May 18 – Street Food Cinema – Co-founder Heather Hope-Allison (Steve Allison)

Street Food Cinema is the ultimate outdoor movie experience! Founded in 2012 by the dynamic husband and wife team of Steve Allison & Heather Hope-Allison, Street Food Cinema has developed a strong community of entertainment and food enthusiasts across Los Angeles.  Every Saturday throughout the summer, Street Food Cinema features beloved cult classic movies on a huge 50 foot screen alongside LA’s favorite food trucks like Cousins Maine Lobster, Street Kitchen LA and Churro Stix as well as emerging music artists such as Alex G., Past Action Heroes and The Urban Renewal Project: punctuated with themed audience games hosted by professional comedians to complete the interactive experience. Their Season 6 opener in 2017 was the worlds biggest La La Land screening AND the biggest Street Food Cinema to date at over 5,000 attendees.  With their visionary idea to take the outdoor movie experience to fully inclusive night out –they incorporated a variety of fascinating food trucks, pre-movie live entertainment and cool  interactive experiences to massive audience appeal in three major markets: Los Angeles, San Diego and Phoenix.  Their 7th season offers so many exciting titles, beginning with the incredible 2018 Oscar nominees “Get Out” and “I, Tonya” on May 5th,“The Greatest Showman” on June 16th, “Lady Bird” on July 21st and “Coco” on October 27th. As well as anniversary screenings for beloved fan favorites “Dazed & Confused” starting our season on April 28th, “The Land Before Time” on May 19th, “The Big Lebowski” on June 9th, “Mrs. Doubtfire” on June 16th, “Stand and Deliver” on June 23rd, “The Sandlot”  on June 30th, “Grease” on July 21st, “Mamma Mia!” on August 4th, “Casablanca” on August 25th, “The Wedding Singer” on September 1st, “Nick & Nora’s Infinite Playlist” on September 8th, “Practical Magic” and “The Nightmare Before Christmas” on September 29th and “Twilight” and the original cult classic “Halloween” on October 13th. We’ll also debut our first double-feature PJ party “The Craft” & “Teen Witch” on September 15th and many more great films. Co-founder of Street Food Cinema Heather Hope-Allison (Steven Allison) joins us to run down the upcoming films, where they will be screening and all of the family-friendly options available to film lovers in Southern California. 

 

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Season 7 Season Line-Up available at: streetfoodcinema.com/home/los-angeles

Information on other Street Food Cinema cities go to: streetfoodcinema.com

Boom for Real: The Late Teenage Years of Jean Michel Basquiat – Director Sara Driver

Conveying Basquiat’s personal magnetism, eccentricity and non-stop creativity without romanticizing him, BOOM FOR REAL: THE LATE TEENAGE YEARS OF JEAN-MICHEL BASQUIAT serves as another chapter in the ongoing effort to rescue the artist from his own hype. To tell this story, Driver, who was part of the New York arts scene herself, worked closely and collaboratively with friends and other artists who emerged from that period. Drawing upon their memories and anecdotes, the film also uses period film footage, music and images  to visually evoke the era, drawing a portrait of Jean-Michel and Downtown New York City-pre AIDS, President Reagan, the real estate and art booms – before anyone was motivated by money and ambition. BOOM FOR REAL: THE LATE TEENAGE YEARS OF JEAN-MICHEL BASQUIAT follows Basquiat’s life pre-fame and how New York City, the times, the people and the movements surrounding him formed the artist he became. Using never-before-seen works, writings and photographs, director Sara Driver worked closely and collaboratively with friends and other artists who emerged from that period: Jim Jarmusch, James Nares, Fab Five Freddy, Glenn O’Brien, Kenny Scharf, Lee Quinones, Patricia Field, Luc Sante and many others. Sara Driver made her directorial debut with the short film YOU ARE NOT I in 1981, which she adapted from the 1948 Paul Bowles short story of the same name. The film, named as one of the best movies of the 1980s in a Cahiers du Cinéma critics’ poll, was lost for many years until its rediscovery in 2008 among Bowles’ belongings in Tangier. Director Sara Driver joins us for engaging conversation with one of the late-twentieth century’s brightest and innovative artist.

  

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For news and updates go to: boomforrealfilm.com

“A treasure. A transporting doc about the early career of Basquiat and the environment where he flourished. Conveys his personal magnetism, eccentricity and non-stop creativity without romanticizing him.” – John DeFore, The Hollywood Reporter

“Vivid and beautifully meditative. It shows how one of the most emblematic American artists of the late 20th century found his voice in the rubble.” – Chris Barsanti, AV Club

“Movingly remembers him -forever young- as unique figure who connected punk, hip hop, hardcore, DIY films, gallery, graffiti and street art, across genres, classes, and races.” – Nora Lee Mandel, FF2 Media

“Driver does a great job of showing how Basquiat’s graffiti smears were more than just a subjective piece of art but also spoke candidly to social commentary on race, poverty, and oppression.” – Jamie Broadnax, Black Girl Nerds

Friday, April 27, 2018 – Los Angeles Asian Pacific Film Festival, Festival Co-Director David Magdael

Visual Communications, the nation’s premier Asian Pacific American media arts center, announced its outstanding program of films and events for the upcoming 34th edition of the Los Angeles Asian Pacific Film Festival (LAAPFF) running MAY 3 – MAY 12, 2018. The all encompassing annual film celebration is presented across Los Angeles in West Hollywood, Downtown LA, Little Tokyo, Koreatown, and Hollywood. Visual Communications proudly celebrates the Film Festival’s 34 years as Southern California’s largest and most prestigious film festival of its kind.  LAAPFF launches the celebration of Asian Pacific Heritage Month through this year’s slate of over 100 films from both Asian Pacific American and Asian international artists.  For over three decades, the Festival has presented nearly 5,000 films by Asian Pacific American and Asian International talent. This year, 39 feature films and 79 shorts from the over 800 submissions will be showcased during the ten-day fest. The Festival opens with the Los Angeles premiere of Aneesh Chaganty’s feature debut  SEARCHING starring John Cho and Debra Messing giving audiences an early chance to see the movie that took the NEXT audience award and the Alfred P. Sloan award at the 2018 Sundance Film Festival. Other programs include  CENTERPIECE FILMS will feature two outstanding world premieres with IN THE LIFE OF MUSIC and FICTION & OTHER REALITIES. Centerpiece Films will be presented on Saturday, May 5th at the Aratani Theatre at the Japanese American Community and Cultural Center (JACCC) in Little Tokyo – Downtown Los Angeles.  The CLOSING NIGHT FILM will be the Los Angeles premiere of the acclaimed 2018 Sundance World Documentary Special Jury Award winner MATANGI/ MAYA/ M.I.A., directed by Stephen Loveridge.  Inspired by her roots, M.I.A. created a mashup, cut-and-paste identity that pulled from every corner of her journey; a sonic sketchbook that blended Tamil politics, art school punk, hip-hop beats and the voice of multicultural youth. Los Angeles Asian Pacific Film Festival Co-Director David Magdael will join us to talk about this years’s exciting festival line up.

 

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For news and updates on the Los Angeles Asian Pacific Film Festival go to: Festival.VConline.org/2018

Grace Jones: Bloodlight and Bami, Director Sophie Fiennes

Grace Jones: Bloodlight and Bami is an electrifying journey through the public and private worlds of pop culture mega-icon Grace Jones.  The documentary contrasts musical sequences with intimate personal footage, all the while brimming with Jones’s bold aesthetic. A larger-than-life entertainer, an androgynous glam-pop diva, an unpredictable media presence – Grace Jones is all these things and more. Sophie Fiennes’s documentary goes beyond the traditional music biography, offering a portrait as stylish and unconventional as its subject. Taking us home with her to Jamaica, into the studio with long-time collaborators Sly & Robbie, and backstage at gigs around the world, the film reveals Jones as lover, daughter, mother, and businesswoman. But the stage is the fixed point to which the film returns, with eye-popping performances of “Slave to the Rhythm,” “Pull Up to the Bumper,” “Love is the Drug,” and more. Jones herself has said watching the film “will be like seeing me almost naked” and, indeed, Fiennes’s treatment is every bit as definition-defying as its subject, untamed by either age or life itself. Director Sophie Fiennes (Pervert’s Guide to Ideology, Legend of Leigh Bowery) joins us to talk about the dynamic in-concert performances, her access to Grace and her startling candor concerning her public and private life and the critical recognition the film has garnered.

 

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For news and updates got to: kinolorber.com/film/gracejonesbloodlightandbami

Social Media:

facebook.com/GraceJonesBloodlightAndBami

twitter.com/miss_gracejones?lang=en

instagram.com/gracejonesofficial

90% on Rotten Tomatoes

“Brilliantly and beautifully engaged in the present. A sparkling example of how to document our icons. Allows us to appreciate the reality of the artist in her most candid moments, in her own words, which is way more interesting than what we’d find in yet another standard biopic.” – Daisy Jones, VICE

“Pure energy, fierce, and empowering. If you want a rock-n- roll, sexy, feel good, empowering film, pull up to the theater in your most audacious outfit and get ready for the Grace Jones experience.” – The Huffington Post

“A celebration of art and life. Jones herself has promised the film ‘will be like seeing me almost naked.’” – Michael-Oliver Harding, Interview Magazine

“A sumptuous sensory treat.” – Stephen Dalton, The Hollywood Reporter

“A true testament to the power of style.” – Caitlin Agnew, The Globe and Mail

“The film feels as epic as the artist herself. A mix of concert doc and intimate verité, Fiennes has crafted a film that feels like Stop Making Sense via Frederick Wiseman. As an intimate look at Jones the film succeeds, as a powerful testament to her talent the film soars.” – Jason Gorber, BirthMoviesDeath

Indian Film Festival of Los Angeles, Mike Dougherty, Director of Programming

The Indian Film Festival of Los Angeles (IFFLA) is a nonprofit organization devoted to a greater appreciation of Indian cinema and culture by showcasing films, supporting emerging filmmakers, and promoting the diverse perspectives of the Indian diaspora. Each year the festival features a rich mix of film programs designed to build and support the growing interest in the Indian entertainment industry. This includes programming that cultivates an audience for Indian films while supporting filmmakers of Indian descent in career development as they navigate the larger studio system in Hollywood. The Indian Film Festival of Los Angeles, runs from Wednesday, April 11 – 15 at Regal Live in downtown Los Angeles, featuring programs that include One-on-One program where film industry professionals from major and independent production and distribution companies are invited to participate in meetings with the IFFLA filmmakers; and panel discussions with speakers from the film industry. We are joined by IFFLA’s Director of Programming Mike Dougherty to talk about the past, present and future of Indian cinema and the increasing acceptance among mainstream American film lovers.

 

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For news, updates and screening information go to: Indianfilmfestival.org

facebook.com/indianfilmfestival

The Green Fog, Director Guy Maddin

Guy Maddin and collaborators Galen and Evan Johnson made this ode to VERTIGO and the city of San Francisco for the closing night world premiere gala of the 2017 San Francisco International Film Festival. The iconoclastic Winnipeg-based filmmakers, working together since 2015’s THE FORBIDDEN ROOM, set themselves the challenge and constraint to remake VERTIGO, creating what they call a “parallel-universe version.” Using Bay Area-based footage from hundreds of sources—studio classics, ’50s noir, documentary and experimental films, and ’70s prime-time TV—and employing Maddin’s mastery of assemblage technique, seen in work like MY WINNIPEG and BRAND UPON THE BRAIN, the result exerts the inexorable pull of Hitchcock’s twisted tale of erotic obsession while paying tribute to the City by the Bay and the ways it looks and feels through the medium of cinema   Composed by Jacob Garchik and performed by Kronos Quartet, the film’s score nods to Bernard Hermann’s classic VERTIGO music as it collides and converses with Maddin and Johnsons’ irreverent and loving footage to create a distinctive musical extravaganza. Through 12 features and many shorts, adventurous artist Guy Maddin exhibits the rare ability to simultaneously subvert and honor the craft of  filmmaking. His credits include the Emmy Award-winning ballet film Dracula: Pages From A Virgin’s Diary (2002); The Saddest Music in the World (2003); My Winnepeg (2007) and US National Society of Film Critics Best Experimental Film Prize-winners Archangel  (1990) and The Heart of the World (2000). Guy Maddin talks about the “City by the Bay,” scriptwriting, storytelling and his favorite film, Vertigo.

 

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For news and updates go to: balconyfilm.com/the-green-fog

94% on Rotten Tomatoes!

“First and foremost, “The Green Fog” is a marvel of film scholarship that looks backward and forward from the Hitchcock masterpiece.” – Ben Kenigsberg, New York Times

“The Green Fog fairly closely follows the structure of Hitchcock’s film; achieving that in itself is some sort of accomplishment. However, it’s not so much an assemblage as it is a conjuring.” – Bilge Ebiri, Village Voice

“The film is a brilliant exercise in meta-narrative, which raises questions galore about reality and representation, time and space, genre and gender, individual and urban identity, cinematic suture and casting. Mainly, though, it’s just very, very funny.” – Geoff Andrew, Sight and Sound

“The work of a sensibility as impish as it is scholarly, animated by a mischievous sense of the medium’s possibilities” – Justin Change, Los Angeles Times

“It demonstrates the act of creation as a perpetually reconstructive effort…” – Lawrence Garcia, Cinema Scope

Michael Rabehl – 2018 Cinequest Film & VR Festival, Director of Programming

Cinequest has led the world in its showcase and implementation of the innovations that have revolutionized film making, exhibition and distribution. Over 100,000 attend CQFF, yet the three-block proximity of its state-of-the-art venues along with Cinequest’s renowned hospitality, makes the festival experience as warm and personal as it is electrifying. Cinequest presents over 90 World and U.S. premieres with groundbreaking innovations by 700+ participating filmmakers from over 50 countries each year. Set in the home of the world’s most influential media technology companies (Apple, Cisco, Facebook, Twitter, Netflix, LinkedIn etc.) CQFF showcases premier films, renowned and emerging artists, and breakthrough technology—empowering global connectivity between creators, innovators and audiences. Michael Rabehl has been a member of the Cinequest team since 1994. As the Director of Programming he manages the film selection process for the festival and supervises the programming teams to create a world class line up of films and guests every year. In his role as the Associate Director he is directly involved with the strategic planning of the festival. Michael joins us to talk about the 2018 Conquest film and virtual reality line-up.

 

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For news and updates go to: cinequest.org

Cinequest Film and Virtual Reality Film Festival February 27 – March 11, 2018

“Move over Cannes! Of the more than 4,000 film festivals around the globe, more than half take place on U.S. soil, and many rank among the best of the best. Our panel of film experts, movie buffs and festival gurus were tasked with narrowing down the field to the best 20 film festivals in the nation before we turned it over to USA TODAY and 10Best readers to choose their favorites. After four weeks of voting, we have a winner. Cinequest Voted Best Film Festival!” — USA Today

“Technology always drives the film business. In Cinequest, we have a good window on the future. I think they’re leading the world in this regard.” — Peter Belsito, Executive Vice President, Film Finders

“This festival is one that sets the trends and is actually ahead of the trends. Other festivals are copying Cinequest; I see it all the time.” — Chris Gore, Ultimate Film Festival Survival Guide and Film Threat

“At Cinequest you often haven’t heard of the film before you go see it, but the audiences come anyway. That’s a testament to the festival — that audiences are willing to take that leap of faith.” — Kenneth Turan, Los Angeles Times

Animation is Film, Founder Eric Beckman

GKIDS, the acclaimed producer and distributor of animation for adult and family audiences, Annecy International Animation Film Festival, the world’s leading animation Festival and Market, and Variety magazine, have announced the launch of ANIMATON IS FILM, an annual animation film festival in Los Angeles. The first edition will run October 20-22 at the TCL Chinese 6 Theater in Hollywood (Mann’s Chinese Theater) with a showcase of 20 programs including feature films in competition, special presentations, retrospectives and short film programs. ANIMATION IS FILM aims to fill a gap in the US market by establishing a world class animation festival on par with the major events in Europe and Asia – and locating it in the world capital of animated filmmaking. The Festival will be a vocal advocate  in the heart of Hollywood, for excellence in animation, and for filmmakers who push the boundaries of their art to the fullest range of expression that the medium is capable of. GKIDS and Animation is Film founder Eric Beckman stops by to talk about his love of animation and the endless possibilities for enriching and entertaining filmmaking contained in it.

For information and updates go to: animationisfilm.com

 

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Dates: The festival will be the weekend of Friday, October 20 through Sunday, October 22, 2017.

Location: Films will be screened at 6801 Hollywood Blvd, Hollywood, CA 90028 at the TCL Chinese 6 Theatre Multiplex on the Hollywood Walk of Fame.

Click here to meet the filmmakers of Animation is Film

Animation is Film Festival seeks to:

Present a highly selective, annual showcase of the best new works of animation from around the world, with programs for both adults and families.

• Champion and support filmmakers who use animation to pursue unique cinematic visions and who are unconstrained by conventional notions of what animation is capable of.

• Champion and support women filmmakers.

• Champion and support filmmakers from a wide range of cultural, economic, national and geographic backgrounds.

• Have a positive impact on Los Angeles’ diverse communities by making the Festival programs available to the widest range of audiences.

Cadillac Tramps: Life on the Edge, Director Jamie Sims Coakley

The 1990’s were the “Golden Age” of the Orange County California music scene. Bands like The Offspring, No Doubt, Sugar Ray and Social Distortion where blowing up the mainstream and selling millions of records around the world.  Meanwhile, the undisputed kings of the O.C. scene, The Cadillac Tramps, were falling apart.  Infighting, addiction, frustration and dysfunction would tear the band apart at the peak of their success, but their bond would prove too strong to remain broken for long. THE CADILLAC TRAMPS: LIFE ON THE EDGE  is a humble, honest and entertaining look at five young men who found each other in sobriety, created a lasting musical legacy that influenced indie rock’s biggest bands, and overcame the past to support lead singer Michael “Gabby” Gaborno as he fights for his life from the ravages of Hep-C. First time filmmaker, Jamie Sims Coakley, expertly mixes a colorful combination of archival footage, insightful artist interviews and intimate vérité footage together into an arresting, heartwarming and cautionary tale of brotherhood, reflection and the power of music to heal and unite us. Director Jamie Sims Coakley joins us  to talk about the music, the what ifs, and the bond that has been their musical journey.

For news and updates go to: cadillactrampsdocumentary.com

facebook.com/cadillactramps

 

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Tuesday, October 10th 2017 – 7:30pm

Official Premiere with Q&A with Director Jamie Sims Coakley and members of The Cadillac Tramps.

Special Memorabilia Give-Aways!

The Downtown Independent Theater, Los Angeles California 

Click here for limited tickets:

Limit Run @ Downtown Independent, DTLA 

October 11th – October 16th – Various Times

Enjoy the story of The Cadillac Tramps on the big screen! 

The Downtown Independent Theater, Los Angeles California

Click Here for tickets:

The Man in the Camo Jacket, Director Russ Kendall

 

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MAN IN THE CAMO JACKET is the story of iconic musician Mike Peters of the Welsh rock band The Alarm. The film traces his rise to fame, battles with cancer, and inspiring climb back as he enlists some of the world’s top musicians to help save the lives of cancer patients around the globe. Ultimately though, the life he saves may be his own. Filmed over the course of eight years, the film documents Mike’s journeys to the summits of the world’s tallest mountains and to the depths of his regular chemotherapy treatments and features one-of-a-kind performances from legendary rock musicians. MAN IN THE CAMO JACKET won Best Music Documentary at the 2017 Arizona International Film Festival and the Audience Award for Best Music at the 2017 Newport Beach Film Festival. Mike Peters was honored with the Humanitarian Award at the 2017 American Documentary Film Festival. MAN IN THE CAMO JACKET features Mike Peters of The Alarm, Slim Jim Phantom of Stray Cats, Duff McKagan of Guns N’ Roses, Billy Bragg, Glenn Tilbrook of Squeeze, Billy Corgan of The Smashing Pumpkins, Richard Blade, Martha Quinn. Director Russ Kendall joins us to talk about his rousing, life-affirming new film.

For news and updates go to: maninthecamojacket.com

** LAFF – What We Started, Co-Directors Bert Marcus and Cyrus Saidi

 

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WHAT WE STARTED aims to establish itself as the defining film of the electronic music genre.  Through an artfully crafted narrative and stunning visual techniques, the film delves into the highly popular world of electronic dance music, providing backdoor access to a widely misunderstood, self-driven and well-insulated industry on its way to global domination.  Presently, the genre is booming at a pinnacle higher than ever before, however most do not realize that electronic dance music began as an underground movement that originated in America.  The film sets out to illuminate this rich history: from its underground inception in the late 1980s in America to the musicians and fans of this genre that relentlessly fought for their rights around the world, both in the dance club and on the streets, to find a safe space to express themselves, to the development of this modern, mainstream revolution that has taken the world by storm. Specifically, and with unprecedented access, WHAT WE STARTED follows industry pioneers, like Carl Cox, who are juxtaosed by the journey of a young, superstar of today, Martin Garrix.  These dichotomous journeys of past and present are carefully interwoven to illuminate all viewpoints and highlight the momentous and groundbreaking time that electronic dance music is experiencing presently, while also leaving open the question of what will happen next for this incredible genre of music. WHAT WE STARTED Co-directors Bert Marcus and Cyrus Saidi join us to talk about the history of today’s dynamic soundtrack and their film’s world premiere at the Los Angeles Film Festival.

For news and updates go to: bertmarcus.com/what-we-started/

** For news and updates go to: filmindependent.org/la-film-festival

World Premiere at the Los Angeles Film Festival

Thursday, June 15, 5:30 p.m. – Arclight Santa Monica

 Press and Industry screening

Monday, June 19, 1:30 p.m. – Arclight Culver City

The Green Fog – A San Francisco Fantasia, Composer Jacob Garchik


 

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Jacob Garchik, multi-instrumentalist and composer, was born in San Francisco and lived in New York since 1994. At home in a wide variety of styles and musical roles, he is a vital part of the Downtown and Brooklyn scene, playing trombone with the Lee Konitz Nonet, Ohad Talmor/Steve Swallow Sextet, Mary Halvorson Octet, and the John Hollenbeck Large Ensemble. He has released 4 albums as a leader including “The Heavens: the Atheist Gospel Trombone Album”. He co-leads Brooklyn’s premiere Mexican brass band, Banda de los Muertos. Since 2006 Jacob has contributed dozens of arrangements and transcriptions for Kronos Quartet of music from all over the world. He composed the score for Kronos for the documentary “The Campaign” (2013), and “The Green Fog” (2017) directed by Guy Maddin. He has created arrangements for vocalists Anne Sofie von Otter, Angelique Kidjo, Laurie Anderson, Rhiannon Giddens, kd lang, Natalie Merchant, Tanya Tagaq, and Alim Qasimov. Garchik returns to San Francisco Sunday, April 16 for a live performance during the 60th San Francisco International Film Festival’s closing night screening of The Green Fog – A San Francisco Fantasia. Commissioned by the San Francisco Film Society, that reimagines one of the most iconic San Francisco films of all time, Vertigo, as a visual collage by award-winning filmmaker and cultural iconoclast Guy Maddin. The Green Fog will screen at the historic Castro Theatre on Sunday, April 16 at 7:00 pm, followed by the Closing Night Party at Mezzanine. Jacob Garchik joins us for a conversation on collaborating with director Guy Maddin and his own musical journey.

 For news and updates go to: jacobgarchik.com

For news and updates on the 2017 San Francisco International Film Festival go to: sffilm.org/festival

I Called Him Morgan, Director Kasper Collin

 

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On a snowy night in February 1972, legendary jazz trumpeter Lee Morgan was shot dead by his common-law wife, Helen, during a gig at a club in New York City. The murder sent shockwaves through the jazz community, and the memory of the event still haunts the people who knew the Morgans. Helen served time for the crime and, following her release, retreated into obscurity. Over 20 years later, a chance encounter led her to give a remarkable interview. Helen’s revealing audio “testimony” acts as a refrain throughout the film, which draws together a wealth of archival photographs and footage, interviews with friends and bandmates and incredible jazz music to tell the ill-fated pair’s story. Part true crime tale, part love story, and an all-out musical treat, I CALLED HIM MORGAN is a chronicle of the dramatic destinies of two unique personalities and the music that brought them together. Swedish filmmaker Kasper Collin’s I CALLED HIM MORGAN is also a love letter to two unique personalities and the music that brought them together. A film about love, jazz and America with cinematography by Bradford Young (DOP, Selma).

For news and updates go to: icalledhimmorgan.com

Los Angeles Area: Laemmle’s Monica Film Center in Santa Monica and Laemmle’s Playhouse 7 in Pasadena. 

“Layering experiences and impressions, music and image, Kasper Collin’s remarkable film is less concerned with history than with effects, influences that stretch across time, ideas that shape art.” – Cynthia Fuchs, PopMatters

“The interview-“an amazing document,” Collin says-enriches the documentary and transforms it into a story within the story.” – Michael J. Agovino, Village Voice

“This is not a lurid true-crime tale of jealousy and drug addiction, but a delicate human drama about love, ambition and the glories of music.” – A.o. Scott, New York Times

“Collin’s film brings out these stories with a wealth of details energized by the experiences and the insights of his interview subjects as well as an engaging range of archival images and clips.” – Richard Brody, New Yorker

“Quite simply, the greatest film about a jazz musician ever. Do not miss this story of a career cut short by a “Frankie and Johnny” tragedy.” – Louis Proyect, CounterPunch

Life, Animated, Director Roger Ross Williams

life_animated 

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From Academy Award-winning filmmaker Roger Ross Williams (“Music by Prudence”), is the inspirational story of Owen Suskind, a young man who was unable to speak as a child until he and his family discovered a unique way to communicate by immersing themselves in the world of classic Disney animated films. This emotional coming-of-age documentary follows Owen as he graduates to adulthood and takes his first steps toward independence. The subject of his father Ron Suskind’s New York Times bestseller, Owen was a thriving three-year-old who suddenly and inexplicably went silent—and for years after remained unable to connect with other people or to convey his thoughts, feelings or desires. Over time, through repeated viewings of Disney classics like The Little Mermaid and The Lion King, Owen found useful tools to help him to understand complex social cues and to re-connect with the world around him. Life, Animated evocatively interweaves classic Disney sequences with vérité scenes from Owen’s life in order to explore how his identification and empathy for characters like Simba, Jafar and Ariel gave him a means to understand his feelings and allowed him to interpret reality. Director and Producer Roger Ross Williams (God Love Uganda) joins us to talk about the challenge of presenting a balanced portrait of Owen Suskind and his family.

For news and updates go to: lifeanimateddoc.com/

Winner of the Audience Award – San Francisco Film Festival

Winner of the Audience Award – Full Frame Film Festival 

Winner of the Directing Award – Sundance Film Festival, Life, Animated

“A captivating portrait of a young man for whom Disney animated movies have provided a powerful lifeline to progress, language and understanding. – Justin Chang, Variety

“Williams smartly devotes large portions of the documentary to Owen on his own, letting him explain his fears himself rather than relying on the other Suskinds for clarification and translation. – Noel Murray, A.V. Club

“Incredibly moving documentary takes us into the interior life of an autistic person, and explores how films helped him communicate with the outside world.” – Lanre Bakare, The Guardian

“Instead of false hope, it offers up possibility, the chance of a stimulus that might get past the blocks of developmental disorder.”- Peter Travers, Rolling Stone

Friday, April 8, 2016 – A Space Program, Creator Tom Sachs

A Space Program film poster 

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In A Space Program, internationally acclaimed artist Tom Sachs takes us on an intricately handmade journey to the red planet, providing audiences with an intimate, first person look into his studio and methods. The film is both a piece of art in its own right and a recording of Sachs’ historic piece, Space Program 2.0: MARS, which opened at New York’s Park Avenue Armory in 2012. For Space Program 2.0: MARS, Tom and his team built an entire space program from scratch. They were guided by the philosophy of bricolage: creating and constructing from available yet limited resources. They ultimately sent two female astronauts to Mars in search of the answer to humankind’s ultimate question… are we alone? Directed by Van Neistat, A Space Program is a captivating introduction to Sachs’ work for the uninitiated, and required viewing for his longtime fans. Creator Toms Sachs talks about bricolage, creating an intimate theatrical experience and the importance of Tea Ceremony and intergalactic relations.

See Tom Sachs: Tea Ceremony at the Noguchi Museum starting March 23, and Tom Sachs: Boombox Retrospective, 1999-2016 at the Brooklyn Museum starting April 21.

SHOW & TELL at The Cinefamily Theater
“A Curated Night of Industrial Films” with Tom Sachs & Van Niestat Friday, April 8, 2016 

For news and updates go to: zeitgeistfilms.com/film/aspaceprogram

“An alternately entrancing and amusing documentary-fiction hybrid that marries existential questions with absurdist humor.” Nick Schager·Variety

“Whatever else the film carries, it packs some serious whimsy.” Daniel M. Gold·New York Times

“Documenting Tom Sachs’s art project that imagined a journey into space, this is a funny, invigorating and inspirational ode to being the cleverest kid in the room.” Jordan Hoffman·The Guardian

Indian Film Festival of Los Angeles, Director of Programming Mike Dougherty

Indian Film Festival LA poster 

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The Indian Film Festival of Los Angeles (IFFLA) is devoted to a greater appreciation of Indian cinema and culture by showcasing films, supporting emerging filmmakers, recognizing the leadership of entertainment industry performers and business executives, and promoting the diverse perspectives of the Indian diaspora. Each year the festival is held at ArcLight Hollywood and features a rich mix of film programs designed to build and support the growing interest in the Indian entertainment industry. This includes programming that cultivates an audience for Indian films while supporting filmmakers of Indian descent in career development as they navigate the larger studio system in Hollywood. IFFLA’s creative and business programs include the the One-on-One Michael Doughteryprogram where industry professionals from major and independent production and distribution companies are invited to participate in meetings with the IFFLA filmmakers; and panel discussions with speakers from the film industry. The 14th Annual Indian Film Festival of Los Angeles (IFFLA) will take place April 6-10, 2016 at ArcLight Hollywood, the elegant, state-of-the-art facility at Sunset and Vine in Hollywood, and the festival’s home since its inception. Director of Programming Mike Dougherty join us to talk about the wide ranging films that will be showcase at this year’s festival.

For the latest news and updates go to: indianfilmfestival.org

IFFLA film guide: indianfilmfestival.org/film-guide-2016

2016 Academy Award Nominated Short Program, Carter Pilcher

2016 OSCAR SHORT POSTER 

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Since founding Shorts International in 2000, Carter Pilcher has worked to make his company the world’s leading short movie entertainment company. Shorts International has become the first choice distributor, broadcaster and producer for hundreds of films. Carter has extensive experience in short movie production and short movie entertainment. He is a voting member of the British Academy of Film and Television Arts and a member of the Short Film and Feature Animation Branch of The US Academy of Motion Pictures, Arts and Sciences (AMPAS) – the guys who pick the Oscars. Carter talks to us about the fifteen wonderful films nominated for the Live Action, Documentary and Animated Short Film 2016 Academy Awards.

*Diary of a Teenage Girl, director / writer Marielle Heller

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THE DIARY OF A TEENAGE GIRL is based on Phoebe Gloeckner’s novel of the same name, hailed by Salon as “one of the most brutally honest, shocking, tender and beautiful portrayals of growing up female in America.” Writer/Director Marielle Heller unlocks this diary with a richly comedic and deeply personal vision. It is a coming of age story that is as poignant as it is unsettling. Set in 1976 San Francisco, THE DIARY OF A TEENAGE GIRL begins at the crossroads of the fading hippie movement and the dawn of punk rock. Like most teenage girls, Minnie Goetze (Bel Powley) is longing for love, acceptance and a sense of purpose in the world. Minnie begins a complex love affair with her mother’s (Kristen Wiig) boyfriend, “the handsomest man in the world,” Monroe (Alexander Skarsgård). What follows is a sharp, funny and provocative account of one girl’s sexual and artistic awakening, without judgment. Minnie emerges defiant— taking command of her sexuality and drawing on her newfound creative talents to reveal truths in the kind of intimate and vivid detail that can only be found in the pages of a teenage girl’s diary. In her feature film directorial debut, director / writer Heller brings Gloeckner’s book to life through fearless performances, inventive graphic novel-like animation sequences, imagination, humor and heart.

For news and updates go to: thediaryofateenagegirl

* Spirit Award nominations for Best First Feature and Best First Screenplay and Best Female Lead (Bel Powley)

Sundance Film Festival 2015 and New Directors/New Films 2015

“What makes Minnie — on the page and now on the screen — greater than any one girl is how she tells her own story in her own soaringly alive voice”. – Manohla Dargis, New York Times

“This adaptation of Phoebe Gloeckners heavily autobiographical novel is ideally cast and skillfully handled.” – Dennis Harvey, Variety

“Powley, a British twentysomething whose big, curious eyes and quavering, thoughtful voice allow for a seamless transition back to her teenage years, gives a remarkable performance.” – Jesse Hassenger, A.V. Club

“It’s unlikely to make a box office splash, but it’s a startlingly tough, authentic depiction of budding womanhood.” Elaine Tang, New Republic

Brand: A Second Coming – Director Ondi Timoner

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BRAND: A Second Coming chronicles actor / comedian / activist Russell Brand on his journey from addict, self-proclaimed narcissist and Hollywood star living in the fast-lane to his current, and unexpected, role as political disruptor & newfound hero to the underserved. Criticized for egomaniacal self-interest, Brand injects his madness in to the world and calls for revolution. He stays the course with an irreverent courage that inspires a new generation of activists to rise up against the ever-increasing world engorged in consumerism. Can Brand rise against the roar of criticism from the very system that built him? Does he have the fortitude, resilience and commitment to keep up the fight? Will he find true happiness which has eluded him since childhood? BRAND: A Second Coming takes audiences behind the scenes of this wildly complex man for an intimate look at what drives Russell Brand as he continues to be the consummate disruptor. BRAND: A Second Coming produced, written and directed by award-winning filmmaker Ondi Timoner (DIG!, WE LIVE IN PUBLIC) joins us to talk about getting close to this kinetic, fascinating force of nature.

For news and updates go to: brandthefilm.com

Brand: A Second Coming opening in Los Angeles: arclightcinemas.com/

“Along with explaining his motivation, it rescues the underlying purpose behind his freewheeling, radical mode of expression.” – Eric Kohn, Indiewire

“A thoroughly entertaining doc that serves also as a primer on Brand’s shockingly successful comedy career and an introduction to his singular personality.” – John DeFore, Hollywood Reporter

“Even if you’re cynical about Brand’s motives, or just think that he’s a bit of berk, the film convinces you of the almost alarming sincerity of his political mission …” – Alex Needham, Guardian

“Ondi Timoner delivers an engaging portrait of Russell Brand’s journey from pop celebrity to still-funny political commentator.” – Dennis Harvey, Variety

Friday, July 10, 2015 – A Poem is a Naked Person, Executive Producer Harrod Blank

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A POEM IS A NAKED PERSON – a glorious portrait of beloved singer-songwriter Leon Russell as filmed by documentarian Les Blank between 1972 and 1974. A fascinating time capsule filled with wall-to-wall music (including performances by legends such as Willie Nelson and George Jones, amongst many others), the film finally had its world premiere at this year’s SXSW Film Festival (with Russell in attendance), and will open theatrically in LA at Cinefamily on July 9, followed by a national release. An ineffable mix of unbridled joy and vérité realism,  A POEM IS A NAKED PERSON lets us into the world of Russell and his friends and fellow artists in and around his recording studioDirector Les Blank in northeast Oklahoma, capturing intimate, off-the-cuff moments and combining them with mesmerizing scenes of Russell and his band performing live. This singular film about an artist and his community never got an official theatrical release and has attained legendary status; now after more than forty years it can finally be seen and heard in all its rough beauty. Executive Producer and the son of Director Les Blank, Harrod Blank joins us for an intimate look at the making of this classic documentary and the journey he took to bring his dad’s lost masterpiece back from the dead.

For news and updates go to: lesblank.com

“One of the great AWOL music docs. An intimate look at a Seventies star in action. It’s finally getting a theatrical run over 40 years after the fact; do not let this minor miracle pass you by.” 
– David Fear, Rolling Stone



“Les Blank’s long-lost Leon Russell documentary is a beguiling snapshot of a lost era.” – Andrew Barker, Variety

“A poetic exploration of a moment, a place and an artist.” – A. O. Scott, New York Times

“One of the greatest rock documentaries I’ve ever seen, as eloquent an evocation of the reality-distortion field around rock stars as D.A. Pennebaker’s Don’t Look Back or Robert Frank’s Cocksucker Blues, but funnier and stranger than either.” – Alex Pappademas, Grantland

Dior and I, Director Frédéric Tcheng

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Dior and I brings the viewer inside the storied world of the Christian Dior fashion house with a privileged, behind-the-scenes look at the creation of Raf Simons’ first haute couture collection as its new artistic director – a true labor of love created by a dedicated group of collaborators. Melding the everyday, pressure- filled components of fashion with mysterious echoes from the iconic brand’s past, the film is also a colorful homage to the seamstresses who serve Simons’ vision. Dior and I director Frédéric Tcheng is a French-born filmmaker. Originally trained in civil engineering, he moved to New York City in 2002 to attend Columbia University’s film school, from which he obtained a Masters of Fine Arts in 2007. He co- produced, co-edited and co-shot Valentino: The Last Emperor (directed by Matt Tyrnauer), the 2009 hit documentary shortlisted for the Best Documentary Oscar. He is the co-director (with Lisa Immordino Vreeland and Bent-Jorgen Perlmutt) of DIANA VREELAND: THE EYE HAS TO TRAVEL, a Samuel Goldwyn release. Director Tcheng joins us to talk about his enthralling behind the scenes look at the iconic fashion institution, its founder, the talented men and women who make it work and the “new” guy in the world of haute couture.

For the latest news and updates go to: diorandimovie.com

“A piece of superb filmmaking that opens a window into a hidden world.” – Independent

“If the ungodly star-driven media frenzy that surrounds the spring collections of the great Paris houses like Christian Dior is the public face of designer fashion, “Dior and I” shows us that what goes on behind the scenes is even more intriguing.” – Kenneth Turan, LA Times

“The drama of getting new dresses on the runway turns out to be transfixing, while the hero redefines the notion of intense.” Joe Morgenstern, Wall Street Journal

“’Dior and I’ intimately demonstrates the tricky balance between art and commerce, between perpetuating a mythology while attending to the bottom line, and doing it with the pressure of a ticking clock.” – Christy Lemire, RogerEbert.com

Newport Beach Film Festival, CEO and co-founder Gregg Schwenk

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The Newport Beach Film Festival seeks to bring to Orange County the best of classic and contemporary filmmaking from around the world. Committed to enlightening the public with a first-class international film program as well as providing a forum for cultural understanding and enriching educational opportunities, the Festival focuses on showcasing a diverse collection of both studio and independent films. The Festival supports the creation and advancement of innovative and artistic cinematic works from both emerging and seasoned filmmakers and proudly embraces the passion, vision, and independent spirit of these talented artists. With the integration of the local community and educational institutions, the Festival stimulates an interest in the study and appreciation of film and encourages people of all ages and backgrounds to participate. Since its inception in 2000, the Festival has presented many acclaimed films such as the U.S. Premiere of  Gregg Schwenkn NBFFCrash and other notable films including (500) Days of Summer, The Cove, Waitress, Son of Rambow, Paprika, Broken English, American Teen, Fugitive Pieces, Death Note: The Last Name, The King of Kong, Layer Cake, The Illusionist, Art School Confidential, Emmanuel’s Gift, Mad Hot Ballroom, Metallica: Some Kind of Monster, Spellbound, Castle in the Sky, Born into Brothels, and Pieces of April. Through tributes, special screenings and seminars, the Festival has honored film industry notables, including Aaron Sorkin, Haskell Wexler, Robert Wise, Henry Bumstead, Elmer Bernstein, John Waters, Alan Arkin, Bruce Brown, Richard Sherman, Penelope Spheeris, and McG. Co-founder and CEO Gregg Schwenk stops by to talk about the 2015 edition of NBFF, the opening night film, The Water Diviner, directed by Academy Award winner Russell Crowe and many of this year’s special screenings and events.

Newport Beach Film Festival – Thursday, April 23rd – Sunday April 30th

For the latest news and updates go to: newportbeachfilmfest.com

20,000 Days on Earth, Co-directors directors Iain Forsyth and Jane Pollard

20-000-days-on-earth-poster IIDrama and reality combine in a fictitious 24 hours in the life of musician and international cultural icon Nick Cave. The film is an intimate portrait of the artistic process, celebrating the transformative power of the creative spirit. 20,000 Days On Earth takes us deep into the heart of how myth, memory, love and loss, shape our lives, every single day. A line in Cave’s songwriting notebook calculating how many days he’d been alive inspired the film’s title. The film delves into Nick’s artistic processes, unpicking the stuff that makes him tick. Fusing drama and documentary to weave a cinematic day-in-the-life with unique verité observations of his full creative cycle. 20,000 Days on Earth premiered at the 2014 Sundance Film Festival, where it won the World Cinema Documentary awards for for directing and editing. Co-directors Iain Forsyth and Jane Pollard talk to us about their category defying film that pushes the medium into new territory, exploring universal themes about artistry, and celebrating the transformative power of the creative spirit.

For news and updates on 20,000 Days on Earth go to: 20000daysonearth.com

Screenings of 20,000 Days on Earth go to: drafthousefilms.com/film

“Gorgeous and haunting…an unclassifiable and frequently spectacular documentary.” – Andrew O’hehir, Salon.com

“Simply astounding, razor sharp, dynamic.” – Rob Nelson, Variety

“Just spending an hour and a half or so inside the mind of Nick Cave would be fascinating enough. But the themes of time and lifetime, and the 20,000-day take on it, make this one a must-see.” – Michael Dunaway, Paste Magazine

Spotlight on the Los Angeles Film Fest June 11 – 19

LA Film Fest 2014 II posterNow in its 20th year, running from June 11-19, the Los Angeles Film Festival, presented by Film Independent, showcases diversity, innovation and uniqueness of vision in new American and international cinema, and provides the movie loving public with one-of-a-kind events featuring critically acclaimed filmmakers, film industry professionals, and emerging talent from around the world. The Festival’s signature programs include the Filmmaker Retreat, Music in Film at The GRAMMY Museum®, Celebrating Women Filmmakers, Master Classes, Spirit of Independence Award, LA Muse and more. Over 200 features, shorts, and music videos, representing more than 40 countries, make up the main body of the Festival.

Billy Mize and the Bakersfield Sound – Director William (Joe) Saunders

 

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Billy Mize pioneered a musical revolution that became known as The Bakersfield Sound, which enjoyed enormous popularity in the sixties, producing such talented artists as Merle Haggard and Buck Owens. During the height of Bakersfield’s popularity, Nashville snubbed Billy Mize Film Postertheir loud, electric twang in an attempted to distance itself from rock ‘n’ roll artists, like Elvis Presley, and move to a smoother, acoustic sound. While Billy Mize and the Bakersfield Sound follows Mize’s personal story, it also defines and explains the Bakersfield Sound. The film explores how Mize made it to the brink of super-stardom, turned it down to be a father, befell horrible tragedy, and climbed his way back into the spotlight. In the prime of his career, just after being nominated for Single Record of the Year (his competition included Elvis Presley, Johnny Cash, Merle Haggard, and Glen Campbell), Mize and his wife, Martha, are beset with horrific personal tragedy.  Director, producer, editor and Mize’s own grandson, William (Joe) Saunders talks about the professional and personal journey that making Billy Mize and the Bakersfield Sound has been for him and his family.

For news and updates on Billy Mize and the Bakersfield Sound go to: http://www.billymizemovie.com/

Sound of Redemption: The Frank Morgan Story – Director NC Heiken

 

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 Sound of Redemption: The Frank Morgan Story tells the story of a prodigal alto sax player who, like so many of his fellow musicians of the era, saw his career plagued by drug Sound of Redemption film posteraddiction. What sets Frank apart is not just his exceptionally beautiful, classic alto playing, but also the amazing fact that he survived 30 years of revolving door incarceration and drug abuse and went on to a much heralded comeback career in the last 22 years of his life. His story is one of brilliant promise in his youth, a journey through the depths of hell, and redemption through his art. Sound of Redemption tells the story of his life and transformation through interviews with fellow musicians and people who were close to him, intercut with footage of Frank, and tracks of his very emotional music. Director NC Heikin joins us for a conversation on the tragedy and triumphs that is Frank Morgan’s story.

For news and Updates on Sound of Redemption: The Frank Morgan Story go to: http://www.thefrankmorganproject.com/index.html

For No Good Reason, Director Charlie Paul and Producer Lucy Paul

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Ralph Steadman is the last of the original Gonzo visionaries. Made over the course of fifteen years, “For No Good Reason,” explores the connection between life and art through the eyes of seminal British artist, Ralph Steadman. Insightful, humorous, and visually stunning, this is a study in honesty, friendship and the ambition that drives an artist. Ralph’s rise to prominence began in the early 1970’s during the fallout from the love and hope that had swept the western world during the 1960’s. This legendary time for music, literature, art and philosophy was the catalyst, along with his developing relationship with writer Hunter S Thompson, for Ralph to express and chart the wreckage that followed; a large-scale disintegration of a demoralized counter-culture. His art gained recognition in the press and popular-culture publications, both in the U.K. and U.S., for its bold comment on his fiercely heart-felt politics. Director Charlie Paul and Producer Lucy Paul joins us to talk about one of the world’s most electrifying and insightful painter / cartoonist / satirist.

News and updates For No Good Reason go to: http://sonyclassics.com/fornogoodreason/

“There’s no more exciting effect in the documentary than the look of pure pleasure on Depp’s face as he stands by Steadman’s drawing table, peeking over his shoulder as he attacks a sheet of paper.’ – Mark Feeney, Boston Globe

“Ralph Steadman is one of the greatest, most underappreciated living artists, so it’s wonderful that this celebratory documentary has arrived. It also happens to be one of the finest docs ever made about an artist.” – David Noh, Film Journal International