement awards from the Casting Society of America and the Hollywood Film Festival.

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91% on Rotten Tomatoes

McNally’s life has the sweep of an epic novel, except that the novel’s inevitable movie version could never have as much star power as his life did.” – Ren Jender, Village Voice

“It’s a great introductory piece for those new to this area of theatre, and a pleasing chance for others to reflect on one of its greatest talents.” – Jennie Kermode, Eye for Film

“It does true justice to its subject by showing how his influence goes well beyond words, finding his tribe on Broadway and making it feel like home for others.” – Stephen Saito, Moveable Fest

“McNally’s life has the sweep of an epic novel, except that the novel’s inevitable movie version could never have as much star power as his life did.” – Ren Jender, Village Voice

 

Kate Nash: Underestimate the Girl, Director Amy Goldstein

Amy Goldstein’s wildly entertaining documentary, KATE NASH: UNDERESTIMATE THE GIRL, chronicles the meteoric rise and years-long struggle of musician / artist Kate Nash to re-establish a thriving career on her own terms. At 18, Nash reached the stratosphere of pop music, vaulting from a working-class family in North London into worldwide tours, a platinum record, and a season dominating the music charts. Fast forward to ten years later: Kate is breaking down, nearly homeless. Defrauded by her manager, she is forced to take odd jobs–like hosting a QVC show in a comic bookstore–and must sell off her clothes. After hitting bottom, she rises out of the darkness by crowd-funding her third album, using the uplifting power of online culture and her own authentic voice. From pop wonder, to riot grrrl, to TV wrestling queen, Kate’s journey is an inspiring call to the creative heart in all of us: be fearless. Blending performance footage with verité style sequences, KATE NASH: UNDERESTIMATE THE GIRLis both a no-punches-pulled look at an artist in flux who manages to come out on top, and at an industry that proves its own gender bias at every opportunity. The film is structured around songs and lyrics, as they are written and performed by Kate Nash, to tell its unfolding story. Director Amy Goldstein joins us to talk about Kate Nash, her work ethic, determination, sense of humor and how that has served her over the many years of struggle.

 

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For news and updates go to: thehoopinglife.com/kate-nash-underestimate-the-girl

KATE NASH: UNDERESTIMATE THE GIRL will be released nationally on Friday May 22 via the groundbreaking virtual cinema platform ALAMO ON DEMAND. Following the Saturday, May 23 6:00 PST / 9:00 EST there will be an interactive performance and Q&A with Kate Nash.The exclusive release will then hit a limited traditional theatrical rollout in August. Watch tonight: On Demand.drafthouse.com/film/kate-nash-underestimate-the-girl

 

About the filmmaker: Amy Goldstein, Director/Producer/Cinematographer Amy Goldstein graduated from Hampshire College with a BA in semiotics and from NYU Film School. She was a Louis B. Mayer fellow at NYU film school. Her short, “Commercial for Murder” (1990), screened at the Berlin Film Festival and was distributed theatrically in a collection of shorts. Her thesis film, Because the Dawn, was presented as the American Independents at the Toronto Film Festival with Todd Haynes‘ Superstar: The Karen Carpenter Story. After school, Amy directed music videos for artists from around the world, including Rod Stewart‘s “Downtown Train”. She directed the feature film The Silencer, which she co-wrote with Scott Kraft, and they went on to develop pilots for HBO, CBS, Fox, Showtime, and MTV, and the hip-hop musical Check Under the Hood for Jersey Films/Polygram. She directed the award-winning feature film East of A, an edgy comedy about an alternative family facing the challenges of raising a child with HIV. Amy directed “The Hooping Life” (1999), a chronicle of a worldwide subculture of “hoopers” who transcend their personal toil and the world’s fears through hula-hooping. Her most recent project is the documentary about the career of pop star Kate Nash, Kate Nash: Underestimate the Girl. Amy Goldstein and Anouchka van Riel, Producer head up Span Productions

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“What emerges is a comprehensive, thoroughly engaging portrait of a woman who has made it on her own terms and is back for more.” – Christopher Llewellyn Reed, Hammer to Nail

“If you want a reminder that misogyny is alive and well, this is the documentary for you. It actually ends on a bright note, but the road there is brutal” – Lindsay Pugh, Woman in Revolt

“While not quite as saddening as the recent Avicii documentary, Kate Nash: Underestimate the Girl is another indictment of the music business and its tendency to chew up young talent.” – Suzi Feay, Financial Times

Rewind, Director Sasha Joseph Neulinger

In REWIND, Sasha Joseph Neulinger’s candid personal memoir, he revisits his childhood and the events that tore apart his seemingly-perfect world. For as long as Neulinger can remember, his father was constantly filming— from birthday parties, to hockey games, to holidays. But his camera, trained on the frequent gatherings of a tight-knit family, was also documenting a hidden secret, the revelation of which would lead to a media firestorm, a high-stakes court battle, and a generational reckoning. Drawing upon an incredibly revealing home video archive, Neulinger revisits these events 20 years later to piece together an unflinching story of the cycles and consequences of abuse, to examine what it means to heal, and to use those experiences to effect positive change in the world. REWIND probes the gap between image and reality and proves just how little, and how much, a camera can capture. Director Sasha Joseph Nuelinger joins us for a candid conversation on the psychological, physical and emotional impact of abuse and how he was able to find the appropriate balance in his role as creator and director telling a story of unspeakable horror about himself and his family.

 

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For news and updates go to: RewindDocumentary.com

For more about Rewind go to: rewinddocumentary.com

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100% on Rotten Tomatoes

“Watching the movie is like staring at a blurred image of the past that gradually, over 86 minutes, comes into terrifying focus… A documentary like this one has the effect of a moral thriller.” – OWEN GLEIBERMAN, VARIETY

“Rewind,” as indelibly as any film ever made, illustrates how the very process of investigating your own past can be a trauma unto itself. ” – DAVID EHRLICH, INDIEWIRE

“Somehow in documenting the family’s unraveling, Neulinger comes to show the strength that certain members were able to give to another… there is tremendous power in seeing the filmmaker taking the bad to make some good out of it, capturing the best and worst that humans are capable of in one brave and truly exceptional film.” – STEPHEN SAITO, THE MOVEABLE FEST

“Neulinger’s film, like any great documentary, maintains a steady drip of details whose importance are only revealed later… Rewind not only offers the story of a victim’s ordeal, but a brave and resilient spirit.” – ROBERT DANIELS, 812 FILM REVIEWS

“Sasha Joseph Neulinger’s wrenching surival story is an astounding documentary on sexual abuse trauma… The utter honesty behind these scenes could only be captured in a documentary.” – ANDREW BUNDY, THE PLAYLIST

Circus of Books, Director Rachel Mason

For 35-plus years, the gay porn shop Circus of Books gave Los Angeles’ LGBT+ community a space to socialize and celebrate themselves without judgment. Unbeknownst to many customers, the store was cultivated by owners Karen and Barry Mason, a straight, mainstream couple with three children who went to religious school and were unaware of their parents’ business. The Masons long refused to disclose the nature of their business to friends or family. While maintaining the secret, they witnessed the dawn of the HIV/AIDS epidemic firsthand, losing a generation of treasured employees. Still, during that time, they never identified https://www.netflix.com/title/81011569as activists — just everyday entrepreneurs catering to a market, until the Internet destroyed it. Executive produced by Ryan Murphy, CIRCUS OF BOOKS is the debut documentary from artist Rachel Mason, who finally asks the least radical people she knows — her parents — how they became America’s biggest distributors of gay porn, and why Karen reacted so negatively when her own son came out of the closet.Director and daughter Rachel Mason joins us to talk her parents, her brothers, her own story and the impact her family’s business had on a community fighting to survive.

Circus of Books is nows screening at: netflix.com

About the filmmaker – Rachel Mason is an artist, musician and filmmaker from Los Angeles. Mason has recorded 13 albums, has toured, exhibited sculpture, video and performance at the Whitney Museum, Queens Museum, LACMA, Detroit Museum of Contemporary Art, School of the Art Institute in Chicago, Henry Gallery in Seattle, James Gallery at CUNY, University Art Museum in Buffalo, Sculpture Center, Hessel Museum of Art at Bard and Occidental College, Kunsthalle Zurich, Museum of Contemporary Art Detroit, The New Museum, Park Avenue Armory, Art in General, La Mama, Galapagos, Dixon Place, and Empac Center for Performance in Troy among other venues. Reviews include New York Times, Village Voice, Los Angeles Times, Flash Art, Art in America, Art News, and Artforum. Her album and feature film, The Lives of Hamilton Fish. has toured festivals and museums internationally and was released in 2016.

For more about Rachel Mason go to: rachelmasonart.com

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98% on Rotten Tomatoes

“Circus of Books is the story of an American family who wandered into the eye of history, and a virtuoso example of how to make a movie both very big and very small at once.” – Josephine Livingstone, The New Republic

“A RARE DELIGHT – AND A NEARLY PERFECT DOCUMENTARY. Mason keeps a thread of tension taut throughout, never losing sight of the contradictions between her parents’ work and their home life.” – Jude Dry, IndieWire

“VERY FUNNY, VERY MOVING. The filmmaker does right by front-loading most of the snicker-worthy scenes. She knows that even the most open-minded among us need to get past a certain level of shock and incredulity to see Karen and Barry as the beautiful, and beautifully complicated, people they are.” – Keith Uhlich, The Hollywood Reporter

“Circus of Books tells this complex and enthralling story, about the rise and fall of their family business, with a unique specificity. It’s Mason’s lack of distance from the subject — in fact, it’s that she, too, is part of the story — that makes the picture soar with intimacy.” – Tre’vell Anderson, OUT

Mossville, When Great Trees Fall, Director Alexander John Glustrom

Mossville, Louisiana is a shadow of its former self – a community rich in natural resources and history, founded by formerly enslaved people and free people of color – where neighbors lived in harmony, insulated from the horrors of Jim Crow. Today, Mossville is surrounded by 14 petrochemical plants and the future site of apartheid-born South African-based chemical company Sasol’s newest plant – proposed as a $21.2 billion project and the largest in the western hemisphere. The remaining family members of Mossville struggle to let go of their ancestral home – and at the center of it all is a man named Stacey Ryan. Stacey is 49 years old and a lifelong resident of Mossville. In the past ten years Stacey has lost much of his family to cancer and seen the neighborhood he grew up in demolished to make way for Sasol’s new multi-billion dollar project. Having promised his dying parents to fight the sprawling chemical companies, Stacey struggles to keep his word as his power, water, and sewage are all cut off, and his health continues to decline from ongoing chemical exposure. As Sasol encroaches on citizens’ property with buyout offers, Stacey and other community members have to decide whether to exist in a chemical war zone, or abandon land that has been in their families for generations.,MOSSVILLE: When Great Trees Fall Director and Editor Alexander John Glustrom joins us to talk about one man’s fight to hold on to the last patch of a historic community and the legacy of a shattered community.

 

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For news and updates go to: mossvilleproject.com

About the filmmaker: Alexander John Glustrom – Director / Editor / Director of Photography – Alexander John Glustrom’s first film was the award winning documentary, “Big Charity,” winner of The Jury Award and Audience Award at New Orleans Film Festival and the 2015 Documentary of the Year by Louisiana Endowment for the Humanities. He was awarded “Filmmaker of the Year” at the 2015 New Orleans Millennial Awards and one of New Orleans’ “40 under 40” by Gambit Magazine. He has directed, shot, produced, and edited a wide variety of film and media projects that have reached hundreds of thousands online, played at film festivals internationally and aired on major networks including HBO, CNN, Fusion, NYtimes.com, Great Big Story and Democracy Now.  Daniel Bennett, Katie Mathews and Catherine Rierson are Producers, while Linda Karn and Michelle Lanier serve as Executive Producers.

For more about Alexander John Glustrom go to: ajgmedia.com

Social Media:
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instagram.com/mossvillefilm

MOSSVILLE: When Great Trees Fall will be broadcast nationally on the PBS series Reel South beginning May 25 and on the world channel beginning May 31.

MOSSVILLE: When Great Trees Fall opens virtually in theaters in New York on May 7 through the Maysles Documentary Center, and in Los Angeles on May 8 through the Laemmle Theaters. Select screenings will be followed by a Q&A with filmmakers.  Additional participating theaters include Milwaukee Film Sofa Theater (Milwaukee, WI), Smith Rafael Film Center (Marin County, CA), Grail Moviehouse (Asheville, NC), Frida Cinema (Santa Ana, CA), Broad Theater (New Orleans, LA) and Tampa Theatre (Tampa, FL). Please check the MOSSVILLE website for more information on theaters and Q&As: mossvilleproject.com/screenings

“Striking and Urgent…” – Indie Wire

“Mossville captures the devastation of the destruction of a community with grace and empathy and has a message that will reverberate across generations.” – BRWC

“A sad and uncommonly stunning exploration of environmental racism and the adverse effects of industrialization on fenceline communities.” – Anti-Gravity

“A nightmarish landscape is the battleground for Stacey’s defiant spirit, as he’s forced to choose between a better life for his son and fighting to preserve his ancestors’ legacy.” – Planet in Focus