All In: The Fight for Democracy, Co-directors Liz Garbus and Lisa Cortes

ALL IN: THE FIGHT FOR DEMOCRACY is a riveting examination of voter suppression in the United States of America. The film weaves rich archival storytelling with the personal experiences of experts, activists, and would-be voters deprived of their rights. Current activism as well as historical insight expose what corrupted our democracy from the moment it was founded. Every time we the people take a step toward a more just and equal nation — granting rights to the disenfranchised, from women’s suffrage to desegregation — new forces and obstacles emerge that require us to fight for the right to vote once again. Stacey Abrams, the former Minority Leader of the Georgia House of Representatives and the first female African-American major-party gubernatorial nominee, offers an insider’s look at the patchwork of laws and barriers designed to hinder voting. Many U.S citizens remain unaware of this dangerous threat to their basic right to wield their power and raise their voices at the polls.ALL IN: THE FIGHT FOR DEMOCRACY explores fundamental questions: Who gets to participate in our democracy, and who is pushed aside? How can we all fight back? Voting is the cog that makes the machinery of democracy work — and if the machinery breaks for some, it will eventually break for all. Co-directors Liz Garbus (Nothing Left Unsaid, I’lll Be Gone in the Dark, Lost Girls) and Lisa Cortes (The Apollo, The Remix: Hip Hop X Fashion, The Woodsman) join us to talk about how incredibly important voting rights are in determining the outcome of our elections and out quickly they can be taken away.

ALL IN: THE FIGHT FOR DEMOCRACY will open in select theaters on September 9th and will be available on Amazon Prime Video on September 18th.

About the filmmaker – Liz Garbus is a two-time Academy Award®-Nominee, two-time Emmy Winner, Peabody Winner, Grammy Nominee, DGA Nominee, BAFTA-nominated director. LOST GIRLS (Netflix, 2020) is Garbus’ narrative feature debut, starring Amy Ryan, Gabriel Byrne, and Thomasin McKenzie. When Mari Gilbert’s daughter disappears, police inaction drives her own investigation into the gated Long Island community where Shannan was last seen. Her search brings attention to over a dozen murdered sex workers Mari will not let the world forget. LOST GIRLS will premiere at the 2020 Sundance Film Festival and then will be released in theaters and on Netflix.For more on the work of Liz Garbus go to: storysyndicate.com/work

About the filmmaker – Lisa Cortes Executive producer After graduating she went into the music business where she worked with Russell Simmons and Rick Rubin, the founders of Def Jam. Cortes then joined the staff at Mercury Records. After leaving the music industry, Cortes turned her interests to film. She enrolled at the School of Visual Arts in New York and later the New York Film Academy. A producer and close friend, Lee Daniels, was producing Monster’s Ball and Cortes and Daniels together subsequently collaborated on movies such as Woodsman (2004), Shadowboxer (2005), Tennessee (2008), and Precious (2009). Cortes founded her own company, Cortes Films in 2010. Cortes Films has produced two films Happy Birthday to a Beautiful Woman: a Portrait of My Mother, a film about Mickalene Thomas’ mother and her struggle with aging and kidney disease, and Kwaku Ananse a film about West African fables of Kwaku Ananse and a young woman named, Nyan Koronhwea, attending her estranged father’s funeral while trying to come to terms with her father’s double life. 

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100% on Rotten Tomatoes

“A documentary of supreme relevance that has the effect, at once chilling and rousing, of a political cautionary tale.” – Owen Gleiberman, Variety

“All In: The Fight for Democracy is a must-watch documentary…” – Danielle Solzman, Solzy at the Movies

“Voter suppression is broken down within an inch of its life with this informative, no holds barred documentary from Liz Garbus and Stacey Abrams. Our vote has never counted more and been more crucial. Don’t let you democracy be robbed!” – Carla Renata, The Curvy Film Critic

“Stacy Abrams’ urgent, powerful , and compelling documentary about voter rights and the attempt to suppress them could and should have a real world impact this election season.” – Pete Hammond, Deadline Hollywood Daily

Andorra Hustle, Director Eric Merola

Andorra, a tiny, independent country situated between France and Spain in the Pyrenees mountains with a total population of 80,000 people found itself at the center of one of the most convoluted and outrageous bank robberies in modern history: on March 10, 2015, Banca Privada d’Andorra (BPA), a private bank in Andorra, was shut down by Spanish, American, and Andorran governments in Spain’s efforts to destroy the Catalonian Independence Movement thus leaving dozens of innocent civilians facing prison for money laundering crimes that never existed, and scores of innocent families have had their entire life savings stolen from them. The incentive for the Spanish government to destroy BPA was part of Spain’s ongoing “Operation Catalonia”—a covert state-sponsored war-like operation meant to undermine the progress of Catalonia’s efforts to separate from Spain due to generations of  humanitarian and economic repression Madrid has inflicted upon Catalonia. America’s incentive was to protect Spain’s interests, as they are an ally of the United States. Andorra’s incentive appears to be purely economical on behalf of its leadership.  Director Eric Merola, (Burzynski, Second Opinion: Laetrile at Sloan-Kettering, Burzynski: The Cancer Cure Cover-Up, and The God Cells) joins us to talk about this shocking, but true story of an international banking system, and a regulatory oversight regime that is only incidentally concerned with banking integrity or financial criminality.

 

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For news and updates go to: andorrahustle.com

Merola Productions is proud to present the VOD release of THE ANDORRA HUSTLE, a documentary film written and directed by the award-winning filmmaker Eric Merola. The film will be available for streaming on Amazon Prime on September 4, 2020. 

To Watch Andorra Hustle go to: amazon.com/Andorra Hustle

About the filmmaker – Eric Merola is an internationally award-winning documentary filmmaker. For the last decade Eric has directed and produced four documentaries exploring disruptive scientific technologies in the space of medical research. All of his documentaries can be viewed on Amazon Prime Video Merola’s 5th documentary, The Andorra Hustle, releases worldwide in English, Spanish, and Catalan on Amazon Prime Video.  Merola’s first documentary, Burzynski: Cancer Is Serious Business was an international success seen by tens of millions of people worldwide. This project was presented on Netflix, PBS, The Documentary Channel, and various international television outlets. The positive reception of the Burzynski story led Merola to produce its sequel, Burzynski: Cancer Is Serious Business, Part II Merola’s third documentary, Second Opinion: Laetrile At Sloan-Kettering tells the story of Ralph W. Moss, PhD, who blew the whistle on the successful laetrile studies conducted for 5 years at Sloan-Kettering Cancer Center in New York City in the 1970s. Today, Eric Merola is most passionate about investigating fetal stem cell therapy, where he spent four years researching and releasing his most recent documentary, The God Cells: A Fetal Stem Cell Journey. Merola continues to follow new patients who seek fetal stem cell treatment and share their stories. Merola feels that fetal stem cells could be the most disruptive technology he’s discovered in the medical research space, potentially replacing nearly every pharmaceutical medication on the market. Eric is also a painter and fine art currently holding a residency at the 18th Street Studios in Santa Monica.

Get Duked!, Director Ninian Doff

GET DUKED! follows teenage pals from Glasgow Dean, Duncan and DJ Beatroot as they embark on the character-building camping trip — based on a real-life program — known as the Duke of Edinburgh’s Award, where foraging, teamwork and orienteering are the order of the day. Eager to cut loose and smoke weed in the Scottish Highlands, the trio find themselves paired with strait-laced Ian, a fellow camper determined to play by the rules. After veering off-path into remote farmland that’s worlds away from their urban comfort zone, the boys find themselves hunted down by a shadowy force hell-bent on extinguishing their futures. From writer-director Ninian Doff — making his feature debut after a slew of award-winning music videos and short films for artists including Run the Jewels, The Chemical Brothers, Miike Snow, Migos, and Mykki Blanco — comes an anarchic satire of generational politics, hip-hop-loving farmers and hallucinogenic rabbit droppings that pits the youth of tomorrow against the status quo of yesterday. GET DUKED! stars Eddie Izzard, Kate Dickie, Georgie Glen, James Cosmo and a breakout young cast featuring Samuel Bottomley, Viraj Juneja, Rian Gordon, and Lewis Gribben. Creator and director Ninian Doff joins us for a raucous conversation on the brilliance of Eddie Izzard, getting a chance to bring his music video chops to a feature film and why the Brits are so attuned to the power of satire.

 

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Watch Get Duked! at amazon.com/Get-Duked!

About the filmmaker: Ninian Doff is a robot built by the military as an advanced ruthless killing machine. Unfortunately when they booted him up he showed no interest in murder and to their dismay started making films instead. He is considered the greatest military failure in history. Nominated for 9 British Arrows 2020 (Sainsburys and Veg Power), Grammy 2020 Best Music Video Nominated (Chem Brothers), Campaign’s Top 10 Directors 2019, Winner Shots Awards “Television Commercial of the Year – Up to and including 60 second” (Veg Power), BIFA Best Debut Director Nominated (Boyz In the Wood/ Get Duked!), Winner Just Film Grand Prix Talin Black Night Festival (Boyz In the Wood/ Get Duked!), Winner The Siren Award for Best Feature Film 2019 Lund Fantastik Film Festival (Boyz In the Wood/ Get Duked!), Winner Music video of the year Ars Independent Festival (Chemical Brothers), Nominated Best Dance Video UKMVA 2019 (Chemical Brothers), Winner SXSW Audience Award Midnighters (Boyz In The Wood), Winner of Best Director at UKMVA 2016. Winner Best Urban Video, Best Pop Video UKMVA 2016. D&AD Director Pencil 2016. Gold in FilmCraft at Europebest 2015. UKMVA 2015 Best Director Nominee. UKMVA 2104 “Best Director” Nominee. Winner UKMVA 2014 “Best Choreography”. Winner of UKMVA 2013 “Best Indie Video”. Jury and Audience award at ‘Depict13 at Brief Encounters Film Festival 2013. Nominee at UKMVA’s in last 3 years running including “Best New Director”. Selected for Saatchi and Saatchi’s New Director’s Showcase at Cannes 2012 and One Dot Zero’s “New British Talent 11”. Work has been screened at over A BILLION festivals around the world including SXSW, LA Film Festival, London Short Film Festival, Las Vegas Film Festival, Montreal Museum of Modern Art, The V&A London. For more on the filmmaker fo to: niniandoff.com

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“Fabulously funny and subversive.” – Anne Brodie, What She Said

“Serves as a distinctive calling card for a gifted yet twisted comedian, one without the slightest qualms about turning a bucolic countryside jaunt into a bloody “The Hills Have Eyes”-style hunting party.” – Peter Debruge, Variety

“A rambunctious film shot through with daft humour and an endearing, toxic masculinity-smashing sweet streak.” – Jamie Dunn, The Skinny

“An anarchic, pitch black, generation gap horror comedy that’s also one of the funniest films in a year where we are desperately in need of a laugh.” – James Croot, Stuff.co.nz

Mr. Jones, Director Agnieszka Holland

Oscar nominated filmmaker Agnieszka Holland’s thriller, MR. JONES, set on the eve of WWII, sees Hitler’s rise to power and Stalin’s Soviet propaganda machine pushing their “utopia” to the Western world. Meanwhile an ambitious young journalist, Gareth Jones (James Norton) becomes famous after publishing an article about his ride on an airplane with the new Chancellor of Germany – Adolph Hitler. Jones uses his political position in the British government as a foreign affairs advisor to David Lloyd George to get privileged access to the Soviet Union. Once there he searches for his next big story, scrutinizing the political and economic situation in Russia. Jones soon learns of government-induced hunger program, known as Holodomor, imposed on the Ukrainian people. The Soviets, with the help of the British and American governments, keep the starvation of 4 to 5 million people mostly secret. Jones efforts to uncover the truth behind the propaganda and expose an international conspiracy could cost him and his informant their lives. Jones goes on a life-or-death journey to uncover the truth behind the façade that would later inspire George Orwell’s seminal book Animal Farm. Director Agnieszka Holland joins us for a lively conversation on the little known story of mass slaughter prior to the onset one World War II and the craven rationale by the Western Powers willing to look the other way as millions of innocent people perished.

 

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For news, updates and screenings go to: samuelgoldwynfilms.com/mr-jones

Watch on Apple TV, Amazon Prime, Google Play, Vudu and Fandango Now

Writer’s Statement: “It was for my grandfather, Olexji, and the countless others who suffered under the Soviet regime that I wrote and produced this film. The idea first came to me in my final year of university and followed me to Ukraine after college and to a road trip through Wales shortly before my wedding, and many research trips for several years after. I wanted to tell a story that would honor the millions of victims of Stalin, who has been resurrected under Putinism as a great hero, and expose how Kremlin propaganda works – sometimes with the help of corrupt Western journalists and political leaders. Fifteen years ago, I never imagined this film would be relevant. It was always my intention to unearth buried history not hold up a mirror to our own times. As surreal as this journey has been against the backdrop of growing authoritarianism around the world, I have been heartened by how our story has brought together so many talented, fearless people determined to fight for the truth. Agnieszka, who survived prison under Soviet occupation and lost loved ones to the regime, put so much of herself into this masterpiece. Never could I have written in detail the rich wonderland that she created on screen, poetically guiding the audience through an adventure, while giving greater context to the challenges the world faces today. It has been a testament of faith that this film came together with these brave artists, and the timing for its release could not be more urgent.” – Writer Andrea Chalupa

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One Child Nation, Co-director Nanfu Wang (Jialing Zhang)

China’s One Child Policy, the extreme population control measure that made it illegal for couples to have more than one child, may have ended in 2015, but the process of dealing with the trauma of its brutal enforcement is only just beginning. From award-winning documentarian Nanfu Wang (HOOLIGAN SPARROW, I AM ANOTHER YOU) and Jialing Zhang, the sweeping ONE CHILD NATION explores the ripple effect of this devastating social experiment, uncovering one shocking human rights violation after another – from abandoned newborns, to forced sterilizations and abortions, and government abductions. Wang digs fearlessly into her own personal life, weaving her experience as a new mother and the firsthand accounts of her family members into archival propaganda material and testimony from victims and perpetrators alike, yielding a revelatory and essential record of this chilling, unprecedented moment in human civilization. ONE CHILD NATION is a stunning, nuanced indictment of the mindset that prioritizes national agenda over human life, and serves as a first-of-its-kind oral history of this collective tragedy – bearing witness to the truth as China has already begun to erase the horrors of its “population war” from public record and memory. Director Nanfu Wang joins us to talk about her own journey and how it illuminates a greater, more universal truth about family secrets.

For news, screenings and updates go to: onechildnation.com

ONE CHILD NATION director Nanfu Wang will participate in a Q&A moderated by Alissa Wilkinson following the 7:30 pm show on Friday, 8/9 at the Royal. 

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**WINNER – Grand Jury Prize, U.S. Documentary – Sundance FF 2019**

**WINNER – Grand Jury Prize – Full Frame Doc Festival 2019**

**OFFICIAL SELECTION – Tribeca Film Festival 2019**

“SHATTERING. Informative yet always grounded in deep personal investment and clear-eyed compassion, this is a powerful indictment of a traumatic social experiment.” – David Rooney, The Hollywood Reporter

“PROVOCATIVE AND PERSONAL. Undoubtedly one of the year’s most important documentaries.” – Peter Debruge, Variety

“A thoroughly gripping and ceaselessly unnerving investigation into the policy that shaped and devastated China for a generation. Intimate, thought-provoking and well-crafted…gives voice to so many families whose agency was stolen from them. – Gary Garrison, The Playlist

Sea of Shadows, Director Richard Ladkani

A looming disaster in one of the most spectacular environments on Earth sparks a rescue mission unlike any other in SEA OF SHADOWS, a riveting new documentary with the intensity of a Hollywood thriller from National Geographic Documentary Films and winner of the Sundance audience award. When Mexican drug cartels and Chinese traffickers join forces to poach the rare totoaba fish in the Sea of Cortez, their deadly methods threaten to destroy virtually all marine life in the region, including the most elusive and endangered whale species on Earth, the vaquita porpoise. SEA OF SHADOWS follows a team of dedicated scientists, high-tech conservationists, investigative journalists and courageous undercover agents as well as the Mexican Navy as they put their lives on the line to save the last remaining vaquitas and bring the vicious international crime syndicate to justice. Director Richard Ladkani (The Ivory Game, The Devil’s Miner) talks about the monumental challenge of saving a highly intelligent mammal from a desperately poor community who see the black market totoaba and the vaquita as a way to spare their family from a life of poverty and degradation.

 

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For news and updates go to: nationalgeographic.com/films/sea-of-shadows

For screening information go to: nationalgeographic.com/films/sea-of-shadows

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“Sea of Shadows is truly horrifying.” Danielle Solzman, Solzy at the Movies

“An environmentally conscious, unabashedly heart-grabbing exposé.” –  Guy Lodge, Variety

“Ladkani has a way with conveying just how big the stakes are and brings them to land.” – Stephen Saito, Moveable Fest

“Sea of Shadows may still raise awareness about the plight of other sea creatures still under threat from illegal nets sweeping the bottom of the ocean, killing everything unfortunate enough to swim in its wake.” – Monica Castillo, Remezcla

American Relapse, Co-directors Pat McGee and Adam Linkenhelt

AMERICAN RELAPSE tells the story of two people fighting to make a difference against the devastating heroin epidemic that’s spawning a billion-dollar treatment industry. Against the odds, in an “Us vs. the World” mentality, two recovering addicts spend their lives pulling needles out of the arms of addicts and assist in placing them in reputable treatment facilities.  The film features Frankie and Allie who live and work in Delray Beach, Florida, the Rehab Capital of America, now referred to by some as the Relapse Capital of America. They allowed the film crew all access for one weekend. What transpires over 72 hours is not only captivating and raw, but a heart-breaking rollercoaster ride. Frankie is 38 and has relapsed multiple times but continues to operate his F*ck Heroin Foundation with his mother. Allie is 28 and has been clean and sober for 10 years. While they are at different points on the recovery spectrum, they both share a deep belief in the 12th step: helping others.  These unlikely and imperfect heroes opened their lives for the world to see, hoping to shine a light anywhere and any way they can. In the process, they show viewers and addicts alike that despite seemingly impossible odds and devastating damage, empathy and hope can restore a little bit of humanity to those who struggle and can sometimes save their lives. Co-directors Pat McGee (Dopesick Nation, The Deported) and Adam Linkenhelt (24 to Life) join us to talk about their raw, honest film and South Florida’s heroin epidemic and the revolving door of the for-profit rehab industry.

 

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For news and updates go to: americanrelapse.com

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“How the revolving door of drug rehabilitation became big business.” – Louis Proyect, counterpunch.org

“Eye-opening and damning.” – Roger Moore, Movie Nation

“Captures the recurring nightmare of substance abuse, which makes enduring the unthinkable (homelessness, prostitution, crime, death) an inevitable facet of one’s day-to-day.” – Nick Schager, Variety

Sharkwater Extinction, Founder of SeaChange Agency Brock Cahill

SHARKWATER EXTINCTION is a thrilling and inspiring action packed journey that follows filmmaker Rob Stewart (Sharkwater, Revolution) as he exposes the massive illegal shark fin industry and the political corruption behind it – a conspiracy that is leading to the extinction of sharks. From West Africa, Spain, Panama, Costa Rica, France, and even in our own backyard, Stewart’s third film dives into the often violent underworld of the pirate fishing trade to expose a multi-billion dollar industry. Shark finning is still rampant, shark fin soup is still being consumed on an enormous scale, and endangered sharks are now also being used to make products for human consumption. Stewart’s mission is to save the sharks and oceans before it’s too late. SHARKWATER EXTINCTION exposes the illegal activities isn’t easy; protecting sharks has earned him some powerful enemies. Friend colleague and founder of SeaChange Agency Brock Cahill joins us to talk about working with director and sea mammal advocate Rob Stewart, the popular misconceptions about sharks and the challenge to stop the unwarranted slaughter of 150 million sharks every year by a clandestine world-wide cabal.

 

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For news and updates go to: sharkwater.com

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For news and updates go to: theseachangeagency.org

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“Stewart… reveals a cruel market in which tens of millions of sharks are caught every year, their fins cut off and their bodies thrown back in the water to die.” – Glenn Kenny, New York Times

“Stewart’s third film is also his best… with scenes of marine genocide that should make us all weep tears of rage.” – Peter Howell, Toronto Star

“Rob Stewart literally gave his life for Sharkwater Extinction. From the beginning, you see his passion for sharks and his dedication to saving them.” – Alan Ng, Film Threat

“An alarming, illuminating and emotionally gripping exposé. Forget about Captain Marvel and watch this powerful doc about the quest of a real-life hero, Rob Stewart, instead.” – Avi Offer, NYC Movie Guru

Woodsrider, Director Cambria Matlow

Tucked in the trees of Oregon’s Mount Hood, an introspective young snowboarder camps alone, anticipating a winter of adventure and self-renewal. In Cambria Matlow’s latest documentary WOODSRIDER a tenacious, 19-year old Sadie Ford operates within the poetic persona of a searching pioneer. Her footsteps track over the town of Government Camp’s mountain landscape, her dog Scooter her only constant companion. Deep among the Douglas firs Sadie snowshoes to build her nestled tentsite, a place she feels more at ease than anywhere with four walls. Riding sessions and house parties in town provide brief breaths of social interaction and connection, but otherwise she chooses to spend time in solitude. Sadie’s simple quest for joy is tempered by melancholy when increasingly warm temperatures on the mountain cause rain to replace snow, and the winter season grows shorter. Striking a youthful yet elegiac tone, WOODSRIDER is a meditative film about identity, home, and the way that human experience echoes that of the natural world. Director Caitland Matlow joins us to talk about the immersive, intimate look into the life of a woman determined to stake out her own path.

 

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For news and updates go to: woodsriderfilm.com

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“Matlow’s patient, unobtrusive camera and Ford’s magnetism as a subject makes Woodsrider

one of the most intimate docs you’ll see this year. Hauntingly beautiful.” – Walker Macmurdo, Willamette Week

“Stunning camerawork, lovingly composed with visual fluidity. This film will have a lot of appeal to audiences who understand the thrall of the wilderness. It’s a rare capture to see a woman, alone in the elements, strong, independent and totally at ease with her space. The film provokes a lot of thought about our ‘place’ in the natural – and unnatural – world.” – Ashland Independent Film Festival

“Lovely and engrossing, mixing an ethereal distance with a strange intimacy.” – Mark Elijah Rosenberg,
Rooftop Films

Drug$, Director Jonathan Marshall Thompson

Narrated by Academy Award® Winner J.K. Simmons, “DRUG$” is a feature-length documentary about the soaring price of medicines in the U.S., featuring interviews with academics, patients, advocates and political leaders, including Senator Bernie Sanders and Congressman Elijah Cummings. With prices as high as $1,000 per pill, many patients are now forced to choose between putting food on the table or purchasing medicine, while pharma companies pocket billions of dollars in profits. “DRUG$” breaks down the intricacies of the drug pricing system by incorporating interviews with patients, prominent policymakers and employees of major pharmaceutical and insurance companies, as well as highly respected doctors, scientists and economists. Due to misguided legislation, there are more stringent laws protecting drug patents than human lives. Drug companies use patents to perpetuate monopolies by making slight changes to existing drugs, a practice known as “evergreening,” which prevents competition and blocks the production of affordable generic drugs, ensuring perpetual price hikes on decades-old medicines. In a titanic struggle against corporate greed, see how a diverse group of concerned Americans is fighting back to keep lifesaving medicines affordable for us all. Director Jonathan Marshall Thompson stops by to talk about the scandalous and inhumane business practices by many of the most profitable businesses in the world, often at the expense of dying people in desperate need of live-saving medications that literally cost pennies on an avariciously profitable dollar to produce.

 

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For news and updates go to: drugsthefilm.com

DRUG$ is now streaming on Amazon and You Tube

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“Drug$ is no less enraging for its story’s familiarity.” – John DeFore, Hollywood Reporter

“A blistering takedown of a venal healthcare system that prizes corporate profit over saving lives.” – Robert Abele, Los Angeles Times

United We Fan, Director Michael Sparaga

Fans, stars, creators and more come together to explore the history and evolution of TV’s save-our-show fan campaigns in Michael Sparaga’s (The Missing Ingredient) humorous and heartfelt feature documentary UNITED WE FAN. From the letter-writing and product mail-ins of yesterday to the social media and crowdfunding campaigns of today, UNITED WE FAN goes beyond the headlines to give viewers deeper insights into fandom, community and identity. For most viewers, it’s simply a disappointment when their favorite TV series is cancelled. But the fans of some series take the loss a lot harder. And they fight back. UNITED WE FAN chronicles the stories of those passionate individuals and their unique crusades to save their beloved shows. Declared “a joy to watch” by POV Magazine, UNITED WE FAN intertwines the remarkable stories of Kaily, Dorothy and the Trimbles while also taking time to delve into the inspiring campaigns to save Designing Women, Quantum Leap, Chuck, Longmire, Jericho, Veronica Mars, Roswell and the Rosetta Stone of rescued TV series Star Trek. “UNITED WE FAN is not a movie about television’s wackiest fans,” said director Michael Sparaga, “rather, it’s a love letter to the inspiring people who have formed communities and fought tirelessly against seemingly impossible odds to give viewers everywhere more seasons of some of television’s most iconic shows.” Director / Writer / Producer Michael Sparaga joins us to talk about the men and women whose embrace and affection for specific television series goes way beyond passive entertainment into the realm of a life affirming connections to the creators, performers and characters who have enriched their lives via episodic storytelling.

 

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UNITED WE FAN is available on multiple VOD platforms beginning December 4

100% on Rotten Tomatoes

“A cheery collage of anecdotes about how popular culture brings people together and inspires them to fight for the things they love.” – Norman Wilner, Toronto Now

“It’s a fun film to watch, but also one that makes us question how far we’re all willing to go to save our favourite series from extinction, and where the future of such fan campaigns might be going from here.” – Andrew Parker, The Gate

“United We Fan is a brisk, enjoyable look at the way TV fan culture has evolved since the days when Star Trek first flirted with cancellation.” – Jesse Schedeen, IGN Movies

“What United We Fan does very well is that the documentary offers a blueprint for the many television fans wanting to save their favorite series.” – Danielle Solzman, Solzy at the Movies

Lost Child, Director Ramaa Mosley and Actor Kip Collins (Fig)

LOST CHILD follows an army veteran, Fern, who returns home in order to look for her brother, only to discover an abandoned boy lurking in the woods behind her childhood home. After taking in the boy, she searches for clues to his identity, and discovers the local folklore about a malevolent, life-draining spirit that comes in the form of a child; the Tatterdemalion. A beautifully-crafted mystery drama from award-winning director Ramaa Mosley. LOST CHILD stars Leven Rambin, Jim Parrack, John Taylor Smith, and Landon Edwards. Director / co-screenwriter (Tim Macy) Ramaa Mosley and actor Kip Collins joins us for a conversation on PTSD, self-financing your own film, the supernatural, and bracing the people of the Ozarks.

 

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For news and updates go to: bgpics.com/2018/lost-child

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“An extraordinarily delicate balancing act between drama and horror, visually and psychologically expansive, set in a place where stories of monsters are not mere entertaining fun, and where superstition is not harmless.” – MaryAnn Johnson, Flick Filosopher

“The slow-burning thriller walks a fine line, balancing elements of psychological drama and the supernatural, with a surging undercurrent of social commentary that sneaks up on you.” – Kevin Crust, Los Angeles Times

“The slow-burning thriller walks a fine line, balancing elements of psychological drama and the supernatural, with a surging undercurrent of social commentary that sneaks up on you.” – Fred Topel, Monsters and Critics