White Noise, Director Daniel Lombroso

The Atlantic’s first feature documentary, WHITE NOISE, is the definitive inside story of the movement that has come to be known as the alt-right. With unprecedented access, WHITE NOISE tracks the rise of far-right nationalism by focusing on the lives of three of its main proponents: Mike Cernovich, a conspiracy theorist and sex blogger turned media entrepreneur; Lauren Southern, an anti-feminist, anti-immigration YouTube star; and Richard Spencer, a white-power ideologue. Directed and shot by Daniel Lombroso in his directorial debut, this film takes the viewer into the terrifying heart of the movement—explosive protests, riotous parties, and the rooms where populist and racist ideologies are refined, weaponized, and injected into the mainstream. Just as the alt-right comes to prominence, infighting tears the movement apart. Spencer and Cernovich clash over the role of white nationalism in conservative politics. Southern struggles to reconcile her leadership role with the sexism and misogyny of her peers. Lawsuits mount and internecine fights erupt, but even as the alt-right fractures, its once-marginalized ideas gain a foothold in mainstream discourse; in Republican politics; in the establishment right-wing press, especially Fox News—and on the world’s biggest social-media platforms. Director Daniel Lombroso joins us to talk about his immersive experience into the world of the white nationalist movement, an ideology  that echos and trades on the tropes of fascism. 

 

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For news, updates and screenings go to: theatlantic.com/white-noise-movie

WHITE NOISE releases on October 21 in the U.S. on iTunes, Amazon Prime Video, and Google Play.

About the filmmaker – Daniel Lombroso is a freelance director and journalist. For five years, he was a staff producer at The Atlantic, where he directed shorts exploring Russian espionage, the Israeli settlement movement, far-right Christian media, and more. Lombroso graduated from McGill University with a degree in political science and lives in New York City.  His debut feature film, WHITE NOISE, based on his four years reporting inside the alt-right, premiered at AFI DOCS in June 2020 to critical acclaim. It is the first-ever feature film by The Atlantic. For more go to: daniellombroso.com

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“Lombroso did his homework, embedding himself with these people for several years, so that he won their trust and became privy to their private lives. “White Noise” is a deadly serious movie, but it is also, in a certain way, a funny one, because it captures the comedy of how much trouble even the influencers of hate now have squaring their lives with their belief systems.  It takes reality to create characters as rivetingly contemptible as these.” – Owen Gleiberman, Variety

“There have been several documentaries made about the ideological conditions that laid the ground for the Trump era, but White Noise may be the most illuminating.” – Stephen Silver, Splice Today

“Lombroso’s strategy is patient, and ruthless. He listens to these racists, spending long periods with them to better understand their lifestyles. We slowly start to see that they all kind of hate and resent each other; these fissures are at the heart of this movement’s moral and intellectual rot.” – Alan Zilberman, Brightest Young Things

“Director Daniel Lombroso takes a very clear-eyed approach to the subject, utilizing unprecedented access to show the movement for what it is – an effort to launch a full-on culture war, driven by people whose anger and media savvy is matched by their opportunism. Despite refraining from overt commentary most of the time, the last couple minutes of White Noise poignantly pull together the results of recent alt-right messaging.” – Mike McGranaghan, The Aisle Seat

TIME, Director Garrett Bradley

Fox Rich is a fighter. The entrepreneur, abolitionist and mother of six boys has spent the last two decades campaigning for the release of her husband, Rob G. Rich, who is serving a 60-year sentence for a robbery they both committed in the early 90’s in a moment of desperation. Combining the video diaries Fox has recorded for Rob over the years with intimate glimpses of her present-day life, TIME director Garrett Bradley paints a mesmerizing portrait of the resilience and radical love necessary to prevail over the endless separations of the country’s prison-industrial complex. Bradley won the U.S. Documentary Directing Award at this year’s Sundance Film Festival, and is the first Black woman to be awarded the prize with TIME, her documentary feature debut. Director and producer Garrett Bradley joins us to talk about her beautifully rendered look into the most intimate moments of a determined matriarch and a family grappling with a life lived under the relentless cloud of uncertainty.

 

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To watch beginning on October 16 go to: amazon.com/TIME-Garrett-Bradley

TIME will open in select theaters on October 9 ahead of its global launch on Amazon Prime Video on October 16.

About the filmmaker – Garrett Bradley works across narrative, documentary, and experimental modes of filmmaking to address themes such as race, class, familial relationships, social justice, southern culture, and the history of film in the United States. Bradley has received numerous prizes which include the 2019 Prix de Rome, and the 2017 Sundance Jury Prize for the short film “Alone,” which was released by The New York Times OpDocs And became an Oscar Contender for short nonfiction filmmaking, included in Academy Shortlist. Bradleys work can be seen across a variety of spaces including her Second Unit Directing work on Ava DuVernays “When They See Us” and the 2019 Whitney Biennial. In December of this 2019, Bradley’s first solo exhibition opened at The Contemporary Arts Museum Houston (CAMH), curated by Rebecca Matalon. In January of 2020, Bradley became the first Black American woman to receive Best Director at the 2020 Sundance Film festival for her first feature length documentary, “Time.” For more go to: garrettabradley.com

Sundance 2020 – Directing Award: U.S. Documentary

The Center for Documentary Studies Filmmaker Award

Full Frame Documentary Film Festival 2020 – The Charles E. Guggenheim Emerging Artist Award

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“A vibrant cubist portrait, alive with shadings of Rich’s vulnerability and the psychic bruises from dealing with an indifferent correctional system, expensive lawyers and unresponsive courts.” – Sheri Linden, Hollywood Reporter

“A formally stunning masterwork of empathy, exhaustion, love, and rage.” – Jordan Raup, The Film Stage

“While gripping from start to finish, there isn’t a minute of “Time” that feels engineered for our entertainment.” – David Ehrlich, indieWire

“Transcendent yet down-to-earth.” – Beandrea July, Hyperallergic

“It’s an enormous achievement to crystallize two decades of both fighting and loving in 81 minutes, as Bradley never takes Rich’s voice away to patronize or preach to the viewer about what we should care about.” – Ella Kemp, WeLoveCinema

Oleander, Director Kate Hackett

OLEANDER, (Emily Robinson)17, is the star and sole creator of her own provocative, sex-positive YouTube channel. She is also an unwilling student at a Christian abstinence program, led by the poised and charismatic Alissa, (Peri Gilpin) 50s. When Alissa demands that Oleander issue an on-camera apology for mocking her abstinence program online, a fierce battle of wills ensues. Alissa is aided by Kim, (Jennifer Lafleur) 30s, a filmmaker-for-hire who has no allegiance other than to serve her client. Oleander fights desperately for her voice and her beliefs, but will her anti slut-shaming message be able to stand up against the manipulative power of the two adults who seek to suppress her? Director Kate Hackett joins us for a conversation on her thoughtful, sharply focused look at the power of manipulation, respect, trust and sexual agency.

 

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For news, updates and screenings go to: oleandershortfilm.com

About the filmmaker – Kate Hackett is a filmmaker and film editor based in Los Angeles. She is a 2020 Emmy winner for her editing work on the Netflix documentary series “Cheer.” Her work as an editor also includes the Emmy award winning Netflix documentary series “Last Chance U,” and the Sundance documentary feature Half The Picture. She was the 2018 Sundance Institute Sally Menke Editing Fellow. As a screenwriter, she was a 2016 American Zoetrope Screenwriting contest finalist with the screenplay Purify My Heart.

 Best Director – Short Film, The Method Fest 2020

Official Selection of LA Femme International Film Festival 2020*

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The Disrupted, Co-director Sarah Colt (Josh Gleason)

Sarah Colt and Josh Gleason’s documentary THE DISRUPTED asked the question, what do a farmer in Kansas, a laid-off factory worker in Ohio, and an Uber driver in Florida have in common? All three are resourceful, positive thinkers who strive to adapt and thrive despite dehumanizing forces at play in the American economy. Donn is a fifth-generation farmer, struggling to hold on to 900 acres of land uncle made a full-time living raising crops and livestock. But in the last decade, corporate consolidation and free-falling commodity prices have made it impossible for small farms to achieve a profit. Cheryl didn’t plan on becoming a driver for Uber and Lyft. She spent years working her way up the ladder in the mortgage industry as a single mother raising hree kids. But her career came to an abrupt halt in 2008 when the crash bankrupted her employer. For Pete the closure of the 3M sponge factory, where Pete held a union job for 12 years, is the latest chapter in the city’s decades- long deindustrialization into the Rust Belt. As the film’s heroes face these roadblocks with courage, certain ideals remain sacred: family, love, and staying strong in the face of adversity. Lush cinematography galvanizes a sense of place and, as the narrative unfolds, the intimacy with the characters results in an emotionally rich observational drama. Ultimately, THE DISRUPTED reveals a collective American experience of financial challenge, family resilience, and the quest for the purpose and dignity of work. Co-director Sarah Colt (Josh Gleason) stops by to talk about the unraveling of the American Dream and the cruel trajectory of economic deprivation and the systemic failure of any feasible path forward.

 

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For news, updates and screenings go to: thedisruptedfilm.com

Take Action at: thedisruptedfilm.com/take-action

About the filmmaker – Sarah Colt is an award-winning documentary filmmaker whose work brings to life the figures and forces that have shaped America. Since founding Sarah Colt Productions a decade ago, she has directed and produced numerous films for PBS, including the Emmy-nominated and Peabody finalist “Walt Disney.” Most recently, Sarah’s independent short documentary “True Believer” followed an evangelical pastor’s grassroots campaign for Congress. “True Believer” screened at several major film festivals across the country and had its online premiere on The Atlantic.

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“Colt and Gleason interweave these stories with subtlety and irony, catching the nuanced details of their subjects’ lives and relationships, the cinematography evoking a mood of fading hope and dogged resistance.” – Boston Globe

“Eye-opening film about people being left behind in our current economy…theoretically the “forgotten men and women” Trump campaigned on. And in the ensuing years, not only have their lives not gotten better, they’ve gotten significantly worse.” – Film Week

“Arguably the most important film I’ve encountered in 2020 thus far.” – Mountain Express

“Squarely takes aim at the beleaguered middle class.” MODERN TIMES

Wine and War: The Untold Story of Wine in the Middle East, Co-directors Mark Ryan and Mark Johnston

In 2013, inspired by the book Wines of Lebanon by Michael Karam, filmmakers Mark Johnston and Mark Ryan set out to change the perceptions of the Middle East – and in particular the tiny nation of Lebanon – by examining an enigmatic and misunderstood part of the world with winemakers who had a story to tell. Co-directors Johnston and Ryan released their first award-winning documentary The Invisible Front, but by then, they were already in Lebanon recording stories of courage, adventure and determination. There, they met Michael Karam, and two became three. Wine and War: The Untold Story of Wine in the Middle East tells the story that starts in the 2nd BC, when the Phoenicians, the ancient Lebanese, with their awesome trading empire gave the gift of wine to the then known world. They were the first wine merchants! In doing so, the Lebanese became the masters of crisis management, a skill personified by Lebanon’s winemakers who for thousands of years have gone about their work in war, famine, occupation and the constant hum of political instability. Co-directors Mark Ryan and Mark Johnston join us to talk about the amazing resilience of the Lebanese people and how wine is such a powerful thread in their shared history.

 

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For news, updates and screenings go to: wineandwar.com

About the filmmaker – Mark Johnston is an executive producer and documentary filmmaker who is known for tackling a full range of near-impossible production challenges with a proven track record of creative development in complex and cross-functional multicultural environments. Mark has invested all his savings to make documentaries. He doesn’t own a home. He literally once moved into a mini van to save money to film a documentary. Mark’s passion for the work takes him to the farthest places on the globe and he always strives to do what he can to help each project realize its full potential. Big budget or big challenge, domestic or around the globe… Mark has done it all with calm collection and inventive problem solving be it feature film documentaries, TV campaigns, brand funded content, animated short films, live event programming, experiential projects, the Lanzarote Iron Man, En Svensk Klassiker, Vasaloppet, and the Stones 100k Ultra Marathon. 

About the filmmaker – Mark Ryan, Director / Producer. Over the past two decades, Mark has been a producer, director, and cinematographer on five continents and the North Pole. Early in his career, Mark was part of a film crew that was the first in thirty years to be given unprecedented access to the Hopi Indians of Arizona. This experience cemented Mark’s desire to sensitively tell the stories of other people. Mark has a number of film credits under his belt including the James Beard Award-winning short films The Scent of Black and Stewards of the Land. He’s also served as a producer on the MTV hit show Pimp My Ride.  A Los Angeles native, Mark is a graduate of the University of Southern California with a BA in Cinema Production. He also holds a post-graduate degree from Central St. Martins School of Fine Art in London.  Today, Mark combines his love for adventure, travel, and hearing the stories of other people with best practices for capturing scenes of film to create stunning imagery for clients around the world.

 
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This Is Not a Movie: Robert Fisk and the Politics of Truth, Director Yung Chang

Yung Chang’s This is Not a Movie is a fascinating documentary portrait of world-acclaimed British born Beirut-based foreign correspondent Robert Fisk. Fisk’s work is as vital as ever in an era of “fake news,” politicized facts, and the rise of ethno-nationalist politics. A Middle East correspondent for The Independent, Fisk holds more international journalism awards than any other foreign correspondent. For more than 40 years, journalist Robert Fisk has reported on some of the most violent and divisive conflicts in the world. Director Yung Chang (Up the Yangtze, The Fruit Hunters) captures Fisk in relentless action—feet on the ground, notebook in hand, as he travels into landscapes devastated by war, ferreting out the facts and firing reports back home to reach an audience of millions. Director Yung Chang stops by to talk about Robert Fisk’s dedicated work ethic, stamina and desire to talk with all sides of a story and why, in a time of disinformation and deceit by the powerful, his voice, his pen and his reporting have made him one of journalism’s most reliable sources of information and truth.

 

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For news, updates and screenings go to: kimstim.com/film/this-is-not-a-movie

For more about Yung Chang’s work go to: yungfilms.com

Watch This Is Not a Movie on virtual cinema at laemmle.com/film/not-movie

About the filmmaker – Yung Chang is the director of Up the Yangtze (2007), China Heavyweight (2012), and The Fruit Hunters (2012). He is currently completing a screenplay for his first dramatic feature, Eggplant. In 2015, Chang was selected to participate in the prestigious Sundance Labs for Eggplant. Chang was the Spotlight Artist for the 2019 Reel Asian Int’l Film Festival where a live script reading of Eggplant was performed to a sold-out audience by talented actors from Kim’s Convenience, The Handmaid’s Tale and Locke & Key.  Chang’s award-winning short, Gatekeeper, qualified for the 2016 Oscars and is distributed by Field of Vision, Laura Poitras’ curated online film unit. His latest feature documentary, This is Not a Movie is about Robert Fisk, the iconoclastic Middle East correspondent. The film is co-produced by the National Film Board of Canada, currently on the festival circuit, World Premiered at TIFF 2019 . A graduate of the Meisner acting technique from the Neighborhood Playhouse School of the Theatre in NYC and Concordia University’s Mel Hoppenheim School of Cinema in Montreal, Chang brings emotional depth and cinematic realism into his work. Chang is the recipient of the Don Haig Award, the Yolande and Pierre Perrault Award, and the Guggenheim Emerging Artist Award. He is a member of the Directors Guild of Canada. In 2013, he was invited to become a member of the Academy of Motion Picture Arts and Sciences, the organization behind the Academy Awards. For more about Yung Chang’s work go to: yungfilms.com

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“[The film] provides a comprehensive portrait of a man who has become essential reading.” – Hollywood Reporter

“[A] laudatory, engaging profile of [Robert Fisk]…” – Globe and Mail

“In This Is Not a Movie, Fisk’s life history is paired with a director up to the task of presenting the facts in a compelling, cogent manner.” – Hammer to Nail

“It is as fascinating to watch Fisk talk about the media landscape as it is to read his inimitable writings on the Middle East.” – Cineuropa

“Fisk’s story is a compelling reminder of just how real the news can be.”- POV Magazine

InterReflections, Director Peter Joseph

InterReflections explores deep social issues. In three timelines our main story takes us into the future when ecological crisis and inequality has destabilized society. John Taylor, a defected government intelligence agent turned revolutionary leader, is captured by his former colleague and nemesis, Simon Devoe. Simon leads a government spy agency, encouraging John to join him to avoid punishment. Simon humors John as they debate ideas about humanity, seeing no possibility of John’s escape. But John has a secret. Our second timeline follows a woman in modern day, experiencing life as a horror show, reflecting issues such as racism and environmental destruction. Fired from her job, she sets about finding another. Her journey transforms her. Timeline three takes place 100 years forward as four academics of this future talk about the way things used to be in the early 21st century. They speak of “The Great Transition,” a dramatic global revolution that changed everything for the better. Director Peter Joseph (The New Human Rights Movement, The Zeitgeist Movement) joins us for a conversation about his genre-shattering approach to filmmaking and what his film’s vision says about the world we live in.

 

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For news, screenings and updates go to: interreflectionsmovie.com

InterReflections will arrive online in various VOD outlets on Oct 6th 2020. This page will be updated at that time with both access to the online services and available DVD/Blu-ray.

About the filmmaker – Peter Joseph is an American musician, filmmaker, author and activist. His most recent media work is the live action film InterReflections, to be released on Oct 6th 2020. Other notable credits included the award-winning “Zeitgeist Film Series”, the Culture in Decline web series and his book The New Human Rights Movement, published in 2017 by BenBella books. He is also host of the podcast Revolution Now! started in 2020. In 2009, he founded  “The Zeitgeist Movement”, a global, nonprofit sustainability advocacy group and has been on the Advisory Board/Steering Committee for “Project-Peace on Earth“ since 2013. He also founded and curates the Annual Zeitgeist Media Festival for the arts and periodically works with UN working groups including UNFUCA and The World Academy. Joseph has given talks around the world, including the UK, Canada, GermanyAmerica, Brazil & Israel. He was a featured speaker at the 2011 Leaders Causing Leaders Conference [Lecture Here] and his work has been profiled in the New York Times, Vice, The Huffington Post, The Marker, Free Speech TV, The Young TurksThe Examiner and many other media outlets. He has participated in multiple TEDx Events, has worked with The Global Summit  and is also a frequent social critic on the news network Russia Today. He has appeared on the Joe Rogan Experience Podcast, Thom Hartmann’s The Big Picture, Watching The Hawks, BoomBust, Redacted Tonight with Lee Camp, The David Pakman show, Christopher Ryans “Tangentially Speaking” podcast, Telesur’s Empire Files with Abby Martin, The Jimmy Dore Show and others.

 
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PUSH, Director Fredrik Gertten & Subject Leilani Farha

Fredrik Gertten’s latest documentary, PUSH, is a searing indictment of the systemic corruption that continues to drive the world’s affordable housing toward the edge of collapse. All of which is happening while many of the world’s largest financial and real estate institutions are facilitating a tidal wave of dark money from organized crime, human trafficking, illicit drugs trade and illegal tax “shelters” into the legitimate world of finance. Housing prices are skyrocketing in cities around the world. Incomes are not. PUSH sheds light on a new kind of faceless landlord, our increasingly unliveable cities and an escalating crisis that has an effect on us all. This is not gentrification, it’s a different kind of monster. PUSH follows Leilani Farha, the former UN Special Rapporteur on Adequate Housing, as she’s travels the globe, trying to understand who’s being pushed out of the city and why. Director Fredrik Gertten and film subject Leilani Farha join us for a spirited conversation on the state of the world’s housing stock and how homeownership, real estate and high finance has been such a determinate factor on our society, both past and present.

 

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For news, screenings and updates go to: pushthefilm.com

About the subject – Leilani Farha has a background in advocacy for the homeless and for three years Leilani was the UN Special Rapporteur on Adequate Housing, with the right to hold governments accountable if they don’t meet the human rights obligations in the UN Human Rights Charter. She believes that if we really want to make change to ensure people can live in the city.then we have to be able to hold someone responsible for what is going on. Currently Leilani is the Global Director for Make the Shift, a worldwide movement to secure the human right to housing. 

About the filmmaker – Fredrik Gertten is an award-winning Swedish director and journalist. His latest works BECOMING ZLATAN (2016), BIKES VS CARS (2015), BIG BOYS GONE BANANAS!* (2012) and BANANAS!* (2009) have met audiences in over 100 countries and screened at leading festivals. In 1994, Fredrik founded the production company WG Film. He previously worked as a foreign correspondent and columnist for radio, TV and press in Africa, Latin America, Asia and around Europe. Today he combines filmmaking with a role as a creative producer at WG Film – one of Sweden’s most prominent documentary production companies, famous for local stories with a global understanding and impact. In October 2017 Fredrik was named Honorary Doctor at Malmö University’s Faculty of Culture and Society for his work as a documentary filmmaker. 

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#UNFIT: The Psychology of Donald Trump, Director Dan Partland

In his thoroughly documented and clarion call to action, Dan Partland’s latest documentary, #UNFIT: The Psychology of Donald Trump, provides a platform for a number of prominent mental health professionals to present their observations on camera as part of their ethical “Duty to Warn” the public of imminent danger presented by President Donald Trump. After years of empirical observation these leading mental health professionals, discuss DSM-5 disorders, their danger, and the doctor’s own Duty to Warn, They introduce the syndrome known as malignant narcissism and explain how it is responsible for some of history’s cruelest kinds of inhumanity.  They liken it symptoms to the behavior of the most powerful human being on earth, a man with the capacity to launch several thousand nuclear weapons on his command, Donald Trump. Medical doctors and mental health professionals go on camera, on the record, for the record – it’s an eye-opening discussion, analysis, and science-based examination of the behavior, psyche, condition, and stability of President Donald Trump. #UNFIT also examines Trump’s effect on our citizenry, culture, and institutions. Director Dan Partland joins us for a spirited conversation on Trump’s constant perversion of truth, his appeal to tribalism, and the way he has undermined the pillars of civil society, a free press, and an independent judiciary.

 

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For news, screenings and updates go to: unfitfilm.com

About the filmmaker Dan Partland director/producer/writer of both documentary films & television for over 20 years. His work has found success in theatrical, art-house, cable, and network outlets and includes some landmark films of the American Independent Cinema. In the 15 years that the Emmys have recognized primetime nonfiction series, Partland’s shows have been nominated for best in class 5 times, and in 3 different sub-genres; Reality, Nonfiction format, and Documentary. Partland has twice won nonfiction series Emmys and in 2011 and 2012 was nominated by the Producers Guild of America for Nonfiction Producer of the Year. In 2001, Partland won an Emmy (Best Non-Fiction Program) for his work on the ground-breaking 13-part doc series American High on Fox. Partland served as the Supervising Producer and a Director of the critically acclaimed show that is widely regarded as one of the progenitors of the current doc series genre. Partland’s work has spanned several nonfiction genres.  He produced and directed How To Raise An Olympian, a winter Olympics special for NBC and was Showrunner for the multi-award-winning CNN archival series The Sixties. Partland was the Executive Producer and Showrunner of A&E’s Intervention for over 150 episodes, garnering countless awards and accolades including the Emmy for best reality series. Partland spent the early days of his career working under Albert Maysles, a founding filmmaker of the cinema verité movement. While on staff at Maysles Films, Partland worked on the dozens of documentary films and television commercials that the legendary company produced during his tenure. Partland is founder and President of DOCSHOP Productions. docshopproductions.com

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#1 Documentary on iTunes and Apple TV

#UNFIT is sharp, cohesive, and illuminating, with alarming insights.— Richard Roeper, Chicago Sun-Times

#UNFIT is an Incisive documentary with freshly perceptive nuances. — Owen Gleiberman, Variety

“Mental-health professionals, bound by ethics to point out danger, discuss how President Donald Trump is uniquely dangerous, a literal menace to society. Nay, not ‘discuss’: they are screaming it.” – MaryAnn Johanson, Flick Filosopher

“With stunning editing and a slew of thorough and reasoned criticism, this could be the nonfiction movie treatment of Trump to beat this year.” – Harvey S. Karten, Shockya.com

Public Trust, Director David Garrett Byars

One of the most important documentaries of the year, Public Trust is a film that needs to be seen by everyone who enjoys getting out in nature. Although many of us take the 640 million acres of America’s Public Lands for granted, these lands are endangered by powerful forces that are attempting the largest land grab in modern history. By focusing on the eminent destruction of the Boundary Waters Wilderness in Minnesota, the downsizing of Bears Ears National Monument in Utah, and the wholesale appropriation of the Arctic National Wildlife Refuge, director David Garrett Byars enlists a slew of journalists, land historians, tribal leaders, and government whistleblowers to present a highly persuasive argument that is impossible to ignore and vital to hear. Above all else, as Executive Producer Robert Redford tells us,Public Trust is the story of citizens who are fighting back. It’s a much-needed wake-up call for all of us who want to preserve our unique and wild cultural heritage. Director David Garrett Byars joins us to talk about the on-going schemes by the most pernicious corporate interest to steal our heritage and how a growing group of dedicated and non-partisan people from around the country are thwarting them.

 

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For news and updates go to: patagonia.com/films/public-trust

Our public lands are under threat. Join us in the fight to protect them. Text ‘DEFEND’ to 71333.

Public Trust will premiere on Friday September 25 on YouTube Watch it for free for the next 30 days,

About the filmmaker – David Garrett Byars made his directorial debut at the 2017 Tribeca Film Festival with No Man’s Land, a documentary about the 2016 militia occupation of the Malheur National Wildlife Refuge that sparked international headlines. Byars also produced and lensed Massacre River, Suzan Beraza’s film about statelessness in the Dominican Republic.

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100% on Rotten Tomatoes

“If Donald Trump ever stands trial for crimes against the public interest, this film should be entered as evidence.” – Louis Proyect, Counterpunch.org

“Don’t miss it.” – Randy Myers, San Jose Mercury News

“Public Trust is calling for advocacy instead of just interest…and makes the case for why we all should be invested. It’s a beautiful documentary, and an important one.” – Tom Santilli, Movie Show Plus

“The documentary is conventionally structured and sometimes placid, but it has an alarming message.” – Ben Kenigsberg, New York Times

“Public Trust is calling for advocacy instead of just interest…and makes the case for why we all should be invested. It’s a beautiful documentary, and an important one.” – Tom Santilli, Movie Show Plus

We Are Many, Director Amir Amirani

WE ARE MANY focuses on February 15th, 2003, when up to 30 million people, many of whom had never demonstrated before in their lives, came out in nearly 800 cities around the world to protest against the impending Iraq War. The New York Times called this movement the “Second Superpower”. How did this day come about? Who organized it? And was it, as many people claimed, a total failure? This fearless, thought-provoking documentary is the remarkable inside story behind the first ever global demonstration and its surprising and unreported legacy. WE ARE MANY features testimony from a unique cast of direct participants, including organizers, activists, high-profile figures, and of course the public, filmed in seven countries – Italy, Spain, Egypt, Sweden, Australia, UK, and the USA. Extraordinary testimony from activists in Egypt reveals how, on the eve of the invasion of Iraq, the global anti-war protests inspired those in Tahrir Square to go on to engage in the massive democratic movement that ultimately led to the Arab Spring. In the UK, the government was defeated over the proposed invasion of Syria, a historic event that might not have transpired without the legacy of those demonstrations a decade ago. The star-studded list of contributors includes Danny Glover, actor Mark Rylance, film director Ken Loach, Prof. Noam Chomsky, musicians Brian Eno and Damon Albarn, writer and Vietnam Vet Ron Kovic (author of ‘Born on the 4th of July’), Rev. Jesse Jackson, Richard Branson, and Colin Powell’s former Chief of Staff Col. Lawrence Wilkerson, amongst others. WE ARE MANY is a bold documentary by Amir Amirani charts the birth and growth of the new people power movement, now sweeping the world, taking us up to the Arab Spring and Syria, a little over 10 years after that historic day.

 

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For news, screenings and updates go to: wearemany.com

About the filmmaker – Amir Amirani is a film-maker with a strong track record of work for some of the most respected series of the BBC. He has a degree in Biology from Nottingham University, and an M.Phil in International Relations from Cambridge University. Amir joined the BBC in 1992 and took up a Graduate Production Traineeship. In 1994, Amir and his brother Taghi established Amirani Films to produce documentaries for the major UK broadcasters, the BBC, Channel 4, PBS, and other international broadcasters. Amir has made films for a several of the BBC’s flagship series, including the multi BAFTA award winning Arena, Timewatch, Picture This, Correspondent and Newsnight, for which he was nominated for an Amnesty International Award. A film he directed in South Africa was nominated for the One World Broadcasting Trust Awards. Amir also works in radio, where he has produced programmes for leading series on BBC Radio 4, such as In Business, From Our Own Correspondent, The World Tonight, and single programmes such as From Tehran With Laughter. He has also directed British televisionís most popular soap opera. His journalism includes writing for the New Statesman, New Scientist,Business Traveller Asia and the Economist Intelligence Unit. His work has been well reviewed by the press.

Miracle on the Desert, Director Greg Bassenian

Greg Bassenian (“CSI: Miami”) eye-opening award-winning documentary Miracle in the Desert: The Rise and Fall of the Salton Sea, which lays bare the startling environmental disaster that is the Salton Sea in California’s coveted Coachella valley.  Charting the Salton Sea’s creation in 1905 to the current devastating environmental crisis that it faces today, this harrowing journey takes the viewer into the toxic dust. As the largest lake in California begins to dry, millions of lives are in danger as clouds of toxic dust threaten the health of millions of Californians. Following in the footsteps of Al Gore’s eye opening An Inconvenient Truth, Bassenian’s  new documentary carefully plots the course of economic growth that sprouted a shimmering desert riviera laden with costly construction challenges developing into the perfect storm – creating an unstable ecosystem that now lays to waste the health of the Coachella Valley’s community as both local and federal governments look to pass the cost of fixing things onto someone other than themselves. Director Greg Bassenian joins us to talk about this accidental body of water’s orgin-story, it’s moment of fleeting fame and the dire consequences for all of Southern California if measures are not taken to rescue The Salton Sea from total collapse.

 

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Miracle in the Desert: The Rise and Fall of the Salton Sea, will be released by Gravitas Ventures, a Red Arrow Studios company across North America on all VOD/Digital & Blu-Ray/DVD platforms beginning on September 22nd, 2020.

Director statement –  The Salton Sea is a cautionary tale of ego, ambition and neglect that stand to impact the health of millions of people, many of them right here in Southern California. There’s been a lot of said about the Salton Sea in the past, but this film sets the record straight, and we’re proud to partner with Gravitas to bring it to the world.  You might not believe some of what you see, but we assure you, it’s all real and happening as we speak. Greg Bassenian

“a riveting documentary about the plight of the Salton Sea.” – Greg Archer, Palm Springs LIfe Magazine

“A complete, riveting and entertaining history of the Salton Sea. A must see!”- Joe Smith, NBC Palm Springs

All In: The Fight for Democracy, Co-directors Liz Garbus and Lisa Cortes

ALL IN: THE FIGHT FOR DEMOCRACY is a riveting examination of voter suppression in the United States of America. The film weaves rich archival storytelling with the personal experiences of experts, activists, and would-be voters deprived of their rights. Current activism as well as historical insight expose what corrupted our democracy from the moment it was founded. Every time we the people take a step toward a more just and equal nation — granting rights to the disenfranchised, from women’s suffrage to desegregation — new forces and obstacles emerge that require us to fight for the right to vote once again. Stacey Abrams, the former Minority Leader of the Georgia House of Representatives and the first female African-American major-party gubernatorial nominee, offers an insider’s look at the patchwork of laws and barriers designed to hinder voting. Many U.S citizens remain unaware of this dangerous threat to their basic right to wield their power and raise their voices at the polls.ALL IN: THE FIGHT FOR DEMOCRACY explores fundamental questions: Who gets to participate in our democracy, and who is pushed aside? How can we all fight back? Voting is the cog that makes the machinery of democracy work — and if the machinery breaks for some, it will eventually break for all. Co-directors Liz Garbus (Nothing Left Unsaid, I’lll Be Gone in the Dark, Lost Girls) and Lisa Cortes (The Apollo, The Remix: Hip Hop X Fashion, The Woodsman) join us to talk about how incredibly important voting rights are in determining the outcome of our elections and out quickly they can be taken away.

 

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ALL IN: THE FIGHT FOR DEMOCRACY will open in select theaters on September 9th and will be available on Amazon Prime Video on September 18th.

About the filmmaker – Liz Garbus is a two-time Academy Award®-Nominee, two-time Emmy Winner, Peabody Winner, Grammy Nominee, DGA Nominee, BAFTA-nominated director. LOST GIRLS (Netflix, 2020) is Garbus’ narrative feature debut, starring Amy Ryan, Gabriel Byrne, and Thomasin McKenzie. When Mari Gilbert’s daughter disappears, police inaction drives her own investigation into the gated Long Island community where Shannan was last seen. Her search brings attention to over a dozen murdered sex workers Mari will not let the world forget. LOST GIRLS will premiere at the 2020 Sundance Film Festival and then will be released in theaters and on Netflix.For more on the work of Liz Garbus go to: storysyndicate.com/work

About the filmmaker – Lisa Cortes Executive producer After graduating she went into the music business where she worked with Russell Simmons and Rick Rubin, the founders of Def Jam. Cortes then joined the staff at Mercury Records. After leaving the music industry, Cortes turned her interests to film. She enrolled at the School of Visual Arts in New York and later the New York Film Academy. A producer and close friend, Lee Daniels, was producing Monster’s Ball and Cortes and Daniels together subsequently collaborated on movies such as Woodsman (2004), Shadowboxer (2005), Tennessee (2008), and Precious (2009). Cortes founded her own company, Cortes Films in 2010. Cortes Films has produced two films Happy Birthday to a Beautiful Woman: a Portrait of My Mother, a film about Mickalene Thomas’ mother and her struggle with aging and kidney disease, and Kwaku Ananse a film about West African fables of Kwaku Ananse and a young woman named, Nyan Koronhwea, attending her estranged father’s funeral while trying to come to terms with her father’s double life. 

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100% on Rotten Tomatoes

“A documentary of supreme relevance that has the effect, at once chilling and rousing, of a political cautionary tale.” – Owen Gleiberman, Variety

“All In: The Fight for Democracy is a must-watch documentary…” – Danielle Solzman, Solzy at the Movies

“Voter suppression is broken down within an inch of its life with this informative, no holds barred documentary from Liz Garbus and Stacey Abrams. Our vote has never counted more and been more crucial. Don’t let you democracy be robbed!” – Carla Renata, The Curvy Film Critic

“Stacy Abrams’ urgent, powerful , and compelling documentary about voter rights and the attempt to suppress them could and should have a real world impact this election season.” – Pete Hammond, Deadline Hollywood Daily

My Name Is Pedro, Director Lillian LaSalle

First-time director Lillian LaSalle’s award-winning and timely documentary MY NAME IS PEDRO explores what public education meant to South Bronx Latino maverick educator, Pedro Santana, and what he, in turn, meant to public education. MY NAME IS PEDRO is a profound story of how one person actualizes learning and positive change in children, adults, environments and communities through an ‘impact’ ripple effect strategy that he has effortlessly perfected. MY NAME IS PEDRO is also an essential and timely reminder of the importance of great educators that exist within the infrastructure of our country’s public education system. Infectious in his optimism, Santana becomes one of the most influential public-school teachers and then administrators in the New York public school system after turning his troubled Bronx middle school, MS 391, around. He is unapologetic in his commitment to create change for kids, no matter the odds. When a glowing front-page New York Times article catapults him into the spotlight, he is recruited and then accepts a promotion to use his famed ‘out of the box’ and transformative practices to save a corrupt and divided suburban school district. But the political challenges there may simply be too great, even for the infallible Santana. Director Lillian LaSalle joins us to talk about her beautifully rendered story of a man determined to guide and motivate young people to be better students and better people.

 

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For news, screenings and updates go to: mynameispedro.com

Find out where to watch: mynameispedro.com/screenings

My Name is Pedro is opening: New York (The Maysles Cinema) September 17 – Los Angeles (Laemmle) on October 2.  A multi-city regional expansion on October 9 including: Philadelphia (Film Society), Buffalo (North Park), Baltimore (Senator, The Charles), Vancouver (Kiggins Theater), Tucson (Loft), Cleveland (Cleveland Cinemas), Phoenix (Film Bar), Bellingham (Pickford Center), San Jose (3 Below Outdoor), Winston Salem (Aperture Cinema), Tampa (Tampa Theater) and more.

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Winner: Best Documentary, Golden Door International Film Festival
Winner: Spotlight on Documentary Award, St. Louis International Film Festival 
Winner: Audience Award, Chicago Latino International Film Festival
Winner: Audience Award, Brooklyn Film Festival
Winner: Award of Merit, Impact Docs 
Winner: Honorable Mention, Woodstock Film Festival

“Director Lillian LaSalle takes a narrowly focused story and connects it to larger themes that affect everyone. It’s an emotional journey that hits uncomfortable truths.” – Daniel Eagan, Film Legacy

Space Dogs, Co-directors Elsa Kremser and Levin Peter

In their mesmerizing new film, SPACE DOG, Elsa Kremser and Levin Peter chronicle the legacy of Laika, a stray dog picked up by the Soviet space program on the streets of Moscow, the first living being to orbit the earth when she was launched into space on Sputnik 2. Kremser and Peter trace the persistence of her memory and legacy into the present day. As the capsule containing the lifeless body of Laika re-entered Earth’s orbit and began to burn up, the narrator announces “What had been a Moscow street dog had become a ghost.”The ghost Laika lives on in the present-day strays of SPACE DOGS. Photographed at ground level with wandering, hypnotic camera movements, the strays are seen navigating the urban environs of modern Moscow. In hewing closely to the dog’s point of view, the city is rendered as a strange, alien environment. Pulsating music from buildings and unidentified passerby take on an unfamiliar quality as the dogs explore this strange new world. Archival footage of the Soviet space program is interwoven throughout the film, reveling in the bizarre tests and procedures the canines were subjected to in preparation for space travel. Co-directors Elsa Kremser and Levin Peter join us for a conversation on their fascinating project that features stunning cinematography and meditative pacing that recalls the work of Andrei Tarkovsky, and how SPACE DOGS de-centers humans in order to uncover a forgotten history.

 

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For news, screenings and updates go to: icarusfilms.com/if-spaced

For more about the filmmakers go to: raumzeitfilm.com

About the filmmaker – Director ELSA KREMSER Born 1985 in Austria, Elsa Kremser studied Film at the University of Vienna and the Filmakademie Ludwigsburg. As an author and producer, she realized several documentaries that were shown worldwide. Her diploma film NEBEL premiered at the Berlinale. She was a jury member of Visions du Réel and participated in the Nipkow Grand and the EuroDoc program. In 2016 she founded the Vienna-based production company RAUMZEITFILM together with Levin Peter. As a directing duo, they are currently working on their first fiction feature, THE GREEN PARROT, which received the Berlinale Kompagnon Script Award. Their recent documentary SPACE DOGS premiered at Locarno IFF where it received two special jury mentions. It was presented at over 50 festivals worldwide and awarded as the “Best Austrian Film 2019” at the Viennale.

About the filmmaker – Director LEVIN PETER Born 1985 in Germany, Levin Peter studied at the Filmakademie Ludwigsburg where he realized several documentaries that were shown worldwide. His diploma film BEYOND THE SNOWSTORM won the German Upcoming Film Award and was presented as a Guest at the Berlinale. He was a jury member at Visions du Réel and received the Nipkow and the Gerd Ruge Grant. In 2016 he founded the Vienna-based production company RAUMZEITFILM with Elsa Kremser. As a directing duo, they are currently working on their first fiction feature, THE GREEN PARROT, which received the Berlinale Kompagnon Script Award. Their recent documentary SPACE DOGS premiered at Locarno IFF where it received two special jury mentions. It was presented at over 50 festivals worldwide and awarded as the “Best Austrian Film 2019” at the Viennale.

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“Brutal but also deeply sensitive; a complex work that got under my skin.” —Film Comment

“No one leaves this movie unchanged.” —Publico

“Radical and rigorous; one of the documentaries of the year.” —Film Idea

“Like Disney directed by Andrei Tarkovsky.” —CineVue

“Undoubtedly the most exciting film at Locarno: a philosophical film that does what cinema has to do: show unseen images.” —Deutchland Funk

“Successfully subverts the anthropocentric gaze to illustrate the violent way humans inhabit space.” —Little White Lies

“A total work of art, foreshadowing a near future in which man is no longer the center of the world.” —Kino Zeit

“Ingenious; Kremser and Peter connect a roughly hewn space traveling animal history with modern stray subjects.” —IonCinema

“The scariest film of the year.” —CineEuropa

Buoyancy, Director Rodd Rathjen

BUOYANCY is the story of a Cambodian teenager sold into forced labor on a Thai fishing boat is a passionate testimony against social injustice and a moving coming-of-age tale about a boy whose humanity is put to the test. Spirited 14-year-old Chakra works the rice fields with his family. He yearns for independence and seeks out a local broker who can get him paid work in a Thai factory. Without telling his family, Chakra travels to Bangkok to make his fortune. But when he gets there, he and his new friend Kea realize the broker has lied to them. Along with other Cambodians and Burmese, they are sold to a fishing captain as slaves. Chakra and Kea are trapped at sea, trawling fish 22 hours a day, surviving on just a handful of cold rice a day. The captain quickly weeds out those weakened by the conditions or trying to escape, and throws them overboard. The trawler sells its catch and restocks its supplies without going to land, making escape impossible. Chakra looks to Rom Ran to understand what it will take to be free. With hope and humanity dwindling, Chakra decides to take matters into his own hands. Director Rodd Rathjen joins us to talk about shooting at sea, with a cast composed of mostly non-English speaking actor, making his first feature film.

 

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For news, screenings and updates go to: kinolorber.com/film/buoyancy

Australia’s Official Oscar Submission
Ecumenical Jury Prize – Berlinale Panorama

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“A terse minimalist thriller… supremely satisfying.” – Paul O’Callaghan, Sight & Sound

“A harrowing edge-of-your-seat adventure tale with social punch.” – Deborah Young, The Hollywood Reporter

“Taut and urgent.” – Jessica Kiang, Variety

“Powerful. A gripping debut.” – Paul Byrnes, Sydney Morning Herald

The Social Dilemma, Director Jeff Orlowski

Set in the dark underbelly of Silicon Valley, THE SOCIAL DILEMMA fuses investigative documentary with enlightening narrative drama—think An Inconvenient Truth meets The Matrix. Expert testimony from tech whistle-blowers exposes our disturbing predicament: the services Big Tech provides—search engines, networks, instant information, et cetera—are merely the candy that lures us to bite. Once we’re hooked and coming back for more, the real commodity they sell is their prowess to influence and manipulate us. Technology wizards have masterminded a new form of capitalism, and humanity is now the raw resource feeding the machine. THE SOCIAL DILEMMA focuses on the powerful, hidden artificial intelligence tasked with hijacking our attention is tearing apart social norms, jeopardizing truth and democracy, and putting civilization on a programmed path toward self-destruction. Award-winning filmmaker and environmentalist Jeff Orlowski (Chasing Ice, 2012; Chasing Coral, 2017) disrupts the disrupters by uncorking the invisible story purring from that mobile phone hidden in your pocket. Cunningly entertaining, THE SOCIAL DILEMMA sounds the alarm on surveillance capitalism in hopes of preserving the very fabric of our society before it’s too late. Director Jeff Orlowski joins us to talk about his incredibly relevant and important film.

 

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For news, screenings and updates go to: thesocialdilemma.com

THE SOCIAL DILEMMA is screening on Netflix beginning September 9th.

About the filmmaker: Jeff Orlowski is the director, producer, and cinematographer of Chasing Coral (2017 Sundance Film Festival winner of the Audience Award: U.S. Documentary) and Chasing Ice (2012 Festival winner of the Excellence in Cinematography Award Documentary). Both films screened at the United Nations and Congress and won Emmy Awards. Orlowski was awarded the inaugural Sundance Institute Discovery Impact Fellowship and named a United Nations Environment Programme Champion of the Earth. For more on the work of Jeff Orlowski go to: exposurelabs.com

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“An exemplary explainer, made with wit and clarity.” – Leslie FelperinHollywood Reporter

“[A] densely packed yet lively and entertaining documentary, whose accessibility is heightened by some narrative play-acting.” – Dennis HarveyVariety

“The film will definitely make you more cognizant of your own behavior – not just of how you use the internet, but how the internet uses you.” – David EhrlichindieWire

“The Social Dilemma really hits hard about what happens on the other side of the screen.” – Danielle SolzmanSolzy at the Movies

The Prison Within, Director Katherin Hervey and Producer Erin Kenway

Katherine Hervey’s emotionally charged new documentary THE PRISON WITHIN exposes the devastating impact untreated trauma has on individuals and communities through the powerful stories of survivors of violent crimes and prisoners incarcerated for murder in San Quentin prison. The prisoners and survivors come together and participate in the Victim Offender Education Group (VOEG)—an innovative restorative justice program enabling prisoners to discover how the trauma they’ve experienced contributed to their criminality and to understand the impact their crimes have on their victims. Together, the prisoners and survivors confront and expose the pain, shame, and rage caused by the extreme trauma they’ve experienced throughout their lives. THE PRISON WITHIN goes beyond why and how the system is inadequate, deftly exposing the torment experienced by people on both sides of prison walls. Through personal stories illustrative of the systemic injustices that perpetuate cycles of violence and trauma, this film lays a path to heal and reconcile our notions of justice. The Prison Within is narrated by Hill Harper (The Good Doctor, Homeland, CSI:NY, Covert Affairs) and author of Letters to an Incarcerated Brother, which speaks to the current mass incarceration crisis. Director Katherin Hervey, a former Los Angeles Public Defender and volunteer prison college instructor, and Producer Erin Kenway, is the first filmmaker to gain access to chronicle these intimate and revealing sessions inside San Quentin Prison.

 

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For news, screenings and updates go to: theprisonwithin.org

THE PRISON WITHIN is now available on all VOD/Digital & Blu-Ray/DVD platforms.

About the filmmakers – Director / Producer / Writer Katherin Hervey is a multimedia artist and activist. She has over a decade of experience in the criminal justice field as both an attorney and prison university educator. Katherin received her Bachelor’s degree in Cross-cultural Communications in America from University of Washington and is a graduate of Vancouver Film School. She also holds a Juris Doctorate degree from Loyola Law School. Prior to law school, she was the Publisher and Editor-In-Chief of Shades of Contradiction, a nationally distributed arts and culture magazine dedicated to promoting critical thinking and creative action. Katherin has produced, directed and art-directed short documentary and narrative films, including “Bob vs. The Incubus” (Best Documentary, Vancouver Film School Festival), and was the Art Director for “Her Urge” (Best Short Film, Sydney Mardi Gras Film Festival and Outstanding Women’s Short, Dallas Out Takes Festival). Katherin is also Co-founder of Raw Love Productions, a multimedia production ensemble dedicated to visual storytelling with social and artistic value. She is currently co-producing The Spirit of a Child, an interactive web documentary based in Ghana, West Africa. The Prison Within is her first feature film.

About the filmmaker – Producer / Writer / Executive Producer Erin Kenway graduated with a Bachelor’s Degree with honors from University of California, Irvine, majoring in both Criminology, Law & Society, and Psychology & Social Behavior. She holds a Juris Doctorate degree from Seattle University School of Law, is admitted to the National Order of the Barristers, and is a certified mediator. Prior to shifting careers to focus full-time on independent filmmaking, she practiced law for over a decade primarily represented economically disadvantaged victims of domestic violence in civil dissolution and child custody cases, and also served on several committees for both the Washington State and King County Bar Associations. She was also a Global Campaign Manager for broadcast, print, digital, and social advertising campaigns for Amazon’s award-winning Brand / Mass Advertising team. She is the co-founder of Tarina Productions, which is currently in development on multiple feature documentaries.

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Feels Good Man, Director Arthur Jones and Giorgio Angelini

In November 2016, a nasty election cycle had exposed a seismic cultural rift, and the country suddenly felt like a much different place. For underground cartoonist Matt Furie, that sensation was even more surreal. Furie’s comic creation Pepe the Frog, conceived more than a decade earlier as a laid-back humanoid amphibian, had unwittingly become a grotesque political pawn. FEELS GOOD MAN is a Frankenstein-meets-Alice-in-Wonderland journey of an artist battling to regain control of his creation, while confronting a disturbing cast of characters who have their own peculiar attachments to Pepe. Now, as Pepe continues to morph around the world – FEELS GOOD MAN offers a vivid, moving portrait of one man, one frog, and the very strange reality we’ve all found ourselves living in. Director Arthur Jones and Producer Giorgio Angelini stop by to talk about their mind-blowing journey into an internet / social media / 4Chan rabbit hole where a hippy-dippy cartoon character becomes an avatar and unfathomable messenger of hatred and bigoted propaganda.

 

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For news, updates and screenings go to: feelsgoodmanfilm.com

To watch Feels Good Man go to: feelsgoodman.watch

For more on Pepe the Frog creator mattfurie.com

About the filmmakers: Arthur Jones – Director / Animator / Writer FEELS GOOD MAN is Jones’s directorial debut, but he’s uniquely suited to tell the story. He’s a cartoonist who came up in the same indie comics scene as the film’s subject, Matt Furie. Jones published a book of his illustrations in 2011: Post-it Note Diaries (Penguin/Plume Paperbacks). Over his career, he’s art directed animation and motion graphics for journalists and documentary filmmakers, working with companies including The New York Times, VICE, The Center for Investigative Reporting and The International Consortium of Journalists. Recently he’s been a part of several documentary features: Seed Money: The Chuck Holmes Story (2015), BUNKER 77 (Amazon Studios, 2017), Owned, A Tale of Two Americas (2018) and Hal (Oscilloscope Films, 2018). Jones is a graduate of the Rhode Island School of Design. For more on the work of Arthur Jones go to: futuresmells.com

Giorgio Angelini: Producer / Writer / Cinematographer came into film from a longer, multi-faceted career in the creative arts. After touring in bands like The Rosebuds and Bishop Allen for much of his 20s, Giorgio enrolled in the Masters of Architecture program at Rice University during the depths of the 2008 real estate collapse. It was during this tumultuous time that the seeds for Giorgio’s directorial debut, OWNED: A Tale of Two Americas began to take shape. Following graduate school, Angelini began working with the boutique architecture firm, Schaum Shieh Architects, where he designed the White Oak Music Hall in Houston, Texas, as well as the headquarters for The Transart Foundation for Art and Anthropology, which won the Architect’s Newspaper’s “Design of the Year” award in 2018. 

WINNER – U.S. Documentary Special Jury Award for Emerging Filmmaker – 2020 Sundance Film Festival
WINNER – Best Feature Documentary – 2020 Lighthouse International Film Festival
Official Selection – 2020 True/False Film Festival
Official Selection – 2020 Big Sky Documentary Festival
Official Selection – Festival Favorites – 2020 SXSW Film Festival

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94% on Rotten Tomatoes

“You’ve just got to see it. It is chilling, hopeful, terrible, and wonderful—and made with care, gorgeous animation, and perfect pacing.”Allen Salkin, Los Angeles Magazine

“An expansive forensic look at the life cycle of an idea, a warp-speed analysis of internet sociology, and a harrowingly modern fable about innocence lost.“ – David Ehrlich, IndieWire

“It’s mesmerizing and kind of trippy, but also makes the film feel like a one-of-a-kind creation in the greater context of the Pepe the Frog legacy…an outstanding documentary.” 9/10 – Alex Billington, FirstShowing

“The most urgent and poignant political documentary of the year.” – Matt Patches, Polygon

Andorra Hustle, Director Eric Merola

Andorra, a tiny, independent country situated between France and Spain in the Pyrenees mountains with a total population of 80,000 people found itself at the center of one of the most convoluted and outrageous bank robberies in modern history: on March 10, 2015, Banca Privada d’Andorra (BPA), a private bank in Andorra, was shut down by Spanish, American, and Andorran governments in Spain’s efforts to destroy the Catalonian Independence Movement thus leaving dozens of innocent civilians facing prison for money laundering crimes that never existed, and scores of innocent families have had their entire life savings stolen from them. The incentive for the Spanish government to destroy BPA was part of Spain’s ongoing “Operation Catalonia”—a covert state-sponsored war-like operation meant to undermine the progress of Catalonia’s efforts to separate from Spain due to generations of  humanitarian and economic repression Madrid has inflicted upon Catalonia. America’s incentive was to protect Spain’s interests, as they are an ally of the United States. Andorra’s incentive appears to be purely economical on behalf of its leadership.  Director Eric Merola, (Burzynski, Second Opinion: Laetrile at Sloan-Kettering, Burzynski: The Cancer Cure Cover-Up, and The God Cells) joins us to talk about this shocking, but true story of an international banking system, and a regulatory oversight regime that is only incidentally concerned with banking integrity or financial criminality.

 

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For news and updates go to: andorrahustle.com

Merola Productions is proud to present the VOD release of THE ANDORRA HUSTLE, a documentary film written and directed by the award-winning filmmaker Eric Merola. The film will be available for streaming on Amazon Prime on September 4, 2020. 

To Watch Andorra Hustle go to: amazon.com/Andorra Hustle

About the filmmaker – Eric Merola is an internationally award-winning documentary filmmaker. For the last decade Eric has directed and produced four documentaries exploring disruptive scientific technologies in the space of medical research. All of his documentaries can be viewed on Amazon Prime Video Merola’s 5th documentary, The Andorra Hustle, releases worldwide in English, Spanish, and Catalan on Amazon Prime Video.  Merola’s first documentary, Burzynski: Cancer Is Serious Business was an international success seen by tens of millions of people worldwide. This project was presented on Netflix, PBS, The Documentary Channel, and various international television outlets. The positive reception of the Burzynski story led Merola to produce its sequel, Burzynski: Cancer Is Serious Business, Part II Merola’s third documentary, Second Opinion: Laetrile At Sloan-Kettering tells the story of Ralph W. Moss, PhD, who blew the whistle on the successful laetrile studies conducted for 5 years at Sloan-Kettering Cancer Center in New York City in the 1970s. Today, Eric Merola is most passionate about investigating fetal stem cell therapy, where he spent four years researching and releasing his most recent documentary, The God Cells: A Fetal Stem Cell Journey. Merola continues to follow new patients who seek fetal stem cell treatment and share their stories. Merola feels that fetal stem cells could be the most disruptive technology he’s discovered in the medical research space, potentially replacing nearly every pharmaceutical medication on the market. Eric is also a painter and fine art currently holding a residency at the 18th Street Studios in Santa Monica.

Get Duked!, Director Ninian Doff

GET DUKED! follows teenage pals from Glasgow Dean, Duncan and DJ Beatroot as they embark on the character-building camping trip — based on a real-life program — known as the Duke of Edinburgh’s Award, where foraging, teamwork and orienteering are the order of the day. Eager to cut loose and smoke weed in the Scottish Highlands, the trio find themselves paired with strait-laced Ian, a fellow camper determined to play by the rules. After veering off-path into remote farmland that’s worlds away from their urban comfort zone, the boys find themselves hunted down by a shadowy force hell-bent on extinguishing their futures. From writer-director Ninian Doff — making his feature debut after a slew of award-winning music videos and short films for artists including Run the Jewels, The Chemical Brothers, Miike Snow, Migos, and Mykki Blanco — comes an anarchic satire of generational politics, hip-hop-loving farmers and hallucinogenic rabbit droppings that pits the youth of tomorrow against the status quo of yesterday. GET DUKED! stars Eddie Izzard, Kate Dickie, Georgie Glen, James Cosmo and a breakout young cast featuring Samuel Bottomley, Viraj Juneja, Rian Gordon, and Lewis Gribben. Creator and director Ninian Doff joins us for a raucous conversation on the brilliance of Eddie Izzard, getting a chance to bring his music video chops to a feature film and why the Brits are so attuned to the power of satire.

 

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Watch Get Duked! at amazon.com/Get-Duked!

About the filmmaker: Ninian Doff is a robot built by the military as an advanced ruthless killing machine. Unfortunately when they booted him up he showed no interest in murder and to their dismay started making films instead. He is considered the greatest military failure in history. Nominated for 9 British Arrows 2020 (Sainsburys and Veg Power), Grammy 2020 Best Music Video Nominated (Chem Brothers), Campaign’s Top 10 Directors 2019, Winner Shots Awards “Television Commercial of the Year – Up to and including 60 second” (Veg Power), BIFA Best Debut Director Nominated (Boyz In the Wood/ Get Duked!), Winner Just Film Grand Prix Talin Black Night Festival (Boyz In the Wood/ Get Duked!), Winner The Siren Award for Best Feature Film 2019 Lund Fantastik Film Festival (Boyz In the Wood/ Get Duked!), Winner Music video of the year Ars Independent Festival (Chemical Brothers), Nominated Best Dance Video UKMVA 2019 (Chemical Brothers), Winner SXSW Audience Award Midnighters (Boyz In The Wood), Winner of Best Director at UKMVA 2016. Winner Best Urban Video, Best Pop Video UKMVA 2016. D&AD Director Pencil 2016. Gold in FilmCraft at Europebest 2015. UKMVA 2015 Best Director Nominee. UKMVA 2104 “Best Director” Nominee. Winner UKMVA 2014 “Best Choreography”. Winner of UKMVA 2013 “Best Indie Video”. Jury and Audience award at ‘Depict13 at Brief Encounters Film Festival 2013. Nominee at UKMVA’s in last 3 years running including “Best New Director”. Selected for Saatchi and Saatchi’s New Director’s Showcase at Cannes 2012 and One Dot Zero’s “New British Talent 11”. Work has been screened at over A BILLION festivals around the world including SXSW, LA Film Festival, London Short Film Festival, Las Vegas Film Festival, Montreal Museum of Modern Art, The V&A London. For more on the filmmaker fo to: niniandoff.com

Social media
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@NinianDoff
@procrastibot

“Fabulously funny and subversive.” – Anne Brodie, What She Said

“Serves as a distinctive calling card for a gifted yet twisted comedian, one without the slightest qualms about turning a bucolic countryside jaunt into a bloody “The Hills Have Eyes”-style hunting party.” – Peter Debruge, Variety

“A rambunctious film shot through with daft humour and an endearing, toxic masculinity-smashing sweet streak.” – Jamie Dunn, The Skinny

“An anarchic, pitch black, generation gap horror comedy that’s also one of the funniest films in a year where we are desperately in need of a laugh.” – James Croot, Stuff.co.nz

Song Without a Name, Director Melina León

Based on harrowing true events, SONG WITHOUT A NAME tells the story of Georgina, an indigenous Andean woman whose newborn baby is whisked away moments after its birth in a downtown Lima clinic – and never returned. Stonewalled by a byzantine and indifferent legal system, Georgina approaches journalist Pedro Campas, who uncovers a web of fake clinics and abductions – suggesting a rotting corruption deep within Peruvian society. Set in 1988, in a Peru wracked by political violence and turmoil, Melina León’s heart-wrenching first feature renders Georgina’s story in gorgeous, shadowy black-and-white cinematography. SONG WITHOUT A NAME is a Kafkaesque thriller that unflinchingly depicts real-life, stranger-than fiction tragedies with poetic beauty. A 2019 Cannes Camera d’Or nominee, SONG WITHOUT A NAME, and winner of more than 30 international awards including “Best Film” at the Lima Latin American Film Festival and “Best Film by an Emerging Director” at the Munich Film Festival, the Latin American period piece has garnered raves around the world. Director Melina León joins us to talk about her starkly beautiful film and the heart-wrenching story of loss, and love against the backdrop of political and social upheaval.

 

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For news and updates go to: filmmovement.com/song-without-a-name

Learn more about Virtual Cinema at filmmovement.com/virtual-cinema-guide

Social Media
facebook.com/cancionsinnombrefilm
twitter.com/melinaneon
#SongWithoutAName
#MelinaLeón
#CanciónSinNombre
#Takymanasutiuq
#CinePeruano

 

“There are similarities here with Alfonso Cuaron’s Roma which go beyond the striking black and white photography. Both films deal with social hierarchies in Latin American countries which divide the population along racial lines; both feature wrenching depictions of interrupted motherhood.” – Wendy Ide, Screen Daily

“…haunting…. The racism and exclusion addressed here remain pertinent issues. The power of León’s work lies in the way that she explores these themes without ever taking her finger off the pulse of the narrative. “ – Jennie Kermode, Eye for Film

“With gorgeous monochrome visuals and rich musical layers, the film is evidence of a strong new directorial voice, ear and eye. Song Without a Nameis above all an exquisite audiovisual experience. – Stephen Dalton, The Hollywood Reporter

“prompted surface-level comparisons to Alfonso Cuarón’s Roma…but León’s far more modestly scaled Latin American period piece is entirely its own film, meshing vérité-style technique with passages of dark, folkloric reverie, as its characters’ investigation of a single kidnapping spirals into a heady vortex of institutional corruption. León’s world-building remains mesmerizing, steeped as it is in local lore, rituals and haunting traditional music.” – Guy Lodge, Variety

Epicentro, Director Hubert Sauper

EPICENTRO, a richly textured portrait of the resilient people of Cuba directed by renowned documentarian Hubert Sauper (We Come As Friends, Oscar-nominated Darwin’s Nightmare). Winner of the 2020 Sundance Grand Jury Prize for World Cinema Documentary, the film launches in virtual cinemas through Kino Marquee starting Friday, August 28. EPICENTRO is an immersive and metaphorical portrait of post-colonial, “utopian” Cuba, where the 1898 explosion of the USS Maine still resonates. This Big Bang ended Spanish colonial dominance in the Americas and ushered in the era of the American Empire. At the same time and place, a powerful tool of conquest was born: cinema as propaganda. In his latest film, Hubert Sauper explores a century of interventionism and myth-making together with the extraordinary people of Havana—who he calls “young prophets”—to interrogate time, imperialism and cinema itself.

 

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For news, screenings and updates go to: kinolorber.com/film/epicentro

About the filmmaker: Hubert Sauper is an Academy Award–nominated director, cinematographer, writer, and producer living in France. Best known for his documentaries We Come As Friends (2014) and the Academy Award-nominated Darwin’s Nightmare (2004), he has been recognized for his work with more than 50 film awards, among them a European Film Award, a French César, and awards at the Berlin, Venice and Sundance film festivals. Hubert is a visiting professor at several universities, including Harvard, Yale and Columbia.

Winner: Grand Prize, World Documentary – Sundance Film Festival

“A brilliant mixture of historical-poetic analysis and a ground-level journey among the denizens of Havana… The director’s remarkable eye for lived-in detail and for spectacular imagery will mesmerize you.” – Bilge Ebiri, Vulture

“Acclaimed nonfiction filmmaker Hubert Sauper turns his rigorous but compassionate gaze on this fascinating place in Epicentro… Sauper and his co-editor… work the material with a remarkable fluidity and gracefulness that’s consistently engaging and surprising.” – Leslie Felperin, The Hollywood Reporter

“[A] tender portrait of Cuba. Politics, people and the power of cinema are brought together to create a mosaic-like reflection on Cuba’s history… Epicentro shines in Sauper’s many encounters with the people of Cuba.” – Alan Hunter, Screen International

Coup 53, Director Taghi Armirani and Editor Walter Murch

While making a documentary about the Anglo-American coup in Iran in 1953, director Taghi Amirani and editor Walter Murch (Apocalypse Now, Godfather IIdiscovered extraordinary, never-before-seen archival material that had been hidden for decades. The 16mm footage and documents they uncovered not only allowed them to tell the story of the overthrow of the Iranian government in unprecedented detail, but it also led to explosive revelations about dark secrets buried for 67 years. Working with Ralph Fiennes (The Grand Budapest Hotel, Schindler’s List, The English Patient) to help bring the lost material to life, what begins as a historical documentary about four days in August 1953 turns into a live investigation, taking the filmmakers into uncharted cinematic waters. Ten years in the making, COUP 53 tells the story of the 1953 the Anglo-American coup d’état that overthrew Iran’s government of Prime Minister Mohammad Mossadegh and reinstalled the Shah. The CIA/MI6 covert action was called Operation Ajax. It was all about Iran’s oil and who gets to control and benefit from it. BP was at the heart of this story. Shot in seven countries, featuring participants and first-hand witnesses, and unearthing never seen before archive material, COUP 53 is a politically explosive and cinematically innovative documentary that lifts the lid on secrets buried for over sixty-six years. Director Taghi Armirani and Editor / Writer Walter Murch join us to talk about their own journey to tell the definitive story behind one of the 20th Century’s most consequential geo-political events.

 

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For news and updates go to:coup53.com

To watch go to: coup53.com/screenings

Social Media
facebook.com/coup53
twitter.com/coup53
instagram.com/coup53movie

“A MASTERPIECE OF POLITICAL INTERVENTION. Beyond extraordinary.” – Ariel Dorfman, Author and human rights activist

 “BREATHTAKING. THE MOST ENTHRALLING AND REVELATORY DOCUMENTARY I’VE SEEN OVER THE PAST YEAR. Remarkable. Taghi Amirani’s passionate and fearless work grew from an impudent home movie into a magnum opus.” – Todd McCarthy, The Hollywood Reporter

 “As compelling as a John Le Carré novel or a Costa-Gavras classic.” – Allan Hunter, Screen International

 “This is big.” – Werner Herzog, Filmmaker

Apocalypse ’45, Director Erik Nelson

Erik Nelson’s latest documentary Apocalypse ‘45 draws upon over 700 reels of footage from the National Archives covering the harrowing expanse of the final months of the War in the Pacific. Very little of this material has ever been screened, and none of it has ever been digitally restored, frame by frame, to 4K. Because of Apocalypse ‘45 another treasure was uncovered and restored — astonishing new footage captured by legendary director John Ford. In essence, a “lost film” by Ford, it depicts the ruins of the Pacific Fleet, and the terrible aftermath of the surprise attack on Pearl Harbor. Also driving the narrative of Apocalypse ‘45 are recently completed interviews with two dozen men who lived through these nightmarish events. All of these men were in their mid to late 90’s, with the oldest, B-29 pilot Thomas Vaucher, 101 years old at the time of his February 2020 interview. Apocalypse ‘45  documents events from the flag raising at Iwo Jima in February to the harrowing kamikaze attacks and vicious ground combat at Okinawa in April to the first test of the atomic bomb in the remote deserts of New Mexico on July 16th. In addition, we witness the air war over Japan in the summer of 1945, and perhaps most astonishingly, the still burning ruins of Hiroshima and Nagasaki, when a U.S Army medical camera crew photographed the devastation to both the city and its inhabitants. Director Erik Nelson (Grizzly Man, A Gray State, Cave of Forgotten Dreams), joins us to talk about the recent discovery of “lost” film, access to hundreds of hours from the National Archive, his conversations with the men who fought in the Pacific and the fate of the American Empire. 

 

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For news and updates go to: discovery.com/shows/apocalypse-45

To watch Apocalypse ’45 go to: abramorama.com/apocalypse45

Social Media
facebook.com/AbramoramaInc
twitter.com/abramorama
instagram.com/abramorama

“As you watch “Apocalypse ’45,” the story of what war is only becomes deeper.” – Owen Gleiberman, Variety

“A fascinating look at the final months of the brutal War in the Pacific [that] stands apart from most other takes on the subject.” – Peter Sobczynski, RogerEbert.com

“A stately, somber reminder of the soul-scarring god-awfulness of war and its catastrophic consequences, and a heartfelt salute to those who answered the call of something much bigger than themselves.” – Neil Pond, Parade Magazine

“Narrated by members of The Great Generation, this documentary about the final six months of the Pacific theater in World War II, contains startling archival film never before shown.” – Harvey S. Karten, Big Apple Reviews