Deadly Illusions – Director Anna Elizabeth James

DEADLY ILLUSIONS is a psychological thriller about a bestselling female novelist Mary Morrison (Kristin Davis), suffering from writer’s block, hires an innocent yet beautiful caregiver Grace (Greer Grammer) to watch over her children as she dangerously indulges into the fantasies of her new best seller. Everything changes when Mary becomes spellbound by Grace who soon becomes her muse. As their relationship blossoms, the line between the life she’s writing and the one she’s living becomes blurred. Director and writer Anna Elizabeth James (Emma’s Chance, Destined to Ride) joins us to talk about the themes running through her latest film of female sexuality and sexual fluidity, identity and the personal satisfaction of working with a top notch cast of actors.

 

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For news and updates go to: kissandtaleproductions.com

DEADLY ILLUSIONS was written and directed by Anna Elizabeth James (Emma’s Chance) and stars Kristin Davis, Dermot Mulroney, Greer Grammer, and Shanola Hampton. Netflix will release the film on March 18.

About the filmmaker – Anna Elizabeth James is a director, writer, and producer who first caught the filmmaking bug after being given the opportunity to create her own TV show in junior high school. Anna’s fourth feature film, Deadly Illusions, was completed under her company banner Kiss and Tale Productions – where she wrote, directed, and produced. The film stars Kristin Davis, Dermot Mulroney, Greer Grammer and Shanola Hampton. Anna directed her fourth feature film this past winter, Sinister Sorority. (2021). Anna Elizabeth James made her break into the feature world by writing and directing, Emma’s Chance, starring Greer Grammer and Missi Pyle. Most recently it has been added to the Hallmark Movie Collection. Anna’s second feature, Destined to Ride, starred Madeline Carroll and Denise Richards. Anna has directed numerous short films, including a teen pilot, Diary of a Teenage Nobody, which was optioned by MTV. Her psychological thriller, Zone 2, toured through the Etheria Film Festival, winning an audience award. Known as a pioneer in the industry for her iPhone filmmaking and distribution methods, Anna has been featured in WIRED MagazineThe New York TimesUSA Today, and has spoken at TEDxNew York Apple StoreDGA, and The Academy of Television, Arts and Sciences showcasing these forward thinking films. Anna holds an MFA from USC’s School of Cinematic Arts and is the mother of four. She currently resides in South Jordan, Utah with her two assistant pups, Pepper and Teddy, who sit by her side as she writes. annaelizabethjames.com

SOCIAL MEDIA
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twitter.com/DirectorAEJ
instagram.com/annaelizabethjames
@DirectorAEJ

The Truffle Hunters – Co-directors Michael Dweck and Gregory Kershaw

Deep in the forests of Piedmont, Italy, a handful of men, seventy or eighty years young, hunt for the rare and expensive white Alba truffle—which to date has resisted all of modern science’s efforts at cultivation. They’re guided by a secret culture and training passed down through generations, as well as by the noses of their cherished and expertly-trained dogs. Co-directors Michael Dweck and Gregory Kershaw (The Last Race) seamlessly navigates viewers through an enigmatic world where the denizens live a simpler, slower way of life, in harmony with their loyal animals and their picture-perfect land, seemingly straight out of a fairy tale. They’re untethered to cell phone screens or the Internet, opting instead to make their  food and drink by hand and prioritizing in-person connections and community. The demand for white truffles increases year after year, even as the supply decreases. As a result of climate change, deforestation, and the lack of young people taking up the mantle, the truffle hunters’ secrets are more coveted than ever. However, as it soon becomes clear, these aging men may just hold something much more valuable than even this prized delicacy: the secret to a rich and meaningful life. Co-directors Michael Dweck and Gregory Kershaw (The Last Race) join us to talk about their immersion into a very closed, arcane multi-tiered society that dates back hundreds of years and the impact that modernity and climate disruption is having on this enchanting corner of the world.

 

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For news, updates and screenings go to: sonyclassics.com/thetrufflehunters

About the filmmakers – Michael Dweck is an award-winning American filmmaker and contemporary visual artist. Best recognized for his evocative narrative photography, Dweck artistically investigates the on-going struggles between identity and adaptation found within endangered societal enclaves. Dweck’s works have been featured in solo and group exhibitions at museums and galleries worldwide, and are part of prestigious international art collections, including the archive of the Department of Film at The Museum of Modern Art in New York, where two of his long-form television pieces reside.In his first feature-length film, “The Last Race” (Sundance US Documentary Competition 2018), Dweck extended his exploratory repertoire by combining observational documentary, stylized imagery, and a symphonic merging of motion and sound. Experimenting with both form and subject matter, Dweck highlights the mysterious beauty and exuberant passion shared by the last custodians of a disappearing tradition. Aside from creating an artistic appraisal of class and American identity, Dweck’s film allegorizes the broader, global epidemic wherein handmade objects and ritualistic traditions face extinction at the hands of mass conglomerate takeover. For more go to: michaeldweck.co

About the filmmaker – Gregory Kershaw has worked on narrative and documentary film productions as a producer, cinematographer, and director. Most recently, he was a senior producer at Fusion television where he made environmental documentaries. His work explored the impact of climate change on indigenous populations throughout Latin America in a series of United Nations Foundation funded videos, as well as long form documentaries on the global species extinction crisis featuring environmental luminaries such as Jane Goodall and Sylvia Earle. Gregory is a graduate of Columbia University’s MFA film program.

100% on Rotten Tomatoes

“A scrumptious cinematic journey. Try not to fall hard for the joy it spreads.” – Tomris Laffly, VARIETY

“Gorgeous. Unique. Delightful. Visual Poetry. A fascinating glimpse inside a world of arcane knowledge and the luxury market that feeds off it. A constant feast for the eyes and a nourishment for the soul, giving the illusion of a journey back in time to a pre-technology age of simpler pleasures.” – David Rooney, THE HOLLYWOOD REPORTER

“An eccentric world that you have never heard of, never seen…” – Kenneth Turan, LOS ANGELES TIMES

“It’s a sweet and simple movie with a healthy dose of bittersweet wistfulness for a fading world, and it’s beautiful.” – Alissa Wilkinson,Vox

“This is a sensuous plunge into a world that’s built on simple pleasures.” – Amber Wilkinson, Eye for Film

The Speed Cubers – Director Sue Kim

Shortlisted for the 2021 Oscar® in the Best Documentary Film – Short Form, THE SPEED CUBERS drops us into the frenetic world of Speed Cubing. Cubing is the competitive sport of solving a Rubik’s Cube in mere seconds that has grown into a worldwide phenomenon in recent years. For nearly a decade in the sport, Feliks Zemdegs from Australia, has reigned unchallenged as the king of cubers, the greatest of all time. That is, until now. The cubing world was stunned when an unknown challenger named Max Park from California took home the Gold medal in 2017 and emerged onto the global stage. Since then, Max’s rise to the top has been swift and steady, save for one obstacle in his way: Feliks. The two have been trading wins and world records steadily, neither one able to truly dominate while the other still competes. But rather than developing into a bitter rivalry, Feliks and Max have instead grown their competitive relationship into a tender yet complicated friendship. THE SPEED CUBERS finds Max and Feliks on the threshold of another World Championship, both driven to win but both rooting for each other’s success. Director Sue Kim stops by to talk about her high-energy, and warm-hearted look into the feverishly competitive but refreshingly idyllic world of Speed Cubers.

 

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For news and updates go to: netflix.com/thespeedcubers
or
Watch Speed Cubers at vid.see-movie.com/The Speed Cubers

The Speed Cubers has been Shortlisted for 2021 Oscar® –  Best Documentary – Short Form

What Would Sophia Loren Do? Director Ross Kauffman

What Would Sophia Loren Do? is a documentary short film that follows Vincenza “Nancy” Kulik, an Italian-American mother and grandmother living in Fort Lee, New Jersey. Nancy has seen her share of tragedy, but she has always been able to stay positive, inspired in part by another Italian mother, the movie star Sophia Loren. Nancy uses the question “What Would Sophia Loren Do?” as a guide to questions big and small. For example, “Would Sophia Loren eat whole wheat pasta?” Nancy thinks not. This phrase can also provide comfort and a source of strength in times of crisis. In 2016, Vincenza’s 51-year-old son died suddenly while undergoing a routine operation. Vincenza was devastated. She would seek solace in the love of her friends and family. But as she describes it, Vincenza also used the example of Sophia’s grace to help her get through the days and find the strength to persevere. For Vincenza, the words “What would Sophia Loren do?” have truly helped her to heal during some of the most difficult times of her life. Through the experiences of these two women we come to understand what it means to face life’s challenges with resilience and to age with courage, grit, and humor. The film debuts on Netflix on January 15 and is already heavily buzzed for the Oscar in the shorts category. There’s particular attention on Sophia this year, given her other Oscar-buzzed performance in The Life Ahead, directed by her son, Eduardo Ponti. Academy Award winning director Ross Kauffman (Born into Brothels, Tigerland) joins us to talk about the connection he shares with Vincenza, professionally and personally, and how her indomitable presence permeates this wonderfully alive story.

 

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To watch: netflix.com/Wht Would Sophia Loren Do?

Phoenix Rising – Co-directors Ian Bonhôte and Peter Ettedgui

RISING PHOENIX tells the extraordinary story of the Paralympic Games. From the rubble of World War II to the third biggest sporting event on the planet, the Paralympics sparked a global movement which continues to change the way the world thinks about disability, diversity & human potential.The film features breathtaking footage and compelling interviews with several Medal-Winning Paralympians including Tatyana McFadden (Para Athletics, United States), Bebe Vio (Wheelchair Fencing), Jean-Baptiste Alaize (Para Long Jump), Ntando Mahlangu (Para Track & Field), Matt Stutzman (Para Archery, United States), Jonnie Peacock (Para Sprint Runner), Ryley Batt (Para Wheelchair Ruby), Ellie Cole (Para Swimming), and Cui Zhe (Powerlifting). It also features an interview with Prince Harry, The Duke of Sussex. RISING PHOENIX Co-directors Peter Ettedgui and Ian Bonhôte makers of the BAFTA nominated McQueen, join us to talk about remarkable athletes who have worked most of their lives to fulfill the dream of being an Olympic champion as well as the story of the ParaOlympic founder, Ludwig Guttman, a Jewish doctor who rescued people from Nazi camps and believed in the power of community to heal and empower.

 

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To watch go to: netflix.com/Rising Phoenix

To coincide with the UN’s International Day of Persons with Disabilities, the film team have launched an educational website for RISING PHOENIX that includes a down-loadable Education Guide, providing a framework and resources to enable teachers to delve deeper into the subject matter in the classroom.

About the filmmaker – Peter Ettedgui’s ‘Rising Phoenix’ marks Peter’s second feature documentary as writer and director with Ian Bonhôte, following their collaboration on ‘McQueen’ in 2018. Described as “supremely engrossing and elegant” by Variety, the film was nominated for two Baftas (British Film and Documentary). Previously, Peter had cut his teeth in the non-fiction arena as writer of ‘Everything Or Nothing’ (the story of James Bond) and ‘Listen to Me, Marlon’ (a film biography of Marlon Brando told through the actor’s audio archive), for which Peter was the recipient of a Peabody Award and the IDA (Independent Documentary Award) for best writing in a documentary. Peter began his career in narrative fiction. He worked as director’s assistant and co-writer to Ken Russell on a number of feature and television projects, before writing screenplays including the Bafta-nominated ‘Onegin’, an adaptation of Pushkin’s classic tale of unrequited love, which starred Ralph Fiennes and Liv Tyler. He went on to produce films such as ‘Kinky Boots’, starring Joel Edgerton and Chiwitel Ejiofor, which became a hit Broadway/West End musical, and ‘Unmade Beds’ for Film4.Beyond his work as writer and producer, Peter has worked extensively as a development consultant and story editor including on ‘Spectre’ the 2017 Bond movie.  For more go to: misfitsentertainment.com

About the filmmaker – IAN BONHÔTE is a two times BAFTA nominated director and producer for MCQUEEN, a feature documentary on Alexander McQueen the iconic fashion designer. RISING PHOENIX is Ian’s second documentary which he has co-written and co-directed alongside Peter Ettedgui. The film covers the story of the Paralympics from its humble beginning to becoming the third biggest sporting event in the world. Ian’s directorial debut, ALLEYCATS, was distributed internationally by Universal pictures in over 25 territories and by Filmmode in the US/Canada. Following this, Ian co-founded MISFITS ENTERTAINMENT alongside Andee Ryder, the producer of Alleycats. In 2018 Misfits Entertainment produced VIKING DESTINY, an action adventure film starring Terence Stamp. Prior to this, Ian co-founded PULSE FILMS in 2005 alongside Thomas Benski and Marisa Clifford. Pulse Films recently produced GANGS OF LONDON and AMERICAN HONEY (2016 Jury Prize Cannes Winner). The company is now a part of the VICE MEDIA GROUP. Ian has also directed international campaigns, music videos and fashion films for clients such as Puma, Nike, Pepsi, Mumford & Sons, Tom Jones, and fashion designers Matthew Williamson and Hussein Chalayan. For more go to: misfitsentertainment.com

SOCIAL MEDIA
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#RisingPhoenix
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@DANIELPEMBERTON

90% on Rotten Tomatoes

“‘Phoenix’ is a testament to resiliency, determination and passion, and is one of the best documentaries of 2020.” – Randy Myers, San Jose Mercury News

“There are athletes all across the spectrum of sport who would kill to have a documentary portray them as heroic, epic and badass as Ian Bonhôte and Peter Ettedgui paint the superstars in “Rising Phoenix. – Roger Moore, Movie Nation

This is profoundly inspiring… It is an extraordinary look at what makes us human.” – Wade Major, FilmWeek (KPCC – NPR Los Angeles)

“Gives sports fans a jolt of greatness, inspiration, history and drop-dead gorgeous photography” – Carole Horst, Variety

“Slick, rousing documentary” – Tim Grierson, Screen Daily

Oleander, Director Kate Hackett

OLEANDER, (Emily Robinson)17, is the star and sole creator of her own provocative, sex-positive YouTube channel. She is also an unwilling student at a Christian abstinence program, led by the poised and charismatic Alissa, (Peri Gilpin) 50s. When Alissa demands that Oleander issue an on-camera apology for mocking her abstinence program online, a fierce battle of wills ensues. Alissa is aided by Kim, (Jennifer Lafleur) 30s, a filmmaker-for-hire who has no allegiance other than to serve her client. Oleander fights desperately for her voice and her beliefs, but will her anti slut-shaming message be able to stand up against the manipulative power of the two adults who seek to suppress her? Director Kate Hackett joins us for a conversation on her thoughtful, sharply focused look at the power of manipulation, respect, trust and sexual agency.

 

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For news, updates and screenings go to: oleandershortfilm.com

About the filmmaker – Kate Hackett is a filmmaker and film editor based in Los Angeles. She is a 2020 Emmy winner for her editing work on the Netflix documentary series “Cheer.” Her work as an editor also includes the Emmy award winning Netflix documentary series “Last Chance U,” and the Sundance documentary feature Half The Picture. She was the 2018 Sundance Institute Sally Menke Editing Fellow. As a screenwriter, she was a 2016 American Zoetrope Screenwriting contest finalist with the screenplay Purify My Heart.

 Best Director – Short Film, The Method Fest 2020

Official Selection of LA Femme International Film Festival 2020*

Social Media
facebook.com/oleandershortfilm
twitter.com/oleanderfilm
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instagram.com/oleanderfilm
instagram.com/khangelena
@oleanderfilm
@kate_hackett

Dick Johnson is Dead, Director Kirsten Johnson

A lifetime of making documentaries has convinced award-winning filmmaker Kirsten Johnson of the power of the real. But now she’s ready to use every escapist movie-making trick in the book – staging inventive and fantastical ways for her 86-year-old psychiatrist father to die while hoping that cinema might help her bend time, laugh at pain and keep her father alive forever. The darkly funny and wildly imaginative DICK JOHNSON IS DEAD is a love letter from a daughter to a father, creatively blending fact and fiction to create a celebratory exploration of how movies give us the tools to grapple with life’s profundity. DICK JOHNSON IS DEAD was filmed, produced and directed by Kirsten Johnson (Cameraperson), produced by Katy Chevigny and Marilyn Ness, co-produced by Maureen A. Ryan and executive produced by Megan Ellison. Director Kirsten Johnson joins us for conversation on her approach to working along side her dad, making the personal universal and how sharing her own acquired wisdom has impacted her life.

 

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For news, screenings and updates go to: dickjohnsonisdead.com

Watch it: netflix.com/Dick Johnson is Dead

About the filmmaker – Kirsten Johnson is a cinematographer and director interested in addressing the changing dimensions and urgent ethical challenges of documentary camerawork. Her most recent film, CAMERAPERSON, premiered at Sundance 2016, was shortlisted for an Academy Award, won the National Board of Review “Freedom of Expression” prize, and was awarded three 2017 Cinema Eye Honors, including ‘Outstanding Nonfiction Feature’. CAMERAPERSON was named one of the ‘Top Ten Films of 2016’ by The New York Times and The Washington Post, was the Grand Jury Prize Winner of 9 international festivals, won the ARRI Cinematography Award, and is distributed by The Criterion Collection. Her short, THE ABOVE, premiered at the 2015 New York Film Festival and was nominated for the International Documentary Association ‘Best Short Award’ for 2016. Kirsten’s camerawork has appeared in the Academy Award-winning CITIZEN FOUR, Cannes Premiere RISK, Academy Award-nominated THE INVISIBLE WAR, Tribeca Documentary Winner, PRAY THE DEVIL BACK TO HELL, Cannes winner FAHRENHEIT 9/11, and Emmy Award-winning LADIES FIRST. She shared the Sundance 2010 Cinematography Award with Laura Poitras for their work on THE OATH. She and Katy Chevigny co-directed the Berlinale premiering DEADLINE, which won the Thurgood Marshall Award. She teaches “Visual Thinking” in the NYU Graduate Journalism Department. In 2017, she was awarded the Chicken and Egg Breakthrough Filmmaker Award and she is currently a Sundance Art of Nonfiction Fellow. She is a 2017 Guggenheim Fellow and was recently invited to be one of the 4% of ASC members who are women. 

Social Media
twitter.com/RIPDickJohnson
twitter.com/Cameraperson16
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instagram.com/dickjohnsonisdead
facebook.com/dickjohnsonisdead
@Cameraperson16
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@Netflix
#DickJohnsonIsDead

100% on Rotten Tomatoes

“A deeply moving vision of life in the face of bodily death and the threatened loss of selfhood, as well as a loving unpacking of the lifetimes of memories from which families are made.” – Richard Brody, New Yorker

“Instead of pushing her father’s death to the back of her mind, Johnson embraces it fully and even has fun with it. She takes her heartache and turns it into joy.” – Brianna Zigler, Little White Lies

“Unabashedly toying with the conventions of obituary, the documentation of the infirm, and the memorialization of a parent, the end result is a triumph.” – Jason Gorber, POV Magazine

“A touching and funny meditation on embracing life and fearing death at the same time.” – Eric Kohn, indieWire

The Social Dilemma, Director Jeff Orlowski

Set in the dark underbelly of Silicon Valley, THE SOCIAL DILEMMA fuses investigative documentary with enlightening narrative drama—think An Inconvenient Truth meets The Matrix. Expert testimony from tech whistle-blowers exposes our disturbing predicament: the services Big Tech provides—search engines, networks, instant information, et cetera—are merely the candy that lures us to bite. Once we’re hooked and coming back for more, the real commodity they sell is their prowess to influence and manipulate us. Technology wizards have masterminded a new form of capitalism, and humanity is now the raw resource feeding the machine. THE SOCIAL DILEMMA focuses on the powerful, hidden artificial intelligence tasked with hijacking our attention is tearing apart social norms, jeopardizing truth and democracy, and putting civilization on a programmed path toward self-destruction. Award-winning filmmaker and environmentalist Jeff Orlowski (Chasing Ice, 2012; Chasing Coral, 2017) disrupts the disrupters by uncorking the invisible story purring from that mobile phone hidden in your pocket. Cunningly entertaining, THE SOCIAL DILEMMA sounds the alarm on surveillance capitalism in hopes of preserving the very fabric of our society before it’s too late. Director Jeff Orlowski joins us to talk about his incredibly relevant and important film.

 

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For news, screenings and updates go to: thesocialdilemma.com

THE SOCIAL DILEMMA is screening on Netflix beginning September 9th.

About the filmmaker: Jeff Orlowski is the director, producer, and cinematographer of Chasing Coral (2017 Sundance Film Festival winner of the Audience Award: U.S. Documentary) and Chasing Ice (2012 Festival winner of the Excellence in Cinematography Award Documentary). Both films screened at the United Nations and Congress and won Emmy Awards. Orlowski was awarded the inaugural Sundance Institute Discovery Impact Fellowship and named a United Nations Environment Programme Champion of the Earth. For more on the work of Jeff Orlowski go to: exposurelabs.com

Social Media
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twitter.com/jefforlowski
twitter.com/SocialDilemma
instagram.com/jefforlowski
#TheSocialDilemma
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“An exemplary explainer, made with wit and clarity.” – Leslie FelperinHollywood Reporter

“[A] densely packed yet lively and entertaining documentary, whose accessibility is heightened by some narrative play-acting.” – Dennis HarveyVariety

“The film will definitely make you more cognizant of your own behavior – not just of how you use the internet, but how the internet uses you.” – David EhrlichindieWire

“The Social Dilemma really hits hard about what happens on the other side of the screen.” – Danielle SolzmanSolzy at the Movies

Dirty John: The Betty Broderick Story, Co-Executive Producer and Director Maggie Kiley

Maggie Kiley is the Executive Producer and one of the series directors for the second season of USA Network’s high profile series, DIRTY JOHN: THE BETTY BRODERICK STORY. This season is special for the fact that all eight episodes were directed by women. Kiley directed four out of the eight episodes, including the season premiere and finale. DIRTY JOHN: THE BETTY BRODERICK STORY follows the tumultuous relationship of Betty and Dan Broderick, played by Amanda Peet and Christian Slater, as their marriage turns into what was called one of “America’s messiest divorces” even before it ended in double homicide. DIRTY JOHN: THE BETTY BRODERICK STORY follows a high society woman, mother of four, driven to the edge by her husband’s lies, manipulation, and psychological abuse, that slowly escalates as his extra-marital affair is revealed, a bitter divorce ensues, and blood is shed. This is a warts-and-all depiction of the extremes of erratic behavior provoked under pressure. The creative juggernaut known as Maggie Kiley takes time out of her very busy life to talk with us about her love for storytelling, mentoring other artists and working with her beloved actors.

 

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For news and updates go to: maggiekiley.com

About the filmmaker: Award-winning filmmaker Maggie Kiley, is an alumnae of AFI’s Directing Workshop for Women, both a Fox and Film Independent Directing Fellow. She was recently as the first director chosen for Ryan Murphy’s Half Initiative, which has led to gigs helming episodes of American Horror Story: CultScream Queens, and 9-1-1. Her credits reflect her diversity, since she has made contributions to CW’s Katy Keene, Riverdale, Marvel’s The Gifted, Netflix’s What/If and Syfy’s George R. R. Martin’s  Nighflyers, to name just a few. Kiley recently signed a major  exclusive, multi-year overall deal at Warner Bros TV. Under the pact, she will render director and executive producer services for the studio, in addition to developing new TV projects for broadcast, cable and streaming services. She was the first woman in 30 years to have a TV deal at WBTV like this. Maggie Kiley began her career as an actor with the Atlantic Theatre Company in New York City before making the transition from acting to directing with her award winning short film, Some Boys Don’t Leave. The film stars Jesse Eisenberg and Eloise Mumford and played over 50 festivals, garnering top honors at Tribeca and Palm Springs. Kiley received the Panavision New Filmmaker Grant for her debut feature, Brightest Star which starred Chris Lowell and Allison Janney. Her second feature, Dial a Prayer, released in 2015 starred Brittany Snow and William H. Macy. Her third feature was a thriller with Anna Camp, titled Caught marking the last of three features films in three years.

Social Media
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instagram.com/maggiekiley.director

Walk Run Cha Cha, Director Laura Nix

WALK RUN CHA-CHA has been nominated for Documentary Short Subject at the 92nd Academy Awards®. Directed by Laura Nix, the film follows Paul and Millie Cao, who lost their youth to the aftermath of the Vietnam War. Forty years later, they have become successful professionals in Southern California-and are rediscovering themselves on the dance floor. WALK RUN CHA CHA is now streaming on New York Times Op-Docs.

About the Filmmaker: Director Laura Nix Laura Nix is an award-winning fiction and nonfiction filmmaker based in Los Angeles. WALK RUN CHA-CHA is adapted from a feature-length documentary in progress. It was produced by Concordia Studio for The New York Times Op-Docs and premiered at the 2019 Tribeca Film Festival. Laura’s work also includes  other work includes her feature documentary INVENTING TOMORROW, about teenagers from around the globe tackling environmental issues through science,  THE YES MEN ARE REVOLTING, a comedy about activism and climate change, the documentary THE LIGHT IN HER EYES, about a Syrian Qur’an school for women and she was a writer on the Emmy-nominated documentary CALIFORNIA STATE OF MIND: THE LEGACY OF PAT BROWN. In 2001, Nix co-founded the production company Automat Pictures, where she produced and/or directed over 100 presentations, including the feature documentary WHETHER YOU LIKE IT OR NOT: THE STORY OF HEDWIG, which played in over a dozen film festivals in the U.S. and worldwide. Previously she was a member of Oscar-winning filmmakers Rob Epstein and Jeffrey Friedman’s production company Telling Pictures, where she was Associate Producer on THE CELLULOID CLOSET.

 

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For news and updates go to: feltfilms.com

Walk Run Cha Cha is now available at nytimes.com/Op-Docs

 

*** 2020 Oscar nomination for Best Documentary (Short) *** 

 

Official Selection – Tribeca Film Festival 2019

Winner – Grand Jury Trống Đồng Award for Best Short – Viet Film Fest 2019

Official Selection – SFFILM Doc Stories 2019

 

Social Media

twitter.com/feltfilms

https://twitter.com/WalkRunChaCha

@feltfilms

 

“Laura Nix’s WALK RUN CHA-CHA is a moving, poignant portrait of two aging refugees who have endured a great deal, and who now face one of life’s biggest challenges: figuring out how to stay in love. Through them, Nix also evokes the textures, tastes, and sounds of Vietnamese refugee life, and mixes them in with everything that is good about the United States. Ultimately, WALK RUN CHA-CHA is an optimistic film about both love and hope—the hope that our country will continue to believe in welcoming strangers from other lands, who in the end are not that strange at all.” – Viet Thanh Nguyen, Pulitzer Prize-winning author of The Sympathizer

 

Midnight Traveler, Producers Emelie Mahdavian and Su Kim

In 2015, after Hassan Fazili’s documentary Peace in Afghanistan aired on Afghan national television, the Taliban assassinated the film’s main subject and put a price on Fazili’s head. Fearing for their survival, the Fazili family, Nargis, Zahra, and Fatima fled Kabul for Tajikistan. Yet after 14 months spent submitting asylum applications that were rejected again and again, they were deported back to Afghanistan. It was at this juncture that Fazili picked up his cell phone and hit the record button and with that Midnight Traveler began to take shape. Chronicling every step from inside the action, Fazili, his filmmaker wife, and their young daughters trek across Iran, Turkey, Bulgaria, and Serbia—scurrying through perilous landscapes, huddling in freezing forests, cramming into rattling vehicles. As they endure smugglers, gangs, and refugee camps, the camera witnesses not only the danger and desperation but also the exuberance and tenderness of this irresistible, loving family. For Fazili, framing their story becomes an assertion of control, humanity, and self-expression in a situation where none exists. With its radical subjectivity, visceral footage, and poetic form, Midnight Traveler is a migration story like no other. Producer Su Kim and Producer / writer / editor Emilie Mahdavian join us for a look at at Hassan and his remarkably resilient family as they attempt to overcome institutional and deadly political obstacles in their fight for freedom as seen through the eyes of his children, Zahra and Nargis and wife, Fatima. A fight for freedom that they have to win.

 

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For news and updates go to: midnighttraveler.oscilloscope.net

For news and screening information go to: midnighttravelerfilm.com

Social Media:

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*WINNER* SUNDANCE FILM FESTIVAL 2019

World Cinema Documentary Special Jury Award for No Borders

BERLIN INTERNATIONAL FILM FESTIVAL 2019

Prize of the Ecumenical Jury – Special Mention

100% on Rotten Tomatoes 

“Modest but full of urgency, MIDNIGHT TRAVELER uses the power of smart phones to reveal a migrant family’s search for a safe haven. Gretchen Jude’s percussive, electronic score helps hold it all together. [The film] stands as a family’s joint testimony, heartfelt and heartbreaking, particular yet hauntingly representative.” – Caryn James, The Hollywood Reporter

“Has a home-movie quality that’s enormously effective in putting a human face on a global crisis.” – Scott Tobias, Variety

“What makes [the film] so moving, though, is the portrait that Fazili and Hussaini paint of both themselves as full, ungainly people, with flaws and hopes and perfections and their daughters who, in a way, are the stars [of the movie]. A languid, poetic film. [The parents] meditate on family, fear, equality, Islam, and the banality of everyday life. Throughout, though, it is hard not to forget that MIDNIGHT TRAVELER is a film of life or death which the score constantly reminds, and which infuses tensions into the narrative’s nooks and crannies.” – Gary Garrison, The Playlist

“A remarkable achievement…an affecting, essential documentary. The suffering, fear and humiliation that they experience is balanced by moments of warmth and an artist’s magpie eye for unexpected glimpses of beauty…While there have been numerous documentaries which deal with the plight of asylum seekers, there have been few which have shown, with this level of intimacy, the journey of a family from certain danger to an uncertain fate. It’s a film which deserves to be as widely seen as possible.” – Wendy Ide, Screen International

American Factory, Co-directors Julia Reichert and Steven Bognar

AMERICAN FACTORY tells the story of a Chinese billionaire opening a new factory in the husk of an abandoned General Motors plant in Dayton, Ohio, hiring 2,000 blue-collar Americans still recovering from the effects of the 2008 recession. Working side-by-side with experienced Chinese workers, the locals are optimistic about the future for the first time in almost a decade. But early days of hope give way to setbacks as high-tech China collides with working-class America, and issues of language and culture become seemingly insurmountable walls between clashing factions. AMERICAN FACTORY, the new film from Academy Award®-nominated directors Steven Bognar and Julia Reichert, documents the revitalization of one long-shuttered factory while providing a startling glimpse into a global economic realignment now playing out in towns and cities across the country — and around the world. Granted generous access to the factory, and with the in-depth participation of its employees, Bognar, Reichert and their team spent three years following Fuyao Glass America’s launch of a state-of- the-art glassmaking facility employing hundreds of Chinese and thousands of Midwestern workers in the American heartland. Capturing surprisingly candid moments of people ranging from the visionary billionaire who financed the enterprise to American and Chinese workers on the factory line, AMERICAN FACTORY presents a microcosmic view of a global phenomenon that could represent a new normal for the American working class. Co-directors Steven Bognar and Julia Reichert join us for a lively conversation on the challenges of telling a multifaceted of people desperate for a new beginning working for an employer who sees the workplace from a point of view rooted in a culture a half a world away.

About the Filmmakers: STEVEN BOGNAR & JULIA REICHERT (Directors, Producers) are Oscar®-nominated documentary filmmakers whose work has screened at Sundance, Telluride, SXSW and other major festivals, as well as on HBO and PBS. Their film A Lion in the House, a co-production with ITVS, premiered at Sundance, screened on the PBS series “Independent Lens” and won a Primetime Emmy®. Their film The Last Truck: Closing of a GM Plant premiered at the 2009 Telluride Film Festival, screened on HBO, and was nominated for an Academy Award® for Best Documentary Short in 2010. Their films have, for the most part, told stories of rank-and-file citizens grappling with questions of agency and how to have a decent life. Julia Reichert’s work, in particular, spanning 50 years of filmmaking, has a through-line of concern for working-class and women’s stories. Julia Reichert was also Oscar®-nominated for her documentary feature films Union Maids (1977) and Seeing Red: Stories of American Communists (1983). Her first film, Growing Up Female, was selected for the National Film Registry by the Library of Congress. She is the 2018 recipient of the IDA Career Achievement Award. Bognar’s films Personal Belongings, Picture Day and Gravel all premiered at the Sundance Film Festival.

 

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For news and updates go to: netflix.com

American Factory opens in Los Angeles on Wednesday, August 21 at the Landmark Theatre

Social Media: twitter.com/jeffreichert

WINNER – Best Director – 2019 Sundance Film Festival – U.S. Documentary Competition

OFFICIAL SELECTION – 2019 True/False Film Festival

OFFICIAL SELECTION – 2019 Tribeca Film Festival –

Opening Night, Critics’ Week

OFFICIAL SELECTION – 2019 Full Frame Film Festival

95% on Rotten Tomatoes

“FASCINATING. A sprawling cinema-verite account, it examines the real tensions of international businesses in human terms.” – Eric Kohn, Indiewire

 “INTIMATE AND EPIC. 30 years after Roger And Me, a similarly vital story updated and made relevant for our globalised age.” – Anthony Kaufman, Screen

“Of all the documentaries you see this year, this one most potently embodies the ever-changing sense of the words “Made in America.” – Peter Debruge, Variety

“American Factory demands comparison to Barbara Kopple’s Oscar-winning masterpiece American Dream with its frank and laudably objective portrait of the USA’s working class and its struggle for prosperity.” – Pat Mullen, POV Magazine

For Sama, Directors Waad al-Kateab and Edward Watts

FOR SAMA is both an intimate and epic journey into the female experience of war. A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much. FOR SAMA took home the Best Documentary Award at this year’s 2019 Cannes Film Festival, FOR SAMA had its world premiere at SXSW Film Festival where it won the Grand Jury Prize and the Audience Award for Best Documentary.  Since then, it continues to gather more awards every time it screens.  The growing awards list includes the aforementioned SXSW; Cannes Film Festival; and Sheffield Doc/Fest; Telluride MountainFilm; Nantucket Film Festival; River Run; LA Asian Pacific Film Festival; Hot Docs; and Newport Beach Film Festival. Co-directors Waad al-Kateab and Edward Watts join us for a conversation on the courage to document the unimaginable horror of a brutal regime and what it means to believe in something so deeply that you are willing to risk everything for it. 

 

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For news, screenings and updates go to: ForSamaFilm.com

For Sama – Q&A with directors Waad al-Kateab and Edward Watts and  Dr. Hamza al-Kateab following the 4:30 pm show on Sunday, 7/28.

Social Media:

facebook.com/forsamafilm

twitter.com/forsamafilm

instagram.com/forsamafilm

100% on Rotten Tomatoes

WINNER – Best Documentary – 2019 Cannes Film Festival
WINNER – Documentary Grand Jury Prize – 2019 SXSW Film Festival
WINNER – Audience Award – 2019 SXSW Film Festival
WINNER – Jury Prize – 2019 HotDocs Film Festival
WINNER – Grand Jury Award – International Docu – 35th LA Asian Pacific Film Festival
WINNER – Indomitable Spirit Award – 2019 MountainFilm
WINNER – Special Jury Mention – 2019 Sheffield Doc/Fest
WINNER – Audience Award – 2019 Sheffield Doc/Fest
WINNER – Best Documentary Jury Prize – 2019 Newport Beach Film Festival
WINNER – Audience Award – 2019 Nantucket Film Festival
WINNER – Best Cinematography – 2019 RiverRun Film Festival

“Simple in concept and shattering in execution, blending hard-headed reportage with unguarded personal testimony, it’s you-are-there cinema of the most literal order.” – Guy Lodge, Variety

“For Sama is undoubtedly difficult to watch, but you cannot close your eyes when watching such an urgent film. An endlessly powerful and absolutely essential work, it’s a must-see when it is released this autumn.” – Musanna Ahmed, Film Inquiry

“If not turning away is how we must confront the violence, inhumanity and senselessness of war, this brutal, heart-wrenching film is essential viewing.” – Loren King, AWFJ Women on Film

“For Sama is an astonishing achievement. A moving memorial to all who died in the pursuit of freedom.” – Rob Aldam, Backseat Mafia

The Great Hack, Co-directors Jehane Noujaim and Karim Amer

Big Data has surpassed oil as the world’s most valuable asset. It’s being weaponized to wage cultural and political warfare. People everywhere are in a battle for control of our most intimate personal details. From award-winning filmmakers Karim Amer and Jehane Noujaim, THE GREAT HACK uncovers the dark world of data exploitation with astounding access to the personal journeys of key players on different sides of the explosive Cambridge Analytica/Facebook data scandal. Academy-Award nominees Amer and Noujaim (The Square, Control Room, Startup .com) continue their tradition of exploring the seismic ripples of social media with this riveting, complex film. THE GREAT HACK forces us to question the origin of the information we consume daily. What do we give up when we tap that phone or keyboard and share ourselves in the digital age? THE GREAT HACK is co-directed by Karim Amer and Jehane Noujaim, with a production team led by Geralyn Dreyfous, Judy Korin and Pedro Kos. Karim Amer and Jehane Noujaim join us to talk about Big Data, the expectation of privacy and where we go from here.

 

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For news and updates go to: thegreathack.com

Social Media:

twitter.com/jehanenoujaim

twitter.com/Karim_Amer33

87% on Rotten Tomatoes

“You leave with a clear sense of how one company [sold] democracy down the river, not to mention having your fingernails chewed down to the quick.” – David Fear, Rolling Stone

“A thrilling yarn of political espionage and fascinating characters… However, this isn’t hollow entertainment. The film insists upon the gravity of the situation, toggling effortlessly between the micro and the macro lens on this tale.” – Katie Walsh, Tribune News Service

“[A] gripping, challenging documentary by Karim Amer and Jehane Noujaim, about the biggest scandal of our time: the gigantic question mark over the legality of the Brexit vote.” – Peter Bradshaw, Guardian

“Pondering individual data rights and the sinister side of widespread connectivity, co-directors Jehane Noujaim and Karim Amer diligently inspect how our innocent likes and shares became the building blocks of Brexit and Trump.” – Tomris Laffly, Time Out

Sea of Shadows, Director Richard Ladkani

A looming disaster in one of the most spectacular environments on Earth sparks a rescue mission unlike any other in SEA OF SHADOWS, a riveting new documentary with the intensity of a Hollywood thriller from National Geographic Documentary Films and winner of the Sundance audience award. When Mexican drug cartels and Chinese traffickers join forces to poach the rare totoaba fish in the Sea of Cortez, their deadly methods threaten to destroy virtually all marine life in the region, including the most elusive and endangered whale species on Earth, the vaquita porpoise. SEA OF SHADOWS follows a team of dedicated scientists, high-tech conservationists, investigative journalists and courageous undercover agents as well as the Mexican Navy as they put their lives on the line to save the last remaining vaquitas and bring the vicious international crime syndicate to justice. Director Richard Ladkani (The Ivory Game, The Devil’s Miner) talks about the monumental challenge of saving a highly intelligent mammal from a desperately poor community who see the black market totoaba and the vaquita as a way to spare their family from a life of poverty and degradation.

 

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For news and updates go to: nationalgeographic.com/films/sea-of-shadows

For screening information go to: nationalgeographic.com/films/sea-of-shadows

Social Media:

facebook.com/seaofshadowsSOS

twitter.com/seaofshadowsSOS

instagram.com/seaofshadows

For more about the filmmaker:

malaikapictures.com

richardladkani.com

“Sea of Shadows is truly horrifying.” Danielle Solzman, Solzy at the Movies

“An environmentally conscious, unabashedly heart-grabbing exposé.” –  Guy Lodge, Variety

“Ladkani has a way with conveying just how big the stakes are and brings them to land.” – Stephen Saito, Moveable Fest

“Sea of Shadows may still raise awareness about the plight of other sea creatures still under threat from illegal nets sweeping the bottom of the ocean, killing everything unfortunate enough to swim in its wake.” – Monica Castillo, Remezcla

Blue Note Records: Beyond the Notes, Director Sophie Huber

BLUE NOTE RECORDS: BEYOND THE NOTES chronicles one of the most important record labels in the history of jazz — and, by extension, that of American music. Blue Note Records has been home to such groundbreaking artists as Miles Davis, Thelonious Monk, John Coltrane, Bud Powell and Art Blakey, as well as present-day luminaries like Robert Glasper, Ambrose Akinmusire and Norah Jones. Founded in New York in 1939 by German Jewish refugees Alfred Lion and Francis Wolff, the history of Blue Note Records goes beyond the landmark recordings, encompassing the pursuit of musical freedom, the conflict between art and commerce and the idea of music as a transformative and revolutionary force. Through rare archival footage, current recording sessions and conversations with jazz icons Herbie Hancock, Wayne Shorter and today’s groundbreaking Blue Note musicians, BLUE NOTE RECORDS: BEYOND THE NOTES reveals a powerful mission and illuminates the vital connections between jazz and hip hop. Filmmaker Sophie Huber gained her filmmaking experience as a member of an award winning Berlin film collective. Huber’s debut feature documentary, the critically acclaimed HARRY DEAN STANTON: PARTLY FICTION, premiered at the Venice Film Festival in 2012. Director Sophie Huber joins us to talk about chronicling the lives and musical journey for many of the greatest artists of the 20th Century and the German Jewish refugees who provided them with a platform in her second remarkable feature documentary BLUE NOTE RECORD: BEYOND THE NOTES.

 

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For news and updates go to: bluenoterecords-film.com

For more about the filmmaker go to: facebook.com/sophie.huber

Social Media:
facebook.com/BlueNoteRecordsFilm
instagram.com/bluenoterecordsfilm
twitter.com/BlueNoteFilm

“Damn near immaculate music documentary” – Leslie Felperin, The Guardian

“Glorious and invaluable documentary by Sophie Huber of the ultimate jazz record label Blue Note Records.” – Dennis Dermody, Paper Magazine

“The 85-minute film is a jazz nerd’s dream… Jazz’s evolution into hip-hop is a major theme in Beyond the Notes, which is in some ways also a hip-hop documentary and a passing of the torch.”  – Maiysha Kai, The Root 

“Jazz lovers will go ape over Blue Note Records: Beyond the Notes… For jazz lovers worldwide, this Swiss doc is heaven-sent and heaven itself.” – Doris Toumarkine, The Film Journal

“Seductive and invigorating… taking the viewer beyond the music to immerse them in the talent, drive and sense of heritage that continue to propel the distinct mission …” – Jason Wood, Wire Magazine 

“It’s about music, yes, but the label and this film concern more: Life-lessons, collaboration, open-minded attitudes and the value of submitting to the now.” – Brad Wheeler, Globe and Mail

“A must-see if you love John Coltrane … or Kendrick Lamar… And especially if you think jazz is dead.” – Pamela Espeland, Minnpost, Sound Unseen Review

The Edge of Democracy, Director Petra Costa

THE EDGE OF DEMOCRACY is a cautionary tale for these times of democracy in crisis, the personal and political fuse to explore one of the most dramatic periods in Brazilian history. THE EDGE OF DEMOCRACY captures the  personal journey of filmmaker Petra Costa (ELENA, Olma and the Seagull) into politics watching her country fall into disarray, echoing the undoing of so many democracies around the world. Combining unprecedented access to leaders past and present, including Presidents Dilma Rousseff and Lula da Silva, Costa witnesses their rise and fall and the tragically polarized nation that remains. Through the stories of her mother and father, Costa documents the rebirth of a democratized Brazil following years of authoritarian rule under a military dictatorship. She traces the impeachment of Rousseff, the imprisonment of de Silva, and the rise of the far right. Was Brazil’s democracy a short-lived dream? Merging the personal and the political, Costa delves to the heart of her country’s unfolding identity crisis, examining widespread institutional corruption while connecting her own family’s complex past to Brazil’s current crisis. Capturing a unique historical moment, A NETFLIX original documentary production, THE EDGE OF DEMOCRACY examines the forces at play in the global erosion of democracy. Director Petra Costa joins us for a conversation about Brazil’s past, present and future and how the political trajectory of her beloved country is increasingly relevant to our own.

 

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The Edge of Democracy is available at: netflix.com

For more about the filmmaker go to: petracosta.com

Social media:

facebook.com/PetraCostaOficial/

twitter.com/petracostal

instagram.com/petracostal

95% on Rotten Tomatoes

“Directed by Petra Costa, this completely fascinating documentary provides an unexpectedly compelling inside look at the political earthquakes that have been roiling Brazil for several years.” – Kenneth Turan, Los Angeles Times

“It’s a chronicle of civic betrayal and the abuse of power, and also of heartbreak.” – A.O. Scott, New York Times

“[Petra Costa] seems utterly incapable of crafting a frame that is lacking in urgency or vibrance.” – Matt Fagerholm, RogerEbert.com

“A dense, complex undertaking Costa impressively wraps her arms – and our minds – around, made even more daunting by the dual purpose “The Edge of Democracy” serves as both an immediate witness to an extraordinarily precarious historical moment.” – Stephen Saito, Moveable Fest

The River and The Wall, Director Ben Masters

** Newport Beach Film Festival Spotlight

THE  RIVER AND THE WALL follows five friends on an immersive adventure through the unknown wilds of the Texas borderlands as they travel from El Paso to the Gulf of Mexico on horses, mountain bikes, and canoes. Conservation filmmaker Ben Masters realizes the urgency of documenting the last remaining wilderness in Texas as the threat of new border wall construction looms ahead. Masters recruits NatGeo Explorer Filipe DeAndrade, ornithologist Heather Mackey, river guide Austin Alvarado, and conservationist Jay Kleberg to join him on the two-and-a-half-month journey down 1,200 miles of the U.S.-Mexico border. They set out to document the borderlands and explore the potential impacts of a border wall on the natural environment, but as the wilderness gives way to the more populated and heavily trafficked Lower Rio Grande Valley, they come face-to-face with the human side of the immigration debate and enter uncharted emotional waters. Ben Masters is best known for his UNBRANDED, a feature documentary on Netflix, in which he and three friends adopted 16 wild mustangs, trained them, and rode 3,000 miles from Mexico to Canada to inspire wild horse adoptions. Director Ben Masters join us to talk about the spectacular natural beauty of the Rio Grande Valley, the people who live along the Mexico – American border and the on-the-ground reality of a border wall.

 

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For news and updates go to: theriverandthewall.com

For more on the filmmaker go to: benmasters.com

Social Media:

facebook.com/bencmasters

instagram.com/bencmasters

“If The River and the Wall runs the risk of being too repetitive, Masters breaks up the argument with a sense of adventure.” – Alan Zilberman, Washington City Paper

“Visually stunning and politically sharp.” – Caryn James, Hollywood Reporter

“The River and the Wall is going to be one of the most-talked about documentaries of 2019 because of its timeliness in the current political environment.” – Danielle Solzman, Solzy at the Movies

Her Smell, Director Alex Ross Perry

Fueled by an incendiary performance by Elisabeth Moss, HER SMELL follows Becky Something (Moss) is a ’90s punk rock superstar who once filled arenas with her grungy all-female trio Something She. Now she plays smaller venues while grappling with motherhood, exhausted band mates, nervous record company executives, and a new generation of rising talent eager to usurp her stardom. When Becky’s chaos and excesses derail a recording session and national tour, she finds herself shunned, isolated and alone. Forced to get sober, temper her demons, and reckon with the past, she retreats from the spotlight and tries to recapture the creative inspiration that led her band to success. Anchored by a towering, unflinching performance from Golden Globe and Emmy winner Moss, and supported by a stellar ensemble cast, HER SMELL examines the grit, grace and gravitas of an unforgettable fictional rock star crashing down to earth into the harsh realities of mid-life. With his deeply humane sixth feature, writer- director Alex Ross Perry (Listen Up Philip, Golden Exits) pumps up the volume and shines a light on the terrifying moment when superstardom wanes — and quiet becomes the new loud. Alex Ross Perry joins us for a lively conversation on the film’s fascinating shooting schedule, collaborating with cinematographer Sean Price Williams and working with a remarkable cast of actors.

 

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For news and updates go to hersmellmovie.com

“Elisabeth Moss turns in a five-alarm blaze of a performance as a frontwoman who makes Courtney Love look like Mother Teresa.” – Peter Travers, Rolling Stone

“Moss varies the volume and the tempo of her performance, calling forth cascades of profane invention and rills of whispery poetry, but she always stays in the same key, the key of Becky.” – A.O. Scott, New York Times

“Formally audacious and ferociously intelligent, Her Smell is Perry’s greatest achievement yet, a wild saga of prestige and madness that is ultimately rooted in the female bonds keeping women sane.” – Natalia Winkelman, The Daily Beast

“Over and above the furious-and ultimately painfully tender-drama, Perry achieves something of a new, grand version of his own cinematic music.” – Richard Brody, New Yorker

Sharkwater Extinction, Founder of SeaChange Agency Brock Cahill

SHARKWATER EXTINCTION is a thrilling and inspiring action packed journey that follows filmmaker Rob Stewart (Sharkwater, Revolution) as he exposes the massive illegal shark fin industry and the political corruption behind it – a conspiracy that is leading to the extinction of sharks. From West Africa, Spain, Panama, Costa Rica, France, and even in our own backyard, Stewart’s third film dives into the often violent underworld of the pirate fishing trade to expose a multi-billion dollar industry. Shark finning is still rampant, shark fin soup is still being consumed on an enormous scale, and endangered sharks are now also being used to make products for human consumption. Stewart’s mission is to save the sharks and oceans before it’s too late. SHARKWATER EXTINCTION exposes the illegal activities isn’t easy; protecting sharks has earned him some powerful enemies. Friend colleague and founder of SeaChange Agency Brock Cahill joins us to talk about working with director and sea mammal advocate Rob Stewart, the popular misconceptions about sharks and the challenge to stop the unwarranted slaughter of 150 million sharks every year by a clandestine world-wide cabal.

 

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For news and updates go to: sharkwater.com

Social Media for Sharkwater

facebook.com/SharkWater

twitter.com/teamsharkwater

instagram.com/teamsharkwater

For news and updates go to: theseachangeagency.org

Social Media for The SeaChange Agency

facebook.com/kurmalliance

twitter.com/kurmalliance

instagram.com/theseachangeagency

“Stewart… reveals a cruel market in which tens of millions of sharks are caught every year, their fins cut off and their bodies thrown back in the water to die.” – Glenn Kenny, New York Times

“Stewart’s third film is also his best… with scenes of marine genocide that should make us all weep tears of rage.” – Peter Howell, Toronto Star

“Rob Stewart literally gave his life for Sharkwater Extinction. From the beginning, you see his passion for sharks and his dedication to saving them.” – Alan Ng, Film Threat

“An alarming, illuminating and emotionally gripping exposé. Forget about Captain Marvel and watch this powerful doc about the quest of a real-life hero, Rob Stewart, instead.” – Avi Offer, NYC Movie Guru

Close, Director Vicky Jewson

Close, an adrenaline-pumping action thriller written and directed by Vicky Jewson (Born of War), is inspired by the life of the world’s leading female bodyguard, Jacquie Davis. The film stars Noomi Rapace as Sam. Sam is the world’s toughest female bodyguard, tasked with protecting high profile targets for terrorism and assassination. She fought her way to the top in a man’s world and feels more at home in the war zones of Sudan than back at her L.A. apartment. When she’s assigned to protect a VIP in Morocco, she thinks she’s in for a quick and easy job. That VIP turns out to be Zoe (Sophie Nélisse), a young and very rich heiress who’s never left her bubble of wealth and who isn’t keen on being baby sat. Sam can take a bullet for a president, but young privileged girls aren’t her specialty — especially a spoiled one. When Zoe’s bulletproof, secluded compound comes under attack in an explosive kidnapping attempt, Sam’s skills are put to the test. Accused of murder themselves, they must find a way to work together, determined to and hunt the attackers and their corrupt employers. Director Vicky Jewson joins us to talk about meeting Jacquie Davis and the impact it had on her decision to tell her story and the significance of her place in a world dominated by men.

 

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For news and updates on Close go to: netflix.com/close

For news and updates on Vicky Jewson go to: westendfilms.com/screeners/close

Social Media

twitter.com/jewsonfilm

Struggle: The Life and Lost Art of Szukalski, Director Irek Dobrowolski and Co-Producer Stephen Cooper

A Netflix original documentary,  Struggle: The Life and Lost Art of Szukalski takes us inside the mind of one of the last century’s great characters, offering a startling look at how history can stand in the way of true artistic genius in one generation while stepping aside to reveal it dramatically in the next. In 1968, pop culture collector Glenn Bray, who had an interest in surrealist art, happened upon an unusual book featuring the art of Stanislav Szukalski.  Like most people, Bray had never heard of Szukalski, but he delighted in showing the book of drawings and photos of sculptures to his circle of friends in the underground art comic world, including Robert and Suzanne Williams and George DiCaprio, who found the forgotten Polish master’s vision far ahead of its time. It was a few years later when Bray noticed an unusual poster  depicting Copernicus on the wall of a small bookstore in Tarzana – something he immediately recognized as the work of SzukalskiThe bookseller informed him that the artist himself had given the poster as a gift – in fact, he lived nearby.  Bray couldn’t believe it – this long-forgotten genius was still alive, and in the same area code. Featuring archival footage and dozens of interviews with Szukalski himself,  Struggle: The Life and Lost Art of Szukalski offers a startling look at how history can stand in the way of artistic genius in one generation while stepping aside to reveal it dramatically in the next. Director Irek Dobrowolski and Producer Stephen Cooper join us to talk about an incredible artist and incredibly complex, nearly forgotten “genius” who remained true to his inner demons.

 

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netflix.com/Struggle: The Life and Lost Art of Szukalski

Springsteen on Broadway, Director Tommy Zimny

SPRINGSTEEN ON BROADWAY is a solo acoustic performance written and performed by Tony Award, Academy Award, and 20-time Grammy Award winner Bruce Springsteen. Based on his worldwide best-selling autobiography Born to Run and nothing short of the theater event of the year, SPRINGSTEEN ON BROADWAY is a unique evening with Bruce, his guitar, a piano, and own stories—including a special appearance by Patti Scialfa. The intimate performance features personal anecdotes and songs including “Born to Run,” “Thunder Road” and “Brilliant Disguise.” SPRINGSTEEN ON BROADWAY was filmed live for Netflix at Jujamcyn’s Walter Kerr Theatre and directed and produced by Emmy Award-winner Thom Zimny (“Bruce Springsteen and the E Street Band: Live in New York City (2001)”). In addition to Zimny, the Netflix original special is produced by the same team that produced “Springsteen On Broadway,” including Springsteen manager Jon Landau, Springsteen tour director George Travis, and Landau Management partner Barbara Carr. Director Thom Zimny joins us for a conversation on his working relationship with one of the singular musical artist in recording history and the challenge of capturing the intimacy of a live, Broadway experience.

 

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Springsteen on Broadway on netflix.com

Social Media

Twitter/springsteen

Instagram/springsteen

Facebook/brucespringsteen

“Springsteen has mastered the dynamics needed to keep a mostly talking, partly singing show riveting for a running time that’s epic by monologists’ standards, if not his own.” – Chris Willman, Variety

“For nearly three hours, Springsteen jokes, rails, wails, and yes, plays his heart out, providing an achingly raw, often disarmingly honest breakdown of his life.” – Chris Evangelista, Slashfilm

“Not only does “Springsteen on Broadway” work on its own as a Netflix special, it gives you all the same feels seeing the show live at the Walter Kerr Theater brought out.” – Joey Madison, AwarsCircuit.com

Avicii: True Stories, Director Levan Tsikurishvili

AVICII: TRUE STORIES, a compelling new documentary film by Levan Tsikurishvili, reveals the unvarnished truth behind the success of Grammy-nominated producer, songwriter and artist Avicii (A.K.A. Tim Bergling). One of the world’s highest grossing live music artists whose seemingly sudden decision last year to quit doing live shows came as a complete shock to his fans and the industry. The film traces the artist/DJ’s life from his beginnings, all the way to the joy of his success, from his chart-topping global radio hits and subsequent struggles with his physical and mental health. Tsikurishvili followed Bergling for over four years, and captured fly-on-the-wall footage of his experiences and thinking. Featuring appearances by colleagues such as Chris Martin, Nile Rodgers, David Guetta, Tiësto and Wyclef Jean, AVICII: TRUE STORIES is a cautionary tale that explores the taxing nature and intensity of fame from the artist’s point of view as much as it is a film for Avicii’s die-hard fans.

I wanted to do a brutally honest film about Tim as a person and not only about Avicii. Everybody knows Avicii but very few people know Tim. I think this documentary really shows Tim’s struggle and strength of character. Being a worldwide superstar artist is not as easy as it looks on Instagram. – Director Levan Tsikurishvili

 

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For news and updates go to: aviciitruestories.com

“Compelling and Cautionary Tale” – Variety

“Insight into the life of a special young artist” – Cine Magazine

“Truthful, thought provoking…compelling documentary – 5 stars” – one EDM

“An unusually sincere documentary that – unlike AMY – ends with a personal triumph.” – Alfred Bos, IndieBioscoo

Shirkers, Director Sandi Tan

An inspired labor of love for zine-making (Exploding Cat) teens Sandi Tan, Jasmine Ng and Sophie Siddique, Shirkers was a Singapore-made 1992 cult classic—or it would have been, had the 16mm footage not been stolen by their enigmatic American collaborator Georges Cardona, who disappeared. More than two decades later, Tan, now a novelist in L.A., returns to the country of her youth and to the memories of a man who both enabled and thwarted her dreams. Magically, too, she returns to the film itself, revived in a way she never could have imagined. Shirkers made its world premiere at the Sundance Film Festival in 2018, where Sandi Tan received the World Cinema Documentary Directing Award, and went on to tour festivals all over the world, including True/False, HotDocs, CPHDOX, Sheffield Doc/Fest, Full Frame, San Francisco Intl. Film Festival, AFI Docs and more. Director Sandi Tan talks about her 25-year relationship with her friends, then and now, Exploding Cat and her thoughts on losing and then rediscovering a crucial part of her life.

 

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For news and updates go to: shirkersfilm.com

Social Media:

facebook.com/shirkersfilm

twitter.com/ShirkersFilm

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100% on Rotten Tomatoes

”Gloriously, gleefully idiosyncratic… vastly imaginative” – Richard Brody, The New Yorker

“Wildly delightful… teeming with incident and personality… No amount of caustic self-criticism from Tan can dampen the thrill of witnessing the vibrancy and bounteous energy of everything captured within the frame.” – Eric Hynes, Film Comment

“Enjoyably singular… an eccentric wonder to behold” – Justin Chang, Los Angeles Times

“An exuberantly dreamy grrl-power-meets-noir crime story” – Sheri Linden, Hollywood Reporter

“Sandi Tan’s Shirkers may be the year’s most compelling grifter story” – Julia Felsenthal, Vogue (interview with Sandi Tan)

“Shirkers has the handmade delicacy of a scrapbook come to life… [Sandi Tan] has produced a remarkable statement on the formation of a creative identity across many years and life experiences.” – Eric Kohn, Indiewire