Based on the critically acclaimed graphic novel, DAYS OF THE BAGNOLD SUMMER is a funny yet sweet coming-of-age story about single motherhood and Metallica.Daniel (Earl Cave) was supposed to spend the summer with his dad and his dad’s new wife in Florida, but when his dad cancels the trip Daniel and his mom, Sue, (Monica Dolan) suddenly face the prospect of six long weeks together. An epic war of wills ensues in their suburban home as Daniel just wants to listen to heavy metal and start a band while his mom hopes to rekindle the fun times they used to have together. Featuring original songs by Belle and Sebastian. Director Simon Bird joins us for a conversation on his beautifully rendered tale of a sullen, insecure teen and his effervescent single mom doing her best to keep moving forward in a world that is pelting her with cheap shots and exasperating insults.
About the filmmaker – Director Simon Bird’s first short film, Ernestine and Kit, premiered at South By Southwest, and was nominated for Best Short at the Irish Film and Television Awards. Previously, Simon has worked as a stand-up comedian, writer, producer, and actor. As a writer, he created The King Is Dead for the BBC and co-created Chickens for Sky, which was nominated for Best Sitcom at the Broadcast Awards. As a producer, he set up Guilty Party Pictures, a TV and film production company backed by RED and Studiocanal. Guilty Party has produced content for Channel 4, Sky and the BBC, and recently wrapped on How Europe Stole My Mum, an original TV show for Channel 4, to air later this year. As an actor, Simon has starred in five series of Rose D’Or-winning sitcom Friday Night Dinner. The sixth series shoots later this year. He is perhaps best known as Will McKenzie from Channel 4’s BAFTA-winning sitcom THE INBETWEENERS, THE INBETWEENERS MOVIE, which is the highest-grossing comedy film ever in the UK, and THE INBETWEENERS 2, which had the highest-grossing opening weekend of any film in the UK in 2014. Simon has won multiple British Comedy Awards and been nominated for a BAFTA and Royal Television Society award for acting.
“Far closer in spirit to the lighter works of Mike Leigh than the broader material that made him a well known figure in British comedy, Bird’s debut is innately humanistic, with cross-generational appeal.” – Alistair Ryder, Film Inquiry
ANATOMY OF WINGS is the direct result of an after-school film project, where ten Black middle school girls gathered each week to collaborate with their Black and white mentors on a feature-length documentary about their own coming-of-age in Baltimore City. Weeks turn into years. Then, shortly before the girls’ high school graduations, a sea of misunderstanding arises about what’s to come. This self-defined ‘second family’ is left to question if their solidarity will survive the realities of living in a world of racial inequity.WINGS mentors created a safe space for the girls to practice filmmaking and share life experiences, questions and personal moments such as proms, first time gynecologist visits and accomplishments. Their lives in Baltimore reflected their corresponding community and, once in high school, the girls began inviting their best friends to join the program. The result: we became a group of 10. What began as a videography program evolved into a powerful space of sharing for ten years, where ten girls, mentors, professors and college students at MICA created a family. The co-directors Kirsten D’Andrea Hollander and Nikiea Redmond join us for a conversation on the power of storytelling, especially for young women of color, living in a community bereft of opportunity can be a powerful and unmistakable call to arms for real social change.
About the filmmaker – Kirsten D’Andrea Hollander is a full-time professor at the Maryland Institute College of Art (MICA), where she currently directs the MFA Filmmaking program. Equipped with an undergraduate degree in Painting from MICA in 1988, she turned to documentary filmmaking after receiving an MFA in Imaging and Digital Arts from UMBC in 1997. Having taught in higher education for 22 years, Hollander explored how the camcorder can be a collaborative tool to bear witness. In 2008 she launched the ‘Wings Video Skills After School Program for Girls’ and the recently completed ‘Anatomy of Wings’ feature length documentary. In 2011 Hollander was selected for an Independent Filmmaker Project Fellowship to launch her first feature length documentary, ‘Us, Naked: Trixie & Monkey’, which premiered with the DOC NYC film festival in 2014. In 2015, ‘Us, Naked: Trixie & Monkey’ received Best International Feature Length Documentary at the Netherland’s DOCfeed Film Festival and Best Feature Length Documentary at New York’s Coney Island Film Festival. The film went into international distribution with Random Media/The Orchard in 2017. Hollander lives in Baltimore City with her husband, son, and two silly dogs.
About the filmmaker – Nikiea Redmond received her Bachelors in Corporate Communication from the University of Baltimore in 2011. Growing up in East Baltimore Redmond became a mentor to the youth coming-of-age around her. Being a child in Baltimore’s impoverished neighborhoods, researching the history of slavery in her family, traveling with Freedom Schools focused on teaching African history – and working professionally in the public-school system has provided Redmond with the experience to tell the ‘Anatomy of Wings’ story with a direct understanding of societal makeups and the human rights she wishes to see in the world. Additionally, Redmond serves as a liaison bringing together political organizations, community groups and stakeholders in East Baltimore. The Afro-American Newspaper presented Redmond with the ‘Sam Lacy Award for Youth Leadership’ in 2004. She is also a 2015 recipient of the ‘Black Wall Street Journal Award’ for her work in Baltimore City.
In the mid-‘70s, filmmaker James Szalapski traveled to Texas and Tennessee to capture the radical country artists reclaiming the genre through an appreciation for its heritage in folk and bluegrass and a rejection of the mainstream Nashville machine. The hard living – and hard partying – lifestyles of outlaw country’s figureheads are played out on screen in trailer homes, prisons and even a liquor-fueled Christmas gathering. It borrowed from rock, folk and bluegrass, with an edge that was missing from mainstream Nashville country. This newly-restored document, HEARTWORN HIGHWAY, includes rarely-captured performances of musicians as they perfected this then-new style and helped change the course of country music history by artists that include Townes Van Zandt, Guy Clark, Rodney Crowell, Steve Young, David Allan Coe, and a 19-year-old Steve Earle and many others appear and perform. Musical highlights include Clark’s brilliant “Desperados Waiting For A Train”, Young’s stirring “Alabama Highways” and Van Zandt’s emotional “Waiting Around To Die.” The hard living – and hard partying – lifestyles of outlaw country’s figureheads are played out on screen as we visit Van Zandt’s Austin trailer, see Coe play in Tennessee State Prison, join the gang in Nashville’s notorious Wig Wam Tavern and witness a liquor-fueled Christmas at Clark’s house. No wonder the film’s original tagline read: “The best music and the best whiskey come from the same part of the country”. Outside of a couple festival screenings, the movie remained unreleased for five years after its completion, finally hitting screens in 1981 and finding a cult audience ever since.” Heartworn Highways Producer Graham Leader joins us to talk about the groundbreaking artists he and director / writer / cinematographerJames Szalapski were able to wrangle into participating as well as the long and winding road this fabled film has taken over the last 44 years.
About the filmmaker – Graham Leader grew up in England, studied art history at the Victoria & Albert Museum and worked as a dealer in twentieth century art before becoming a producer. Founded by Leader in 2014, SEALIONFILMS is currently developing a broad slate of character-driven scripts and documentary projects aimed at the international market. His films include: HEARTWORN HIGHWAYS (1976), SHUTTLECOCK (1990), IN THE BEDROOM (1991), THE SAFFRON LIMITED (2005), CHILDLESS (2008), HEARTWORN HIGHWAYS REVISITED (2012 – 2014), and SINS OF A FATHER (2014).
About the music – “Musically, it’s almost impossible to pick highlights but Guy Clark’s “That Old Time Feeling” is a husky delight and when Seymour Washington, a friend of Van Zandt’s (born 1896!) hears him sing “Waitin’ ‘Round To Die” he can’t prevent teardrops from rolling down his cheeks; neither will you.” – Record Collector
“The only thing flawed about “Heartworn Highways” is the people, and they’re so likable you’ll quickly look past their less desirable qualities or notions.” – Michael J. Casey, Michael J. Cinema
“Heartworn Highways refuses that historicizing assessment, even resists it. The film would certainly not have become the canonical documentary it has without the subsequent success of its subjects, but their names are never the emphasis here.” – Doug Freeman, Austin Chronicle
“Shot in 1975 but not released until 1981, this documentary by James Szalapski captures the nascent stages of a poetic country music played by Texas outsiders like Guy Clark, Steve Young, Townes Van Zandt, and a young Steve Earle.” – Peter Margasak, Chicago Reader
After producing the comeback tour of The Monkees in 1986, promoter and talent agentDavid Fishof founded Rock’ n’ Roll Fantasy Camp, which has been making dream comes true for more than 25 years. Summer camp meets Spinal Tap, Rock’ n’ Roll Fantasy Camp brings together musicians from all walks of life for an unforgettable experience with legendary rock stars. These musicians teach, inspire, and jam with the campers over four days, concluding with a life performance at a famed venue. The experience takes music lovers from spectator to the stage, sharing the limelight with their musical heroes. Rock Camp, The Movie follows four campers (and their families) trough their journeys to shred with their heroes and see how they overcome their fears and transform their lives. Rock Camp – The Movie boasts a jaw-dropping array of rock star “counselors” that include Roger Daltrey, Alice Cooper, Paul Stanley and Gene Simmons,Nancy Wilson, Joe Perry, Jeff Beck, Slash, and countless other rock legends. Directed and produced by Doug Blush, co-directed and edited by Renee Barron, and produced by Jeff Rowe. Rock’ n’ Roll Fantasy Camp founder David Fishof joins us to talk about his life as a promoter, the amazing array of talented artists he has gotten to know and the endless joy that his “Fantasy Camp” and now the “The Movie” has brought him over these many years.
About the founder – David Fishof began his career as a sports agency and eventually an entertainment executive and music producer more than four decades ago. Through the Rock’ n’ Roll Fantasy Camp, he has been making dream comes true for more than 25 years. Whether he’s producing a tour, assembling an All-Starr band with Ringo Starr, or writing a best-selling book, there’s one thing David Fishof is always doing: dreaming. Hailed as one of the most creative and innovative entertainment producers in the world, David has been responsible for some of the most original, successful, and exciting live shows ever brought to the stage. But of all the shows he’s put on over his 40-plus year career, there’s one production that stands out from all the rest: Rock ‘n’ Roll Fantasy Camp. After years of good fortune working with veteran rockers like Roger Daltrey, Ringo Starr, The Monkees, Levon Helm, Joe Walsh, Jack Bruce and Peter Frampton, David decided it was time to share his experiences with rock fans around the world. And so, in 1997, he debuted the rock camp—a place where regular people can reconnect with their passion for music alongside the most famous names in the business. For more information go to: rockcamp.com
About the filmmaker – Doug Blush is an award-winning director, producer, editor, and cinematographer. His credits include, as editor, the Oscar and ACE Eddie Award winning 20 Feet from Stardom (2013), as executive producer, the Oscar winning Period. End of Sentence. (2018) and, as consulting producer and editor, the Oscar winning Icarus (2017).
January 12-24 2021, Highways, the legendary Los Angeles Performance Space and Gallery presents its Second Annual Film Maudit 2.0 festival showcasing and celebrating new outré, unusual and startling films. The festival will feature over 125 works of cinema from 25 countries including films rarely if ever, seen in festivals: works addressing socio-political issues and taboo subject matter that challenges conventional artistic assumptions and sexual mores.Virtual, online screenings of 18 feature films, 21 shorts programs, specially commissioned programs, and new film scored performed by artists who reflect the diversity of Los Angeles. Included are a range of narrative, documentary and experimental films that are deliberately bold, extreme, confrontational and unusual. Film Maudit 2.0 highlights this year include the U.S. premieres of Feature Films:Mathius Marvellous Shop, a Spanish/German surrealistic satire;Kriya, a magical Indian thriller, and the Los Angeles premieres of Woman of the Photographs; a powerful Japanese film about image and reality for a beautiful model; The Columnist, a darkly comic horror film from The Netherlands; A Dark, Dark Man, the Kazakhstan/France thriller just long-listed for the Golden Globes; and Darkness (Buio)the first feature film by Donatello Award-winning director Emanuela Rossi. Other special programs include a special fundraising screening of erotic art pioneers Annie Sprinkle and Beth Stephens’ Water Makes Us Wet, featuring a live stream Q&A with both; new, original music scores performed live to silent films, and multiple Feature and Shorts Programs that showcase works from 25 countries in 16 uniquely curated categories from ‘Ms. Fear’ to ‘Shattering Form’ – with animated documentaries to experimental works handmade on film; extreme horror to comic surrealism. There is a special focus on works in Film Maudit’s BEHOLD section, which includes NSFW! curated by Planet Queer, Hi Kicks Entrails, curated by performance artist Ironstone, and QLX: the Performance of Queer Latinx.
Film Maudit 2.0 festival is inspired by French avant-garde filmmaker and writer Jean Cocteau who created the original Festival du Film Maudit (literally “cursed films”) in 1949 aiming to celebrate overlooked, shocking and experimental films. Film Maudit 2.0, in its 2nd year, showcases a counter-cinema will blend of narrative, documentary and experimental films that in their style and/or subject matter, are deliberately bold, extreme, confrontational, troubling, shocking and/or unusual. The festival is funded in part by the California Arts Council, Los Angeles County Department of Cultural Affairs and the City of Santa Monica Cultural Affairs CAP Program.
About HIGHWAYS – Film Maudit 2.0 is co-presented by and takes place at Southern California’s boldest center for new performance and media arts, Highways Performance Space & Gallery in Santa Monica, CA. In its 31st year, Highways continues to be an important alternative cultural center in Los Angeles that encourages radical artists from diverse communities to develop and present innovative new works. Described by the Los Angeles Times as “a hub of experimental theater, dance, solo drama and other multimedia performance,” Highways promotes the development of contemporary socially involved artists and art forms. Under the helm of Executive Director, Leo Garcia, Highways has received funding and support from organizations such as the The James Irvine Foundation, Metabolic Studio, California Community Foundation, Liberty Hill Foundation, The Warhol Foundation, National Endowment for the Arts, and The Roy Cockrum Foundation. Leo Garcia is an award-winning playwright, filmmaker, visual artist and actor who has produced over 800 performance works as Artistic Director-turned-Executive Director of Highways since 2003. highwaysperformance.org
YELLOW ROSE features Eva Noblezada, who is joined by fellow Miss Saigon alum and Tony Award winner Lea Salonga. The film follows Rose Garcia, a 17-year-old Filipina American in Texas. When her mom is arrested by Immigration and Customs Enforcement, Rose undertakes a musical journey while facing deportation back to the Philippines. Inspired by the music of country musicians like Patsy Cline, Loretta Lynn, and Willie Nelson, the original composition accompanied by Noblezada’s captivating voice becomes the soundtrack of Rose’s wanderings akin to American westerns. YELLOW ROSE Director Diane Paragas joins us to talk about her warm-hearted tale of a young woman’s determination to fight back against the cruelty of a heartless immigration system while pursuing her own version of the American Dream deep in the heart of Texas with Austin’s music icon, Dale Watson at her side.
Yellow Rose is available on Digital now and on Blu-ray and DVD January 5
About the filmmaker – Diane Paragas is an award-winning director, editor, cinematographer and producer of commercials, narrative features and documentaries. IN 2012, Paragas co-directed Brooklyn Boheme, a feature length documentary about an African American arts movement, with writer and critic Nelson George. The film featuring Spike Lee, Chris Rock and Rosie Perez to name a few. The film was acquired by Showtime and won a Black Reel Award for Best Documentary. In 2019, Paragas wrote and directed her debut narrative feature, Yellow Rose, about an undocumented Filipino-American teen pursuing a dream to become a country music singer. The film won over a dozen Grand Jury Prizes during its festival run and will be released by Sony Pictures in 2020. She is also in pre-production for a bold feature documentary about a wrongfully convicted undocumented immigrant called “The Three Lives of David Wong” that uses puppetry to tell its story. The film was is supported by The Sundance Institute, The Bertha Foundation Grant and CAAM. Ms Paragas is a 2020 recipient of the prestigious Creative Capital Award and was named as A100’s Most Impactful Asians of 2020 alongside directors Bong Joon Ho, Taika Waititi and Lulu Wang.
“The film beautifully captures the struggles of a young woman to find her voice and a sense of belonging in an often hostile world as it celebrates the joy of making music and its power to provide hope.” – Loren King, AWFJ Women on Film
“Diane Paragas’ film finds fresh ground to explore the price and the power of the American dream, bolstered by country crooning and heartbreaking (and very real) legal worries.” – Kate Erbland, indieWire
“An affecting portrayal of a young woman finding her footing against all odds, and claiming her home in a nation that makes it unduly challenging.” – Katie Walsh, Tribune News Service
“The lean screenplay and [Diane] Paragas’ focused creative vision makes for a singular directorial feature debut that feels like nothing else happening in film right now.” – Beth Sullivan, Austin Chronicle
Tandem Pictures is a leader in conceiving and implementing eco-sustainable filmmaking practices in the indie film space,with all of their productions following Environmental Media Association standards and the Producers Guild’s Green Best Practices. They’re also an advocate for how these practices – from using hybrid vehicles on set, to having the sound and camera teams use rechargeable batteries, to composting and using metal straws – can and should be adopted industry-wide. Female owned and operated, it is Tandem’s mission is to bring female talent and narratives to the forefront. They embrace female-centric storytelling, and pride themselves on the fact that the casts and crews of their films are composed of underserved and underrepresented minority groups, LGBTQIA, and women.tandempictures.com
JULIE CHRISTEAS – Tandem Pictures – Founder, Chief Executive Officer Julie’s recent films include BLACK BEAR (Sundance 2020) starring Aubrey Plaza, Christopher Abbott and Sarah Gadon which will be released later this year by eOne/Momentum and THE SURROGATE (SXSW 2020/Monument Releasing) . She also executive produced the cult horror favorite THE EYES OF MY MOTHER (Sundance 2016/Magnet Releasing), MONOGAMY (Best NY Narrative, Tribeca Film Festival 2010), the feature doc DUKALE’S DREAM starring Hugh Jackman, and GHOST TEAM starring Jon Heder, David Krumholtz, Justin Long, Amy Sedaris and Melonie Diaz. Previously she produced BLOOD STRIPE (Jury Prize for Best Narrative Film, LA Film Festival 2016), WILDLIKE starring Bruce Greenwood and Brian Geraghty (HIFF), and THE SLEEPWALKER starring Christopher Abbott and Brady Corbet (Sundance 2014/IFC).
JONATHAN BLITSTEIN – Tandem Pictures – Co-owner, Chief Operating Officer Jonathan’s most recently produced the acclaimed films THE SURROGATE, and BLACK BEAR (SUNDANCE, EOne/Universal release) starring Aubrey Plaza. Prior to Tandem he worked in production and branded entertainment for Vudu, Sony and Disney, supporting Fortune 500 Brands such as Walmart, Sprint and Covergirl. At Oracle (formerly CrowdTwist), he initiated the creation of Marvel Studios’ first nationwide fan loyalty program Marvel Insider. In his early career, he made two micro-budget feature films LET THEM CHIRP AWHILE and ANOTHER KIND which both premiered at the Woodstock Film Festival which were distributed on Netflix and VOD. Early career roles include marketing arthouse films such as Park Chan Wook’s OLD BOY, and Noah Baumbach’s SQUID AND THE WHALE.
As imaginative as the creative process it documents, A DOG CALLED MONEY is a uniquely intimate journey through the inspiration, writing and recording of a PJ Harvey record. Writer and musician Harvey and award-winning photographer Seamus Murphy, hatched a collaboration. Seeking first-hand experience of the countries she wanted to write about, Harvey accompanied Murphy on some of his worldwide reporting trips, joining him in Afghanistan, Kosovo, and Washington DC. Harvey collected words, Murphy collected images. Back home, the words become poems, songs, then an album, which is recorded in an unprecedented art experiment in Somerset House, London. In a specially constructed room behind one-way glass, the public – all cameras surrendered – are invited to watch the 5 week process as a live sound-sculpture. Murphy exclusively documents the experiment with the same forensic vision and private access as their travels. Director / photographer Seamus Murphy brilliantly captures encounters with the people and places he and Polly Jean visit, showcasing the humanity at the heart of his work, while also tracing the evolution of their shared experience into her recorded music and ultimately into their impassioned collaboration.
About the filmmaker – Seamus Murphy grew up in Ireland and is based in London. He is the recipient of seven World Press Photo awards for his photographic work in Afghanistan, Gaza, Lebanon, Sierra Leone, Peru and Ireland. He received The World Understanding Award from POYi in the USA for his work from Afghanistan and a film he made based around this work was nominated for an Emmy and won the Liberty in Media Prize in 2011. His work has been published and exhibited widely. He has made films for The New Yorker and Channel 4 Television in the UK. He is the author of four books including A Darkness Visible: Afghanistan (Saqi Books. 2008) is based on 12 trips to the country between 1994 and 2007 and is a chronicle of Afghanistan’s extraordinary recent history. I Am The Beggar of the World (Farrar Straus Giroux. 2014) offers a rare glimpse into the lives of Afghan women through their anonymous Landay poetry. He has collaborated with musician PJ Harvey on projects for Let England Shake and The Hope Six Demolition Project, for which he won a Q Award for Best Music Film in October 2016. Patti Smith listed Murphy’s film for Harvey’s The Words that Maketh Murder as one of her Top 10 artworks, saying “… this unheralded piece (directed by Seamus Murphy) is a wisp of humanity celebrating the small things. “Murphy and Harvey together published The Hollow of the Hand (Bloomsbury. 2015) a book of his photography and her poetry. An exhibition and live presentation of The Hollow of the Hand work took place at the Royal Festival Hall, London in 2015 and at Les Recontres d’Arles in France in 2016. His latest book The Republic (Allen Lane. 2016) is an immediate and personal portrait of Ireland and was exhibited at The Little Museum in Dublin in 2017.
“It’s fascinating to see the creative process laid bare in such a way, and the film confirms Harvey’s position as a vital and relevant artist who thrives through collaboration and experimentation.” – Jamie Healy, Radio Times
“Murphy has an unerring eye for poetic compositions that emphasise faces, isolated soldiers and civilians in battle zones, and anomalous juxtapositions of vulnerable non-combatants and military personnel.” – Graham Fuller, Sight and Sound
In the documentary film No Ordinary Man The legacy of Billy Tipton, a 20th-century American jazz musician and trans icon, is brought to life by a diverse group of contemporary trans artists. Revered jazz musician Billy Tipton — born Dorothy Lucille Tipton — gained fame throughout the United States in the 1940s and ’50s. His trans identity was not known throughout the echelons of the jazz and pop worlds, and it wasn’t revealed publicly until after his death in 1989. For decades, Tipton was portrayed as an ambitious woman “passing” as a man in pursuit of a music career at a time when the industry was dominated by men and trans representation was virtually non-existent. Since then, he has become a foundational icon of trans-masculinity. Co-directors Aisling Chin-Yee and Chase Joynt’s examine the disgraceful media scrutiny and questions of legitimacy his family endured after his death. This thoughtful, timely documentary embraces the challenge of bringing Tipton’s words to life, reimagining his narrative through a diverse group of contemporary trans performers as they collectively paint a portrait of an unlikely hero. NO ORDINARY MAN explores the life and legacy of American jazz musician and trans icon Billy Tipton as told through the eyes of today’s leading voices in the trans community. NO ORDINARY MAN features Marquise Vilsón, Scott Turner Schofield, Susan Stryker, C. Riley Snorton, and Thomas Page McBee, among others. Co-director Chase Joynt (Aisling Chin-Yee) and Writer Amos Mac join us to talk about the life and the times of an artist, husband and father hiding in plain sight and how Billy Tipton’s story informs and imbues today’s trans community.
About the filmmaker – (Co-director) Chase Joynt is a transgender moving-image artist and writer whose films have won jury and audience awards internationally. His latest short film, Framing Agnes, premiered at the 2019 Tribeca Film Festival, won the Audience Award at Outfest in Los Angeles, and is being developed into a feature film with support from Telefilm Canada’s Talent to Watch program. Awarded the EP Canada/Canada Film Capital Award for Emerging Canadian Artist, Joynt’s first book You Only Live Twice (co-authored with Mike Hoolboom) was a 2017 Lambda Literary Award Finalist and named one of the best books of the year by The Globe and Mail and CBC.
About the filmmaker – (Writer) Amos Mac is an out transgender writer staffed on the upcoming drama series Gossip Girl (HBO Max, 2021). Previously he’s worked on shows including Amazon’s Transparent and VICELAND’s Gaycation. From 2009-2019, Amos was a founding editor of Original Plumbing; the first print magazine in America dedicated to trans male culture. Informational and humorous, OP provided ten years of artful documentation of trans masculine community. The official book, Original Plumbing: The Best of Ten Years of Trans Male Culture, was released in 2019 by the Feminist Press.
About the filmmaker – (Co-director)Aisling Chin-Yee is a cisgender, award-winning producer, writer, and director based in Montreal, Canada. Aisling was named one of Canada’s Rising Film Stars by Now Magazine 2019. Her feature film directorial debut, The Rest of Us, starring Heather Graham (Boogie Nights, The Hangover), and Sophie Nélisse (The Book Thief) premiered at the Toronto International Film Festival 2019. Aisling also produced the award winning feature films, Rhymes for Young Ghouls, Last Woman Standing , and The Saver among others. In 2017, she co-founded the #AfterMeToo movement alongside Mia Kirshner and Freya Ravensbergen. In 2018 she was selected in the inaugural cohort of professionals in the 50 Women Can Change the World in Media and Entertainment in Hollywood. In 2019, Aisling received the TIFF Canning Fellowship.
“The film contains interviews with a number of trans artists who find Tipton especially meaningful in their lives; the moment when Tipton’s son discovers that his father is important to many people is worth the price of admission.” – Alissa Wilkinson, Vox
UPDATE: MTV Documentary Films’ Gay Chorus Deep South directed by David Charles Rodrigues premieres Sunday, December 20 at 9:00PM ET/PT on Pop, Logo and Pluto
The documentary Gay Chorus Deep South chronicles one community’s response to a wave of discriminatory anti-LGBTQ laws in Southern states and the divisive 2016 election. The San Francisco Gay Men’s Chorus embarks on a tour of the American Deep South. Led by Gay Chorus conductor Dr. Tim Seelig and joined by The Oakland Interfaith Gospel Choir, the tour brings a message of music, love, and acceptance to communities and individuals confronting intolerance. Over 300 singers travelled from Mississippi to Tennessee through the Carolinas and over the bridge in Selma. They performed in churches, community centers, and concert halls in hopes of uniting us in a time of difference. The journey also challenges Tim and other Chorus members who fled the South to confront their own fears, pain, and prejudices on a journey towards reconciliation. The conversations and connections that emerge offer a glimpse of a less divided America, where the things that divide us – faith, politics, sexual identity – are set aside by the soaring power of music and humanity. Director David Charles Rodrigues joins us to talk about the expectations and realities that comes with traveling to communities with the hope of changing hearts and minds.
WINNER AUDIENCE AWARD – BEST DOCUMENTARY – 2019 TRIBECA FILM FESTIVAL
WINNER AUDIENCE AWARD – BERKSHIRE INTERNATIONAL FILM FESTIVAL
WINNER AUDIENCE AWARD – TOP 5 NONFICTION FAVORITES – 2019 TRAVERSE CITY FILM FESTIVAL
“Successfully harnessing the power of both music and message, documentary Gay Chorus Deep South draws its strength not only from its subject, but also the effective way in which it it presents its arguments.” – Nikki Baughan, Screen International
“What makes the film especially compelling, though, are the all-too-human narratives involving those who were at one time badly victimized because of their sexual orientation; they want to forgive, but may never be able to.” – Phil Guie, Film-Forward.com
“There’s a lesson here that applies to more than just LGBT political causes: To heal the country and move on, we must reach across the divide and listen to one another.” – Peter Debruge, Variety
From award-winning director Susan Koch’s comes new feature documentary, MUSIC GOT ME HERE. The film follows the against-all-odds, true-life journey of Forrest Allen – a story of the power of music to heal and transform lives, often in miraculous ways. A snowboard accident leaves Forrest Allen, age 18, trapped inside himself, unable to speak or walk for almost two years.Tom Sweitzer, an eccentric music therapist with a troubled childhood who credits music with saving his own life, is determined to help Forrest find his voice. He dresses up in costumes and makes up silly songs. For months, Forrest doesn’t even acknowledge him. Then, one day Forrest painstakingly types with one finger on his Dynavox: “Please help me find my voice”. Tom begins by teaching Forrest to breathe…then hum. After many months of painstaking practice, the hums turn into Forrest’s first two words. Director and writer Susan Koch joins us to talk about her uplifting tale of overcoming hardship, physical, spiritual and psychological as well as underscoring the pre-cognitive connective that humans share and with it our brains can be rewired to overcome trauma.
Winner of the Best Social Impact Award at the Greenwich International Film Festival,MUSIC GOT ME HERE was filmed over the course of five years and features interviews with renowned soprano and music therapy advocate Renee Fleming and National Institutes of Health Director Dr. Francis Collins. MUSIC GOT ME HERE, is currently screening at Laemmle Virtual Cinema.
About the Director – Emmy and Peabody award-winning filmmaker Susan Koch’s films and non-fiction television shows have appeared on ABC, NBC, PBS, HBO, Showtime, MTV, ESPN, The Discovery Channel, National Geographic, CNN, and American Movie Classics. Koch’s documentary Kicking It, about homeless soccer players who compete in an international tournament, premiered at the Sundance and Tribeca Film Festivals and was broadcast on ESPN. Koch’s other films include the award-winning documentaries Reel Models: First Women of Film (AMC), Mario’s Story (Showtime), City at Peace (HBO) and The Other City (Showtime). Koch is the Executive Director of the Middleburg Film Festival, located in Middleburg, Virginia, outside Washington, D.C.
If future generations look back at what it was truly like to be both human and alive in the late 20th century, they will be hard put to find a more powerful and enlightening testament than the songs of Shane McGowan. In a world where music has become increasingly sanitized and unable to venture beneath the surface clichés of human emotion, Shane’s songs stand out in ever greater relief. A cinematic exploration of Shane MacGowan’s story, Julien Temple’s film CROCK OF GOLD details Shane’s explosive existence, from his salad days, growing up in Ireland, to time spent on the mean streets of London and embracing the punk scene. To forming the Pogues and the conquering the known universe, we discover MacGowan’s passions, his humor and deep knowledge of music, history, spirituality & popular culture. For this is Shane’s story. A vision of the world through the eyes of the great punk poet himself and an intimate cast of close friends and family members, all channeled throughdirector Julien Temple’s inimitable and eternally vibrant lens. Director Julien Temple joins us for an enlightening conversation on MacGowan’s unusual childhood living on a farm without electricity, his collaboration with Johnny Depp and his respect and admiration for an artist that has stay faithful to his love of music and his country, no matter the cost.
Director’s Statement – In a world where music has become increasingly sanitized and unable to venture beneath the surface clichés of human emotion, none has bared their soul like Shane McGowan. His unique ability to plumb the dark recesses of the human soul, while in the very same breath celebrating its capacity to find healing transcendence, in both love and the sublime mysteries of existence, goes a long way to making sense of who we actually are. His work is raw, unflinching and unashamed, reflecting all the many places Shane inhabits – the invisible world, hedonism, alcoholism, God, redemption and romance, in all their respective grit and glory. And so, here, via the inventions of the Pogues and the Popes, via the hits, the flops, the fallouts of fame. Via the triumphs and the disasters. Via the love, the hate. Via the bodily abuse and miraculous survival against the odds. And above all else, via the songs… Shane’s incomparable songs, we join Shane, in this film, in his never-ending search for that elusive ‘Crock of Gold’… – Julien Temple
About the filmmaker – Julien Temple became established as one of the early pioneers of music videos, directing such diverse talents as; Rolling Stones, Sex Pistols, David Bowie, Kinks, Neil Young, Tom Petty, Janet Jackson, Jimi Hendrix, Pete Doherty and many more. He has directed feature films including the musicals ‘Absolute Beginners’ and ‘Earth Girls Are Easy’. Other directing credits ‘Pandaemonium’, selected as the Gala film at the Toronto Film Festival 2000 and winner of the Evening Standard best British actor award for Linus Roache. Temple’s feature documentary about the Sex Pistols ‘The Filth & The Fury’ screened in official selection at both the Sundance and Berlin Film Festivals 2001. In 2005 he directed ‘Glastonbury’, a vivid chronicle of the past thirty years of the music festival. ‘The Future Is Unwritten’, a film to celebrate the life of Joe Strummer, premiered at Sundance in 2007. His recent films include ‘Oil City Confidential’ a documentary about the forgotten precursors of punk, Dr. Feelgood, which won the main prize at the 2009 Turin Film Festival, ‘Imaginary Man’ a film about songwriter Ray Davies for BBC One Imagine and ‘Kinkdom Come’ about his brother Day Davies. Temple’s feature documentary ‘Requiem For Detroit’ won a Grierson Award for Best Historical Documentary 2010. He is currently working with producer Jeremy Thomas to develop ‘You Really Got Me – The Kinks’, the story of Ray and Dave Davies, the brilliant love hate sibling creative force behind the legendary band.
“Crock of Gold” isn’t intended as a lament for an artist derailed by his worst impulses, though. Instead, it’s a celebration of what MacGowan accomplished at his peak, as well as an explanation of the experiences that informed his music. – Noel Murray, Los Angeles Times
“Temple has always used archive material playfully; here, it’s particularly riotous, like a chaotic patchwork quilt tacked together by one of Shane’s drunk aunties. – Wendy Ide, Observer (UK)
“Bold and crass, insightful and fascinating. Director Julien Temple makes clear that this is a complex artist, with a multi-faceted personality, who has changed greatly over the years.” – Deirdre Molumby, entertainment.ie
“The director Julien Temple – who has excellent documentaries on the Sex Pistols, Joe Strummer and other galvanic musicians under his belt – is very good at this sort of thing.” – Glenn Kenny, New York Times
RONNIE’S is a love letter to saxophonist Ronnie Scott and the indispensable night clubhe and partner Peter King established in 1959. For more than 60 years music giants have walked through the door of a small basement club in London’s Soho. From the beginning of the burgeoning British modern jazz movement, he and King dreamt of opening a club modeled after the swinging jazz scene of New York’s 52nd Street. From its humble beginnings sixty years ago, Ronnie Scott’s would become the cornerstone of the UK jazz scene and one of the most famous jazz clubs in the world. Ronnie Scott was beloved by many, from the great and famous who frequented his club, to the many hard up musicians who were often helped by his warmth and generous spirit. However, Ronnie was as complex and colourful as the music played on his stage. In private Ronnie battled with depression and when his untimely death occurred in 1996 it left the jazz community bereft of a respected and favorite leader. Funny and moving, Ronnie’s features performances by some of greatest musicians of the 20th Century including…Oscar Peterson, Dizzie Gillespie, Roland Kirk, Cleo Lane and John Danforth, Buddy Rich, Sarah Vaughn, Sonny Rollins, Miles Davis, Jimi Hendrix, Ella Fitzgerald, Mary Lou Williams, Van Morrison and Chet Baker, Nina Simone and Ben Webster.
About the filmmaker – Oliver Murray was born in Oxford, United Kingdom in 1985. He is a writer and director. He studied Fine Art at The Glasgow School of Art and Film & Animation at The Pratt Institute in New York City. His feature film debut ‘The Quiet One’ was released in 2019. His second feature film ‘Ronnie’s’ is scheduled for release in 2020.
IN MY OWN TIME: A PORTRAIT OF KAREN DALTON explores Karen’s early days in Oklahoma where she experienced the harsh realities of growing up during the Great Depression and follows her through more than two decades at the margins of popular music. With two ex-husbands and two children by the time she was eighteen, she rejected the life of a housewife and set off for New York City. Constantly struggling to find her audience yet too close to her own music to compromise, Karen’s negotiations with fortune and fame were complex, but one thing is clear, she lived the music. While Karen projected a tough exterior, as a musician she was fragile and rife with insecurity. IN MY OWN TIME: A PORTRAIT OF KAREN DALTON focuses on Karen’s difficulties in pursuing success while trying to maintain a pure relationship with the creative process. Through stories from her closest friends, family and collaborators, combined with Karen’s rarely seen personal journals and poetry. We dive deep into the existential struggles she faced, and that ultimately led to her drug use and an untimely death due to AIDs related illness. Co-directors Ricahrd Peete and Robert Yapkowitz join us to talk about an artist who eschewed the spotlight, admired by her peers, difficult to know and the creator of a body of work that will inspire others for as long as music is made.
The directorial debut of Sam Soko, SOFTIE is an intimate look at the life of Boniface Mwangi, a daring and audacious Kenyan photojournalist and activist who fights for Kenyan citizens to change a corrupt political system; his supportive wife Njeri stands by him and was often protesting alongside him. Now that they three small children, her priorities have shifted. Boniface on the other hand, decided to take his ideas further and run for political office. He claims he is fighting for his children and their future, but after receiving serious threats of violence, Njeri worries he is risking the safety of their entire family. Boniface is forced to face a difficult choice – which should come first, family or country? SOFTIE, the winner of the World Cinema Documentary Special Jury Award for Editing at the Sundance Film Festival, is now streaming as part of Hot Docs Film Festival Online. SOFTIE will have its North American broadcast premiere on October 12 as a part of the award-winning PBS documentary series POV. Director Sam Solo joins us for a conversation on his intimate, moving portrait of Boniface “Softie” Mwangi, a man willing to sacrifice everything for his country, his wife, Njeri and his family.
WINNER – Special Jury Award for Editing – 2020 Sundance Film Festival
About the filmmaker – Sam Soko is a director and producer based in Nairobi. His work on sociopolitical projects in music and film has allowed him to connect and work with artists around the world. He is co-founder of LBx Africa, a Kenyan production company that produced the 2018 Academy Award–nominated short fiction film Watu Wote. The film Softie is his first feature documentary project.
About the subject – Boniface “Softie” Mwangi has long fought injustices in his country as a political activist. Now he’s taking the next step by running for office in a regional Kenyan election. From the moment Boniface decides to run, telling his wife, Njeri, in passing with a hesitant laugh, he responds to each challenge with optimism. But running a clean campaign against corrupt opponents becomes increasingly harder to combat with idealism alone. And Boniface soon finds that challenging strong political dynasties is putting his family at risk. Should country really come before family, as he’s always believed?
“Eye-opening as “Softie” is as an immediate account of toxic Kenyan politics, it’s an equally moving marriage story, unsentimental but generously sympathetic in its study of a family brought to the brink of collapse for a greater good cause.” – Guy Lodge, Variety
“A marvel of narrative storytelling…” – Filmmaker Magazine
“Softie is a compelling act of defiance, made more alarming by the violent events documented throughout the film, including the torture and murder of an official charged with keeping the elections fair and safe.” – John Fink, The Film Stage
The emotionally gripping documentary, OUR TIME MACHINE, focuses on 43-year-old Maleonn, one of China’s most influential conceptual artists, and his father, Ma Ke, former artistic director of the Shanghai Chinese Opera Theater. After being humiliated and forbidden from working for a decade during the Cultural Revolution, Ma Ke immersed himself in theater. The mysterious excitement of Ma Ke’s creative world inspired the young Maleonn, but his father’s absences stoked early feelings of resentment. When Ma Ke is diagnosed with Alzheimer’s, Maleonn pours everything into an ambitious new theater project: “Papa’s Time Machine,” a visually stunning time-travel adventure told with human-sized puppets. At the play’s heart are autobiographical scenes inspired by Maleonn’s memories with his father. He hopes this will bring them together artistically and personally. Facing his father’s painful decline, Maleonn becomes more aware of life’s complexities. There are no effortless masterpieces or simple solutions. And there’s no traveling back in time to retrieve what has been lost. OUR TIME MACHINE probes the complex relationships of a family in transition, generation to generation, filtered through the lens through art, theatre and puppeteering. Co-director S. Leo Chiang joins us to talk about his collaboration with co-director Yang Sun and subject Maleonn as well as unpack the multi-layered questions concerning memory, dreams, love, and family.
Directors’ Statement Those who grew up in post-Cultural Revolution China lived through a kind of socio-economic transformation that would have taken another country 100 years to bring about. In the span of 20 years, cities emerged from towns, the economy generated unprecedented wealth for some while leaving others behind, and new roads and digital networks connected China to the world. These migrations within our country and its rapid digitization have fundamentally changed the way people communicate and relate to one another. So, when we came across Maleonn and his ageing father, both artists, but who came of age on opposite sides of the Cultural Revolution in China, we made immediate personal connections. We see a story that could be our own in the not-so-distant future. For us and for Maleonn, the struggle to express affection towards one’s family goes hand in hand with defining and sharing the meaning behind devoting one’s life to art. Our intentions in crafting our film are to move others the way it has profoundly moved us. This is an evergreen story, relevant for past and future generations and across cultural divides, so long as there is love between children and their parents. Our story provides a needed addition to highlight the similarities between people in the West and in China during a time where the political language can be hostile and divisive.We hope this film celebrates the process in which two men reconcile their past feelings and create something together that repairs a distressed part of the fabric of Chinese society. – S. Leo Chiang and Yang Sun
“The issues of aging and familial relationships and the appealing nature of this family would make “Our Time Machine” worthy of a look in any case, but what puts it over the top is Maleonn’s fascinating visual creations.” – G. Allen Johnson, San Francisco Chronicle
“S. Leo Chiang and Yang Sun’s vibrant documentary about this labor of love proves to be a multi-layered metaphor of the interplay of art, memory, loss, and reconciliation, as well as a study of a touching and fraught father-son relationship.” – Peter Keough, Boston Globe
“Even though Our Time Machine is about a big, ambitious stage production with some visually stunning puppets, the documentary’s smaller, quieter moments with Maleonn and his family are where the movie is at its best.” – Carla Hay, Culture Mix
“Maleonn’s wondrous creations are enough of an attraction on their own, but the film… has many more layers to reveal about the legacy of Cultural Revolution, familial relationships, the agonies of love and loss and the circle of life.” – Scott Tobias, Variety
With his trumpet he turned the Tijuana Brass into gold, earning 15 gold and 14 platinum records; He has won nine Grammys Awards between 1966 and 2014, and received the National Medal of Arts from President Barack Obama in 2012. Herb co-founded the indie label, A & M Records with his business partner, Jerry Moss, which recorded artists as varied as Carole King, Cat Stevens, The Carpenters, Janet Jackson, Peter Frampton, Joe Cocker, Quincy Jones, Sergio Mendes, and The Police. A&M would go on to become one of the most successful independent labels in history. He has shown his striking work as an abstract painter and sculptor, worldwide. And through the Herb Alpert Foundation, he has given significant philanthropic support of educational programs in the arts nationwide, from the Harlem School of the Arts and Los Angeles City College to CalArts and UCLA. John Scheinfeld’s documentary Herb Alpert is… profiles the artist, now 85, mostly from the perspective of colleagues like Questlove, Paul Williams, Sting, and Bill Moyers. In their words, the shy, unassuming trumpeter is a musical, artistic and philanthropic heavyweight. Director John Scheinfeld stops by to talk about many facets of Alpert’s personal and public life that make him the compelling and warm-hearted person he is.
About the filmmaker – John Scheinfeld – From pop culture to politics, sports to world religions, Venice and Toronto film festivals to PBS, Emmy®, Grammy® and Writers Guild Award nominee John Scheinfeld is a critically acclaimed documentary filmmaker with a broad range of subjects and productions to his credit. In addition to directing, writing and producing Herb Alpert Is…, Scheinfeld is in post-production on a primetime documentary special about comedy legend Garry Marshall that will air on ABC in the Spring of 2020. Another Scheinfeld feature documentary, Sergio Mendes: In The Key of Joy, had its World Premiere at the Santa Barbara International Film Festival in January 2020 and will be released worldwide on multiple media platforms later in the year. Previously, his feature documentary, Chasing Trane: The John Coltrane Documentary, was an official selection of the Telluride Film Festival and the Toronto International Film Festival before playing on 175 theater screens worldwide during the spring of 2017. In November 2017 it was the season premiere of Independent Lens, the largest showcase for independent documentary film on television. Scheinfeld is best known for two widely acclaimed feature documentaries: The U.S. vs. John Lennon, which tells the true story of the US government’s attempt to silence the beloved musician and iconic advocate for peace and Who Is Harry Nilsson (And Why Is Everybody Talkin’ About Him)?, a compelling yet wildly entertaining documentary about one of the most talented and uncompromising singer-songwriters in pop music history. For more on the work of John Scheinfeld go to: crewneckproductions.com
“The story of Herb Alpert is a lot more than a snappy greatest hits collection; it’s a deep dive into the agonies and ecstasies that drive profoundly creative people.” – Bill Newcott, The Saturday Evening Post
“This movie will likely go down as the definitive documentary about Alpert and, as such, it’s not a bad way to be remembered.” – James Berardinelli, ReelViews
“This documentary is a joyous celebration of Herb Alpert’s life and career as it examines his roots not only as a musician but as a painter, sculptor, businessman and philanthropist.” – Charles Koplinski, Reel Talk with Chuck and Pam
Based on the best-selling novel by Bonnie Jo Campbell, ONCE UPON A RIVER is the story of Native American teenager Margo Crane (Kenadi DelaCerna) in 1970s rural Michigan who after enduring a series of traumas and tragedies, sets out on an odyssey on the Stark River in search of her estranged mother. On the water, Margo encounters friends, foes, wonders, and dangers; navigating life on her own, she comes to understand her potential, all while healing the wounds of her past. ONCE UPON A RIVER features newcomer Kenadi DelaCerna, John Ashton (Midnight Run, Gone Baby Gone), Tatanka Means (The Son, Saints & Strangers, Tiger Eyes), Ajuawak Kapashesit (Caleb, Outlander), Sam Straley (Hala,.Chicago P.D.), Coburn Goss (Man of Steel, What Women Want), Lindsay Pulsipher (True Blood, Justified, Hatfields & McCoys), Kenn E. Head (ER, Chicago Fire). Director Haroula Rose joins us for a conversation on her collaboration with author Bonnie Jo Campbell, bringing her background in music into the filmmaking world and bringing the role of Margo to life through the stellar performance of newcomer Kenadi DelaCerna.
On December 11, 1965, The Velvet Underground played their first concert (and their first paid gig) at the most unlikeliest of places: a high school auditorium in Summit, New Jersey. They opened for a popular local band called The Myddle Class, who had a top 40 hit on the AM radio. The audience was packed with Myddle Class fans, who were mostly sheltered kids from this picture-perfect town some 25 miles west of New York City — kids who were just discovering the Beatles but who were still dancing the Lindy, the Waltz, and the Cha Cha at school dances. It was in this atmosphere that the black-leather-clad Velvets hit the stage blasting loud, droning, screeching music laced with drug-and sex-infused lyrics. On the stage for merely 20 minutes, they performed three songs, ending with “Heroin,” and the audience responded with, as one of the band recalled in 1983, a “murmur of surprise that greeted our appearance” that “increased to a roar of disbelief as we started to play” and “swelled to a mighty howl of outrage and bewilderment…” Half the audience walked out. Director Robert Pietri joins us for a lively conversation on this little known cultural event, his friendship with award-winning cinematographer, eye-witness and inspiration for the film Tony Jannelli and the creative process he used to tell this story.
About the filmmaker: Writer/Director Robert Pietri, winner of several award-winning shorts and a feature length film, has been working on commercial/media related projects since graduating from NYU Grad Film program. His commercial clients include Pure Digital, the City of New York, TORAY, NYU, and Amazon Studios. He has been the recipient of grants from Fox Searchlab and IFP. Before filmmaking, he worked for years as an art director at MetaDesign, Razorfish, and Imaginary Forces.
Best Documentary Short at the Seattle Wine & Film Festival
Winner – Music Award Short at Docutah
Best Documentary Short Film Winner at the Sydney World Film Festival
In November 2016, a nasty election cycle had exposed a seismic cultural rift, and the country suddenly felt like a much different place. For underground cartoonist Matt Furie, that sensation was even more surreal. Furie’s comic creation Pepe the Frog, conceived more than a decade earlier as a laid-back humanoid amphibian, had unwittingly become a grotesque political pawn.FEELS GOOD MAN is a Frankenstein-meets-Alice-in-Wonderland journey of an artist battling to regain control of his creation, while confronting a disturbing cast of characters who have their own peculiar attachments to Pepe. Now, as Pepe continues to morph around the world – FEELS GOOD MAN offers a vivid, moving portrait of one man, one frog, and the very strange reality we’ve all found ourselves living in. Director Arthur Jones and Producer Giorgio Angelini stop by to talk about their mind-blowing journey into an internet / social media / 4Chan rabbit hole where a hippy-dippy cartoon character becomes an avatar and unfathomable messenger of hatred and bigoted propaganda.
About the filmmakers: Arthur Jones – Director / Animator / Writer FEELS GOOD MAN is Jones’s directorial debut, but he’s uniquely suited to tell the story. He’s a cartoonist who came up in the same indie comics scene as the film’s subject, Matt Furie. Jones published a book of his illustrations in 2011: Post-it Note Diaries (Penguin/Plume Paperbacks). Over his career, he’s art directed animation and motion graphics for journalists and documentary filmmakers, working with companies including The New York Times, VICE, The Center for Investigative Reporting and The International Consortium of Journalists. Recently he’s been a part of several documentary features: Seed Money: The Chuck Holmes Story (2015), BUNKER 77 (Amazon Studios, 2017), Owned, A Tale of Two Americas (2018) and Hal (Oscilloscope Films, 2018). Jones is a graduate of the Rhode Island School of Design. For more on the work of Arthur Jones go to: futuresmells.com
Giorgio Angelini: Producer / Writer / Cinematographer came into film from a longer, multi-faceted career in the creative arts. After touring in bands like The Rosebuds and Bishop Allen for much of his 20s, Giorgio enrolled in the Masters of Architecture program at Rice University during the depths of the 2008 real estate collapse. It was during this tumultuous time that the seeds for Giorgio’s directorial debut, OWNED: A Tale of Two Americas began to take shape. Following graduate school, Angelini began working with the boutique architecture firm, Schaum Shieh Architects, where he designed the White Oak Music Hall in Houston, Texas, as well as the headquarters for The Transart Foundation for Art and Anthropology, which won the Architect’s Newspaper’s “Design of the Year” award in 2018.
WINNER – U.S. Documentary Special Jury Award for Emerging Filmmaker – 2020 Sundance Film Festival
WINNER – Best Feature Documentary – 2020 Lighthouse International Film Festival Official Selection – 2020 True/False Film Festival Official Selection – 2020 Big Sky Documentary Festival Official Selection – Festival Favorites – 2020 SXSW Film Festival
“You’ve just got to see it. It is chilling, hopeful, terrible, and wonderful—and made with care, gorgeous animation, and perfect pacing.” – Allen Salkin, Los Angeles Magazine
“An expansive forensic look at the life cycle of an idea, a warp-speed analysis of internet sociology, and a harrowingly modern fable about innocence lost.“– David Ehrlich, IndieWire
“It’s mesmerizing and kind of trippy, but also makes the film feel like a one-of-a-kind creation in the greater context of the Pepe the Frog legacy…an outstanding documentary.” 9/10– Alex Billington, FirstShowing
“The most urgent and poignant political documentary of the year.”– Matt Patches, Polygon
GET DUKED! follows teenage pals from Glasgow Dean, Duncan and DJ Beatroot as they embark on the character-building camping trip — based on a real-life program — known as the Duke of Edinburgh’s Award, where foraging, teamwork and orienteering are the order of the day. Eager to cut loose and smoke weed in the Scottish Highlands, the trio find themselves paired with strait-laced Ian, a fellow camper determined to play by the rules. After veering off-path into remote farmland that’s worlds away from their urban comfort zone, the boys find themselves hunted down by a shadowy force hell-bent on extinguishing their futures. From writer-director Ninian Doff — making his feature debut after a slew of award-winning music videos and short films for artists including Run the Jewels, The Chemical Brothers, Miike Snow, Migos, and Mykki Blanco— comes an anarchic satire of generational politics, hip-hop-loving farmers and hallucinogenic rabbit droppings that pits the youth of tomorrow against the status quo of yesterday. GET DUKED! stars Eddie Izzard, Kate Dickie, Georgie Glen, James Cosmo and a breakout young cast featuring Samuel Bottomley, Viraj Juneja, Rian Gordon, and Lewis Gribben. Creator and director Ninian Doff joins us for a raucous conversation on the brilliance of Eddie Izzard, getting a chance to bring his music video chops to a feature film and why the Brits are so attuned to the power of satire.
About the filmmaker: Ninian Doff is a robot built by the military as an advanced ruthless killing machine. Unfortunately when they booted him up he showed no interest in murder and to their dismay started making films instead. He is considered the greatest military failure in history. Nominated for 9 British Arrows 2020 (Sainsburys and Veg Power), Grammy 2020 Best Music Video Nominated (Chem Brothers), Campaign’s Top 10 Directors 2019, Winner Shots Awards “Television Commercial of the Year – Up to and including 60 second” (Veg Power), BIFA Best Debut Director Nominated (Boyz In the Wood/ Get Duked!), Winner Just Film Grand Prix Talin Black Night Festival (Boyz In the Wood/ Get Duked!), Winner The Siren Award for Best Feature Film 2019 Lund Fantastik Film Festival (Boyz In the Wood/ Get Duked!), Winner Music video of the year Ars Independent Festival (Chemical Brothers), Nominated Best Dance Video UKMVA 2019 (Chemical Brothers), Winner SXSW Audience Award Midnighters (Boyz In The Wood), Winner of Best Director at UKMVA 2016. Winner Best Urban Video, Best Pop Video UKMVA 2016. D&AD Director Pencil 2016. Gold in FilmCraft at Europebest 2015. UKMVA 2015 Best Director Nominee. UKMVA 2104 “Best Director” Nominee. Winner UKMVA 2014 “Best Choreography”. Winner of UKMVA 2013 “Best Indie Video”. Jury and Audience award at ‘Depict13 at Brief Encounters Film Festival 2013. Nominee at UKMVA’s in last 3 years running including “Best New Director”. Selected for Saatchi and Saatchi’s New Director’s Showcase at Cannes 2012 and One Dot Zero’s “New British Talent 11”. Work has been screened at over A BILLION festivals around the world including SXSW, LA Film Festival, London Short Film Festival, Las Vegas Film Festival, Montreal Museum of Modern Art, The V&A London. For more on the filmmaker fo to: niniandoff.com
“Serves as a distinctive calling card for a gifted yet twisted comedian, one without the slightest qualms about turning a bucolic countryside jaunt into a bloody “The Hills Have Eyes”-style hunting party.” – Peter Debruge, Variety
“A rambunctious film shot through with daft humour and an endearing, toxic masculinity-smashing sweet streak.” – Jamie Dunn, The Skinny
“An anarchic, pitch black, generation gap horror comedy that’s also one of the funniest films in a year where we are desperately in need of a laugh.” – James Croot, Stuff.co.nz
Nena Erb, an ACE and Emmy®-winning editor, for her work can be seen on HBO’s Emmy® nominated and Peabody award-winning series INSECURE,episode Lowkey Trying directed by Kerry Washington. As both an Asian American and person of color, she is committed to advancing the stories of others. She is thrilled to be a continuing part of the team showing the reality of life for modern women of color in America. Her work can also be seen on Apple TV’s groundbreaking Little America series. As an immigrant herself, she’s excited to help shape standout episodes for this series this season including The Son, tackling a gay man’s struggle for safety and love as he attempts a harrowing immigration to the United States and The Silence, which charts love among immigrants in a situation where sound/speaking is forbidden. Emmy nominated editor Nena Erb joins us to talk about the career decision that brought her to the editing suite and why mentoring others is her way of helping others “get into the room” where they can have a positive impact on the stories being told.
About the filmmaker: Nena Erb, a gifted ACE and Emmy®-winning editor born in Taipei, Taiwan and based in Los Angeles. Her family immigrated to the US in the late 70’s to live in a democracy and have the right to vote. Raised in an Asian American immigrant family, Nena’s father wanted her to be a doctor and her mother wanted her to be a pianist with the LA Philharmonic. Nena wanted to be Andy Warhol. After graduating with an art degree, a friend brought her into the entertainment industry and she started working in various capacities in production. It was her stint as an associate producer that gave her the opportunity to work closely with editors. This proved to be a defining moment for her interest in post-production. Since then, Nena has been the editor on productions for HBO, Universal, CBS, Apple, and others. She is experienced in multiple genres from drama series to feature films, documentaries and comedy. In 2016, she received an Emmy® award for her work on HBO’s documentary series Project Greenlight.In addition, she has received two ACE Eddie nominations for her work, one for HBO’s Peabody award-winning series INSECURE and the other for CW’s acclaimed seriesCrazy Ex-Girlfriend. Currently, she is editing Little America, an anthology series on America’s immigrants, produced by Kumail Najiani, Emily V. Gordon, Alan Yang, and Lee Eisenberg.
The rePRO Film Festival begins its inaugural run this August 12-16. The virtual film festival is dedicated to exploring women’s reproductive healthcare, awareness, advocacy and bodily integrity in America. The lineup of films includes documentaries and narratives dealing with women’s rights, endometriosis, illegal sterilization, access to abortion, and reproductive justice for women of color, among other topics. rePRO Film Festival, will host five days of features, short films and themed-conversations focused on a range of topics including healthcare access, fertility, pregnancy, sexual education, abortion, and issues related to the gender spectrum. In-festival moderated conversations will include call-to-action messaging on how people can get involved in a corresponding initiative or topic. The conversations, designed to spotlight the creators who dare to tell stories about women’s reproductive rights, and to showcase courageous advocators, will be available online for free globally. All feature films playing the rePRO Film Festival are directed by women, and all filmmakers, including shorts filmmakers, are being paid to screen their films. The pay-what-you-can film ticket proceeds for films at the festival will be converted to donations to be split evenly among five beneficiary non-profit organizations – SisterSong, Endometriosis Foundation of America, Center for Reproductive Rights, URGE and Trust Women.Tickets are on sale online at repromamafilm.org. Tickets are all pay-what-you-can ($5, $10 or $15) with a limited number of complimentary vouchers available upon request to ensure access for all. rePro Film Festival and festival sponsor mama.film founders Lela Meadow-Conner, Mallory Martin and Debby Samples join us to talk about the launch of their deep dive into the issues, challenges and stories that face 49% of the world’s population and the people who love them.
About MAMA.FILM – Through the power of cinema, mama.film (link), a 501c(3) non-profit organization, unites nurturers of all kinds to ignite conversation and to reflect upon our shared human experience. Founded in 2019, in a pop-up microcinema in a shipping container in Wichita, Kansas, mama.film has since been awarded expanded programming to Cleveland, and to a virtual platform. Film selections include stories and topics that amplify and explore the evolving realities of the human condition and that spark dialogue and reflection. mamafilm is committed to representing the realities and complexities of a diverse range of nurturers, across race, class, geography, sexual preference, ability and generation.An emphasis is placed on independent and foreign films that are grounded in authentic storytelling. mamafilm is committed to supporting the work of creators who are nurturers and caregivers. Initial support for rePRO by mama.film was generously provided by a grant from the George R. Tiller, M.D., Memorial Fund for the Advancement of Women’s Health at the Wichita Community Foundation. Follow @mamafilm1 on Instagram or Twitter for updates, or follow rePRO by mama.film on Facebook for more updates.
SPINSTER drops us into the life of Gaby (Chelsea Peretti). Gaby wants desperately to find real love. Recently dumped and on the brink of forty, she feels she doesn’t matter to anyone. Her best friend is pre-occupied with her kids, her family doesn’t get her, and running her own catering business, mostly weddings, serves as a constant reminder of the love that has eluded her. Gaby’s greatest fear, that she’ll end up a lonely and pathetic spinster, seems to be her destiny. After a frenzy of dating leaves her exhausted and demoralized, she admits she might never find love and must create a Plan B. Gaby begins to build a meaningful and connected life. But when a chance romantic encounter with Mr. Right threatens to uproot her, she realizes the value of her life, even if it doesn’t involve romance. Written by Jennifer Deyell and anchored by a beautifully nuanced performance from Chelsea Peretti (Brooklyn Nine-Nine), SPINSTER Director Andrea Dorfman joins us to talk about her witty, beguiling comedy about being honest with oneself and embracing life.
SPINSTER will released August 7 through Vertical Entertainment on VOD and Digital platforms including iTunes, Amazon, Apple TV, Google Play, Fandango Now and all major cable/satellite platforms.
About the filmmaker: Andrea Dorfman is a filmmaker, animator and artist. She directed the feature films Parsley Days (2000), a TIFF top ten film, the critically acclaimed Love That Boy (2003) featuring a young Ellen Page, the musical drama, Heartbeat (2014), and the soon-to-be released comedy, Spinster, starring Chelsea Peretti. The short film, There’s A Flower in my Pedal (2005), was runner up to Best Short at TIFF and her documentary, Sluts (2006), won Best Documentary at the Atlantic Film Festival. Dorfman also made several animated films including two with the National Film Board of Canada – the Emmy nominated, Flawed (2010) and Big Mouth (2012). She recently shot and directed the feature doc, also produced by the NFB, The Girls of Meru (2018) and it’s currently screening at film festivals around the world. Her short live action-animation video collaboration with poet-musician, Tanya Davis, How to Be Alone (2010), has garnered over 8 million YouTube hits and was adapted to a book, illustrated by Dorfman and published by HarperCollins. She also adapted and illustrated Flawed, released as a YA graphic memoir by Firefly Canada in 2018. Dorfman occasionally teaches at the Nova Scotia College of Art and Design and was the co-creator of Blowhard, a thematic storytelling series that ran for 7 years in Halifax, Nova Scotia.
Director Matias Mariani’s lyrical new film, SHINE YOUR EYES tells the story of Amadi (OC Ukeje), a musician from Lagos who travels to São Paulo to track down his missing older brother Ikenna (Chukwudi Iwuji) and bring him back home to Nigeria. Following the faint traces of Ikenna’s footsteps, he discovers that his brother was not the distinguished math professor he was supposed to be, but actually had contrived an intricate and nearly delusional series of schemes to accumulate wealth in Brazil. As the mysteries deepen, so too does Amadi’s attraction to this vibrant newfound culture—and to his brother’s Brazilian ex-lover, Emilia (Indira Nascimento). As he closes in on his sibling’s whereabouts, Amadi is faced with choosing between his faithfulness to his family and the possibility of a new life in São Paulo. Director, Producer and Co-screenwriter Matias Mariani joins us to talk about his brilliant, thoughtful mediation on family, culture, identity and self-discovery.
Director’s Statement: Throughout my life the question of identity has always been very important to me. As a kid I moved around a lot within Brazil and abroad, and I always wondered what part of me was I able to bring to each new city and what part I left behind. The idea to reinvent oneself, to shed one’s skin and start anew, has always been a luring fantasy, which I carried with me and that heavily motivated me to write this film. When I was 18, shortly before I started university in New York, I went to West Africa for the first time with my aunt, who used to buy handcrafted wares and fabrics there to sell back in Brazil. We travelled throughout Burkina Faso, Senegal and Mali, and since then I’ve come back every couple of years, travelling through most of the region. A few years after that, when I moved back to São Paulo I’ve noticed the growing influx of West Africans, particularly Nigerian Igbos, moving to the downtown area of the city, which has been in a state of decay for several decades at that point. Together with my partner Maíra Bühler, we started frequenting the informal HQ of the Igbos in São Paulo, the Galeria Presidente, first only for fun and then as pro-bono teachers of Portuguese for the recent arrivals. With the contacts we made there, we proceeded to travel to Nigeria (Lagos, Onitsha, Enugu, Owerri) to extend our research, and that’s how Shine Your Eyes was originally born. – Matias Mariani
“[A] heady, enveloping narrative debut from Brazilian docmaker Matias Mariani…” – Guy Lodge, Variety