They’ll Love Me When I’m Dead, Director Morgan Neville

Oscar-winning director Morgan Neville (20 Feet from Stardom) tells the provocative story of legendary director Orson Welles during the final 15 years of his life. No longer the “wonder boy” of Citizen Kane, Welles in 1970 was an artist in exile looking for his Hollywood comeback with a project called The Other Side of the Wind. For years, Welles worked on his project about an aging film director trying to finish his last great movie. Welles shot the picture guerrilla-style in chaotic circumstances with a devoted crew of young dreamers, all the while struggling with financiers and fate. In 1985, Welles died, leaving as his final testament the most famous unfinished film in movie history. The negative stayed in a vault for decades until now. With revelatory new insights from Welles collaborators including Peter Bogdanovich, Frank Marshall, Oja Kodar and daughter Beatrice Welles, They’ll Love Me When I’m Dead is the untold final chapter of one of the greatest careers in film history: brilliant, innovative, defiant and unbowed. Director Morgan Neville (20 Feet From Stardom, Won’t You Me My Neighbor, Cool School) joins us for a conversation about his hurly-burly look at the making of a ragged masterpiece by cinema’s greatest auteur.

 

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For news and updates go to: netflix.com

90% on Rotten Tomatoes

“The impeccably assembled production employs Neville’s virtuoso touch to provocative effect.” – Michael Rechtshaffen, Los Angeles Times

“For cinephiles, it’s a high-calorie, clip-and-interview-laden feast of biography, insight, and gossip.” – Robert Abele, The Wrap

“Neville’s film may reveal little that hardcore Wellesians don’t already know. But it offers a lively evocation of the great man’s brilliance, waywardness and pained relationship to Hollywood history.” – Jonathan Romney, Screen International

“A fascinating account of an agonizing creative process.” – Todd McCarthy, Hollywood Reporter

“A cinephiles’ delight.” – Kimberly Myers, The Playlist

Liyana, Co-directors Amanda Kopp and Aaron Kopp

Under the guidance of acclaimed South African storyteller, Gcina Mhlophe, five orphaned children from Swaziland collaborate to craft a collective fairytale drawn from their darkest memories and brightest dreams. Their fictional character, LIYANA is brought to life in innovative animated artwork as she embarks on a perilous quest to rescue her young twin brothers. The children’s real and imagined worlds begin to converge, and they must choose what kind of story they will tell – in fiction and in their own lives. This genre-defying film weaves an original animated hero’s journey with poetic documentary scenes to create an inspiring tale of perseverance. LIYANA is a tribute to creativity, the strength of the human spirit, and the healing power storytelling. Critically acclaimed, and executive produced by award-winning actress, Thandie Newton, LIYANA has won more than 25 jury and audience awards and screened at more than 80 film festivals around the world including the British Film Institute’s London Film Festival and MoMA’s Doc Fortnight. Co-directors Amanda and Aaron Kopp join us for a conversation on their enchanting, inspiring and wildly creative film.

 

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For news and updates go to: liyanathemovie.com

Opening on Friday October 19 at the Laemmle Glendale – 207 N. Maryland Ave. Glendale

Additional screenings go to: liyanathemovie.com/screenings

“Gorgeous” “Unlike any documentary you have ever seen before.” – Entertainment Weekly

“A spirited testament to the power of creativity – not only as a source of strength and joy, but as a way to access buried emotions.” – Sheri Linden, Hollywood Reporter

“Masterful.” “A testament to the power of story.” – Cinemacy

“Brilliant.” “The World desperately need more stories like this.” – Shadow and Art

Carrie Lozano, Director IDA Enterprise Documentary Fund

The International Documentary Association (IDA) is dedicated to building and serving the needs of a thriving documentary culture. Through its programs, the IDA provides resources, creates community, and defends rights and freedoms for documentary artists, activists, and journalists. IDA is the only group advocating specifically for the documentary filmmaking community. In many ways, this makes IDA’s advocacy work the most important and relevant work we do. Documentary storytelling expands our understanding of shared human experience, fostering an informed, compassionate, and connected world. The Enterprise Documentary Fund is one of the many logistical and financial programs offered by IDA.

About the Enterprise Documentary Fund: 

In the face of an all-out assault on the press, IDA is committed to standing behind the independent storytellers and watchdogs that make up our community—in large part, through the newly created Enterprise Documentary Fund. Made possible by a generous grant from the John D. and Catherine T. MacArthur Foundation, the fund will disburse $1 million per year for the next four years, in the form of production grants up to $100,000 and development grants up to $15,000. The fund is intended to support primarily mid-career filmmakers producing feature-length, in-depth explorations of original, contemporary stories with a journalistic foundation or that incorporate journalistic practice into the filmmaking process. The mission of the Enterprise Documentary Fund is admittedly ambitious: It seeks to provide valuable resources and support systems (not unlike those in newsrooms) for filmmakers taking on the critical stories of our time. Originally sparked by the findings in “Dangerous Documentaries,” the fund is a response to pleas from filmmakers themselves. In interviews recently conducted by Toni Bell, IDA’s Filmmaker Services Manager, filmmakers reiterated the major findings in “Dangerous Docs”: They want access to information about digital and physical security, research databases, legal and other experts, public relations strategists and mentors. Exercising our rights to free speech and freedom of the press are critical for a healthy democracy. As I write this, these rights are clearly under assault, and we owe it to ourselves and to the public to staunchly call ourselves journalists and artists—they are not mutually exclusive.”Carrie Lozano, Director of the Enterprise Documentary Fund

 

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For news and updates go to: documentary.org

For updates on funding resources go to: documentary.org/funding

America to Me, Executive Producer Steve James

Chicago’s Oak Park and River Forest High School’s (OPRF) student population encompasses a racial, economic and cultural mix that reflects the nation as a whole. Located in a mostly affluent, progressive suburb, the school attracts families of all races and means, many of whom make great sacrifices to secure their children a place there. But even in this diverse and liberal community, ensuring an educational experience that equally benefits all students poses challenges for the school’s dedicated and well-meaning teachers, administrators and parents. In the multipart unscripted documentary series AMERICA TO ME, Academy Award-nominated filmmaker Steve James (Hoop Dreams, The Interupters, Life Itself, Abacus: Small Enough to Jail) and his team follow a diverse selection of the school’s 3,400 students, including artists, athletes, scholars, underachievers and iconoclasts, to present an indelible account of their dreams, fears, triumphs and aspirations. Posing complex and controversial questions, the film wrestles with crucial issues, including the effects of race and privilege on education as seen through the eyes of young Americans on the precipice of adulthood. Candid and relatable portraits of 12 students who are just beginning to come into their own provide moving insights into the teenage search for personal identity in today’s world. Director Steve James joins us with his impressions on the state of secondary education, how best to facilitate better outcomes for students and the role racial stereotyping plays in achieving success.

 

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For news and update go to: kartemquin.com/films/america-to-me

100% on Rotten Tomatoes

“The 10-part documentary series from Steve James (Hoop Dreams) is profound and thoughtful, taking a detailed look at inequality in America through the lens of a storied high school in Chicago.” – Sophie Gilbert, The Atlantic

“[America to Me] is an invaluable look at where inequity begins, as well as the difficulty of getting to the place where it ends.” – James Poniewozik

“Even in a series this expansive, you keep wishing you could spend more time with more people, but its scope allows James and his team to show both victories and defeats fade into the past, how fragile and yet how resilient its protagonists can be.” – Sam Adams, Slate

“[James] captures the specific moments that are hard to explain without being there – like a young black girl who feels uncomfortable with a white teacher’s constant attempts to relate to her – and the larger systemic issues that are harder to upend.” – Ben Travers, IndieWire

https://youtu.be/-uNhmWJ4l5k

Science Fair, Co-directors Cristina Costantini and Darren Foster

Hailed by critics as “immensely likeable,” “brilliant and quirky” and an “ode to the teenage science geeks on whom our future depends,” and winner of the audience award at Sundance and SXSW, National Geographic Documentary Films’ SCIENCE FAIR follows nine high school students from around the globe as they navigate rivalries, setbacks and, of course, hormones, on their journey to compete at The International Science and Engineering Fair. As 1,700 of the smartest, quirkiest teens from 78 different countries face off, only one will be named Best in Fair. The film, from Fusion and Muck Media and directed by the DuPont Award-winning and Emmy-nominated documentary filmmaking team Cristina Costantini and Darren Foster, offers a front seat to the victories, defeats and motivations of an incredible group of young men and women who are on a path to change their lives, and the world, through science. Co-directors Cristina Costantini and Darren Foster join us to talk about their entertaining, enlightening and heart-warming film.

 

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For news and updates go to: sciencefairfilm.com

Opens in Los Angeles on Friday, September 21 at:
LA Live 14 – 
Laemmle’s Music Hall in Beverly Hills – Arclight in Sherman Oaks


Social Media:
Facebook: www.facebook.com/sciencefairfilm

Twitter: @sciencefairfilm

Instagram: @sciencefairfilm

 100% 0n Rotten Tomatoes

“Endlessly delightful.” – David Edelstein, New York Magazine

“A work of profound cinematic joy, Science Fair is a winner.” – Christopher Llewellyn Reed, Hammer to Nail

“INSPIRATIONAL AND INVIGORATING.” – Kenneth Turan, Los Angeles Times

“It’s as irresistibly entertaining, inspirational and emotionally engrossing as Spellbound. You don’t have to be into science to be entertained, moved or enlightened by Science Fair. It’s one of the best documentaries of the year.” – Avi Offer, The NYC Movie Guru

“The ultimate crowd-pleaser.” – DeAnna Janes, Harper’s Bazaar

“Unfailingly charming.” – Teo Bugbee, The New York Times

Bleeding Edge, Director Kirby Dick and Producer Amy Ziering

America has the most technologically advanced health care system in the world, yet preventable medical harm has become one of the leading causes of death, and the overwhelming majority of high-risk implanted devices never require a single clinical trial. In THE BLEEDING EDGE, Academy Award nominated filmmakers Kirby Dick and Amy Ziering (THE INVISIBLE WAR, THE HUNTING GROUND) turn their sights on the $400 billion medical device industry, examining lax regulations, corporate cover-ups, and profit driven incentives that put patients at risk daily.  Weaving emotionally powerful stories of people whose lives have been irrevocably harmed, the film asks: what life-saving technologies may actually be killing us? Director Kirby Dick and Producer Amy Ziering join us for a conversation on the lack of integrity in the medical device industry, lax regulatory oversight by the Federal Food and Drug Administration and the potentially deadly combination that it can become.  

For news and updates go to: bleedingedgedoc.com/

See Bleeding Edge in a theatre

Get involved at: bleedingedgedoc.com/act

Find out more at: bleedingedgedoc.com/resources

Also available at: netflix.com/thebleedingedge

Social Media

twitter.com/bleedingedgedoc

facebook.com/bleedingedgedoc

instagram.com/BleedingEdgeDoc

100% on Rotten Tomatoes

“A terrifying eye-opener… Exposes the massive health problems caused by the $400 billion medical device industry. – The Hollywood Reporter

“You’ll wish [these interviews] were heard by every government official.” – The New York Times

“Enlightening… A shocking expose of the medical device industry… [with] unnerving immediacy.” – Indiewire

“Equally infuriating and enlightening… I yelled, ‘Oh, my God!’ multiple times while watching.” – Village Voice

Reversing Roe, Co-directors Ricki Stern and Annie Sundberg

Forty-five years after it revolutionized abortion law in America, the landmark 1973 US Supreme Court case Roe v. Wade is once again at a crossroads. In their timely new documentary REVERSING ROE, filmmakers Ricki Stern and Annie Sundberg (THE DEVIL CAME ON HORSEBACK, MARATHON: THE PATRIOT’S DAY BOMBING) present a deeply illuminating look of the state of abortion and women’s rights in America. The film offers candid and riveting interviews with key figures from both sides of the divide, among them doctors Colleen McNicholas and Curtis Boyd; feminist icon Gloria Steinem; Operation Rescue president Troy Newman; and National Right to Life president Carol Tobias. Intense and unflinching in its commitment to telling the whole story, REVERSING ROE provides a gripping look at what’s happening on the ground in 2018. Drawing from a wealth of historical footage, it charts the period leading up to the Roe decision-and documents the opposition that has followed ever since. Regardless of where you stand on the issue of abortion, REVERSING ROE is essential viewing to understand how the country got here-and where it may be going. Co-directors Ricki Stern and Annie Sundberg join us for an informed conversation on the long history and politics swirling around one of the country’s most divisive issues.

 

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Netflix

Laemmle Music Hall Theater

9036 Wilshire Blvd, Beverly Hills

Times:12:00, 2:30, 5:00, 7:30, 10:00pm

80% on Rotten Tomatoes

“As contentiousness turned into real-world consequences, “Reversing Roe” reminds us that the more women get involved regarding their rights, the more likely we’re to see a fair, principled fight.” – Robert Abele, Los Times

“Nothing new here but a good primer for those who never thought that politics has anything to do with their lives.” – Harvey S. Karten, Big Apple Reviews

“Solid and valuable but familiar.” – Caryn James, Hollywood Reporter

“Provides a clear and accessible overview of more than 50 years of the social and legal history of the issue in the United States.” – Ben Kenigsberg, New York Times

Generation Wealth, Director Lauren Greenfield

For the past 25 years acclaimed photographer and filmmaker Lauren Greenfield has travelled the world, documenting with ethnographic precision and an artist’s sensitivity a vast range of cultural movements and moments. Yet, after so much seeking and searching, she realized that much of her work pointed at one uniting phenomenon: wealth culture. With her new film, Generation Wealth, she puts the pieces of her life’s work together for in an incendiary investigation into the pathologies that have created the richest society the world has ever seen. Spanning consumerism, beauty, gender, body commodification, aging and more, Greenfield has created a comprehensive cautionary tale about a culture heading straight for the cliff’s edge. Generation Wealth, simultaneously a deeply personal journey, rigorous historical essay, and raucously entertaining expose, bears witness to the global boom-bust economy, the corrupted American Dream and the human costs of capitalism, narcissism and greed. Emmy-award-winning photographer / filmmaker, Lauren Greenfield’s expansive artistry includes her monographs (Girl Culture, Fast Forward, THIN, Generation Wealth), and documentaries (THIN, kids+money, The Queen of Versailles). The Queen of Versailles won her the 2012 Best Documentary Director Award at Sundance Film Festival. Director Lauren Greenfield joins us to talk about her sweeping film and the damning indictment of a profligate world of depraved indifference, hell-bent on stockpiling pointless possessions.

 

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For news and updates go to: generation-wealth.com

“[An] alarming film…” – Anthony Lane, New Yorker

“Through her dedication to other people’s lives, and with such open-book storytelling of her own, Greenfield is able to make a stunningly deeply resonant documentary about notions as seemingly obvious as the value of love over wealth itself.” – Nick Allen, RogerEbert.com

“Greenfield makes a compelling argument for a society on the brink of precipitous decline, choosing to interpret the runaway vanity and rampant materialism observed in her own work as harbingers of our imminent destruction.” – Peter DeBruge, Variety

“This personal approach gives the film a sharp intimacy, and from here Greenfield pulls out to reveal how similar patterns are reshaping lives and families the world over.” – Nikki Baughan, Screen International

Half the Picture, Director Amy Adrion

HALF THE PICTURE celebrates the groundbreaking work of female film directors and investigates the systemic discrimination that has, for decades, denied opportunities to far too many talented women in Hollywood. The film consists of interviews with high profile women directors including Ava DuVernay, Jill Soloway, Lena Dunham, Catherine Hardwicke and Miranda July, among many others, who discuss their early careers, how they transitioned to studio films or television, how they balance having a demanding directing career with family, as well as challenges and joys along the way. HALF THE PICTURE also includes interviews with experts about gender inequality in Hollywood including the ACLU’s Melissa Goodman, Sundance Institute’s Caroline Libresco, Vanity Fair’s Rebecca Keegan, USC’s Dr. Stacy Smith and San Diego State University’s Dr. Martha Lauzen, who establish the magnitude of this employment discrimination issue as women are shut out, across the board, of an industry that systemically denies their expression and point of view. HALF THE PICTURE Director / Producer Amy Adrion joins us to talk about a unique time in the film industry where systemic change seems possible and whether, unlike previous efforts to address gender inequality in Hollywood, will this time be different?

 

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For news and updates go to: halfthepicture.com

Social Media:

facebook.com/halfthepicture

instagram.com/halfthepicture

twitter.com/amyadrion

100% on Rotten Tomatoes

“Half the Picture is a vital, comprehensive documentary on a subject that’s so fundamental to the industry it’s about, you have to wonder why dozens of movies on this scale or bigger haven’t already been made.” – Leslie Felperin

“Half The Picture is an inspiring, important documentary that should be seen by as many people as possible, particularly those who aren’t aware of the problems women face in Hollywood.” – Manon de Reeper, Film Inquiry

“Half the Picture, Amy Adrion’s no-frills documentary, offers a diligent, straightforward overview of the innumerable obstacles facing today’s female directors, both aspiring and accomplished.” – Natalia Winkelman, Film Threat

“A platform for those who want to hear about the reality of being a woman in Hollywood from dozens of women who have lived it, it’s an invaluable resource.” – Rebecca Pahle, Film Journal International

“It’s experiential revelation as advocacy filmmaking, an incisive and inviting example of the personal as political.” – Serena Donadoni, Village Voice

Social Animals, Director Theresa Bennett

In this raucous new comedy, Social Animals Zoe Crandle’s life didn’t exactly turn out the way she planned. She’s facing eviction, her business is going under and she is resigned to a life of one-night stands. Just when it seems her whole world is unraveling, she meets Paul, a fellow loveable loser, and the pair have an instant connection. There’s only one problem, Paul is married. With help from her best friend, Zoe devises a plan to save her business and salvage her love life.  Social Animals is an honest, uncompromising comedy of modern relationships that stars Noël Wells, Josh Radnor, Aya Cash, Carly Chaikin, Fortune Feimster and Samira Wiley. Director and writer Theresa Bennett stops by to talk about the perils and rewards of low budget filmmaking and working with a talented cast of rising talents.

 

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Social Media:

Facebook: SocialAnimalsMovie

Instagram: @socialanimalsmovie

Twitter: @SocAnimalsMovie

“‘Social Animals’ has its funny business and lightness, and the picture’s comfort with sexuality is refreshing, but there’s realism just underneath the surface that’s intriguing.” – Brian Orndorf, blu-ray.com

“This rom-com from writer and first-time director Theresa Bennett is easy viewing.

“ – Ann Storm, Film Journal International

UCLA Celebration of Iranian Cinema – Paul Malcolm, FIlm Programmer

When UCLA Film & Television Archive launched its annual UCLA Celebration of Iranian Cinema in 1990, it was the first showcase for new Iranian films in the U.S. It has been a platform for exciting new voices in cinema as well as a dialogue to foster cultural understanding—and in that time Iranian filmmakers have moved to the forefront of the cinematic world. It has also been a barometer of global politics. In partnership with Farhang Foundation, this year’s UCLA Celebration of Iranian Cinema offers Los Angeles the chance to see a stellar lineup of new Iranian films that includes four Los Angeles premieres and three U.S. premieres, along with the revival of a modern classic. From fraught intimate relationships to big social issues, these expertly crafted films reveal the complexities – and universalities – of contemporary Iran. The annual celebration, now entering its 28th year, showcases the best in contemporary Iranian Cinema. Paul Malcolm is the film programmer for UCLA Film & Television Archive where he began in 2007. He was an associate programmer of feature and short films for the Los Angeles Film Festival 2006-2010. As adjunct faculty at Chapman University, he has taught classes on the history and aesthetics of 3D cinema and film reviewing at Chapman University. He was also assistant film editor and film critic for the LA Weekly from 1998-2006. Malcolm graduated from USC with a BA in journalism and he received his MA in Film Studies from UCLA. He is a Sundance Institute Arts Writing Fellow (2001).

 

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WHAT: UCLA Celebration of Iranian Cinema sponsored by Farhang Foundation

All films originate from Iran and are in Persian or Azari with English subtitles.

WHEN: April 28 – May 19, 2018

WHERE: UCLA’s Billy Wilder Theater, 10899 Wilshire Blvd., Los Angeles, CA 90024

TICKETS: Regular screenings: $10 general admission available here.

For news and updates go to: UCLA Celebration iranian Cinema

For information on the Billy Wilder Theater

Ali & Cavett: The Tale of the Tapes, Dick Cavett

With its upcoming premiere at the South by Southwest Film Festival Ali & Cavett: The Tale of the Tapes directed by Robert S. Bader tells the extraordinary story of a famous friendship played out before a captivated national audience Ali & Cavett: The Tale of the Tapes, directed by Robert S. Bader, shares the rich history of the Muhammed Ali and Dick Cavett’s relationship that spanned decades and late night TV. From his 1960’s Olympic Gold Medal win, the heavyweight championship against Sonny Liston in 1964, to joining the Nation of Islam, refusing induction into the United States Army, and his legendarily epic battles in the ring with Joe Frazier and George Foreman, Muhammad Ali remained a unique and powerful force of nature in our popular culture. More than any sports documentary, this unique film deeply delves into hotly contended political and social matters that remain equally as relevant today. Ali & Cavett: The Tale of the Tapes Director Robert S. Bader produced the acclaimed documentaries Dick Cavett’s Watergate and Dick Cavett’s Vietnam for PBS. He is the writer and producer of the Warner Bros. documentary The Dawn of Sound: How Movies Learned to Talk, and the author of Four of the Three Musketeers: The Marx Brothers on Stage. Legendary television host Dick Cavett joins us to talk about his 53-year relationship with “the greatest of all time,” Muhammad Ali.

 

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Check out the SXSW screening schedule for Ali & Cavett: Tale of the Tapes