Friday, October 18 – The Cave, Director Feras Fayyad

Oscar nominee Feras Fayyad (“Last Men in Aleppo”) delivers an unflinching story of the Syrian war with his powerful new documentary, THE CAVE. For besieged civilians, hope and safety lie underground inside the subterranean hospital known as the Cave, where pediatrician and managing physician Dr. Amani Ballor and her colleagues Samaher and Dr. Alaa have claimed their right to work as equals alongside their male counterparts, doing their jobs in a way that would be unthinkable in the oppressively patriarchal culture that exists above. Following the women as they contend with daily bombardments, chronic supply shortages and the ever-present threat of chemical attacks, THE CAVE paints a stirring portrait of courage, resilience and female solidarity. Director and writer Feras Fayyad stops by to talk about the unbelievable courage of the hospital staff led by Dr. Amani Ballor, and the volunteers as they keep an otherwise harrowing day-to-day nightmare from devolving into soul-destroying chaos.

 

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For news, updates and screenings go to: nationalgeographic.com/films/the-cave

The Cave opens on October 18 at the Laemmle Royal Theatre in Los Angeles

SocialMedia:

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twitter.com/NatGeoDocs

instagram.com/explore/tags/thecavedocumentary

**WINNER – Audience Award – Toronto International Film Festival 2019

**WINNER – Audience Award – Camden International Film Festival 2019

**SPECIAL JURY MENTION – Camden International Film Festival 2019

“Miraculous. A standout. Feras Fayyad’s powerful portrait audaciously puts women’s imperative contribution to survival front and center.” – Tomris Laffly, Variety

“Look no further than The Cave for a portrait of true heroism. Provides astonishingly immediate and gripping footage of the collective effort to survive. The Cave ranks among the best of films to portray the tragedy of the Civil War in Syria and the resilience of the everyday people who keep the spirit of the nation alive.” – Pat Mullen, POV

“Emotionally Moving. Both intensely real and a carefully wrought work of cinema.” – Caryn James, The Hollywood Reporter

“Gripping. Unprecedented. A real-time thriller. Fayyad excels at finding small moments that take on poetic resonance.” – Eric Kohn, IndieWire

Friday, October 18 – Diego Maradona, Director Asif Kapadia

In this brilliant followup to his award-winning documentaries (SENNA, AMY) DIEGO MARADONA captures the athletic brilliance and maddening duality of a soccer player widely considered to be best player in the world from the moment he burst onto the scene in his native Argentina. And yet success proved elusive. He failed at Barcelona. He was considered a problem player, too interested in partying. Meanwhile, having never won a major tournament, the ailing Italian football giant SSC Napoli were perennial underachievers. Their fanatical support was unequalled in both passion and size. But how they ached for success… On 5th July 1984, Diego Maradona arrived in Naples for a world-record fee and for seven years all hell broke loose. The world’s most celebrated football genius and the most passionate but dangerous city in Europe were a perfect match for each other. Diego Maradona was blessed on the field and treated like a God off it; the charismatic Argentine loved a fight against the odds and led Naples to their first-ever League title. It was the stuff of dreams. But there was a price… Diego could do as he pleased while performing miracles on the pitch, but as time passed, darker days closed in. Italy turned on him. The third film from the Academy Award-winning & multi-BAFTA-winning team behind SENNA and AMY (director Asif Kapadia, producer James Gay-Rees, editor Chris King, composer Antonio Pinto), and also Paul Martin, DIEGO MARADONA was constructed from over 500 hours of never-before-seen footage from Maradona’s personal archive. DIEGO MARADONA is crafted in the style of SENNA and AMY. It is the definitive feature documentary on the charismatic enigma that is Maradona. In a city where even the devil would need bodyguards, Diego Maradona became a god. Maradona in Naples is the story of his life, the wild and unforgettable story of an unrivalled talent. He was a rebel, cheat, hero and god. This is a story of glory, despair and betrayal, a tale of corruption and, ultimately, of redemption. Director / Producer Asif Kapadia joins us to talk about the enigma of “Diego” and “Maradona.”

For news, updates and screenings go to:hbo.com/documentaries/diego-maradona

For news, updates and screenings go to: diegomaradona.movie

Social Media and tags:

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twitter.com/HBODocs

#HBO

#HBODocs

#DiegoMaradona

#HBOSports

Asif Kapadia:

facebook.com/DiegoMaradonaMovie

twitter.com/asifkapadia

twitter.com/MaradonaMovie

instagram.com/diegomaradonamovie

website: diegomaradona.movie

“MESMERIZING… one of the most colorful and fascinating personalities in all of sports, with a life story bordering on the mythic. You may know outlines of the soccer legend’s life, but there’s no way you won’t learn something from DIEGO MARADONA, Asif Kapadia’s absorbing and exhaustive new film.” – Jocelyn Noveck, Associated Press

“a fame-technique movie, measured in crowd roars, off-field revelry, media run-ins, and fan scrums as dizzying accoutrements to success, but also – when Maradona succumbed to scandals surrounding women, an unclaimed son from an affair, cocaine, loyalty, and powerful mob friends – in how those same trappings can suddenly turn vicious, and a hero’s fall can go shockingly unsupported.” – Robert Abele, Los Angeles Times

“[Kapadia] has edited cruddy video footage (some of which appears barely more than camcorder-grade) and photographs into a movie so fluid that it moves like a Hollywood production. He also dispenses with much of the filler common to documentaries… It is exhausting and exhilarating, cheap looking and slick, a documentary for Maradona fans but also for many others besides.” – Ben Kenigsberg, The New York Times

“Asif Kapadia has put together an extraordinarily intimate account of [Diego Maradona’s] rise and fall, enriched by grainy but graphic footage recording every phase of his life.” – Sandra Hall, Sydney Morning Herald

Friday, October 18 – On the President’s Orders, Directors James Jones and Olivier Sarbil

ON THE PRESIDENT’S ORDERS tell the searing story of President Rodrigo Duterte’s bloody campaign against drug dealers and addicts in the Philippines, told with unprecedented and intimate access to both sides of the war – the Manila police, and an ordinary family from the slum. Shot in the style of a thriller, this observational film combines the look and feel of a narrative feature film with a real life revelatory journalistic investigation into a campaign of killings. The film uncovers a murky world where crime, drugs and politics meet in a deathly embrace – and reveal that although the police have been publicly ordered to stop extra-judicial killings, the deaths continue. Director / Producer James Jones and Director / Cinematographer Olivier Sarbil join us for a conversation on the challenges of gaining access to the police, the victims of police violence and the draconian drug policy being enforced by a dictatorial, human-rights abusing regime.

 

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About the filmmakers:

Director and Producer – James Jones is an award-winning British director who makes documentary films for international television and theatrical release. His documentaries tackle important issues through powerful personal stories told in a filmic style and narrative. He has made films about police shootings in America, suicide in the military, wars in Ukraine and Gaza, and undercover investigations in Saudi Arabia and North Korea. His background in current affairs investigations means the films still have a hard journalistic edge while using the craft techniques of documentary. His films have won two Emmys, three DuPonts, a Grierson, a Rory Peck, a Frontline Club, a Royal Television Society, a Broadcast Award, two Overseas Press Club of America, two Golden Nymphs, and a Venice TV Award, as well as being nominated five times at the BAFTAs. Recently, he co-directed the Emmy-winning Mosul with Olivier Sarbil.

Cinematographer and Director – Olivier Sarbil is an award-winning French documentary director and Emmy-winning cinematographer based in London. Over the past decade, Olivier has covered conflicts and critical social issues across Asia, the Middle East, Africa, Europe and North America. With strong visual storytelling, Olivier’s films are intimate and human, conveying emotions through beautiful and cinematic imagery. His work has been recognized with awards from a variety of organizations, including, Emmy for Outstanding Cinematography, DuPont, Royal Television Society, One World Media, Overseas Press Club of America, Broadcast Awards, Bayeux-Calvados for war correspondents (twice), Golden Nymph, Rory Peck, Venice TV Award, Frontline Club, Grand Award and Gold Medal at the New York Festivals International TV & Film. His imagery has also garnered a BAFTA Nomination for Best Cinematography.

For news, updates and screenings go to: onthepresidentsorders.com

ON THE PRESIDENT’S ORDERS Q&A with filmmakers James Jones and Olivier Sarbil will participate following the 7:40 pm show on Friday, 10/18  at the Monica FIlm Center

Social Media:

twitter.com/OnThePresident

@oliviersarbil

@jamesjonesfilm

@OnThePresident

“A shockingly alarming investigation produced with the sensibilities of a social realist drama, Sarbil and Jones’ nonfiction warning should petrify U.S. viewers immeasurably.” – Carlos Aguilar, Los Angeles Times

“A wholly cinematic, sensory experience, with straight-ahead reportage electrified by glaring streetlights and a panicked urban wall of sound…” Guy Lodge, Variety

“On the President’s Orders is the disturbing observational documentary we’ve needed about the Philippines drug war, made with finesse and astonishing access.” Musanna Ahmed, Film Inquiry

“A riveting account of the consequences of unfettered demagoguery.” – Justin Lowe, Hollywood Reporter

Friday, October 11 – GIFT, Director Robin McKenna

Inspired by Lewis Hyde’s beloved classic The Gift: Creativity and the Artist in the Modern World, GIFT is a richly cinematic film, interweaving character‐driven stories. On North America’s Pacific Northwest Coast, a young Indigenous artist and carver undertakes the elaborate preparations for a potlatch – to make a name for himself by giving everything away. In Rome, Italy, a factory occupied by migrant families is transformed into a living museum, protected by a barricade of art : a model of resistance, and an invaluable gift.  In the pirate utopia of Burning Man, a mutant bumblebee art car distributes honey in a post-­apocalyptic desert landscape. Meanwhile, in Auckland, New Zealand, artist Lee Mingwei prepares to launch Sonic Blossom – a “transformative gift” of song. GIFT is a tribute to something that can’t be measured or counted, bought or sold. Exploring the parallels between artists’ work and a gift economy, it’s a reflection on the creative process, the reasons we “labour in service of our gifts”, and a celebration of the imagination. Director Robin McKenna joins us to talk about her beautifully meditative film about paying forward human connection and how communities can re-imagine the meaning of wealth and prosperity.

About the filmmaker: Robin McKenna is director, producer and writer of GIFT, a feature-length documentary and crossmedia project inspired by Lewis Hyde’s classic bestseller The Gift. She is currently making Thanadoula, a short animated documentary fairytale about a real-life “death doula”, in co-production with the National Film Board of Canada – and Medicine, a feature-length documentary over a decade in the making, about ayahuasca, medicine and healing, with Dr. Gabor Maté. She directed Genevieve Bujold: ArtVie, a short film tribute to Bujold on 16mm, for the Governor General’s Awards for the Performing Arts in 2018. Robin grew up in Montréal, and began making films with La course destination monde. Her cinematography credits include City of Borders (Berlinale, Hot Docs 2009) and The Take with Naomi Klein and Avi Lewis (AFI Best Documentary 2004).

 

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For news, updates and screenings go to: giftitforwardproject.com/the-film

GIFT opens at the Laemmle Monica Film Center on Friday, October 11. On Saturday, October 12 John Densmore (The Doors) and director Robin McKenna will participate in a Q&A following the 7:45 pm show.

Social Media:

facebook.com/GIFTdocumentary

instagram.com/giftdocumentary

“For many people, Gift will live up to its title.” – Frank Scheck, Hollywood Reporter

“Documentarian Robin McKenna’s intelligent and life affirming documentary Gift will make viewers consider how they give, receive, and create art in a fresh, new light.” – Andrew Parker, The Gate

“A documentary showing how art keeps moving in circles of sharing, giving, and generosity.” – Frederic and Mary Ann Brussat, Spirituality and Practice

Friday, October 4 – Midnight Traveler, Producers Emelie Mahdavian and Su Kim

In 2015, after Hassan Fazili’s documentary Peace in Afghanistan aired on Afghan national television, the Taliban assassinated the film’s main subject and put a price on Fazili’s head. Fearing for their survival, the Fazili family, Nargis, Zahra, and Fatima fled Kabul for Tajikistan. Yet after 14 months spent submitting asylum applications that were rejected again and again, they were deported back to Afghanistan. It was at this juncture that Fazili picked up his cell phone and hit the record button and with that Midnight Traveler began to take shape. Chronicling every step from inside the action, Fazili, his filmmaker wife, and their young daughters trek across Iran, Turkey, Bulgaria, and Serbia—scurrying through perilous landscapes, huddling in freezing forests, cramming into rattling vehicles. As they endure smugglers, gangs, and refugee camps, the camera witnesses not only the danger and desperation but also the exuberance and tenderness of this irresistible, loving family. For Fazili, framing their story becomes an assertion of control, humanity, and self-expression in a situation where none exists. With its radical subjectivity, visceral footage, and poetic form, Midnight Traveler is a migration story like no other. Producer Su Kim and Producer / writer / editor Emilie Mahdavian join us for a look at at Hassan and his remarkably resilient family as they attempt to overcome institutional and deadly political obstacles in their fight for freedom as seen through the eyes of his children, Zahra and Nargis and wife, Fatima. A fight for freedom that they have to win.

 

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For news and updates go to: midnighttraveler.oscilloscope.net

For news and screening information go to: midnighttravelerfilm.com

Social Media:

facebook.com/oscopelabs

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instagram.com/oscopelabs

*WINNER* SUNDANCE FILM FESTIVAL 2019

World Cinema Documentary Special Jury Award for No Borders

BERLIN INTERNATIONAL FILM FESTIVAL 2019

Prize of the Ecumenical Jury – Special Mention

100% on Rotten Tomatoes 

“Modest but full of urgency, MIDNIGHT TRAVELER uses the power of smart phones to reveal a migrant family’s search for a safe haven. Gretchen Jude’s percussive, electronic score helps hold it all together. [The film] stands as a family’s joint testimony, heartfelt and heartbreaking, particular yet hauntingly representative.” – Caryn James, The Hollywood Reporter

“Has a home-movie quality that’s enormously effective in putting a human face on a global crisis.” – Scott Tobias, Variety

“What makes [the film] so moving, though, is the portrait that Fazili and Hussaini paint of both themselves as full, ungainly people, with flaws and hopes and perfections and their daughters who, in a way, are the stars [of the movie]. A languid, poetic film. [The parents] meditate on family, fear, equality, Islam, and the banality of everyday life. Throughout, though, it is hard not to forget that MIDNIGHT TRAVELER is a film of life or death which the score constantly reminds, and which infuses tensions into the narrative’s nooks and crannies.” – Gary Garrison, The Playlist

“A remarkable achievement…an affecting, essential documentary. The suffering, fear and humiliation that they experience is balanced by moments of warmth and an artist’s magpie eye for unexpected glimpses of beauty…While there have been numerous documentaries which deal with the plight of asylum seekers, there have been few which have shown, with this level of intimacy, the journey of a family from certain danger to an uncertain fate. It’s a film which deserves to be as widely seen as possible.” – Wendy Ide, Screen International

Friday, October 4 – Collisions, Director Richard Levien

COLLISIONS follows the story of a twelve-year-old girl, Itan (Izabella Alvarez), a straight-A-student in San Francisco, who comes home from school to find their family’s furniture up-ended and no trace of her mother, Yoana (Ana de la Reguera), who was detained by Immigration and Custom Enforcement (ICE). Child Protective Services dumps Itan and her six-year-old brother Neto (Jason Garcia) with their estranged uncle Evencio (Jesse Garcia), a big rig truck driver. Itan can’t stand him. He’s arrogant, unreliable, and possibly a criminal. After a desperate search, Itan locates Yoana in an immigration detention center in Arizona and convinces Evencio to take them there. They are propelled onto the road in Evencio’s truck, through the maddening labyrinth of immigration detention. Itan fights to free her mother before she is deported. But her mother keeps slipping from her grasp, as she is transferred from prison to prison. Their journey takes them through the deserts of the southern border, to sprawling truck stops, border patrol offices and secret immigration prisons. Director / Producer / Writer / Editor Richard Levien joins us for a conversation on the inspiration for COLLISIONS, his desire to humanize the tragic stories behind the headlines and the corrosive impact that cruel, politically motivated policies can have on the lives of hardworking peoples lives.

 

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For news, screenings and updates go to: collisionsmovie.com

Opens at Laemmle Music Hall in Los Angeles – October 4

Friday, October 4 – Collisions, Director Richard Levien

Friday, September 25 – Anthropocene: The Human Epoch, Co-directors Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky

A stunning sensory experience and cinematic meditation on humanity’s massive reengineering of the planet, ANTHROPOCENE: THE HUMAN EPOCH is a years-in-the-making feature documentary from the award-winning team behind Manufactured Landscapes (2006) and Watermark (2013) and narrated by Alicia Vikander. The film follows the research of an international body of scientists, the Anthropocene Working Group who, after nearly 10 years of research, argue that the Holocene Epoch gave way to the Anthropocene Epoch in the mid-twentieth century as a result of profound and lasting human changes to the Earth. From concrete seawalls in China that now cover 60% of the mainland coast, to the biggest terrestrial machines ever built in Germany, to psychedelic potash mines in Russia’s Ural Mountains, to metal festivals in the closed city of Norilsk, to the devastated Great Barrier Reef in Australia and massive marble quarries in Carrara, the filmmakers have traversed the globe using state of the art camera techniques to document the evidence and experience of human planetary domination. At the intersection of art and science, ANTHROPOCENE: THE HUMAN EPOCH witnesses a critical moment in our geological history. Co-directors  Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky bring a provocative and unforgettable experience of our species’s ever-expanding breadth and devastating impact. 

 

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For news, screenings and updates go to: kinolorber.com/Anthropocene: The Human Epoch

For more information on Anthropocene and filmmakers go to: theanthropocene.org/

For additional information on Jennifer Baichwal at mercuryfilms.ca

Social Media:

facebook.com/mercuryfilmsinc

twitter.com/mercuryfilms

instagram.com/mercuryfilmsinc

“Astonishment. Pure, lurid, ravishing, genuine astonishment. That is Anthropocene: The Human Epoch.” – Luke Hicks, Nonfics

“The [team’s] latest film is the culmination of a major body of work and it’s as visually stunning and intellectually invigorating as the previous two films are.” – Pat Mullen, POV Magazine

“To say that there are no easy answers to planetary woes is to state the obvious. But the film seeks to reveal rather than lecture, in the hope that our eyes will convince our brains to act before it’s too late.” – Peter Howell, the Toronto Star

“Its cinematography and passion for our planet make a strong case for your attention.” – Nick Allen, RogerEbert.com

“The luminous, terrifying and beautiful documentary “Anthropocene: The Human Epoch” feels like the culmination of the life’s work of its three directors… because it chronicles what could be the end of human life on Earth.” – Sean P. Means, The Movie Cricket

Friday, September 27 – Always in Season, Director Jacquelin Olive

Claudia Lacy wants answers. When her 17-year-old son, Lennon, was found hanging from a swing set in Bladenboro, North Carolina, the authorities quickly ruled his death a suicide. In light of suspicious details surrounding his death, and certain that her son would not take his own life, Claudia is convinced Lennon was lynched. Jacqueline Olive’s unwavering debut film ALWAYS IN SEASON puts Lacy’s pursuit for justice into a wider historical context, inspiring a powerful discussion about lynching across racial lines. Appalling accounts of lynchings carried out at the beginning of the twentieth century provide a necessary historical framework, while an annual lynching reenactment in Monroe, Georgia, offers insight into the enduring legacy of racial violence in America. Olive’s layered exploration follows one African American family’s personal experience with a justice system that has failed so many, while also hinting at the promising first steps of a nation trying to reconcile. Olive’s film honors and acknowledges the injustices that have been inflicted, while emphasizing that only through the uncomfortable conversations and acceptance of our nation’s history will we begin to heal together. Director / Producer Jacquelin Olive joins us for a conversation on the bitter, pernicious and deadly legacy of the Confederacy and the enslavement of human beings in service to big business interests.

About the filmmaker: Director / Producer Jacquelin Olive is an independent filmmaker and immersive media producer with fifteen years of experience in journalism and \film. Her debut feature documentary, Always in Season, premiered in competition at the 2019 Sundance Film Festival and was awarded the Special Jury Prize for Moral Urgency. Jackie also co-directed the award-winning hour-long film, Black to Our Roots, which broadcast on PBS in 2009. Jackie has received artist grants and industry funding from Sundance Institute, Independent Television Service, Ford Foundation, Firelight Media, and more. She was recently awarded the Emerging Filmmakers of Color Award from IDA and the Jonathan Logan Family Foundation.

 

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For news, screenings and updates go to: alwaysinseasonfilm.com

Always in Season opens in LA on Friday, September 27 at the Laemmle Music Hall – A Q&A with Director Jacquelin Olive will follow the 7:30 PM screening

Social Media:

facebook.com/AlwaysInSeasonFilm

twitter.com/Always_InSeason

instagram.com/alwaysinseasonfilm

“‘Always in Season’ makes a powerful case that the history of lynching in the American South is not just history – that murders still haunt the present-day sites where they occurred, and that such killings can and do happen today.” – Ben Kenigsberg, New York Times

“A nuanced, layered reminder of how far we still have to go to correct the injustices of this country’s past and present.” – Brian Tallerico, RogerEbert.com

“Although difficult to watch, the film is invaluable in its exploration of lynching as a form of racial terrorism.” – Andrea Gronvall, Chicago Reader

“Olive paints a portrait of righteous rage and determination.” – Keith Uhlich, Hollywood Reporter

Friday, September 27 – Don’t Be Nice, Producer Nikhil Melnechuk

The high-energy documentary DON’T BE NICE, chronicles the upstart Bowery Slam Poetry Team, made up of five African-American, Afro-Hispanic and queer poets in their 20s, preparing for the national championships. Coach Lauren Whitehead pushes them past personal boundaries to write from a painfully honest place with the credo “Don’t Be Nice.” She explains that to “be nice” is to stay on the surface of things, is to perpetuate the status quo, and is, for black people, to be what White culture demands. Her team of poets breaks down, breaks through, and ultimately writes their masterpiece—a celebration of black joy. Timely and difficult, their spoken word slays—but will their soul-searching pieces about police violence and the whitewashing of Black culture be able to compete against choreographed crowd-pleasers for the national title? Will opting to make a statement instead of a show spell their defeat?  An emotional and inspiring film that gives insightful commentary on race, gender, identity and sexual politics in America today, DON’T BE NICE is both an exciting competition film and a deep dive into the wildly-popular Slam Poetry subculture, that proves once and for all that winning hearts and minds is the ultimate prize. Producer Nikhil Melnechuk joins us to talk about the phenomenally talented group of poets / writers / advocates that make up the Bowery Team and these from the heart, high-wire performances chronicled in this emotionally charged documentary.

 

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For news, screening and updates go to: dontbenicemovie.com

Social Media:

facebook.com/dontbenicemovie

twitter.com/dontbenicemovie

instagram.com/dontbenicemovie

“[T]he poets slam truth to power and demand audiences to wake up…this film will take you to places you never expected.” – Pat Mullen, POV Magazine

“[F]ull of ideas, riffs on current events and so much tension you’ll occasionally be holding your breath.” – Norman Wilner, NOW Toronto, ***** Top Ten Film of the Year

“Captures the revitalization of the artist in a world filled with doom, which makes it remarkably resonant.” – Candice Frederick, The Wrap

“Don’t Be Nice is as entertaining as it is revelatory, an important film for the times.” – Sean Boelman, Popaxiom

“This is Shakespeare on steroids, a poetic banquet of color, action, rhythm and sound that transcends expectations.” – Bev Questad, It’s Just Movies

Friday, September 20 – Homemade, Co-director Danielle Bernstein (Jason Maris)

The riveting new documentary HOMEMADE bares witness to the lives of Adam Sorensen and his family as they navigate life after combat. The film project was originally developed from the idea that the Improvised Explosive Device (IED) goes off twice; once in the field, affecting each individual differently depending on a variety of factors including proximity to the blast, physical position and past injuries. There is a second blast that goes off in each family living room as a result of the actual explosion. It’s footprint reaches our closest loved ones, the physicians treating the wounded, and extends into our communities. HOMEMADE is a six-year, cinematic and intimate journey about a marriage, invisible wounds and the effects of Post Traumatic Stress (PTS), Traumatic Brain Injury (TBI) and addiction. It is a story of survival and resilience unveiling the scope of these challenges and begging a broader question about our cultural markers of success. Weaving between the monumental landscapes of Utah, Washington DC landmarks, cinéma vérité scenes and recorded phone calls, Through the experiences of Adam, Victoria, and their families, HOMEMADE examines our cultural markers of success, the culture of treating symptoms instead of cause, and the disconnect between medical care and true wellness. Themes addressed include continuity of care, the epidemic of over-prescription in both military and civilian care, and the stereotypes of injured combat veterans. Co-director / Producer / Editor Danielle Bernstein (Jason Maris) joins us to talk about this heartbreaking film and why Adam and Victoria’s story will close the empathy gap between civilian and military communities, start productive dialogues about the challenge of transition from active duty military to retired, and to provide audiences with an abundance of tools in order to take action.

 

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For news, screenings and updates go to: homemadethefilm.com

Social Media:

facebook.com/homemadethefilm

twitter.com/HomemadeTheFilm

instagram.com/homemadethefilm

Friday, September 20 – Spider Mites of Jesus: The Dirtwoman Documentary, Director Jerry Williams

When he was an infant, Donnie Corker suffered from the “Spider Mites of Jesus,” because his mother couldn’t pronounce spinal meningitis. This caused mental challenges that resulted in his lifelong illiteracy. At 13, he began selling his body on the streets as a drag prostitute. When he was arrested, he took a dump in the back of the police car, leading the cops to give him the moniker: Dirtwoman. Since then he’s run for mayor, gotten kicked out of the inauguration of America’s first black governor (Douglas Wilder), posed for his own pin-up calendar (weighing in at 350 pounds), offered crabs from his crotch for a GWAR video and hosted the annual Hamaganza fundraiser that provided “Hams for the Hamless.” When he died last year at 65, it was on the front page, top-of-the-fold of the Richmond Times-Dispatch and was featured nationally on NPR. Director Jerry Williams talks about living in the same town as Donnie Corker (Dirtwoman) and the lasting impact he had on so many people and different communities within the city of Richmond.

About The Dirtwoman Documentary: While taking a lunch break on a shoot in 1999, Jerry  and local videographer Dave Park started discussing Dirtwoman. They partnered with local producer Liz Throckmorton to create a documentary. It was launched with big birthday party for Dirtwoman. Then they got sidetracked for 17 years making a living. In February 2017, Jerry was contacted by Mark Holmberg, a long-time friend who chronicled the exploits of Dirtwoman (in print at the Richmond Times-Dispatch, then as reporter for CBS6). Donnie had been diagnosed with congestive heart failure and Mark aired a story that included Jerry. That sparked his motivation to return to the project. Jerry’s produced hundreds of videos during his career, but never had a passion project. He enlisted colleagues from all aspects of the production biz to help him, most working for free…because they liked the idea. (See “Who Worked on It”) He produced the teaser in May 2017 to promote the project and recruit more interviews. When editing started in March 2018, 70 people had been interviewed (see “Who’s In It”). In addition to the video footage shot in 1999, the doc will feature never seen before video and photos.

 

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For news, screenings and updates go to: dirtwomandoc.com

Social Media:

twitter.com/tvjerry

Friday, September 13 – Monos, Director Alejandro Landes

MONOS, Alejandro Landes’ awe-inspiring third feature, is a breathtaking survivalist saga set on a remote mountain in Latin America. The film tracks a young group of soldiers and rebels — bearing names like Rambo, Smurf, Bigfoot, Wolf and Boom-Boom — who keep watch over an American hostage, Doctora (Julianne Nicholson). The teenage commandos perform military training exercises by day and indulge in youthful hedonism by night, an unconventional family bound together under a shadowy force known only as The Organization. After an ambush drives the squadron into the jungle, both the mission and the intricate bonds between the group begin to disintegrate. Order descends into chaos and within MONOS the strong begin to prey on the weak in this vivid, cautionary fever- dream. With a rapturous score by Mica Levi (only her third, after UNDER THE SKIN and JACKIE), director Alejandro Landes examines the chaos and absurdity of war from the unique perspective of adolescence, recalling LORD OF THE FLIES and BEAU TRAVAIL in a way that feels wholly original. Landes brings together a diverse young cast of both seasoned professionals (including Hannah Montana’s Moisés Arias) and untrained neophytes and thrusts them into an unforgiving, irrational and often surreal environment where anything can happen — even peace. Director Alejandro Landes talks about the grueling production challenges of shooting in a jungle, working with a young cast and how his collaboration with screenwriter Alexis Dos Santos and composer Mica Levi helped to create an intense, high-wire cinematic journey.

 

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For news, screenings and updates go to: monos-film.com

Social Media:

facebook.com/neonrated/posts/monos

twitter.com/hashtag/monos

twitter.com/neonrated

#Monos

SUNDANCE FILM FESTIVAL – Special Jury Award
CARTAGENA INTERNATIONAL FILM FESTIVAL – Audience Award
BUENOS AIRES FILM FESTIVAL – Best Original Score
SLOVAKIA ART FILM FEST – Blue Angel – Best Film
NEWPORT BEACH FILM FESTIVAL  Best Director, Best Cinematography, Best Actress
MONTCLAIR FILM FESTIVAL – Best Fiction Feature
TRANSILVANIA INTERNATIONAL FILM FESTIVAL – Transilvania Trophy Best Film
ODESA INTERNATIONAL FILM FESTIVAL – Best Director

 

“A wild, anarchic film, which rips civilization apart at the seams to examine the messy darkness inside.” – Katie Walsh, Tribune News Service

“Something between Apocalypse Now, Lord of the Flies and Embrace of the Serpent.” – Peter Bradshaw, Guardian

“There’s a bicep-flexing quality to Landes’s direction, with its bursts of colour and chaos, its conjuration of a surreal experience out of tactile reality. You tumble out of it bruised, bewildered, mesmerised.” – Tim Robey, Daily Telegraph (UK)

“Though “Monos” feels very contemporary aesthetically, its subjects are timeless.” – Joe Blessing, The Playlist

“A monumentally cinematic experience of lush wilderness and raw emotions.” – Tomris Laffly, RogerEbert.com

Friday, September 13 – Neither Wolf Nor Dog, Director Steven Lewis Simpson

Adapted from the acclaimed novel NEITHER WOLF NOR DOG by Kent Nerburn the story follows a white author who gets sucked into the heart of contemporary Native American life in the sparse lands of the Dakota’s by a 95-year old Lakota elder and his side-kick. NEITHER WOLF NOR DOG takes audiences on a deeply moving road trip through contemporary Lakota life. Its humor is wry and pulls no punches, introducing deep characters and poignant vignettes that challenge the viewer to see the world differently.  Neither Wolf Nor Dog was audience-financed, shot in 18-days in one of the US’s poorest region with an average crew of 2 and a 95-year-old Lakota Elder, David Bald Eagle, as the star. The Lakota actor, soldier, stuntman and musician, David Bald Eagle was left for dead during D-Day and Christopher Sweeney was awarded the Silver Star from the Gulf War. Yet it was the film’s other star, Yuchi-Muscogee Creek multi-disciplinary visual artist, poet, and actor, Richard Ray Whitman, who was never in the service, who spent the most days under fire during the 71-day occupation of Wounded Knee in 1973. Neither Wolf Nor Dog has become one of the widest released, truly self-distributed movies in years. Simpson flipped the Hollywood model upside-down by launching in small towns and it has the longest theatrical first-run of any movie in at least a decade: 131 weeks so far. Director / Producer / Writer / Editor / Cinematographer Steven Lewis Simpson joins us for a conversation on his determination to pursue own path of independent filmmaking, distribution, marketing and bringing seldom heard stories to a broader audience.

About the filmmaker: At 18 Steven Lewis Simpson was Britain’s youngest fully qualified stockbroker and trader. At 22 he moved to Los Angeles to work for the legendary Roger Corman’s Concorde Pictures. It was there Simpson shot his first feature TIES. He shot his first documentary TIMOR TIMOR in West Timor, Indonesia, produced and co-edited the award-winning surreal fairy tale, FROG which was broadcast on Canal Plus and associate produced the comedy feature, RESURRECTING BILL. His epic feature documentary A THUNDER-BEING NATION about the Oglala Lakota of Pine Ridge Reservation was released in 2016. Made over 13 years it’s the most comprehensive documentary looking at the history and contemporary life of an Indian Reservation. He capped off the trio of Native American projects with a 13 episode US TV show THE HUB about arts, culture and entertainment within Indian Country. Through this work Steven has become a well-known advocate for Native American rights and a respected figure in Indian Country. Simpson’s latest feature  is an adaptation of the acclaimed Lakota Country novel NEITHER WOLF NOR DOG is being released in 2019. He is currently in post-production on the feature documentary RETURN TO TIMOR, shot in West Timor, Indonesia. For more about the filmmaker go to: stevenlewissimpson.com

 

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For news, screenings and updates go to: neitherwolfnordogfilm.com

Social Media:

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instagram.com/stevenlewissimpson

“Drifting tantalisingly like a Native American variation on David Lynch’s The Straight Story, this poignant insight into the legacy of centuries of racist brutality reaches a shattering climax at the site of the 1890 massacre at Wounded Knee…” – David Parkinson, Radio Times

“In the wake of Standing Rock, Neither Wolf Nor Dog could not be more current.” – Julie Crawford, North Shore News

“While this effort from filmmaker Steven Lewis Simpson is somewhat lacking in technical polish, it boasts an undeniable emotional power and authenticity.” – Frank Scheck, Hollywood Reporter

“Drifting tantalisingly like a Native American variation on David Lynch’s The Straight Story, this poignant insight into the legacy of centuries of racist brutality reaches a shattering climax at the site of the 1890 massacre at Wounded Knee…” – David Parkinson, Radio Times

Friday, September 13 – Raise Hell: The Life and Times of Molly Ivins, Director Janice Engel

RAISE HELL: THE LIFE & TIMES OF MOLLY IVINS tells the story of media firebrand Molly Ivins, six feet of Texas trouble who took on the Good Old Boy corruption wherever she found it. Her razor sharp wit left both sides of the aisle laughing, and craving ink in her columns. She knew the Bill of Rights was in peril, and said “Polarizing people is a good way to win an election and a good way to wreck a country.” Molly’s words have proved prescient. Now it’s up to us to raise hell! Director Janice Engel (Ted Hawkins Amazing Grace, Jackson Browne: Going Home, Addicted and What We Carry) joins us for a lively conversation on a journalist who did not shy away from confronting and shaming the most powerful institutions, political interests and the people who protected them from her righteous anger and lacerating wit.

About Molly Ivins: Molly Ivins was a nationally-syndicated political columnist and author, who remained cheerful despite the state of politics in this country and her own physical trials. She emphasized the more hilarious aspects of both state and national government, and consequently never had to write fiction. Ivins was from Houston, Texas, graduated from Smith College in 1966, then from Columbia University’s School of Journalism with a Masters in 1967. Ivins won many awards too numerous to list for her writing, courage, and truth telling. Her freelance work appeared in The Nation, The Progressive, Mother Jones, Esquire, Harper’s, Atlantic, and Playboy. She was also known for her essays on National Public Radio as well as media appearances around the world. Ivins wrote seven books, several of which were best-sellers including; BUSHWHACKED: Life in George W. Bush’s America with Lou Dubose in 2003 and WHO LET THE DOGS IN? Incredible Political Animals I Have Known in 2004. Molly was President of the Board of the Texas Democracy Foundation publisher of the venerable Texas Observer, which was her spiritual home and love. She found her voice at the Observer and helped sustain them and lead countless other young writers in seeking out the “good” stories and bring them to the public.

“The best way to get the sons of bitches is to make people laugh at them.” Molly Ivins

 

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For news, screenings and updates go to: mollyivinsfilm.com

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Engel gives “Raise Hell” such momentum – it’s a whoosh of a movie – that you are quickly swept up in its sights and sounds. There’s a lot to take in.” – Manohla Dargis, New York Times

“There was never anybody like Molly Ivins before, and never will be again, and this documentary does a fine job of capturing what made her special.” – Matt Zoller Seitz, RogerEbert.com

“Smart and entertaining, just like its subject.” – Caryn James, Hollywood Reporter

“It’s a rare documentary indeed that so expertly captures the singular essence of its subject, and [Molly] Ivins is restored to vivid and vital life, if not in the flesh than in the mind and spirit.” – Marc Savlov, Austin Chronicle

Monday, September 9 – Grit, Co-director Cynthia Wade (Sasha Friedlander)

When Dian was 6 years old, she heard a deep rumble and turned to see a tsunami of mud barreling towards her village. She remembers her mother scooping her up to save her from the boiling mud. Her neighbors ran for their lives. Sixteen villages, including Dian’s, were wiped away. A decade later, nearly 60,000 people have been displaced from what was once a thriving industrial and residential area in East Java, located just 20 kilometers from Indonesia’s second largest city. Dozens of factories, schools and mosques are submerged 60 feet under a moonscape of cracked mud. The majority of international scientists believe that Lapindo, a multinational company that was drilling for natural gas in 2006, accidentally struck an underground mud volcano and unleashed a violent flow of hot sludge from the earth’s depths. Ten years later, despite initial assurances to do so, Lapindo has not provided 80% of its promised reparations to the hundreds of victims of who lost everything in the mud explosion. While the survivors live in the shadow of the mudflow and wait for restitution, they live in makeshift rented homes next to levees that hold back the still flowing mud. Dian is determined to rise out of the muddy life. She and her mother, along with many neighbors, fight against the corporate powers accused of one of the largest environmental disasters in recent history. The gripping documentary film GRIT bears witness to Dian’s transformation into a politically active teenager as she questions the role of corporate power and money in the institution of democracy itself.

About the filmmaker(s): Cynthia Wade’s 2008 documentary Freeheld won a 2008 Academy Award for Best Documentary Short Subject, Special Jury Prize at the Sundance Film Festival, and 13 other awards. She was a lead producer on the 2015 fictionalized adaptation of Freeheld, starring Julianne Moore, Ellen Page, Steve Carell and Michael Shannon. Wade’s 2013 HBO documentary Mondays at Racine was nominated for an Academy Award in 2013. She is the director of the documentaries Grist for the Mill (1999, HBO), Shelter Dogs (2004, HBO), Born Sweet (2009), Living the Legacy (2009, Sundance Channel) and Generation Startup (2016, Netflix), and producer of The Gnomist (2015, CNN). She holds a BA from Smith College and an MA in Documentary Film Production from Stanford University. Wade has won more than 45 film awards worldwide.

Co-director Sasha Friedlander directed, produced, shot and edited the feature-documentary Where Heaven Meets Hell. The film, set in East Java, Indonesia, won numerous prizes including Best Feature Documentary Film at the LA Asian Pacific Film Festival, Hawaii International Film Festival and Special Mention for Outstanding Cinematography at the LAAPFF. At the One World International Human Rights Film Festival in Prague, the Václav Havel Jury gave a Special Mention Award to Where Heaven Meets Hell for its “exceptional contribution to the defense of human rights.” The Alliance of Women Film Journalists awarded Sasha an EDA Award for Documentary Artistry in March 2013. This ITVS-funded film aired on PBS in 2013. Sasha’s has lived and worked in Indonesia. She is fluent in Indonesian and worked there as a journalist for several years. Sasha holds a BA from UCLA and an MFA in Social Documentary Film from the School of Visual Arts.

 

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For news, screenings and updates go to: gritdocumentary.com/

For more on co-director Cynthia Wade go to: cynthiawade.com

Grit is screening on PBS documentary film series POV on Monday September 9

Social Media:

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twitter.com/GritDocumentary

AWARDS & NOMINATIONS

Award Winner, 2019 Colorado International Activism Film Festival

Winner, Grand Prize, Best Feature Film, 2019 Seoul Eco Film Festival

Winner, Audience Choice Award, 2019 Seoul Eco Film Festival

Winner, Best International Documentary, 2019 Ecozine International Film & Environment Festival

Excellence in Documentary Production Jury Award Winner, 2019 Ashland International Film Festival

Jonathan Daniels Social Justice Award Winner, 2019 Monadnock International Film Festival

Winner, Best Documentary Award, 2019 Environmental Film Festival at Yale

KAU KA HOKU Award Nominee, 2018 Hawaii International Film Festival

Activist Documentary Award Nominee, 2019 Movies that Matter Film Festival

Graine de Cinéphage Nominee, 2019 Festival International de Films de Femmes de Créteil

Friday, September 6 – Linda Ronstadt: The Sound of My Voice, Co-directors Rob Epstein and Jeffrey Friedman

Linda Ronstadt: The Sound of My Voice is a love song to one of the most memorably stunning voices that has ever hit the airwaves, Linda Ronstadt. She burst onto the 1960s folk rock music scene in her early twenties as the lead singer of the Stone Poneys, Ronstadt eventually branched out to begin her decades long career as a solo artist, touring the world selling out stadiums and, at one point, setting the record as the highest paid female artist in rock. Most remarkable to this day is her interest in and willingness to jump into new and challenging styles of music, including opera, jazz, and Mexican folk, excelling fantastically with each. Ronstadt has also been an outspoken political advocate for causes such as same-sex marriage and the inhumane treatment of undocumented immigrants, never shying away from fighting for what she believes both on and off the stage. Oscar-winning directors Rob Epstein and Jeffrey Friedman (The Times of Harvey Milk, The Celluloid Closet, Common Threads: Stories from the Quilt, Howl, Lovelace and End Game) use deep-cut archival footage, and Ronstadt’s own astute recollections, to celebrate an artist whose desire to do justice to the songs that touched her soul made generations of fans fall in love with her – and with the sound of her voice. Co-directors Rob Epstein and Jeffrey Friedman join us to talk about a remarkable singer /artist and an even better person.

 

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For news, screenings and updates go to: lindaronstadtmovie.com

For more on the films of Rob Epstein and Jeffrey Friedman go to: tellingpictures.com

Social Media:

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instagram.com/RonstadtMovie

“She shows herself to be one of its indispensable interpreters, as a vocalist and also as a thinker – covering a sprawling landscape with elegance, passion and insight.” – A.O. Scott, New York Times

“It captures the life and career of a rock ‘n’ roll star who never looked back, never apologized, never compromised.” – Owen Gleiberman, Variety

“Astutely chronicling an amazing musical career that ended prematurely due to Parkinson’s disease, Linda Ronstadt: The Sound of My Voice will delight the singer’s old fans and likely make her many new ones as well.” – Frank Scheck, Hollywood Reporter

“An excellent retrospective and celebration of Ronstadt’s trailblazing career.” – Sophia Stewart, Nonfics

Miles Davis: Birth of the Cool, Director Stanley Nelson

Acclaimed filmmaker and recipient of the MacArthur Program Fellow Fellowship  Stanley Nelson takes us on a journey through the life of a musical giant in his latest documentary film MILES DAVIS: BIRTH OF THE COOL. Miles Davis was many things including a horn player, bandleader, innovator. He was elegant, intellectual, vain, callous, conflicted, controversial, and mercurial. Miles Davis was also embodiment of cool. The man with a sound so beautiful it could break your heart. The central theme of Miles Davis’s life was his restless determination to break boundaries and live life on his own terms. It made him a star. For the people who loved him most, it also made him incredibly difficult to live with. Again and again, in music and in life, Miles broke with convention—and when he thought his work came to represent a new convention, he changed it again. Miles’s bold disregard for tradition, his clarity of vision, his relentless drive, and constant thirst for new experiences made him an inspiring collaborator to fellow musicians and a cultural icon to generations of listeners. It made him an innovator in music—from bebop to “cool jazz,” modern quintets, orchestral music, jazz fusion, rock ’n’ roll, and even hip-hop. Featuring never-before-seen archival footage, studio outtakes, and rare photos, MILES DAVIS: BIRTH OF THE COOL tells the story of a truly singular talent and unpacks the man behind the horn. Director and producer Stanley Nelson joins us to talk about the life and times of a music genius and the uncompromising life he led.

 

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For news, screenings and updates go to: milesdavismovie.com

Miles Davis: Birth of the Cool –  Landmark Theatre on Pico Blvd with a Q&A featuring Director Stanley Nelson, Friday 8/30 and Saturday 8/31 – 7:10 PM screening and Sunday 9/1 – 4:10 PM screening

Social Media:

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twitter.com/milesdavisfilm

instagram.com/milesdavismovie

Stanley Nelson:

twitter.com/StanleyNelson1

twitter.com/firelightmedia

twitter.com/panthersdoc

twitter.com/slavetradefilm

twitter.com/hbcurising

92% on Rotten Tomatoes

“You’ll want to listen to Miles’ music after watching the film and, when you do, you might feel it a little deeper.” – Glenn Whipp, Los Angeles Times

“Miles Davis – The Birth of Cool is a must see for anyone, anywhere in any lane of life that has an infinite love of music. Especially jazz. Stanley Nelson’s best work to date pulling back the curtain on an underrated musical Picasso – Miles Davis” – Carla Renata, The Curvy Film Critic

“While previous books and films made Miles Davis look like a magical character, Nelson’s ‘Miles Davis: Birth of the Cool’ depicts the musician as what he was – a man who was driven by his art and chained by the racist society he was born into.” –  Jonita Davis, Black Girl Nerds

“If you’re a Miles Davis fanatic from way back and think you already know everything about him, the movie, with its sharply edited interviews and stunning archival reach, fills in nuances of the man that feel fresh and new.“ – Owen Gleiberman, Variety

Vision Portraits, Director Rodney Evans

In this intimate and revelatory new documentary VISION PORTRAITS an extensive eyesight loss and the possibility of total blindness didn’t shut down queer filmmaker Rodney Evans (Brother to Brother). Instead, it inspired this profoundly personal non-fiction film, which not only documents his own genetic eye disorder, but shows how three other working artists with visual impairments—photographer John Dugdale, writer Ryan Knighton, and dancer Kayla Hamilton—have adjusted their practices around their changed capacities. An intimate study of the artistic process that contemplates the relationship between the sense of sight and artistic “vision,” Evans’ film explores the quintessence of cinema: adventures in perception, subjectivity, and the imagination. Director /Producer Rodney Evans joins us for a conversation on ways in which creativity and artistic expression can manifest and how perceived limitations can be shattered.

About the filmmaker: Rodney Evans is an award-winning fiction and documentary film writer, director and producer based in New York.  His debut feature film Brother To Brother won the Sundance Film Festival Special Jury Prize in Drama. The film had its European premiere at The Berlin International Film Festival and garnered four Independent Spirit Award nominations. His second narrative feature, The Happy Sad, played at over thirty film festivals throughout the world and had its U.S. theatrical premiere at the IFC Center in NYC and the Sundance Sunset Cinema in Los Angeles. Evans has taught at NYU’s Tisch School of the Arts, Princeton and currently teaches at Swarthmore College.

 

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For news, screenings and updates go to: rodneyevansfilm.com

Vision Portraits is now playing in Los Angeles on Aug. 23 – 29 at the Laemmle Royal

“Evans intersperses his own experience with those of three others, finding comforting commonalities and essential differences. The result is artistically uneven in structure but emotionally powerful throughout.” – Elizabeth Weitzman, TheWrap

“An inspiring film, a funny and informative feature whose subjects were creative kindred spirits I’d never seen onscreen before.” – Odie Henderson, RogerEbert.com

“Evans has made a touchingly honest ode to the inner life of all artists.”- Robert Abele, Los Angeles Times

“An extraordinary film and a desperately needed statement, one that gives a voice to the one in five Americans that live with a disability.” Sophia Stewart, Nonfics

American Factory, Co-directors Julia Reichert and Steven Bognar

AMERICAN FACTORY tells the story of a Chinese billionaire opening a new factory in the husk of an abandoned General Motors plant in Dayton, Ohio, hiring 2,000 blue-collar Americans still recovering from the effects of the 2008 recession. Working side-by-side with experienced Chinese workers, the locals are optimistic about the future for the first time in almost a decade. But early days of hope give way to setbacks as high-tech China collides with working-class America, and issues of language and culture become seemingly insurmountable walls between clashing factions. AMERICAN FACTORY, the new film from Academy Award®-nominated directors Steven Bognar and Julia Reichert, documents the revitalization of one long-shuttered factory while providing a startling glimpse into a global economic realignment now playing out in towns and cities across the country — and around the world. Granted generous access to the factory, and with the in-depth participation of its employees, Bognar, Reichert and their team spent three years following Fuyao Glass America’s launch of a state-of- the-art glassmaking facility employing hundreds of Chinese and thousands of Midwestern workers in the American heartland. Capturing surprisingly candid moments of people ranging from the visionary billionaire who financed the enterprise to American and Chinese workers on the factory line, AMERICAN FACTORY presents a microcosmic view of a global phenomenon that could represent a new normal for the American working class. Co-directors Steven Bognar and Julia Reichert join us for a lively conversation on the challenges of telling a multifaceted of people desperate for a new beginning working for an employer who sees the workplace from a point of view rooted in a culture a half a world away.

About the Filmmakers: STEVEN BOGNAR & JULIA REICHERT (Directors, Producers) are Oscar®-nominated documentary filmmakers whose work has screened at Sundance, Telluride, SXSW and other major festivals, as well as on HBO and PBS. Their film A Lion in the House, a co-production with ITVS, premiered at Sundance, screened on the PBS series “Independent Lens” and won a Primetime Emmy®. Their film The Last Truck: Closing of a GM Plant premiered at the 2009 Telluride Film Festival, screened on HBO, and was nominated for an Academy Award® for Best Documentary Short in 2010. Their films have, for the most part, told stories of rank-and-file citizens grappling with questions of agency and how to have a decent life. Julia Reichert’s work, in particular, spanning 50 years of filmmaking, has a through-line of concern for working-class and women’s stories. Julia Reichert was also Oscar®-nominated for her documentary feature films Union Maids (1977) and Seeing Red: Stories of American Communists (1983). Her first film, Growing Up Female, was selected for the National Film Registry by the Library of Congress. She is the 2018 recipient of the IDA Career Achievement Award. Bognar’s films Personal Belongings, Picture Day and Gravel all premiered at the Sundance Film Festival.

 

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For news and updates go to: netflix.com

American Factory opens in Los Angeles on Wednesday, August 21 at the Landmark Theatre

Social Media: twitter.com/jeffreichert

WINNER – Best Director – 2019 Sundance Film Festival – U.S. Documentary Competition

OFFICIAL SELECTION – 2019 True/False Film Festival

OFFICIAL SELECTION – 2019 Tribeca Film Festival –

Opening Night, Critics’ Week

OFFICIAL SELECTION – 2019 Full Frame Film Festival

95% on Rotten Tomatoes

“FASCINATING. A sprawling cinema-verite account, it examines the real tensions of international businesses in human terms.” – Eric Kohn, Indiewire

 “INTIMATE AND EPIC. 30 years after Roger And Me, a similarly vital story updated and made relevant for our globalised age.” – Anthony Kaufman, Screen

“Of all the documentaries you see this year, this one most potently embodies the ever-changing sense of the words “Made in America.” – Peter Debruge, Variety

“American Factory demands comparison to Barbara Kopple’s Oscar-winning masterpiece American Dream with its frank and laudably objective portrait of the USA’s working class and its struggle for prosperity.” – Pat Mullen, POV Magazine

Cold Case Hammarskjold, Director Mads Brügger

In 1961, United Nations secretary-general Dag Hammarskjöld’s plane mysteriously crashed, leaving no known survivors. It’s understood that because Hammarskjöld was advocating for Congo’s independence (against the wishes of European mining companies and other powerful entities), the “crash” was an assassination. With the case still unsolved 50-plus years later, Danish journalist, filmmaker, and provocateur Mads Brügger (The Red Chapel, The Ambassador) leads us down an investigative rabbit hole to unearth the truth. Brugger, his Swedish private-investigator sidekick, Goran Bjorkdahl, and a host of co-conspirators tirelessly pursue a winding trail of clues, but they turn up more mysteries than revelations. Scores of false starts, dead ends, and elusive interviews later, they begin to sniff out something more monumental than anything they’d initially imagined. In his signature agitprop style, Brügger becomes both filmmaker and subject, challenging the very nature of truth by “performing” the role of truth-seeker. As Brügger uncovers a critical secret that could send shockwaves around the world, we realize that sometimes absurdity and irony are the emboldening ingredients needed to confront what’s truly sinister. Director Mads Brugger joins us for a spirited conversation on his fantastic and fantastical, hell-raising cinematic shot across the colonialist bow.

For news, screenings and updates go to: coldcasehammarskjold.com

 

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About Mads Brügger:  Brügger is a Danish journalist, television host, author, and filmmaker. He has written several books, worked for magazines and newspapers, produced award-winning radio programs, and hosted the critically acclaimed late-night television show The 11th Hour, as well as the daily news program Deadline. Brügger also created the satirical docu-series Danes for Bush and the feature documentaries The Red Chapel (World Cinema Documentary Jury Prize, 2010 Sundance Film Festival) and The Ambassador (2012 Sundance Film Festival).

Social Media:

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Mads Brugger:

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“Dag Hammarskjold was on the point of getting something done when they killed him. Notice that I said, `when they killed him’.” Harry S. Truman, former U.S. President.

“A slow-building documentary mystery that sucks you in like a vortex. It offers several intertwined conspiracy theories, at least one of which, by the sternest reckoning, appears to be grounded in reality. Does that mean everything in the film is true? Maybe not. Yes ‘Cold Case Hammarskjöld’ is a singular experience that counts as one of the most honestly disturbing and provocative nonfiction films in years.” – Owen Gleiberman, Variety
 
“Either a stunning piece of investigative reporting that builds to a revelatory climax or a wily trickster’s dark critique of the audience’s desperate need for answers. Brügger is a journalist and a fabulist, a provocateur and a comedian.” – Daniel Fienberg, The Hollywood Reporter
 
“Brügger’s most rewarding film. The suspense grows so intense that – if a projector malfunctions at a certain moment towards the end of the movie – audiences may actually be incapable of returning to their regular lives without knowing what comes next. The truth is often stranger than fiction, but when the truth is a convoluted story of parapsychology, death cults, and mercenaries with mysterious code names like ‘Congo Red,’ perhaps it takes a strange angle to see it clearly.” – David Ehrlich, IndieWire

One Child Nation, Co-director Nanfu Wang (Jialing Zhang)

China’s One Child Policy, the extreme population control measure that made it illegal for couples to have more than one child, may have ended in 2015, but the process of dealing with the trauma of its brutal enforcement is only just beginning. From award-winning documentarian Nanfu Wang (HOOLIGAN SPARROW, I AM ANOTHER YOU) and Jialing Zhang, the sweeping ONE CHILD NATION explores the ripple effect of this devastating social experiment, uncovering one shocking human rights violation after another – from abandoned newborns, to forced sterilizations and abortions, and government abductions. Wang digs fearlessly into her own personal life, weaving her experience as a new mother and the firsthand accounts of her family members into archival propaganda material and testimony from victims and perpetrators alike, yielding a revelatory and essential record of this chilling, unprecedented moment in human civilization. ONE CHILD NATION is a stunning, nuanced indictment of the mindset that prioritizes national agenda over human life, and serves as a first-of-its-kind oral history of this collective tragedy – bearing witness to the truth as China has already begun to erase the horrors of its “population war” from public record and memory. Director Nanfu Wang joins us to talk about her own journey and how it illuminates a greater, more universal truth about family secrets.

For news, screenings and updates go to: onechildnation.com

ONE CHILD NATION director Nanfu Wang will participate in a Q&A moderated by Alissa Wilkinson following the 7:30 pm show on Friday, 8/9 at the Royal. 

Social Media:

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#OneChildNation

**WINNER – Grand Jury Prize, U.S. Documentary – Sundance FF 2019**

**WINNER – Grand Jury Prize – Full Frame Doc Festival 2019**

**OFFICIAL SELECTION – Tribeca Film Festival 2019**

“SHATTERING. Informative yet always grounded in deep personal investment and clear-eyed compassion, this is a powerful indictment of a traumatic social experiment.” – David Rooney, The Hollywood Reporter

“PROVOCATIVE AND PERSONAL. Undoubtedly one of the year’s most important documentaries.” – Peter Debruge, Variety

“A thoroughly gripping and ceaselessly unnerving investigation into the policy that shaped and devastated China for a generation. Intimate, thought-provoking and well-crafted…gives voice to so many families whose agency was stolen from them. – Gary Garrison, The Playlist

American Heretic: The Gospel of Politics, Director Jeanine Butler and Producer Catherine Lynn Butler

We’ve entered a time where the power of negative partisanship has sorted us along lines of race and religion. These two factions have exploited race and religion, two of the most visceral things you can think of in terms of the human experience, and they’ve locked them in partisan identities.” The latest documentary from filmmakers Jeanine Butler and Catherine Lynn Butler AMERICAN HERETICS: THE GOSPEL OF POLITICS takes audiences into the buckle of Bible belt where a group of defiant ministers, congregations, and community leaders are challenging deeply rooted fundamentalist Christian doctrine in favor of a Gospel of Inclusion.  Labeled as “heretics” for their beliefs and actions, they refuse to wield their faith as a sword sharpened by literal interpretations of the Bible. Especially those fundamentalist  Christian interpretations that continue to justify nationalism and hack away at landmark civil rights protections for women, minorities, immigrants, and the LGBTQ communities. This poignant story challenges what we think we know about the Christian heartland by offering a rare personal glimpse into the contentious and often misunderstood history of religion, race, and politics in America. These Heretics are still interested in saving you from hell, but’s the earthly one, where poverty, discrimination and nationalism oppresses “…those who are the least among us.” Director / Producer Jeanine Butler (Documenting the Face of America) and Producer Catherine Lynn Butler (Journey of the Universe) stop by to talk about their journey into America’s Bible Belt and the growing movement to embrace a more tolerant perspective of spiritual enlightenment. 

 

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For news and updates go to: americanhereticsthefilm.com

“‘American Heretics: The Politics of the Gospel’ doesn’t break ground cinematically, but it is eye-opening in other ways.” – Ben Kenigsberg, New York Times

“All the usual theological arguments for a loving rather than discriminatory faith are here” – Luke Y. Thompson, Forbes

“It makes passionate arguments. It offers a ray of hope. And it evokes the sense that those most desperately in need of seeing it will never cross its path.” – John Anderson, America Magazine

“A film that shines a light on those who would be a candle in the midst of the Medieval darkness of modern, white Southern American Christianity.” – Roger Moore, Movie Nation

Unmasking Jihadi John: Anatomy of a Terrorist, Director Anthony Wonke and Journalist Richard Kerjab

Mohammed Emwazi was a grade school student in London with a promising future ahead of him in 1995. By 2014, he had become known as “Jihadi John,” a masked ISIS terrorist in Syria who internationalized his notoriety by broadcasting his beheadings of Western hostages on the internet. UNMASKING JIHADI JOHN: ANATOMY OF A TERRORIST includes rare footage of Emwazi as a young boy in London and interviews with his schoolteachers who reveal that he lived a relatively comfortable and normal childhood. His behavior grew more disconcerting in his teenage years. Emwazi’s brutality is illustrated through harrowing, first-hand accounts from his surviving hostages, and the collaboration between the world’s leading intelligence agencies, including the CIA and Britain’s intelligence agents, who ultimately tracked him down and ended his life.  UNMASKING JIHADI JOHN: ANATOMY OF A TERRORIST examines what propelled Emwazi’s journey down a violent path despite US and British authorities being aware of his extremism. It also highlights the self-declared operational failures by counter-terrorism officials as Emwazi became ISIS’s chief executioner and propagandist.  Joining us on Film School Radio will be Oscar®-nominated, BAFTA and Emmy®-winning director Anthony Wonke (HBO’s “The Battle for Marjah”), and BAFTA-winning producer and investigative journalist Richard Kerbaj for a conversation on the how and why a schoolboy and promising soccer player morphs into a sadistic killer.

UNMASKING JIHADI JOHN: ANATOMY OF A TERRORIST debuts WEDNESDAY, JULY 31 (8:00-9:40 p.m. ET/PT), exclusively on HBO.

 

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For news and updates go to: hbo.com/documentaries

For more HBO / Cinemax programming go to: hbo-cinemax

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“This is a superior doc, just know when to briefly look away.” – Anne Brodie, What She Said

“Part high-tech manhunt and part brutal captivity narrative, “Unmasking Jihadi John: The Anatomy of a Terrorist” is one documentary unlikely to leave anyone in its viewing audience bored.” – David Zurawik, Baltimore Sun

“This is a film that spends much of its time on observation and analysis of the known facts… This makes it feel rather dry in places but avoids any glamorisation of its subject.” – Jennie Kermode, Eye for Film

“In terms of cinematography and editing, Jihadi John: Anatomy of a Terrorist is well-executed, and it’s certainly informative.” – Amy Glynn, Paste Magazine

Long Gone Wild, Director William Neal

William Neal’s documentary LONG GONE WILD focuses on the plight of captive orcas, picking up where Gabriela Cowperthwaite’s acclaimed documentary BLACKFISH left off while telling a uniquely new and different story… LONG GONE WILD centers on five primary areas: (1) The Blackfish Effect (what it did and didn’t accomplish i.e., SeaWorld took a major hit to its bottom line, but the 20 orcas are still there); (2) The case against captivity (orcas are forced to live in barren concrete tanks); (3) Orcas as sentient animals (their great capacity to think, feel, communicate, and empathize); (4) The Whale Sanctuary Project and its model seaside sanctuary for retired orcas – providing a safe, permanent home in their natural habitat; and, (5) The ominous threat to orcas posed by Russia and China, triggered by the explosive growth of mega-aquariums in China. Director, producer and writer Bill Neal joins us for a conversation on the set-backs and steps being taken around the world to defend and enhance the lives of these magnificent mammals.

Director’s Statement: For decades, killer whales have been performing for sold-out audiences at aquatic theme parks like SeaWorld – and for nearly as long, there have been cries to “free the orcas.” To which park executives have answered with a simple question: Where will they go? A legitimate argument. Orcas held in captivity for much or all of their lives are simply not equipped to deal with life in the wild. But all that is about to change, thanks to the “dream team” of scientists/orca experts/engineers with The Whale Sanctuary Project. Their mission: to establish a model seaside sanctuary where whales and dolphins can be rehabilitated or can live permanently in an environment that maximizes well-being and autonomy and is as close as possible to their natural habitat. We will document this ground-breaking effort through interviews with the key players along with exclusive footage of the proposed cold-water site, the most crucial piece of a very complex puzzle. In the end, it is all about restoring something we humans have taken from these highly intelligent, socially complex animals by forcing them to live in captivity for our entertainment and amusement. And by retiring them to a seaside sanctuary, we dignify not only the orcas but ourselves. – William Neal

 

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For news, screenings and updates go to: longgonewild.com

Social Media:

facebook.com/longgonewild

twitter.com/longgonewild

instagram.com/longgonewild

“Long Gone Wild will prove to be just as damaging for SeaWorld and other marine aquariums as Blackfish was six years ago” – Danielle Solzman, Solzy at the Movies

The Mountain, Director Rick Alverson

THE MOUNTAIN is a dark, hypnotic and surreal satire about repression and conformity set against the 1950’s “golden age” of American male domination.  (Tye Sheridan, READY PLAYER ONE, MUD), whose mother was sent to an asylum years ago, is an introverted young photographer at loose ends, ignored by his father (cult actor Udo Kier). After the death of his father, Andy is befriended by renowned lobotomist Dr. Wallace Fiennes (Jeff Goldblum, THE GRAND BUDAPEST HOTEL, JURASSIC PARK) and joins him on a tour to promote the doctor’s recently-debunked procedure. As Andy increasingly identifies with the asylum’s patients, he falls in love with a rebellious young woman, Susan (Hannah Gross), and encounters the burgeoning New Age movement of the West. Also starring Denis Lavant (HOLY MOTORS). Director and co-writer Rick Alverson (THE COMEDY, ENTERTAINMENT) joins us for a conversation on the subversive performances of Goldblum and Sheridan and the ways his harrowing, brilliant film cuts to the core of savage male brutality in the guise of “science.”

 

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For news and updates go to: kinolorber.com/The Mountain

Rick Alverson Productions

Rick Alverson’s film production –  madebedproductions.com

Social Media

twitter.com/ralver

Opening in Los Angeles at the NuArt Theatre on July 26 – 11272 Santa Monica Blvd, Los Angeles, CA 90025

(Q&A with Jeff Goldblum and Rick Alverson following the 7:00 pm screening on Saturday, July 27th)

Official Selection at: SXSW / Venice Film Festival / Sundance Film Festival

A beautiful… singular portrait of America’s fractured identity.” – Eric Kohn, Indiewire

“Genuinely menacing. A near-hypnotic pall of strangeness.” – Guy Lodge, Variety

“Shimmeringly surreal. Lanthimos meets Roy Andersson meets a heavy dose of lithium.” – Jessica Kiang, The Playlist

“Dark and visionary.” – Deborah Young, The Hollywood Reporter

“Surreally gorgeous. Replete with unsettling, rewarding pleasures.” – Leonard Goi, MUBI