Wednesday, August 21 – American Factory, Co-directors Julia Reichert and Steven Bognar

AMERICAN FACTORY tells the story of a Chinese billionaire opening a new factory in the husk of an abandoned General Motors plant in Dayton, Ohio, hiring 2,000 blue-collar Americans still recovering from the effects of the 2008 recession. Working side-by-side with experienced Chinese workers, the locals are optimistic about the future for the first time in almost a decade. But early days of hope give way to setbacks as high-tech China collides with working-class America, and issues of language and culture become seemingly insurmountable walls between clashing factions. AMERICAN FACTORY, the new film from Academy Award®-nominated directors Steven Bognar and Julia Reichert, documents the revitalization of one long-shuttered factory while providing a startling glimpse into a global economic realignment now playing out in towns and cities across the country — and around the world. Granted generous access to the factory, and with the in-depth participation of its employees, Bognar, Reichert and their team spent three years following Fuyao Glass America’s launch of a state-of- the-art glassmaking facility employing hundreds of Chinese and thousands of Midwestern workers in the American heartland. Capturing surprisingly candid moments of people ranging from the visionary billionaire who financed the enterprise to American and Chinese workers on the factory line, AMERICAN FACTORY presents a microcosmic view of a global phenomenon that could represent a new normal for the American working class. Co-directors Steven Bognar and Julia Reichert join us for a lively conversation on the challenges of telling a multifaceted of people desperate for a new beginning working for an employer who sees the workplace from a point of view rooted in a culture a half a world away.

About the Filmmakers: STEVEN BOGNAR & JULIA REICHERT (Directors, Producers) are Oscar®-nominated documentary filmmakers whose work has screened at Sundance, Telluride, SXSW and other major festivals, as well as on HBO and PBS. Their film A Lion in the House, a co-production with ITVS, premiered at Sundance, screened on the PBS series “Independent Lens” and won a Primetime Emmy®. Their film The Last Truck: Closing of a GM Plant premiered at the 2009 Telluride Film Festival, screened on HBO, and was nominated for an Academy Award® for Best Documentary Short in 2010. Their films have, for the most part, told stories of rank-and-file citizens grappling with questions of agency and how to have a decent life. Julia Reichert’s work, in particular, spanning 50 years of filmmaking, has a through-line of concern for working-class and women’s stories. Julia Reichert was also Oscar®-nominated for her documentary feature films Union Maids (1977) and Seeing Red: Stories of American Communists (1983). Her first film, Growing Up Female, was selected for the National Film Registry by the Library of Congress. She is the 2018 recipient of the IDA Career Achievement Award. Bognar’s films Personal Belongings, Picture Day and Gravel all premiered at the Sundance Film Festival.

 

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For news and updates go to: netflix.com

American Factory opens in Los Angeles on Wednesday, August 21 at the Landmark Theatre

Social Media: twitter.com/jeffreichert

WINNER – Best Director – 2019 Sundance Film Festival – U.S. Documentary Competition

OFFICIAL SELECTION – 2019 True/False Film Festival

OFFICIAL SELECTION – 2019 Tribeca Film Festival –

Opening Night, Critics’ Week

OFFICIAL SELECTION – 2019 Full Frame Film Festival

95% on Rotten Tomatoes

“FASCINATING. A sprawling cinema-verite account, it examines the real tensions of international businesses in human terms.” – Eric Kohn, Indiewire

 “INTIMATE AND EPIC. 30 years after Roger And Me, a similarly vital story updated and made relevant for our globalised age.” – Anthony Kaufman, Screen

“Of all the documentaries you see this year, this one most potently embodies the ever-changing sense of the words “Made in America.” – Peter Debruge, Variety

“American Factory demands comparison to Barbara Kopple’s Oscar-winning masterpiece American Dream with its frank and laudably objective portrait of the USA’s working class and its struggle for prosperity.” – Pat Mullen, POV Magazine

Friday, August 16 – Cold Case Hammarskjold, Director Mads Brügger

In 1961, United Nations secretary-general Dag Hammarskjöld’s plane mysteriously crashed, leaving no known survivors. It’s understood that because Hammarskjöld was advocating for Congo’s independence (against the wishes of European mining companies and other powerful entities), the “crash” was an assassination. With the case still unsolved 50-plus years later, Danish journalist, filmmaker, and provocateur Mads Brügger (The Red Chapel, The Ambassador) leads us down an investigative rabbit hole to unearth the truth. Brugger, his Swedish private-investigator sidekick, Goran Bjorkdahl, and a host of co-conspirators tirelessly pursue a winding trail of clues, but they turn up more mysteries than revelations. Scores of false starts, dead ends, and elusive interviews later, they begin to sniff out something more monumental than anything they’d initially imagined. In his signature agitprop style, Brügger becomes both filmmaker and subject, challenging the very nature of truth by “performing” the role of truth-seeker. As Brügger uncovers a critical secret that could send shockwaves around the world, we realize that sometimes absurdity and irony are the emboldening ingredients needed to confront what’s truly sinister. Director Mads Brugger joins us for a spirited conversation on his fantastic and fantastical, hell-raising cinematic shot across the colonialist bow.

For news, screenings and updates go to: coldcasehammarskjold.com

 

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About Mads Brügger:  Brügger is a Danish journalist, television host, author, and filmmaker. He has written several books, worked for magazines and newspapers, produced award-winning radio programs, and hosted the critically acclaimed late-night television show The 11th Hour, as well as the daily news program Deadline. Brügger also created the satirical docu-series Danes for Bush and the feature documentaries The Red Chapel (World Cinema Documentary Jury Prize, 2010 Sundance Film Festival) and The Ambassador (2012 Sundance Film Festival).

Social Media:

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Mads Brugger:

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“Dag Hammarskjold was on the point of getting something done when they killed him. Notice that I said, `when they killed him’.” Harry S. Truman, former U.S. President.

“A slow-building documentary mystery that sucks you in like a vortex. It offers several intertwined conspiracy theories, at least one of which, by the sternest reckoning, appears to be grounded in reality. Does that mean everything in the film is true? Maybe not. Yes ‘Cold Case Hammarskjöld’ is a singular experience that counts as one of the most honestly disturbing and provocative nonfiction films in years.” – Owen Gleiberman, Variety
 
“Either a stunning piece of investigative reporting that builds to a revelatory climax or a wily trickster’s dark critique of the audience’s desperate need for answers. Brügger is a journalist and a fabulist, a provocateur and a comedian.” – Daniel Fienberg, The Hollywood Reporter
 
“Brügger’s most rewarding film. The suspense grows so intense that – if a projector malfunctions at a certain moment towards the end of the movie – audiences may actually be incapable of returning to their regular lives without knowing what comes next. The truth is often stranger than fiction, but when the truth is a convoluted story of parapsychology, death cults, and mercenaries with mysterious code names like ‘Congo Red,’ perhaps it takes a strange angle to see it clearly.” – David Ehrlich, IndieWire

Friday, August 16 – Jay Myself, Director Stephen Wilkes

JAY MYSELF documents the monumental move of renowned photographer and artist, Jay Maisel, who, in February 2015 after forty-eight years, begrudgingly sold his home-the 36,000 square-foot, 100-year-old landmark building in Manhattan known simply as “The Bank.” Through the intimate lens of filmmaker and Jay’s protégé, noted artist and photographer Stephen Wilkes, the viewer is taken on a remarkable journey through Jay’s life as an artist, mentor, and man; a man grappling with time, life, change, and the end of an era in New York City. JAY MYSELF Director Stephen Wilkes stops by to talk about his own relationship with Maisel, as a mentor and colleague, Maisel’s razor-sharp eye for composition and color and capturing the master’s bittersweet transition from his own creative Valhalla.

About Jay Maisel: After studying painting and graphic design at Cooper Union and Yale, Maisel began his career in photography in 1954. While his portfolio includes the likes of Marilyn Monroe and Miles Davis, he is perhaps best known for capturing the light, color, and gesture found in everyday life. Some of his commercial accomplishments include five Sports Illustrated swimsuit covers, the first two covers of New York Magazine, the cover of Miles Davis’ Kind of Blue (the best-selling jazz album of all time), twelve years of advertising with United Technologies, and awards from such organizations as ICP, ASMP, ADC, PPA, and Cooper Union. Since he stopped taking on commercial work in the late ’90s, Jay has continued to focus on his personal work. He has developed a reputation as a giving and inspiring teacher as a result of extensive lecturing and photography workshops throughout the country. He also continues to sell prints, which can be found in private, corporate, and museum collections.

 

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For news, screenings and updates go to: jaymyself.oscilloscope.net

Find out more about Jay Maisel at: jaymaisel.com

Social Media:

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Social Tags:

Instagram: @oscopelabs @filmforumnyc @stephenwilkes #JayMyself

Stephen Wilkes (Director):

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JAY MYSELF WILL OPEN IN LOS ANGELES ON AUGUST 16 AT LAEMMLE’S ROYAL THEATRE.  JAY MYSELF filmmaker Stephen Wilkes will participate in Q&A’s following the 7:40 pm show Friday, 8/16 and Saturday, 8/17 and after the 1:00 pm show on Sunday, 8/18 at the Royal. “Day To Night” book signing  to follow the Sunday Q&A (for valid ticket holders only). 

“Energetic … a fun journey. (Maisel’s work) covers as much under the sun as a single photographer can capture in a lifetime.” – Glenn Kenny, The New York Times

“Lovely … every building, every street, every person is endowed with near mystical beauty.” – Owen Gleiberman, Variety

“(A) fascinating, improbable, only-in-a-bygone-New York story…a reflection on a life fully and unusually lived.” – David Alm, Forbes

“One of the most esteemed, influential photographers of his generation. Jay Maisel suggests a comical amalgamation of William Friedkin and Marlon Brando.” – Derek Smith, Slant

Friday, August 16 – Driven, Director Nick Hamm

DRIVEN is a fast-paced, comedic crime thriller of a bromance gone wrong between John DeLorean, played by Lee Pace (Captain Marvel, Guardians of the Galaxy, The Book of Henry), and Jim Hoffman, played by Jason Sudeikis (Colossal, Booksmart). Set in early 1980s California, the story follows the meteoric rise of the golden boy of the automotive industry, John DeLorean and his iconic DeLorean Motor Company, through the eyes of his friendship with charming, ex-con pilot turned FBI informant, Jim Hoffman. DeLorean turned to unsavory activities to save his financially troubled DeLorean Motor Company, and it was Hoffman who was all too willing to lure the car designer / engineer into a cocaine trafficking ring set up by the FBI. Isabel Arraiza is Cristina DeLorean, DeLorean’s fashion model wife, Judy Greer (Ant-Man, Jurassic World, War for the Planet of the Apes) is Ellen Hoffman, Hoffman’s direct, no nonsense wife and Corey Stoll (First Man, Ant-Man, Midnight in Paris) is ambitious FBI Special Agent Benedict Tisa. Director Nick Hamm joins us for a conversation on the challenges of re-creating the time and place where the DeLorean / Hoffman took place and establishing a comedic tone that propels this highly entertaining story.

 

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For news, screenings and updates go to: drivenmovie.us

Social Media:

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Nick Hamm: twitter.com/realnickhamm

“A joyride more interested in the journey than in any significant destination.” – Elizabeth Weitzman, TheWrap

“This is actually quite a fair amount of fun, due in no small part to the charms of Jason Sudeikis.” – Joey Magidson, Hollywood News

“Driven is a short and sweet supernatural romp that never gets boring and somehow manages to pack laughs into what could be a very intense storyline in another film.” – Lorry Kikta, Film Threat

“Once again, two fine central performances bring a clever Colin Bateman script alive, with Jason Sudeikis injecting a well of emotional depth to his portrayal of a scuzzy FBI informant with a small but troubling conscience.” – Lee Marshall, Screen International

Friday, August 9 – One Child Nation, Co-director Nanfu Wang (Jialing Zhang)

China’s One Child Policy, the extreme population control measure that made it illegal for couples to have more than one child, may have ended in 2015, but the process of dealing with the trauma of its brutal enforcement is only just beginning. From award-winning documentarian Nanfu Wang (HOOLIGAN SPARROW, I AM ANOTHER YOU) and Jialing Zhang, the sweeping ONE CHILD NATION explores the ripple effect of this devastating social experiment, uncovering one shocking human rights violation after another – from abandoned newborns, to forced sterilizations and abortions, and government abductions. Wang digs fearlessly into her own personal life, weaving her experience as a new mother and the firsthand accounts of her family members into archival propaganda material and testimony from victims and perpetrators alike, yielding a revelatory and essential record of this chilling, unprecedented moment in human civilization. ONE CHILD NATION is a stunning, nuanced indictment of the mindset that prioritizes national agenda over human life, and serves as a first-of-its-kind oral history of this collective tragedy – bearing witness to the truth as China has already begun to erase the horrors of its “population war” from public record and memory. Director Nanfu Wang joins us to talk about her own journey and how it illuminates a greater, more universal truth about family secrets.

For news, screenings and updates go to: onechildnation.com

ONE CHILD NATION director Nanfu Wang will participate in a Q&A moderated by Alissa Wilkinson following the 7:30 pm show on Friday, 8/9 at the Royal. 

Social Media:

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#OneChildNation

**WINNER – Grand Jury Prize, U.S. Documentary – Sundance FF 2019**

**WINNER – Grand Jury Prize – Full Frame Doc Festival 2019**

**OFFICIAL SELECTION – Tribeca Film Festival 2019**

“SHATTERING. Informative yet always grounded in deep personal investment and clear-eyed compassion, this is a powerful indictment of a traumatic social experiment.” – David Rooney, The Hollywood Reporter

“PROVOCATIVE AND PERSONAL. Undoubtedly one of the year’s most important documentaries.” – Peter Debruge, Variety

“A thoroughly gripping and ceaselessly unnerving investigation into the policy that shaped and devastated China for a generation. Intimate, thought-provoking and well-crafted…gives voice to so many families whose agency was stolen from them. – Gary Garrison, The Playlist

Friday, August 2 – American Heretic: The Gospel of Politics, Director Jeanine Butler and Producer Catherine Lynn Butler

We’ve entered a time where the power of negative partisanship has sorted us along lines of race and religion. These two factions have exploited race and religion, two of the most visceral things you can think of in terms of the human experience, and they’ve locked them in partisan identities.” The latest documentary from filmmakers Jeanine Butler and Catherine Lynn Butler AMERICAN HERETICS: THE GOSPEL OF POLITICS takes audiences into the buckle of Bible belt where a group of defiant ministers, congregations, and community leaders are challenging deeply rooted fundamentalist Christian doctrine in favor of a Gospel of Inclusion.  Labeled as “heretics” for their beliefs and actions, they refuse to wield their faith as a sword sharpened by literal interpretations of the Bible. Especially those fundamentalist  Christian interpretations that continue to justify nationalism and hack away at landmark civil rights protections for women, minorities, immigrants, and the LGBTQ communities. This poignant story challenges what we think we know about the Christian heartland by offering a rare personal glimpse into the contentious and often misunderstood history of religion, race, and politics in America. These Heretics are still interested in saving you from hell, but’s the earthly one, where poverty, discrimination and nationalism oppresses “…those who are the least among us.” Director / Producer Jeanine Butler (Documenting the Face of America) and Producer Catherine Lynn Butler (Journey of the Universe) stop by to talk about their journey into America’s Bible Belt and the growing movement to embrace a more tolerant perspective of spiritual enlightenment. 

 

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For news and updates go to: americanhereticsthefilm.com

“‘American Heretics: The Politics of the Gospel’ doesn’t break ground cinematically, but it is eye-opening in other ways.” – Ben Kenigsberg, New York Times

“All the usual theological arguments for a loving rather than discriminatory faith are here” – Luke Y. Thompson, Forbes

“It makes passionate arguments. It offers a ray of hope. And it evokes the sense that those most desperately in need of seeing it will never cross its path.” – John Anderson, America Magazine

“A film that shines a light on those who would be a candle in the midst of the Medieval darkness of modern, white Southern American Christianity.” – Roger Moore, Movie Nation

Wednesday, July 31 – Unmasking Jihadi John: Anatomy of a Terrorist, Director Anthony Wonke and Journalist Richard Kerjab

Mohammed Emwazi was a grade school student in London with a promising future ahead of him in 1995. By 2014, he had become known as “Jihadi John,” a masked ISIS terrorist in Syria who internationalized his notoriety by broadcasting his beheadings of Western hostages on the internet. UNMASKING JIHADI JOHN: ANATOMY OF A TERRORIST includes rare footage of Emwazi as a young boy in London and interviews with his schoolteachers who reveal that he lived a relatively comfortable and normal childhood. His behavior grew more disconcerting in his teenage years. Emwazi’s brutality is illustrated through harrowing, first-hand accounts from his surviving hostages, and the collaboration between the world’s leading intelligence agencies, including the CIA and Britain’s intelligence agents, who ultimately tracked him down and ended his life.  UNMASKING JIHADI JOHN: ANATOMY OF A TERRORIST examines what propelled Emwazi’s journey down a violent path despite US and British authorities being aware of his extremism. It also highlights the self-declared operational failures by counter-terrorism officials as Emwazi became ISIS’s chief executioner and propagandist.  Joining us on Film School Radio will be Oscar®-nominated, BAFTA and Emmy®-winning director Anthony Wonke (HBO’s “The Battle for Marjah”), and BAFTA-winning producer and investigative journalist Richard Kerbaj for a conversation on the how and why a schoolboy and promising soccer player morphs into a sadistic killer.

UNMASKING JIHADI JOHN: ANATOMY OF A TERRORIST debuts WEDNESDAY, JULY 31 (8:00-9:40 p.m. ET/PT), exclusively on HBO.

 

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For news and updates go to: hbo.com/documentaries

For more HBO / Cinemax programming go to: hbo-cinemax

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“This is a superior doc, just know when to briefly look away.” – Anne Brodie, What She Said

“Part high-tech manhunt and part brutal captivity narrative, “Unmasking Jihadi John: The Anatomy of a Terrorist” is one documentary unlikely to leave anyone in its viewing audience bored.” – David Zurawik, Baltimore Sun

“This is a film that spends much of its time on observation and analysis of the known facts… This makes it feel rather dry in places but avoids any glamorisation of its subject.” – Jennie Kermode, Eye for Film

“In terms of cinematography and editing, Jihadi John: Anatomy of a Terrorist is well-executed, and it’s certainly informative.” – Amy Glynn, Paste Magazine

Friday, July 23, – Long Gone Wild, Director William Neal

William Neal’s documentary LONG GONE WILD focuses on the plight of captive orcas, picking up where Gabriela Cowperthwaite’s acclaimed documentary BLACKFISH left off while telling a uniquely new and different story… LONG GONE WILD centers on five primary areas: (1) The Blackfish Effect (what it did and didn’t accomplish i.e., SeaWorld took a major hit to its bottom line, but the 20 orcas are still there); (2) The case against captivity (orcas are forced to live in barren concrete tanks); (3) Orcas as sentient animals (their great capacity to think, feel, communicate, and empathize); (4) The Whale Sanctuary Project and its model seaside sanctuary for retired orcas – providing a safe, permanent home in their natural habitat; and, (5) The ominous threat to orcas posed by Russia and China, triggered by the explosive growth of mega-aquariums in China. Director, producer and writer Bill Neal joins us for a conversation on the set-backs and steps being taken around the world to defend and enhance the lives of these magnificent mammals.

Director’s Statement: For decades, killer whales have been performing for sold-out audiences at aquatic theme parks like SeaWorld – and for nearly as long, there have been cries to “free the orcas.” To which park executives have answered with a simple question: Where will they go? A legitimate argument. Orcas held in captivity for much or all of their lives are simply not equipped to deal with life in the wild. But all that is about to change, thanks to the “dream team” of scientists/orca experts/engineers with The Whale Sanctuary Project. Their mission: to establish a model seaside sanctuary where whales and dolphins can be rehabilitated or can live permanently in an environment that maximizes well-being and autonomy and is as close as possible to their natural habitat. We will document this ground-breaking effort through interviews with the key players along with exclusive footage of the proposed cold-water site, the most crucial piece of a very complex puzzle. In the end, it is all about restoring something we humans have taken from these highly intelligent, socially complex animals by forcing them to live in captivity for our entertainment and amusement. And by retiring them to a seaside sanctuary, we dignify not only the orcas but ourselves. – William Neal

 

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For news, screenings and updates go to: longgonewild.com

Social Media:

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instagram.com/longgonewild

“Long Gone Wild will prove to be just as damaging for SeaWorld and other marine aquariums as Blackfish was six years ago” – Danielle Solzman, Solzy at the Movies

Friday, August 2 – Kings of Beer, Director Sean Mullin

KINGS OF BEER features behind-the-scenes interviews with Budweiser’s top Brewmasters and experts, along with cameos by beer aficionados Aisha TylerMichael Voltaggio and Jay Chandrasekhar. In KINGS OF BEER, a diverse group of elite Brewmasters from 65 breweries and 23 countries, battle it out in an intense competition to brew the world’s most iconic American Lager — Budweiser. The Brewmaster who can brew the best, most consistent Budweiser over a 12-month period will bring home the Global Brewmaster Cup. Judged by an illustrious group of experts who are sequestered deep within the historic walls of the most renowned room in the brewing world — “Room 220” —  most of these “key tasters” have decades of tasting experience, which has trained their palates to pick up the most minute of flavor flaws. KINGS OF BEER is a fun and thoughtful deep dive into the world of brewing and what it takes to really be at the top of your game. It’s depicted through the eyes of Budweiser’s most highly-skilled Brewmasters, whose job is to maintain the consistency of the American Lager, which is widely regarded as the single hardest beer to brew. Director Sean Mullin joins us for a frothy conversation on the art and science of brewing the world’s oldest adult libation.

 

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For news, screenings and updates go to: kingsofbeer.com

About the Filmmaker – Sean Mullin – As a writer/director, his short films – SADIQ, MAN IS A BRIDGE, and THE 14th MORNING – have won numerous awards and played at film festivals around the world.  His MFA Thesis Film at Columbia – SADIQ – was nominated for an MTV Movie Award for “Best Student Film.”  AMIRA & SAM is his feature-length debut as a writer/director. As a screenwriter, Sean has been hired to write screenplays for Oscar Nominated Director Henry-Alex Rubin  (MURDERBALL) as well as pop sensation Britney Spears. Sean’s unique background as a former army officer turned stand-up comedian informs his creative sensibility, which oscillates between comedy and drama. Prior to launching his filmmaking career, Sean was a Captain in the New York Army National Guard – where he was a first responder after the attacks of September 11th. He spent his days working as the Officer in Charge of the soldiers down at Ground Zero, and his nights performing stand-up comedy. He was a regular at comedy clubs all around the city, including Stand-Up New York, Gotham Comedy Club, and the Upright Citizens Brigade Theater. 

For Sama, Directors Waad al-Kateab and Edward Watts

FOR SAMA is both an intimate and epic journey into the female experience of war. A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much. FOR SAMA took home the Best Documentary Award at this year’s 2019 Cannes Film Festival, FOR SAMA had its world premiere at SXSW Film Festival where it won the Grand Jury Prize and the Audience Award for Best Documentary.  Since then, it continues to gather more awards every time it screens.  The growing awards list includes the aforementioned SXSW; Cannes Film Festival; and Sheffield Doc/Fest; Telluride MountainFilm; Nantucket Film Festival; River Run; LA Asian Pacific Film Festival; Hot Docs; and Newport Beach Film Festival. Co-directors Waad al-Kateab and Edward Watts join us for a conversation on the courage to document the unimaginable horror of a brutal regime and what it means to believe in something so deeply that you are willing to risk everything for it. 

 

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For news, screenings and updates go to: ForSamaFilm.com

For Sama – Q&A with directors Waad al-Kateab and Edward Watts and  Dr. Hamza al-Kateab following the 4:30 pm show on Sunday, 7/28.

Social Media:

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100% on Rotten Tomatoes

WINNER – Best Documentary – 2019 Cannes Film Festival
WINNER – Documentary Grand Jury Prize – 2019 SXSW Film Festival
WINNER – Audience Award – 2019 SXSW Film Festival
WINNER – Jury Prize – 2019 HotDocs Film Festival
WINNER – Grand Jury Award – International Docu – 35th LA Asian Pacific Film Festival
WINNER – Indomitable Spirit Award – 2019 MountainFilm
WINNER – Special Jury Mention – 2019 Sheffield Doc/Fest
WINNER – Audience Award – 2019 Sheffield Doc/Fest
WINNER – Best Documentary Jury Prize – 2019 Newport Beach Film Festival
WINNER – Audience Award – 2019 Nantucket Film Festival
WINNER – Best Cinematography – 2019 RiverRun Film Festival

“Simple in concept and shattering in execution, blending hard-headed reportage with unguarded personal testimony, it’s you-are-there cinema of the most literal order.” – Guy Lodge, Variety

“For Sama is undoubtedly difficult to watch, but you cannot close your eyes when watching such an urgent film. An endlessly powerful and absolutely essential work, it’s a must-see when it is released this autumn.” – Musanna Ahmed, Film Inquiry

“If not turning away is how we must confront the violence, inhumanity and senselessness of war, this brutal, heart-wrenching film is essential viewing.” – Loren King, AWFJ Women on Film

“For Sama is an astonishing achievement. A moving memorial to all who died in the pursuit of freedom.” – Rob Aldam, Backseat Mafia

Honeyland, Co-directors Tamara Kotevska and Ljubomir Stefanov

Winner of multiple awards at many of the world’s most prestigious film festivals, HONEYLAND tells the amazing tale of Hatidze, a woman living with her ailing mother in the mountains of Macedonia, making a living cultivating honey using ancient beekeeping traditions. When an unruly family moves in next door, what at first seems like a balm for her solitude becomes a source of tension as they, too, want to practice beekeeping, while disregarding her advice.The most awarded film at this year’s Sundance Film Festival, winning the World Cinema Grand Jury Prize, a Special Jury Award for cinematography, and another Special Jury Award for Originality, HONEYLAND is an epic, visually stunning portrait of the delicate balance between nature and humanity that has something sweet for everyone. The three-time Sundance award-winning documentary film is a beautiful, heart-warming story about the last female beekeeper in Macedonia and her relationships with her beloved bees, her ailing mother, and her new neighbors. Co-directors Tamara Kotevska and Ljubomir Stefanov join us to talk about the remarkable and endlessly endearing Hatidze, her loving commitment to her mother, a sustainable future and her tireless bees.

 

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For news, screenings and updates go to: honeyland.earth

WINNER: GRAND JURY PRIZE – WORLD CINEMA DOCS – SUNDANCE
WINNER: CINEMATOGRAPHY AWARD – WORLD CINEMA DOCS – SUNDANCE
WINNER: SPECIAL JURY PRIZE FOR IMPACT & CHANGE – SUNDANCE
WINNER: BEST DOCUMENTARY – MONTCLAIR FILM FESTIVAL

100% on Rotten Tomatoes

“Honeyland is a microcosmic tale of a woman whose entire way of life is threatened by leeching men and free-market capitalism. Tamara Kotevska and Ljubomir Stefanov bring us perhaps the documentary protagonist of the year.” – Arlin Golden, Film Inquiry

“An unforgettable vérité character study and an intimate look at an endangered tradition.” – Sheri Linden, Hollywood Reporter

“Far from a scolding, rub-your-nose-in-it depiction of environmental havoc, this is a tender story about the chaos of abandoning the common good.” – David Ehrlich, indieWire

“‘Honeyland’ swarms with difficult, ancient truths about parents, children, greed, respect, and the need for husbandry.” – Anthony Lane, New Yorker

Mike Wallace is Here, Director Avi Belkin

Never before has journalism in America been so hotly debated. At a time when it seems like the hard-hitting question is fighting for its right to be asked, MIKE WALLACE IS HERE turns the tough question loose on its inventor to understand how we got here and what’s really at stake. Legendary newsman Mike Wallace unflinchingly interrogated the 20th century’s biggest figures in over fifty years on the air, and his aggressive reporting style and showmanship redefined what America came to expect from broadcasters. Unearthing decades of never-before-seen footage from the 60 Minutes vault, this documentary portrait explores what drove and plagued this restless reporter, whose storied career was entwined with the evolution of journalism itself. MIKE WALLACE IS HERE is told exclusively through archival footage, without one talking-head commentary or backward-looking interview diluting the immediacy and power of Wallace’s work. The film traces his career on the air from his invention of the “tough question” in his 1950s interview show Night Beat to his news specials of the ’60s and his extraordinary four decades on CBS’ 60 Minutes, examining how his genre-defining work changed the standards of broadcast journalism for good and for ill, while unpacking the personal qualities that made Mike tick. Director Avi Belkin takes us behind the mask of the fearless inquisitor to reveal a driven man fraught with doubt and insecurities.

 

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For news and updates go to: mikewallaceishere.com

Social Media:

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instagram.com/mikewallaceishere

100% on Rotten Tomatoes

“A compulsively engrossing account of a career notable for its gutsy, confrontational attitude toward the power brokers in business and politics.” – Todd McCarthy, Hollywood Reporter

“A no holds barred, sobering look at one our most acerbic, in your face, troubled award winning journalist – Mike Wallace. CBS unlocked their vaults with exclusive archival footage, interviews and words from Wallace himself.” – Carla Renata, The Curvy Film Critic

“As Belkin’s brisk and compelling documentary fades to black, the director seems to hope that the Wallace quotation audiences cling to isn’t one of his fanged questions, but his optimism for the profession to which he dedicated his life” – Amy Nicholson, Variety

The Great Hack, Co-directors Jehane Noujaim and Karim Amer

Big Data has surpassed oil as the world’s most valuable asset. It’s being weaponized to wage cultural and political warfare. People everywhere are in a battle for control of our most intimate personal details. From award-winning filmmakers Karim Amer and Jehane Noujaim, THE GREAT HACK uncovers the dark world of data exploitation with astounding access to the personal journeys of key players on different sides of the explosive Cambridge Analytica/Facebook data scandal. Academy-Award nominees Amer and Noujaim (The Square, Control Room, Startup .com) continue their tradition of exploring the seismic ripples of social media with this riveting, complex film. THE GREAT HACK forces us to question the origin of the information we consume daily. What do we give up when we tap that phone or keyboard and share ourselves in the digital age? THE GREAT HACK is co-directed by Karim Amer and Jehane Noujaim, with a production team led by Geralyn Dreyfous, Judy Korin and Pedro Kos. Karim Amer and Jehane Noujaim join us to talk about Big Data, the expectation of privacy and where we go from here.

 

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For news and updates go to: thegreathack.com

Social Media:

twitter.com/jehanenoujaim

twitter.com/Karim_Amer33

87% on Rotten Tomatoes

“You leave with a clear sense of how one company [sold] democracy down the river, not to mention having your fingernails chewed down to the quick.” – David Fear, Rolling Stone

“A thrilling yarn of political espionage and fascinating characters… However, this isn’t hollow entertainment. The film insists upon the gravity of the situation, toggling effortlessly between the micro and the macro lens on this tale.” – Katie Walsh, Tribune News Service

“[A] gripping, challenging documentary by Karim Amer and Jehane Noujaim, about the biggest scandal of our time: the gigantic question mark over the legality of the Brexit vote.” – Peter Bradshaw, Guardian

“Pondering individual data rights and the sinister side of widespread connectivity, co-directors Jehane Noujaim and Karim Amer diligently inspect how our innocent likes and shares became the building blocks of Brexit and Trump.” – Tomris Laffly, Time Out

BlackStar Film Festival, Founder Maori Karmael Holmes

The BlackStar Film Festival (BlackStar) returns August 1-4, 2019 with a stellar slate of black, brown and indigenous films from around the globe. The BlackStar Film Festival is an annual celebration of the visual and storytelling traditions of the African diaspora and of global communities of color, showcasing films by black, brown and indigenous people from around the world. Continuing its legacy of discovery and excellence, audiences can expect must-see film premieres, poignant artist discussions, and discover new cinematic favorites from this year’s class of emerging filmmakers. Founded in 2012 by Maori Karmael Holmes, BlackStar has become the hottest event on the film festival calendar. With a program unlike any other, BlackStar is the destination to discover new artists voices from Black and global indigenous filmmakers. Artists including Terence Nance (An Oversimplification of Her Beauty; HBO’s Random Acts of Flyness), and Matthew A. Cherry (9 RIdes; ABC’s Whiskey Cavalier), and Nijla Baseema Mu’min (Jinn) have shared their work at the festival and from BlackStar cultivated a fanbase that has grown with their careers.  

 

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For news and updates go to blackstarfest.org

BlackStar Festival Film Highlights:

This year’s festival features sneak preview of Hip-Hop: The Songs That Shook America, a new documentary series directed by directed Erik Parker and One9.

From Executive Producers Ahmir “Questlove” Thompson, Tariq “Black Thought” Trotter, Shawn Gee, and Alex Gibney, Fear No Gumbo, a documentary feature directed by Kimberly Rivers Roberts, about the 13 years since the deadly Category 5 Hurricane Katrina that made landfall on Florida and Louisiana and the corruption and systemic racism that still victimizes the residents that returned after Katrina. 

A new documentary from Emmy Award-winning director and  Macarthur “genius” fellow Stanley Nelson (The Black Panthers: Vanguard of the Revolution). Boss which explores over 150 years of African American entrepreneurship, from bondage to billion dollar moguls.

Academy Award-winning  director, Roger Ross Williams (Music By Prudence, God Loves Uganda) will be on-hand for the debut of his latest documentary The Apollo chronicling the unique history and contemporary legacy of New York City’s landmark Apollo Theater.

Panels and Awards:

BlackStar will present the Luminary Award to Marcia Smith, President of Firelight Media

To commemorate the 30th anniversary of Do The Right Thing, filmmaker Spike Lee and activist Tarana Burke will discuss the possibilities of using radical storytelling to center social justice and foster narrative change. 

For news and updates go to blackstarfest.org

Who Killed Garrett Phillips?, Director Liz Garbus

On Oct. 24, 2011, 12-year-old Garrett Phillips was murdered in his home in Potsdam, a small town in upstate New York. Police quickly zeroed in on a suspect in this unthinkable crime: Oral “Nick” Hillary, a black man in the mostly white community, who was a soccer coach at Clarkson University and the ex-boyfriend of Garrett’s mother, Tandy Cyrus. WHO KILLED GARRETT PHILLIPS? chronicles the five years following the murder, as Garrett’s family and community relentlessly seek justice for Garrett, and as Nick, who maintains his innocence, fights to clear his name and take back control of his life while raising five children. Through interviews with local police investigators, District Attorneys, defense lawyers, Phillips’ family members, friends of Tandy Cyrus as well as Nick Hillary and his children, along with extensive police audio and video recordings, and courtroom footage, the film is a gripping, eye-opening look at how justice is delivered and delayed. WHO KILLED GARRETT PHILLIPS? seeks to uncover the truth behind both the tragic murder of a young boy that traumatized a town, as well as the vilification of a black man who was swept up in a quest for justice, and the enduring mysteries that remain. Directed by two-time Academy Award® nominee and Emmy® winner Liz Garbus (HBO’s A Dangerous Son and Nothing Left Unsaid: Gloria Vanderbilt & Anderson Cooper, and What Happened, Miss Simone?), the captivating two-part documentary WHO KILLED GARRETT PHILLIPS? looks at the case from the initial investigation through the arrest and numerous legal twists and turns that culminated in Hillary’s trial for murder five years after the crime. Director Liz Garbus joins us to talk about how this case raises troubling questions of racial bias and issues surrounding policing and the criminal justice system.

 

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For news and updates go to: hbo.com/documentaries/who-killed-garrett-phillips

WHO KILLED GARRETT PHILLIPS? debuts TUESDAY, JULY 23 and WEDNESDAY, JULY 24 (8:00 pm ET/PST), exclusively on HBO. The film will also be available on HBO On Demand, HBO NOW, HBO GO and partners’ streaming platforms.

For news and updates go to: moxiefirecracker.com

Social Media:

facebook.com/MoxieFirecrackerFilms

twitter.com/MoxieFirecracker

Sea of Shadows, Director Richard Ladkani

A looming disaster in one of the most spectacular environments on Earth sparks a rescue mission unlike any other in SEA OF SHADOWS, a riveting new documentary with the intensity of a Hollywood thriller from National Geographic Documentary Films and winner of the Sundance audience award. When Mexican drug cartels and Chinese traffickers join forces to poach the rare totoaba fish in the Sea of Cortez, their deadly methods threaten to destroy virtually all marine life in the region, including the most elusive and endangered whale species on Earth, the vaquita porpoise. SEA OF SHADOWS follows a team of dedicated scientists, high-tech conservationists, investigative journalists and courageous undercover agents as well as the Mexican Navy as they put their lives on the line to save the last remaining vaquitas and bring the vicious international crime syndicate to justice. Director Richard Ladkani (The Ivory Game, The Devil’s Miner) talks about the monumental challenge of saving a highly intelligent mammal from a desperately poor community who see the black market totoaba and the vaquita as a way to spare their family from a life of poverty and degradation.

 

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For news and updates go to: nationalgeographic.com/films/sea-of-shadows

For screening information go to: nationalgeographic.com/films/sea-of-shadows

Social Media:

facebook.com/seaofshadowsSOS

twitter.com/seaofshadowsSOS

instagram.com/seaofshadows

For more about the filmmaker:

malaikapictures.com

richardladkani.com

“Sea of Shadows is truly horrifying.” Danielle Solzman, Solzy at the Movies

“An environmentally conscious, unabashedly heart-grabbing exposé.” –  Guy Lodge, Variety

“Ladkani has a way with conveying just how big the stakes are and brings them to land.” – Stephen Saito, Moveable Fest

“Sea of Shadows may still raise awareness about the plight of other sea creatures still under threat from illegal nets sweeping the bottom of the ocean, killing everything unfortunate enough to swim in its wake.” – Monica Castillo, Remezcla

Marianne & Leonard: Words of Love, Director Nick Broomfield

Marianne & Leonard: Words of Love is renowned filmmaker Nick Broomfield’s most personal and romantic film of his career. The Marianne & Leonard: Words of Love starts on the Greek island of Hydra in 1960, where Leonard Cohen, then a struggling and unknown fiction writer, and Marianne Ihlen, a single mother with a young son, became part of community of expat artists, writers and musicians. Never-before-seen footage shot by Broomfield and legendary documentarian D.A. Pennebaker make for a unique portrait of an idyllic 1960’s bohemia.  The time on Hydra left a lasting imprint on both Marianne and Leonard, whose friendship would last another fifty years before their deaths in 2016. It was on Hydra in 1968 that director Broomfield, then aged 20, first himself met Marianne. She introduced him to Cohen’s music and encouraged Nick to make his first film.   As she was with so many artists, Marianne was an enormous influence on Broomfield, who went on to direct award-winning documentaries, many about iconic music legends including Whitney Houston, (Whitney Houston: Can I Be Me) Tupac Shakur and Biggie Smalls, (Tupac and Biggie) Kurt Cobain and Courtney Love (Kurt & Courtney). Director Nick Broomfield joins us to talk about his relationship with Marianne, the undeniable talent and charisma of Cohen, and the profound impact his time on Hydra had on his personal and professional life.

 

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For news and updates go to: marianneandleonardwordsoflove.com

Social Media for Marianne and Leonard:

facebook.com/marianneandleonardwordsoflove

Social Media for Nick Broomfield:

twitter.com/nickbroomfield1

“Love stories are like Tolstoy’s unhappy families: no two of them are alike. But even given that, the relationship chronicled in “Marianne & Leonard: Words of Love” has a quality very much its own.” – Kenneth Turan, Los Angeles Times

“An impossibly heartfelt portrait of this woman, and her impossible relationship with a brilliant man.” – Katie Walsh, Tribune News Service

“Broomfield’s personal engagement and his embrace of the complexities of life and love elevate this film, which travels across decades and continents to show the lasting power of one connection.” – Joe BlessingThe Playlist

“Unmissable.” – Rolling Stone

Blue Note Records: Beyond the Notes, Director Sophie Huber

BLUE NOTE RECORDS: BEYOND THE NOTES chronicles one of the most important record labels in the history of jazz — and, by extension, that of American music. Blue Note Records has been home to such groundbreaking artists as Miles Davis, Thelonious Monk, John Coltrane, Bud Powell and Art Blakey, as well as present-day luminaries like Robert Glasper, Ambrose Akinmusire and Norah Jones. Founded in New York in 1939 by German Jewish refugees Alfred Lion and Francis Wolff, the history of Blue Note Records goes beyond the landmark recordings, encompassing the pursuit of musical freedom, the conflict between art and commerce and the idea of music as a transformative and revolutionary force. Through rare archival footage, current recording sessions and conversations with jazz icons Herbie Hancock, Wayne Shorter and today’s groundbreaking Blue Note musicians, BLUE NOTE RECORDS: BEYOND THE NOTES reveals a powerful mission and illuminates the vital connections between jazz and hip hop. Filmmaker Sophie Huber gained her filmmaking experience as a member of an award winning Berlin film collective. Huber’s debut feature documentary, the critically acclaimed HARRY DEAN STANTON: PARTLY FICTION, premiered at the Venice Film Festival in 2012. Director Sophie Huber joins us to talk about chronicling the lives and musical journey for many of the greatest artists of the 20th Century and the German Jewish refugees who provided them with a platform in her second remarkable feature documentary BLUE NOTE RECORD: BEYOND THE NOTES.

 

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For news and updates go to: bluenoterecords-film.com

For more about the filmmaker go to: facebook.com/sophie.huber

Social Media:
facebook.com/BlueNoteRecordsFilm
instagram.com/bluenoterecordsfilm
twitter.com/BlueNoteFilm

“Damn near immaculate music documentary” – Leslie Felperin, The Guardian

“Glorious and invaluable documentary by Sophie Huber of the ultimate jazz record label Blue Note Records.” – Dennis Dermody, Paper Magazine

“The 85-minute film is a jazz nerd’s dream… Jazz’s evolution into hip-hop is a major theme in Beyond the Notes, which is in some ways also a hip-hop documentary and a passing of the torch.”  – Maiysha Kai, The Root 

“Jazz lovers will go ape over Blue Note Records: Beyond the Notes… For jazz lovers worldwide, this Swiss doc is heaven-sent and heaven itself.” – Doris Toumarkine, The Film Journal

“Seductive and invigorating… taking the viewer beyond the music to immerse them in the talent, drive and sense of heritage that continue to propel the distinct mission …” – Jason Wood, Wire Magazine 

“It’s about music, yes, but the label and this film concern more: Life-lessons, collaboration, open-minded attitudes and the value of submitting to the now.” – Brad Wheeler, Globe and Mail

“A must-see if you love John Coltrane … or Kendrick Lamar… And especially if you think jazz is dead.” – Pamela Espeland, Minnpost, Sound Unseen Review

Toni Morrison: The Pieces I Am, Director Timothy Greenfield-Sanders

TONI MORRISON: THE PIECES I AM offers an artful and intimate meditation on the life and works of the acclaimed novelist. From her childhood in the steel town of Lorain, Ohio to ‘70s-era book tours with Muhammad Ali, from the front lines with Angela Davis to her own riverfront writing room, Toni Morrison leads an assembly of her peers, critics and colleagues on an exploration of race, America, history and the human condition as seen through the prism of her own literature. Woven together with a rich collection of art, history, literature and personality, the film includes discussions about her many critically acclaimed works, including novels “The Bluest Eye,” “Sula” and “Song of Solomon,” her role as an editor of iconic African-American literature and her time teaching at Princeton University. In addition to Ms. Morrison, the film features interviews with Hilton Als, Angela Davis, Fran Lebowitz, Walter Mosley, Sonia Sanchez and Oprah Winfrey, who turned Morrison’s novel “Beloved” into a feature film. Using Timothy Greenfield-Sanders’ elegant portrait-style interviews, Toni Morrison: The Pieces I Am includes original music by Kathryn Bostic, a specially created opening sequence by artist Mickalene Thomas, and evocative works by other contemporary African-American artists including Kara Walker, Rashid Johnson and Kerry James Marshall. Director Timothy Greenfield-Sanders joins us for a conversation on gaining the trust and confidence of a literary icon.

 

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For news and updates go to: tonimorrisonfilm.com

For more on upcoming screenings go to: tonimorrisonfilm.com/tickets

For more about the filmmaker go to: greenfield-sanders.com

Social Media:

https://www.facebook.com/ToniMorrisonFilm

https://twitter.com/tonimorrison

“[An] inspiring doc. An eloquent nonfiction biopic that travels creatively through the past, Timothy Greenfield-Sanders’ film is enlivened both by its own storytelling dexterity and by the participation of its subject, who at 87 years old remains as warm, vibrant and insightful as ever… [She] comes across as a vivacious and intellectually formidable presence deserving of the titanic praise heaped upon by her.” – Nick Schager, Variety

“[A] visually beautiful documentary… Morrison, now 87, narrates her life in a tone that is determined, self-assured and sly… The clarity of her vision as she talks about race may be the most trenchant and potent aspect of the film… Morrison and her novels are treasures.” – Caryn James, The Hollywood Reporter

“What’s most interesting about The Pieces I Am is not just Morrison’s explanations and reflections of her work but her steadfast determination while editing, writing and raising two children on her own, to never indulge the white gaze… A comprehensive examination of Morrison, the perseverance of Black women and how we understand ourselves as a people.” – Aramide Tinubu, Shadow and Act

Before Stonewall, Co-director Robert Rosenberg (Greta Schiller)

BEFORE STONEWALL tells the story of the 1969 the police raided the Stonewall Inn, a gay bar in New York City’s Greenwich Village, leading to three nights of rioting by the city’s gay community. With this outpouring of courage and unity the gay liberation movement had begun. BEFORE STONEWALL pries open the closet door, setting free the dramatic story of the sometimes horrifying public and private existences experienced by LGBT Americans since the early 1900’s. Revealing and often humorous, this widely acclaimed film relives the emotionally-charged sparking of the contemporary Lesbian and Gay rights movements, from the events that led to the fevered 1969 riots to many other milestones in the brave fight for acceptance. Experience the fascinating and unforgettable, decade-by-decade history of homosexuality in America through eye-opening historical footage and amazing interviews with those who lived through an often brutal closeted history. The recently restored version of BEFORE STONEWALL, supervised by Co-director Greta Schiller and underwritten by First Run Features, is being released for a 2019 theatrical run in commemoration of the 50-year anniversary of the Stonewall riots. Co-director Robert Rosenberg joins us to talk about the making of the landmark film and how it helped change perceptions of the LGBTQ community.

For news and updates go to: firstrunfeatures.com/beforestonewall

“Entertaining and enlightening.” – Los Angeles Times

“Funny, sad, courageous and touching.” – Seattle Times

“Intelligent and moving. Adroitly mixes old newsreel and film footage, interviews and even home movies.” – The New York Times

“You owe it to yourself to see it.” – Judith Crist, WOR-TV

The Edge of Democracy, Director Petra Costa

THE EDGE OF DEMOCRACY is a cautionary tale for these times of democracy in crisis, the personal and political fuse to explore one of the most dramatic periods in Brazilian history. THE EDGE OF DEMOCRACY captures the  personal journey of filmmaker Petra Costa (ELENA, Olma and the Seagull) into politics watching her country fall into disarray, echoing the undoing of so many democracies around the world. Combining unprecedented access to leaders past and present, including Presidents Dilma Rousseff and Lula da Silva, Costa witnesses their rise and fall and the tragically polarized nation that remains. Through the stories of her mother and father, Costa documents the rebirth of a democratized Brazil following years of authoritarian rule under a military dictatorship. She traces the impeachment of Rousseff, the imprisonment of de Silva, and the rise of the far right. Was Brazil’s democracy a short-lived dream? Merging the personal and the political, Costa delves to the heart of her country’s unfolding identity crisis, examining widespread institutional corruption while connecting her own family’s complex past to Brazil’s current crisis. Capturing a unique historical moment, A NETFLIX original documentary production, THE EDGE OF DEMOCRACY examines the forces at play in the global erosion of democracy. Director Petra Costa joins us for a conversation about Brazil’s past, present and future and how the political trajectory of her beloved country is increasingly relevant to our own.

 

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The Edge of Democracy is available at: netflix.com

For more about the filmmaker go to: petracosta.com

Social media:

facebook.com/PetraCostaOficial/

twitter.com/petracostal

instagram.com/petracostal

95% on Rotten Tomatoes

“Directed by Petra Costa, this completely fascinating documentary provides an unexpectedly compelling inside look at the political earthquakes that have been roiling Brazil for several years.” – Kenneth Turan, Los Angeles Times

“It’s a chronicle of civic betrayal and the abuse of power, and also of heartbreak.” – A.O. Scott, New York Times

“[Petra Costa] seems utterly incapable of crafting a frame that is lacking in urgency or vibrance.” – Matt Fagerholm, RogerEbert.com

“A dense, complex undertaking Costa impressively wraps her arms – and our minds – around, made even more daunting by the dual purpose “The Edge of Democracy” serves as both an immediate witness to an extraordinarily precarious historical moment.” – Stephen Saito, Moveable Fest

The Feeling of Being Watched, Director Assia Boundaoui

Assia Boundaoui’s deeply personal investigative documentary THE FEELING OF BEING WATCHED about the Arab-American neighborhood outside of Chicago where director she grew up. It is a community where most of her neighbors think they have been under surveillance for over a decade. While investigating their experiences, Assia uncovers tens of thousands of pages of FBI documents that prove her hometown was the subject of one of the largest counter-terrorism investigations ever conducted in the U.S. before 9/11, code-named “Operation Vulgar Betrayal.” With unprecedented access, THE FEELING OF BEING WATCHED weaves the personal and the political as it follows the filmmaker’s examination of why her community fell under blanket government surveillance. Assia struggles to disrupt the government secrecy shrouding what happened and takes the FBI to federal court to compel them to make the records they collected about her community public. In the process, she confronts long-hidden truths about the FBI’s relationship to her community. THE FEELING OF BEING WATCHED follows Assia as she pieces together this secret FBI operation, while grappling with the effects of a lifetime of surveillance on herself and her family. Director / Producer Assia Boundaoui talks about her own determination to hold the FBI and the government accountable, the impact the FBI surveillance has had on her family and community and the bigger question, why?

 

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For news and updates go to: feelingofbeingwatched.com

For upcoming screenings go to: feelingofbeingwatched.com/screenings

*** Los Angeles area screening:  The week of 6/21 – 6/27 at the Laemmle Music Hall – Q&A’s with director Assia Boundaoui following the 7:40 pm show on Friday, 6/21, Saturday, 6/22 and Thursday 6/27 and also after the 3:10 pm show on Sunday, 6/23 at the Music Hall.

Social Media:

facebook.com/BeingWatchedDOC

twitter.com/BeingWatchedDOC

92% on Rotten Tomatoes

“Expanding its scope beyond Bridgeview and Islamophobia, it looks at the larger question of how the United States government has targeted minority groups throughout its history.” – Kimber Myers, Los Angeles Times

“Equal parts angry and anxious, Boundaoui’s smart, unsettling documentary functions both as a real-world conspiracy thriller and a personal reflection on the psychological strain of being made to feel an outsider in one’s own home.” – Guy Lodge, Variety

“A quietly unsettling first-person doc,The Feeling of Being Watched proceeds as a head-on exploration of the gray area between fear and certainty.” – Sheri Linden, Hollywood Reporter

“This should be required viewing for all Americans, but especially those who think they couldn’t possibly be living in a surveillance state.” – Leah Pickett, Chicago Reader

Ice on Fire, Director Leila Conners

ICE ON FIRE, an eye-opening documentary that focuses on many never-before-seen solutions designed to slow down our escalating environmental crisis, goes beyond the current climate change narrative and offers hope that we can actually stave off the worst effects of global warming. Eleven years after Conners’ first collaboration with Executive Producer Leonardo DiCaprio on The 11th Hour,which emphasized the problems of climate change, ICE ON FIRE instead focuses on the cutting-edge research behind today’s climate science – and the innovations aimed at reducing carbon in the atmosphere, which could pave the way for a reduction in the global temperature rise and a benefit to the planet’s life systems. ICE ON FIRE emphasizes the importance of an immediate, two-pronged approach to reversing the crisis: reducing carbon emissions through traditional renewable energy sources and new ones, like tidal energy, and implementing “drawdown” measures, focusing on methods for drawing down and sequestering carbon, including direct air capture, sea farms, urban farms, biochar, marine snow, bionic leaves and others. Director Leila Conners joins us to talk about the looming catastrophe and the emerging and encouraging techniques and technologies that can provide a sustainable path forward.

 

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For news and updates go to: www.treemedia.com

Ice on Fire is currently screening at: www.hbo.com

Social Media:

facebook.com/Tree Media Group

https://twitter.com/treemediagroup

youtube.com/channel

“Putting quibbles about pitch and approach aside… as a beginners’ guide to Arctic thaw and its consequences this is pretty exemplary stuff.” – Les;ie Felperin, Hollywood Reporter

“Ice on Fire is a “call to action” documentary. It’s an eye-opener for anyone prone to a stultifying “doomsday mentality” and that is unequivocally a good thing.” – Amy Glynn, Paste

“Should be essential viewing for anyone who plans to carry on living on the planet…” – Wendy Ide, Screen International

For the Birds, Director Richard Miron

In Richard Miron’s surprising and empathetic FOR THE BIRDS, we follow an unusual woman named Kathy who lives with 200 pet chickens, ducks, geese and turkeys. What starts as a story seemingly about Kathy’s battle with local animal advocacy groups slowly transforms into an intimate drama about her relationship with her husband Gary, and the toll the birds have taken on their marriage and her well-being. Filmed over the course of five years, this sensitive tale of one woman’s world breaking down—poignant and absorbing in equal measure—is ultimately one of hope about the possibility of regaining one’s life. Director Richard Miron stops by to talk about winning the Murphy’s confidence and trust, following his filmmaker’s instinct to stay with a story with more than its share of twists and turns and crafting a compassionate portrait of beautifully flawed people.

 

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For news and updates go to: forthebirdsdocumentary.com

For more about the filmmaker: richardmiron.com

FOR THE BIRDS – Q&A with Richard Miron (Director/Producer/Editor), Jeffrey Star (Producer/Editor), Holly Meehl (Producer) and Andrew Johnson (Composer) following the 7:40 pm show on Friday, 6/14 at the Monica Film Center. Filmmakers Richard and Jeffrey will also Q&A on Saturday after the prime show.

Winner, Documentary Award, Best Documentary Feature, New Orleans Film Festival

Winner, Jury Award, Best Documentary Feature, Ridgefield Independent Film Festival

“Indelible… a psychological portrait that develops mystery the more it reveals” – Teo Bugbee, The New York Times

“Poignant,” “surprising,” and “consistently engrossing” – Allan Hunter, Screen International

“Deeply humanistic… it’s a film not to be missed” – Noah Gittell, Washington City Paper

This One’s for the Ladies, Director Gene Graham

Every Thursday Night hundreds of women gather for a potluck celebration and the chance to throw singles at the hottest dancers in New Jersey, The Nasty Boyz – featuring Satan, Mr. Capable, Fever, Young Rider and lesbian ‘dom’ dancer Blaze. THIS ONE’S FOR THE LADIES isn’t just about the tips or the dancing. It’s a heartwarming story of friendship and the resilience that comes from community. Hilarious, eye-opening, and breathtakingly sexy, THIS ONE’S FOR THE LADIES is a virtual how to guide for letting go of your troubles and having a good time. Director Gene Graham (The Godfather of Disco) joins us to talk about the respect he has for all of the people, patrons and strippers, in his film, how the film Magic Mike and the lack of people of color in it “inspired” his nuanced, multi-layer response.

 

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For news and updates go to: thisonesfortheladiesmovie.com

For more about the filmmaker go to: determinedpictures.com

**WINNER – SPECIAL JURY RECOGNITION – SXSW

OFFICIAL SELECTION – SFFILM FESTIVAL

OFFICIAL SELECTION – SHEFFIELD DOC FEST

OFFICIAL SELECTION – AFI DOCS

“Showcases a vibrant and thriving community of dance shows and the people who enjoy them, and finds the humanity behind the G-strings.” – Jude Dry, Indiewire

“Gene Graham talks more eloquently about poverty, race, police than most works I’ve seen specifically about those things” – Carvell Wallace (NYT, New Yorker, GQ, Slate)

“A rowdy snapshot of this underground scene, where muscular, tattooed, and (yes) rock-hard guys bump, grind, gyrate and do far, far nastier things.”  – Nick Schager, The Daily Beast