Room for Rent, Director Matthew Atkinson

In Matthew Atkinson’s debut feature, Room for Rent, our “hero” Mitch Baldwin is in a deep rut. He lives with his parents and has no intention of leaving. At 18, Mitch won the County Lottery, $3.5M dollars. 12 years later he’s broke, has no friends or love life, and is a laughing stock. With his dad retiring, talk of selling the house pushes tensions to a breaking point. Mitch convincingly suggests renting their spare room for extra cash. Tentative, his parents agree. Quickly, a charming, yet peculiar stranger shows up at their front door willing to pay cash – this is Carl Lemay. Mitch sets rules for Carl, but the family’s routine is instantly upset. Mitch notices mysterious details about Carl; his car’s license plates are missing, his back story is vague, and he seems set on pushing Mitch out of his comfort zone. Yet Mitch is disarmed by Carl’s charm and confides in him about some of his regrets. To Mitch’s dismay, Carl begins to use the information to undermine Mitch and expose his faults. A battle of wits breaks out and turns into all-out war involving deception, humiliation, spying and revenge. The question is how far are these two prepared to go? Writer and director Matthew Atkinson joins us for a conversation on his entertaining, quirky and funny film with a crackling good ensemble cast of new and veteran performers.

For news and updates go to: roomforrentmovie.com

Social Media

facebook.com/RoomForRentFilm

twitter.com/RoomForRentFilm

instagram.com/RoomForRentFilm

Snapchat:@RoomForRentFilm

88% on Rotten Tomatoes

“Hilarious, off-beat comedy“ – The Silver Screen Analysis

In all honesty, there’s not a lot of deep laughs. But Room for Rent is a funny, light comedy that stays a step ahead of the audience. It’s solid story and with solid performances worth checking out.” – Alan Ng, Film Threat

“Atkinson directs from a script that pays homage to Alfred Hitchcock…the way that Gelman interacts with Little, the threats take the film to the next level.” – Danielle Solzman, Solzy at the Movies

“A quirky comedy with a lot of ‘tude mostly in the shape of high school lottery winner Mitch who burned through $3.5 M and wound up in his parents’ spare room.” – Anne Brodie, What She Said

Bread Factory Part One and Part Two, Director Patrick Wang

Bread Factory, Part One: For the Sake of Gold

Forty years ago, Dorothea (Tyne Daly) and Greta (Elisabeth Henry) moved to the town of Checkford and bought an abandoned bread factory that they transformed into an arts space. Here they host movies, plays, dance, exhibits and artists. It’s where civic groups and immigrant communities can meet, where there are after school programs for children. Now a celebrity couple—performance artists from China—have come to Checkford. They’ve constructed a huge building, the FEEL Institute, down the street. It is a strange sight for a small town. Dorothea and Greta learn about a new proposal to give all the funding from the school system for their children’s arts programs to the FEEL Institute. Without this funding, the Bread Factory would not survive. They quickly rally the community to save their space. The commercial forces behind the FEEL Institute fight also, bringing a young movie star to town to help make their case. The school board meeting turns into a circus where the fate of the Bread Factory hangs in the balance.

Bread Factory, Part Two: Walk with Me a While

Checkford hasn’t been the same since the school board meeting. Mysteriously, the reporter who runs the local newspaper disappears. Bizarre tourists start to show up, then come mysterious tech start-up workers. With all the new people, real estate is booming. Amidst all these distractions, Dorothea and Greta try to continue their work. They are rehearsing a production of HECUBA by Euripides. On the day they open the play, Dorothea gets the news that the Bread Factory will lose an essential piece of their funding. The beautiful opening night performance of HECUBA plays to a tiny audience. Brokenhearted, Dorothea and Greta must decide whether to give up their work at the Bread Factory because their community and support has disappeared, or to continue in their struggle to build community through art.

Patrick Wang was born in Texas, the son of Taiwanese immigrants. He is author of the books THE MONOLOGUE PLAYS and POST SCRIPT, an interactive book about the making of THE GRIEF OF OTHERS. His first film IN THE FAMILY was released to critical acclaim in the US and France and hailed “an indie masterpiece” by Roger Ebert. He was named one of the “25 New Faces of Independent Film” by Filmmaker Magazine, and the New York Times remarked, “This is a career to keep an eye on.” Director and writer Patrick Wang joins us for a conversation on his brilliant, funny, touching, humanist rumination on art, relationships and MAY RAY.

 

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For news and updates go to: abreadfactory.com

100% on Rotten Tomatoes

“One senses that [Wang] is rediscovering the rules of cinema on his own. This is a career to keep an eye on.” – New York Times

“A major filmmaking talent. Wang’s realism is closer to 19th-century literary giants obsessed with daily life and family relationships.” – Hollywood Reporter

“A coronation. Nothing less than the birth of a great filmmaker.” – Playlist Society

“John Cassavetes can finally rest in peace. His true spiritual son may just have been found.” – Requiem pour un film

“Patrick Wang is slowly becoming the most dependably sensitive and inventive independent filmmaker in America.” – Screen Rant

The Price of Everything, Director Nathaniel Kahn

Today, art is spectacle, big bucks and front-page news. As a society, we have become less concerned with the aesthetic and social values of art, and more concerned with brand names and the business of it all. Can the value of art really be measured in dollars and cents? How are these values assigned and who assigns them? Does the art market have a chilling effect on our great museums and the ability of the public to engage in the art of our time? Nathaniel Kahn’s (My Architect) new documentary THE PRICE OF EVERYTHING explores these questions and demystifies the rarefied world of contemporary art in a dynamic and entertaining way. With unprecedented access to artists, dealers, collectors and auction houses, the film takes us deep into a hidden world where nothing is what it seems. In revealing scenes and interviews, we come to understand how the art market actually works and we confront the challenges of being an artist in the current environment where success can come at lightning speed, only to evaporate next season, and where even the most revered creators must find ways to block out the temptations of the market if they wish to remain in control of their creative process. THE PRICE OF EVERYTHING offers a complex portrait of a late capitalist society confronting itself. While holding a funhouse mirror up to our consumerist culture, the film ultimately reaffirms the transcendent power of art itself and the deep need we have for it in our lives. Director Nathaniel Kahn stops by to talk about how the art world got to this over-heated, crazed marketplace where many wealthy “art lovers” know the price of everything and the value of nothing.

For news and updates go to: thepriceofeverything.com

THE PRICE OF EVERYTHING open in Los Angeles October 26 – filmmakers Lisa Remington (producer), Brad Fuller (editor) and Matthew Ladorola (Engineer/sound mixer) will participate in a Q&A on Friday, 10/26 and Saturday, 10/27 following the 7:20 PM

“If you are a devotee of the arts, an artist, or just a fan of good documentary filmmaking, check out The Price of Everything as soon as you can.” – Lorry Kikta, Film Threat

“[A] colorful and inquisitive cinematic essay on the state of the art world…” – A.O. Scott, The New York Times

“A fascinating and insightful look at the dynamics between contemporary art and commerce….” – Avi Offer, NYC Movie Guru

“The Price of Everything” exalts in the spirt of art over commerce, yet what’s thrilling about the film — and what echoes in your mind after it’s over — is that it captures all the ways those two forces can’t be separated.” Owen Gleiberman, Variety

Liyana, Co-directors Amanda Kopp and Aaron Kopp

Under the guidance of acclaimed South African storyteller, Gcina Mhlophe, five orphaned children from Swaziland collaborate to craft a collective fairytale drawn from their darkest memories and brightest dreams. Their fictional character, LIYANA is brought to life in innovative animated artwork as she embarks on a perilous quest to rescue her young twin brothers. The children’s real and imagined worlds begin to converge, and they must choose what kind of story they will tell – in fiction and in their own lives. This genre-defying film weaves an original animated hero’s journey with poetic documentary scenes to create an inspiring tale of perseverance. LIYANA is a tribute to creativity, the strength of the human spirit, and the healing power storytelling. Critically acclaimed, and executive produced by award-winning actress, Thandie Newton, LIYANA has won more than 25 jury and audience awards and screened at more than 80 film festivals around the world including the British Film Institute’s London Film Festival and MoMA’s Doc Fortnight. Co-directors Amanda and Aaron Kopp join us for a conversation on their enchanting, inspiring and wildly creative film.

 

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For news and updates go to: liyanathemovie.com

Opening on Friday October 19 at the Laemmle Glendale – 207 N. Maryland Ave. Glendale

Additional screenings go to: liyanathemovie.com/screenings

“Gorgeous” “Unlike any documentary you have ever seen before.” – Entertainment Weekly

“A spirited testament to the power of creativity – not only as a source of strength and joy, but as a way to access buried emotions.” – Sheri Linden, Hollywood Reporter

“Masterful.” “A testament to the power of story.” – Cinemacy

“Brilliant.” “The World desperately need more stories like this.” – Shadow and Art

All Square, Director John Hyams

John Zbikowski (Michael Kelly) is a down-on-his-luck, small town bookie having a hard time collecting on outstanding debts. After a one night stand with an ex-girlfriend (Pamela Adlon), John strikes up an unlikely friendship with her 12-year old son, Brian (Jesse Ray Sheps), and develops a plan to recoup the money owed to him by taking bets on Brian’s Youth League Baseball games. Written by Timothy Brady and directed by John Hyams, All Square features a line up of first rate actors that include; Michael Kelly (“House of Cards”), Jesse Ray Sheps (Collateral Beauty), Josh Lucas (Home Sweet Alabama), Pamela Adlon (Californication, Louie), Tom Everett Scott, Isiah Whitlock Jr, Yeardley (The Simpsons). Director John Hyams joins us to talk about his funny, messy and endearing story of a man trying hard to not wear his heart on his sleeve.

 

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Winner – 2018 SXSW Film Festival – Audience Award

Winner – 2018 Narrative at Monmouth Film Festival – Best Feature

Winner – 2018 Newport Beach Film Festival – Best Film

Winner – 2018 Newport Beach Film Festival – Best Screenplay, Timothy Brady

100% on Rotten Tomatoes

“Kelly is a king among mordant underplayers. Yulin, a stalwart character actor, is reliably terrific. Adlon and Josh Lucas bring added value to their also-familiar characters.” – Glenn Kenny, New York Times

“A casually profane and frequently uproarious working-class dramedy about a small-time bookie who turns a big profit – for a while – by taking bets on Little League games.” – Joe Leydon, Variety

“Kelly gets a well-earned leading man turn in the amiable indie comedy-drama “All Square” playing a surly, but likable bookie in a small Maryland town.” – Kevin Crust, Los Angeles Times

“All Square is proof that Hyams is way more than just an “action movie director”, and can work well with a talented ensemble of performers, while still exploring the surface of their universe with a documentarian’s eye for East Coast life.” – Jacob Knight, Birth.Movies.Death.

Brampton’s Own, Director Michael Doneger

In Brampton’s Own Dustin Kimmel has decided to call it a career and return to his small hometown where he was once a celebrated athlete. After 12 years of withstanding the rigors of minor league baseball in hopes of making it to the big leagues, Dustin discovers much has changed since he’s last been back as he struggles to fit in. His old friends have started families, his ex-girlfriend is now engaged, his mom is selling his childhood home and moving in with her new boyfriend, and the only person who wants to hang out with Dustin is Gavin, a 40-year-old Brampton lifer who still wears his varsity football letterman jacket around town. Having neglected to prepare for life after baseball, Dustin’s trip home forces him to confront the very decisions that led to his current purposeless state. BRAMPTON’S OWN stars Alex Russell (Chronicle, Only The Brave) who plays Jim Street on CBS’ SWAT and Rose Mclver (CW’s iZombie), and in supporting roles; Spencer Grammer (Rick and Morty), Scott Porter (Dear John), with John Getz (The Social Network), and Jean Smart (FX’s Legion). Director and writer Michael Doneger (The Escort, This Thing With Sarah) talks about working with young and talented actors, intimacy, following your dreams and knowing when its time to move forward.

BRAMPTON’S OWN Q&A with filmmaker Michael Doneger and actors Alex Russell, Scott Porter and Kevin Linehan following the 5:20 PM show on Saturday, 10/20 at the Playhouse.

Matangi / Maya / M.I.A. Director Steve Loveridge

Drawn from a cache of personal video recordings from the past 22 years, director Steve Loveridge’s Sundance award winning MATANGI / MAYA / M.I.A. is a startlingly personal profile of the critically acclaimed artist, chronicling her remarkable journey from refugee immigrant to pop star. She began as Matangi. Daughter of the founder of Sri Lanka’s armed Tamil resistance, she hid from the government in the face of a vicious and bloody civil war. When her family fled to the UK, she became Maya, a precocious and creative immigrant teenager in London. Finally, the world met her as M.I.A. when she emerged on the global stage, having created a mashup, cut-and-paste identity that pulled from every corner of her journey along the way; a sonic sketchbook that blended Tamil politics, art school punk, hip-hop beats and the unwavering, ultra-confident voice of a burgeoning multicultural youth. Never one to compromise on her vision, Maya kept her camera rolling throughout. MATANGI / MAYA / M.I.A. provides unparalleled, intimate access to the artist in her battles with the music industry and mainstream media as her success and fame explodes, becoming one of the most recognizable, outspoken and provocative voices in music today. Director Steve Loveridge joins us to talk about his long-time friendship with Mathangi Arulpragasam AKA Matangi / Maya / M.I.A. and how that friendship was tested during the making of this revelatory, illuminating window into her world.

 

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For news and updates go to: miadocumentary.com

Social Media

https://www.facebook.com/MIAdocumentary/

https://twitter.com/MIAdocumentary

https://www.instagram.com/miadocumentary/

89% on Rotten Tomatoes

“If there is one note that rings clear through all the xeroxed, glitchy, abrasive background noise, it is that of authenticity and sincerity.” – Jessica Kiang, Playlist

“Inspires deep respect for the fierce and independent artist she is.” – Katie Walsh, Los Angeles Times

“It is the synthesis of these contradictions, and how they’ve illuminated M.I.A.’s career path that makes up the spine of Loveridge’s fascinating portrait.” – Piotr Orlov, NPR

“Loveridge celebrates the mashup aesthetic that enabled the artist to find a voice, and reveals that reconciling contradictions… is key to both Arulpragasam’s music and the life she’s constructed with audacity and wit.” – Serena Donadoni, LA Weekly

306 Hollywood, Co-directors Elan and Jonathan Bogarín

When Elan and Jonathan lose their beloved grandmother, Annette Ontell, they face a profound question: When a loved one dies, what do we do with the things they leave behind? Housewife, fashion designer, and beloved family member, Ontell lived seven decades in the same house306 Hollywood Avenue in Hillside, New Jersey. Turning documentary on its head, the Bogaríns embark on a magical-realist journey to discover who their grandmother really was, transforming her cluttered New Jersey home of 71 years into a visually exquisite ruin where tchotchkes become artifacts, and the siblings become archaeologists. By turns elegiac, celebratory, and edgy, with extrapolations ranging from the Rockefellers to Rome, 306 Hollywood moves unexpectedly but inevitably, like a beautiful murmuration of birds. With help from physicists, curators and archivists—and the added inspiration of a decade of interviews with the vivacious octogenarian herself—they excavate the extraordinary universe contained in Annette’s home. 306 HOLLYWOOD  playfully transforms the dusty fragments of an unassuming life into an epic metaphor for the nature of time, memory and history Co-directors Jonathan Bogarín (Elan) joins us for a conversation on celebrating family, peering into the unknown, why understanding the past can help us live better in the present.

 

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For news and updates go to: 306hollywood.com

Opening in Los Angeles Friday, October 12th at the Laemmle Royal Theater in Los Angeles. Q & A with Elan and Jonathan Bogarín all weekend

81% on Rotten Tomatoes

“The movie’s blend of charm and philosophical inquiry makes it at once structurally daring and a total crowd-pleaser, sure to find appreciative audiences who will see echoes of their own clutter-filled lives in its story.” – Eric Kohn, Indiewire

“One of the more universal and relatable films you’re ever likely to see. It’s such a little story you may wonder about why it was being told at all, except that it’s a story likely  to touch anybody who has ever lost a loved one, which makes it a very big story.” – Daniel Feinberg, The Hollywood Reporter

“It’s unforgettable. 306 HOLLYWOOD feels like a whole new way of tackling documentaries. This ‘magical-realist doc’ pushes subjectivity into poetry.” – Tasha Robinson The Verge

“Part biopic, part magical-realist rumination, the two [filmmakers] offer the genre a new format and the ordinary a beautiful homage.” – Deanna Janes, Harper’s Bazaar

All About Nina, Director, Producer, Writer Eva Vives

Nina Geld is an up-and-coming  comedian in New York City. She’s funny, smart and has worked hard to build a career for herself in the male-dominated world of stand-up. When it comes to romantic relationships though, Nina’s life is a mess. When we meet her, she has picked up a random guy in a bar and brought him home, only to find Joe, a married policeman, waiting for her against her wishes. Unable to stand-up for herself, Nina sleeps with Joe again, bringing up old issues of self-hatred. Nina decides to focus on work and later gets Larry Michaels, producer of the legendary television show, Comedy Prime, to come see Nina’s stand-up. Amazingly, he asks Nina to audition! She will need to create characters impersonations and move to LA to audition. In LA, she meets Rafe Hines, a dream-come-true, quintessential good-guy who makes all of Nina feel good. But when Joe shows up in LA unexpectedly Nina has to deal with her past. Finally confronting the truth in such a public setting has terrifying and unexpectedly liberating consequences. Director / Producer / Writer Eva Vives joins us for a conversation on her sharp-edged, drama about a woman driven by demons, trauma and a dark need to embrace her pain.

 

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For news and updates go to: theorchard.com/filmtv

Social Media

facebook.com/OrchFilms

twitter.com/OrchFilms

instagram.com/orchfilms

87% on Rotten Tomatoes

“Vives’ filmmaking is confident, threading the needle on some emotionally complex scenes, but the film works because of Winstead’s bravura performance, taking Nina to a place of raw, deep emotional honesty.” – Katie Walsh, Los Angeles Times

“A striking and at times uncomfortably personal feature debut from writer-director Eva Vives that makes good on its title by not shying away from the emotional damage that makes its protagonist so compelling.” – Peter Debruge, Variety

“The movie is carried by Winstead’s mesmerizingly mercurial performance, and not just because she does pitch-perfect impressions of, among others, Kristen Stewart and Werner Herzog.” – Ella Taylor, NPR

“There are three main reasons you should seek out Nina: The phenomenal Winstead, a refreshing female character that manages to be truly hilarious, and a script that keeps a wonderful balance of humor and pain.” – Kristy Strouse, Film Inquiry

Morning, Noon and Night, Director Josh Becker

The comedy-drama MORNING, NOON & NIGHT explores a day-in-the-life of six people battling different addictions. The characters feel all-too familiar as they could be your neighbor, your family or even yourself. The film functions as a mirror examining three college students, a history teacher, a lawyer and a top executive as they struggle to make it through a single day. According to director, producer and writer Josh Becker, “Everybody struggles with something. The real question asked is how does anyone get through life? After all, reality is just a crutch for people who can’t handle drugs.” Director Josh Becker joins us to talk about his collaborations with fellow director Sam Rami (Evil Dead, Army of Darkness) and Bruce Campbell (Evil Dead, Bubba Ho-tep) and his film’s raw, unflinching farce about the hypocrisies and denials that are the daily reality of people who are living lives in a suffocating bubble.

 

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For news and updates go to: morningnoonandnightthefilm.com

Opening at the Laemmle Music Hall in Beverly Hills on October 5

Mill Valley Film Festival 41 – Zoe Elton, Director of Programming

For four decades, the Mill Valley Film Festival (MVFF) has maintained its position as a vital showcase of the global film community, attracting iconic red-carpet talent, emerging filmmakers, passionate audiences and astutely curated premieres. A destination event for film lovers, drawn by an exciting, diverse program of mainstream studio features and independent visions from around the world, set against the stunning backdrop of Northern California, MVFF also hosts an impressive array of panels, conversations, receptions, parties and live music performances, featuring many of the most acclaimed and in-demand artists and industry professionals of our time. With a reputation for launching new films and creating awards season buzz, MVFF has a knack for spotting emerging talent as well as drawing legendary artists. Known as the filmmaker’s festival, MVFF welcomes more than 200 filmmakers and guests from around the world and has hosted such luminaries as Nicole Kidman, Holly Hunter, Ang Lee, Todd Haynes, Mira Nair, Brie Larson, Costa-Gavras, Damien Chazelle, Marcel Ophuls, Amy Adams, Steve McQueen and Greta Gerwig. Mill Valley Film Festival Director of Programming Zoe Elton, joins us to talk about “the filmmaker’s festival,” and this year’s exciting line-up of documentary, foreign, animated, short and narrative films.

 

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For news and updates go to: Mill Valley Film Festival 41 – October 4 – 14, 2018

Cruise, Director Robert Siegel

It’s the Summer of ’87, and Gio (Spencer Boldman), an Italian kid from Queens, has little on his mind but cars and girls. Gio thinks he’s got it all figured out until he meets Jessica (Emily Ratajkowski), a nice Jewish girl from Long Island who likes to go undercover for illicit thrills on the wrong side of the tracks. An affectionate look at the youth culture of a bygone era, CRUISE celebrates the joys of muscle cars, Motorola pagers and endless summer nights.CRUISE also stars Sebastian Maniscalco, Lucas Salvagno, Kathrine Narducci, Noah Robbins, and Gino Cafarelli. Director and writer Robert Siegel (Big Fan, The Wrestler and The Founder) joins us to talk about his coming-of-age story, his own attraction to outsider culture and the scarcity of red-blooded American actors.

Cruise opens on September 28 at the Univeral Cinema AMC at City Walk Hollywood

Colette, Director Wash Westmoreland

After marrying a successful Parisian writer known commonly as “Willy” (Dominic West), Sidonie-Gabrielle Colette (Keira Knightley) is transplanted from her childhood home in rural France to the intellectual and artistic splendor of Paris. Soon after, Willy convinces Colette to ghostwrite for him. She pens a semi-autobiographical novel about a witty and brazen country girl named Claudine, sparking a bestseller and a cultural sensation. After its success, Colette and Willy become the talk of Paris and their adventures inspire additional Claudine novels. Colette’s fight over creative ownership and gender roles drives her to overcome societal constraints, revolutionizing literature, fashion and sexual expression. Director and screenwriter Wash Westmoreland stops by to talk about the story behind a remarkable trailblazing feminist, writer, performer and cultural icon whose influence has inspired artists for the last 100 years.

 

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For news and updates go to: bleeckerstreetmedia.com/colette

“Knightley is exceedingly well-equipped to carry this magnificent film on her own — an Oscar-nominated performance for sure.” – Jeanne Kaplan, Kaplan vs. Kaplan

“A witty, spirited portrait of the great French writer and libertine during the early Belle Époque years of her career.” – Justin Chang, Los Angeles Times

“This timely and gorgeously shot account of a beloved French writer foregrounds Colette’s remarkable freedom from conventional norms as she finds her artistic voice.” – Erica Abeel, Film Journal International

“At first presenting itself as a tightly corseted Big Eyes set during the Belle Époque, Colette erupts into a fun, frothy, and unmistakably feminist biopic.” – David Ehrlich, IndieWire

“The film has a towering performance from Keira Knightley, who plays Colette with such warmth and fiery feminism, that it would be hard not to make woman’s past run parallel with today’s world.” – Jordan Ruimy, The Playlist

America to Me, Executive Producer Steve James

Chicago’s Oak Park and River Forest High School’s (OPRF) student population encompasses a racial, economic and cultural mix that reflects the nation as a whole. Located in a mostly affluent, progressive suburb, the school attracts families of all races and means, many of whom make great sacrifices to secure their children a place there. But even in this diverse and liberal community, ensuring an educational experience that equally benefits all students poses challenges for the school’s dedicated and well-meaning teachers, administrators and parents. In the multipart unscripted documentary series AMERICA TO ME, Academy Award-nominated filmmaker Steve James (Hoop Dreams, The Interupters, Life Itself, Abacus: Small Enough to Jail) and his team follow a diverse selection of the school’s 3,400 students, including artists, athletes, scholars, underachievers and iconoclasts, to present an indelible account of their dreams, fears, triumphs and aspirations. Posing complex and controversial questions, the film wrestles with crucial issues, including the effects of race and privilege on education as seen through the eyes of young Americans on the precipice of adulthood. Candid and relatable portraits of 12 students who are just beginning to come into their own provide moving insights into the teenage search for personal identity in today’s world. Director Steve James joins us with his impressions on the state of secondary education, how best to facilitate better outcomes for students and the role racial stereotyping plays in achieving success.

 

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For news and update go to: kartemquin.com/films/america-to-me

100% on Rotten Tomatoes

“The 10-part documentary series from Steve James (Hoop Dreams) is profound and thoughtful, taking a detailed look at inequality in America through the lens of a storied high school in Chicago.” – Sophie Gilbert, The Atlantic

“[America to Me] is an invaluable look at where inequity begins, as well as the difficulty of getting to the place where it ends.” – James Poniewozik

“Even in a series this expansive, you keep wishing you could spend more time with more people, but its scope allows James and his team to show both victories and defeats fade into the past, how fragile and yet how resilient its protagonists can be.” – Sam Adams, Slate

“[James] captures the specific moments that are hard to explain without being there – like a young black girl who feels uncomfortable with a white teacher’s constant attempts to relate to her – and the larger systemic issues that are harder to upend.” – Ben Travers, IndieWire

https://youtu.be/-uNhmWJ4l5k

Socrates, Director Alex Moratto

In the days following his mother’s sudden death, Socrates (Christian Malheiros), a 15-year-old living on São Paulo’s margins, faces the difficulties of surviving on his own and coming to terms with his grief. SOCRATES was produced with a crew of 16-20 year-olds from the Querô Institute, a UNICEF-supported project that provides social inclusion through filmmaking to underprivileged youths in the Baixada Santista region of São Paulo, Brazil. SOCRATES was also written by Thayná Mantesso a 20 year-old Brazilian screenwriter and graduate of the Querô Institute.  SOCRATES was filmed with a micro-budget of under $20,000. Alex Moratto’s award-winning short films NOWHERE TO BE FOUND, THE PARTING and THE OTHER SIDE have screened at international film festivals. SOCRATES is Alex Moratto’s debut feature film. The film was produced by Ramin Bahrani (99 HOMES) and stars Christian Malheiros and Tales Ordakji. Director Alex Moratto joins us for a conversation on working with a young non-professionals, UNICEF and producing his debut feature film.

 

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For news and updates go to: socratesfilm.com

Science Fair, Co-directors Cristina Costantini and Darren Foster

Hailed by critics as “immensely likeable,” “brilliant and quirky” and an “ode to the teenage science geeks on whom our future depends,” and winner of the audience award at Sundance and SXSW, National Geographic Documentary Films’ SCIENCE FAIR follows nine high school students from around the globe as they navigate rivalries, setbacks and, of course, hormones, on their journey to compete at The International Science and Engineering Fair. As 1,700 of the smartest, quirkiest teens from 78 different countries face off, only one will be named Best in Fair. The film, from Fusion and Muck Media and directed by the DuPont Award-winning and Emmy-nominated documentary filmmaking team Cristina Costantini and Darren Foster, offers a front seat to the victories, defeats and motivations of an incredible group of young men and women who are on a path to change their lives, and the world, through science. Co-directors Cristina Costantini and Darren Foster join us to talk about their entertaining, enlightening and heart-warming film.

 

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For news and updates go to: sciencefairfilm.com

Opens in Los Angeles on Friday, September 21 at:
LA Live 14 – 
Laemmle’s Music Hall in Beverly Hills – Arclight in Sherman Oaks


Social Media:
Facebook: www.facebook.com/sciencefairfilm

Twitter: @sciencefairfilm

Instagram: @sciencefairfilm

 100% 0n Rotten Tomatoes

“Endlessly delightful.” – David Edelstein, New York Magazine

“A work of profound cinematic joy, Science Fair is a winner.” – Christopher Llewellyn Reed, Hammer to Nail

“INSPIRATIONAL AND INVIGORATING.” – Kenneth Turan, Los Angeles Times

“It’s as irresistibly entertaining, inspirational and emotionally engrossing as Spellbound. You don’t have to be into science to be entertained, moved or enlightened by Science Fair. It’s one of the best documentaries of the year.” – Avi Offer, The NYC Movie Guru

“The ultimate crowd-pleaser.” – DeAnna Janes, Harper’s Bazaar

“Unfailingly charming.” – Teo Bugbee, The New York Times

2018 Los Angels Film Festival * 9/20 – 9/28

 

This Teacher – Director and writer Mark Jackson 

This Teacher follows a French Muslim woman (Cesar-winner Hafsia Herzi) as she travels to New York City to visit her childhood best friend from the rough neighborhoods outside of Paris. When the reunion proves disastrous, Hafsia steals her friend’s credit card and identity, and disappears to a remote cabin upstate. Deep in the woods and alone for the first time in her life, she experiences a divine revelation of an existence without borders. But when she discovers that she’s not alone on the property, Hafsia’s sojourn in nature gradually descends into a terrifying study of the intolerance and suspicion she encounters and reflects back to an Islamophobic America. Written and directed by Mark Jackson featuring a score composed from the Grammy nominated Dave Eggar, the film stars: Cesar-winner Hafsia Herzi (The Secret of the Grain) Sarah Kazemy (Circumstance) Lucy Walters (Power), Kevin Kane (Inside Amy Schumer), and Lev Gorn (The Americans). Jackson’s previous films have won 17 awards including an Independent Spirit Award and a Gotham Nomination. Jackson is also a Sundance, Cinereach and Skywalker Sound Fellow. Director and writer Mark Jackson (War Story, Without) joins us for a conversation on This Teachers’ premiere at the Los Angeles Film Festival, intolerance and not being afraid to love.

 

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This Teacher (LAFF World Premiere screening at September 22nd, 2018 at 4pm (with red carpet media check-in at 3pm) at ArcLight Culver City.

The Wrong Todd – Directed by Rob Schulbaum

Resistant to change, Todd (Jesse Rosen) finds himself at a crossroads when his girlfriend Lucy (Anna Rizzo) is offered a promotion on the other side of the country. Before he can decide whether to stay or go, Todd’s evil twin from a parallel universe arrives to take his place, and Todd must face the prospect of a world without Lucy.  With the reluctant help of Lucy’s brother, Dave (Sean Carmichael), Lucy and Todd must confront the barriers to their relationship, their perception of self, and the laws of the universe itself to distinguish the wrong Todd from the right one. The Wrong Todd is a new take on a sci-fi-fi comedy drama with the added bonus of an evil twin from a parallel universe. The Wrong Todd is about championing love, accepting change, and realizing what you’ve taken for granted before it truly is too late.  Inspired by the works of Charlie Kaufman (Eternal Sunshine of the Spotless Mind) and Harold Ramis (Groundhog Day) The Wrong Todd answer the question so many people think but never articulate “what is wrong with me?” Starring Jesse Rosen (The Art of Being Straight), Anna Rizzo (Lost in Bloom), Sean Carmichael (Trinity), Derek K. Moore (Ghostbusters), and Erin Rose. Director Rob Schulbaum (Family Guy), joins us to talk about his directorial debut.

 

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For news and updates go to: thewrongtodd.com

The Wrong Todd (LAFF World Premiere screening at September 24th, 2018 at 7:15pm (with red carpet media check-in at 6:15pm) at ArcLight Culver City.

LA Muse Narrative Feature Film

We The Coyotes – Co-directors Hanna Ladoul and Marco La Via

Making the films USA debut (it world premiered in the Acid section of Cannes this spring), We The Coyotes by first-time feature filmmakers Hanna Ladoul and Marco La Via, was inspired by the adventure and challenges of their own early days in Los Angeles. Enveloped in the love bubble a young couple, played by Morgan Saylor (Homeland) and McCaul Lombardi (Sollers Point), arrive from their cross-country trip from the midwest to stay with her aunt Betsy Brandt (Breaking Bad), where we continually see them encounter the challenges of their first day in Los Angeles. The city is as much a character in this intimate drama as this young couple, as they find their hopes often crushed under the realities of what you encounter in any major city, much less the city of dreams.  Not unlike countless twenty-somethings over the decades, our westward-bound couple in We The Coyotes arrive in Los Angeles with half-formed plans and half-empty pockets, but we see how tensions bend and shape them while the will to survive drives them on. Co-directors Hanna Ladoul and Marco La Via stop by to talk about their unvarnished, thought provoking film.

 

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We The Coyotes (LAFF Premiere screening at September 26th, 2018 at 7pm (with red carpet media check-in at 6pm) at ArcLight Culver City) and P&I screening is Tuesday, September 25th at 10:30am at ArcLight Culver City)

A Boy. A Girl. A Dream. Director / Producer / Writer Qasim Basir

On the night of the 2016 Presidential election, Cass, (Omari Hardwick) an L.A. club promoter, takes a thrilling and emotional journey with Frida (Meagan Good), a Midwestern visitor. She challenges him to revisit his broken dreams – while he pushes her to discover hers. Director / writer / editor Qasim Basir joins us to talk about his riveting and elegant depiction of relationships, intimacy, Los Angeles, race, politics, and living the life we want instead of the life we have.

For news and updates go to: aboyagirladreamfilm.com

 

 

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“A Boy. A Girl. A Dream may seem simple but every frame is a vibrant work of a passionate filmmaker.” – Matthew Passantino, Film Threat

“From the open cityscapes to the closed confines of the rideshare, Basir packs plenty of material for audiences to digest. His use of such a turbulent time is unique and thought-provoking.” – Jonita Davis, Black Girl Nerds

“The understated performances gurgle with powerful emotions. Hardwick and Good are terrific as people trying be cool to a stranger, but failing to conceal their underlying feelings.” – Rich Cline, Shadows on the Wall

“Set amid a changing nation, the chemistry between the leads help A Boy, A Girl, A Dream find a love story within an ever-changing world.” – Danielle Solzman, Solzy at the Movies

“As Basir and co-writer Samantha Tanner make abundantly clear in this very earnest, ferociously hopeful film, we’re not going to get through this mess if we’re not pushing one another to be at our very best.” – Birth.Movies.Death.

Rodents of Unusual Size, Co-Director Jeff Springer, (Quinn Costello, Chris Metzler)

Hard headed Louisiana fisherman Thomas Gonzales doesn’t know what will hit him next. After decades of hurricanes and oil spills he faces a new threat – hordes of monstrous 20 pound swamp rats. Known as “nutria”, these invasive South American rodents breed faster than the roving squads of hunters can control them. And with their orange teeth and voracious appetite they are eating up the coastal wetlands that protects Thomas and his town of Delacroix Island from hurricanes. But the people who have lived here for generations are not the type of folks who will give up without a fight. Thomas and a pack of lively bounty hunters are hellbent on saving Louisiana before it dissolves beneath their feet. It is man vs. rodent. May the best mammal win. Rodents of Unusual Size is a documentary by Quinn Costello, Chris Metzler and Jeff Springer (Everyday Sunshine,The Story of Fishbone). Co-director Jeff Springer join us to talk about the other ‘beast of the Southern wild.”

 

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For news and updates go to: rodentsofunusualsize.tv

Rodents is opening in Los Angeles on September 14th through September 19th @ 1:10pm, 3:20pm, 5:30pm, 8:00pm, & 10:10pm at the Laemmle’s Monica Film Center, 1332 2nd Street, Santa Monica

  • Opening night Q&A with filmmakers Chris Metzler, Quinn Costello, and animation director Mike Blum

BEST OF FESTIVAL AWARDWild and Scenic Environmental Film Festival

BEST DOCUMENTARY AWARDUNA George Lindsey Film Festival

BEST DOCUMENTARY AWARDTupelo Film Festival

SPECIAL JURY AWARD FOR FILMS FOR OUR FUTUREMendocino Film Festival

EXCELLENCE IN AMERICAN PROFILES AWARDSF Docfest

JURY AWARD FOR BEST DOCUMENTARYOceanside International Film Festival

92% on Rotten Tomatoes

“Rodents of Unusual Size is also a look at how human folly can contribute to environmental disaster, but awareness and ingenuity can help bail us out.” – Peter Keough, Boston Globe

“Depicting the resilience of both the nutria and the Louisianans who’ve endured their presence for many years, Rodents of Unusual Size proves enjoyably quirky and informative.” – Frank Scheck, Hollywood Reporter

“… a squirmy, funny, fascinating documentary that mixes history, zoology and social and cultural anthropology to examine the relationship of the giant rat to the bayou Louisianans who hunt, skin and sometimes even eat the dagger-incisored critters.” – John Beifuss, Commercial Appeal

“A bizarre and fascinating documentary that’ll make your jaw drop.” Randy Myers, San Jose Mercury News

HAL, Director Amy Scott

Although Hal Ashby directed a remarkable string of acclaimed, widely admired classics throughout the 1970s—HAROLD AND MAUDE, THE LAST DETAIL, SHAMPOO, COMING HOME, BEING THERE—he is often overlooked amid the crowd of luminaries from his generation. Amy Scott’s HAL is an exuberant portrait that explores that curious oversight, using rare archival materials, interviews, personal letters, and audio recordings to reveal a passionate, obsessive artist. Ashby was a Hollywood director who constantly clashed with Hollywood, but also a unique soul with an unprecedented insight into the human condition and an unmatched capacity for good. His films were an elusive blend of honesty, irreverence, humor, and humanity. Through the heartrending and inspiring HAL, you feel buoyed by Ashby’s love of people and of cinema, a little like walking on water. On camera interviews his many collaborators, including Oscar®-winning actors Lee Grant, Jane Fonda, Jon Voight, Louis Gossett Jr, Jeff Bridges and more recall how they were empowered by Ashby and granted them artistic freedom. Contemporary directors include Alexander Payne, Judd Apatow, Lisa Cholodenko, and David O. Russell attest to the quiet but powerful influence Ashby has had on their own filmmaking. Behind the camera colleagues Norman Jewison, Robert Towne, Haskell Wexler, and Pablo Ferro stand witness to Ashby’s brilliance as a filmmaker and the forces that led to his undoing.  Director Amy Scott joins us to talk about her artistic connection to Hal Ashby, as editor and director, and her desire to correct many of the lingering misperceptions of Ashby through her riveting and loving film about a true maverick.

 

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For news and updates go to: hal.oscilloscope.net

“If there’s still the sense that Ashby isn’t as sanctified as American New Wave stalwarts Coppola or Scorsese, Amy Scott’s breezy tribute of a documentary is out to correct that oversight.” – Robert Abele, TheWrap

“A vivid portrait of artistic integrity and complete commitment to the art of filmmaking.” – J.R. Kinnard

“Hal is a loving tribute to a filmmaker who rarely gets the attention he deserves.” – Brian Thompson, Film Threat

“Just before the documentary slips into hero worship, Amy Scott pries beneath the calm surface of her bearded and bespectacled subject to reveal the silent rage that fueled his work.” – A.J. Serrano, Slant Magazine

Calling All Earthlings, Director Jonathan Berman

One the 2018’s most provocative and wildly entertaining documentaries is Calling All Earthlings. Director Jonathan Berman’s new film explores the Integratron, a mid-century dome created by one-time Howard Hughes confidante, George Van Tassel. Van Tassel claimed to have combined extraterrestrial guidance with the work of inventor/physicist Nikola Tesla and other alternative scientists, to build an electromagnetic time machine he dubbed “The Integratron.” Was he deluded? Or could the dome actually break through the boundaries of space, time, and energy?  FBI agents try to halt the growing army of outliers who gather in the desert to create a threatening reality on the edge of the midcentury American Dream. An empathetic enquiry into an archetypical countercultural movement, the story is told by relatives, neighbors, skeptics, believers, scientists, healers, artists, and historians, including Dr. Kevin Starr, the preeminent historian of California; Eric Burdon, musician and area resident, and futurists JJ and Desiree Hurtak. Berman’s film My Friend Paul (2000), about his relationship with his bipolar best friend. He is director and producer of  The  Shvitz  (1994), a film about the last traditional steam baths in New York. Berman also co-wrote the story for the independent comedy On The Run, and was the American producer on Claudia  Heuermann’s Sabbath in Paradise, which featured Harvey Pekar and John Zorn. Director Jonathan Berman’s documentaries explore third places, those beyond home or work. Berman joins us for a lively conversation on his endlessly fascinating film that never fails to educate, enlighten and entertain.

For news and updates go to: Callingallearthlingsmovie.com

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“Laugh if you want – or, conversely, give credence to the ufologists and time travelers – but to most of the people profiled this is serious stuff.” – Christoher Llewellyn, Hammer to Nail

“Most appealing is the film’s mixture of California post-War history, cults and a tinge of science fiction – an intriguing combination of elements that make it a winner.” – Paul Parcellin, Film Threat

“Flakey, non-judgmental fun with UFOlogists and their late guru.” – Roger Moore, Movie Nation

Support the Girls, Director Andrew Bujalski

In Andrew Bujalski’s comedy Lisa (Regina Hall) is the last person you’d expect to find in a highway-side “sports bar with curves,”– but as general manager at Double Whammies, she’s come to love the place, and its customers. An instinctive den mother, she nurtures and protects her ‘girls’ on the staff fiercely — but over the course of one trying day, her optimism is battered from every direction… Double Whammies sells a big, weird American fantasy, but what happens when reality pokes a bunch of holes in it?

Director Andrew Bujalski’s Statement – It seems like just about the simplest business concept you could imagine — “What if all the waitresses in this restaurant wore tight, cleavage-y halter tops?”— but I couldn’t get over how bizarre it ultimately was. No culture besides present-day America would ever produce mass-scale demand for such a place, a business that seems about 10% strip club and 90% TGI Friday’s / Applebee’s / Chili’s / Cracker Barrel. Strippers are supposed to make men feel like badass transgressors. But these women are just supposed to make you feel normal — the proverbial “red-blooded American male.” You don’t see many stories set in this  slice of Americana, and with good reason. It does not lend itself to grand dramatic arcs, or, really, to gut-busting comedy. But it certainly is full of contradictions, and incredibly fertile with opportunities for subtle spiritual conflicts. I couldn’t pretend to untangle these from an insider’s perspective, so I dreamed up a kind of outsider character, Lisa the general manager, to walk in there with a spirit of openness and love — and plenty of her own pathologies–to see what she might discover in there. While it is a very specific story in many ways, I hope that anyone who’s ever worked for a living will relate. Most of us have to buy/sell one crazy “concept” or another to pay our bills, and some days, you’re not sure if your humor and dignity will survive to the end of the shift…

Director and writer Andrew Bujalski (Beeswax, Computer Chess, Results) joins us to talk about his insightful “girl power” comedic drama with a ground-level take on masculine hurly-burly in a vanishing American paradigm.

 

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For news and updates go to: supportthegirlsfilm.com

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100% on Rotten Tomatoes

“Its light, sweetly frisky exterior and easygoing pace camouflages what a subtle and brilliant piece of bracing social commentary it is; a deft portrait of sisterhood existing under the thumb of capitalistic patriarchy.” – Katie Walsh, Tribune News Service

“Hall’s superb, deeply felt performance keeps the movie grounded, allowing the supporting cast to provide hilarious liftoff at regular intervals.” – Mike D’Angelo, AV Club

“Bujalski frames most of Support the Girls as an almost real-time delineation of chaos, but his storytelling elegance – delicate, nearly invisible foreshadowing; cogent evocations of backstory – adds reflective layers to the surface anarchy.” – Danny King, Village Voice

“The sharp-elbowed humor is laced with aching tenderness, tightrope-tense frustrations over money and love, and an underlying mix of social pathologies that bubbles through the show-biz surfaces…” – Richard Brody, New Yorker

“Hall’s performance – tender, tough, empathetic, controlled – crumples from tears to laughter in a blink. It’s phenomenal.” – Amy Nicholson, Variety

We the Animals, Director Jeremiah Zagar

Us three. Us brothers. Us kings, inseparable. Three boys tear through their childhood, in the midst of their young parents’ volatile love that makes and unmakes the family many times over. While Manny and Joel grow into versions of their loving and unpredictable father, Ma seeks to shelter her youngest, Jonah, in the cocoon of home. More sensitive and conscious than his older siblings, Jonah increasingly embraces an imagined world all his own. With a screenplay by Dan Kitrosser and Jeremiah Zagar based on the celebrated Justin Torres novel, We the Animals is a visceral coming-of-age story propelled by layered performances from its astounding cast of Sheila Vand, Raul Castillo, and three talented, young first-time actors, Evan Rosado, Isaiah Kristian, Josiah Gabriel as well as stunning animated sequences which bring Jonah’s torn inner world to life. Drawing from his documentary background, director Jeremiah Zagar creates an immersive portrait of working class family life and brotherhood. Director and screenwriter Jeremiah Zagar joins us to talk about his gorgeous and ethereal tale of young boys struggling to find their own way in a tattered landscape of family and identity.

 

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For news and updates go to: wetheanimals.film

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95% on Rotten Tomatoes

“Every once in a while a movie grabs you, unsuspecting, and hustles its way into your heart. Jeremiah Zagar’s “We the Animals” does that.” – Joe Morgenstern, Wall Street Journal

“On one level… “We the Animals” is a classic coming-of age tale; on another, it’s a near perfect depiction of the emotional damage that can result from economic insecurity” – Jeannette Catsoulis, The New York Times

“An impressionistic swirl of a film about masculinity, about abuse, about growing up queer, about chaotic family life, about the jumble of incidents and stirrings through which a child discovers a self. – Alan Scherstuhl, Village Voice

“In every scene, We the Animals evokes not only the specificity of that world but the deep-seated challenges of escaping it.” – Eric Kohn, IndieWire

Minding the Gap, Director Bing Liu

First-time filmmaker Bing Liu’s documentary Minding the Gap is a coming-of-age saga of three skateboarding friends in their Rust Belt hometown hit hard by decades of recession. In his quest to understand why he and his friends all ran away from home when they were younger, Bing follows 23-year-old Zack as he becomes a father and 17-year-old Keire as he gets his first job. As the film unfolds, Bing is thrust into the middle of Zack’s tumultuous relationship with his girlfriend and Keire’s inner struggles with racial identity and his deceased father. While navigating a complex relationship between his camera and his friends, Bing explores the gap between fathers and sons, between discipline and domestic abuse, and ultimately that precarious chasm between childhood and becoming an adult. Director Bing Liu joins us for a lively conversation on masculinity, adulthood, the joy of skateboarding and the crippling legacy of domestic violence.

 

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For news and updates go to: mindingthegapfilm.com

100% on Rotten Tomatoes

“One of the year’s great, small treasures, Bing Liu’s extraordinary documentary “Minding the Gap” is like a deluxe skateboarding video, yet so much more.” – Jeffrey M. Anderson, San Francisco Examiner

“”Minding the Gap” is a personal documentary of the highest sort, in which the film’s necessity to the filmmaker-and its obstacles, its resistances, its emotional and moral demands on him-are part of its very existence.” – Richard Brody, New Yorker

“With infinite sensitivity, Mr. Liu delves into some of the most painful and intimate details of his friends’ lives and his own, and then layers his observations into a rich, devastating essay on race, class and manhood in 21st-century America.” – A.O. Scott, New York Times

“Even some of the best coming-of-age films cannot capture the beautiful and awful tangible qualities of real life that may only exist in documentaries, and Bing Liu has caught lightning in a bottle.” – Musanna Ahmed, Film Inquiry

The Captain, Director Robert Schwentke

Based on the arresting true story of the Executioner of Emsland, The Captain follows a German army deserter, Willi Herold (Max Hubacher), after he finds an abandoned Nazi captain’s uniform in the final weeks of World War II. Emboldened by the authority the uniform grants him, he amasses a band of stragglers who cede to his command despite the suspicions of some. Citing direct orders from the Fuhrer himself, he soon takes command of a camp holding German soldiers accused of desertion and begins to dispense harsh justice. Increasingly intoxicated by the unquestioned authority, this enigmatic imposter soon discovers that many people will blindly follow the leader, whomever that happens to be. Simultaneously a historical docudrama and sociological examination with undertones of the absurd, The Captain presents fascism as something of a game to be played by those most gullible and unscrupulous. Director Robert Schwentke stops by for a conversation on the troubling implications of this tale of myopic madness sanctioned by a psychotic regime on the verge of collapse.

 

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For news and updates go to: musicboxfilms.com/The Captain

74% on Rotten Tomatoes

“It compels our attention with a remorseless, gripping single-mindedness, presenting Naziism as a communicable disease that smothers conscience, paralyzes resistance and extinguishes all shreds of humanity.” – Jeannette Catsoulis, The New York Times

“Schwentke intends for these actions to parallel what Wehrmacht participated in against Jews and Roma …This astute film is an excoriating portrait of Nazism or fascism.” – Nora Lee Mandel, Film-Forward

“A brave and uncompromising indictment of human nature, Teutonic or otherwise.” – Peter Debruge, Variety

“We are left to contemplate this vision of Fascism as a machine that, once turned on, can sustain itself even in the absence of explicit direction from above.” – David Edelstein, New York Magazine / Vulture