March 13 – Viral: Antisemitism in Four Mutations, Director Andrew Goldberg

By virtually every yardstick, antisemitism in the US and Europe is rising and worsening in ways not seen since the 1930s. It comes in the forms of vandalism, social media abuse, assault and murder. Like a virus, it mutates and evolves across cultures, borders and ideologies, making it all but impossible to stop. Filmmaker Andrew Goldberg explores its infectious behavior in his film VIRAL: ANTISEMITISM IN FOUR MUTATIONS as he travels through four countries to speak firsthand with victims, witnesses, antisemites, and interviewees including Bill Clinton, Tony Blair, Fareed Zakaria, George Will and Deborah Lipstadt. VIRAL: ANTISEMITISM IN FOUR MUTATIONS examines how some on the American far right have incited such acts as the mass shooting at the Tree of Life Synagogue in Pittsburgh, PA. In Hungary, we see how the Prime Minister has launched a massive campaign against Jewish Holocaust survivor and billionaire George Soros that’s reminiscent of Nazi propaganda. Moving to the far left in England, we see members of the traditionally anti-racist Labour party conflating Israel and Jews, causing tremendous pain for the Jewish community. And in France, the film illuminates the seemingly endless wave of violence against Jews by Islamists and radicals. The increasing bigotry, and at times violence, within each of these four countries paints a terrifying portrait of how global hatred disseminates and harms. As activist Maajid Nawaz says in the film, “If we don’t draw a red line in the sand when it comes to antisemitism, Muslims will be next, gays will be next and everyone else who is deemed a minority will be next.” Director Andrew Goldberg joins us to talk about this particularly virulent strain of racism going back hundreds of years, continues to threaten the lives of Jews in Europe and the United States.

 

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For news, screenings and updates go to: viralthefilm.com

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“As a topic of tremendous ongoing importance with roots that desperately need exploration, anti-Semitism deserves, and needs, a look into its global impact and perpetuation that makes a deeper dive than this documentary provides.” – Todd Gilchrist, TheWrap

“A terrifying, and sadly necessary, warning.” – Frank Scheck, Hollywood Reporter

“Brutal, yet vital, the movie is must-see viewing in our current age of rising global hatred against not only Jews, but ethnic minorities everywhere.” – Christopher Llewellyn Reed, Hammer to Nail

“Viral: Antisemitism in Four Mutation is timely and it is vital, and it is a documentary that not only a community needs, but all of us do.” – Stephanie Archer, Film Inquiry

Sorry We Missed You, Director Ken Loach

Ken Loach, the two-time Palme d’Or-winning, 83-year-old director trains his incisive lens on the human cost of our shopping habits and changing workforce. After losing their home in a financial crisis, Ricky and Abby trade the car she uses as a visiting nurse for a van, so Ricky can work as a delivery driver. The advantages of being self-employed come with the constant pressure of meeting impossible deadlines with no margin for error, sickness, or family emergency. Loach’s compassionate, hard-hitting drama will make you rethink your expectations the next time you enjoy the convenience of overnight delivery. Director Ken Loach (KES, THE WIND THAT SHAKES THE BARLEY, I, DANIEL BLAKE) joins us for a conversation on the explosion of the “gig-economy” and the insidious impact its having on work schedules, worker safety, worker health and on the emotional toll it’s taking on raising a family.

 

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For news, screenings and updates go to: zeitgeistfilms.com/film/sorrywemissedyou

 

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“FIVE STARS! Ken Loach raises his game yet further with this gut-wrenching tale of a delivery worker driven to the brink… It’s fierce, open and angry, unironised and unadorned..This brilliant film will focus minds. ” – Peter Bradshaw, THE GUARDIAN

“Ken Loach has done it again. His new film is another intimate and powerful drama about what’s going on in people’s everyday lives—not just in England, but all over the world.”  – Owen Gleiberman, VARIETY

“At age 82, [Ken Loach is] doing some of his strongest work in Sorry We Missed You, a drama of such searing human empathy and quotidian heartbreak that its powerful climactic scenes actually impede your breathing… This is an expertly judged and profoundly humane movie…. You’d have to be made of stone not to be moved to your core by it.” – David Rooney, THE HOLLYWOOD REPORTER

Skin Deep: The Battle Over Morgellons, Director Pi Ware

Director/Editor Pi Ware’s (“Solitude,” “The Act”) powerful new documentary “Skin Deep: The Battle Over Morgellons,” takes a deep dive approach into the heated controversy surrounding Morgellons disease, a skin condition that most of the medical industry considers delusional. “Skin Deep: The Battle Over Morgellons,” explores the controversy surrounding Morgellons—a disease where fibers grow from sufferers’ skin, but a disease that the medical industry considers, “all in the patient’s head”. The film brings to light the heated debate as to who is delusional—the patients who believe or the doctors who deny– and whether medical treatment for Morgellons should be antibiotics or anti-psychotics. The documentary follows subjects on both sides of the debate: a Texas nurse who suffers from the disease, and a skeptical dermatologist who asserts “there are no bad doctors”. The film investigates new research that claims the fibers are protein-based filaments created by the body, explores historical patterns of medical arrogance, and exposes the fatal flaws in the 2012 Morgellons study by the CDC. “Skin Deep: The Battle Over Morgellons” climaxes in a showdown at the Morgellons Conference in Austin, Texas, where the skeptical dermatologist presents his controversial opinions, and where bridges between doctors and patients will either be built… or burned.  Director Pi Ware stops by to talk about the embattled victims and advocates fighting for relief from a debilitating, life-altering disease.

 

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For news and updates go to: morgellonsmovie.org

 

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“A beautifully constructed, honest and earnest call-to-action about one of the most baffling and stigmatized illnesses of our time.” – ANDY ABRAHAMS WILSON, DIRECTOR OF UNDER OUR SKIN

“A superb documentary exploring the skin-crawling disease of Morgellons and the plight of its sufferers. A reminder that physicians need to be open-minded about emerging new diseases.” – KRIS NEWBY, AUTHOR OF BITTEN: THE SECRET HISTORY OF LYME DISEASE AND BIOLOGICAL WEAPONS

“This incredible documentary exposes the debilitating difficulties and barriers to effective treatment that Morgellons sufferers experience. The film dives deep into the denialism conventional medicine has towards emerging illnesses and how this attitude can have severe consequences when it comes to funding, needed research, patient care and treatment for these diseases. This is a must see for anyone looking for a better understanding of Morgellons.” – DR KELLY BAY, FUNCTIONAL HEALTH PRACTITIONER, NYC

The Woman Who Loves Giraffes, Director Alison Reid

In 1956, four years before Jane Goodall ventured into the world of chimpanzees and seven years before Dian Fossey left to work with mountain gorillas, 23-year-old biologist Anne Innis Dagg made an unprecedented solo journey to South Africa to study giraffes in the wild.  In THE WOMAN WHO LOVES GIRAFFES Anne (now 86) retraces her steps, and with letters and stunning, original 16mm film footage offers an intimate window into her life as a young woman, juxtaposed with a first hand look at the devastating reality that giraffes are facing today. Both the world’s first ‘giraffologist’, whose research findings ultimately became the foundation for many scientists following in her footsteps, and the species she loves have each experienced triumphs as well as setbacks. In THE WOMAN WHO LOVES GIRAFFES Anne takes us on her first expedition back to Africa to retrace where her trail-blazing journey began more than half a century ago. By retracing her original steps, and with letters and stunning, original 16mm film footage, Anne offers an intimate window into her life as a young woman, juxtaposed with a first hand look at the devastating reality that giraffes are facing today. Both the world’s first ‘giraffologist’, whose research findings ultimately became the foundation for many scientists following in her footsteps, and the species she loves have each experienced triumphs as well as nasty battle scars. THE WOMAN WHO LOVES GIRAFFES gives us a moving perspective on both. Director Alison Reid joins us for a conversation on meeting Anne Innis Dagg and learning how this gentle soul is more than a pioneer in understanding these magnificent creatures, but just as importantly an advocate for women and science.

About the filmmaker: Alison Reid (Director, Writer, Producer) is an award-winning director who began her career as a stunt coordinator and second unit director. After accumulating 300 credits, she formed Free Spirit Films to produce projects diverse in genre but similar in their exploration of the human spirit. Reid received the 2007 Crystal Award for Emerging Director from DGC/WIFT. Her independent feature, The Baby Formula (2009), sold internationally, won the Audience Award at the Inside Out LGBT Film Festival, ‘Best LGBT Film’ at Nashville Film Festival and was nominated for the Golden Zenith at the Montreal World Film Festival. Her television directing credits include Saving HopeHeartland and Murdoch Mysteries.

 

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For news and updates go to: zeitgeistfilms.com/film/thewomanwholovesgiraffes

To see The Woman Who Loves Giraffes in Los Angeles go to: Laemmle.com

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100% on Rotten Tomatoes

“This warm documentary uses one woman’s singular passion to fuel a tale of zoological discovery, blatant sexism and environmental alarm.” – Jeannette Catsoulis, THE NEW YORK TIMES

“INSPIRING… A bright spot in the middle of this dark month, Alison Reid’s unabashedly sincere documentary offers gentle comfort even when it brushes up against tough subjects.” – Elizabeth Weitzman, THE WRAP

“Her research was groundbreaking, and the 16 millimeter color footage she shot at the time, amply displayed in the documentary, is breathtaking.” – Peter Rainer, THE CHRISTIAN SCIENCE MONITOR

“Alison Reid’s loving documentary affectionately celebrates little-known giraffologist Dr. Anne Innis Dagg’s groundbreaking scientific work and generous contributions to women’s equality.” – Tomris Laffly, VARIETY

“An inspiring documentary that should be at the top of everyone’s list of must-see films.” – , THE ALLIANCE OF WOMEN FILM JOURNALISTS

After Parkland, Co-directors Emily Taguchi and Jake Lefferman

In the days after the shooting at Marjory Stoneman Douglas High School in 2018 that killed 17 people and launched a nationwide student movement, filmmakers Emily Taguchi and Jake Lefferman embedded with students and families whose lives were forever transformed. They include senior David Hogg, who recorded his class during the attack and became the face of the Never Again movement; freshman Brooke Harrison, who was in the first classroom under attack; Sam Zeif, a senior who was locked down in the same building, texting with his little brother and unsure if they would ever see each other again; Andrew Pollack, the father of 18- year-old Meadow, who was killed after being shot nine times; and the loved ones of 17-year-old Joaquin Oliver, including his parents Manuel and Patricia, girlfriend Victoria Gonzalez, and best friend Dillon McCooty. The filmmakers developed trusting relationships with these students and families, who opened their doors during some of the most difficult moments of their lives, and followed their private journeys as they rose to challenge the nation to end gun violence. Weaving together candid, in-depth interviews, vérité footage, and personal videos, the film chronicles moments both intimate and defining – from the quiet hours of grief and reflection, to those of political awakening, and onto milestones on the public stage – creating a moving portrait of one community’s crusade to turn tragedy into progress. Co-directors Emily Taguchi and Jake Lefferman join us to talk about developing the relationships with the students, parents and community that made their intimate, wrenching and hopeful film possible.

 

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For news and updates go to: afterparklandmovie.com

Nationwide Day of Conversation screenings on February 12 to commemorate the second anniversary of the shooting at Marjory Stoneman Douglas High School

Over 100 cities to participate in one-night Demand Film screenings with community partners to turn tragedy into progress.

Find a screening near you: afterparklandmovie.com/screenings

100% on Rotten Tomatoes

“The movie succeeds where it counts: showing the reverberations of violence long after most cameras left.” – New York Times

“’After Parkland’ is that gentle exchange of a movie – listening, being there – and sometimes that’s all an aftermath doc can be and should be.” –  LA Times

“The film records this experience in a moving and memorable way. After you’ve seen it, you know more about the meaning of this kind of horror than you did before, and that’s a vital thing.” Owen Gleiberman, Variety

What feels important in Parkland is less about pushing any kind of political agenda or viewpoint than about simply listening, and bearing witness.” – Entertainment Weekly

And Then We Danced, Levan Akin

AND THEN WE DANCED is a passionate tale of love and liberation set amidst the ultraconservative confines of modern Georgian society, AND THEN WE DANCED follows Merab, a devoted dancer who has been training for years with his partner Mary for a spot in the National Georgian Ensemble. The arrival of another male dancer, Irakli—gifted with perfect form and equipped with a rebellious streak—throws Merab off balance, sparking both an intense rivalry and romantic desire that may cause him to risk his future in dance as well as his relationships with Mary and his family. Director, writer and editor Levan Akin joins us to talk about is sensitive and moving account of finding love, no matter the cost and the way his film has opened a hopeful dialog in his beloved Georgia.

Director’s Statement: In Georgia there are three things that are upheld as the paragon of Georgian Tradition and National Identity: the Church, the traditional polyphonic singing, and the traditional national dance. The lead person I follow in the film actually shares the same name as me, his name is Levan and he is a dancer, I too used to dance when I was younger and I imagined being him in an alternate reality. I interviewed a lot of dancers and they all told me stories of how gender conservative and strict the Georgian Dance scene was. So I decided to set the story in this setting. The Georgian Dance would represent the “old” and the burgeoning love between two of the dancers would represent the new. With this film I find myself really going back to my roots as a filmmaker, working in an organic way, where the real lives of the people in the film and what’s going on in Georgia now affects the story. It is ever evolving. Telling the story of young LGBT+ people and their struggles on a smaller scale but also showing the history and situation of Georgia today on a larger scale. This film will not only be a very interesting look into a part of the world not so many people are familiar with but also a heartfelt movie about the importance of being free. – Levan Akin

 

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For news and updates go to: musicboxfilms.com/film/and-then-we-danced

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Cooked: Survival by Zip Code, Director Judith Helfand

Twenty-five years after the 1995 Chicago heat wave, COOKED: Survival by Zip Code examines the events that led to the deaths of 739 people, mostly Black and in the poorest neighborhoods of the city. The film arrives at a time of growing calls across the country to declare racism a public health crisis and to reinvest in communities ravaged by the long-term impact of structural racism. A recent NYU study found life expectancy differentials as wide as 20-30 years linked to racial and ethnic segregation between neighborhoods in American cities. Adapted from Eric Klinenberg’s ground-breaking book ‘HEAT WAVE: A Social Autopsy of Disaster in Chicago,’ the film is directed and produced by Peabody Award-winning director Judith Helfand (Blue Vinyl, A Healthy Baby Girl, Everything’s Cool), produced by Fenell Doremus (co-producer of Academy Award-nominated Abacus: Small Enough to Jail), and Kartemquin Films, the award-winning Chicago documentary production house behind Minding the Gap and Hoop Dreams. In COOKED, Helfand challenges herself, and ultimately all of us, to respond to the man-made disasters taking place in towns and cities across the country before the next unprecedented “natural” disaster hits. Director Judith Helfand joins us to talk about the systemic racism that makes the neighborhoods of the poorest the most likely location for

Independent Lens: COOKED: Survival by Zip Code will have its national television debut on the PBS television series Independent Lens on Monday, February 3 at 10:00 pm (check local listings), preceding coverage of the Iowa Caucuses. The film will also be available to stream at PBS.org and on the free PBS Video App throughout Black History Month.

 

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For news and updates go to: pbs.org/independentlens

For news, screenings and updates go to: cookedthefilm.com

For more information about Cooked: Survival by Zip Code go to: independentlens/cooked

About Independent Lens – Award-Winning Series
Each week this award-winning series bring you an original documentary film made by one of the best independent filmmakers working today. Independent Lens films have won 19 Emmy Awards16 Peabody Awardsfive duPont-Columbia University Awards, and have received 10 Academy Award nominationsIndependent Lens won the 2013, 2014, 2015 and 2017 International Documentary Association (IDA) Award for Best Continuing Series.

 

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St. Louis Superman, Director Smriti Mundhra and Sami Khan

Bruce Franks Jr. is a 34-year-old battle rapper, Ferguson activist and state representative from St. Louis, Missouri. Known as Superman to his constituents, he is a political figure the likes of which you’ve never seen – full of contradictions and deep insights, who has overcome unspeakable loss to become one of the most exciting and unapologetic young leaders in the country. This short verité documentary follows Bruce at a critical juncture in his life, when he is forced to deal with the mental trauma he’s been carrying for the nearly 30 years since his 9-year-old brother was shot and killed in front of him, in order to find peace and truly fulfill his destiny as a leader for his community.  Co- director Smriti Mundhra  (Sami Khan) join us to talk about how a dynamic and charismatic man from a traumatized community took tragedy and turned into action.

About the filmmakers: Smriti Mundhras A SUITABLE GIRL  premiered at Tribeca in 2017 and won the Albert Maysles Award for Best New Documentary Director. KHOYASami Khan’s feature debut, was selected for the Tribeca Film Institute’s Tribeca All Access® fellowship.

 

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Awards Shortlists:

Cinema Eye Honors – Short Listed – Best Short

DOC NYC – Best Shorts Short List

WINNER AUDIENCE AWARD – BEST SHORT DOC  – 2019 HOT DOCS FILM FESTIVAL – 2019 AFI DOCS FILM FESTIVAL – 2019 TRAVERSE CITY FILM FESTIVAL

WINNER – SPECIAL JURY AWARD  – 2019 TRIBECA FILM FESTIVAL

WINNER – BEST SHORT DOC  – 2019 BIG SKY DOCUMENTARY FILM FESTIVAL

WINNER – BEST DOCUMENTARY – HEARTLAND FILM’S 2019 INDYSHORTS FILM FESTIVAL

“Thank you Mr. Mundhra. The film is powerful and simple.” – Lapacazo Sandoval, Los Angeles Sentinel

January 24 – Island of the Hungry Ghosts, Director Gabrielle Brady

ISLAND OF THE HUNGRY GHOSTS takes place off the coast of Indonesia, in the Australian territory of Christmas Island, inhabited by migratory crabs traveling in their millions from the jungle towards the ocean, in a movement that has been provoked by the full moon for hundreds of thousands of years. Poh Lin Lee is a “trauma therapist” who lives with her family in this seemingly idyllic paradise. Every day, she talks with the asylum seekers held indefinitely in a high-security detention centre hidden in the island’s core, attempting to support them in a situation that is as unbearable as its outcome is uncertain. As Poh Lin and her family explore the island’s beautiful yet threatening landscape, the local islanders carry out their “hungry ghost” rituals for the spirits of those who died on the island without a burial. They make offerings to appease the lost souls who are said to be wandering the jungles at night looking for home. ISLAND OF THE HUNGRY GHOSTS is a hybrid documentary that moves between the natural migration and the chaotic and tragic migration of the humans, which is in constant metamorphoses by the unseen decision-making structures. Director Gabrielle Brady joins us to talk about her beautiful and quietly powerful tale of desperate people trapped in a place of pervasive uncertainty and a woman trying to help them cope.

 

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For news, screenings and updates go to: christmasislandfilm.com

** 2020 Spirit Award nominee for Best Documentary **

Tribeca Film FestivalAward for best documentary film

Mumbai International Film Festival Grand Jury Prize for best film

IDFAHuman rights award

Adelaide international Film Festival Winner best documentary film

 

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“ Island of the Hungry Ghosts is one of the year’s most impressively made documentaries, a film that’s as occasionally surreal as it is persistently moving. Island of the Hungry Ghosts is a true discovery.” – JOSHUA BRUNSTING, CRITERION CAST

“A documentary overflowing with empathy, poetry, and elemental power.”  – HUBERT VIGILLA, FLIXIST

“Hauntingly beautiful Island of the Hungry Ghosts combines multiple narratives…into one glorious whole… A mesmerizing work of visual wonder, the breathtaking images forming an evocative setting for a vital discussion of human rights… A stunning, visceral first feature, announcing the director as a major talent to watch”  – CHRISTOPHER LLEWELLYN REED, FILM FESTIVAL TODAY

“The best documentary award goes to a film that demonstrates extraordinary mastery of the full symphonic range of cinematic tools: cinematography, editing, score, sound design and, perhaps greatest of all, an exquisite use of metaphor. To a film that moved us deeply, impressed us immensely and made us feel we were witnessing nothing less than the emergence, fully formed, of a major new cinematic talent” – TRIBECA JURY

** Slamdance Film Festival – Bastards’ Road, Director Brian Morrison

BASTARDS’ ROAD tells the story of the many combat veterans, like Jon Hancock who are navigating the complicated transition back to civilian life. After years of struggling, Jon decided to take an epic journey across the country – on foot. Walking nearly 6,000 miles alone, Jon confronts the demons that had overtaken his life. Visiting his fellow 2/4 Marines – known as the The Magnificent Bastards – and families of their fallen along the way, Jon finds a mission greater than his own redemption. Veterans everywhere are struggling with PTSD. They are taking their own lives at an alarming rate – 50% higher than non-veterans. With remarkable honesty, insight and humor, Jon’s journey is uniquely positive. It’s about changing the ways one relates to traumatic memories. It’s about beginning the healing process. Director Brian Morrison joins us to talk about the raw emotions and the deep pain of men and woman who have done what their country asked them to do.

 

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For news and updates go to: bastardsroad.com

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Competition Documentary Feature Film
Premiere: Sunday, January 26th at 1pm in the Ballroom Screening Room
Second Screening: Thursday, January 30th at 6pm in the Gallery Screening Room

 

Slamdance Film Festival Headquarters
Treasure Mountain Inn
255 Main St.
Park City, UT

 

Veteran Suicide Statistics

More than 60,000 Veterans died by suicide from 2008-2017.
The suicide rate for Veterans is 50% higher than it is for non-veterans.
The suicide rate among Veterans aged 18-34 increased 76% from 2005-2017.

DIRECTOR’S STATEMENT – Why would somebody walk that far, for so long? That’s what I asked myself after seeing a news story on TV about somebody I went to high school with. I didn’t know him back then, but we shared many mutual friends. When I first contacted Jon on his walk I knew nothing about what he’d been through. The military was a foreign world to me. None of my family or friends had served. All I had to go on was that he was a Marine and had PTSD. But I was immediately drawn to his story and we quickly took steps to organize a trip for me to follow him for a few days. Over the course of the last 8 months of Jon’s walk, I was able to make a handful of trips to capture pieces of his journey. We became great friends. Most days it was just him and I, but I was lucky enough to meet many guys Jon served with, as well as several Gold Star families of their fallen. It was eye-opening to see Jon’s transformation in their presence. He smiled brighter, laughed harder and cried less. It’s like they kept the best versions of themselves for each other. I learned about the tremendous weight they carry day after day, the scars of war that will never heal, the lost brothers whose ultimate sacrifices they never stop thinking about. But I also learned about strength and selflessness that goes way beyond what most of us as civilians can comprehend. Together, they reminded each other how important it is that they are still here. – Brian Morrison

** Slamdance Film Festival – Ask No Questions, Director Jason Loftus

In ASK NO QUESTIONS Chinese State TV blames his faith for a fiery public suicide, Chen Ruichang is detained in a Clockwork Orange-style brainwashing facility and forced to accept the government’s account. But Chen, a former insider of the state TV himself, believes it was all a government plot. A CNN reporter smuggled out footage of the event that day, but was then muzzled by Beijing. Now, her eyewitness testimony helps untangle an intricate conspiracy, as Chinese authorities begin pressuring the filmmaker’s family and business associates. The terrifying danger of a government nefariously crafting the narrative & imprisoning its citizens who practice Falun Gong in China in the gripping feature documentary ASK NO QUESTIONS from filmmakers Jason Loftus (The Bleeding Edge, Human Harvest) and Eric Pedicelli (Black Code, Tin City Voices), which world premieres on Saturday, January 25th. In the vein of a journalistic true crime documentary, painting the scope of the crime, and the depths of the investigation. The story leads into allegations of criminal conduct at a governmental scale. Evidence is credibly presented, shocking, and thorough. Director Jason Loftus stops by for a conversation on the terrifying reach of a totalitarian state power structure and the impact it can have on those who dare challenge it.

 

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For news and updates go to: asknoquestionsfilm.com

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Slamdance Competition Documentary Feature Film
Premiere: Saturday, January 25th at 10:30m in the Gallery Screening Room
Second Screening: Wednesday, January 29th at 6pm in the Ballroom Screening Room

 

Slamdance Film Festival Headquarters
Treasure Mountain Inn
255 Main St.
Park City, UT

 

January 17 – Slamdance Film Festival, Co-founder and President Peter Baxter

It all began when a group of cheerful, subversive filmmakers weren’t accepted into the Sundance Film Festival. Unwilling to take “no” for an answer, they instead started their own event – Slamdance: Anarchy in Utah. 26 years later, Slamdance has become a year-round organization fostering the development of unique and innovative filmmakers. The organization now consists of the Film Festival, Screenplay Competition and Slamdance Studios. It has also created Slamdance On The Road, a traveling theatrical showcase that brings popular Slamdance films to audiences that otherwise would not have the opportunity to see them. Dan Mirvish, Jon Fitzgerald, Shane Kuhn and Peter Baxter are the founding forefathers who, along with co-conspirator Paul Rachman, fought for truly independent filmmakers by giving them a voice in 1995 at the very first Slamdance Film Festival. Since then, the festival takes place every January in the breathtakingly stunning, snow-capped mountains of Park City, Utah at the exact same time as the Sundance Film Festival, to provide a more authentic representation of independent filmmaking. Up-and-coming writers, directors and producers, alongside seasoned veterans and film lovers, converge for the weeklong celebration of independent cinema, realizing that Slamdance is a great place to find those next, great, visionary films. Slamdance lives and bleeds by its mantra By Filmmakers For Filmmakers. No other film festival in the world is entirely run and organized by the creative force that can only be found in filmmakers. Slamdance adamantly supports self-governance amongst independents, and exists to deliver what filmmakers go to festivals for – a chance to show their work and a platform to launch their careers. The festival has earned a solid reputation for premiering films by first-time writers and directors working within the creative confines of limited budgets. Co-founder and President Peter Baxter joins us to talk about this year’s Slamdance, the groundbreaking films and the innovative new distribution and digital initiatives being launched by Slamdance.

 

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For news and updates go to: slamdance.com
Check out the film schedule at slamdance 2020 schedule

 

Slamdance Film Festival – January 24-30 at the Treasure Mountain Hotel in Park City, Utah

 

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January 10 – Two films by Director Rosine Mfetgo Mbakam

Chez Jolie Coiffure

In Rosine Mbakam’s loving and intimate documentary we get to know shop owner, businesswoman Sabine. Recruited by a Lebanese maid agency, Sabine leaves Cameroon and embarks for Lebanon. After many years of servitude, she escapes to Belgium, but her arrival there is complicated by the fact that she enters illegally, by way of Greece and Syria. She settles in Matonge, the African quarter, where she becomes the manager of the beauty salon Chez Jolie Coiffure. Sabine attaches a hair weave and gets to work. Her hands move quickly and precisely, as she tightly braids the hair in front of the sign in her salon promising African, European, and American-style coiffure. Sabine is a larger than-life personality crammed into a tiny, glassed-in shop in the largely immigrant Brussels district of Matonge. Here, she and her employees fit extensions and glue on lashes while watching soaps, dishing romantic advice, sharing rumors about government programs to legalize migrants, and talking about people back home in West Africa. Patrons, many of them undocumented immigrants, are not only be made to feel beautiful but can also escape the daily difficulties and harsh realities of their lives.

For news, screenings and updates go to: icarusfilms.com/if-chez

“Critic’s Pick! Rosine Mbakam makes a remarkable debut; demonstrates a mastery of perspective, a rare ability to include the camera in community.” —The New York Times

“Intense vulnerability makes the film emotionally gripping; the contrast between a public storefront and intimate confessions makes it engrossing… Unequivocally extracts a powerful sense of empathy—and urgency.” —Vox Magazine

“Immersive, provacative; a warm, appealing portrait. Mbakam’s portrait is knit as tightly as the braids Sabine weaves.” —Film International

“A must-see! Highly revealing, an atypical and timely portrait of the intersection between the immigrant experience and female identity.” —IndieWire

“An original filmmaker of exquisite sensibility; one of the foremost filmmakers of creative nonfiction working right now.” —The New Yorker

Chez Jolie Coiffure and The Two Faces of a Bamileke Woman are also available at ovid.tv

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The Two Faces of a Bamileke Woman

Filmmaker Rosine Mbakam left Cameroon at 27 to live in Belgium. Seven years later—having studied film and married a European—she returns to make what she calls a journey into darkness—to the village of her birth, and later to the capital city of Yaoundé, where her mother now lives most of the year. In the village of Tonga, her mother, Mâ Brêh, shares memories of the horrors of the war against French colonizers, and of daily life for a Cameroonian woman in an arranged marriage—a fate Rosine herself barely escaped, leaving the family of an angry ex-fiance behind. As she spends more time with her mother and the women around her, Rosine reveals the strength of their solidarity and their ability to face adversity.

 

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For news, screenings and updates go to: icarusfilms.com/if-bamil

“Critic’s Pick! Mbakam demonstrates a mastery of perspective, a rare ability to include the camera in community.” —Teo Bugbee, The New York Times

“Wrought with bliss and wonder; an exciting contribution to the canon of contemporary African cinema.” —Alexandra M. Thomas, Yale University, in the journal H-Black Europe

“An honest, captivating documentary essay.” —Jagoda Murczyńska, AfryKamera

“Touching; Mbakam is a cinematic artist… Reveals much about gender and family relations in postcolonial Africa.” —Carmela Garritano, Texas A&M University, in the journal African Studies Review

“Extraordinary in substance and style. An original filmmaker of exquisite sensibility; one of the foremost filmmakers of creative nonfiction working right now.” —Richard Brody, The New Yorker

December 20 – The Invisible Life of Euridice Gusmao, Director Karim Aïnouz

Set in a brilliantly recreated 1950s Rio de Janeiro, The Invisible Life of Euridice Gusmao revolves around two inseparable sisters, 18 and 20 years old, living restricted lives with their conservative parents. However, each nourishes a passionate dream: Eurídice of becoming a renowned pianist; Guida of finding true love. In a shocking turn of events, they are separated and forced to live apart. Karim Aïnouz’s first film, MADAME SATÃ, a Jean Genet-inspired story of 1930’s Rio’s drag demi-monde, premiered at Film Forum in 2003. INVISIBLE LIFE shares with it this director’s commitment to immersing himself in the emotional lives of his characters, visualized through rich, inventive, and lush imagery. Based on Martha Batalha’s popular novel The Invisible Life of Eurídice Gusmão, the film won the Un Certain Regard prize at the 2019 Cannes Film Festival. INVISIBLE LIFE is nominated for Best International Film at the 2020 Film Independent Spirit Awards and is Brazil’s official submission to the 2020 Academy Awards® for Best International Film. Director and co-screenwriter joins us to talk about his razor-sharp, wrenching story of patriarchy, fierce determination and love in a time and place where gender mattered more than family.

 

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About the filmmaker: Karim Aïnouz was born in Fortaleza, Brazil in 1966. He studied architecture in Brasilia and film at New York University. He was assistant director to Todd Haynes, worked on over 20 films as an editor and has been directing his own films since 1992. In 2014 his film Praia do Futuro screened in the Berlinale Competition, and he was one of the directors of Cathedrals of Culture (also 2014). Selected filmography: Madame Satã (2002), Love for Sale (2006), The Silver Cliff (2011), Futuro Beach (2014), Central Airport THF (2017), The Invisible Life of Eurídice Gusmão (2019).

Social Media
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#Academy
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#KarimAinouz

 

**OFFICIAL BRAZILIAN OSCAR® ENTRY FOR BEST INTERNATIONAL FEATURE**
**WINNER – UN CERTAIN REGARD – CANNES FILM FESTIVAL 2019**

“RAVISHING. A waking dream, saturated in sound, music and color to match its depth of feeling. Aïnouz has made both a testament to the resilience of women in a society stacked against them…as well as a stirring celebration of the families we create when the ones we’re born into fall away.” – Guy Lodge, Variety

“GORGEOUS. A haunting drama that quietly celebrates the resilience of women… by turns seductive and sorrowful, tender and raw.” – David Rooney, The Hollywood Reporter

“This is an absolutely gorgeous film that starts off as a sort of Rio fairytale and then turns into something a little more realistic with its feet on the ground.” – Amy Nicholson, FilmWeek

“It’s a drama of resilient women, thoughtless men and crushingly unrealized dreams, told with supple grace, deep feeling and an empathy that extends in every direction.” – Justin Chang, Los Angeles Times

December 27 – Dawson City: Frozen Time, Director Bill Morrison

A hallucinatory cinematic fever dream, Dawson City: Frozen Time tells the bizarre true story of some 533 silent film reels, dating from the 1910s and 20s, that accumulated at the end of a film distribution line in northwestern Canada and which were miraculously discovered some 50 years later, in 1978, buried in a sub-arctic swimming pool, deep in the Yukon permafrost. Filmmaker Bill Morrison (Decasia, The Miners’ Hymns, The Great Flood) deftly combines excerpts from this remarkable collection with historical footage, photographs, and original interviews, to explore the complicated history of Dawson City, a Canadian Gold Rush town founded across the river from a First Nation hunting camp, and then traces how the development of that town both reflected and influenced the evolution of modern Cinema. Combined with a powerful, evocative score by Alex Somers ( Captain Fantastic; Hale County This Morning, This Evening; Honey Boy), orchestrated and arranged by Ricardo Romaneiro, Dawson City: Frozen Time is a triumphant work of art that spins the life cycle of a singular film collection into a breath-taking history of the 20th century. Director, writer and editor Bill Morrison joins us to talk about his amazing re-creation of a time and place that existed in the parallel universes of a nascent film industry and crushing avarice of a gold rush that still resonates today.

About the filmmaker: Bill Morrison has premiered films at the New York, Rotterdam, Sundance, and Venice film festivals, and multi-media work at major performance venues around the globe such as BAM, the Barbican, Carnegie, and Walt Disney Concert Hall. Morrison’s films typically source rare archival footage in which long-forgotten, and sometimes deteriorated, imagery is reframed as part of a collective mythology. His work has been recognized with the Alpert Award, Creative Capital, the Foundation for Contemporary Art, a Guggenheim fellowship, and a mid-career retrospective at MoMA. His found footage opus Decasia (2002) was the first film of the 21st century to be selected to the Library of Congress’ National Film Registry. The Great Flood (2013) was awarded the Smithsonian Ingenuity Award of 2014 for historical scholarship. Dawson City: Frozen Time (2016) won a Critics’ Choice Award for the most innovative documentary of the year, and was named the best documentary of 2017 by the Boston Society of Film Critics.

 

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“an instantaneously recognizable masterpiece” – Glenn Kenny, New York Times

“Bill Morrison, whose extraordinary documentary Decasia turned decomposing film stock into the stuff of avante-garde reverie, returns with another staggering journey into the past.” – J. R. Jones, Chicago Reader

“The thrilling documentary “Dawson City: Frozen Time” is indescribable not because it’s ambiguous (it’s totally straightforward) but because it does so many things so beautifully it is hard to know where to begin.” – Kenneth Turan, Los Angeles Times

“The rise and fall of Dawson City, intimately tied to the vagaries of climate and man’s greed, is heartbreakingly rendered.” – Peter Rainer, Christian Science Monitor

** Midnight Family, Director Luke Lorentzen

** Update – MIDNIGHT FAMILY is a shortlisted nominee for the 2020 ACADEMY AWARD FOR BEST DOCUMENTARY

MIDNIGHT FAMILY has won more than 25 national and international awards, played in 135 film festivals around the world. MIDNIGHT FAMILY is set in Mexico City, where the government operates fewer than 45 emergency ambulances for a population of 9 million. This has spawned an underground industry of for-profit ambulances often run by people with little or no training or certification. An exception in this ethically fraught, cutthroat industry, the Ochoa family struggles to keep their financial needs from jeopardizing the people in their care. When a crackdown by corrupt police pushes the family into greater hardship, they face increasing moral dilemmas even as they continue providing essential emergency medical services. MIDNIGHT FAMILY is an enthralling. harrowing, and intimate look at a family business of dedicated professionals who often fo more than simple transport the helping the people who end up in their ambulance. Director, Producer, Cinematographer, Editor Luke Lorentzen joins us to talk about his mesmerizing film and the challenges of capturing all the different facets of the Ochoa family.

About the filmmaker: Director, Producer, Cinematographer, Editor Luke Lorentzen is a graduate of Stanford University’s department of Art and Art History. His first film, Santa Cruz del Islote (2014) – a short documentary about a small and densely populated fishing community in Colombia – won awards at over ten international film festivals including the San Francisco International, Full Frame Documentary, Camden International, and Chicago International. Midnight Family (2019) – Luke’s first feature documentary out of school – tells the story of a family-run ambulance business in Mexico City. Midnight Family has played at over 130 film festivals around the world and has won over 25 awards including a Special Jury Award for Cinematography at the Sundance Film Festival and the Grand Jury Award at Sheffield Doc/Fest. Midnight Family will be released theatrically around the world in December of 2019. Luke is also a director and producer on the Netflix documentary series, Last Chance U. His work explores elements of everyday life, often through rigorous formal means, questioning and experimenting with the ways in which non-fiction stories are told. Originally from Connecticut, Luke currently lives in San Francisco.

 

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For news, screenings and updates go to: midnightfamilyfilm.com

Midnight Family opening at the Laemmle Royal in Los Angeles on Friday Decemebr 13 with a Q&A with director Luke Lorentzen at the 7:50 PM screening on Friday night

Social Media
facebook.com/MidnightFamilyFilm
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AWARDS:
Special Jury Award for Cinematography, U.S. Documentary, Sundance Film Festival
IDA Documentary Awards, Winner, Best Editing
IDA Documentary Awards, Nominee, Best Feature
IDA Documentary Awards, Nominee, Best Cinematography
Cinema Eye Honors, Best Film Nominee
Cinema Eye Honors, Best Cinematography Nominee
Cinema Eye Honors, Best Production Nominee
Cinema Eye Honors, Unforgettables Award, Juan Ochoa, Nominee
Golden Frog for Best Documentary, EnergaCAMERIMAGE
Best Documentary, Films from the South, Oslo
Maysles Brothers Award, Special Jury Mention, Denver Film Festival
Best Film, WatchDocs IFF, Warsaw
FIPRESCI Rellumes Award for Best Director, Gijón Film Festival

 

100% on Rotten Tomatoes

“10 Best Movies of Sundance 2019″

“Fantastically shot by the director Luke Lorentzen, the documentary develops an urgency that suits the life-or-death stakes onscreen. By turns terrifying and exhilarating, “Midnight Family” unfolds with such velocity that it may take a while for your ethical doubts to catch up to what’s happening. When they do, they leave you gasping.” – Manohla Dargis, New York Times

“Arguably the most exhilarating documentary to come out of Sundance this year, Midnight Family follows the Ochoa family—the gruff but compassionate Fer and his two underage sons, Juan and Josué—at intensely close range on these Sisyphean missions of mercy.” – Museum of Modern Art and Film Society of Lincoln Center

“A deft mix of big-picture doc-making and intimate moments… not to mention a wild — and remarkably eye-opening — ride.” – David Fear, Rolling Stone

“An intimate verite documentary… the Ochoas emerge as fascinating embodiments of a country working overtime to correct its shortcomings and keep the lights on. This bracing U.S. competition documentary is poised to provide a personal window into the fast-paced mayhem of Mexico after dark.” – Eric Kohn, Indiewire

December 6 – Knives and Skin, Director Jennifer Reeder

What happened to Carolyn Harper? Part suburban nightmare, part neon-soaked teenage fever dream, this tantalizing mystery traces the wave of fear and distrust that spreads across a small Midwestern town in the wake of a high school girl’s mysterious disappearance. As the loneliness and darkness lurking beneath the veneer of everyday life gradually comes to light, a collective awakening seems to overcome the town’s teenage girls—gathering in force until it can no longer be contained. Unfolding in a hallucinatory haze of lushly surreal images, Knives and Skin is a one-of-a-kind coming-of-age noir that haunts like a half-remembered dream. Director / writer Jennifer Reeder joins us for a lively conversation on her heady melange of a film that bends multiple genres to its razor sharp will.

Director’s Statement: I tell stories about unruly women and the landscapes they transform. This is a story by a woman that proposes girlhood as a place of transcendence and transgression. I am committed to this voice and to producing unexpected narratives. I write scripts from actual experience and observation and my films are specific in mood and perspective. I am influenced by Ohio, where I grew up—all that sky and flatness. And even more so by the Midwestern people and their kind of everyday destructiveness and determination to cope. This awkward emotionality is evident in my films as scenes unfold like sticky flypaper and characters make one small mistake after another. – Jennifer Reeder

 

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For news and updates go to: chicagofilmproject.com/knives-and-skin

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facebook.com/knivesandskin

twitter.com/knivesandskin

“It may be the most anarchic and refreshing take on the American teen’s existential malaise since Heathers.” – Demetrios Matheou, Screen International

“An effervescent suburban noir rich with tragedy, rough around the edges, but sharp like the dagger when it counts.” – Matt Donato, Dread Central

“The film’s approach to narrative structure is both messy and strangely confident and alluring, poising Knives and Skin as a bold and complicated cross-genre anomaly, much like the women Reeder lovingly depicts.” – Chloe Leeson, Screen Queens

“At times fraught with anxiety, haunting in quiet horror, blackly comedic, and aching with with sorrow and love, Knives and Skin is many things and also defies easy categorization, as it puts forth a perspective that is multiple and complicated.” – Shelagh Rowan-Legg, ScreenAnarchy

November 29 – Recorder: The Marion Stokes Project, Director Matt Wolf

In the fascinating new documentary from Matt Wolf (Teenage, Wild Combination) RECORDER: THE MARION STOKES PROJECT, we follow the life of a former librarian, Marion Stokes. Her unusual “project” began when she started secretly recording American television twenty-four hours a day at the dawn of what we know today as the twenty-four hour news cycle. It started in 1979 with the Iranian Hostage Crisis, ending more than 32 years later, on December 14, 2012. Marion passed away as the Sandy Hook massacre played out on television. In between, she recorded on 70,000 VHS tapes, capturing revolutions, lies, wars, triumphs, catastrophes, bloopers, talk shows, and commercials that tell us who we were, and show how television shaped the world of today. Before the era of “fake news,” Marion was fighting to protect the truth by archiving everything that was said and shown on television. The public didn’t know it, but the networks were disposing their archives for decades into the trashcan of history. Remarkably, Marion saved it, and now the Internet Archive will digitize her tapes and we’ll be able to search them online for free. A mystery in the form of a time capsule, the film delves into the strange life of a radical Communist activist who became a fabulously wealthy recluse archivist. Marion’s work was crazy but it was also genius, and she would pay a profound price for dedicating her life to this visionary and maddening project. Director Matt Wolf joins us to talk about the librarian / activist / archivist / free thinker Marion Stokes, and how her unusual obsession has provided us with a window into an era of rapidly evolving news and infotainment platforms and the profound impact it continues to have on the present.

 

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For news, screenings and updates go to: recorderfilm.com

For more about the filmmaker: mattwolf.info

Social Media:
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twitter.com/mattpwolf

 

95% on Rotten Tomatoes

“Matt Wolf’s remarkable Recorder uses Stokes’ recording obsession as a way to explore both Stokes herself and the world she literally committed to video tape. The results are fascinating, weird, and often quite moving.” – Indiewire

“Intriguing from first minute to last… Relating this stranger-than-fiction tale with the narrative twists and turns of a well-paced thriller, Recorder will make news junkies feel a lot better about themselves.” – Hollywood Reporter

“Weirdly exhilarating… Enlightening and the stuff of madness.” Critic’s Pick – New York Times

“One outstanding offering in this year’s Tribeca Film Festival is Recorder, which reveals the secret greatness of a reclusive activist… An information revolutionary, Stokes, despite her decades of isolation, touched the nerve center of the times.” – New Yorker

“Recorder is more than just a portrait of a woman’s complicated relationships and obsessions… Recorder quietly seeds damning observations about the ways media narratives are formed, and how the shapers of these narratives distort the truth and our worldview.” – Flixist

“Utterly compelling and beautifully textured… A thrilling portrait of a woman collecting the history of the world as she lived through it through the very media we all engaged with, this is a powerful and truly important documentary feature.” – CriterionCast

“Marion’s life makes for a pensive, complicated romantic tragedy.” – Nonfics

Coastal Road Killer, Co-director Yotam Guendelman and Ari Pines

In October of 1974 the body of Rachel Heller, a female IDF solider, is found in the sand dunes of Caesarea. She’s completely naked, except for a single sandal and a bra strap tied tightly around her neck. The investigation leads nowhere, until a young man by the name of Amos Baranes storms into a local police station, claiming he knew the victim and wants to help find the person responsible. He’s arrested and after 3 days of interrogations, he confesses to the murder. Coastal Road Killer is a riveting multi-part series examines whether a serial killer, who was never brought to justice, was behind a string of murders that occurred in Israel between the late 70s and early 80s and whether they might still be on the loose. Coastal Road Killer was created by Yotam Guendelman, Mika Timor and Ari Pines, the team behind   Shadow of Truth, the story of the 2006 murder of Tair Rada, a 13-year old Israeli girl, which became one of Netflix’s most-watched true crime docs. Coastal Road Killer explores the connection between storytelling and truth. Very much like Shadow of Truth, the filmmaking is aimed at showing us how easily we can be manipulated into believing a certain narrative, only to have it completely deconstructed in the next few frames.  Co-directors Yotam Guendelman and Ari Pines stop by to talk about their riveting multi-part series investigative expose that through diligent research and forensic experts uncover new, credible evidence that raises a possible serial killer who has, so far, avoided responsibility for their crimes.

 

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The Body Remembers When the World Broke Open, Co-directors Elle ­Máijá Tailfeathers and Kathleen Hepburn and Actor Violet Nelson

THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN reveals a beautifully intimate, real-time portrait that follows two Indigenous women from vastly different backgrounds whose worlds collide when one of them is fleeing a violent domestic attack.  A love poem to women, THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN weaves a compellingly simple story around the complex themes of racialized female bodies, a country’s failure to support its most vulnerable youth, and the continuing effects of colonial violence.  THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN is the newest acquisition from Ava DuVernay’s ARRAY Releasing. Founded in 2010 by Ava DuVernay, ARRAY is a film collective dedicated to the amplification of images by people of color and women directors. Now in its ninth year, ARRAY Releasing focuses on grassroots distribution of feature narrative and documentary work by varied voices. Co-directors / co-writers Elle ­Máijá Tailfeathers and Kathleen Hepburn, as well as lead actor Violet Nelson joins us to talk about the different creative elements that went into the making of this heart-bending film on violence against women, class, privilege and the limitations of compassion.

 

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For news and updates go to: arraynow.com/ The Body Remembers When the World Broke Open

For more on the work of Kathleen Hepburn go to: experimentalforest.ca/thebodyremembers

About the filmmakers

Elle­ Máijá Tailfeathers, Co­-Writer / Co­-Director, is a filmmaker, writer, and actor based in Vancouver, British Columbia. She is Blackfoot from the Kainai First Nation (Blood Reserve) as well as Sámi from northern Norway. She holds a Bachelor’s Degree from the University of British Columbia in Indigenous Studies with a Minor in Women’s and Gender Studies. THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN is her debut narrative feature. Tailfeathers was the 2018 Sundance Institute Merata Mita Film Fellow and is an alumni of the Berlinale Talent Lab, the Hot Docs Accelerator Lab, the CFC/NFB/Ford Foundation Open Immersion Virtual Reality Lab, the Whistler Film Festival Aboriginal Film Fellowship, and the International Sámi Film Institute Indigenous Film Fellowship. Her short documentary, Bihttoš, was included in the TIFF Top Ten Canadian Shorts and was also nominated for a Canadian Screen Award and a Leo Award for Best Short Documentary.

elle-maija-tailfeathers.com

Kathleen Hepburn, Co­-Writer / Co­-Director, is a Vancouver born writer and director whose debut feature, NEVER STEADY, NEVER STILL, which Variety Magazine calls a “stoically broken hearted debut,” premiered at the Toronto International Film Festival in 2017 and was awarded Best Canadian Film and Best Director by the Vancouver Film Critics Circle, as well as Special Jury Prize at the Dublin International Film Festival. It went on to be nominated for eight Canadian Screen Academy Awards including Best Picture. She holds an MFA in Creative Writing, and a BFA in Film Production from the Universities of Guelph and Simon Fraser respectively. THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN is her sophomore feature, co­-written and co­-directed by Elle­-Máijá Tailfeathers.

Social Media:
facebook.com/thebodyremembersfilm
twitter.com/bodyremembers
twitter.com/ava
twitter.com/experiforest
instagram.com/experimentalforest

 

100% on Rotten Tomatoes

“Intricate and impactful… a world-affirming work.” Sarah-Tai Black, Globe and Mail

“What Tailfeathers and Hepburn have shared… is a practice of filmmaking that grapples with these exact intricacies of embodiment and acknowledges them as wholly inextricable from Indigenous presents and futures.” – Sarah-Tai Black, Globe and Mail

“As poetic as its title, The Body Remembers When the World Broke Open cannot be understated for its power and must not be erased from the conversation.” – Aaron Berry, Film Inquiry

“Stands alongside many recent social realism dramas by the likes of Andrea Arnold and Lynne Ramsay … these performances will hit you like a punch to the gut.” Shelagh Rowan-Legg, Screen Anarchy

DOC/NYC spotlight: Mai Khoi and the Dissidents, Director Joe Piscatella

After the patriotic themes of her first hit song launch her to stardom in Vietnam, Mai Khoi’s personal and artistic growth places her and those around her in jeopardy. A shift from pop star to activist sees Khoi run for office, advocate for women’s rights and sit down with President Barack Obama. Her aspirations to release an album with her new band, The Dissidents, are challenged by looming retaliation by the authoritarian Vietnamese regime, leading the young activist to take drastic measures. Director Joe Piscatella stops by to talk about the journey of Vietnam’s most popular leading pop star from celebrated to hunted for speaking out against an oppressive regime hell-bent to silence her.

About the filmmaker: Joe Piscatella’s second feature documentary, Joshua: Teenager vs. Superpower won the Audience Award at the 2017 Sundance Film Festival and was acquired as a Netflix Original. His first feature documentary, #ChicagoGirl, has been seen in more than 60 countries. He was also an executive producer on the documentary Finders Keepers, which premiered at Sundance in 2015. In 2019 he was nominated for an Emmy for his directorial work on Food Interrupted. His latest documentary, Mai Khoi & the Dissidents premiered at the 2019 DOC/NYC film festival.

 

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Social Media:
twitter.com/jpiscatella
twitter.com/MaiKhoiOi

 

Atlantics, Director Mati Diop

Winner of the Grand Prix at the 2019 Cannes Film Festival, ATLANTICS marks the feature narrative debut of director Mati Diop. Along the Atlantic coast of Africa, a soon-to-be-inaugurated futuristic tower looms over a suburb of Dakar. Ada, 17, is in love with Souleimane, a young construction worker. But she has been promised to another man. One night, Souleimane and his co-workers disappear at sea. Soon after, they come back to haunt their old neighbourhood by taking possession of the girlfriends they left behind. Some of the workers have come claiming revenge and threaten to burn the tower down if the developer does not pay their wages. But Souleiman has come back for Ada, so they can be together one last time. Director and writer Mati Diop joins us for a conversation on her compelling new film, finding love, and the mythology of a ghost story.

About the filmmaker: Trained in Le Fresnoy (National Studio of Contemporary Arts – a leading and very selective French artistic institution), Mati Diop directed four shorts and a medium-length film which received the “Martin E. Segal – Emerging Artist Award” of the Lincoln Center (USA) in 2016. A THOUSAND SUNS (2013), BIG IN VIETNAM (2011), SNOW CANON (2010) and ATLANTIQUES (2009) were selected and awarded in a wide number of international festivals such as the Venice International Film Festival, the Toronto International Film Festival, the Rotterdam International Film Festival, the Viennale, The Indie Lisboa International Film Festival, and the FID Marseille. They were also programmed in the MoMA and in the Moving Image Museum (USA). As an actress, Mati Diop played in HERMIA Y HELENA by director Matias Piñeiro (2015), FORT BUCHANAN by Benjamin Crotty (2014), SIMON KILLER by Antonio Campos (2012) and 35 SHOTS OF RHUM by Claire Denis (2008).

 

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For news, screenings and updates go to: mk2films.com/en/film/atlantics

Social Media:
facebook.com/mk2films/photos/atlantics-by-mati-diop
twitter.com/hashtag/atlantics
twitter.com/#MatiDiop

 

Grand Prix Winner, Cannes Film Festival 2019
Official Selection, Toronto International Film Festival 2019
Official Selection, New York Film Festival 2019
Mati Diop, Mary Pickford Award Winner, Toronto International Film Festival 2019

 

“This shape-shifting Senegalese drama is pure cinematic poetry. Slipping in and out of modes with a magician’s confidence, Atlantics is mysterious and mythic, with a wizardly use of sound and some unforgettable images.” ★★★★★ The Telegraph – Tim Robey

“A striking work, with a lyrical, richly evocative ghost story. Exquisitely shot by Claire Mathon and lushly scored by Fatima Al Qadiri, the film pulls together some exceedingly strong components.”The Hollywood Reporter – Leslie Felperin

“Constantly intriguing, Atlantics is an intense romance notable for the craft of the filmmaking and Diop’s original approach to complex issues of love, loss and the forces for change that can rise from the ashes of tragedy.”Screen International – Allan Hunter

“A gorgeous, mesmerizing feature directorial debut. Atlantics is an absorbing, otherworldly vision of an alienated seaside life in Dakar.”IndieWire – Eric Kohn

“A romantic and melancholy film, part social commentary, part ghost tale, that works best in its evocation of loss and female solidarity.”Variety – Jay Weissberg

Scandalous: The Untold Story of the National Enquirer, Director Mark Landsman

Sex! Gossip! Scandal! For over 60 years, the National Enquirer has pumped out salacious, shocking stories, stretching the limits of journalism and blurring the lines between truth and fiction. Magnolia Pictures’ SCANDALOUS: The Untold Story of the National Enquirer, charts the thrilling origin story and influence of (in)famous supermarket tabloid the National Enquirer. The paper that former editor-in-chief Steve Coz called “the most perfectly placed piece of propaganda in America.” SCANDALOUS is the sensational true story of the most infamous tabloid in US history, a wild, probing look at how one newspaper’s prescient grasp of its’ readers darkest curiosities led it to massive profits and influence. From its coverage of Elvis’s death, to Monica Lewinsky and the O.J. Simpson murder trial, the National Enquirer rattled the foundations of American culture and politics, sometimes allegedly using payoffs and blackmail to get its scoops. With rare archival footage and revelations as wild as National Enquirer headlines themselves, SCANDALOUS  examines our obsession with the rich, famous and powerful, and the tabloid that has fed those obsessions for generations of Americans. SCANDALOUS: The Untold Story of the National Enquirer will open in select theaters on November 15, and features interviews with former Enquirer reporters and editors, including Iain Calder and Steve Coz, as well as journalists Ken Auletta, Carl Bernstein, and Maggie Haberman. Director Mark Landsman joins us to talk about the history of the supermarket tabloid that made UFO’s and mayhem respectable and in the process changed the way we consume all forms of media.

 

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For news, screenings and updates go to: Scandalousfilm.com

SCANDALOUS: THE UNTOLD STORY OF THE NATIONAL ENQUIRER panel discussion on Friday (11/15) after the 7:10 pm show with director Mark Landsman and former National Enquirer reporters Tony Brenna, Judith Regan and Barbara Sternig. Q&A after the 7:10 pm show on Saturday (11/16) with producers Aengus James and Kristen Vaurio at the Royal.

Social Media:
scandalousfilm.com
twitter.com/scandalousfilm
instagram.com/scandalousfilm

Mark Landsman – twitter.com/markolands

“While watching this entertaining documentary, keep in mind the claim made by journalist Ronan Farrow: The National Enquirer has buried at least 60 super-sleazy stories about our… president.” – Charles Mudede, The Stranger

“The story of the National Enquirer comes to life in Scandalous, a vibrant true Hollywood story that pulls numerous twists and turns.” – Kristen Lopez, Culturess

“”Scandalous” doesn’t break a lot of new ground in style, but it is a fascinating and essential examination of the media we consume and what consumes us.” – Karen M. Peterson, AwardsCircuit.com

“A journalism expose that lives up, or down, to its hype.” – Roger Moore, Movie Nation

Saving Atlantis, Co-directors Justin Smith and David Baker

The problem: The decline of the world’s coral reefs

Coral reefs cover only 0.1 percent of the Earth’s surface, but they’re home to 25 percent of all marine species, and they’re being lost at an alarming rate. Pollution, overfishing and climate change are some of the human-influenced culprits in the dramatic decline of these magnificent natural structures. Coral reefs serve as a linchpin in the global food web. Their decline leads our entire planet in a perilous direction. But research from scientists around the world hints at bright spots where real strides can be made in preservation and protection of these habitats.

The film: SAVING ATLANTIS

Narrated by actor and activist Peter Coyote, SAVING ATLANTIS is a feature-length documentary film by Oregon State University that covers the dramatic decline of the world’s coral reefs and those who are fighting to save them. Following the Global Coral Microbiome Project, a National Science Foundation-funded effort to understand the underlying causes of coral disease, as well as other coral conservation efforts, SAVING ATLANTIS focuses on the plight of an endangered habitat and the people most dramatically impacted by its disappearance. It is an emotional exploration of some of our planet’s greatest natural wonders at a tipping point in their ecological history. Co-directors Justin Smith and David Baker join us to talk about the intense research being done to save this invaluable planetary resource.

 

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For news and updates go to: corals.oregonstate.edu/saving-atlantis

November 12 – The Bygone, Co-directors Graham Phillips and Parker Phillips

The inspiration for Parker Phillips and Graham Phillips debut feature film THE BYGONE was born from the grim effects of the recent oil boom in North Dakota. Beyond the environmental impact of the fracking itself, the boom brought a wave of lawlessness to a region not suited to respond to the flood of tens of thousands of predominantly male workers. Along with the drugs, violence and crime, this wave brought a heightened market for the sex trade, which disproportionately targeted and exploited young Native American women – our country’s most marginalized demographic, made vulnerable by centuries of disenfranchisement, discrimination and sexual victimization. It is compelling that natural resource extraction has once again led explicitly to the disruption of indigenous peoples and their culture, a narrative that echoes the gold rush and is as old as the foundations of America itself. The film explores the tension in this relationship within the modern western landscape, following a North Dakota cowboy and a Lakota girl as they attempt to survive in a land increasingly hostile to the Old West. In shedding light on the lawless shadows of our country, we learn how we have progressed as a Nation and what has remained unchanged, exploring the contemporary status of age-old relationships: East vs. West, Land vs. Industry, Cowboy vs. Indian, and ultimately the Future vs. the Bygone. The co-directors and screenwriters Parker Phillips and Graham Phillips stop by to talk about how their compelling feature film debut weaves together stories of sexual violence, human trafficking, fracking’s impact on America’s declining middle class and the historic abuse of Native Americans.

 

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For news, screenings and updates go to: phillipspictures.com/bygone

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