I AM GRETA, Director Nathan Grossman

In 2018, 15-year-old Swedish climate activist Greta Thunberg held a school strike outside her country’s Parliament building in Stockholm. At first she sat alone, handing out information and answering questions from passersby. Slowly, others began to join her—and within months she had sparked a worldwide movement. I AM GRETA offers a personal and inspiring glimpse inside Greta’s path to becoming an internationally known environmental activist. Shot in the style of cinéma vérité and with support from the Thunberg family, cameras capture Greta’s meetings with government leaders, headline-making public appearances, and global protests. But they also depict Greta’s life outside of the moments visible on news channels worldwide: laughing at home with her family, writing impassioned speeches, and trying to handle the mounting stress of nonstop travel, public scrutiny and becoming the face of the climate change cause. The film culminates with Greta’s arduous two-week journey by sailboat to the UN Climate Action Summit in New York City, where she’s greeted by crowds chanting her name. (Greta stopped flying because of the high emissions caused by air travel.) Today, her #FridaysForFuture movement has organized climate strikes on every continent except Antarctica. As she tells the UN, “The world is waking up, and change is coming whether you like it or not.” Director Nathan Grossman joins us to talk about his filmmaker instinct to document Greta Thunberg’s first days in front of the Swedish Parliament, the remarkable level of trust he had with Greta and her family as he chronicled the tale of a young woman determined to hold the most powerful people in the world accountable for their pathological abuse of Planet Earth.

 

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For news and updates go to: iamgretafilm.com

A Statement from Greta – “I really like the film and I think it gives a realistic image of myself and my daily life. I hope anyone who watches the film can finally understand that we young people aren’t school striking just for fun. We are protesting because we don’t have a choice. A lot has of course happened since I started school striking, but sadly we are still stuck on square one. The changes and the level of awareness needed are nowhere to be seen today. All that we ask for is for our society to treat the climate crisis as a crisis, and give us a safe future. I think the film shows just how far that is from happening right now. It shows that the urgency of the scientific message isn’t getting through.” – Greta Thunberg

About the filmmaker – Nathan Grossman is educated at The Stockholm Academy of Dramatic Arts. He started his career as a stills photographer for Rolling Stone India and later moved into documentary filmmaking, mainly focusing on environmental issues. In 2015 Nathan got the world’s attention for his short film The Toaster Challenge where an athlete tries to generate energy to toast a slice of bread. The video became a global phenomenon with over 15 million views. 2017 Nathan completed his first full-length tv-series for public broadcaster SVT, about the growing meat consumption in Sweden. The show sparked a big discussion about meat consumption in Sweden and got nominated for best factual program of the year. 

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“FASCINATING. A close-up, behind-the-headlines portrait of a passionately committed, media-savvy young woman.” – Caryn James, The Hollywood Reporter

“ABSORBING. An uplifting, inspirational story.” – Lee Marshall, Screen International

“INTIMATE AND URGENT. Thunberg’s very existence has been politicized by both friend and foe, but “I Am Greta” is intent on reminding people that she’s really just a kid who has a big dream.” – Kate Erbland, IndieWire

“[Grossman’s] straightforward yet utterly compelling documentary invites us into the life of a remarkable teenager who is sure to accomplish even more remarkable things in the years to come.” – Andrew Collins, Radio Times

Red Heaven, Co-directors Lauren DeFilippo and Katherine Gorringe

The endlessly intriguing “what if” documentary, RED HEAVEN, pulls back the curtain on what are the practical implications for the astronauts on a mission to colonize Mars. What are the physical, mental and psychological impacts likely to be on these explorers in an isolated and unforgiving environment as they carry out their mission to colonize Mars? RED HEAVEN focuses on a group of six volunteers, Carmel Johnston, Sheyna Gifford, Christiane Heinicke, Tristan Bassingthwaighte, Andrzej Stewart, and Cyprien Verseux as they take part in the ultimate dress rehearsal, living inside a year-long NASA simulation designed to understand the effects of isolation on the human mind. RED HEAVEN asks audiences to look at their own fundamental needs as human beings, what they can and can’t live without, and pose a fundamental question about why humans seem so determined to explore and expand our boundaries. Co-directors Lauren DeFilippo and Katherine Gorringe join us to talk about why they see their film in a different light since the COVID pandemic and how they gained a new understanding for what our subjects went through – living together while separated from the rest of the world, everyday a struggle against the pressures of boredom and isolation.

 

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For news and updates go to: redheavenfilm.com

Director’s Statement – We were finishing up graduate school at Stanford University, studying documentary film, in the heart of Silicon Valley at a time when space exploration and traveling to Mars had reemerged in the public consciousness. It was also the moment when climate change was becoming a more prominent threat to the future of humanity. We wanted to interrogate this new fascination with sending humans to Mars. What does this dream of living on Mars say about our culture, about human beings? We both were contending with how to imagine the future at a time when the Earth is in crisis. We started to research possible stories that spoke to this question and we quickly learned about the Hawai’i Space Exploration Analogue and Simulation, where six people would soon be entering a small dome where they would live isolated from the rest of the world for an entire year as if they were on Mars. These six crew members of HI-SEAS were actually going to act out living on Mars, and they would be actually living in this world for an entire year – that was irresistibly intriguing. We were interested in the complex, human side of the story – the intensity of living in a place that is totally inhospitable to us as a species all the while being completely isolated from everything you’ve ever known. We felt that was the most fascinating part, yet it was being repeatedly overlooked in the race to get to Mars. In a way, RED HEAVEN was our mode of expressing an uncertainty about what the future holds. – Co-directors Lauren DeFilippo and Katherine Gorringe

Director/Producer: RED HEAVEN marks Lauren DeFilippo’s feature-length directorial debut. She is currently in production on two upcoming feature documentaries: Free Money (director/producer), about the world’s largest universal basic income experiment, and Ailey (producer) about visionary dance choreographer, Alvin Ailey. 

Director/Producer/Editor: Katherine Gorringe is a documentary director and editor whose work has been featured at numerous festivals including SXSW, CPH:DOX and Hot Docs. Her recent editing work includes the Emmy-nominated Netflix Original Saving Capitalism, which follows former Secretary of Labor Robert Reich. RED HEAVEN is her feature documentary directorial debut. 

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Rebuilding Paradise, Producer Sara Bernstein

Oscar winning Director Ron Howard’s gripping new documentary. Rebuilding Paradise, movingly recounts and expands on the devastating events of Nov. 8, 2018. A tragedy that began with a spark from a transmission line in Northern California, coupled with climate-impacted conditions, quickly grew into a devastating firestorm that engulfed the picturesque city of Paradise, California. By the time the Camp Fire was extinguished, it had killed 85 people, displaced 50,000 residents and destroyed 95% of local structures. It was the deadliest U.S. fire in 100 years — and the worst ever in California’s history. As residents faced the damage to their lives, to their homes and to more than 150,000 acres in and around their 141-year-old town, they did something amazing: They worked together to heal. The community members went on to forge a bond stronger than what they had before the catastrophe, even as their hope and spirit were challenged by continued adversity: relocations, financial crises, government hurdles, water poisoning, grief and PTSD. From the moment the crisis began, The Camp Fire and its overwhelming aftermath became a de facto lesson in what we all must do: protect our environment, help our neighbors, plan for future dangers and remember to preserve the traditions that unite us — just as these resilient citizens did when they began the important task of REBUILDING PARADISE. Producer Sara Bernstein joins us for a conversation on how the production team, led by Oscar-winning director Ron Howard gained the confidence and trust of families scarred by one of the most devastating fires in California as well as documenting the resiliency and character of the people rebuilding Paradise.

 

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For news and updates go to: nationalgeographic.com/rebuilding-paradise

About the filmmaker – Sara Bernstein is an award-winning producer and Executive Vice President at Imagine Documentaries the newly launched documentary division of Ron Howard and Brian Grazer’s, Imagine Entertainment. Recent feature films she has executive produced include Once Were Brothers: Robbie Robertson and the Band (2019) and Dads (2019) which premiered at the Toronto International Film Festival. The Ron Howard-directed documentary film, Rebuilding Paradise (2020), for National Geographic Films, D.Wade: Life Unexpected (2020) for ESPN Films and the documentary feature film on legendary chef Julia Child, Julia (2021) directed by Academy Award nominees Julie Cohen and Betsy West. Prior to joining Imagine, Bernstein was Senior Vice President, HBO Documentary Films over seeing nonfiction development and production for HBO. Credits include Academy Award-winner Citizenfour (2014), Academy Award-winner Music by Prudence (2010), Academy Award nominees Burma VJ: Reporting from a Closed Country (2008), Iraq In Fragments (2006), The Children of Leningradsky (2005), Poster Girl (2010). Emmy-nominated The Inventor: Out for Blood in Silicon Valley (2019), Emmy-nominated The Case Against Adnan Syed (2019), Judd Apatow’s Emmy-winning The Zen Diaries of Garry Shandling (2018), Emmy winners Going Clear: Scientology and the Prison of Belief (2015), White Light, Black Rain: The Destruction of Hiroshima and Nagasaki (2007) and Mea Maxima Culpa: Silence in the House of God (2012). Emmy-nominated The Case Against 8 (2014), Mapplethorpe: Look At The Pictures (2016), Chris Hegedus & D.A. Pennebaker’s Emmy-nominated Unlocking The Cage (2016); Beware the Slenderman (2016), I Love You Now Die (2019) and Mommy Dead and Dearest (2017). Bernstein has garnered 10 Emmy wins, 29 Emmy nominations and 11 Peabody Awards. Documentaries she has supervised have garnered 2 Oscars and 13 Oscar nominations.

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92% on Rotten Tomatoes

“Rebuilding Paradise might easily have blazed with righteous fury, but its conclusions are quieter and bleaker.” – Ellen E Jones, Guardian

“Filmmaker Howard admittedly does a superb job of immediately drawing the viewer into the briskly-paced proceedings…” David Nusair, Reel Film Reviews

“Howard’s documentary is not so much about the fire as it takes a looks at the resilience members of the community showed. It is both painful and inspirational.” – Rick Bentley,Tribune News Service

“Mr. Howard wants us to know that greater challenges lie ahead… Yet his documentary also dramatizes the resilience and resourcefulness we can bring to bear in meeting them. Calamity, the film says, isn’t destiny.” – Joe Morgenstern, Wall Street Journal

The Sounding, Director & Lead Actor Catherine Eaton

In her riveting feature film debut, THE SOUNDING, Catherine Eaton also stars as Liv, a young woman who has never spoken, raised on a remote island by her grandfather Lionel (Harris Yulin, “Ozark”). When Lionel discovers he’s dying, he calls the driven, privileged son (Teddy Sears, “The Flash”) of his best friend to the island and asks him to protect Liv’s independence, alongside Lionel’s attorney (Frankie Faison, “The Wire”). That night, as Lionel is reading to Liv, his voice fails him. Liv picks up the book of Shakespeare and begins – first reading, then weaving a new language from Shakespeare’s words. She is committed to a psychiatric hospital and becomes a full-blown rebel in the hospital; her increasing violence threatens to keep her locked up for life as she fights for her voice and her freedom.  At a tipping point for otherness in our current climate, THE SOUNDING champions it. Director Catherine Eaton joins to talk about the origin story for THE SOUNDING, the challenges and rewards of being on both sides of the camera and the supportive cast and crew who made the film such a success.

 

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For news, updates and screenings go to: thesoundingfilm.com

About the Filmmaker – Catherine Eaton’s feature debut as a director and writer, The Sounding has won two-dozen awards on the festival circuit. She was chosen for Tribeca Film Festival’s ”Through Her Lens” Lab and Grant for emerging female directors, and was selected as a Shadowing Director for show runner Ryan Murphy’s Half Program on the hit Fox show “9-1-1.” Her pilot script “Breaking News” – based on her personal experience working with freelance news crews in conflict zones – was selected for IFP’s Project Forum and as a finalist for the Screenwriters Colony. Catherine shared an Emmy with the production team on “The Human Toll of Ethanol” for Bloomberg TV, and did freelance production work for various news crews for five years. As an actor, she’s been seen on Broadway, TV and film, and was nominated for a Helen Hayes Award for Best Actor in a Leading Role. Catherine teaches Screenwriting at Harvard University. 

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“Ms. Eaton’s film can be… precious in several spasms of ritual jubilation, but it’s never less than fascinating, and often beautiful.” – Joe Morgenstern, Wall Street Journal

“Makes you want to brush up your Shakespeare: start quoting him now.” – Harvey S. Karten, Shockya.com

Wine and War: The Untold Story of Wine in the Middle East, Co-directors Mark Ryan and Mark Johnston

In 2013, inspired by the book Wines of Lebanon by Michael Karam, filmmakers Mark Johnston and Mark Ryan set out to change the perceptions of the Middle East – and in particular the tiny nation of Lebanon – by examining an enigmatic and misunderstood part of the world with winemakers who had a story to tell. Co-directors Johnston and Ryan released their first award-winning documentary The Invisible Front, but by then, they were already in Lebanon recording stories of courage, adventure and determination. There, they met Michael Karam, and two became three. Wine and War: The Untold Story of Wine in the Middle East tells the story that starts in the 2nd BC, when the Phoenicians, the ancient Lebanese, with their awesome trading empire gave the gift of wine to the then known world. They were the first wine merchants! In doing so, the Lebanese became the masters of crisis management, a skill personified by Lebanon’s winemakers who for thousands of years have gone about their work in war, famine, occupation and the constant hum of political instability. Co-directors Mark Ryan and Mark Johnston join us to talk about the amazing resilience of the Lebanese people and how wine is such a powerful thread in their shared history.

 

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For news, updates and screenings go to: wineandwar.com

About the filmmaker – Mark Johnston is an executive producer and documentary filmmaker who is known for tackling a full range of near-impossible production challenges with a proven track record of creative development in complex and cross-functional multicultural environments. Mark has invested all his savings to make documentaries. He doesn’t own a home. He literally once moved into a mini van to save money to film a documentary. Mark’s passion for the work takes him to the farthest places on the globe and he always strives to do what he can to help each project realize its full potential. Big budget or big challenge, domestic or around the globe… Mark has done it all with calm collection and inventive problem solving be it feature film documentaries, TV campaigns, brand funded content, animated short films, live event programming, experiential projects, the Lanzarote Iron Man, En Svensk Klassiker, Vasaloppet, and the Stones 100k Ultra Marathon. 

About the filmmaker – Mark Ryan, Director / Producer. Over the past two decades, Mark has been a producer, director, and cinematographer on five continents and the North Pole. Early in his career, Mark was part of a film crew that was the first in thirty years to be given unprecedented access to the Hopi Indians of Arizona. This experience cemented Mark’s desire to sensitively tell the stories of other people. Mark has a number of film credits under his belt including the James Beard Award-winning short films The Scent of Black and Stewards of the Land. He’s also served as a producer on the MTV hit show Pimp My Ride.  A Los Angeles native, Mark is a graduate of the University of Southern California with a BA in Cinema Production. He also holds a post-graduate degree from Central St. Martins School of Fine Art in London.  Today, Mark combines his love for adventure, travel, and hearing the stories of other people with best practices for capturing scenes of film to create stunning imagery for clients around the world.

 
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InterReflections, Director Peter Joseph

InterReflections explores deep social issues. In three timelines our main story takes us into the future when ecological crisis and inequality has destabilized society. John Taylor, a defected government intelligence agent turned revolutionary leader, is captured by his former colleague and nemesis, Simon Devoe. Simon leads a government spy agency, encouraging John to join him to avoid punishment. Simon humors John as they debate ideas about humanity, seeing no possibility of John’s escape. But John has a secret. Our second timeline follows a woman in modern day, experiencing life as a horror show, reflecting issues such as racism and environmental destruction. Fired from her job, she sets about finding another. Her journey transforms her. Timeline three takes place 100 years forward as four academics of this future talk about the way things used to be in the early 21st century. They speak of “The Great Transition,” a dramatic global revolution that changed everything for the better. Director Peter Joseph (The New Human Rights Movement, The Zeitgeist Movement) joins us for a conversation about his genre-shattering approach to filmmaking and what his film’s vision says about the world we live in.

 

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For news, screenings and updates go to: interreflectionsmovie.com

InterReflections will arrive online in various VOD outlets on Oct 6th 2020. This page will be updated at that time with both access to the online services and available DVD/Blu-ray.

About the filmmaker – Peter Joseph is an American musician, filmmaker, author and activist. His most recent media work is the live action film InterReflections, to be released on Oct 6th 2020. Other notable credits included the award-winning “Zeitgeist Film Series”, the Culture in Decline web series and his book The New Human Rights Movement, published in 2017 by BenBella books. He is also host of the podcast Revolution Now! started in 2020. In 2009, he founded  “The Zeitgeist Movement”, a global, nonprofit sustainability advocacy group and has been on the Advisory Board/Steering Committee for “Project-Peace on Earth“ since 2013. He also founded and curates the Annual Zeitgeist Media Festival for the arts and periodically works with UN working groups including UNFUCA and The World Academy. Joseph has given talks around the world, including the UK, Canada, GermanyAmerica, Brazil & Israel. He was a featured speaker at the 2011 Leaders Causing Leaders Conference [Lecture Here] and his work has been profiled in the New York Times, Vice, The Huffington Post, The Marker, Free Speech TV, The Young TurksThe Examiner and many other media outlets. He has participated in multiple TEDx Events, has worked with The Global Summit  and is also a frequent social critic on the news network Russia Today. He has appeared on the Joe Rogan Experience Podcast, Thom Hartmann’s The Big Picture, Watching The Hawks, BoomBust, Redacted Tonight with Lee Camp, The David Pakman show, Christopher Ryans “Tangentially Speaking” podcast, Telesur’s Empire Files with Abby Martin, The Jimmy Dore Show and others.

 
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The Artist’s Wife, Director Tom Dolby

Claire (Lena Olin) lives a quiet domestic life in the Hamptons as the wife of celebrated artist Richard Smythson (Bruce Dern). Once a promising painter herself, Claire now lives in the shadow of her husband’s illustrious career. While preparing work for his final show, Richard’s moods become increasingly erratic, and he is diagnosed with dementia. As his memory and behavior deteriorate, she shields his condition from the art community while trying to reconnect him with his estranged daughter, Angela (Juliet Rylance) and grandson from a previous marriage.  Challenged by the loss of her world as she knew it, Claire must now decide whether to stand with Richard on the sidelines or step into the spotlight herself. Director Tom Dolby (Call Me My Your Name, Little Men, Regarding Susan Sontag, Scotty and the Secret History of Hollywood) stops by to talk about his compelling, clear-eyed look at a loving couple’s faltering attempts to find a way forward.

 

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For news, screenings and updates go to: theartistswifefilm.com

About the filmmaker – Tom Dolby’s feature film writing and directing debut, Last Weekend, starring Patricia Clarkson, was released in 2014 by IFC/Sundance Selects and called “Chekhovian” by The New York Times, with Ms. Clarkson’s performance hailed as “terrifically nuanced, heartbreaking, and often very funny” by the San Francisco Chronicle.  Dolby is the founder of Water’s End Productions, where he and his team have developed a slate of narrative features and documentaries with the goal of supporting provocative and challenging human stories. The company funded the development of the Academy Award-winning film Call Me By Your Name, on which he served as an Executive Producer.  Dolby and Water’s End have also produced the critically acclaimed films Little Men, Regarding Susan Sontag, Scotty and the Secret History of Hollywood, The House of Tomorrow, and Little Woods, among others. Upcoming projects include an adaptation of the novel Women in Sunlight by New York Times bestselling author Frances Mayes (Under the Tuscan Sun). Dolby is also the author of four novels, and his writing has appeared in The New York Times, The Village Voice, and the San Francisco Chronicle, among others. Born in London and raised in San Francisco, he is a graduate of Yale University, where he received his B.A. in the history of art. He lives in Los Angeles with his two daughters. For many years, he had a house in Wainscott, NY, right next to East Hampton

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“The emotions are powerfully put on screen by two great veterans.” – Alci Rengifo, Entertainment Voice

“Bruce Dern and Lena Olin are fantastic here.” – Joey Magidson,Awards Radar

“A really beautiful portrait of a relationship.” – Lael Loewenstein;FilmWeek (KPCC – NPR Los Angeles)

“By refusing to compromise about life’s messiness, it makes an art of chaos in elegantly composed vignettes filmed with a chilly beauty, and gives us an ending that is maddening, yet absolutely true.” – Andrea Chase,Killer Movie Reviews

Once Upon a River, Director Haroula Rose

Based on the best-selling novel by Bonnie Jo Campbell, ONCE UPON A RIVER is the story of Native American teenager Margo Crane (Kenadi DelaCerna) in 1970s rural Michigan who after enduring a series of traumas and tragedies, sets out on an odyssey on the Stark River in search of her estranged mother. On the water, Margo encounters friends, foes, wonders, and dangers; navigating life on her own, she comes to understand her potential, all while healing the wounds of her past. ONCE UPON A RIVER features newcomer Kenadi DelaCerna, John Ashton (Midnight Run, Gone Baby Gone), Tatanka Means (The Son, Saints & Strangers, Tiger Eyes), Ajuawak Kapashesit (Caleb, Outlander), Sam Straley (Hala,.Chicago P.D.), Coburn Goss (Man of Steel, What Women Want), Lindsay Pulsipher (True Blood, Justified, Hatfields & McCoys), Kenn E. Head (ER, Chicago Fire). Director Haroula Rose joins us for a conversation on her collaboration with author Bonnie Jo Campbell, bringing her background in music into the filmmaking world and bringing the role of Margo to life through the stellar performance of newcomer Kenadi DelaCerna.

 

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For news, screenings and updates go to: filmmovement.com/once-upon-a-river

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“A tender coming-of-age drama with a slice of rural period piece that is both chilling and earnestly moving.”  — THIRD COAST REVIEW

“One of the Most Anticipated American Films” — FILMMAKER MAGAZINE

“There’s a lot to love about ‘Once Upon a River.’ Kenadi DelaCerna shines!” – FILM THREAT

“Stunning! …a tender coming of age drama with a slice of rural period piece.” – The Moveable Fest

Public Trust, Director David Garrett Byars

One of the most important documentaries of the year, Public Trust is a film that needs to be seen by everyone who enjoys getting out in nature. Although many of us take the 640 million acres of America’s Public Lands for granted, these lands are endangered by powerful forces that are attempting the largest land grab in modern history. By focusing on the eminent destruction of the Boundary Waters Wilderness in Minnesota, the downsizing of Bears Ears National Monument in Utah, and the wholesale appropriation of the Arctic National Wildlife Refuge, director David Garrett Byars enlists a slew of journalists, land historians, tribal leaders, and government whistleblowers to present a highly persuasive argument that is impossible to ignore and vital to hear. Above all else, as Executive Producer Robert Redford tells us,Public Trust is the story of citizens who are fighting back. It’s a much-needed wake-up call for all of us who want to preserve our unique and wild cultural heritage. Director David Garrett Byars joins us to talk about the on-going schemes by the most pernicious corporate interest to steal our heritage and how a growing group of dedicated and non-partisan people from around the country are thwarting them.

 

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For news and updates go to: patagonia.com/films/public-trust

Our public lands are under threat. Join us in the fight to protect them. Text ‘DEFEND’ to 71333.

Public Trust will premiere on Friday September 25 on YouTube Watch it for free for the next 30 days,

About the filmmaker – David Garrett Byars made his directorial debut at the 2017 Tribeca Film Festival with No Man’s Land, a documentary about the 2016 militia occupation of the Malheur National Wildlife Refuge that sparked international headlines. Byars also produced and lensed Massacre River, Suzan Beraza’s film about statelessness in the Dominican Republic.

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100% on Rotten Tomatoes

“If Donald Trump ever stands trial for crimes against the public interest, this film should be entered as evidence.” – Louis Proyect, Counterpunch.org

“Don’t miss it.” – Randy Myers, San Jose Mercury News

“Public Trust is calling for advocacy instead of just interest…and makes the case for why we all should be invested. It’s a beautiful documentary, and an important one.” – Tom Santilli, Movie Show Plus

“The documentary is conventionally structured and sometimes placid, but it has an alarming message.” – Ben Kenigsberg, New York Times

“Public Trust is calling for advocacy instead of just interest…and makes the case for why we all should be invested. It’s a beautiful documentary, and an important one.” – Tom Santilli, Movie Show Plus

Miracle on the Desert, Director Greg Bassenian

Greg Bassenian (“CSI: Miami”) eye-opening award-winning documentary Miracle in the Desert: The Rise and Fall of the Salton Sea, which lays bare the startling environmental disaster that is the Salton Sea in California’s coveted Coachella valley.  Charting the Salton Sea’s creation in 1905 to the current devastating environmental crisis that it faces today, this harrowing journey takes the viewer into the toxic dust. As the largest lake in California begins to dry, millions of lives are in danger as clouds of toxic dust threaten the health of millions of Californians. Following in the footsteps of Al Gore’s eye opening An Inconvenient Truth, Bassenian’s  new documentary carefully plots the course of economic growth that sprouted a shimmering desert riviera laden with costly construction challenges developing into the perfect storm – creating an unstable ecosystem that now lays to waste the health of the Coachella Valley’s community as both local and federal governments look to pass the cost of fixing things onto someone other than themselves. Director Greg Bassenian joins us to talk about this accidental body of water’s orgin-story, it’s moment of fleeting fame and the dire consequences for all of Southern California if measures are not taken to rescue The Salton Sea from total collapse.

 

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Miracle in the Desert: The Rise and Fall of the Salton Sea, will be released by Gravitas Ventures, a Red Arrow Studios company across North America on all VOD/Digital & Blu-Ray/DVD platforms beginning on September 22nd, 2020.

Director statement –  The Salton Sea is a cautionary tale of ego, ambition and neglect that stand to impact the health of millions of people, many of them right here in Southern California. There’s been a lot of said about the Salton Sea in the past, but this film sets the record straight, and we’re proud to partner with Gravitas to bring it to the world.  You might not believe some of what you see, but we assure you, it’s all real and happening as we speak. Greg Bassenian

“a riveting documentary about the plight of the Salton Sea.” – Greg Archer, Palm Springs LIfe Magazine

“A complete, riveting and entertaining history of the Salton Sea. A must see!”- Joe Smith, NBC Palm Springs

Space Dogs, Co-directors Elsa Kremser and Levin Peter

In their mesmerizing new film, SPACE DOG, Elsa Kremser and Levin Peter chronicle the legacy of Laika, a stray dog picked up by the Soviet space program on the streets of Moscow, the first living being to orbit the earth when she was launched into space on Sputnik 2. Kremser and Peter trace the persistence of her memory and legacy into the present day. As the capsule containing the lifeless body of Laika re-entered Earth’s orbit and began to burn up, the narrator announces “What had been a Moscow street dog had become a ghost.”The ghost Laika lives on in the present-day strays of SPACE DOGS. Photographed at ground level with wandering, hypnotic camera movements, the strays are seen navigating the urban environs of modern Moscow. In hewing closely to the dog’s point of view, the city is rendered as a strange, alien environment. Pulsating music from buildings and unidentified passerby take on an unfamiliar quality as the dogs explore this strange new world. Archival footage of the Soviet space program is interwoven throughout the film, reveling in the bizarre tests and procedures the canines were subjected to in preparation for space travel. Co-directors Elsa Kremser and Levin Peter join us for a conversation on their fascinating project that features stunning cinematography and meditative pacing that recalls the work of Andrei Tarkovsky, and how SPACE DOGS de-centers humans in order to uncover a forgotten history.

 

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For news, screenings and updates go to: icarusfilms.com/if-spaced

For more about the filmmakers go to: raumzeitfilm.com

About the filmmaker – Director ELSA KREMSER Born 1985 in Austria, Elsa Kremser studied Film at the University of Vienna and the Filmakademie Ludwigsburg. As an author and producer, she realized several documentaries that were shown worldwide. Her diploma film NEBEL premiered at the Berlinale. She was a jury member of Visions du Réel and participated in the Nipkow Grand and the EuroDoc program. In 2016 she founded the Vienna-based production company RAUMZEITFILM together with Levin Peter. As a directing duo, they are currently working on their first fiction feature, THE GREEN PARROT, which received the Berlinale Kompagnon Script Award. Their recent documentary SPACE DOGS premiered at Locarno IFF where it received two special jury mentions. It was presented at over 50 festivals worldwide and awarded as the “Best Austrian Film 2019” at the Viennale.

About the filmmaker – Director LEVIN PETER Born 1985 in Germany, Levin Peter studied at the Filmakademie Ludwigsburg where he realized several documentaries that were shown worldwide. His diploma film BEYOND THE SNOWSTORM won the German Upcoming Film Award and was presented as a Guest at the Berlinale. He was a jury member at Visions du Réel and received the Nipkow and the Gerd Ruge Grant. In 2016 he founded the Vienna-based production company RAUMZEITFILM with Elsa Kremser. As a directing duo, they are currently working on their first fiction feature, THE GREEN PARROT, which received the Berlinale Kompagnon Script Award. Their recent documentary SPACE DOGS premiered at Locarno IFF where it received two special jury mentions. It was presented at over 50 festivals worldwide and awarded as the “Best Austrian Film 2019” at the Viennale.

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“Brutal but also deeply sensitive; a complex work that got under my skin.” —Film Comment

“No one leaves this movie unchanged.” —Publico

“Radical and rigorous; one of the documentaries of the year.” —Film Idea

“Like Disney directed by Andrei Tarkovsky.” —CineVue

“Undoubtedly the most exciting film at Locarno: a philosophical film that does what cinema has to do: show unseen images.” —Deutchland Funk

“Successfully subverts the anthropocentric gaze to illustrate the violent way humans inhabit space.” —Little White Lies

“A total work of art, foreshadowing a near future in which man is no longer the center of the world.” —Kino Zeit

“Ingenious; Kremser and Peter connect a roughly hewn space traveling animal history with modern stray subjects.” —IonCinema

“The scariest film of the year.” —CineEuropa

Buoyancy, Director Rodd Rathjen

BUOYANCY is the story of a Cambodian teenager sold into forced labor on a Thai fishing boat is a passionate testimony against social injustice and a moving coming-of-age tale about a boy whose humanity is put to the test. Spirited 14-year-old Chakra works the rice fields with his family. He yearns for independence and seeks out a local broker who can get him paid work in a Thai factory. Without telling his family, Chakra travels to Bangkok to make his fortune. But when he gets there, he and his new friend Kea realize the broker has lied to them. Along with other Cambodians and Burmese, they are sold to a fishing captain as slaves. Chakra and Kea are trapped at sea, trawling fish 22 hours a day, surviving on just a handful of cold rice a day. The captain quickly weeds out those weakened by the conditions or trying to escape, and throws them overboard. The trawler sells its catch and restocks its supplies without going to land, making escape impossible. Chakra looks to Rom Ran to understand what it will take to be free. With hope and humanity dwindling, Chakra decides to take matters into his own hands. Director Rodd Rathjen joins us to talk about shooting at sea, with a cast composed of mostly non-English speaking actor, making his first feature film.

 

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For news, screenings and updates go to: kinolorber.com/film/buoyancy

Australia’s Official Oscar Submission
Ecumenical Jury Prize – Berlinale Panorama

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“A terse minimalist thriller… supremely satisfying.” – Paul O’Callaghan, Sight & Sound

“A harrowing edge-of-your-seat adventure tale with social punch.” – Deborah Young, The Hollywood Reporter

“Taut and urgent.” – Jessica Kiang, Variety

“Powerful. A gripping debut.” – Paul Byrnes, Sydney Morning Herald

Get Duked!, Director Ninian Doff

GET DUKED! follows teenage pals from Glasgow Dean, Duncan and DJ Beatroot as they embark on the character-building camping trip — based on a real-life program — known as the Duke of Edinburgh’s Award, where foraging, teamwork and orienteering are the order of the day. Eager to cut loose and smoke weed in the Scottish Highlands, the trio find themselves paired with strait-laced Ian, a fellow camper determined to play by the rules. After veering off-path into remote farmland that’s worlds away from their urban comfort zone, the boys find themselves hunted down by a shadowy force hell-bent on extinguishing their futures. From writer-director Ninian Doff — making his feature debut after a slew of award-winning music videos and short films for artists including Run the Jewels, The Chemical Brothers, Miike Snow, Migos, and Mykki Blanco — comes an anarchic satire of generational politics, hip-hop-loving farmers and hallucinogenic rabbit droppings that pits the youth of tomorrow against the status quo of yesterday. GET DUKED! stars Eddie Izzard, Kate Dickie, Georgie Glen, James Cosmo and a breakout young cast featuring Samuel Bottomley, Viraj Juneja, Rian Gordon, and Lewis Gribben. Creator and director Ninian Doff joins us for a raucous conversation on the brilliance of Eddie Izzard, getting a chance to bring his music video chops to a feature film and why the Brits are so attuned to the power of satire.

 

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Watch Get Duked! at amazon.com/Get-Duked!

About the filmmaker: Ninian Doff is a robot built by the military as an advanced ruthless killing machine. Unfortunately when they booted him up he showed no interest in murder and to their dismay started making films instead. He is considered the greatest military failure in history. Nominated for 9 British Arrows 2020 (Sainsburys and Veg Power), Grammy 2020 Best Music Video Nominated (Chem Brothers), Campaign’s Top 10 Directors 2019, Winner Shots Awards “Television Commercial of the Year – Up to and including 60 second” (Veg Power), BIFA Best Debut Director Nominated (Boyz In the Wood/ Get Duked!), Winner Just Film Grand Prix Talin Black Night Festival (Boyz In the Wood/ Get Duked!), Winner The Siren Award for Best Feature Film 2019 Lund Fantastik Film Festival (Boyz In the Wood/ Get Duked!), Winner Music video of the year Ars Independent Festival (Chemical Brothers), Nominated Best Dance Video UKMVA 2019 (Chemical Brothers), Winner SXSW Audience Award Midnighters (Boyz In The Wood), Winner of Best Director at UKMVA 2016. Winner Best Urban Video, Best Pop Video UKMVA 2016. D&AD Director Pencil 2016. Gold in FilmCraft at Europebest 2015. UKMVA 2015 Best Director Nominee. UKMVA 2104 “Best Director” Nominee. Winner UKMVA 2014 “Best Choreography”. Winner of UKMVA 2013 “Best Indie Video”. Jury and Audience award at ‘Depict13 at Brief Encounters Film Festival 2013. Nominee at UKMVA’s in last 3 years running including “Best New Director”. Selected for Saatchi and Saatchi’s New Director’s Showcase at Cannes 2012 and One Dot Zero’s “New British Talent 11”. Work has been screened at over A BILLION festivals around the world including SXSW, LA Film Festival, London Short Film Festival, Las Vegas Film Festival, Montreal Museum of Modern Art, The V&A London. For more on the filmmaker fo to: niniandoff.com

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“Fabulously funny and subversive.” – Anne Brodie, What She Said

“Serves as a distinctive calling card for a gifted yet twisted comedian, one without the slightest qualms about turning a bucolic countryside jaunt into a bloody “The Hills Have Eyes”-style hunting party.” – Peter Debruge, Variety

“A rambunctious film shot through with daft humour and an endearing, toxic masculinity-smashing sweet streak.” – Jamie Dunn, The Skinny

“An anarchic, pitch black, generation gap horror comedy that’s also one of the funniest films in a year where we are desperately in need of a laugh.” – James Croot, Stuff.co.nz

The rePRO Film Festival and mama.film Co-founders Lela Meadow-Conner, Mallory Martin and Debby Samples

The rePRO Film Festival begins its inaugural run this August 12-16. The virtual film festival is dedicated to exploring women’s reproductive healthcare, awareness, advocacy and bodily integrity in America. The lineup of films includes documentaries and narratives dealing with women’s rights, endometriosis, illegal sterilization, access to abortion, and reproductive justice for women of color, among other topics. rePRO Film Festival, will host five days of features, short films and themed-conversations focused on a range of topics including healthcare access, fertility, pregnancy, sexual education, abortion, and issues related to the gender spectrum. In-festival moderated conversations will include call-to-action messaging on how people can get involved in a corresponding initiative or topic. The conversations, designed to spotlight the creators who dare to tell stories about women’s reproductive rights, and to showcase courageous advocators, will be available online for free globally. All feature films playing the rePRO Film Festival are directed by women, and all filmmakers, including shorts filmmakers, are being paid to screen their films. The pay-what-you-can film ticket proceeds for films at the festival will be converted to donations to be split evenly among five beneficiary non-profit organizations – SisterSong, Endometriosis Foundation of America, Center for Reproductive Rights, URGE and Trust Women. Tickets are on sale online at repromamafilm.org. Tickets are all pay-what-you-can ($5, $10 or $15) with a limited number of complimentary vouchers available upon request to ensure access for all. rePro Film Festival and festival sponsor mama.film founders Lela Meadow-Conner, Mallory Martin and Debby Samples join us to talk about the launch of their deep dive into the issues, challenges and stories that face 49% of the world’s population and the people who love them.

 

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For news, screenings and updates go to: repromamafilm.org

About MAMA.FILM – Through the power of cinema, mama.film (link), a 501c(3) non-profit organization, unites nurturers of all kinds to ignite conversation and to reflect upon our shared human experience. Founded in 2019, in a pop-up microcinema in a shipping container in Wichita, Kansas, mama.film has since been awarded expanded programming to Cleveland, and to a virtual platform. Film selections include stories and topics that amplify and explore the evolving realities of the human condition and that spark dialogue and reflection. mamafilm is committed to representing the realities and complexities of a diverse range of nurturers, across race, class, geography, sexual preference, ability and generation.An emphasis is placed on independent and foreign films that are grounded in authentic storytelling. mamafilm is committed to supporting the work of creators who are  nurturers and caregivers. Initial support for rePRO by mama.film was generously provided by a grant from the George R. Tiller, M.D., Memorial Fund for the Advancement of Women’s Health at the Wichita Community Foundation. Follow @mamafilm1 on Instagram or Twitter for updates, or follow rePRO by mama.film on Facebook for more updates.

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The Medicine, Director Farzin Toussi

Can an ancient Amazonian plant medicine help heal mankind? Farzin Toussi’s documentary THE MEDICINE reveals the hidden mysteries of one of nature’s most powerful and controversial healing remedies: Ayahuasca. Increasingly popular in the West, Ayahuasca is both a tradition in Amazonian shamanism and a promising new focus of mental health research. THE MEDICINE introduces spiritual leader Taita Juanito Guillermo Chindoy Chindoy, both a teacher and student of the sacred plant in the Colombian Amazon, where Ayahuasca is known as Yagé. Former NFL safety Kerry Rhodes and actor AnnaLynne McCord, each facing personal struggles, are introduced to Ayahuasca by Taita Juanito, guided through a true ceremonial practice, and emerge with new insights. THE MEDICINE also features leading scholars and authors exploring the cultural and scientific significance of Ayahuasca. Humanity faces an unprecedented rise in addiction, depression, and disease – can an ancient indigenous plant medicine help heal mankind? Perhaps the cure lies within the arms of Mother Nature. Director Farzin Toussi joins us to talk about his professional and personal journey into the spirit world, ancient cultures and a root and plant that has changed lives and sustained a way of life for thousands of years.

 

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For news and updates go to: themedicinedocumentary.com

Watch The Medicine now at: Amazon, iTunes, Google Play, Fandago, Vudu

For an extended look at The Medicine click here

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Seahorse, The Dad Who Gave Birth, Director Jeanie Finlay

This warm-hearted documentary SEAHORSE follows Freddy, a 30 year-old gay transgender man who yearns to start a family. However for Freddy this ordinary desire comes with unique challenges. Deciding to carry his own baby took years of soul searching, but nothing could prepare him for the reality of pregnancy, as both a physical experience and one that challenges society’s fundamental understanding of gender, parenthood and family. He quickly realizes that what to him feels pragmatic, to others feels deeply confusing and confronting; this was not part of his plan. Against a backdrop of increasing hostility towards trans people the world over, Freddy is forced to confront his own naivety, mine unknown depths of courage and lean on every friend and family member who will stand by him. Made with unprecedented access and collaboration over three years, the film follows Freddy from preparing to conceive right through to birth. It is an intimate, audacious and lyrical story for the cinema about conception, pregnancy, birth and what makes us who we are. SEAHORSE is directed by acclaimed filmmaker Jeanie Finlay (Game of Thrones, The Last Watch, Orion: The Man Who Would Be King). Jeanie Finlay joins us for a conversation on one trans man’s pioneering quest to fulfil an age-old desire: to start his own family.

 

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For news, screenings and updates go to: seahorsefilm.com

About the Director: Director / Producer / Writer Jeanie Finlay is one of Britain’s most distinctive documentary makers. She creates award-winning work for cinema and television, telling intimate stories to international audiences. She has made films for HBO, IFC, BBC as well as four commissions for the acclaimed BBC Storyville strand, including BIFA nominated The Great Hip Hop Hoax and  BIFA Award-winning Orion:The Man Who Would Be King Whether inviting audience behind the scenes of Teesside’s last record shop in her home town (SOUND IT OUT), or to share the extraordinary journey of a British transgender man, pregnant with his child (BIFA nominated Seahorse) or onto the set of the world’s biggest television show (Emmy nominated Game Of Thrones: The Last Watch), all of Jeanie’s films are all made with the same steel and heart, sharing an empathetic approach to bringing overlooked and untold stories to the screen. She set up Glimmer Films in 2008 to develop and deliver ambitious, engaging documentary works, made in the region for an international audience. Glimmer Films aim to: Creatively challenge the form of documentary. Celebrate untold, intimate stories. Further explore “wraparound filmmaking”; continuing a groundbreaking practice of engaging with audiences in innovative and meaningful ways throughout production and distribution. For more on Jeanie and her work go to: jeaniefinlay.com

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100% on Rotten Tomatoes

★★★★ ”A tender – and rather wonderful – documentary about love, family, raging hormones and the complexities of identity.” – The Guardian

★★★★ ”A fascinating, vital story told with heart and tenderness” – Little White Lies

“An engaging, empathetic and affecting film from master-documentarian Jeanie Finlay” TOP 5 FILMS TO SEE IN CINEMAS THIS WEEK – Mark Kermode

★★★★ ”An astonishing, unmissable story” – Financial Times
“One of the most moving things I have ever witnessed. I am forever changed. – Portland Observer

The Grey Fox, Producer Peter O’Brian

Francis Ford Coppola protégé Phillip Borsos directs The Grey Fox, an elegiac, low-key tale about real-life bandit Bill Miner that has become a classic of Canadian cinema. Having been released from jail in 1901 following a 33-year prison sentence for robbing stagecoaches, Bill Miner (Richard Farnsworth) finds himself living in a society that has completely changed from the one of his youth. He tries to put his life of crime behind him and settle down in Washington state with his sister, but the quiet life does not suit him. He feels restless but uncertain as to how to proceed next. The answer comes to him when he sees Edward S. Porter’s The Great Train Robbery. Soon, Miner has slipped over the border into Canada and, along with his new partner, Shorty (Wayne Robson), robs the Canadian Pacific Railway Trans-continental Express. Later, while laying low after the crime in a remote corner of British Columbia, he meets the beautiful, strong-willed photographer Kate Flynn (Jackie Burroughs). In writing this script, Borsos reportedly made heavy use of contemporary court documents and testimonies. Producer Peter O’Brian stops by to talk about his collaboration with director Phillip Boros and Richard Farnsworth and The Grey Fox 4K Restoration is being released through Kino Marquee.

 

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Watch The Grey Fox and support local theatres – kinomarquee.com/the-grey-fox

Kino Marquee is a new initiative that creates “virtual cinemas” for temporarily closed independent theaters. Local audiences support their community’s theater in these uncertain times by buying a virtual “ticket” to watch the film. Their ticket purchases directly support their local art house as all revenue is being shared between distributor and exhibitor, just as if they bought their ticket at the theater’s box office. Kino Marquee currently works with over 350 art house theaters across the nation.

Farnsworth is a superb camera subject, with a lulling sexual presence. [Director Phillip] Borsos is an inspired image-maker.” – Pauline Kael, The New Yorker

 “One of the loveliest adventures of the year…director Phillip Borsos is able to make this a human story and still keep it exciting as an action picture.” – Roger Ebert, Chicago Sun-Times

 “Terrific. Richard Farnsworth is a delight…remarkably appealing with a face the camera adores.” – Vincent Canby, The New York Times

“Fits beautifully between McCabe and Mrs. Miller and Unforgiven, each of them stories about characters coming to term with changing times. There are even echoes of The Irishman, and the newly-refreshed film is ripe for reconsideration.”  – Jason Gorber, Slashfilm

Planet of the Humans, Director Jeff Gibbs

Released on the eve of the 50th anniversary of Earth Day and in the midst of the global Covid-19 pandemic, PLANET OF THE HUMANS takes a harsh look at how the environmental movement has lost the battle through well-meaning but disastrous choices, including the belief that solar panels and windmills would save us, and by giving in to the corporate interests of Wall Street. PLANET OF THE HUMANS is the debut movie from director Jeff Gibbs, whom Executive Producer Michael Moore calls “a brave and brilliant filmmaker whose new voice must be heard.” Gibbs is a lifelong environmentalist and longtime collaborator of Moore’s with whom he co-produced Bowling for Columbine and Fahrenheit 9/11. Gibbs has dared to say what no one will — that “we are losing the battle to stop climate change because we are following environmental leaders, many of whom are well-intentioned, but who’ve sold out the green movement to wealthy interests and corporate America.” This film is the wake-up call to the reality which we are afraid to face: that in the midst of a human-caused extinction event, the so-called “environmental movement’s” answer is to push for techno-fixes and band-aids. Moore and Gibbs decided that with the American public — and much of the world – confined to their homes and suddenly having to consider the role humans and their behavior have played in our fragile ecosystem, the moment was too urgent to wait until later this year for the film’s planned release. Director / Producer / Writer / Editor and Cinematographer Jeff Gibbs joins us for a free-wheeling conversation on the hard truths we all face and the dawning realization that we have allowed ourselves to be lulled into believing the billionaire class is going to ensure a sustainable collective future.

 

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For news and updates go to: planetofthehumans.com

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“This is perhaps the most urgent film we’ve shown in the 15 year history of our film festival” – Filmmaker Michael Moore, Founder, Traverse City Film Festival

“A delusion-shattering documentary on how the environmental and green energy movements have been taken over by capitalists.” – Frederic and Mary Ann Brussat, Spirituality and Practice

“A bleak picture of a near future that mankind’s very existence is irrevocably condemning.” – Simon Foster, Screen-Space

“This doc, directed by long-time Michael Moore collaborator Jeff Gibbs, advocates passionately for a planet suffering from environmental devastation but offers few glimmers of hope.” – Liam Lacey, Original Cin

“From the warnings of the 1950s to the 21st-century corporate takeover of green energy, a grim look at humanity’s fate as the planet heats up. Is there any hope? This feels like only half the story.” – MaryAnn Johanson, Flick Filosopher

BULL, Director Annie Silverstein

The quietly powerful new film from award-winning director Annie Silverstein BULL focuses on a  14-year-old Kris (Amber Havard), who, after trashing her neighbor’s house in a fit of youthful defiance, seems destined to follow in her mother’s footsteps to the state penitentiary. To make amends, she is forced to help Abe Turner (Rob Morgan), an ex-bull rider scraping by on the Texas rodeo circuit, with errands at home and at his work. While traveling with Abe, she discovers a passion for bull riding.  Yet, as Kris sets out to learn the dangerous sport, bad influences lure her back into delinquent ways. Meanwhile, Abe struggles with the aches and pains of growing older and aging out of the only life he has ever known. Together, Kris and Abe forge an unexpected connection, helping each other see new possibilities and hope for the future before it’s too late. Director and writer Annie Silverstein stops by to talk about the inspiration for BULL and how her experience as a social worker informs her instincts as a filmmaker.

 

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About the filmmaker – Annie Silverstein is an award winning filmmaker and media educator based in Austin, Texas. Her films have screened at international festivals including Cannes, SXSW, Silverdocs and on PBS Independent Lens. Her latest film, SKUNK, won first prize at the 2014 Cannes Film Festival–Cinéfondation. Before attending film school, Annie spent ten years as a youth worker and community media educator. She co-founded and served as Artistic Director at Longhouse Media, an indigenous arts organization based in Seattle. For her work there, Annie received the National Association for Media Literacy Award for outstanding contributions made in the field of media education. Annie is a lecturer at the University of Texas-Austin, where she earned her MFA in Film Production. Annie was named one of the “25 New Faces of Independent Film” by Filmmaker Magazine and was selected for the Sundance Screenwriters and Directors Labs for Bull, her feature debut. Annie recently premiered Bull at the Cannes Film Festival in Un Certain Regard.

For news, screenings and updates go to: samuelgoldwynfilms.com/bull/

For more on Annie Silverstein got to: anniesilverstein.com

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“The fact that this never comes across as maudlin is tribute to a director who knows her way through dark places, and a pair of actors who can create a quiet storm.” – Steve Pond, TheWrap

“By resisting sentimentality, the filmmaker, alongside her naturalistic actors, allows us to sit inside the characters’ despair so that we appreciate the intensity of its stifling oppression.” – Tim Grierson, Screen International

“As she proved with her superb, award-winning 2014 short film Skunk, Silverstein portrays marginal lives with unflinching honesty and heart-wrenching humanity.” – Loren King, AWFJ Women on Film

“[Director] Silverstein makes a strong case that these people have something worthwhile to say to viewers. There is a grace and tenderness to the movie that are hard to resist.” – Daniel Eagan, Film Legacy

The Dog Doc, Director Cindy Meehl

As a pioneer of integrative medicine, which combines conventional medicine with cutting edge alternative treatments, veterinarian Dr. Marty Goldstein has been called everything from “maverick” to “miracle-worker.” Attracting four-legged patients from around the world, Dr. Goldstein’s practice, Smith Ridge Veterinary Center, provides holistic care for animals after other vets have given up hope. In THE DOG DOC, director Cindy Meehl (BUCK), goes behind the scenes at Smith Ridge to capture the full drama of “Dr. Marty” and his colleagues’ life-changing commitment to wellness and the astounding results they achieve. Filmed over a 2½ year period, Meehl’s unobtrusive camera highlights the vulnerability of her subjects – canine and human – while tracking each animal’s progress. THE DOG DOC joins the touching stories of families with the hard science of integrative care. By casting an intimate lens over this unique world, THE DOG DOC shows the healing powers of wellness, compassion and hope. Director Cindy Meehl joins us for a conversation of why conventional techniques and alternative medicines coupled with compassionate care make Doctor Goldstein’s approach so successful.

 

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For news, screenings and updates go to: dogdocthefilm.com

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“An admiring portrait, to be sure, but one that poses penetrating questions about what passes for health care today in the United States, for people and their pets alike.” – Sheri Linden, Hollywood Reporter

“A riveting documentary about a veterinarian who cures seemingly hopeless cases of dog disease with the addition of alternative tweaks.” – Harvey S. Karten, Shockya.com

“”The Dog Doc” doesn’t just tug on the heart to make its point about alternative treatment, but resonates with the mind.” – Stephen Saito, Moveable Fest

“…an evenhanded, detailed look at the integrative veterinary practice of Dr. Marty Goldstein.” – Amy Taubin, Film Comment Magazine

The Woman Who Loves Giraffes, Director Alison Reid

In 1956, four years before Jane Goodall ventured into the world of chimpanzees and seven years before Dian Fossey left to work with mountain gorillas, 23-year-old biologist Anne Innis Dagg made an unprecedented solo journey to South Africa to study giraffes in the wild.  In THE WOMAN WHO LOVES GIRAFFES Anne (now 86) retraces her steps, and with letters and stunning, original 16mm film footage offers an intimate window into her life as a young woman, juxtaposed with a first hand look at the devastating reality that giraffes are facing today. Both the world’s first ‘giraffologist’, whose research findings ultimately became the foundation for many scientists following in her footsteps, and the species she loves have each experienced triumphs as well as setbacks. In THE WOMAN WHO LOVES GIRAFFES Anne takes us on her first expedition back to Africa to retrace where her trail-blazing journey began more than half a century ago. By retracing her original steps, and with letters and stunning, original 16mm film footage, Anne offers an intimate window into her life as a young woman, juxtaposed with a first hand look at the devastating reality that giraffes are facing today. Both the world’s first ‘giraffologist’, whose research findings ultimately became the foundation for many scientists following in her footsteps, and the species she loves have each experienced triumphs as well as nasty battle scars. THE WOMAN WHO LOVES GIRAFFES gives us a moving perspective on both. Director Alison Reid joins us for a conversation on meeting Anne Innis Dagg and learning how this gentle soul is more than a pioneer in understanding these magnificent creatures, but just as importantly an advocate for women and science.

About the filmmaker: Alison Reid (Director, Writer, Producer) is an award-winning director who began her career as a stunt coordinator and second unit director. After accumulating 300 credits, she formed Free Spirit Films to produce projects diverse in genre but similar in their exploration of the human spirit. Reid received the 2007 Crystal Award for Emerging Director from DGC/WIFT. Her independent feature, The Baby Formula (2009), sold internationally, won the Audience Award at the Inside Out LGBT Film Festival, ‘Best LGBT Film’ at Nashville Film Festival and was nominated for the Golden Zenith at the Montreal World Film Festival. Her television directing credits include Saving HopeHeartland and Murdoch Mysteries.

 

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For news and updates go to: zeitgeistfilms.com/film/thewomanwholovesgiraffes

To see The Woman Who Loves Giraffes in Los Angeles go to: Laemmle.com

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100% on Rotten Tomatoes

“This warm documentary uses one woman’s singular passion to fuel a tale of zoological discovery, blatant sexism and environmental alarm.” – Jeannette Catsoulis, THE NEW YORK TIMES

“INSPIRING… A bright spot in the middle of this dark month, Alison Reid’s unabashedly sincere documentary offers gentle comfort even when it brushes up against tough subjects.” – Elizabeth Weitzman, THE WRAP

“Her research was groundbreaking, and the 16 millimeter color footage she shot at the time, amply displayed in the documentary, is breathtaking.” – Peter Rainer, THE CHRISTIAN SCIENCE MONITOR

“Alison Reid’s loving documentary affectionately celebrates little-known giraffologist Dr. Anne Innis Dagg’s groundbreaking scientific work and generous contributions to women’s equality.” – Tomris Laffly, VARIETY

“An inspiring documentary that should be at the top of everyone’s list of must-see films.” – , THE ALLIANCE OF WOMEN FILM JOURNALISTS

Island of the Hungry Ghosts, Director Gabrielle Brady

ISLAND OF THE HUNGRY GHOSTS takes place off the coast of Indonesia, in the Australian territory of Christmas Island, inhabited by migratory crabs traveling in their millions from the jungle towards the ocean, in a movement that has been provoked by the full moon for hundreds of thousands of years. Poh Lin Lee is a “trauma therapist” who lives with her family in this seemingly idyllic paradise. Every day, she talks with the asylum seekers held indefinitely in a high-security detention centre hidden in the island’s core, attempting to support them in a situation that is as unbearable as its outcome is uncertain. As Poh Lin and her family explore the island’s beautiful yet threatening landscape, the local islanders carry out their “hungry ghost” rituals for the spirits of those who died on the island without a burial. They make offerings to appease the lost souls who are said to be wandering the jungles at night looking for home. ISLAND OF THE HUNGRY GHOSTS is a hybrid documentary that moves between the natural migration and the chaotic and tragic migration of the humans, which is in constant metamorphoses by the unseen decision-making structures. Director Gabrielle Brady joins us to talk about her beautiful and quietly powerful tale of desperate people trapped in a place of pervasive uncertainty and a woman trying to help them cope.

 

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For news, screenings and updates go to: christmasislandfilm.com

** 2020 Spirit Award nominee for Best Documentary **

Tribeca Film FestivalAward for best documentary film

Mumbai International Film Festival Grand Jury Prize for best film

IDFAHuman rights award

Adelaide international Film Festival Winner best documentary film

 

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“ Island of the Hungry Ghosts is one of the year’s most impressively made documentaries, a film that’s as occasionally surreal as it is persistently moving. Island of the Hungry Ghosts is a true discovery.” – JOSHUA BRUNSTING, CRITERION CAST

“A documentary overflowing with empathy, poetry, and elemental power.”  – HUBERT VIGILLA, FLIXIST

“Hauntingly beautiful Island of the Hungry Ghosts combines multiple narratives…into one glorious whole… A mesmerizing work of visual wonder, the breathtaking images forming an evocative setting for a vital discussion of human rights… A stunning, visceral first feature, announcing the director as a major talent to watch”  – CHRISTOPHER LLEWELLYN REED, FILM FESTIVAL TODAY

“The best documentary award goes to a film that demonstrates extraordinary mastery of the full symphonic range of cinematic tools: cinematography, editing, score, sound design and, perhaps greatest of all, an exquisite use of metaphor. To a film that moved us deeply, impressed us immensely and made us feel we were witnessing nothing less than the emergence, fully formed, of a major new cinematic talent” – TRIBECA JURY

Slamdance Film Festival, Co-founder and President Peter Baxter

It all began when a group of cheerful, subversive filmmakers weren’t accepted into the Sundance Film Festival. Unwilling to take “no” for an answer, they instead started their own event – Slamdance: Anarchy in Utah. 26 years later, Slamdance has become a year-round organization fostering the development of unique and innovative filmmakers. The organization now consists of the Film Festival, Screenplay Competition and Slamdance Studios. It has also created Slamdance On The Road, a traveling theatrical showcase that brings popular Slamdance films to audiences that otherwise would not have the opportunity to see them. Dan Mirvish, Jon Fitzgerald, Shane Kuhn and Peter Baxter are the founding forefathers who, along with co-conspirator Paul Rachman, fought for truly independent filmmakers by giving them a voice in 1995 at the very first Slamdance Film Festival. Since then, the festival takes place every January in the breathtakingly stunning, snow-capped mountains of Park City, Utah at the exact same time as the Sundance Film Festival, to provide a more authentic representation of independent filmmaking. Up-and-coming writers, directors and producers, alongside seasoned veterans and film lovers, converge for the weeklong celebration of independent cinema, realizing that Slamdance is a great place to find those next, great, visionary films. Slamdance lives and bleeds by its mantra By Filmmakers For Filmmakers. No other film festival in the world is entirely run and organized by the creative force that can only be found in filmmakers. Slamdance adamantly supports self-governance amongst independents, and exists to deliver what filmmakers go to festivals for – a chance to show their work and a platform to launch their careers. The festival has earned a solid reputation for premiering films by first-time writers and directors working within the creative confines of limited budgets. Co-founder and President Peter Baxter joins us to talk about this year’s Slamdance, the groundbreaking films and the innovative new distribution and digital initiatives being launched by Slamdance.

 

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For news and updates go to: slamdance.com
Check out the film schedule at slamdance 2020 schedule

 

Slamdance Film Festival – January 24-30 at the Treasure Mountain Hotel in Park City, Utah

 

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December 27 – Dawson City: Frozen Time, Director Bill Morrison

A hallucinatory cinematic fever dream, Dawson City: Frozen Time tells the bizarre true story of some 533 silent film reels, dating from the 1910s and 20s, that accumulated at the end of a film distribution line in northwestern Canada and which were miraculously discovered some 50 years later, in 1978, buried in a sub-arctic swimming pool, deep in the Yukon permafrost. Filmmaker Bill Morrison (Decasia, The Miners’ Hymns, The Great Flood) deftly combines excerpts from this remarkable collection with historical footage, photographs, and original interviews, to explore the complicated history of Dawson City, a Canadian Gold Rush town founded across the river from a First Nation hunting camp, and then traces how the development of that town both reflected and influenced the evolution of modern Cinema. Combined with a powerful, evocative score by Alex Somers ( Captain Fantastic; Hale County This Morning, This Evening; Honey Boy), orchestrated and arranged by Ricardo Romaneiro, Dawson City: Frozen Time is a triumphant work of art that spins the life cycle of a singular film collection into a breath-taking history of the 20th century. Director, writer and editor Bill Morrison joins us to talk about his amazing re-creation of a time and place that existed in the parallel universes of a nascent film industry and crushing avarice of a gold rush that still resonates today.

About the filmmaker: Bill Morrison has premiered films at the New York, Rotterdam, Sundance, and Venice film festivals, and multi-media work at major performance venues around the globe such as BAM, the Barbican, Carnegie, and Walt Disney Concert Hall. Morrison’s films typically source rare archival footage in which long-forgotten, and sometimes deteriorated, imagery is reframed as part of a collective mythology. His work has been recognized with the Alpert Award, Creative Capital, the Foundation for Contemporary Art, a Guggenheim fellowship, and a mid-career retrospective at MoMA. His found footage opus Decasia (2002) was the first film of the 21st century to be selected to the Library of Congress’ National Film Registry. The Great Flood (2013) was awarded the Smithsonian Ingenuity Award of 2014 for historical scholarship. Dawson City: Frozen Time (2016) won a Critics’ Choice Award for the most innovative documentary of the year, and was named the best documentary of 2017 by the Boston Society of Film Critics.

 

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“an instantaneously recognizable masterpiece” – Glenn Kenny, New York Times

“Bill Morrison, whose extraordinary documentary Decasia turned decomposing film stock into the stuff of avante-garde reverie, returns with another staggering journey into the past.” – J. R. Jones, Chicago Reader

“The thrilling documentary “Dawson City: Frozen Time” is indescribable not because it’s ambiguous (it’s totally straightforward) but because it does so many things so beautifully it is hard to know where to begin.” – Kenneth Turan, Los Angeles Times

“The rise and fall of Dawson City, intimately tied to the vagaries of climate and man’s greed, is heartbreakingly rendered.” – Peter Rainer, Christian Science Monitor